Beyond Cinema Introduction by Paula M Le Dieu: Director of digital in Film institute Solar systems, Phoenix Gallery digitally film

and technologist artists/ Matt Hanson, Matt.hason.net, Matt Adams, Machine to see with Lizzie Gillett Jamie King Matt Hanson Swam of angels Interest over 20 years, film critic Cinematic language was quite traditional and undeveloped. Interested in bringing digital technology to improve cinematic experience. First experiences of cinema showed a train. The train was shown coming towards the screen which made people leave the theatre in fear of being crush by the oncoming train. Super matter of the screen, pulled towards screening, we have a fascination with single screen. Want to immerse within it however not consumed literally. Celluloid death of the block buster broadening interest to wider theme . Hollywood is looked towards for innovation, formula Hollywood and film festival in Cannes and Berlin. Still a part of a traditional process cant be sold, therefore locked up and ham strung to reach out to people. Innovation in cinema is 1.0 film festival creative work, see the work through Vimeo, on tablet . Chris Milk cinematic experience BJ CREW, Film makers are becoming more interested in change relate Floating Frames, Strange Days Film, Recording experiences through your retina, Floating Screen San Francisco MoMA William Gibson Spook country, Themes explored include the ubiquity of locative technology, the eversion of cyberspace and the political climate of the United States in the aftermath of the September 11, 2001 attacks.

The Game-cinematic experience of playing with a role with reality The Game is a 1997 neo-noir psychological thriller film directed by David Fincher, starring Michael Douglas, Tunnel 228 Punch Drunk Privillion theatre experiences, cinematic vignettes 246 film makers changes urban reality, James Clares work, cinematic realities in real space, would expect this type of reality/ Visual artists using installations and concept visuals, 246 hyper real experience. , Vienna, Sofitel, architects to create hotel with cinematic experience for customers entering the building foyer. Film makers are able to directly engage with more people beyond just screening. People want to become more involved. People are becoming more actively involved through crowd funding (ie pie in the sky) A swarm of Angels (example of own work, Gfta awarded) Went some way in using community participations-Creation unfold- collaboration on an international level involving photography, and editing. Pushing process forward, new eco systems The Mongolian, Subscription, stepping toes into a co-created piece of literature as a novel. Hyper distribution, intellectual property rights which have trapped film. Scarcity- information is a mouse click away, urbanized Look at how we can bring in more secrets into the film. Fushgi (She/ he reveal) ARC dart net Flicker and William Gibson. Matt.hason.net END

Lizzie Gillett Age of stupid 2004 looking to make film, editorial control 100 at 500 people involved raising first 50,000. The people 347 people invested and profited Emotional experience big premiers making an event out of premier, biggest ever and greenest ever film festival .Solar powered cinema tent, Popcorn maker using a bike (never actually worked though). Guinness world record, Greenest largest film premier to reach most people in one evening. Using events to create large scale media interest in order to promote film. The event turned 1% carbon footprint of a normal premier. The power of people and promotional involvement involving 62 sites. Real partnership with the NGO communities USA trailer was brokered, the company aimed to be profit making very different approach, produced advert -FATHOMEVENTS.COM demonstrated a very different approach in marketing to audiences Global film event Crowd sourcing, interviewing gaining business clothing, orchestral support, music studio, building people into the process, gain more support. Support network were important for when things go wrong, gaining moral and practical support. Ie twitter feeds and also gaining clothing for elements of the film. Indie Screenings, book community screenings, holding premier screenings to different venues at different rates, campaign group, corporate 5k, small group 35. Had 2000 community screenings and Schools in India for 3 SWOT- no commissions London workshop END

