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How are stories and art intertwined? Agnieszka in Dissecting the Social Self: A [Wo]Man, an Animal, and an Ambiguous I. : Interesting... dennis in When Works of Literature Make The Leap: Joe, looking at Glenn Ligon this summer inspired me to give my ap... Kyle in Videogame Appropriation in Contemporary Art: Grand Theft Auto (GTA): I love the amount of work Rockstar puts... Docsson in The Art + Brain Files: These sound, to me at least, the same comments that were (and for some continue to... Birgitte Lamb in More Moments, More Dialogue: Hi Joe. This sounds very interesting and is clearly a subject of... In and out of the classroom
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Carol Becker
Carol Becker has been Dean of Columbia University School of the Arts since 2007. Before this she was Dean of Faculty and Senior Vice-President for Academic Affairs at the School of the Art Institute of Chicago. Prior to that appointment she served as the Chair of the Graduate Division at SAIC and as its Associate Dean of Faculty. Becker joined the School of the Art Institute of Chicago nearly three decades ago as an English and Philosophy professor. Up to that point she had taught at the University of California, San Diego; San Diego State University; Northeastern Illinois University; and the Ionian University in Corfu, Greece. She earned her B.A. from State University of New York at Buffalo and her Ph.D. in English and American literature from the University of California, San Diego. She is the author of The Invisible Drama: Women and the Anxiety of Change; and Zones of Contention: Essays on Art, Institutions, Gender and Anxiety. She is also the editor of Surpassing the Spectacle: Global Transformations and the Changing Politics of Art; and Artist in Society: Rights, Roles, and Responsibilities. Her most recent collection of essays is Thinking in Place: Art, Action, and Cultural Production. I first became acquainted with Carol Becker at the time of the publication of Surpassing the Spectacle. That was ten years ago. With that book, through words, images, emotions and impressions, she connected artists to history and to the world at a time when most of us were still unaware of what she called (in the subtitle of that book)Global Transformations and the Changing Politics of Art. Since then, many equally revelatory moments have followed when Becker communicated the world to us. Shes a mediatorconnecting the creative world to the material one and vice versawhile challenging both. Carol Becker is a sage; she is nurturing and unusually attentive to all aspects of life and the world. She has a sharp sense of humor. And, in the middle of a conversation, I always await expectantly for her to pull out her Lilliputian notebook from her handbag to record what is being saidsomething important to her that may appear in an essay to come. It is an absolute privilege to present to you Carol Becker, Inside the Artists Studio. Georgia Kotretsos: Youve given many years to building schools of artfirst at the School of the Art Institute of Chicago and now at Columbia University in New York. What has motivated you to do this? Carol Becker: My education was focused on the study of literatureall my degrees are in English and American Literature, so people often wonder how I even ended up in art schools.
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Posted in: > Inside the Artist's Studio, Krzysztof Wodiczko Similar posts: Art21 Access 09 Happenings | Thursday, October 15 , New guest blogger: Kelly Huang , Art21 Access 09 Happenings | Thursday, October 1, 2009 , Art21 Access 09 Happenings | Wednesday, September 30, 2009 , Renaissance Ware Comments (0)
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