A Big Book of Canons

Two Cat Catches
A.3.Voc. from "The Catch Club or Merry Companions ... parts 1 and 2"
Edited by Anders Stenberg
2005 by Anders Stenberg under CPDL- lisence
2
A Catch on the MidnightCats by Mr. Mich: Wise

43
Ye
II

43
Old
III
Men

Pangs

ha-
Cats
that at
La-
dy
Gri-
ride

pas-

for

zard

ma- ny
of
some- thing

3

4

mid- night spit
mal-
kin
with
miles,
Cats

sion-
nate

why
she
was
their
Necks
in

Love
at each
ot-
her
who
best
Goos- be-

ry

tread
ma- ny
Lov-
er.

I
ap-
Eyes, when
peal
find
by
wise,

the
fray,
only
Cats
You
bot
ha-
zard,

Scrat-
ches
to your
Kit-

feel
Tiles,

ex-

if they
pe-
fall
ten
the
knew

rience

from
both
and
the
11

tat-

Love

House

ter- ed
Fur
if the
fit's
soon
o'er,
Pus,

or

Wall
keep

bus-
Pus
their
Feet,

nes
more

long
but

turns
mount their
Tails,
mount they
Tails
lasts
not
Love
be

no
of

than to

to Cat-

and a-

Pur.

whore.

way.
4
A Cat Catch by Mr. R. Brown
We
II

Pu-
meaw,
fret,

be
in Ken- nel, all
if
ring, for
Dogs
but
Cats when as- sem- bled at
If
III
they sur- prise

in-

spit, spit, give a

Mid-
get-

Pu-

her, for
in-

no- cent
Pu-

to
we
fret,
fret, and we spit,
Pu-
ring,
in
Moon-

whit- out

ring,
flight,

squall,
Music engraving by LilyPond 2.6.1 www.lilypond.org
scratch

ring,

and we

we march,
put us

in their straw,

meaw
night to-
fast
us, and
no- cent

meaw,

fret,
H
or
Claw,
shi- ney weat-
H
squall and good
H
her:
Cantate domino
Can- ta-
te
Can-
Adam Gumpelzhaimer
do- mi- no
ta-
can- ti- cum no-
te do- mi- no
can-
vum,
ticum no-
no-
vum,
vum,
no-
laus
e- ius
vum,
in ec-
cle- si-
laus e- ius
a sanc- to- rum,
in ec- cle- si-
lae-
te
a sanc- to- rum,
lae- te
13
tur Is-
ra- el in
tur
Is-
ra-
e- o
qui fe- cit e- um,
el in e- o
qui fe- cit
qui fe- cit
e- um,
e- um,
et
qui fe- cit e- um,
20
fi- li- ae Si-
et fi- li-
on ex- ul- tent in
re- ge
su- o,
ae Si- on ex-
ul- tent in re- ge
ex- ul- tent in
su- o,
ex-
re- ge
su- o,
ul- tent in re- ge
ex- ul- tent in
su- o,
ex-
ul- tent in re- ge
su-
o.
su-
re- ge
su- o.
26
re- ge
su- o,
ul- tent in re- ge
www.kantoreiarchiv.de
ex- ul- tent in
su- o,
ex-
re- ge
su- o, ex-
ul- tent in re- ge
o, ex- ul- tent in
www.kreuznacherdiakonie.de
Cantate domino
Can- ta-
te-
Can-
Adam Gumpelzhaimer
do-
mi-
ta-
te-
Can-
do-
ta-
te-
Can-
ta-
no
can-
ticum no-
mi- no
vum,
can-
do-
te-
ti-
cum no-
mi-
no can-
can-
ti-
vum,
do-
ti-
cum
no-
mi-
no
can-
cum
can-
vum,
ti-
cum
no-
11
no-
vum,
ti-
cum
can-
can-
vum,
ti-
cum
no-
no-
vum,
ti-
cum
can-
can-
vum.
ti-
cum
no-
no-
vum,
ti-
cum
can-
vum.
ti-
cum.
no-
vum.
Domine Deus
Canon a 4 v. i
Michael Haydn (1737 - 1806)
# C .
&
I
II
I
II
I
II
III
I
II
III
IV
&
&
#
#
ma
&
&
vi
mi-ne
et
no - cte
#
#
Do
De
co - ram
us,
sa -
te:
lu - tis
me
e,
mi-ne
te:
e,
in
di
17
De
tret,
Do
#
#
#
Do
mi-ne
in
di
con
cla -
.
Do
mi-ne,
spec
ma
n
J
in
us,
con
De
in
tret,
De
us,
ma - vi
tu
tu
vi
et
no - cte
cla -
ma
sa
co - ram
te:

