Fine Prints & Photography - Skinner Auction 2609B

SKINNER
American & European Works of Art

Fine Prints & Photography
Sale 2609B September 7, 2012 Boston
125
American & European Works of Art Fine Prints & Photography

specialists in charge
Robin S. R. Starr Department Director 508.970.3259
Kathy Wong 508.970.3297
Elizabeth C. Haff 508.970.3258
American & European Works of Art Department - 508.970.3206 General Inquiries: prints@skinnerinc.com
auction 2609B Friday, September 7, 2012 at 12 noon Lots 1260, followed by Fine Paintings & Sculpture at 4 p.m. 63 Park Plaza Boston, Massachusetts preview
Wednesday, September 5, 2012 Thursday, September 6, 2012 Friday, September 7, 2012 12 to 5 p.m. 12 to 8 p.m. 9 to 10 a.m.
absentee bidding
Tel: 617.874.4318 Fax: 617.350.5429 Online: www.skinnerinc.com
general inquiries
View all lots online at www.skinnerinc.com
617.350.5400
cover : 147 ( detail ) ; frontispiece : 125 ; inside back cover : 257 ; back cover : 221
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table of contents
1 2 4-5 7 145 146 150 151 152 153 154 155 156 157 Auction & Specialist Information Web Site & Online Bidding Event Announcements Lots 1-260 Glossary of Terms Artist Index Conditions of Sale Absentee Bid Form Company Directors & Specialty Departments Administrative Staff & Client Services Map & Driving Directions Parking & Accommodations Dining Catalogue Subscription Form
Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 150 of this catalogue for the full terms and conditions governing your purchase.
Copyright Skinner, Inc. 2012 All rights reserved MA/Lic. #2304
Proudly printed by DS Graphics, Inc. 120 Stedman Street, Lowell, MA 01851 800-536-8283 dsgraphics.com
SKINNER presents a
Fine Art Gallery Walk
Presented by Robin Starr, Director of Skinners Paintings & Prints Department
Thursday, September 6, 2012

5:30 p.m. Reception/6:00 p.m. Gallery Walk
63 Park Plaza Boston, MA R.S.V.P. 617.350.5400 Reservations are Limited
Gallery Walk held in conjunction with a preview of Skinners September 7th auctions of Fine Paintings & Prints
Upcoming Auction
Fine Prints & Photography
February 1st, 2013 Boston, MA
Andy Warhol (American, 1928-1987), Northwest Coast Mask, from COWBOYS AND INDIANS, 1986
Consignment Deadline: November 16th, 2012

