Abstract dance - A plot less work composed of pure dance movements, although the composition may suggest a mood

or subject. Adagio - Any dance to slow music; also, part of the classical pas de deux in ballet. In classical ballet the pas de deux (duet) consists of four sections: an opening adagio in which the man supports the woman in turns and balances, followed by a solo variation for each of them, and concluded by a fast coda in which they again dance together. air, en l' - (ballet) a step done off the ground -- for instance, rond de jambe en l'air. alegrias - Spanish Gypsy dance. It suggests the movements of the bullfight and is usually danced by a woman alone. allegro - A dance with a fast or moderate tempo. That part of a ballet class comprised of fast turning or jumping, especially beaten steps; usually follows the adagio. allemande - an 18th century dance. allonge - (ballet) an elongated line; in particular, the horizontal line of an arabesque with one arm stretched front and the other back. Amalgamation - A combination of two or more patterns or movements. amague - a fake arabesque - a position in which the dancer stands on one leg, straight or bent, with the other extended to the back at 90 degrees. Argentinean tango - originated in the West Indies where it was danced only by the lowest classes. Arkansas traveler - an old time barn dance depicting a salesman of tin ware who came from Arkansas. Arm Styling - Positioning and movement of the arms, reflecting the character and style of the dance. arrastre - a drag. assemble - a jump from one to both feet, usually landing in fifth position. attitude - a pose in which one leg is raised in back or in front with knee bent, usually with one arm raised.