Matt Adams Creative practice- Blast Theory A Machine to See With ( Current work, interactive piece involving narrative through your mobile phone, you play the star role) About Blast Theory Group of artists in Brighton collaborating with Mixed Lab based in Nottingham Uni. The work sits between pop culture and social political realities How technology reconfigures relationships Epistemological crisis wrought by ubiquitous mediation A Machine to see with 0.1Festival piece of locative cinema, Sun Dance, commission using locative cinema sharing vision of place between artist and audience. San Jose Banff Media screen, the eye and the mind? Blast Theory ask themselves series of questions during the project: What does it mean as screens get? Does location- or context-act in relation to the screens smaller and move closer? How? What? Where does cinema operate? Process: Blast theory Starting exercises Following someone Trying to find someone Putting a place under surveillance Staking out a bank, ended calls structured as a bank robbery. The line between these activities and everyday life is perceptual to a bystander you could be doing anything. Series of 1960s to elucidate moral decision making. Devised by philosopher Philippa Foot in Jugger In 2009 Ulrike and Ramon Compliant was commissioned the De La Warr Pavillion for the Venice Biennale

Based on philosophic problem: The trolley problem is running out of control down a track, In its path are five people. You can flip a switch, which will lead the trolley down a different track to safety. Unfortunately, there is a single person left who would die. We try to see ourselves moving through our life as a camera would see ourselves, mindful of how we hold view point, Chris Huges The phone in Politics ,In 1994 Newt Gingrich led the Republicans to choose The financial crisis, privatise the profits and nationalise losses. In a global market, national democracies, lack the power to be involved. Inhabiting a role Tensions between taking decisions and being free to engage in the work emotionally and intellectually the difference between a game and a dilemma Refusing interactivity A Machine To See With offers interactivity but gives little meaningful choice. The personality test appears Ethics in the real the fictional There is an uncertainty of the context within which you are able to engage Performing Mixed Reality Working at the cutting edge of live performance, an emerging generation of artists is employing digital technologies to create distinctive forms of interactive, distributed, and often deeply subjective theatrical performance. Steve Benford and Gabriella Giannachi Jane Swanily, quote missing- When I used to think of the word conscious, I would of a kind of grey mist END

Jamie King VODO Steal This Film, 5k distribution intellectual property is the oil of the 21 Century The pirate Bay, 18.2 lost to video piracy in 2005, 6.5million downloads Received $40,000 in audience sponsorship, Sold internationally to TV stations 122 universities were teaching about the impact of the film and its business model Protect your IP-BUT WHY? No Access, to reach audiences, too much interesting stuff being produced It fits; Free-to-share gives access to audience, but also involves audiences in distribution. Tons of latent attention in P2P networks, Sharing is additive, not subtractive, Adds to your cultural capital. Before the right to restrict copies, now the right to be copied and ask other to share information, Vodo Pioneer One Market through peer net downloads and 80 (credits get built up through donations made, the credit can then be used elsewhere) Using insensitive to draw people in to donate, credits in episodes which further connects with Audience, Social Distribution- The Peer Paradigm, Crowd funding Creating a system for distribution to exists, what types of views can be acceptable. Bring attention to ourselves and actively source attention through targeted marketing Make a thing that is free to all How do you gain attention and make them want to see something? Observation to allow people to talk to each other. Trying to give people tools to say they downloaded something and give them points to spend on other incentives, were reward you to help make others seen. The Media singularity is nigh By 2028 it will cost less than $5 to store every film ever made Its impossible to think of media as property The point at which anyone either has, or can access in a trivial amount of time, as copy of any media that exists. There is a point at which the intellectual can no longer be property.

QA How do you get people to view media, attention source, Very innovative, activity material which is engaging The niche is the new mass, create something unique that interests the individuals The Maldives became carbon natural country through influence of Age of Stupid 1000 people volunteered in launch of premiere of UK Age of Stupid JK- unique approach to engaging audience based on high quality , Lottery based on high quality product? Diversity of distribution, finding a movement and appeal Using universal themes that strike interest in others Never been easier to make, but never been harder to make it relevant to the audience. Digital consumption supposed to make physical objects and theatre obsolete however interest has enhanced that experience. Unique temporal experience traffic, people in your position to provide a policy and , and biological evolving evidence. Do you see yourself becoming an advocate, Giant media try to predict and our future making certain area redundant? Cinemas as spaces, it will change and grow, I think its healthy END