For more information please contact our Fine Prints & Photography department at 508.970.3206 or email prints@skinnerinc.com
www.skinnerinc.com
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1. Yaacov Agam (Israeli, b. 1928) Two Images from the BIRTH OF THE STAR Series: Star of Chanukah and The Blessing Star, both editions of 99. Both signed Agam in ink l.r., numbered in ink l.l., and identified on a label affixed to the backing. Agamographs, sight sizes approximately 14 x 14 in. (35.5 x 35.5 cm), framed. Condition: Not examined out of frames. $800-1,200
2. Yaacov Agam (Israeli, b. 1928) Untitled, edition of 144. Signed Agam in dark blue ink l.r., numbered 57/144 in dark blue ink l.l. Color screenprint overlaid with Lucite (or similar) prisms, sight size 18 x 18 in. (45.5 x 45.5 cm), framed. Condition: Not examined out of frame. $400-600
online bidding at www.skinnerinc.com
3. Anni Albers (German, 1899-1994) Fox II, 1972, edition of 150. Signed and dated Anni Albers 1972 in pencil l.r., titled and numbered ...92/150 in pencil l.l. Screenprint in brown and gray on paper, image size 13 1/4 x 14 3/4 in. (33.7 x 37.4 cm), framed. Condition: Margins over 2 1/2 inches, not examined out of frame. $300-350
4. Josef Albers (German/American, 1888-1976) Three Images from DIE OBERFLCHE: Concord, Silent, and Opalescent, 1965, edition of 120, published by Ives-Stillman, Inc., New Haven (Danilowitz, 167.1-3). Each signed and dated JAlbers 65 in pencil l.r. and titled and numbered ...88/120 in pencil l.l. Color screenprints on paper, image sizes 11 x 11 in. (27.8 x 27.8 cm), framed. Condition: Not examined out of frames. N.B. A copy of the book DIE OBERFLCHE by Josef Albers and R.G. Dienst accompanies the lot. $2,000-3,000
additional information and photos at www.skinnerinc.com
5. Pierre Alechinsky (Belgian, b. 1927) Untitled, 1963 (see van de Loo, 103 & 104). Signed and dated Alechinsky/63 in blue pencil l.r., numbered ea 1/1 in blue pencil l.l. Color lithograph on gift wrap or similar, image size 16 x 21 1/2 in. (40.5 x 54.5 cm), matted, unframed. Condition: Minor creases to edges. Provenance: Ex-collection of Walasse Ting. N.B. This image appears to be a unique overprinting of the stones for Comme des Chiens, 1962, and En Socit, 1962. $600-800
6. American School, 20th Century New Orleans Jazz. Indistinctly signed in pencil l.r. Etching and aquatint on laid paper with F.J. Head watermark, plate size 7 3/8 x 6 1/2 in. (18.5 x 16.4 cm), framed. Condition: Margins over 1 inch with deckled edges, several fox marks, unobtrusive toning. $150-200 7. Karel Appel (Dutch, 1921-2006) Untitled (Animal). Signed Appel in pencil (within the image) l.r., inscribed HC in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 21 1/2 x 29 3/8 in. (54.5 x 74.4 cm), framed. Condition: Floating within the mat, not examined out of frame. $400-600
8. John Taylor Arms (American, 1887-1953) Through Wind and Weather, alternatively titled Notre Dame Gargoyle, Through Wind and Weather, 1922, edition of 75 (Fletcher, 118). Signed John Taylor Arms in pencil l.r. Etching on laid paper with F.J. Head & CO watermark, plate size 7 1/8 x 8 in. (17.7 x 20.3 cm), matted, unframed. Condition: Margins 1 3/4 inches or more with two deckled edges, thinned area with break to paper in upper margin. $500-700
9. John Taylor Arms (American, 1887-1953) Two Architectural Views: Notre Dame de Lan, 1929, third state of three, from the 1929 edition of 100 (Fletcher, 219), and The Piazza, Venzone, 1931, second state of two, edition of 127 (Fletcher, 239). Both signed and dated John Taylor Arms-... in pencil l.r. and annotated in pencil l.l. Etchings on laid papers, plate sizes to 14 1/8 x 9 5/8 in. (35.7 x 24.3 cm), matted, unframed. Condition: Pale soiling and fox marks, pinhole to upper margin of Lan, crease to upper margin of Venzone. $250-300
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10. John Taylor Arms (American, 1887-1953) Four Village Views: Norwich (Sketch), 1938, edition of 21 from the Demonstration Series (Fletcher, 314), Lavenham, England, 1939, third (published) state, edition of 224 (Fletcher, 322), Ledbury, England (Sketch), 1939, edition of 36, from the Demonstration Series (Fletcher, 328), and Aspiration, La Madeleine, Verneuil-Sur-Avre, 1939, fifth (published) state, edition of 419 (Fletcher, 329). Each signed and dated John Taylor Arms... in pencil l.r., three dedicated to Proctor Houghton by the artist. Etchings on paper, plate sizes to 15 1/2 x 10 in. (39.3 x 25.4 cm), three framed, the fourth matted. Condition: Mat burn, not examined out of frames. $600-800
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11. Otto Henry Bacher (American, 1856-1909) Two Venetian Views: Laguna Venita, 1880, and In Port, 1880. Both signed and dated in the plate. Etchings on paper, plate sizes to 6 7/8 x 10 in. (17.4 x 25.4 cm), framed. Condition: Subtle toning to latter, not examined out of frames. $400-600
12. Peggy Bacon (American, 1895-1987) The Haunted House, 1939, edition of 250, published by Associated American Artists, New York (Flint, 134). Signed Peggy Bacon. in pencil l.r., titled in pencil l.l., identified on a label from AAA affixed to the mat. Etching on cream wove paper, plate size 7 x 5 in. (17.7 x 12.6 cm), matted, unframed. Condition: Margins over 1 1/4 inches with deckled edges, crease (probably from printing) to margin u.l., pale fox mark to upper margin. $400-600
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13. Will Barnet (American, b. 1911) Introspection - 5733, 1972, edition of 144 plus proofs (Cole, 147). Signed Will Barnet in pencil l.r., titled in pencil l.l., inscribed Artists proof in pencil l.c. Color screenprint on paper, image size 29 1/2 x 35 1/8 in. (74.8 x 89.1 cm), framed. Condition: Minor surface accretions, not examined out of frame. $400-600
14. Will Barnet (American, b. 1911) The Blue Bicycle, 1979. Signed and dated Will Barnet 1979 in pencil l.r., titled in pencil l.l., inscribed Artists imp. in pencil l.c. Color screenprint on paper, image size 26 3/8 x 25 1/2 in. (66.8 x 64.7 cm), framed. Condition: Not examined out of frame. $600-800
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15. Leonard Baskin (American, 1922-2000) Six Portraits: Blake, From Life Mask by Deville, 1956, edition of 90, wood engraving (Fern & OSullivan, 268); Samuel Palmer, After the Watercolor by Walter, 1956, edition of 50, wood engraving (F&O, 275); Jacques Callot, 1958, wood engraving (F&O, 724); Theodule Ribot, 1969, edition of 525, wood engraving (F&O, 548); Samuel Sewall, 1970, edition of 100, wood engraving (F&O, 558); and Goethe, 1970, edition of 100, etching (F&O, 563). Each signed Baskin in pencil l.r., some numbered in pencil l.l. Image/plate sizes to 5 1/2 x 3 7/8 in. (14.0 x 9.8 cm), five matted, all unframed. Condition: Wide margins. $600-800
16. Leonard Baskin (American, 1922-2000) Six Images from OTHELLO, 1973: The Bard, Emilia, Grieving Othello, The Handkerchief, Iago (Profile), and Othello, an edition of 400 (Fern & OSullivan, 625, 627-630, 632). Unsigned. Woodcuts on paper, image sizes 12 5/8 x 6 3/4 in. (32.0 x 17.0 cm), presented in a single frame. Condition: Not examined out of frame. $700-900
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17. Leonard Baskin (American, 1922-2000) Isaiah, 1976, edition of 100 (Fern & OSullivan, 664). Signed Baskin in pencil (within the image) l.r., numbered 90/100 in pencil (within the image) l.l., signed and dated in the matrix, identified on a label from Graphic 1 & Graphics 2, Boston, on the backing. Color lithograph on paper, image/sheet size 41 3/4 x 29 1/4 in. (106.0 x 74.2 cm), framed. Condition: Deckled edges to three sides, floating in the frame, not examined out of frame. Provenance: A private Massachusetts collection. $1,500-2,000
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18. Jean-Michel Basquiat (American, 1960-1988) Beat Bop. Test Pressing, Version One, Volume One, 1983, white vinyl edition of unknown size, published by Tartown Record Co., New York. Identified on the cover and record label. Screenprinted jacket and label, 12 1/4 x 12 1/4 in. (31.0 x 31.0 cm), unframed. Condition: Minor soiling and handling creases, wear to spine and corners of jacket, the record has not been played to confirm its condition. N.B. The lot is accompanied by a copy of the album The Painter by Paul Anka, with cover art after Andy Warhol (American, 1928-1987). $400-600
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19. Max Beckmann (German, 1884-1950) Mink, Frontal, with Elaborate Coiffure, 1913, total edition of 130 plus proofs (Hofmaier, 63). Signed Beckmann in pencil l.r. Drypoint on wove paper, plate size 6 3/4 x 5 in. (17.0 x 12.6 cm), matted, unframed. Condition: Margins 3 3/4 inches or more, mat burn, lightstruck, staining to upper edge (from tape hinging facing and backing mats). $1,500-2,500
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20. William J. Behnken (American, b. 1943) Three Nocturnes: Bronx Icon, Opening Soon, and Radiance, each published in 1989 in an edition of 30. Each signed and dated Behnken 1989 in pencil l.r., titled in pencil l.c., and numbered in pencil l.l. Aquatints on paper, plate sizes to 9 3/4 x 7 3/4 in. (24.6 x 19.5 cm), framed. Condition: Not examined out of frames. $500-700
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21. Frank Weston Benson (American, 1862-1951) Goose and Teal, 1917, published state of 150 (Paff, 125). Signed FrankWBenson. in pencil l.l. Etching on paper, plate size 5 7/8 x 7 7/8 in. (14.8 x 20.0 cm), framed. Condition: Subtle toning and rippling, not examined out of frame. $500-700
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22. Frank Weston Benson (American, 1862-1951) Two Waterfowl Subjects: Flying Brant, 1925, published state of 150 (Paff, 241), and Alert!, 1925, published state of 150 (Paff, 242). Both signed FrankWBenson. in pencil l.l. Drypoints on paper, plate sizes approximately 4 7/8 x 7 in. (12.3 x 17.5 cm), framed. Condition: Not examined out of frames. $500-700
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23. Frank Weston Benson (American, 1862-1951) Bunch of Bluebills, 1931, published state of 300 (Paff, 312). Signed FrankW.Benson. in pencil l.l. Drypoint on paper, plate size 3 3/4 x 4 7/8 in. (9.4 x 12.2 cm), framed. Condition: Not examined out of frame. $400-600
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24. Thomas Hart Benton (American, 1889-1975) In the Ozarks, alternatively titled Homestead, 1938, edition of 250, published by Associated American Artists, New York (Fath, 20). Signed Benton in pencil l.r. and in the matrix, identified on a label from AAA affixed to the reverse. Lithograph on paper, image size 10 1/4 x 13 1/8 in. (26.0 x 33.3 cm), framed. Condition: Gently light-struck, not examined out of frame. $1,500-2,000
25. Thomas Hart Benton (American, 1889-1975) Loading Corn, alternatively titled Shucking Corn, 1945, edition of 250, published by Associated American Artists, New York (Fath, 65). Signed Benton in pencil l.r., signed within the matrix, identified on a label from AAA affixed to the backing. Lithograph on paper, image size 9 1/2 x 12 3/4 in. (24.0 x 32.3 cm), framed. Condition: Toning, not examined out of frame. $1,200-1,800
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26. Thomas Hart Benton (American, 1889-1975) Island Hay, 1945, edition of 250, published by Associated American Artists, New York (Fath, 68). Signed Benton in pencil l.r. and within the matrix, identified on a label from AAA affixed to the mat. Lithograph on paper, image size 10 x 12 5/8 in. (25.4 x 32.0 cm), matted, unframed. Condition: Margins 1 inch or more. $2,000-2,500
27. Thomas Hart Benton (American, 1889-1975) The Boy, 1948, edition of 250, published by Associated American Artists, New York (Fath, 72). Signed Benton in pencil l.r. and within the matrix, identified on a label from AAA affixed to the mat. Lithograph on paper, image size 9 1/2 x 13 3/4 in. (24.0 x 34.7 cm), matted, unframed. Condition: Margins 1 inch or more. $2,000-2,500
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28. Carroll Thayer Berry (American, 1886-1978) Two Maine Coast Views: Between Forest and Sea - Maine Coast, c. 1946, edition of 200 to 300 (Dearborn, 57), and Winter Morning - Deer Isle, c. 1960, first state of two, edition of approximately 50 (Dearborn, 127). Both signed Carroll Thayer Berry... in ink l.r. and titled in pencil l.l. Wood engravings on paper, image sizes to 10 1/8 x 12 in. (25.5 x 30.4 cm), framed. Condition: Not examined out of frames. $300-500
29. Guillaume Cornelis van Beverloo, known as Corneille (Dutch, 19222010) Two Works: Heure matinale, 1961, edition of 120 (DonkerslootVan de Berghe, 100), and Aprs midi de lt, 1961, edition of 120 (D-VdB, 101). Both signed and dated Corneille 61 in pencil l.r., numbered in pencil l.l., and with LOEUVRE GRAVEE dry stamp l.l. Color lithograph on paper, image sizes approximately 18 1/4 x 22 in. (46.3 x 55.5 cm), framed. Condition: Deckled edges, gentle toning, not examined out of frames. $250-300
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30. William Blake (British, 1757-1827) My Son! My Son!, 1793, plate 8 from FOR CHILDREN, THE GATES OF PARADISE, 1793 (Russell, 8.xi). Identified within the plate, inscribed with provenance on the backing paper (see below). Etching on paper, plate size 4 3/4 x 3 1/2 in. (12.0 x 8.8 cm), framed. Condition: Toning, not examined out of frame. Provenance: Max Sands to Lucy M. Stanton to W. Stanton Forbes to Lucy Stanton Forbes through to the present owner. $1,200-1,800
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31. Mortimer Borne (American, 1902-1987) Three New York Views: Stone Street, 1940, Hicks Street, So. Bklyn, 1940, and The Bathers, Coney Island, 1945. Each signed and inscribed Mortimer Borne Imp. in pencil l.r. and titled and dated within the lower margin. Color etchings on paper, plate sizes to 9 x 11 7/8 in. (22.7 x 30.0 cm), unmatted, unframed. Condition: Margins approximately 1 inch (some with minor creases), pale staining/striations to Bathers. $700-900
32. Eugne Louis Boudin (French, 1824-1898) Mathurins (Jack Tars), 1897, total edition of 525 (Melot, 2). Signed within the matrix. Lithograph on paper, image size 4 3/8 x 6 1/8 in. (11.0 x 15.5 cm), framed. Condition: Evenly light-struck, subtle mat burn, not examined out of frame. $200-300
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33. Georges Braque (French, 1882-1963) Untitled (Oiseaux), 1955, edition of 200, probably published by Editions de la Revue Verve, Paris. Signed G. Braque in pencil l.r., numbered 41/200 in pencil l.l. Color lithograph on paper, image size 7 7/8 x 13 1/8 in. (19.9 x 33.2 cm), framed. Condition: Unobtrusive mat burn, not examined out of frame. $1,000-1,500
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34. After Georges Braque (French, 1882-1963) Ciel gris I, edition of 275 (Maeght, no. 1032; Vallier, p. 295). Signed G Braque in pencil l.r., numbered 173/275 in pencil l.l. Color lithograph on paper, image size 9 x 2 3/4 in. (23.0 x 7.0 cm), framed. Condition: Margins over 4 1/2 inches, subtle toning, not examined out of frame. Provenance: A private Massachusetts collection. $1,000-1,500
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35. Bernard Buffet (French, 1928-1999) La Chteau de Culan, 1965, outside of the edition of 300, printed by Charles Sorlier, Paris. Signed Bernard Buffet in pencil l.r., inscribed E A in pencil l.l., signed, dated, and with printer identified in the matrix. Color lithograph on BFK Rives paper with watermark, image size 25 1/2 x 19 5/8 in. (64.6 x 49.7 cm), framed. Condition: Subtle toning, not examined out of frame. $500-700
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36. Bernard Buffet (French, 1928-1999) Brussele Town-Hall, 1966, outside of the edition of 150 (Mourlot, 66). Signed Bernard Buffet in pencil l.r., inscribed E.A. in pencil l.l. Color lithograph on paper, image size 25 1/2 x 19 3/4 in. (64.7 x 50.0 cm), framed. Condition: Subtle toning, not examined out of frame. $500-700 .
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37. George Elbert Burr (American, 1859-1939) Pion Trees, New Mexico, 1920 (Seeber, 217). Signed and inscribed George Elbert Burr Del. et Imp. in pencil l.l., titled in pencil l.r., inscribed Edition of 40 proofs Trial proof in pencil l.r., monogrammed within the plate. Etching and aquatint on paper, plate size 9 3/4 x 11 7/8 in. (24.7 x 30.1 cm), matted, unframed. Condition: Margins over 1 inch with deckled right edge, unobtrusive toning, scattered fox marks, staining (primarily to margins). $400-600 38. George Elbert Burr (American, 1859-1939) Sketch on Apache Trail (Seeber, 298). Signed George Elbert Burr in pencil l.l., titled in pencil l.r., monogrammed within the plate. Etching on tissue, plate size 6 7/8 x 4 3/4 in. (17.3 x 12.0 cm), matted, unframed. Condition: Margins over 1 inch with deckled right and lower edges, unobtrusive toning and foxing, pale staining near upper corners. $300-350 39. George Elbert Burr (American, 1859-1939) Giant Cactus - Tucson - Arizona (Seeber, 206). Signed and inscribed George Elbert Burr Del. et Imp. in pencil l.l., inscribed Trial Proof/40 in pencil l.r., titled in pencil l.c., monogrammed within the plate. Etching with drypoint on tissue, plate size 8 x 6 in. (20.3 x 15.2 cm), matted, unframed. Condition: Unobtrusive toning, several scattered fox marks, crease to upper margin, staining near upper corners. $300-350
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40. George Elbert Burr (American, 1859-1939) Desert Night, edition of 40 (Seeber, 187). Signed and inscribed George Elbert Burr in pencil l.l., numbered No 35/40 in pencil l.r. Etching with aquatint on paper, plate size 9 5/8 x 7 3/8 in. (24.4 x 18.6 cm), matted, unframed. Condition: Margins 1 inch or more with deckled right and lower edges, unobtrusive toning, several scattered fox marks, pale staining near upper corners. $400-600
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41. Jack Bush (Canadian, 1909-1977) Untitled, 1971, edition of 100. Signed, dated, and numbered Jack Bush 1971 100/100 in pencil l.r. Color screenprint on paper, image size 30 x 22 in. (76.2 x 55.8 cm), framed. Condition: Deckled edges, no longer attached to hinges, not examined out of frame. $200-300
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42. Alexander Calder (American, 1898-1976) Black Sun - Black Man, 1969, edition of 75. Signed Calder in pencil l.r., numbered 31/75 in pencil l.l. Color lithograph on paper, image size 29 x 41 1/4 in. (73.5 x 104.6 cm), framed. Condition: Floating in the frame, not examined out of frame. $1,500-2,000
43. Alexander Calder (American, 1898-1976) Image from the MAGIE EOLIENNE Suite, 1972, edition of 75. Signed Calder in pencil (within the image) l.r., numbered 2/75 in pencil (within the image) l.l., identified on a label from Graphics 1 and Graphics 2, Boston, affixed to the backing. Color lithograph on paper, image/sheet size 25 1/2 x 19 5/8 in. (64.5 x 49.7 cm), framed. Condition: Deckled edges, not examined out of frame. $400-600
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44. Alexander Calder (American, 1898-1976) McGovern, 1972, edition of 200, printed by Styria Studios Ltd., New York. Signed Calder in pencil l.r., numbered 54/200 in pencil l.l., printers dry stamp l.r. Color screenprint on paper, image size 28 x 21 3/4 in. (71.2 x 55.2 cm), framed. Condition: Rippling, not examined out of frame. Provenance: A private Massachusetts collection. $500-700