mi-ne
De
us,
tu
vi
et
no - cte
tis
me
ti - o
me
me
e,
mi-ne
tret
tu
Do
In
sa -
e,
a,
in
De
in
co - ram
25
cla -
in
lu - tis
Do
di
te.
co - ram
o - ra
mi-ne
cla -
spec
tret
sa - lu
us
in
in
in
me
me
a,
ti - o
lu - tis
#
& #.
&
o - ra
# .
&
&
Do
&
&
&
Do
di - e
tret,
us,

mi-ne
I
II
III
IV
I
II
III
IV
#

ad no - cte
#
&
&
&
&
De
#
#
II
III
IV
o - ra
De
us,
sa -
&
ram te,
ma - vi
&
&
&
&
co
me
#
&
te:
me
e,
#.
e,
Do
a,
II
III
IV
&
in
#
&
&
Do
De
tret,
con
In
di
mi - ne
De
us,
De
cla -
ad
a,
in
in
di
ma
us,
vi
et
vi
cla
ra
lu
tis
no - cte
us
sa
cla
lu
ad
vi
et
ma
lu - tis
no - cte
tu
cla -
spec
mi-ne,
me
cla - ma - vi
us
sa - lu
tis
in
tret
o - ra
ti - o
te:
co - ram
mi-ne.
no - cte
co
Do
ma - vi
co - ram
te.
ram te,
tu
Do
ti - o
ma
me
sa
vi
us,
ma
Do
cla -
cla -
De
tu
tret
n
J
vi,
con
mi-ne,
De
mi-ne
sa
mi-ne
spec
us,
tret,
ma
Do
#.
di - e
Do
ma
In
e,
De
mi-ne
in
n
J
vi,
Do
cla -
41
cla
in
ram te,
in
33
ma

J
-
cla -
me
di
ti - o
mi- ne
in
ramte,
me
co - ram
e,
Do
mi-ne.
te.
&
tu
me
tis
lu - tis
Do
co - ram
co
#
&
no - cte
tret
co
sa - lu
cla - ma - vi
us
in
&
me
e,
vi
co
tis
me
mi-ne
a,
in
ram te,
cla
e,
I
II
III
IV
&
&
&
#
#
in
di
# #.
&
II
III
&
&
ma
Do
I
II
De
in
III
IV
#
& #.
&
&
cla
vi,
#
&
#
& .
&
cla
Do
di
ma
In
us,
ma
di
vi
et
no - cte
vi
ra
lu
tis
De
us,
cla
cla
spec
ma
ma
mi-ne,
sa
cla -
ma - vi
tu
vi
et
no - cte
vi
co
me
ram
Copia: Fernando G. Jcome

Grupo Vocal "Slo Voces"
te,
tis
me
vi
co
Do
mi - ne.
e,
a,
in
ram te,
U

J
cla
mi - ne
j
u
te:
e,
me
Do
co - ram
www. solovoces.com
mi - ne
te.
ti - o
te.
co - ram
tu
Do
cla - ma
co - ram
lu
te:
te,
no - cte
.
Do
ad
ram
Do
vi
mi - ne
co - ram
sa
ma
us
cla
co
mi - ne,
tret
vi,
tu
in
con
tu
De
mi - ne
ma
Do
tret,
in
spec
mi - ne
49
Do
IV
con
mi - ne.
Deo gratia 36
Johannes Ockeghem
realisation Philip Legge 2001
(Canon XXXVI vocum)
#
& ..23
Soprano 1 starts
Sopranos 19
De
5
S.
&
# .
gra
Soprano 9
#w
&
S.
j
. j

ti a, De o
Soprano 5
gra
#3
& 2
Altos 19
13
A.
A.

