ViA arquitecturaViA arquitectura worse et Colegio Oficial de Arquitectos de la Comunidad ValencianaRSS CC Oe nS ce ue atu Cue ae rena me BO CeCe scare ROC usar ace cng architecture or an inescapable presence. (Rete uur Riaz re ea ae nC stream, allowing nature to be felt in its constant flow, symbolised by the Pree Rca acu Rot Aa ea Teen TC Cea CRC wa eae Cute ees an cy magnificent setting, at the top of a cliff, facing the sun, at the meeting place of sky, earth and sea. José Parra’s article looks at the work of Le Cee a Rn sR mec nee Cae ered projects we show works where a sheet of water takes on a symbolic function, as in Tadao Ando’s Komyo-Ji temple. Water as landscape appears ne enn sg cs An Ue usage cei te ga inseparable from its relationship with water is Kengo Kuma’s Water-Glass Villa, where the Japanese architectural principle of allowing the house to flow into its natural surroundings and the seasons of the year is evident. Wind enters the house. It rains in the house. The idea of a bridge house is Prec gen ot iChat oles Societies that could not guarantee a water supply have disappeared. Water is life, but is also threatening. We fight for water and we fight the nr Pe Sa Ron Cea aa er ae ee) Pleat Some cities look towards the sea and others look away. Port architectures, eur ieee a runagate Boe Ce er rae Co kee Cee ecu ata CO ru eran Water becomes vapour in Diller + Scofidio’s Blur and creates sound in Taiko Shono’s proposal. Not forgetting the shut-in water that opens up to the exterior in the Vall Croan AEE ze a areca tLe