45. Alexander Calder (American, 1898-1976) Homage to the Sun, 1975, edition of 125. Signed Calder in pencil (within the image) l.r., numbered 100/125 in pencil (within the image) l.l. Color lithograph on paper, sight size 28 5/8 x 42 1/2 in. (72.5 x 107.8 cm), framed. Condition: Not examined out of frame. $800-1,200
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46. Alexander Calder (American, 1898-1976) For Young Artists. Signed Calder in pencil (within the image) l.r., inscribed E.A. in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 29 3/4 x 22 in. (75.5 x 55.8 cm), framed. Condition: Two deckled edges, not examined out of frame. $800-1,200
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47. Alexander Calder (American, 1898-1976) LAcier, published by Galerie Lelong/Maeght. Signed Calder in pencil l.r., inscribed H.C. in pencil l.l., titled in pencil on the reverse. Color lithograph on Rives paper with partial watermark, image/sheet size 26 1/2 x 19 in. (67.3 x 48.2 cm), unmatted, unframed. Condition: Minute creasing to l.r. corner. Provenance: Purchased from Galerie Maeght, Paris, through to the present owner. $800-1,200
48. No lot.
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49. Alexander Calder (American, 1898-1976) Untitled (Helix), edition of 125. Signed Calder in pencil l.r., numbered 48/125 in pencil l.l. Color lithograph on paper, image size 14 3/8 x 11 in. (36.4 x 27.8 cm), framed. Condition: Floating within the mat, not examined out of frame. $250-300 50. No lot.
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51. Alexander Calder (American, 1898-1976) Untitled (Pyramids, Ovals, and Stripes), edition of 175. Monogrammed CA in pencil l.r., numbered 112/175 in pencil l.l. Color lithograph on paper, image size 12 3/8 x 11 5/8 in. (31.4 x 29.4 cm), framed. Condition: Not examined out of frame. $400-600
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52. Jean-Pierre Cassigneul (French, b. 1935) Promenade by the Sea. Signed Cassigneul in pencil l.r., inscribed E.A in pencil l.l. Color lithograph on paper, image size 13 1/4 x 19 1/2 in. (33.5 x 49.4 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $200-300
53. Jean-Pierre Cassigneul (French, b. 1935) Les Geraniums, from LES TEMPS PERDU, 1978, edition of 100 (Passeron, 196). Signed Cassigneul in pencil l.r., numbered XX/C in pencil l.l. Color lithograph on buff Japan paper, image size 25 1/4 x 18 1/2 in. (64.0 x 46.8 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $250-350
54. Jean-Pierre Cassigneul (French, b. 1935) LOiseau, 1984, edition of 200 plus proofs (Passeron, 283). Signed Cassigneul in pencil l.r., inscribed E.A in pencil l.l. Color lithograph on paper, image size 24 3/4 x 18 in. (62.8 x 45.8 cm), framed. Condition: Margins over 1 inch, not examined out of frame. $500-700
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55. Jean-Pierre Cassigneul (French, b. 1935) Late Summer, 1985, edition of 200 plus proofs (Passeron, 314). Signed Cassigneul in pencil l.r., inscribed E.A. in pencil l.l. Color lithograph on paper, image size 29 x 20 3/4 in. (73.5 x 52.5 cm), framed. Condition: Deckled right and lower edges, floating within the mat, not examined out of frame. $500-700 56. Jean-Pierre Cassigneul (French, b. 1935) Barbara, 1986, edition of 250 plus proofs (Passeron, 332). Signed Cassigneul in pencil l.r., numbered 232/250 in pencil l.l. Color lithograph on paper, image size 11 3/4 x 8 5/8 in. (29.8 x 21.8 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $200-300 57. Lynn Chadwick (British, 1914-2003) Composition Red and Black I, 1963, total edition of 75, published by Associated American Artists, New York, 1964 (AAA/Czestochowski, 1964.005). Signed and dated Chadwick 63 in pencil l.r., numbered 14/30 in pencil l.l., titled on a label from AAA affixed to the backing. Color lithograph on paper, image size 21 x 15 3/4 in. (63.4 x 40.0 cm), framed. Condition: Subtle mat burn, not examined out of frame. $500-700
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58. Marc Chagall (Russian/French, 1887-1985) Lacrobate au violon, 1924, final state of three, edition of approximately 150, published by Vollard, printed by Louis Fort (Kornfeld, 40). Signed Marc Chagall in pencil l.r. Etching with drypoint on paper, plate size 16 1/4 x 12 3/8 in. (41.2 x 31.3 cm), framed. Condition: Toning, staining, mat burn, gentle rippling, not examined out of frame. $800-1,200
58
59. Marc Chagall (Russian/French, 1887-1985) Le loup devenu berger, from FABLES by Jean de la Fontaine, 1952, total edition of 200 (Cramer, 22). Signed within the plate. Etching with aquatint and hand-coloring on paper, 11 1/2 x 9 3/8 in. (29.2 x 23.7 cm), unmatted, unframed. Condition: Margins 1 inch or more with two deckled edges, subtle toning. $800-1,200
59
35
60. Marc Chagall (Russian/French, 1887-1985) Two Images from THE STORY OF EXODUS, 1966: Il lui donna deux tables de la Loi... and Il crivit sur les tables les termes du pacte et mme dix commandements, edition of 250 plus proofs (Mourlot, 459 & 462). Unsigned. Color lithographs on paper, image sizes 18 x 13 in. (45.7 x 33.0 cm), framed. Condition: Toning, not examined out of frames. $800-1,200
61. After Marc Chagall (Russian/French, 1887-1985) Paris lOpera, 1964, edition of 5,000, printed by Mourlot, Paris (Sorlier, 97). Identified within the matrix. Color lithograph on paper, image/sheet size 25 x 39 in. (63.4 x 99.2 cm), unmatted, unframed. Condition: Creases to edges and corners. $600-800
60
61
36
62
62. Christo (Bulgarian/American, b. 1935) and Jeanne-Claude (American, 1935-2009) The Pont Neuf Wrapped (Project for Paris), 1984. Signed Christo in pencil l.r., identified within the matrix. Color offset lithograph on paper, image size 28 x 23 1/2 in. (71.0 x 59.1 cm), framed. Condition: Minor creases to image, not examined out of frame. $500-700
37
63
63. Eduardo Chillida (Spanish, 1924-2002) Harvard III, 1977, edition of 50 (Van der Koelen, 77013). Signed Chillida and with cipher in pencil l.l., numbered 26/50 in pencil l.r. Woodcut on paper, image size 5 3/4 x 7 1/8 in. (14.5 x 18.0 cm), framed. Condition: Subtle toning, not examined out of frame. Provenance: A private Massachusetts collection. $1,000-1,500
38
64. Antoni Clav (Spanish, 1913-2005) Carmen, 1977, edition of 250, published by the Metropolitan Opera Company. Signed Clav in pencil l.r., numbered 24/250 in pencil l.l., publishers dry stamp l.r. Color etching with aquatint, embossing, and carborundum on paper, sheet/plate size 30 1/4 x 22 1/4 in. (76.6 x 56.4 cm), framed. Condition: Deckled edges, not examined out of frame. $300-500
65. Antoni Clav (Spanish, 1913-2005) Untitled. Dedicated and signed ...Clav in pencil l.r. Color lithograph on BFK Rives paper with watermark, image size 21 x 28 in. (53.2 x 71.1 cm), unmatted, unframed. Condition: Margins approximately 3/4 inches with deckled left edge, very subtle toning. $200-250
64
65
39
66. Enrique Climent (Spanish, d. 1980) Portfolio 10 GRABADOS EN LINOLEO, 1951, edition of 300. Each signed Climent in pencil l.r., identified and numbered 107 on the colophon page, dedicated Al amigo Stanton Forbes... in ink on the title page. Color linocuts on paper, image sizes 11 1/4 x 8 3/4 in. (28.5 x 22.2 cm), presented in the original portfolio cover. Condition: Subtle toning, creasing to left edge of some sheets. $1,800-2,000
67. No lot.
66
68. Chuck Close (American, b. 1940) Phil, 1976, edition of 1,000, published by Parasol Press, Ltd., New York. Unsigned, numbered 224 in pencil and identified in text on the reverse. Offset print, image size 7 x 5 5/8 in. (17.7 x 14.3 cm), unmatted, unframed, presented in its original envelope. Condition: Good. $400-600
68
40
69
70
69. Max Arthur Cohn (American, 1903-1998) Rainy Day (Victor Food Shop), 1940. Signed within the matrix. Color screenprint on paper, image size 8 3/4 x 13 1/4 in. (22.2 x 33.5 cm), framed. Condition: Several tiny pale fox marks, not examined out of frame. $300-500
70. Max Arthur Cohn (American, 1903-1998) Harvesting. Signed within the matrix. Color screenprint on paper, image size 13 5/8 x 20 in. (34.5 x 50.8 cm), framed. Condition: Not examined out of frame. $250-350
41
71
72
71. Howard Norton Cook (American, 1901-1980) The Desert Tree, alternatively titled Mexican Landscape, 1933, from the edition of 250 published by Associated American Artists, New York, 1941 (Duffy, 177). Signed Howard Cook in pencil l.r., identified on a label from AAA affixed to the backing. Etching and aquatint on paper, plate size 8 7/8 x 11 7/8 in. (22.4 x 30.1 cm), framed. Condition: Toning, not examined out of frame. $400-500
72. Lovis Corinth (German, 1858-1925) Two Images from DIE LIEBSCHAFTEN DES ZEUS, 1920: Frontispiece and Ganymed und der Adler (Schwartz, 401 & 401iv). The latter signed in pencil l.r. Lithographs (the latter in color) on paper, image sizes to 11 1/2 x 12 1/2 in. (29.0 x 31.6 cm), matted, unframed. Condition: Several minor fox marks. $500-700
42
73. Joseph Cornell (American, 1903-1972) Hotel du Nord, 1972, edition of 125, published by Brooke Alexander Editions, New York. Signed Joseph Cornell in pencil l.r., numbered 121/125 in pencil l.l., identified on a label from the Kristina Wasserman Gallery, Providence, Rhode Island, affixed to the backing. Color screenprint on paper, image size 14 3/4 x 11 1/4 in. (37.4 x 28.5 cm), framed. Condition: Not examined out of frame. $1,000-1,500
74. Jos Luis Cuevas (Mexican/American, b. 1933) Three Images from CRIME, 1968: Dreams of Rasputin, Man in Jail, and Jack the Ripper, each from the proof edition of 25. Each signed and dated Cuevas 68 in pencil (within the image) l.r. and numbered VI - XXV in pencil (within the image) l.l. Lithographs (two in color) on paper, image/sheet sizes 22 1/4 x 30 in. (56.4 x 76.2 cm), unmatted, unframed. Condition: Each with two deckled edges and minor handling creases. $250-300
73
74
43
75
75. Adolf Arthur Dehn (American, 1895-1968) Three Landscapes Published by Associated American Artists, New York: The Lake, alternatively titled Lake in Minnesota, 1948, edition of 250 (Dehn, 440); Pennsylvania Farm, 1948, edition of 250 (Dehn 441); and Lake in the Garden of the Gods, 1949, edition of 250 (Dehn, 457). Each signed Adolf Dehn in pencil l.r. and identified on a label from AAA affixed to the mat. Lithographs on paper, image sizes approximately 9 x 13 1/2 in. (22.7 x 34.2 cm), matted, unframed. Condition: Most edges deckled. $500-700
76. Sonia Delaunay-Terk (Ukrainian, 1885-1979) Untitled, 1961, edition of 50. Signed and dated Sonia Delaunay 1961 in pencil l.l., numbered 26/50 in pencil l.l. Color pochoir on paper, image size 25 3/8 x 19 3/4 in. (64.5 x 50.0 cm), framed. Condition: Deckled edges, not examined out of frame. $300-500
76
44
77
78
77. Raoul Dufy (French, 1877-1953) Petite Baigneuse aux Papillons, c. 1930. Signed in the plate. Etching on paper, plate size 8 5/8 x 12 1/4 in. (21.8 x 31.0 cm), framed. Condition: Mat burn, not examined out of frame. $300-500
78. Kerr Eby (American, 1889-1946) Two Shore Views: Foggy Morning, Brittany, 1930, edition of 90 (Giardina, 146), and Wet Sand, 1932, edition of 100, final state of two (Giardina, 173). Both signed Kerr Eby imp. in pencil l.r. and numbered in pencil l.l. Etchings on paper, plate sizes to 8 1/2 x 11 3/8 in. (21.5 x 28.7 cm), framed. Condition: Not examined out of frames. $300-500
45
79. Shepard Fairey (American, b. 1970) Three Posters: Andr the Giant, 2008; VOTE, 2008, edition of 5,000; and Flag. Andr signed and dated in pencil l.r., VOTE numbered in pencil. Offset lithographic posters, sheet sizes to 36 x 24 in. (91.4 x 60.9 cm), unmatted, unframed. Condition: Very minor handling creases. $300-500
79
80. Shepard Fairey (American, b. 1970) Three Skate Decks. Identified within the matrix. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm). Condition: Unused, extremely minute wear. $500-700
80
46
81. Vadim Dmitrjewitsch Falilejeff (Russian, 1879-1950) Landscape on the Volga, 1927. Signed W. Falilejeff in pencil l.r., dated and monogrammed within the block, identified on a label affixed to the backing. Color woodcut on paper, image size 11 x 9 1/8 in. (27.9 x 23.1 cm), framed. Condition: Toning, unobtrusive staining, not examined out of frame. $200-250
82. No lot.
81
83. Lonard Tsuguharu Foujita (French/Japanese, 1886-1968) Linge, from LA MESANGER, 1963 (Buisson, II. 63. 40). Signed L. Foujita in pencil l.r., numbered 5/80 in pencil l.l., titled and signed within the matrix. Color lithograph on paper, image size 7 1/2 x 7 1/2 in. (19.0 x 19.0 cm), unmatted, unframed. Condition: Mat burn, thinned spots to corners on the reverse. $400-600
83
47
84
84. Sam Francis (American, 1923-1994) and Walasse Ting (Chinese/American, 1929-2010) Blue Eye Over Red China - Ting Tong - Uncle Sam loves Marilyn - Red Eye - Sweet Beat, 1964 (see Lembark, L78-81). Signed Sam Francis in pencil (within the image) l.r., signed with chop (within the image) l.l., inscribed (proof of Artist) in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 32 1/2 x 23 in. (82.5 x 58.3 cm), unmatted, unframed. Condition: Deckled edges to two sides, minor creases to edges. Provenance: Ex-collection of Walasse Ting. N.B. The composition is a varied arrangement of compositions for 1 Life. $1,000-1,500 85. No lot.
48
86. Erich Fuchs (German, 1890-1990) Model in Studio. Signed Erich Fuchs imp in pencil l.r. Etching on paper, plate size 6 3/4 x 4 7/8 in. (17.0 x 12.3 cm), framed. Condition: Gentle rippling, not examined out of frame. $200-250
87. Edwin L. Fulwider (American, b. 1913) The Senator Arrives, 1948, edition of 50. Signed Edwin Fulwider in pencil l.r., inscribed 50 in pencil l.c. Color screenprint on paper, image size 9 x 11 1/4 in. (22.8 x 28.5 cm), framed. Condition: Not examined out of frame. $200-250
86
87
49
88. R.C. Gorman (American, 1932-2005) Standing Figure, 1986. Signed and dated R.C. Gorman 1986 in pencil (within the image) l.l., inscribed presentation proof in pencil (within the image) l.c., dry stamp l.r. Color lithograph on paper, image/sheet size 38 1/4 x 26 in. (86.9 x 66.0 cm), unmatted, unframed. Condition: Deckled edges. $800-1,200
88
89. Walter Gramatt (German, 1897-1929) Five Plates from FRAU, 1924: La Mujer; La Amable; La Confiada, a regular impression plus one with hand-coloring; and La Amante (Eckhardt, 177, 178, 180, & 181). Each signed and dated Walter...24 in pencil l.r. and inscribed in pencil l.l. Etchings printed in umber on cream paper, plate sizes 12 5/8 x 10 5/8 in. (32.0 x 27.0 cm), matted, unframed. Condition: Margins 1 1/2 inches or more with deckled edges. $1,500-2,000
89
50
90
90. Sir Francis Seymour Haden (British, 1818-1910) Greenwich, 1879, state seven of nine, edition probably of 125 (Schneiderman, 187vii). Signed Seymour Haden in pencil l.r., signed and dated within the plate. Etching on paper, plate size 13 1/4 x 20 1/2 in. (33.5 x 51.8 cm), framed. Condition: Loss to corner of margin u.r., gentle toning, not examined out of frame. $700-900
91. Dmitri Hadzi (American, 1921-2006) Two Compositions Printed at the Garner Tullis Workshop: W6, 1991, proof impression, and W12, 1991, edition of 4. Both signed and dated Hadzi, 91 in pencil l.r. and numbered/inscribed in pencil l.l. Woodcuts on heavy handmade paper, image sizes to 11 1/4 x 10 in. (28.3 x 25.4 cm), unmatted, unframed. Condition: Good. $400-600
91
51
92
92. Yozo Hamaguchi (Japanese, 1909-2000) Ball of Yarn, 1981, edition of 120 (Hamaguchi, 156). Signed hamaguchi in pencil l.r., numbered 27/120 in pencil l.l. Color mezzotint on paper, plate size 3 1/8 x 4 3/4 in. (7.8 x 11.8 cm), framed. Condition: Not examined out of frame. $300-500
93. Richard C. Harden (American, b. 1956) Brooklyn Bridge, 1984, edition of 35. Signed Richard C. Harden in pencil l.r., numbered 17/35 in pencil l.l. Mezzotint with drypoint on paper, plate size 35 1/8 x 23 3/4 in. (89.2 x 60.3 cm), framed. Condition: Not examined out of frame. $1,500-2,000
93
52
94
95
94. Hans Hartung (German, 1904-1989) L 37, 1958, edition of 100 (Schmcking, 100). Signed Hans Hartung in pencil l.r., numbered 3/100 in pencil l.l. Lithograph on paper, image size 24 1/4 x 16 1/2 in. (61.5 x 41.7 cm), framed. Condition: Deckled edges, even toning, not examined out of frame. $300-500 95. Frederick Childe Hassam (American, 1859-1935) Portsmouth Doorways, 1916 (Cortissoz, 104). Monogrammed and inscribed CH imp in pencil l.r., monogrammed and dated within the plate, inscribed Christmas Greetings in ink (upside down) in the upper margin. Etching on paper, plate size 5 1/2 x 4 3/8 in. (13.9 x 11.3 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $1,000-1,500 96.-97. No lots. 98. Paul Csar Helleu (French, 1859-1927) Ellen 11 ans 1/2, edition of 20. Signed Helleu in pencil l.l., inscribed Tiree a 20 in pencil l.r., titled in the plate. Etching with drypoint on paper, plate size 15 1/2 x 9 1/2 in. (39.3 x 24.2 cm), unmatted, unframed. Condition: Margins 2 inches or more, prevalent toning and foxing. N.B. Ellen is the artists daughter.
98
$500-700
53
99
101
99. David Hockney (British, b. 1937) Peter, 1969, edition of 75, published by Petersburg Press, London, 1970. Signed and dated David Hockney 1969 in pencil l.r., numbered 34/75 in pencil l.l. Etching and aquatint on paper, plate size 27 x 21 3/8 in. (68.5 x 54.2 cm), unmatted, unframed. Condition: 3 inch margins with deckled edges. $3,000-5,000 100. No lot.
101. Friedensreich Hundertwasser (Austrian, 1928-2000) Olympische Spiele Mnchen (Poster Version), 1972, edition of 3,999 (Koschatzky, 54). Identified within the matrix, stamped number 2002/3999 l.l. Screenprint in colors with metallic embossing on heavy brown paper, image/sheet size 40 1/4 x 25 1/4 in. (102.0 x 64.0 cm), framed. Condition: Not examined out of frame. $700-900
54
102. Louis Icart (French, 1888-1950) Coup de Vent, 1925 (Holland et al., 235). Signed Louis Icart in pencil l.r., numbered 300 in pencil l.l., identified in publication text within the plate. Etching with aquatint and hand-coloring on paper, plate size 22 1/8 x 18 1/2 in. (56.0 x 47.0 cm), framed. Condition: Toning, foxing, not examined out of frame. $800-1,200
103. Louis Icart (French, 1888-1950) Vitese, 1927 (Holland et al., 311). Signed Louis Icart in pencil l.r., dated and with publisher within the plate, artists dry stamp l.l. Etching with hand-coloring on paper, plate size 15 1/2 x 26 in. (39.3 x 65.8 cm), in a Deco-style frame. Condition: Not examined out of frame. $800-1,200
102
103
55
104
104. Robert Indiana (American, b. 1928) The Neuberger Art, 1975, edition of 50, made for The Neuberger Museum, State University of New York, Purchase, New York. Signed RobertIndiana in pencil l.r., titled in pencil l.c., numbered 26/50 in pencil l.l., signed and dated in the matrix. Color screenprint on paper, image size 24 x 24 in. (60.8 x 60.8 cm), framed. Condition: Margins over 2 inches, not examined out of frame. Provenance: A private Massachusetts collection. $1,000-1,500
56
105
105. Yvonne Jacquette (American, b. 1934) Northwest View from Empire State Building, 1982, edition of 60, published by Brooke Alexander Editions, New York. Numbered, dated, and signed 54/60 1982 Jacquette in pencil (within the image) l.r. Color lithograph on paper, image/sheet size 50 1/2 x 34 3/4 in. (128.2 x 88.2 cm), unmatted, unframed. Condition: Extremely minor handling creases. $1,000-1,500
