The world is full of people who can go to the Louvre, walk rapidly past rows of very interesting, though secondary, pictures. But we are no less wrong to neglect particular beauty, the beauty of circumstance and the sketch of manners. The pleasure which we derive from the representation of the present is due not only to the beauty with which it can be invested, but also to its essential quality of being present.
The world is full of people who can go to the Louvre, walk rapidly past rows of very interesting, though secondary, pictures. But we are no less wrong to neglect particular beauty, the beauty of circumstance and the sketch of manners. The pleasure which we derive from the representation of the present is due not only to the beauty with which it can be invested, but also to its essential quality of being present.
The world is full of people who can go to the Louvre, walk rapidly past rows of very interesting, though secondary, pictures. But we are no less wrong to neglect particular beauty, the beauty of circumstance and the sketch of manners. The pleasure which we derive from the representation of the present is due not only to the beauty with which it can be invested, but also to its essential quality of being present.
The Second Famous Experiment of Kuleshov Consisted of Photographing The Impassive Face of Moszhukhin and Cutting It Alternatively With A Bowl of Steaming Soup