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  • MTA 254 Sound: Week 12

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    MTA 254 Sound Week 12 Archival Project must be posted to my site today. The goal of sound in film is ".to reassociate those sounds with images of objects or situations" The Music Video Model: more. Recorded music is blasted onto the set by a location sound person. Film or video is shot to match the pacing and style of the music.

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    254-Week 12

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    MTA 254 Sound Week 12 Archival Project must be posted to my site today. The goal of sound in film is ".to reassociate those sounds with images of objects or situations" The Music Video Model: more. Recorded music is blasted onto the set by a location sound person. Film or video is shot to match the pacing and style of the music.

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    19 views12 pages

    MTA 254 Sound: Week 12

    Uploaded by

    tlipfert
    MTA 254 Sound Week 12 Archival Project must be posted to my site today. The goal of sound in film is ".to reassociate those sounds with images of objects or situations" The Music Video Model: more. Recorded music is blasted onto the set by a location sound person. Film or video is shot to match the pacing and style of the music.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
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    of 12

    MTA 254 Sound

    Week 12

    • Archival Project must be posted to my site TODAY.

    • Hand in PTF file. Make sure your names are on the


    file name. For example: smith-jones.ptf

    • ADR Projects: work in lab this week and next. Post to


    website by Friday 4/29 at 5pm.

    • Book time in the Sound Room. Start using it today!

    • Final Exam: Thursday May 5, 8:00 - 9:50 AM, in this


    room. Review session TBA from Mike Suarez.

    Wednesday, May 4, 2011


    Wednesday, May 4, 2011
    Readings review:
    Murch & Chion

    Why was Europe not enthusiastic about the coming


    of Sound?
    Musique concrete - (1947) “Music” from sounds that
    exist, rather than from what is written down and
    played with musical instruments.
    The goal of sound in film is “...to reassociate those
    sounds with images of objects or situations that
    were different... than the objects or situations that
    gave birth to the sounds in the first place.”

    Wednesday, May 4, 2011


    Readings review:
    Murch & Chion
    The “shadow” finally dances free.... Think of an
    object, and it’s “shadow” being its sound.
    Synchresis: Once it has danced free, sound can
    re-attach itself (ax chopping wood = bat striking ball)

    Wednesday, May 4, 2011


    More... Film Music
    Pushing the Boundaries in your own work

    The Music Video Model:

    • Recorded music is blasted onto the set by a


    location sound person.

    • Film or video is shot to match the pacing and


    style of the music.

    Wednesday, May 4, 2011


    Wednesday, May 4, 2011
    The “Work Closely with a Composer” Model

    Signs (movie sucks but score information is good!)

    Wednesday, May 4, 2011


    Wednesday, May 4, 2011
    The Musical!
    Music and dance intregral to the story--function to
    advance the plot (or, are the plot!).
    Westside Story (1961) won 10 Oscars.
    Seems hokey now, but was groundbreaking
    because it was shot on location, dealt with
    urban issues, immigration, street gangs, etc.
    There is no real difference between Westside Story
    and the Radiohead music video...

    Wednesday, May 4, 2011


    Wednesday, May 4, 2011
    Other Traditions

    For example: Lagaan (Bollywood - 2001)


    Uses song & dance to tell a story, but...
    largely unconcerned with plausibility of actors
    singing, and with “realism”of sound or sonic space.
    Is the dominant film industry in the world. Yes, you
    read that right!

    Wednesday, May 4, 2011


    Wednesday, May 4, 2011

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