57
106
107
106. Paul Jacoulet (French, 1902-1960) Two Genre Scenes: Les Paradisiers, Menado, Celebes, 1937, edition of 350, and Le Repas des Mendiants, Seoul, Coree, 1938, edition of 350. Both signed Paul Jacoulet in pencil (within the image) and with the Tea Jar seal. Color woodcuts on paper, image sizes approximately 11 3/4 x 15 3/8 in. (29.7 x 38.9 cm), framed. Condition: Not examined out of frames. $600-800
107. Wolf Kahn (German/American, b. 1927) Santa Maria della Salute, Venice, 1989. Signed and dated W. Kahn 1989 in pencil l.r. Color monotype on paper, plate size 18 x 23 1/2 in. (45.7 x 59.5 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $1,500-2,000
58
108. Hubert Kim Kempshall (British, b. 1934) Crash Victim, 1968, edition of 20. Signed and dated Kempshall 68 in pencil l.r., titled in pencil l.c., numbered 7/20 in pencil l.l. Color etching with aquatint on paper, plate size 23 1/2 x 19 5/8 in. (59.5 x 49.7 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $300-500
109. Rockwell Kent (American, 1882-1971) Home Port, 1931, edition of 150 (Jones, 62). Signed Rockwell Kent. in pencil l.r. Wood engraving on Shogun paper with partial watermark, image size 6 1/2 x 7 3/8 in. (16.4 x 18.5 cm), matted, unframed. Condition: Margins over 1 3/4 inches with deckled lower edge, hinged with brown paper tape along upper edge. $700-900
108
109
59
110
111
110. Rockwell Kent (American, 1882-1971) Prometheus Unchained, alternatively titled Breaking the Shackles, 1938, edition size unknown (Jones, 119). Signed Rockwell Kent in pencil l.r. Lithograph on paper, image size 14 1/8 x 11 3/8 in. (35.8 x 28.7 cm), matted, unframed. Condition: Margins 2 inches or more with deckled right edge, hinged with brown paper tape along upper edge, minor soiling to margins. $500-700
111. Max Klinger (German, 1857-1920) Br Mit Elfe, plate I from INTERMEZZI, 1881 (Singer, 52). Identified within the plate. Etching with aquatint on chine coll, plate size 16 3/8 x 11 in. (41.5 x 27.8 cm), matted, unframed. Condition: Pale foxing, staining and pencil annotations to supporting sheet. $400-600
60
112
112. Jeff Koons (American, b. 1955) Balloon Dog (Blue), 2002, edition of 2,300, published by the Museum of Contemporary Art, Los Angeles. Identified and numbered 822 on a label on the reverse. Metallic porcelain multiple, diameter 10 1/4 in. (26.0 cm), presented in the original box with the artists name printed in metallic blue, foam interior, and plastic stand. Condition: Dust to interstices, several extremely subtle surface rubs, wear and tear to box. $4,500-5,500
61
113
114
113. Lee Krasner (American, 1908-1984) Free Space, 1975, edition of 175, published by Alex Rosenberg, Transworld Art, New York. Signed and numbered Lee Krasner 63/175 in pencil (within the image) l.l. Color screenprint on paper, image/sheet size 19 1/2 x 26 in. (49.4 x 66.0 cm), framed. Condition: Deckled edges, floating within the mat, several pale fox marks l.l., not examined out of frame. $1,000-1,500
114. Lawrence Kupferman (American, 1909-1982) Floating. Signed Lawrence Kupferman in pencil l.r., titled in pencil l.l., inscribed unique print in pencil l.c. Color monotype on paper, image size 19 1/4 x 25 1/2 in. (48.8 x 64.6 cm), framed. Condition: Not examined out of frame. $250-300
62
115
117
115. Paul Landacre (American, 1893-1963) Some Ingredients, 1954, edition of 250, published by The Woodcut Society, New York. Signed Paul Landacre in pencil l.r., numbered and titled 199/250... in pencil l.l., identified in publication text accompanying the print. Wood engraving on paper, image size 5 1/4 x 7 1/2 in. (13.3 x 19.0 cm), matted, unframed. Condition: Margins over 3/4 inches. $500-700 116. No lot.
117. After Marie Laurencin (French, 1885-1956) Trois jeunes femmes en buste, edition of 200. Signed Marie Laurencin in pencil l.r., numbered 160/200 in pencil l.l. Color etching with aquatint on chine coll, plate size 13 5/8 x 22 1/4 in. (34.5 x 56.4 cm), framed. Condition: Staining c.r., scattered fox marks, not examined out of frame. $500-700
63
118. Le Corbusier (French/Swiss, 1887-1965) Unit V, from the UNIT Suite, 1953, edition of 130, published by Alain C. Mazo, Paris. Signed Le Corbusier in pencil l.r., numbered 124/130 in pencil l.l., monogrammed and dated within the plate. Color aquatint on paper, plate size 16 1/2 x 12 1/2 in. (41.8 x 31.6 cm), framed. Condition: Deckled edges to at least three sides, not examined out of frame. Provenance: A private Massachusetts collection. $500-700
119. Le Corbusier (French/Swiss, 1887-1965) Totem, 1963, possibly a later printing (Weber 2009, p. 74). Signed and dated within the matrix. Color lithograph on paper, image size 27 3/4 x 30 7/8 in. (70.3 x 78.3 cm), framed. Condition: Toning and soft creases near the upper edge, not examined out of frame. Provenance: A private Massachusetts collection. $500-700
118
119
64
120
121
120. Sol LeWitt (American, 1928-2007) Plate 4 (Blue-gray), from VERTICAL NOT STRAIGHT LINES NOT TOUCHING ON COLOR, 1991, edition of 30, published by Riverhouse Editions, Steamboat Springs, Colorado (Krakow, 1991.12 iv). Signed S. LeWitt in pencil (within the image) l.r., numbered 11/30 in pencil (within the image) l.l., publishers dry stamp l.l. Etching with aquatint in teal and black on paper, image/sheet size 47 x 33 in. (119.4 x 83.8 cm), framed. Condition: Deckled edges, floating within the mat, not examined out of frame. $2,500-3,000
121. Sol LeWitt (American, 1928-2007) Plate 6 (Ochre), from VERTICAL NOT STRAIGHT LINES NOT TOUCHING ON COLOR, 1991, edition of 30, published by Riverhouse Editions, Steamboat Springs, Colorado (Krakow, 1991.12 vi). Signed S. LeWitt in pencil (within the image) l.r., numbered 11/30 in pencil (within the image) l.l., publishers dry stamp l.l. Etching with aquatint in ochre and black on paper, image/sheet size 47 x 33 in. (119.4 x 83.8 cm), framed. Condition: Deckled edges, floating within the mat, not examined out of frame. $2,500-3,000
65
122
122. Roy Lichtenstein (American, 1923-1997) Shipboard Girl, 1965, edition of unknown size, published by Leo Castelli Gallery, New York (Corlett, II.6). Signed Roy Lichtenstein in pencil l.r. Color offset lithograph on paper, image size 26 x 19 1/4 in. (66.0 x 48.8 cm), framed. Condition: Laid down, fading. $7,000-9,000
66
123
124
123. Roy Lichtenstein (American, 1923-1997) As I Opened Fire.../A Triptych, 1966, large open edition (Corlett, App. 5). Unsigned, identified in text on the reverse of each sheet. Offset color lithographs on paper, sheet sizes each 25 1/4 x 20 3/4 in. (64.1 x 52.7 cm), unmatted, unframed. Condition: Very minor handling marks and creases, possible subtle toning. $500-700
124. Roy Lichtenstein (American, 1923-1997) Pyramids, 1969, edition of 101 plus proofs, printed by Atelier Mourlot, New York (Corlett, 87). Signed and dated Roy Lichtenstein 69 in pencil l.r., numbered 7/101 in pencil l.l. Color lithograph on paper, image size 11 1/2 x 34 7/8 in. (29.3 x 88.4 cm), framed. Condition: Rippling, visible margins of 1 3/4 inches or more, not examined out of frame. N.B. This work was commissioned for the Print Collectors of the Friends of Art, Kansas City, Missouri, a group associated with what is now the Nelson-Atkins Museum of Art, Kansas City. $7,000-9,000
67
125
125. Roy Lichtenstein (American, 1923-1997) ...Huh?, 1976, printers proof outside of the edition of 100, published by the Jerusalem Museum, Israel, Castelli Graphics, New York, and Multiples, Inc., New York (Corlett, 149). Signed Roy Lichtenstein in pencil l.r., inscribed PP in pencil l.l. Color screenprint on BFK Rives paper with watermark, image size 39 3/4 x 28 in. (100.8 x 71.0 cm), unmatted, unframed. Condition: Deckled edges, minor handling creases, surface rub l.r. $7,000-9,000
68
126
126. Robert Longo (American, b. 1953) The Wave, 2003, edition of 108. Signed and dated RLongo. 2003 in pencil (within the image) l.r., numbered 10/108 in pencil (within the image) l.l. Screenprint on paper, image/sheet size 15 1/4 x 39 1/2 in. (38.5 x 100.3 cm), framed. Condition: Not examined out of frame. $700-900
127. Elyse Ashe Lord (British, 1900-1971) Two Compositions: Pastoral Music, edition of 75, and Kossu, edition of 75. Signed Elyse...Lord in pencil and in ink l.r., respectively, and numbered l.l. Etchings with hand-coloring on paper, plate sizes to 14 3/4 x 10 1/2 in. (37.3 x 26.5 cm), framed. Condition: Minor rubs or crease to Kossu within image at l.r. corner, not examined out of frames. $500-700
128. Alexandre Lunois (French, 1863-1916) Danae. Signed Alex. Lunois in pencil l.r., inscribed pr dessai in pencil l.r., titled in pencil l.l. Color lithograph on paper, image size 9 1/4 x 15 1/2 in. (23.4 x 39.3 cm), matted, unframed. Condition: Subtle toning. $300-350
127
128
69
129. Man Ray (American, 1890-1976) Vivian, from BALLADE DE DAMES HORS DU TEMPS, 1970, total edition of 100 (Anselmino, 60H). Signed Man Ray in pencil l.r., inscribed and numbered H.C. IX/XXV in pencil l.l. Color etching and aquatint on paper, plate size 19 1/2 x 15 1/2 in. (49.4 x 39.3 cm), framed. Condition: Gentle rippling, not examined out of frame. $400-600
130. Man Ray (American, 1890-1976) Concert, from BALLADE DE DAMES HORS DU TEMPS, 1970, total edition of 100 (Anselmino, 60D). Signed Man Ray in pencil l.r., inscribed and numbered H.C. IX/XXV in pencil l.l. Color etching and aquatint on paper, plate size 15 1/2 x 19 1/2 in. (39.3 x 49.4 cm), framed. Condition: Gentle rippling, not examined out of frame. $400-600
129
130
70
131 132
131. Conrad Marca-Relli (American, 1913-2000) Metal Repeat Collage - C, 1968, edition of 40. Incised signature and date MARCA-RELLI/68 l.r., incised number 5/40 l.l. Stainless steel multiple, 17 3/4 x 17 3/4 in. (45.0 x 45.0 cm), framed. Condition: Surface abrasions. $600-800 132. Marino Marini (Italian, 1901-1980) Plate I from PERSONNAGES DU SACRE DU PRINTEMPS, 1974, edition of 75 plus proofs (Guastalla, L114). Signed MARINO in pencil l.r., numbered 17/75 in pencil l.l. Color lithograph on paper, image size 20 1/4 x 15 3/8 in. (51.4 x 39.1 cm), framed. Condition: Margins over 1 1/2 inches, not examined out of frame. Provenance: A private Massachusetts collection. $500-700 133. Marino Marini (Italian, 1901-1980) Miracolo, 1978, edition of 75 plus proofs (Guastalla, A210). Signed MARINO in pencil l.r., numbered 37/75 in pencil l.l. Color etching with aquatint on paper, plate size 22 x 17 1/4 in. (55.8 x 43.8 cm), framed. Condition: Margins over 1/2 inch, not examined out of frame. Provenance: A private Massachusetts collection. $500-700
133
71
134. Reginald Marsh (American, 1898-1954) Subway - Three People, 1934, final state of three (Sasowsky, 149). Number, inscribed, dedicated, and signed 10/40 On the R.I.T. - Best wishes, Sue & Joe Walker Reginald Marsh sc. et imp. in pencil beneath the image. Etching on paper, plate size 9 x 7 in. (22.8 x 17.5 cm), matted, unframed. Condition: Tear along plate mark at lower edge and lower part of the right edge, unobtrusive handling creases, brown paper tape to the edges of the reverse. $200-250
134
135. After Henri Matisse (French, 1869-1954) Four Images from THEMES ET VARIATIONS: F4, K6, L14, and N7, published in 1943, total edition of 950. Each signed and identified within the matrix. Lithographs on paper, sheet sizes 12 3/4 x 9 1/2 in. (32.3 x 24.0 cm), matted, unframed. Condition: Good. $1,800-2,200
135
72
136
137
136. Michael Burton Mazur (American, 1935-2009) Storm Clouds, 1975. Signed Mazur in pencil l.r., titled in pencil l.l., inscribed and dated monotype - Summer 75 in pencil l.c., identified on a label from the Barbara Krakow Gallery, Boston, affixed to the backing. Color monotype on paper, image size 17 7/8 x 35 1/4 in. (45.4 x 89.4 cm), framed. Condition: Not examined out of frame. $400-600
137. Michael Burton Mazur (American, 1935-2009) Ossabaw Study, c. 1975. Signed Mazur in pencil (within the image) l.r., titled in pencil (within the image) l.l. Color monotype heightened with pastel on paper, image size 22 3/4 x 31 3/4 in. (57.6 x 80.5 cm), framed. Condition: Not examined out of frame. $500-700
73
138
140
138. Roberto Matta (Chilean, 1911-2002) Pan-Ton-Lo, 1968, edition of 190. Titled and signed ...Matta in pencil (within the image) l.r. Color lithograph on Arches paper with watermark, image size 18 3/8 x 25 3/4 in. (46.5 x 60.3 cm), unmatted, unframed. Condition: Deckled edges, several pale fox marks, minor creasing to deckle on upper edge. $200-300 139. No lot.
140. William Meyerowitz (American, 1887-1981) Gloucester Harbor. Signed Wm Meyerowitz in pencil l.r. Etching on paper, plate size 7 7/8 x 11 7/8 in. (19.9 x 30.0 cm), framed. Condition: Subtle toning, not examined out of frame. $500-700
141-142. No lots.
74
143
143. Joan Mir (Spanish, 1893-1983) Plate from JOAN MIR, by Jacques Prvert and Georges Ribemont-Dessaignes, published in 1956 (Mourlot, 168; Cramer, 39). Identified in the matrix. Color lithograph on paper, sight size 8 3/8 x 14 1/4 in. (21.0 x 36.0 cm), framed. Condition: Not examined out of frame. N.B. While the central image is by Mir, the figures were drawn by Prvert and the olive trees were created by Ribemont-Dessaignes. $200-250
144. Joan Mir (Spanish, 1893-1983) Lquarrisseur louvrage, 1968, edition of 75 (Mourlot, 516). Signed Mir in pencil l.r., numbered 63/75 in pencil l.l. Color lithograph on paper, image size 21 1/2 x 21 1/2 in. (54.5 x 54.5 cm), framed. Condition: Minor handling crease to lower margin, not examined out of frame. $3,500-5,500
144
75
145. Joan Mir (Spanish, 1893-1983) Chevauche - vert, violet, brun, 1969, edition of 75 (Mourlot, 543). Signed Mir in white pencil (within the image) l.r., numbered 60/75 in white pencil (within the image) l.l. Color lithograph on paper, 33 x 23 in. (83.7 x 58.3 cm), framed. Condition: Rippling, not examined out of frame. $2,500-3,000
146. Joan Mir (Spanish, 1893-1983) Les Coquillages, 1969, edition of 75, published and printed by Maeght, Paris (Mourlot, 641). Signed Mir in pencil l.r., numbered 58/75 in pencil l.l. Color lithograph on paper, image/sheet size 30 1/4 x 44 1/4 in. (76.7 x 112.3 cm), unmatted, unframed. Condition: Deckled edges to three sides, scattered staining, unobtrusive creases to edges/corners, thinned spots near edges on the reverse, annotated on the reverse. $5,000-7,000
145
146
76
147
147. Joan Mir (Spanish, 1893-1983) La Fronde, 1969, edition of 75 plus proofs, published by Maeght diteur, Paris (Dupin, 501). Signed Mir in pencil (within the image) l.r., inscribed H.C. in pencil (within the image) l.l. Color etching with aquatint and carborundum on paper, sheet size 41 3/4 x 27 1/2 in. (105.8 x 69.7 cm), framed. Condition: Deckled edges, floating within the mat, gentle rippling, not examined out of frame. Provenance: A private Massachusetts collection. $20,000-30,000
77
148. Joan Mir (Spanish, 1893-1983) Untitled Image (Soleil Rouge), from MIR LITHOGRAPHS I, 1972, edition of 80 (Mourlot, 859). Signed Mir in pencil l.r., numbered V/LXXX in pencil l.l. Color lithograph on Arches paper with watermark, image size 12 3/4 x 10 in. (32.3 x 25.5 cm), framed. Condition: Deckled right and lower edges, floating within the mat, not examined out of frame. $600-800
149. Joan Mir (Spanish, 1893-1983) Untitled, from the series BARCELONA 1972-1973, 1973, edition of 50, published by Sala Gaspar, Barcelona, printed by J.J. Torralba, Barcelona (Dupin, 602). Signed Mir in pencil l.r., numbered 21/50 in pencil l.l. Color etching, aquatint, and carborundum on paper, sight size 26 1/2 x 40 1/2 in. (67.3 x 102.9 cm), framed. Condition: Deckled edges, gentle rippling, not examined out of frame. $2,000-3,000
148
149
78
150
150. Joan Mir (Spanish, 1893-1983) Poster for the Exhibition Josep Lluis Sert, 1978, from the edition before letters of 25, published by the Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts (Mourlot, 1168). Signed Mir in pencil l.r., numbered 11/25 in pencil l.l. Color lithograph on paper, image size 27 1/2 x 20 in. (69.7 x 50.6 cm), framed. Condition: Not examined out of frame. Provenance: A private Massachusetts collection. $1,200-1,800
79
151. Joan Mitchell (American, 1925-1992) Sunflower VII, 1972, edition of 75 plus proofs, published by Maeght Editeur, Paris. Signed Joan Mitchell in pencil l.r., inscribed EA in pencil l.l. Color etching with aquatint on paper, plate size 26 3/4 x 17 1/4 in. (67.8 x 43.8 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $2,500-3,000
151
152. Benson Bond Moore (American, 1882-1974) Five Ornithological Subjects: Ring-necked Pheasant, edition of 40; Wood Ducks, edition of 40; Prince of Wales Pheasant, edition of 40; Red Jungle Fowl, edition of 50; and Yellow-breasted Chat, edition of 30. Each signed Benson B Moore in pencil l.l., numbered in pencil l.r., and titled in pencil within the lower margin. Etchings with aquatint and hand-coloring on paper, plate sizes approximately 9 x 6 3/4 in. (22.7 x 17.0 cm), unmatted, unframed. Condition: Margins approximately 1 inch, creases, nicks, and/or minor losses to some corners. $250-300
152
80
153
154
153. Henry Moore (British, 1898-1986) Reclining Figure (Title Page), 1978, from THE RECLINING FIGURE Album, 1977-78, from the Louisiana Museum edition of 25 (Cramer, 471). Signed Moore in pencil l.r., numbered L19/25 in pencil l.l. Etching on paper, plate size 7 1/2 x 9 7/8 in. (19.0 x 25.0 cm), framed. Condition: Margins 1/4 inch or more, gentle rippling, not examined out of frame. Provenance: A private Massachusetts collection. $600-800
154. Henry Moore (British, 1898-1986) Reclining Figure 6, from THE RECLINING FIGURE Album, 197778, from the Louisiana Museum edition of 25 (Cramer, 477). Signed Moore in pencil l.r., inscribed and numbered Pl. 6 L19/25 in pencil l.l. Etching on paper, plate size 8 3/4 x 11 5/8 in. (22.2 x 29.5 cm), framed. Condition: Margins 1/2 inch or more, gentle rippling, not examined out of frame. Provenance: A private Massachusetts collection. $600-800
81
155
156
155. Robert Motherwell (American, 1915-1991) Capriccio, 1961, edition of 200 plus proofs, published by Berggruen & Cie, Paris (Terenzio & Belknap, App.1). Signed Robert Motherwell in pencil l.r., numbered 33/200 in pencil l.l., initialed within the matrix. Color collotype with pochoir coloring on Arches paper, image size 20 3/8 x 15 3/4 in. (51.5 x 40.0 cm), unmatted, unframed. Condition: Margins 2 inches or more with two deckled edges, old hinges at upper corners, minor handling creases to sheet. $800-1,200
156. Robert Motherwell (American, 1915-1991) Plate 9 from THE BASQUE SUITE, 1970, edition of 150 (Terenzio & Belknap, 58). Initialed and numbered RM 136/150 in pencil l.r., signed within the matrix. Screenprint in orange and black with embossed double plate marks on paper, image size 20 1/2 x 17 in. (52.0 x 43.1 cm), framed. Condition: Rippling, not examined out of frame. Provenance: A private Massachusetts collection. $1,800-2,200
82
157. Shiko Munakata (Japanese, 1903-1975) Untitled, cover for MUNAKATA NO SAKU, 1956, printed in 1985. Signed with chop and identified within the image. Woodcut on paper, image size 16 1/2 x 12 in. (41.8 x 30.4 cm), framed. Condition: Not examined out of frame. $600-800
157
158. Edvard Munch (Norwegian, 1863-1944) Portrt Dr. Max Linde, 1902 (Woll, 223). Signed Edv. Munch in pencil l.r. Lithograph in gray/green on paper, image size 11 1/2 x 8 in. (29.2 x 20.3 cm), framed. Condition: Toning, not examined out of frame. N.B. Munch executed a number of portraits of some of his more prominent patrons, such as Dr. Linde. Munch also created a drypoint of Linde in 1902. $2,500-3,500
