Academia Belgica, Rome, 1719 January 2011

Program
Monday, Jan. 17th
9.15 - 9.30 Introduction Pieter Berg - Markus Neuwirth Session I

15.00 - 16.30

Cadential artiCulations (b)

Session IV

What is a Cadence?
Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire
Via Omero 8 - 00197 Roma www.academiabelgica.it

15.00-16.30: Eighteenth-century Concepts of the Tonic as Reflected in the Exposition and its Recomposition Peter A. Hoyt Break Session V

9.30 - 13.00

CadenCes, sChemata & Forms

17.00 - 18.00

to play the CadenCe

9.30-11.00: Gjerdingens Prinner: Further Harmonic and Formal Considerations William Caplin Break 11.30-13.00: Schemes: Schemata and the EighteenthCentury Cadence Vasili Byros Break Session II

17.00-18.00: The Leuven Cadence Compendium Project Pieter Berg/David Lodewyckx

Wednesday, Jan. 19th

9.30 - 13.00 partitura & partimento Session VI

15.00-18.00

Cadential artiCulations (a)

9.30-11.00: The Cadence in the Partitura Tradition Felix Diergarten Break 11.30-13.00: The Cadenza in Partimento Theory and Practice Giorgio Sanguinetti Break Session VII

15.00-16.30: The Half Cadence and Other Analytic Fictions Poundie Burstein Break 16.45-18.00: To play the Cadence The Game Special Session

15.00 - 18:30

Tuesday, Jan. 18th

9.30-13.00 empiriCal approaChes Session III

avoiding the CadenCe Break

15.00-16.30: Absent Cadences Danuta Mirka 17.00-18.30: Fuggir la cadenza, or The Art of Avoiding Cadential Closure. A Contemporaneous Theoretical Perspective on 18th-century Music Markus Neuwirth Conclusions & Perspectives

9.30-11.00: The Perception of Cadential Closure in Mozarts Keyboard Sonatas David Sears / William Caplin / Stephen McAdams Break 11.30-13.00: Characteristic Signatures of Cadences in Mozarts Piano Sonatas Martin Rohrmeier/ Markus Neuwirth Break

Prof. dr. Pieter Berg (University of Leuven, Belgium) Drs. Markus Neuwirth (University of Leuven, Belgium)

18.30 - 19.30