gra ti a,
Soprano 6
gra
w.
ti
j

ti a,
1.
Soprano 3 starts
Soprano 2 starts
De
Soprano 7
gra
J .
De o gra ti a,
22
..
a.
..
Soprano 4 starts
.
3
ti
a,
De
. J
De o
2.
hold the note very long;
U
but do breathe occasionally!
Soprano 8
a.
Alto 1 starts
Alto 2 starts
.
De
Alto 3 starts

o gra ti a,
j
.
gra
Alto 4 starts
.
De
j
j
j .

. j
ti a,
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ti a,
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o gra
17
22
2.
1.
U A.9 ends here
U A. 1-8 end here
3
# Alto 9
.
. w
&
j . j w

De o gra
ti a.
a.
&
Alto 5
Alto 6
16
Alto 7
Alto 8
. 3 .
. J
Tenors 19
J
J
De o
gra
ti
a,
21
6
Tenor
7
Tenor
8
# Tenor 5 .
j Tenor
j
.
. J
.
j
T. &

De
o
gra ti a,
De o
gra
ti a,
T. 8 & 9 end here,
25
U
# Tenor 9 .

.
. J
w the 2 time through

T. &

De
o
gra
ti
a,
De
gra

ti a,
o
30
U
U
U T. 7 ends UT. 6 ends
# .
. T. 5 ends
T. 4 ends

w
T. &
De o gra ti a,
o
gra
ti
a,
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De
T. 2 ends
34
U 3j
3
3
T. 1 ends
U T. 3 ends
#
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.
..

.
T. &
J
J
gra ti a,
De o
gra ti a.
#
& 23
16
? # 23
Basses 19
j
.
Tenor 1 starts
Tenor 2 starts
..
..
Bass 1 starts
De
? # .
28
B.
gra
U B. 9 endsU
. J
ti a,
Bass 5 starts
B. 8 ends
B. 4 ends
U
U
? # . j

gra
ti a,
o
33
B.
Bass 4 starts
Bass 9 starts
B. 5 ends
gra
ti
Tenor 3 starts
Tenor 4 starts
Bass 2 starts
a,
Bass 3 starts
De
B. 7 ends
B. 6 ends
jU
U
.
.
De
gra ti a,
Bass 6 starts
Bass 7 starts
U B. 3 ends U B. 2 ends
. j
De o gra ti
Bass 8 starts
U B. 1 ends
w
a.
De
..
Three (More or Less Naughty) Catches

. 3. Voc. from ''The Catch Club or Merry Companions ...'' parts 1 and 2; 1731- 33
Copyright 2005 by Anders Stenberg (under CPDL lisence)
2
I. by Mr. H. Purcell; Tom the Taylor
Tom

king a Man- teau

found
tho

In-
Three

nine
In-
out,
ches,

long,

his
long

nine In-
short,

ches
lenght
nine
In-

yet all too short, all

out
ches,
yet all,
all,
too short to

and law-

her

yet
his
In-
ches,

all too short, all too
ful

round
ad- van- ces,
nine

wou d not half sur-
pull d
plea- sure, pull d
brisk Tom
di- ly streight lac d Sir,

lass of
woun-

ches more, at

for
yet all too short,

pull d
all,
7
ly
out,

ma-
But quick-

mea-
sure:
wast Sir:
reach her swin- ging
Han-
ces.
Copyright 2005 Anders Stenberg. Music engraving by LilyPond 2.6.4 www.lilypond.org
3
II. by Mr. John Isum; Celia Learning on the Spinnet
3
4
When

43
She
Sur-

lia
was
shake it,
dy
made him
said,

an-

to
play,
her
gred him
much,
and

hear him com- plain:

``Zounds tis
and
long prick, a
show her,

which
cry:
to
La-
show her,

to
and
Note,
her
said,

by

Lear- ning on the Spin- net to
tor stood
him, and

priz d was the
made

Ci-

Tu-
shook not the

43
5

a
to
show
long
prick d
Note
I will shake it

`Ì will

show her,
long prick,

to
said:
and

when I

her the

come
you

to t a-

way:
touch!
gain.
4
III. Here dwells a pretty Maid

Here dwells a
her

4
hole,

whole

Maid
You
Es- tate

you may Kiss

hole,
you may Kiss,

whose Name
her

Sis,
pretty

her

you may Kiss,
may
come
in
is
sev n-
teen

her,
if

hole,
is
you may Kiss,
and
Pence
Year;
but
near.
you come
Kiss:

her

Yet
Some ''Musical'' Catches

For three and Four Voices
_____________________________
From ''The Catch Club or Merry Companions ...''

parts 1 and 2; 1731- 33
By Anonymous: A Fiddler and a Fuddler ...... p.3
By Mr. H. Purcell: A Catch by way of Epistle ....... p.2
By Mr. H. Purcell: A Catch on the Viol ..... p.4
_______________________________
_________________________
2
By Mr. H. Purcell: A Catch by way of Epistle
I.

43
Lo- vers
To all
II.

43
Mu- sick, Per-
of
3

My
6

mag- got

Cat- ches, play tunes and cut

Book,

I pre-
sume will con-

form you, if
12

not
my Wife

shou dn t. Like a
Fid- dle,

musick,

Bar,

But to

I
Man Sam,
hear
Kate,

From be- tween
tis
mu-
per-

New Catch
true
tent you. Tis

us

sick

Gate,
will
fur-
ther in-
form woud

I greet you and tho I
de- vils
Sale
of good
Tem-
near

but wood

make
him
sick
or

rest
your
Friend
and
ser-
say it that
the

words are

the two

tho the
that love

we know well

those
long with

sent you, e er
I shall pre-
Ca- pers. With a
at the first Tem- ple

Scra- pers, to

But my Bro- ther John Play- ford and
III.

for- mers and
vant John
ple

n:
you Sick.
Carr.
3
By Anon.: A Fiddler and a Fuddler
I.
A
II.
Fid-
dler
and

43
43
ni-
UIII.
43

The

Fid-
Fud- dler
ted
Com-
dler
did

may

be com-
pa-
red
U-
ni-
son

sure
pa-
nions

Case
Fud-
dle and

Fid-
dle
tere was

the
and
ways to-
ge-
ther
Like

like
ne- ver

known
al-
are

the Fud-

both

to
two
parts
doth un-

rid-
or
dle
and
dler did
Fid-
dle
else
neg-

the
in
ther,
One
Rid-

dle
4
By Mr. H. Purcell: A Catch on the Viol
I.
II.
III.
Of
all,

the Strings
all,
all,
all,
all

none,
stru- ments
In-

Their or-
none,
none,
none,

whet,
whet,
whet,
whet,
but
a-
that
are
a-
Mark,
bove

with the

and a
all,
Mark,
how
the
all,
all,
all,
none, none, none,

stru- ments,
whet, whet, whet and a
zingle, zingle, zingle, zingle, zing
In-
none,
none,
none,

whet,
whet,
whet,
with a zingle, zingle, zingle, zingle,
bounds
none
the

der keep, with a whet, whet, whet,
still

this

Mark,

all
Mark,
all,
how
Strings,
the

all,

Vi-
ol
can
com- pare

sweep,
sweep,
sweep.
zit

zan

zounds.
Ave Maria
W.A.Mozart
Datiert Wien, 2. September 1788
Vierstimmiger Kanon
KV 554
Andante
Soprano
&b C
ve
Ma
A
7
&b
a
A
&b
A
ve
Ma
&b
&b
Vb
ve
Ma
ve,
A
& b ..
V b ..
? b ..