158
83
159. Louise Nevelson (American, 1899-1988) City-Sunscape, 1979, edition of 150, published by Pace Editions, Inc., New York. Incised signature and numbered 145 on plaque affixed to the verso. Polyester resin multiple painted black, 12 3/4 x 9 in. (32.3 x 22.8 cm), designed with its own shadow box. Condition: Dust to interstices. Provenance: A private Massachusetts collection. $400-600
160. Louise Nevelson (American, 1899-1988) Sun-Set, 1981, edition of 125, published by Pace Editions, Inc., New York. Incised signature and numbered 24 on a plaque affixed to the verso. Polyester resin multiple painted black, 12 3/8 x 18 in. (31.3 x 45.7 cm), designed with its own shadow box. Condition: Dust to interstices. Provenance: A private Massachusetts collection. $400-600
159
160
84
161
161. Gabor F. Peterdi (American, 1915-2001) Suite of Six Works Created in Conjunction with the Publication of GABOR PETERDI: GRAPHICS 1934-1969 by Una Johnson: Hawaii, Maui, The Reef, Red Eclipse II, Mauna Loa II, and Blue Surf, 1969, edition of 200 (Johnson, 277-282). Each signed and dated Peterdi 69 in pencil l.r. and numbered 26-200 in pencil l.l. Color relief prints on paper, image sizes 10 1/8 x 7 1/8 in. (25.5 x 18.0 cm), matted, unframed. Condition: Margins approximately 1 inch, each with one deckled edge. $700-900
85
162
162. Pablo Picasso (Spanish, 1881-1973) Scne dintrieur, 1926, aside from the edition of 100, published by Galeri Simon, Paris (Bloch, 74). Unsigned. Lithograph on cream laid paper, image size 8 5/8 x 10 7/8 in. (21.8 x 27.4 cm), framed. Condition: Margins 2 3/4 inches or more with deckled upper and lower edges. $1,000-1,500
163. Pablo Picasso (Spanish, 1881-1973) Trois acteurs, 1933, from the SUITE VOLLARD, published 1939, from the edition of 250 (Bloch 145; Geiser 296 ). Signed or inscribed Picasso in pencil l.r., signed and dated within the plate. Etching on laid paper with Picasso and figural watermarks, plate size 11 x 7 1/8 in. (28.0 x 18.0 cm), unmatted, unframed. Condition: Margins over 2 1/2 inches with deckled edges, minor breaks to surface fibers along areas on the plate mark, toning, staining, and soiling. $3,000-5,000
163
86
164
164. Pablo Picasso (Spanish, 1881-1973) Le repose du sculpteur devant le petit torse, 1933, from the SUITE VOLLARD, published 1939, from the edition of 250 (Bloch, 162; Geiser et al., 315). Signed or inscribed Picasso in pencil l.r., signed and dated within the plate. Etching on laid paper with Picasso and figural watermarks, plate size 7 5/8 x 10 1/2 in. (19.5 x 26.5 cm), unmatted, unframed. Condition: Margins over 2 1/2 inches with deckled edges, breaks to surface fibers along areas on the plate mark, staining, and soiling. $3,000-5,000
87
165
165. Pablo Picasso (Spanish, 1881-1973) Famille de saltimbanques, 1933, from the SUITE VOLLARD, published 1939, from the edition of 250 (Bloch, 163; Geiser et al., 316). Signed or inscribed Picasso in pencil l.r., signed and dated within the plate. Etching on laid paper with Picasso and figural watermarks, plate size 7 5/8 x 10 1/2 in. (19.5 x 26.5 cm), unmatted, unframed. Condition: Margins over 2 1/2 inches with deckled edges, breaks to surface fibers along areas on the plate mark, staining and soiling. $3,000-5,000
166. Pablo Picasso (Spanish, 1881-1973) Lage de soleil (pour Roby), 1950 (Bloch, 680). Signed and inscribed in the plate. Etching on paper, plate size 9 1/8 x 7 in. (23.2 x 17.7 cm), framed. Condition: Margins 1 inch or more, pale toning, not examined out of frame. $300-350
166
88
167
167. Pablo Picasso (Spanish, 1881-1973) Fish Subject, 1952, edition of 500 (Ramie, 139). Inscribed EDITION PICASSO and stamped MADOURA PLEIN FEU and EDITION PICASSO on the underside. Red earthenware pitcher painted in black and white, height 4 3/4 in. (12.0 cm). Condition: Minor soiling. $1,000-1,500
168. Pablo Picasso (Spanish, 1881-1973) Dessins dun Demi-Sicle, 1956, edition for the cover of the catalogue for Lexposition 1956 de Berggruen & Cie (Bloch, 792). Identified in the matrix and on the title page of the booklet. Color lithograph on paper, image size 8 3/8 x 9 3/8 in. (21.2 x 23.7 cm), unmatted, unframed. Condition: Toning, minor wear to corners. $300-500
168
89
169
170
169. Pablo Picasso (Spanish, 1881-1973) Maison de la Pense Franaise...Exposition de Cramiques, 1958 (Bloch, 1280). Signed, dated, and identified within the matrix. Color lithograph on paper, image size 23 x 15 1/4 in. (58.4 x 38.6 cm), framed. Condition: Pale toning and mat burn, not examined out of frame. $500-700
170. Pablo Picasso (Spanish, 1881-1973) Mans Face, 1966, edition of 500 (Ramie, 539). Unsigned, dated within the matrix, stamped MADOURA PLEIN FEU and EMPREINTE ORIGINALE DE PICASSO and numbered 52/500 on the back. Red earthenware clay with engobe in black, 6 1/8 x 3 7/8 in. (15.5 x 9.8 cm), presented in a Plexiglas box. Condition: Not examined out of box. Provenance: A private Massachusetts collection. N.B. The image is based on a composition transfered from a linoleum printing block. $1,200-1,800
90
171
171. Doel Reed (American, 1895-1985) Evening Music, 1946, edition of 100, published by Associated American Artists, New York (Cohen, 62; AAA/Czestochowski, 1946.084). Signed Doel Reed in pencil l.r., identified on a label from AAA affixed to the backing. Etching and aquatint on paper, plate size 15 7/8 x 11 3/8 in. (40.3 x 28.8 cm), framed. Condition: Toning, not examined out of frame. $700-900
91
172
172. Rembrandt van Rijn (Dutch, 1606-1669) Nude Man Seated on the Ground with One Leg Extended, 1646 (Hind, 221; Bartsch/Hollstein, 1966 II/II). Signed and dated within the plate, collectors marks l.r. and to verso (see below). Etching on laid paper, plate/sheet size 3 3/4 x 6 in. (9.0 x 15.1 cm), matted, framed. Condition: Trimmed to plate mark, foxing, gentle toning. Provenance: Pierre Matiette, Paris, 1634-1716 (Lugt, 2096 - mark with date 1681); through to Pierre Remy, Paris, second half of the 18th century (Lugt, 2173 - the mark with date 1749); through to John Barnard, London, died 1784 (Lugt, 1419); through to Ugi Battenberg, German, 1879-1957; gifted by him to Oscar and Edna Stirling in 1946; gifted to the present owner by the Stirlings in 1987. $4,000-6,000
92
172A
173
172A. Rembrandt van Rijn (Dutch, 1606-1669) The Circumcision in the Stable, 1654, probably an early 18th century impression (Hind, 274; Bartsch/Hollstein, 47 I/II). Signed and dated within the plate, collectors marks (see below) and pencil annotations to the reverse. Etching on laid paper, plate/sheet size 3 7/8 x 5 3/4 in. (9.6 x 14.5 cm), matted, unframed. Condition: Trimmed to and/or within the plate mark, soft, gray impression, subtle surface rubbing, upper corners reinforced. Provenance: Ex-collection of Herman Weber, Bonn, 1817-1854 (Lugt, 1383); through to August Artaria, Vienna, 1807-1893 (Lugt, 33); through to the present owner. $1,000-1,500
173. Ker Xavier Roussel (French, 1867-1944) La Source, from LALBUM DE PAYSAGE, c. 1900, edition of 100, printed by Auguste Clot, Paris, published by Vollard, Paris (Salomon, 20). Unsigned. Color lithograph on chine vollant, image size 12 1/2 x 16 1/4 in. (31.6 x 41.2 cm), matted, unframed. Condition: Margins over 3/4 inches, subtle toning to margins. $800-1,200
93
174. Kiyoshi Saito (Japanese, 1907-1997) Stillness. Signed Kiyoshi Saito in ink (within the image) l.r. Color woodcut on paper, sight size 14 x 9 in. (35.5 x 22.8 cm), framed. Condition: Not examined out of frame. $400-600
175. David Salle (American, b. 1952) Plates 2 and 4 from the CANFIELD HATFIELD Suite, 1989, edition of 60 plus proofs, published by Waddington Graphics, London. Both signed and dated David Salle 1989 in pencil l.r. and numbered 30/60 in pencil l.l. Color etchings with aquatint and photo-etching on paper, plate sizes 23 3/4 x 36 in. (60.2 x 91.4 cm), matted, unframed. Condition: Deckled edges. $1,200-1,800
174
175
94
176
177
176. Giuseppe Santomaso (Italian, 1907-1990) Untitled, 1952, edition of 60. Signed and dated Santomaso 52 in pencil l.r., numbered 39/60 in pencil l.l. Color lithograph on paper, image size 19 1/2 x 13 1/4 in. (49.5 x 33.5 cm), framed. Condition: Pinpoint foxing, not examined out of frame. $500-700 177. Fritz Scholder (American, 1937-2005) Red Indian, edition of 100. Signed Scholder in pencil l.r., numbered 20-100 in pencil l.l. Color lithograph on paper, image/sheet size 33 1/2 x 22 1/8 in. (85.0 x 56.0 cm), unmatted, unframed. Condition: Crinkling to u.r. corner, slight creasing, shrink-wrapped. $300-500 178. Gino Severini (Italian, 1883-1966) Composition, 1955, edition of 220, published by La Guilde de Grauvre, Paris (Meloni, 28). Signed GinoSeverini in pencil l.r., numbered 197/220 in pencil l.l., publishers dry stamp l.l. Color lithograph on Rives paper with watermark, image size 19 3/8 x 12 5/8 in. (49.2 x 32.0 cm), unmatted, unframed. Condition: Margins 1 inch or more with two deckled edges. $800-1,200
178
95
179
180
179. Joel Shapiro (American, b. 1941) Untitled, 1992, edition of 60. Signed and dated Joel Shapiro 92 in pencil l.r., numbered 27/60 in pencil l.l. Color etching with aquatint on paper, plate size 23 7/8 x 18 in. (60.6 x 45.7 cm), framed. Condition: Gentle rippling, not examined out of frame. $2,500-3,000
180. Joel Shapiro (American, b. 1941) Untitled, 1992, edition of 60. Signed and dated Joel Shapiro 92 in pencil l.r., numbered 27/60 in pencil l.l. Color etching with aquatint on paper, plate size 23 3/4 x 18 in. (60.3 x 45.7 cm), framed. Condition: Gentle rippling, not examined out of frame. $2,500-3,000
96
181
182
181. Harry Shokler (American, 1896-1978) Coney Island, 1942, edition of 100. Signed within the matrix. Color screenprint on paper, image size 12 5/8 x 16 in. (32.0 x 40.5 cm), framed. Condition: Not examined out of frame. $200-250
182. Harry Shokler (American, 1896-1978) Vermont Landscape, 1947, edition of 100. Signed and dated within the matrix, signed Harry Shokler/ed 100 in pencil l.r., titled in pencil l.l. Color screenprint on paper, image size 13 x 16 in. (33.0 x 40.5 cm), framed. Condition: Not examined out of frame. $300-500
97
183. Pierre Soulages (French, b. 1919) Eau-forte No. 1, 1952, edition of 100, printed and published by Lacourire, Paris (Rivire, 1). Signed Soulages in pencil l.r., numbered 38/100 in pencil l.l. Color aquatint on paper, plate size 19 1/2 x 13 1/8 in. (49.4 x 33.3 cm), framed. Condition: Mat burn, not examined out of frame. $800-1,200
184. Pierre Soulages (French, b. 1919) Eau-forte No. 17, 1961, edition of 100, published by Berggruen & Cie, Paris (Rivire, XVII). Signed Soulages in pencil l.r., numbered 50/100 in pencil l.l. Color aquatint on paper, image size 18 1/4 x 22 3/4 in. (46.3 x 57.7 cm), framed. Condition: Deckled edges, subtle toning, not examined out of frame. $800-1,200
183
184
98
185
186
185. Frank Stella (American, b. 1936) Ifafa I, from the V SERIES, 1968, edition of 100 plus proofs (Axsom, 21). Numbered, signed, and dated 11/100 F. Stella 68/100 in pencil l.l., identified on a label from Pace Editions, Inc., New York, affixed to the backing. Color lithograph on paper, image size 11 1/8 x 19 1/4 in. (28.2 x 49.5 cm), framed. Condition: Staining to image l.l., not examined out of frame. Provenance: A private Massachusetts collection. $1,000-1,500
186. David Sullivan (American, b. 1941) Monument II, edition of 70. Signed David Sullivan in pencil l.r., titled in pencil l.l., numbered 55/70 in pencil l.c. Color screenprint on paper, image size 20 x 30 in. (50.7 x 76.1 cm), framed. Condition: Gentle rippling, not examined out of frame. $300-500
99
187
187. George Tooker (American, 1920-2011) Voice, 1977, edition of 125, published by Editions Press, San Francisco (Garver, 3). Signed George Tooker in pencil l.r., inscribed Artists proof in pencil l.l. Lithograph on paper, image size 11 x 9 3/4 in. (27.9 x 24.6 cm), framed. Condition: Not examined out of frame. $1,000-1,500 188.-189. No lots.
100
190
190. Victor Vasarely (Hungarian/French, 1906-1997) Two Images from the PERMUTATIONS Series, 1968, edition of 150, published by Denise Ren, editeur, Paris. Both signed Vasarely- in pencil l.r., numbered 13/150 in pencil l.l., with publishers dry stamp l.l., and identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Color screenprints on paper, image size 23 5/8 x 23 5/8 in. (59.8 x 59.8 cm), framed. Condition: Subtle water staining to lower margins, abrasion/surface loss to left margin and just into image of one, not examined out of frames. $600-800
191. Victor Vasarely (Hungarian/French, 1906-1997) Two Op Art Images: Diago CC, 1968, edition of 250, published by Denise Ren, editeur, Paris; and Diaf, 1968, edition of 200, published by Denise Ren, editeur, Paris. Both signed Vasarely- in pencil l.r., numbered in pencil l.l., with publishers dry stamp l.l., and identified on a label from the Kanegis Gallery, Boston, affixed to the backing. Color screenprints on paper, image size 23 5/8 x 23 5/8 in. (59.8 x 59.8 cm), framed. Condition: Water staining to lower and side edges (just barely effecting the images), not examined out of frames. $600-800
191
101
192
193
192. Victor Vasarely (Hungarian/French, 1906-1997) Untitled (Blue Sphere), edition of 250. Signed Vasarely- in pencil l.r., numbered 231/250 in pencil l.l. Color screenprint on paper, image size 20 x 20 in. (50.6 x 50.6 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $300-500 193. Victor Vasarely (Hungarian/French, 1906-1997) Untitled (Green, Blue, Orange Vertical), edition of 250. Signed Vasarely in pencil l.r., numbered 72/250 in pencil l.l. Color screenprint on paper, image size 32 1/4 x 16 1/4 in. (81.8 x 41.2 cm), framed. Condition: Not examined out of frame. $300-500 194. Victor Vasarely (Hungarian/French, 1906-1997) Untitled (Polygons), edition of 175. Signed Vasarely- in pencil l.r., numbered 76/175 in pencil l.l. Color screenprint on paper, image size 27 1/2 x 13 3/4 in. (69.8 x 34.8 cm), framed. Condition: Not examined out of frame. $300-500
194
102
195
195. Jacques Villon (French, 1875-1963) Two Portraits: Tte de fillette, 1929, edition of 50 (Ginestet/Pouillon, E324); and Le grand dessinateur assis, 1935, edition of 50 (Ginestet/ Pouillon, E385). Both signed Jacques Villon in pencil l.r. and numbered in pencil l.l., Tte dedicated in pencil l.c., Dessinateur with H.M.P. collectors stamp on verso. Drypoints on laid paper, plate sizes to 10 7/8 x 8 3/8 in. (27.5 x 21.2 cm), matted, unframed. Condition: Margins 1 3/4 inches or more with deckled edges, annotations to lower margins, Tte with crease to right margin and old hinges tape to right edge on verso, Dessinateur with minor nicks and creases to upper and lower edges. $800-1,200
103
196
196. Andy Warhol (American, 1928-1987) Edward Kennedy, 1980, edition of 300 plus proofs, published by the Kennedy for President Committee, Washington, D.C. (Feldman & Schellmann, II.240). Numbered and signed AP 2/25 Andy Warhol in pencil (within the image) l.r., dry stamp l.l. Screenprint with diamond dust on paperboard, image/sheet size 40 x 32 in. (101.5 x 8.3 cm), framed. Condition: Not examined out of frame. $5,000-7,000
104
197. Andy Warhol (American, 1928-1987) Saint Apollonia, plate IV from SAINT APOLLONIA, 1984, edition of 250 plus proofs, published by Dr. Frank Braun, Dusseldorf, printed by Rupert Jasen Smith, New York (Feldman/Schellmann, II.330). Numbered and signed 3/250 Andy Warhol in pencil (within the image) l.l., stamped ANDY WARHOL 1984 on the reverse. Color screenprint on paper, image/sheet size 30 x 22 in. (76.2 x 55.8 cm), framed. Condition: Tear to left edge (approximately 1/4 inch), minor unpressed creases near lower corner along right edge. Provenance: Purchased from Heern Horst-Wolfgang Haase, Berlin, 1984; then through to the present owner. $3,000-5,000
197
198. After Andy Warhol (American, 1928-1987) Three Skate Decks from the Alien Workshop. Identified within the matrix and authorized by The Andy Warhol Foundation for the Visual Arts, Inc. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm), in original shrink wrap, containing original stickers. Condition: Not examined out of wrap. $600-800
198
105
199. Everett Longley Warner (American, 1877-1963) Two Industrial Views: Speeding Locomotive and Tug Working near the Shoreline. Both signed Everett Warner imp in pencil l.r. Etchings on paper, plate sizes to 8 7/8 x 11 7/8 in. (22.4 x 30.0 cm), framed. Condition: Not examined out of frames. $500-700
199
200. Neil Welliver (American, 1929-2005) Briggs Meadow, from LANDSCAPES, 1973, edition of 144 (Welliver, 27). Signed Welliver in pencil l.r., numbered 63/144 in pencil l.l. Color screenprint on paper, image size 36 x 35 1/2 in. (91.4 x 90.0 cm), framed. Condition: Margins 3/4 inches or more, not examined out of frame. $1,500-2,000
200
106
201. Stow Wengenroth (American, 1906-1978) Long Cove (Rockport, Massachusetts), 1935, edition of 30 (Stuckey, 51). Signed Stow Wengenroth in pencil l.r., dedicated To Marjorie Mitchell - 1936 in pencil l.l. Lithograph on paper, image size 7 7/8 x 12 1/4 in. (19.8 x 31.0 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $300-350
201
202. Stow Wengenroth (American, 1906-1978) Kindred McLean Print (Rockport, Massachusetts), 1939, edition of 290 (Stuckey, 91). Signed Stow Wengenroth in pencil l.r. Lithograph on paper, image size 9 7/8 x 14 in. (25.0 x 35.5 cm), framed. Condition: Unobtrusive mat burn, not examined out of frame. $400-800
202
203. Stow Wengenroth (American, 1906-1978) Maine Lobsterman (Port Clyde, Maine), 1945, edition of 210 (Stuckey, 144). Signed Stow Wengenroth in pencil l.r. Lithograph on paper, image size 8 3/16 x 12 in. (20.7 x 30.4 cm), matted, unframed. Condition: Margins over 1 1/2 inches with deckled right and lower edges, light-struck. $300-500
203
107
204. Stow Wengenroth (American, 1906-1978) Two Images: The Chickadees (Corea, Maine), 1953, edition of 60 (Stuckey, 213), and Downy Woodpeckers (Greenport, New York), 1955, edition of 60 (Stuckey, 225). Both signed Stow Wengenroth in pencil l.r. and numbered in pencil l.l. Lithographs on paper, image sizes approximately 10 5/8 x 15 7/8 in. (26.8 x 40.2 cm), matted, unframed. Condition: Deckled edges, pale mat burn and toning to images. $400-600
204
205. Stow Wengenroth (American, 1906-1978) Three Images: Bufflehead (Greenport, New York), 1967, edition of 50 (Stuckey, 312), River Light (Stockton Springs, Maine), 1968, edition of 40 (Stuckey, 319), and Spring Visitors (Greenport, New York), 1970, edition of 75 (Stuckey, 330). Each signed Stow Wengenroth in pencil l.r. and numbered in pencil l.l. Lithographs on paper, image sizes to 14 3/4 x 11 1/4 in. (37.4 x 28.5 cm), matted, unframed. Condition: Deckled edges, pale mat burn and toning to images, scattered pale staining. $600-800
205
206. Stow Wengenroth (American, 1906-1978) Forest Ferns (Glenport, New York), 1969, edition of 60 (Stuckey, 323). Signed Stow Wengenroth in pencil l.r., inscribed Ed/60 in pencil l.l. Lithograph on paper, image size 9 x 15 1/2 in. (22.8 x 39.0 cm), framed. Condition: Not examined out of frame. $300-500
206
108
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207. Wilhelm Woelke (German, 19th/20th Century) Jahrehundertfeier der Freiheitsteiege Breslau, 1913. Signed, dated, and identified in the matrix. Color lithographic poster, image size 33 3/4 x 22 1/2 in. (85.6 x 57.0 cm), unmatted, unframed. Condition: Minor staining, minor tears to margins, shrink-wrapped. $300-500
