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PAOLO ROVERSI
METZ+RACINE
RICHARD MISRACH
SIMON ROBERTS
JOEL STERNFELD
JOEL STERNFELD
OLIVIER RICHON
TODD McCLELLAN
CHRIS JORDAN
SIMON WARD
1. SHUTTER SPEED
2. APERTURE LEVER
EQUIVALENT FOCAL LENGTHS FOR DIFFERENT FILM FORMATS
SLR 35mm
28mm
50mm
70mm
Medium Format 6x6 Large Format 5x4 40mm 80mm 120mm 90mm 180mm 240mm
FRONT-STANDARD
BELLOWS
GROUND-GLASS VIIEWING
FIRST STEPS
USE A SPIRIT LEVEL & SET FRONT AND REAR STANDARDS TO ZERO
IF THE CAMERA MOVES, EVEN SLIGHTLY YOU MUST RE-FOCUS & USE A LOUPE AGAIN. FOCUS IS CRITICAL
SIDE VIEW
TOP VIEW
SIDE VIEW
TOP VIEW
SHIFT
TILT
SWING
The Image circle must be considered when employing extreme camera movements. Otherwise vingetting will occur. Always check the corners of the ground glass screen before shooting.
LEAF SHUTTER FLASH SYNC AT ALL SPEEDS BUT EXPENSIVE & FRAGILE
Increasing Focal Length, whilst keeping the same lens-to-subject distance, increases the magnication, but decreases the angle of view
28mm
50mm
85mm
135mm
300mm
500mm
1000mm