‘TO SHOOK PICTURES
te shot pin
aking pce is a act in ine
in hich something 8 snapped out os oun ie
sn rnd neice hd dation
leis comma aun
that wharves capered in tic act
lis IN FRONT OF sh camera
‘But hae no ere
king pictures sa act we dredons
fours
and backward
ang panes so "bakin. ”
Thien even 0 Tame 9 compan
Je a the hue i,
sims at the ec in font of hi,
pol th riggs,
ands wher the Bit depo ihe mul
Fe chrowa backwards bythe esl.
the phourgrasher, cw, is thrown Bachan
conto hin,
whe: leasing the shes
‘A photngraph ix nays «double nage
showing a ie lcs, i ub,
hue aa second lance — amore o es ss,
de chin." ape
the reverse angle
she tur of he photoppher
ofthe explosion,
this counecrimage comained in svey ph
raph
it actually cap by the Ig her
(xt somairnsomlow increible pte,
ss inside impression a che phonograph
‘hat even gst develope within dh dara chemise
‘What shen is the sci ofthe phonograph?
ow doy fel ite impact
How docs it alc he subj
anal which race oft appes on she photograph
In Geman ther is a mos rvclig ond
Fir this phenomena
sword
aww fram a variety oF cones:
"EINSTELLUNG.”
Te ascams che ati
i which somoone approaches some
pehnbogialy or ehialy
ux "Fisclleg!
is ak arom fro phocography and fun
sigifing bot the “uke” a particle shot adits Fain
asl as how he camer is aie
‘ofthe aporune and exposure
Dy whick dhe cameraman “aks che picesIsis na eincifonce
‘hat a ein Gm he sae wo sins Ba
theaninide
and he psue than pros
Fry pire inde
rors he ited
oF ehoerer ook i
Sothe oman oi
comeypords she photographs pret
hac soe oes ile “bind he pct,”
ony intend epi ie Cor Be eee.
St defne the paeyiphers ATTETEDE
revands hater wat in Font of is dor bs
scars theron an ye
apabl of broking fread and backed
ard same ins
Forts it des ct “shoo pita
balsa conde age shad,
sax oF wr of the phrogaphers mind,
by looking argh eough hs or hee
tothe bo fis fe sa
Ves oranda caen sss ht
achat the wih
carats sia subj in dhe fe pa
thee Sowing simulancouy THE THINGS
snd THE DSIRE Fee.
very second,
avewhers in che wold
sonveone resis shutier
aptaring something
because he (or she) i Fncinated by a crein LIGHT
oF FACE
or GESTURE.
for LANDSCAPE
or MOOD
or siiplyBocase « SITUATION,
rants the capraed
Te aubjoves of phorography,
obsionsy
ase counten,
‘multiplied ro infin by every second
Sail each and every mumene oF pcturerakinge
—
wheteverin the wood i takes place
isa single evens,
gurantee by she incense pages of time,
‘sen the ells of tous snapshots
as thas psc ssgned photo opporcuites™
seach a onetineonly even
ven in ite move evil and cotmonplce momen
tine rein ireesied‘Whats atanishing with each an every photograph
ise sa much that "ewes
— as pop commonly chink —
be tha on che contrary
tite proves with evry prune anew
HOW cnucapable aod perpen ics
tery phorogaph isa mementos
ror phoragreph alls about ie and dat
ay “piture capris a sora of sere,
rrascenc the eas photographer,
sind ees all uma capaci
Frey oc i al an at ean
‘os of i
From Cin perpen
sw toapea,
sscling hi incr Fagin commandment
“Th sl geen image
Tore peraes
Irth hase the nce privy a ting pete
is "oo go ew be tue
Pur jastes welts
to ra be oo
Taking pears faways an ac of presumpion
so ihelion,
Taking pe shos ich ns yrae
va much es oes mod
(vas he reat hy she acide Bragg
smc more comma in photogs
than she sca of haenbse)
hos a camera sors ewe dnstons,
Fivwards ad hacked,
merging hoe piste
so thar he “hack” dishes in the “on,
ie allons dhe phorogrphor
ae the very moment af ehooving
te he fone wie the sabes
rather than spared fc the.
“Though the "viewfinder
‘the wlwer can step oi of his hel
so be “on the her sid’
oF the world,
sand dhetebytemeanber bres,
understand eer
see betes
tas hater,
and Joe more dep
(aad aba denpine mare dep oo,
he “vl ear all esse a ll)
Wikia every photograph
here ali che begin of
starting "One upon sme
{ser phoraraph ie the iss Foe of mors
(itn the next moment,
he eat eee of he sce fa ep ahs o
Ue subse ine tha