208. Grant Wood (American, 1891-1942) Approaching Storm, 1940, edition of 250, published by Associated American Artists, New York (Czestochowski, W17). Signed Grant Wood in pencil l.r., identified on a label from AAA affixed to the backing. Lithograph on paper, image size 11 3/4 x 8 7/8 in. (29.7 x 22.5 cm), framed. Condition: Scattered foxing, not examined out of frame. $1,200-1,800
109
209
209. Lisa Yuskavage (American, b. 1962) Untitled (Profile), 1989, printed by the Garner Tullis Workshop, Santa Barbara, California. Signed and dated Lisa Yuskavage 1989 in pencil l.r. Monotype on buff paper, image size 12 1/2 x 14 1/2 in. (31.5 x 36.7 cm), framed. Condition: Not examined out of frame. $2,000-3,000
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Photography
210. Ansel Adams (American, 1902-1984) Zabriskie Point, Death Valley National Monument, 1942, from PORTFOLIO TWO: THE NATIONAL PARKS AND MONUMENTS..., published 1950. Signed Ansel Adams in pencil on the mount l.r., stamped and numbered ...12 of set no. 88 on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), unmatted, unframed. Condition: Soiling to mount. N.B. A cover for PORTFOLIO TWO accompanies the lot. $4,000-6,000
111
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211. Ansel Adams (American, 1902-1984) Dawn, Autumn, Great Smoky Mountains National Park, Tennessee, 1948, probably a later printing. Signed Ansel Adams in pencil on the mount l.r., titled and stamped with artists Carmel, California, stamp on the reverse of the mount. Gelatin silver print on paper, image/sheet size 19 1/8 x 13 5/8 in. (48.5 x 34.5 cm), framed. Condition: Minute nick to upper edge and to corners of image l.l. and u.r., mount very gently light-struck. $8,000-12,000
112
212. Ansel Adams (American, 1902-1984) Oak Tree - Snowstorm, Yosemite National Park, California, 1948, a later printing from the special edition of prints Photographs of Yosemite. Signed Ansel Adams in ink on the mount l.r., stamped and with print number on the reverse. Gelatin silver print on paper, image/sheet size 9 7/8 x 7 3/4 in. (25.0 x 19.5 cm), framed. Condition: Not examined out of frame. $3,000-5,000
212
213. Ansel Adams (American, 1902-1984) Dead Tree, Sunset Crater National Monument, Arizona, 1947, plate 11 from PORTFOLIO TWO: THE NATIONAL PARKS AND MONUMENTS..., published 1950. Signed Ansel Adams in pencil on the mount l.r., stamped and numbered ...11 of set no. 81 on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 5/8 x 7 1/2 in. (24.3 x 19.0 cm), unmatted, unframed. Condition: Soiling to mount. $3,000-5,000
213
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214
214. Ansel Adams (American, 1902-1984) Related Ephemera: Including Four Architectural Renderings by Spencer & Lee, San Francisco, depicting the Adams StudioResidence in Carmel, California, 1961, together with a mailing tube addressed from Adams to Mrs. E.H. Land, Cambridge, Massachusetts; twelve half-tone reproductions of images shot by Adams in Yosemite (each stamped and inscribed on the reverse); five portraits (four of Ansel Adams), each with the original proof and presented in a folder marked Custom print by Polaroid; two menus for celebrations at The Ahwahnee, Yosemite National Park (Christmas and New Years Eve, 1960) featuring Adamss images on the covers. Condition: Most works worn, especially at edges/corners. $600-800
215. Ansel Adams (American, 1902-1984) Forest Detail, Winter, Yosemite National Park, California, c. 1949, printed in the 1970s. Initialed AA in pencil on the mount, stamped on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), framed. Condition: Mount affixed to facing mat with masking tape on the reverse. $2,500-3,500
215
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216. Fratelli Alinari (Italian, established 1852) View of the Acropolis. Photographers dry stamp l.r. Albumen print on paper, sight size 15 7/8 x 22 3/4 in. (40.3 x 57.7 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $150-200 217. James Balog (American, b. 1952) Giraffe Neck, 1979, printed 1992, edition of 30. Signed, dated, and numbered James Balog 92/1979 4/30 in felt-tip pen (fading) l.r. Chromogenic print, image size 14 x 14 in. (35.5 x 35.5 cm), framed. Condition: Not examined out of frame. Provenance: Purchased from the Robert Klein Gallery, Boston. The original receipt accompanies the lot. $400-600
218. John Benson (American, b. 1927) Three Portraits: Woman in Chair, 1969, Family Portrait, 1969, and Couple, c. 1970. The last with the artists stamp on the mount. Gelatin silver prints on paper, image sizes to 9 x 11 in. (22.7 x 27.8 cm), matted, unframed. Condition: Each mounted with mounting film. N.B. Benson was a student of Harry Callahans at the Rhode Island School of Design. A closely related image was included in the portfolio Photographs: Rhode Island School of Design, published in 1970, which contained twenty-three works by RISD students. $600-800
218
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218A. Erwin Blumenfeld (German, 1897-1969) Aubade, 1937-38, published in Coronet magazine. Annotated, titled, and signed ...Erwin Blumenfeld in pencil beneath the image, Coronet stamp on the reverse. Gelatin silver print on paper, image size 9 1/4 x 7 3/8 in. (23.4 x 18.6 cm), matted, unframed. Condition: Subtle silvering-out to edges of image. Literature: Coronet, volume 3, 1938, p. 147. $2,500-3,500
218A
219. Harry Callahan (American, 1912-1999) Lake Michigan (Reeds), c. 1949, probably a later printing. Signed Harry Callahan in pencil l.r. Gelatin silver print on paper, image size 7 1/4 x 7 1/8 in. (18.3 x 18.0 cm), matted, unframed. Condition: Unmounted, rippling. $4,000-6,000
219
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220
220A
220. Henri Cartier-Bresson (French, 1908-2004) Visite du Cardinal Pacelli, Montmarte (Later Pope Pius XII), 1938, a later printing. Signed Henri Cartier-Bresson in ink l.r., artists copyright dry stamp l.l. Gelatin silver print on paper, image size 9 3/8 x 14 1/8 in. (23.7 x 35.8 cm), framed. Condition: Gentle rippling, not examined out of frame. Provenance: Purchased from Rosenberg + Kaufman Fine Art, New York. $6,000-8,000
220A. Henri Cartier-Bresson (French, 1908-2004) La danse Alloeng Kotjok, Sayan, Bali, Indonsie, 1949, a later printing. Signed Henri Cartier-Bresson in ink l.r., artists copyright dry stamp l.l. Gelatin silver print, image size 9 3/8 x 14 1/8 in. (23.7 x 35.8 cm), framed. Condition: Gentle rippling, not examined out of frame. Provenance: Purchased from Rosenberg + Kaufman Fine Art, New York. $7,000-9,000
117
221
221. Henri Cartier-Bresson (French, 1908-2004) Abruzzo, Aquila, 1951, a later printing. Signed Henri Cartier-Bresson in ink l.r., artists copyright dry stamp l.l. Gelatin silver print on paper, image size 14 x 9 3/8 in. (35.5 x 23.8 cm), framed. Condition: Gentle rippling, not examined out of frame. Provenance: Purchased from Rosenberg + Kaufman Fine Art, New York. $8,000-10,000
118
222
222. Henri Cartier-Bresson (French, 1908-2004) Bougival, Yvelines, France, 1956, a later printing. Signed Henri Cartier-Bresson in ink l.r., artists copyright dry stamp l.l. Gelatin silver print on paper, image size 14 x 9 3/8 in. (35.5 x 23.8 cm), framed. Condition: Gentle rippling, not examined out of frame. Provenance: Purchased from Rosenberg + Kaufman Fine Art, New York. $7,000-9,000
119
223. Harold Eugene Edgerton (American, 1903-1990) Wes Fesler Kicking a Football, 1934, probably a later printing. Signed HAROLD EDGERTON... in felt-tip pen or similar on the reverse. Gelatin silver print on paper, image/sheet size 11 x 9 in. (27.9 x 22.8 cm), unmatted, unframed. Condition: Unmounted, 1 inch crease to image l.r., minor wear to edges and corners. $800-1,200
224. Harold Eugene Edgerton (American, 1903-1990) Judy Garland and Mickey Rooney at MGM Studios, 1940, probably a later printing. Signed HAROLD EDGERTON in felt-tip pen or similar on the reverse. Chromogenic print on Kodak paper, image size 10 1/2 x 13 1/2 in. (26.5 x 34.2 cm), unmatted, unframed. Condition: Unmounted. N.B. The lot is accompanied by a photograph of Edgerton receiving the U.S. Medal of Science, awarded to him in 1973 by President Richard M. Nixon at the White House. $1,500-2,000
223
224
120
225. Harold Eugene Edgerton (American, 1903-1990) Atomic Bomb Explosion, before 1952, probably a later printing. Signed HAROLD EDGERTON... in pencil on the reverse. Gelatin silver print on paper, image size 11 1/2 x 8 3/4 in. (29.2 x 22.0 cm), unmatted, unframed. Condition: Unmounted. $800-1,200
226. Harold Eugene Edgerton (American, 1903-1990) Apple Sauce Maker, 1964. Titled, signed, and dated ...Harold Edgerton - 1964 in felt-tip pen or similar on the reverse. Chromogenic print on Kodak paper, image size 7 5/8 x 9 1/2 in. (19.3 x 24.2 cm), unmatted, unframed. Condition: Unmounted, possible fading, small area of soiling/ color change along upper edge of image, handling creases to image resulting in color changes to surface. $1,000-1,500
225
226
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227. Harold Eugene Edgerton (American, 1903-1990) Two Images: Antique Gun Firing and Bullet Through Jack. The former signed HAROLD EDGERTON in pencil on the reverse, the latter with the artists stamp twice on the reverse. Gelatin silver prints on paper, image sizes to 9 x 12 in. (22.8 x 30.4 cm), unmatted, unframed. Condition: Unmounted, minor handling creases to Jack. $1,000-1,500
122
228. Rudolf Eickemeyer (American, 1862-1932) Three Landscapes: Summer Hillside, 1901; Woodland Stream, 1902; and Lone Tree, 1923. Each monogrammed and dated on the mount. Platinum prints on paper, image/sheet sizes to 9 3/8 x 7 1/2 in. (23.8 x 19.0 cm), unmatted, unframed. Condition: Subtle toning. $1,500-2,000
228
229. Rudolf Eickemeyer (American, 1862-1932) Two Landscapes: Snowy Field, 1902, and Country Road, 1906. Both monogrammed and dated on the mount. Platinum prints on paper, image/sheet sizes approximately 9 3/8 x 7 1/2 in. (23.8 x 19.0 cm), unmatted, unframed. Condition: Subtle surface rubs to sky in Road, discoloration to Field. $1,500-2,000
229
123
230. Alfred Eisenstaedt (American, 1898-1995) Running Statues, c. 1928. Signed Alfred Eisenstaedt in pencil on the mount. Gelatin silver print on paper, sheet/image size 9 3/8 x 7 in. (23.7 x 17.7 cm), matted, unframed. Condition: Toning, unobtrusive silvering-out. $1,500-2,000
230A. Stephen Frank (American, b. 1947) Palace of Fine Arts, San Francisco, 1979, edition of 80. Signed, inscribed, titled, and numbered Stephen Frank...2/80 in pencil on the reverse. Gelatin silver print on paper, image size 8 1/4 x 12 1/4 in. (20.8 x 31.0 cm), matted, unframed. Condition: Unmounted. Provenance: From the collection of Austin Lamont, by family descent. $200-250
230
230A
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232
231. Adam Fuss (Anglo/American, b. 1961) Untitled, from the MY GHOST Series, 2000, edition of 40. Purportedly signed on the reverse of the mount. Gelatin silver print on paper after a photogram, 19 x 23 1/2 in. (48.9 x 50.0 cm), framed. Condition: Mount affixed at the edges to a supporting mount. $3,500-5,500
232. Paul A. Greenberg (American, b. 1935) Duane Michals, Famous New York Photographer Visited Dallas.../A Diptych, 1976. Signed, dated, and titled P. Greenberg 76... in ink on the mount beneath the first image. Gelatin silver prints (one with collage) on paper, image sizes to 8 7/8 x 7 1/8 in. (22.8 x 18.0 cm), unmatted, unframed. Condition: Minute rub to edge of larger image, subtle silvering-out to left edge of smaller image. $700-900
125
233
233. Danny Lyon (American, b. 1942) Uptown Chicago, 1965. Titled, dated, and signed 1965 Danny Lyon in felt-tip pen l.r. Gelatin silver print on paper, image size 9 1/8 x 13 1/2 in. (23.0 x 34.3 cm), matted, unframed. Condition: Unmounted, minor wear to corners, minute indentation into image u.l. $1,200-1,800 234. Stuart W. Melvin (American, 20th/21st Century) Sandia Mountains, New Mexico, 1994, edition of 100. Signed and dated Stuart W. Melvin 94 in pencil on the mount, numbered 8/100 in pencil on the mount, identified and with artists stamp on the backing. Gelatin silver print on paper, image/sheet size 15 3/8 x 19 1/2 in. (39.0 x 49.3 cm), framed. Condition: Not examined out of frame. $500-700
234A. Joel Meyerowitz (American, b. 1938) Vivians Things, 1977, printed 1987. Titled, signed, and dated Joel Meyerowitz 1987 in ballpoint pen on the reverse. Chromogenic print on Kodak paper, image size 23 1/4 x 18 1/2 in. (59.0 x 47.0 cm), framed. Condition: Unmounted, held to facing mat with masking tape at lower corners and upper edge, subtle handling crease near u.l. corner, fine abrasion to image (from towels to the window shade). $1,800-2,200
234
234A
126
234B. Duane Michals (American, b. 1932) The Young Girls Dream (in Five Parts), 1969, edition of 25. The first titled, signed, and numbered Duane Michals 7/25 in ink beneath the image. Gelatin silver prints, image sizes 3 3/8 x 5 in. (8.4 x 12.6 cm), framed. Condition: Not examined out of frames. $1,200-1,800
234B
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235
235. Duane Michals (American, b. 1932) It was the Happiest Moment, 1976, edition of 25. Titled, signed, and numbered ...Duane Michals 3/25 in ink beneath the image. Gelatin silver print on paper, image size 4 3/4 x 7 in. (12.0 x 17.5 cm), unmatted, unframed. Condition: Unmounted, unobtrusive soiling and unpressed minor creases to margins, annotated in pencil on the reverse. $500-700
128
236
237
236. Eadweard Muybridge (British, 1830-1904) Two Images from ANIMAL LOCOMOTION: Plate 307 (Discus Throw) and Plate 536 (Hands Writing), 1887. Both identified within the image. Collotypes on paper, sheet sizes 19 x 24 in. (48.2 x 60.9 cm), unmatted, unframed. Condition: Creases, nicks, and soiling to margins. $1,000-1,500
237. Eadweard Muybridge (British, 1830-1904) Two Images from ANIMAL LOCOMOTION: Plate 698 (Gazelle) and Plate 750 (Tree Sloth), 1887. Both identified within the images. Collotypes on paper, sheet sizes 19 x 24 in. (48.2 x 60.9 cm), unmatted, unframed. Condition: Creases, nicks, and soiling. $1,000-1,500
129
238
238. Arnold Newman (American, 1918-2006) Yasuo Kuniyoshi, 1941, possibly a later printing. Signed Arnold Newman in pencil on the mount l.r., titled and dated in pencil on the mount l.l., artists copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 7 5/8 x 9 3/4 in. (19.3 x 24.6 cm), framed. Condition: Mount gently bowed, not examined out of frame. $2,000-3,000
239. Arnold Newman (American, 1918-2006) Max Ernst New York City, 1942, possibly a later printing. Signed Arnold Newman in pencil on the mount l.r., titled and dated in pencil on the mount l.l. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/4 in. (24.0 x 18.3 cm), framed. Condition: Not examined out of frame. Provenance: Estate of Charles Rand Penney (1923-2010), Lockport, New York. $2,000-3,000
239
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240
240. Arnold Newman (American, 1918-2006) Alfred Stieglitz, 1944, possibly a later printing. Signed Arnold Newman in pencil on the mount l.r., titled and dated in pencil on the mount l.l., artists copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 7 5/8 x 9 /8 in. (19.3 x 24.3 cm), framed. Condition: Mount gently bowed, corners slightly disadhered from mount, not examined out of frame. $2,000-3,000
131
241
241. Arnold Newman (American, 1918-2006) Igor Stravinsky, New York City, 1946, possibly a later printing. Signed Arnold Newman in pencil on the mount l.r., titled in pencil on the mount l.l., artists copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 6 1/4 x 11 3/4 in. (15.7 x 29.6 cm), framed. Condition: Not examined out of frame. $3,000-5,000
132
242. Arnold Newman (American, 1918-2006) Carl Sandberg, 1959, possibly a later printing. Signed Arnold Newman in pencil on the mount l.r., titled and dated in pencil on the mount l.l., artists copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 10 x 7 3/4 in. (25.4 x 19.6 cm), framed. Condition: Mount gently bowed, not examined out of frame. $1,800-2,200
242
243. Arnold Newman (American, 1918-2006) Alfred Krupp, 1963 Essen Germany, 1963, possibly a later printing. Signed Arnold Newman in pencil on the mount l.r., titled in pencil on the mount l.l., artists copyright stamp on the reverse. Gelatin silver print on paper, image/sheet size 13 5/8 x 9 7/8 in. (34.6 x 25.0 cm), matted, unframed. Condition: Minute abrasions to lower and left edges. $1,800-2,200
243
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244
244. Eliot Porter (American, 1901-1990) CERTAIN PASSAGES/A Portfolio of Eight Landscapes, published 1989, edition of 300, published by Daniel Wolf Press, Inc., New York. Each signed Eliot Porter in pencil (on the mount) l.r., identified and numbered 139 on the colophon page. Dye transfer prints, mount sizes 24 x 20 in. (60.9 x 50.8 cm), presented in the original clamshell box. Condition: Good. Provenance: Through the family of the artist. N.B. Porter has a unique place in the history of photography. At twelve years old, his father gave him his first camera, a Kodak Brownie. Porter grew up to study medicine and became a research biologist, but constantly returned to photography and nature walks. An accidental meeting with Ansel Adams spurred his interest in a more serious direction, and when his brother, painter Fairfield Porter, introduced him to Alfred Stieglitz, Porter shifted careers. While he was successful with his black and white work in the 1930s, it was his dye transfer work that was both unique in the 1940s and pioneering. $2,000-3,000
134
245
245. Aaron Siskind (American, 1903-1991) Badlands 56 (S.D.), 1970. Titled, dated, and signed Aaron Siskind in pencil on the reverse. Gelatin silver print on paper, image size 8 x 9 7/8 in. (20.3 x 25.0 cm), unmatted, unframed. Condition: Unmounted, minute wear at corners, rippling and crease to upper edge. $1,000-1,500
246. Aaron Siskind (American, 1903-1991) Jalapa 31, 1973. Signed Aaron Siskind in ink l.r., titled, dated, and signed Aaron Siskind in pencil on the reverse. Gelatin silver print on paper, image size 10 x 9 3/4 in. (25.4 x 24.6 cm), unmatted, unframed. Condition: Unmounted, minute wear to corners. $1,000-1,500
246
135
247. Aaron Siskind (American, 1903-1991) Jalapa 63 (Homage to Franz Kline), 1974. Signed Aaron Siskind in pen l.r., titled, dated, and inscribed (Homage to F.K.) in pen l.l. Gelatin silver print on paper, sheet size 13 7/8 x 10 7/8 in. (35.2 x 27.6 cm), framed. Condition: Margins over 1/4 inch, subtle rippling. $1,000-1,500
247
248. Aaron Siskind (American, 1903-1991) Westport 87, 1988. Titled, dated, and signed Aaron Siskind in pencil on the reverse. Gelatin silver print on paper, image size 14 x 14 in. (35.5 x 35.5 cm), unmatted, unframed. Condition: Unmounted. $1,200-1,800
248
136
249
249. Chuck Stewart (American, b. 1927) John Coltrane, NYC, May 66, printed 1995, edition of 100. Signed Chuck Stewart in ink l.r., numbered 8/100 in ink l.l., titled, numbered, signed, and dated in pencil on the reverse. Gelatin silver print on paper, image size 18 1/2 x 15 in. (46.5 x 38.0 cm), unmatted, unframed. Condition: Unmounted, indentation and an unpressed crease to the image near the right edge, gentle cockling. $800-1,200
137
250