ve

a,
Ma - ri - a,
ve,
ri
a,
2001gl
a,
ri
a,
a,
Ma
ri
Ma
ri
a,
ve.
a,
- ve
Ma
ri
a,
ve
Ma
Ma - ri
ri
a,
Ma
ve
a,
b

ve,
Ma
ve
Ma
- ve
Ma - ri
ve
ve,
ve
- ve
ve Ma - ri
Ma - ri
Ma - ri - a,
ri
19
& b ..
ri - a,
- ve
ri - a,
ve,
13
ri
a,
a,
25
&b
A
A
&b
?
B
Ma
&b
A
T
Vb
37
a
A
&b
Vb
A
?b
ve,
Ma

#
-
a,
ve,
ve,
ri
ve Ma - ri
a,
ve
Ma
ri
ve
Ma
ve
Ma
ri
a,
a,
ri
a,
ve.
a,
U (last time)
..
a,
Ma
ri
a,
ve,
b

-
- ve

Ma - ri
ve.
a,
Ma - ri
Ma - ri - a,
a,
ri
a,
Ma - ri - a,
ve,
Ma - ri
Ma
ri
ve
ve
ve
ve
ve,
ve Ma - ri
a,
Ma - ri - a,
&b
Ma
ve
ve,
?
b
ve,
a,
a
A
ve Ma - ri
&b
ri
ve
31
ve
Vb
ve,
T
ve
Ma
ri
U
w
ve.
..
a,
..
a,
..
Bona nox! bist a rechta Ox

(Kanon zu 4 mnnlichen Stimmen)
Wolfgang Amadeus Mozart
(1756 - 1791)
Allegro
; ! 2 (1) Zuerst|Stimme
Tenor 2 |
|
Bo
Ba
na
<
Lo - tte;
; ! (3) Dritte Stimme

t t t tI tI
<
! t
ma
kracht; Gu - te Nacht,
<
noch
weit;
tY tY
; !
t Yt Yt t c
! t tY tY t c
t t
lie - be
! t t c tY tY
night, Heut
Bist
Bonne
rech - ta
c t
nuit,
Nacht,
tY tY t Yt tY
tY tY
night, good
t t t t t
t
gu - te
Bo - na
pfui; Good
tI tI t I
t I
t
Gu - te
Ox!
t t t
t t t
pfui,
c Yt Yt
t t t t
t t c t
; ! (2)t Zweite Stimme
t c tI tY
no - tte,
nox!
! 22 |
<
t t t t
I
t tI t
Nacht,
Schei
tY
ins
Bett,
schlaf
|
fei
|
g'sund
|
Und
t
reck'
t t
den Arsch
t t
Patricio Cueto M. coromonteverdi@terramail.com.pe

Distributed under terms of the CPDL License
(http://www.cpdl.org). Edition may be freely distributed,
duplicated, performed, or recorded.
t
zum
da'
tY t
(4) Vierte Stimme
t
b
Mund.
30. Are You Sleeping?

French
Moderato
"
3
"
5
#!
1.
Are
you
sleep
#%
#
John,
Broth
" $
ring
$
-
ing,
$ $ $ $
Morn - ing bells are
ing,
are
you
sleep
er
John,
$
ring
$
-
ing:
$
-
ing?
3.
Morn
4.
Ding,
ding,
2.
Broth
er
ing
bells
are
dong,
ding,
ding,
%
dong.
To be sung quietly and smoothly.
Transcribed By Jennifer Lee
Two Cat Catches

A.3.Voc. from "The Catch Club or Merry Companions ... parts 1 and 2"
2005 by Anders Stenberg under CPDL- lisence
2
A Catch on the MidnightCats by Mr. Mich: Wise

43
Ye
II

43
Old
III
Men

Pangs

ha-
Cats
that at
La-
dy
Gri-
ride

pas-

for

zard

ma- ny
of
some- thing

3

4

mid- night spit
mal-
kin
with
miles,
Cats

sion-
nate

why
she
was
their
Necks
in

Love
at each
ot-
her
who
best
Goos- be-

ry

tread
ma- ny
Lov-
er.

