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ANTICHTHON UNIVERSALIS

Antichthon Universalis Copyright 2010 ngel Ortega Release #1 http://triptico.com/artwork/antichthon_universalis.html

In loving memory of ngel Ortega Rodrguez (1939 2009) This is exactly the book he would dislike

Foreword First time I heard about Antichthon Universalis was in the summer of 2010, in an email from my friend Pavel Kolsinski. On it he told me about a newly discovered document, seemingly received from an anonymous source by a semiotic professor at the University of Salamanca which also prefers to remain anonymous. All the secrecy involved, though certainly suspicious of forgery, called for my immediate attention. Before having the document in my hands, my friend Pavel described it very well: its a rather short text, initially thought to be handwritten (but almost immediately after demonstrated to be an electronicallygenerated document) written in an unknown script and illustrated with bizarrely looking pictures. The text is some kind of encyclopedia for a strange world. This conclusion has been inferred from the very structure of the book, as no word of it has been translated yet. When the document arrived to me, I fully agreed with my friends description. It surely lacks interest for those initiated in famous cryptograms, but its something curious to look at. After being asked what could be done with it, Pavel told me that the source had given to him full rights on the publication of the document; he immediately bounced these rights to me, and thats why Im the editor. The name of the book, given by Pavel himself, comes from one of the illustrations found in the first pages, showing a rather symbolic diagram of what seems to be a central solar system with two planets orbiting in completely opposite positions, not unlike some ancient representations of what the philosopher Philolaus thought to be the Counter-Earth (or, in greek, Antichthon), a twin planet for our Earth that was always behind the Sun (so, obviously, invisible to us). In the illustration, the planet with the small crescent Moon is assumed to be Earth, and the other, more remarked, the object of the text. I wasnt sure if the Universalis part in the title is grammatically correct and suggested Encyclopedia or Tractatus, but Pavel preferred the original name and I kept it. As said above, the book seems to be structured (based in the nature of the illustrations) in a very similar way to other universal treatises with common sections about cosmogony, fauna, flora and geography.
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It contains no recognizable page numbers, titles, headings nor punctuation. The text is structured in paragraphs and seems to flow from left to right and from top to bottom. The script resembles the characters used in the Rohonc Codex and the glyphs are separated from each other, with no visible ligatures between them nor joined characters, as in oriental scripting systems like Chinese or Hangul (Pavel has seen similarities to these Korean symbols in some of the glyphs). There are a total of 34 different characters (not counting the blanks between them), all uniformly spared and with a similar statistic ratio, giving the hint that its more like an encoding than an alphabet or syllabary. Anyway, Im no language expert and cannot give a definitive answer to this. The book has been edited in an almost facsimile way to help experiencing it as I did on first arrive. I added page numbers to easily annotate or reference it. Apart from this, no additional modification was done to the original. It has been said that this text is a joke or game (like the Codex Seraphinianus) or a perverse mischief (like the Oera Linda) forged by somebody with too much time. My opinion is that the script itself is not intrinsically artistic in any way, so it should contain a hidden message using some kind of coding system. Given that the illustrations are rather simple and crudely drawn, and expecting that the writer and the illustrator are the same individual, I guess the algorithm to decrypt the text wont be too difficult to crack by an average amateur (Im also no cryptology specialist in any way, so maybe Im mistaken). There is nothing more to be said about this document. Just in case someone finds a way to decode it or wants to add any light to this little mystery, please email Pavel Kolsinski (pavel.kolsinski@gmail.com) or me (angel@triptico.com).

ngel Ortega

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Annex I Table of figures

Page 11 13 14 16 18 20 21 23 25 26 26 27 28 30 Description A solar system, with two opposite planets. One of them has a satellite resembling the Moon Three planets connected by tubes An egg shell containing tentacles and a tower. The tower has an eye on top A crowd of what seem people and animals walking down a stair from a big wall to a planet A hybrid tree with large leafs on top, small branches in the middle and eyes in the roots Some pictures of grass having animal appendixes as roots A dome made of hexagons. The hexagons seem to float up A horned beast with no eyes, two legs, two big protruding bags on the bag and a spiral-shaped tail Four heads of horned animals. They look similar or at least related to the previous one A flower with an eye in the center A head of a horned animal, with ears and no visible eyes. Instead of them, it has two long stems A winged shark A semi-human beast with fangs, sharp teeth and no eyes. It walks with its arms and have its legs over its shoulders Two skulls, one apparently human and the other similar to it but without no eye cavities and sharp teeth. It could be related to the previous one A hooded man looking through a pipe Pipes A view from a high tower. A door can be seen, and far away more towers with peaks and catwalks to other buildings A set of small houses hanging from chains and ropes, connected by ropes and thin bridges A skull hanging from a rope, in a device similar to a crane A bucket with bones, hanging from a rope A diagram with an eye in the center and branches showing pipes, a seascape, collectors dropping dark liquid, a maze and a volcano. A ship with legs A round, wheel-like device that seems to be some kind of vehicle

32 33 35 37 38 38 41 44 45

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Annex II Symbol list

Symbol : A I ; E M U D 4 Y F O W G J H S C K X 6 2 Q B V P L 3 R N T 7 5 Z Description (alias) Line of dots Legged triangle Key and table Triangle of dots Fork Small H Headphones Chair Left lightning House Hook Crossed curly Square H Right lightning Curly Inverted fork Spring with floor Delta X with floor Round H Big J Te Crossed Y Mirror Inverted headphones Curved Y Crossed mirror Box and key Spring Lizard Key and saw Doble crossed J Boxed ball Crossed ball Frequency 460 428 420 414 394 391 384 379 377 376 360 358 357 353 350 345 343 336 335 334 333 323 322 318 307 304 295 292 289 281 268 254 252 247 Ratio 3,97% 3,70% 3,63% 3,58% 3,40% 3,38% 3,32% 3,27% 3,26% 3,25% 3,11% 3,09% 3,08% 3,05% 3,02% 2,98% 2,96% 2,90% 2,89% 2,88% 2,88% 2,79% 2,78% 2,75% 2,65% 2,63% 2,55% 2,52% 2,50% 2,43% 2,31% 2,19% 2,18% 2,13%

This table shows all the symbols that appear in the corpus of the text; there are 34 different glyphs, and a total of 11579. The frequency column shows the number of times each one appears, and the ratio one the percentage of appearance from the grand total. Given the similarity of these numbers can be inferred that the text is an encoding instead of another classical scripting system. 51

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Everything shown or told in this book, including this paragraph, can be considered from pure invention to patent lie. Pavel Kolsinski and ngel Ortega are fictional characters as well. Composed during the summer of 2010.

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