250. Jerry Uelsmann (American, b. 1934) Untitled (Floating Tree), 1969. Initialed and dated J.N.U. 1969 in pencil on the mount l.r., signed and dated in ink and with the artists mailing label on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 3/4 x 12 1/2 in. (24.7 x 31.5 cm), framed. Condition: Good. $1,000-1,500
251. Jerry Uelsmann (American, b. 1934) Rock-Tree, 1969. Initialed and dated J.N.U. 1969 in pencil on the mount l.r., titled in pencil on the mount l.l. Gelatin silver print on paper, image/sheet size 12 7/8 x 8 3/4 in. (32.5 x 22.0 cm), framed. Condition: Not examined out of frame. $1,000-1,500
251
138
252
252. Jerry Uelsmann (American, b. 1934) Untitled (Double-spired Stump), 1975. Inscribed, signed, and dated ORIGINAL PRINT - PLEASE TREAT KINDLY JERRY N. UELSMANN 1975 in ink and with artists address label in the right margin. Gelatin silver print on paper, image size 13 1/2 x 9 in. (34.2 x 22.8 cm), framed. Condition: Unmounted, gentle rippling. $1,000-1,500
139
253
253. Cole Weston (American, b. 1919) Palo Corona Ranch, Carmel, 1962. Signed and dated Cole Weston 1962 in pencil on the mount l.r. Dye transfer print on paper, image/sheet size 10 3/4 x 13 7/8 in. (27.2 x 35.2 cm), framed. Condition: Possible subtle fading, toning to mat at edge of print, not examined out of frame. $600-800
254. Edward Weston (American, 1886-1958) Shell, 1927, a later printing made by Cole Weston. Stamped and signed Cole Weston in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 3/8 x 7 1/4 in. (23.7 x 18.3 cm), framed. Condition: Abrasion to upper edge, 1/4 inch scratch to background visible only in raking light. $4,000-6,000
254
140
255. Edward Weston (American, 1886-1958) Pepper, 1930, a later printing made by Cole Weston. Stamped and signed Cole Weston in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/4 x 7 3/8 in. (23.4 x 18.5 cm), framed. Condition: Minor wear to mount corners. $4,000-6,000
256. Edward Weston (American, 1886-1958) Charis on Dunes/Nude, 1936, a later printing made by Cole Weston. Stamped and signed Cole Weston in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 7 3/8 x 9 1/2 in. (18.5 x 24.0 cm), framed. Condition: Abrasion to right edge of sheet, short rub to image by figures right heel. $3,000-5,000
255
256
141
257
257. Edward Weston (American, 1886-1958) Charis, Santa Monica/Nude, 1936, a later printing made by Cole Weston. Stamped and signed Cole Weston in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), framed. Condition: Minor wear to image at lower edge and at u.l. corner, subtle toning to mount. $4,000-6,000
142
258
258. Edward Weston (American, 1886-1958) Civilian Defense, 1942, a later printing made by Cole Weston. Stamped and signed Cole Weston in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 7 3/8 x 9 1/2 in. (18.7 x 24.2 cm), unmatted, unframed. Condition: Extremely subtle silvering-out (visible only in strong raking light). $3,500-5,500
259. Edward Weston (American, 1886-1958) Two Portraits of Lt. Roswell Drake Ison, 1944. Both initialed and dated E W 1944 in pencil on the mount, and identified on a label affixed to the reverse. Gelatin silver prints, image/sheet sizes 4 5/8 x 3 5/8 in. (11.5 x 9.0 cm), framed. Condition: Subtle toning, minor staining to mounts, not examined out of frames. N.B. The lot is accompanied by an undated letter from Weston to Frances Ison, in an envelope postmarked 1949. $2,500-3,500
259
143
260
260. Edward Weston (American, 1886-1958) Point Lobos, 1946, a later printing made by Cole Weston. Stamped and signed Cole Weston in pencil on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), unmatted, unframed. Condition: Subtle unpressed crease along right edge, staining to edge of mount l.l. $4,000-6,000
END OF SALE
144
Glossary of Terms
All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.
Authorship will be described in the following ways: John Joseph Enneking. - In our judgment, the work is by the artist. Attributed to John Joseph Enneking. - In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking. - In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking. - In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period. After John Joseph Enneking. - In our judgment, an intended copy of the work of the artist. American School, 19th Century. - In our judgment, the work of an unknown hand that can only be identified as to period and culture.
Other terms: Bears Signature. - In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as attributed to, school of, manner of, or after the artist.
145
Artist Index
Adams, Ansel ........................................................................... 210-215 Agam, Yaacov ................................................................................. 1, 2 Albers, Anni ......................................................................................... 3 Albers, Josef ....................................................................................... 4 Alechinsky, Pierre................................................................................. 5 Alinari, Fratelli .................................................................................. 216 American School, 20th Century ........................................................... 6 Appel, Karel ......................................................................................... 7 Arms, John Taylor ........................................................................... 8-10 Bacher, Otto Henry ........................................................................... 11 Bacon, Peggy .................................................................................... 12 Balog, James .................................................................................. 217 Barnet, Will .................................................................................. 13, 14 Baskin, Leonard ........................................................................... 15-17 Basquiat, Jean-Michel ...................................................................... 18 Beckmann, Max .............................................................................. 19 Behnken, William J. ........................................................................... 20 Benson, Frank Weston ................................................................. 21-23 Benson, John .................................................................................. 218 Benton, Thomas Hart ................................................................... 24-27 Berry, Carroll Thayer .......................................................................... 28 van Beverloo, Guillaume Cornelis....................................................... 29 Blake, William ................................................................................... 30 Blumenfeld, Erwin .......................................................................... 218A Borne, Mortimer ................................................................................ 31 Boudin, Eugne Louis........................................................................ 32 Braque, Georges ............................................................................... 33 Braque, Georges (After) ..................................................................... 34 Buffet, Bernard ............................................................................ 35, 36 Burr, George Elbert ....................................................................... 37-40 Bush, Jack ...................................................................................... 41 Calder, Alexander ............................................................. 42-47, 49, 51 Callahan, Harry ................................................................................ 219 Cartier-Bresson, Henri .............................................................. 220-222 Cassigneul, Jean-Pierre ................................................................ 52-56 Chadwick, Lynn ................................................................................ 57 Chagall, Marc ............................................................................. 58-60 Chagall, Marc (After) ......................................................................... 61 Chillida, Eduardo ............................................................................... 63 Christo and Jeanne-Claude ............................................................... 62 Clav, Antoni ............................................................................. 64, 65 Climent, Enrique ................................................................................ 66 Close, Chuck ..................................................................................... 68 Cohn, Max Arthur ........................................................................ 69, 70 Cook, Howard Norton ....................................................................... 71 Corinth, Lovis ................................................................................... 72 Corneille ......................................................................................... 29 Cornell, Joseph ................................................................................. 73 Cuevas, Jos Luis ............................................................................. 74 Dehn, Adolf Arthur ............................................................................ 75 Delaunay-Terk, Sonia ......................................................................... 76 Dufy, Raoul ....................................................................................... 77 Eby, Kerr ......................................................................................... 78 Edgerton, Harold Eugene ......................................................... 223-227 Eickemeyer, Rudolf ................................................................. 228, 229 Eisenstaedt, Alfred ........................................................................... 230 Fairey, Shepard ............................................................................ 79, 80 Falilejeff, Vadim Dmitrjewitsch ............................................................ 81 Foujita, Lonard Tsuguharu................................................................ 83 Francis, Sam ..................................................................................... 84 Frank, Stephen ............................................................................. 230A Fuchs, Erich ...................................................................................... 86 Fulwider, Edwin L. ............................................................................. 87 Fuss, Adam ................................................................................... 231 Gorman, R.C. .................................................................................... 88 Gramatt, Walter ............................................................................... 89 Greenberg, Paul A. ......................................................................... 232 Haden, Sir Francis Seymour .............................................................. 90 Hadzi, Dmitri .................................................................................... 91 Hamaguchi, Yozo .............................................................................. 92 Harden, Richard C. ........................................................................... 93 Hartung, Hans ................................................................................. 94 Hassam, Frederick Childe .................................................................. 95 Helleu, Paul Csar ............................................................................ 98 Hockney, David ................................................................................ 99 Hundertwasser, Friedensreich .......................................................... 101 Icart, Louis............................................................................... 102, 103 Indiana, Robert ................................................................................ 104 Jacoulet, Paul ................................................................................. 106 Jacquette, Yvonne ........................................................................... 105 Kahn, Wolf ..................................................................................... 107 Kempshall, Hubert Kim .................................................................... 108 Kent, Rockwell ....................................................................... 109, 110 Klinger, Max ..................................................................................... 111 Koons, Jeff ..................................................................................... 112 Krasner, Lee .................................................................................... 113 Kupferman, Lawrence ..................................................................... 114 Landacre, Paul ............................................................................... 115 Laurencin, Marie (After) .................................................................... 117 Le Corbusier ............................................................................ 118, 119 LeWitt, Sol .............................................................................. 120, 121 Lichtenstein, Roy ...................................................................... 122-125 Longo, Robert ............................................................................... 126 Lord, Elyse Ashe.............................................................................. 127 Lunois, Alexandre ............................................................................ 128 Lyon, Danny ................................................................................... 233 Man Ray ................................................................................. 129, 130 Marca-Relli, Conrad ......................................................................... 131 Marini, Marino ......................................................................... 132, 133 Marsh, Reginald .............................................................................. 134 Matisse, Henri (After)........................................................................ 135 Matta, Roberto ............................................................................... 138 Mazur, Michael Burton ............................................................. 136, 137 Melvin, Stuart W. ............................................................................. 234 Meyerowitz, Joel ............................................................................ 234A Meyerowitz, William ......................................................................... 140 Michals, Duane ..................................................................... 234B, 235 Mir, Joan ............................................................................... 143-150 Mitchell, Joan ................................................................................. 151 Moore, Benson Bond ..................................................................... 152 Moore, Henry .......................................................................... 153, 154 Motherwell, Robert ................................................................. 155, 156 Munakata, Shiko.............................................................................. 157 Munch, Edvard .............................................................................. 158 Muybridge, Eadweard.............................................................. 236, 237
146
Nevelson, Louise ..................................................................... 159, 160 Newman, Arnold ...................................................................... 238-243 Peterdi, Gabor F. ............................................................................. 161 Picasso, Pablo ......................................................................... 162-170 Porter, Eliot .................................................................................... 244 Reed, Doel .................................................................................... 171 van Rijn, Rembrandt .............................................................. 172, 172A Roussel, Ker Xavier.......................................................................... 173 Saito, Kiyoshi .................................................................................. 174 Salle, David ..................................................................................... 175 Santomaso, Giuseppe ..................................................................... 176 Scholder, Fritz.................................................................................. 177 Severini, Gino ................................................................................. 178 Shapiro, Joel ......................................................................... 179, 180 Shokler, Harry ......................................................................... 181, 182 Siskind, Aaron ......................................................................... 245-248 Soulages, Pierre ...................................................................... 183, 184 Stella, Frank .................................................................................. 185 Stewart, Chuck ............................................................................... 249 Sullivan, David ................................................................................. 186 Ting, Walasse .................................................................................. 84 Tooker, George ............................................................................... 187 Uelsmann, Jerry ....................................................................... 250-252 Vasarely, Victor ......................................................................... 190-194 Villon, Jacques ................................................................................ 195 Warhol, Andy ........................................................................... 196, 197 Warhol, Andy (After) ......................................................................... 198 Warner, Everett Longley ................................................................... 199 Welliver, Neil ................................................................................... 200 Wengenroth, Stow .................................................................... 201-206 Weston, Cole ................................................................................... 253 Weston, Edward ...................................................................... 254-260 Woelke, Wilhelm .............................................................................. 207 Wood, Grant ................................................................................... 208 Yuskavage, Lisa ............................................................................... 209
147
148
Upcoming Auction
Fine Paintings & Sculpture
February 1st, 2013 Boston, MA
Karel Appel (Dutch, 1291-2006), Presque Une Joie, sold for $118,500
Consignment Deadline: November 16th, 2012