I
ap-
Eyes, when
peal
find
by
wise,

the
fray,
only
Cats
You
bot
ha-
zard,

Scrat-
ches
to your
Kit-

feel
Tiles,

ex-

if they
pe-
fall
ten
the
knew

rience

from
both
and
the
11

tat-

Love

House

ter- ed
Fur
if the
fit's
soon
o'er,
Pus,

or

Wall
keep

bus-
Pus
their
Feet,

nes
more

long
but

turns
mount their
Tails,
mount they
Tails
lasts
not
Love
be

no
of

than to

to Cat-

and a-

Pur.

whore.

way.
4
A Cat Catch by Mr. R. Brown
We
II

Pu-
meaw,
fret,

be
in Ken- nel, all
if
ring, for
Dogs
but
Cats when as- sem- bled at
If
III
they sur- prise

in-

spit, spit, give a

Mid-
get-

Pu-

her, for
in-

no- cent
Pu-

to
we
fret,
fret, and we spit,
Pu-
ring,
in
Moon-

whit- out

ring,
flight,

squall,
Music engraving by LilyPond 2.6.1 www.lilypond.org
scratch

ring,

and we

we march,
put us

in their straw,

meaw
night to-
fast
us, and
no- cent

meaw,

fret,
H
or
Claw,
shi- ney weat-
H
squall and good
H
her:
Christ being raised from the dead

Canon four in two
The Bible, Romans,
Chapter 6, verse 9
John Wall Callcott (1766-1821)
Accompaniment added by William Horsley (1774-1858)
Slowly
q = 80
Canto
Christ
Alto
Tenor
Bass
Piano
di
- eth no
more,
more,
Christ
di -
eth no
more;
die
eth no
more;
di -
more;
be - ing rai - sed from the dead
Death hath no more do - mi - nion
eth no
no
more;
- eth

die
more; di
more; di
eth no
eth no
T.
- eth no

B.

Pno.
di

S.
A.
be - ing rai - sed from the dead
o - ver
o - ver
him,
o - ver
him,
do -

S.
15

him,
mi - nion o - ver him,

o

T.
Death hath no more do - mi-nion o

B.
A.

Death
Pno.
hath

S.
21
T.
B.
Pno.
ver him,
ver
him,
ver
him,
- ver
him,
o - ver him,
o - ver
him,
hath no more do - mi - nion
do - mi - nion o - ver
him,

o - ver him,
mi - nion
Death
Death
more,
Death
Death
him,
o - ver him, no more do
no
- ver
A.
no more do - mi - nion
ver him,
him,
no
ver
o - ver

S.
27
Christ
A.
B.
be - ing rai - sed from the dead,
di

him, no more do

di
be - ing rai - sed from the dead,
Christ
T.
eth no
eth no
o - ver him,
mi - nion

S.
33
more;
A.
dead, di

more;
T.
B.
dead,
Pno.
di
eth no
more,
eth no
more,
di
eth no
eth no
Christ
be - ing rai - sed from the
Christ
be - ing rai - sed from the
more;
die
eth no
more;
eth no
more;
di
die
more;
more,
Pno.
o - ver
o - ver

S.
40
him,
A.
T.
B.
Pno.
him,

S.
45
Death
T.
B.
mi - nion
Pno.
do - mi - nion
o - ver
hath
Death
hath
o - ver
him,
ver
him,
ver
him,
o - ver
ver
him,
ver
him,
ver
him,
o - ver
no
do -
him,
ver
him,
Death

him,

Death
o - ver him,
A.
him.
more.
him.
him.
Call to remembrance
Canon four in two
The Bible, Psalm 25, verses 5 and 6
Moderately slow

Treble
Counter
Tenor
Tenor
Bass
Piano
to
re - mem - brance, O
to re - mem - brance, O
Lord which have been
A.
T.
B.

mem

mem
Pno.
which have been
ten - der mer - cies: O
Lord, thy
ten - der
e - ver
ver
of
old.
of
brance, O
Lord, thy
ten
brance, O
Lord, thy
ten - der
old.
der
mer - cies:
Call
Call
to re -
Lord, thy