For more information please contact our American & European Paintings department at 508.970.3206 or email paintings@skinnerinc.com
www.skinnerinc.com
149
Skinner, Inc. - Conditions of Sale

1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold as is, and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchasers breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 10. Except for property purchased via On-line Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus 10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via On-line Auctions will be in an amount up to 22.5% of the final bid price up to and including $200,000, plus 15% of the final bid over $200,000. 11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.
150
Revised April 17, 2012
Absentee Bid Form

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First Time Bidder? YES NO
Sale Date
Customer #
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I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale. Signature (Required) Date
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FOR OFFICE USE

Marlborough Boston Phone Fax Mail Person Employee:
SKINNER
Auctioneers and Appraisers of Antiques and Fine Art
6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9 2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0 w w w. s k i n n e r i n c . c o m
Board of Directors
Chairman of the Board - Nancy R. Skinner Richard Albright John Deighton Barnet Fain Stephen L. Fletcher Karen M. Keane Andrew Payne President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr
Administration
Expert Departments
SKINNER, INC. Auctioneers and Appraisers of Antiques and Fine Art 63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429 274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 www.skinnerinc.com
20th Century Design - Jane D. Prentiss American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber; Assistant: Karen Langberg American Indian & Ethnographic Art - Douglas Deihl Asian Works of Art - Judith Dowling Assistants: Biying Zhang, Karen Mak Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Classic Automobiles & Motorcycles - Jane D. Prentiss Couture - Cara Elmslie Discovery Auctions - Cara Elmslie Assistants: Garrett J. Sheahan, Melissa Riebe European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski Fine Wines - Marie Keep Assistant: Michael J. Moser Jewelry - Victoria Bratberg Assistants: John Colasacco, Julie Khouri Judaica - Kerry Shrives Musical Instruments - David Bonsey Deputy Director: Jill Arbetter Oriental Rugs & Carpets - Gary Richards Science, Technology & Clocks - Robert C. Cheney Assistant: Jonathan Dowling Silver - Stuart G. Slavid Toys & Dolls - Kerry Shrives Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney
152
Exhibitions & Property Distribution
Marlborough:
Warehouse Manager - Fred Trottier; 508.970.3261
Boston:
Property Distribution Manager - Jessica R. Lincoln, 617.874.4308 Auction Coordinator - Benjamin Evans, 617.874.4329
Finance Department
Marlborough:
Accounts Receivable - Denise Johnson, 508.970.3269 Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268 Accounts Payable, Trade - Kevin Rota, 508.970.3283 Credit Supervisor - Joe Monteyro, 508.970.3266
Subscriptions
Marlborough:
Heather Retzke, 508.970.3240
Service Departments
Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Shannon M. Ames, Hadley Bridgman Advertising Production - Pamela Van de Houten Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Jessica Turner Catalogue Production - Pamela Van de Houten, Kristina Harrison Consignment Services - Patricia Walker King, Megan J. Blomgren, Carol Zeigler Customer Relations - Carol McCaffrey Institutional Relations - L. Emerson Tuttle Human Resources - Carol McCaffrey Information Technology & Internet Auctions - Kerry Shrives Assistants: Timothy Shaughnessey, Melissa Riebe Managing Director - Marie C. Keep Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather Retzke Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius Receptionists - Marlborough: Jessica Bedenbaugh Boston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric Jones Assistant: Mark McCaffrey
153
Directions to Skinners Boston Gallery/63 Park Plaza, Boston, MA 02116 Telephone: 617-350-5400
Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza. 154
From the West:
From the South:
From Logan Airport:
From the North:
PARKING
INDOOR PARKING GARAGES City Place Parking Garage Transportation Building 12 Charles Street Located at the end of Park Plaza Underground multi-level garage All daycloses at 2:30am First hr/$5, after 2 hrs/$14 AllRight Parking Boston Common Garage Located on Charles Street, on the Common, two blocks from Skinner 1 hr/$6, up to 24 hrs/$25, Evenings (4pm-10am)/$10 The Four Seaons Hotel Parking Garage 200 Boylston Street Adjacent to Skinner, valet drop-off and pick-up, up to 24 hrs/$30 The Taj Hotel Parking Garage 2 Newbury Street Located three blocks from Skinner, valet drop-off and pick-up Up to 24 hrs/$42 Back Bay Garage 222 Berkeley Street (entrance off St. James) One block from Skinner All day/$35, evening (5pm-7am)/$10 Radisson Hotel Parking Garage Stuart Street (near intersection of Charles) Two blocks from Skinner 1-2 hrs/$12, 2-3 hrs/$16, 3-12 hrs/$18, 12-24 hrs/$31 Motor Mart Garage 26 Park Plaza (Same building as Legal Sea Food) Up to 1 hr/$8, 1 to 2 hrs/$12, 2-3 hrs/$16, 3-12 hrs/$20, 12-24 hrs/$31, weekends up to 3 hrs/$8 OUTDOOR PARKING LOTS (recommended for trucks) Pin Stripe Parking Arlington Street 617-338-7984 All day/$14, after 6pm and weekends/$10, overnight/$15 Billys Parking 222 Stuart Street 617-423-7781 8am-5pm/$18, after 5pm/$20
BOSTON HOTELS
BOSTON HOTELS WITH SKINNER CORPORATE RATES
Boston Harbor Hotel 70 Rowes Wharf Boston, MA 02110 Tel: 800-654-2000 Fax: 617-345-6799 Fairmont Copley Plaza 138 St. James Avenue Boston, MA 02116 Tel: 617-267-5300 Fax: 617-375-9648 Four Seasons 200 Boylston Street Boston, MA 02116 Tel: 617-351-2036 The Liberty Hotel 215 Charles St. Boston, MA 02114 617-224-4000 Marriott Copley Place 110 Huntington Avenue Boston, MA 02116 Tel: 800-228-9290 Fax: 617-236-5885
Nine Zero Hotel 90 Tremont St. Boston, MA 02108 617-772-5800 Radisson Hotel 200 Stuart Street Boston, MA 01740 Tel: 617-482-1800 Fax: 617-451-2750 The Ritz-Carlton, Boston Common 10 Avery Street Boston, MA 02111 Tel: 617-912-3315 Fax: 617-912-3375 Taj Boston 15 Arlington St. Boston, MA 02116 617-536-5700 Westin-Copley Plaza 10 Huntington Avenue Boston, MA 02116 Tel: 800-228-3000 Fax: 617-424-7483
The Back Bay Hotel (formerly Jurys) 350 Stuart Street Boston, MA 02116 Tel: 617-532-3800 Beacon Hill Hotel & Bistro 25 Charles Street Boston, MA 02114 Tel: 617-723-1133 The Colonnade 120 Huntington Avenue Boston, MA 02116 Tel: 617-424-7000 Fax: 617-424-0968
Eliot Hotel 370 Commonwealth Ave. Boston, MA 02215 Tel: 617-267-1607
The Park Plaza 64 Arlington Street Boston, MA 02116 Tel: 617-457-7488 Fax: 617-426-2000
155
RESTAURANTS
FINE DINING
Dante Royal Sonesta Hotel 5 Cambridge Parkway 617-806-4200 Mediterranean restaurant with great views of the Charles River and Boston skyline. Davios 75 Arlington St. 617-357-4810 Northern Italian steak house. Grill 23 & Bar 161 Berkley Street (Stuart Street) 617-542-2255 Great steak, seafood, wine list, and service. LEspalier 774 Boylston St. 617-262-3023 Fine French dining and wines with a wonderful pre-fixe menu. No. 9 Park 9 Park St. 617-742-9991 Barbara Lynchs bistro showcases inspired French and Italian influenced food and wine on Beacon Hill. Radius 85 High St. 617-426-1234 Features a modern French menu focusing on seasonal ingredients accompanied by a thoughtful wine list. Scampo The Liberty Hotel 215 Charles St. 617-536-2100 Lydia Shires latest restaurant, featuring Italian fare produced in an open kitchen upstairs at the Liberty Hotel.
Troquet 140 Boylston St. 617-695-9463 French restaurant and wine bar perched at the edge of the Boston Common and the theatre district. Via Matta 79 Park Plaza 617-422-0008 Elegant Italian fare and beautiful wines in a vibrant dining room - the best of Italy in Bostons Back Bay creates an unforgettable experience.
Summer Shack 50 Dalton St. 617-867-9955 Jasper White serves well-executed seaside favorites in a casual Back Bay setting.
INEXPENSIVE
Au Bon Pain 26 Park Plaza (across the street from Skinner) or 431 Boylston Street (at Berkeley Street) 617-338-8948 Casual caf offers quick service. Davios To Go 10 St. James Galleria Atrium 617-357-4810 Casual Italian take-out lunch spot with daily special pastas, soups, and salads. Flashs 310 Stuart St. 617-574-8888 American comfort food served with classic cocktails in a casual setting. Parish Caf 361 Boylston St. 617-247-4777 American restaurant with seasonal outdoor seating features sandwiches created by renowned local chefs. Piattini 226 Newbury Street 617-536-2020 Italian wine bar with an eclectic menu; specializes in Italian-style tapas. The Upper Crust 20 Charles Street 617-723-9600 Gourmet thin crust pizza.
MODERATE
Aquitaine 569 Tremont Street 617-424-8577 Parisian bistro style fare. The Bristol Lounge at Four Seasons Hotel 200 Boylston St. 617-338-4400 Breakfast, lunch, and dinner served in an elegant yet comfortable lounge setting with views of the Boston Public Garden. East Ocean City 25-29 Beach St. 617-542-2504 Outstanding Chinese food restaurant highlighting seafood dishes with a fullservice bar. Lala Rokh on Beacon Hill 97 Mt. Vernon Street 617-720-5511 Authentic regional Persian cuisine, hand-selected wine list, knowledgeable waitstaff. McCormick and Schmicks Seafood Restaurant 36 Columbus Ave 617-482-3999 Fresh seafood offerings that change daily.
156
SKINNER
catalogue subscription form
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please check the appropriate boxes:
U.S./Canada No charge $120 $120 $120 $120 $60 $60 $18 $60 $30 $60 $60 $60 $60 $750
Foreign (payable in U.S. dollars only) No charge $143 $143 $143 $143 $73 $73 $25 $73 $36 $73 $73 $73 $73 $915
Quarterly Brochure Included with catalogue subscription American Furniture & Decorative Arts European Furniture & Decorative Arts American & European Paintings & Prints Fine Jewelry 20th Century Furniture & Decorative Arts Asian Works of Art Fine Oriental Rugs & Carpets American Indian & Ethnographic Art Fine Books & Manuscripts Fine Ceramics Fine Musical Instruments Science, Technology & Clocks Fine Wines All Above Departments
subtotal ma residents
6.25%
sales tax total
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257
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Fine Prints & Photography - Skinner Auction 2609B

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American & European Works of Art

American & European Works of Art Fine Prints & Photography

Robin S. R. Starr Department Director 508.970.3259

Kathy Wong 508.970.3297

Elizabeth C. Haff 508.970.3258

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Copyright Skinner, Inc. 2012 All rights reserved MA/Lic. #2304

Thursday, September 6, 2012

63 Park Plaza Boston, MA R.S.V.P. 617.350.5400 Reservations are Limited

Consignment Deadline: November 16th, 2012

online bidding at www.skinnerinc.com

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