S.
Call
Call

mer - cies:
mer - cies:
to
re -
re - mem - ber
not
the
which have been

S.
9
A.
B.
e
ver
and
of
Lord

T.
B.

A.
of
for
thy
ding
to
thy
mer
fen - ces
of
cy,
think thou up - on
but
mem - ber
not
youth:
thou
on
me
cy,
think
but
ac
sins
and
of-
but ac - cor -
me, O
to
the
thy

ac - cor - ding
good - ness,
my
youth:
think
my
old.
of
cy,
mer
thy
old,
Pno.
fe - ces
mer
to
13
of

S.
ding
e - ver
Pno.
but ac - cor
sins
T.
thou up - on
cor - ding
Lord,
to

me,
thy

S.
16
A.
B.
mer
Pno.
to
re - mem
for
thy

S.
to

Lord

Call
Call
T.
mer - cies:
A.
T.
B.
Call
think
thou
Call
Pno.
to
to
re - mem
which have been
re - mem
brance,
ver
e - ver
Lord, thy
old.

old.
mer - cies.
mer - cies.
ten - der
der
Lord,
der
ten - der
of
of
brance, O
thy
ten
me,
ten
on
Lord, thy
brance, O
thy
Lord,
Lord
brance,
good - ness
cy,
mer - cies:
19
re - mem
Bow down thine ear

Canon four in two
Psalm 86, verse 1
Slow
q = 66

Alto
Bow
Alto
Bass

Alto
Piano

A.
Bow
poor,
Pno.
se - ry
For
am poor,
and in
mi
Bow
Lord,
For
am
down thine ear,
Lord,
Bow
thine
ear,
down thine ear,
and in
Lord,

A.
For I am
A.
Lord,

B.
down thine ear,

poor,
mi
am in
mi
Bow
Lord,
se - ry.
se -
down thine ear,

for
am
poor,

A.
Lord,
A.
ry,
A.
O

B.
and
hear
me:
Bow
down
thine
Lord,
Bow
am
in
mi
11
Pno.
Lord,
A.
poor,
A.
hear
B.

Pno.
thine
ear,
mi - se - ry.
and
in
me:
am
Bow
down
1.
Lord,
am
and
Lord.

For
mi - se - ry.
For
Lord,
ear,
ear,
2.
Lord,
thine
se - ry.
poor,
A.
poor,
1.
15
am
Bow.
am
poor.
2.
Benedicta tu in mulieribus
Canon cancrizante a 4, 2 tono
From "Mapa Armnico Prctico" (1742)
folio 134 recto -134 verso
Francisco Valls (1665-1747)
Be
Be
[Continuo]
ne - dic
ta
tu,
in
Be
ne dic - ta tu
ne -
mu - li - e
ne - dic
ri -
ta
dic
ta
tu
bus, in mu - li - e
tu,
be
ri - bus,
Be
in mu - li
be
ne
dic
mu - li - e
in
ri - bus,
ne - dic - ta
tu,
ta
in
tu, be - ne
mu - li
e - ri - bus, in mu - li - e - ri - bus,
dic
ri - bus, in mu - li -
be
ne 6
be
ne
dic - ta
ta,
e -
dic - ta
tu, be - ne - dic
be - ne - dic - ta tu - in
ri - bus,
tu be
be
ne
dic
ta,
ta,
mu
be - ne
ne - dic - ta
li
dic - ta tu in
tu, be
ne - dic
be - ne - dic
ta tu
in
ri
li
6
ta,
mu
2
10
mu
li
bus,
be - ne - dic - ta
ven
ri
bus,
et
be - ne
dic - tus fruc - tus ven
tu
in
mu
ri
li
bus,
et
et
tu
tris
be - ne
be - ne - dic - tus
ri
i,
bus,
dic - tus fruc - tus ven

6
6
fruc - tus
tris
13
tu
tris
be
et
ne
be - ne - dic - tus
tu
i,
dic
fruc - tus
ven
i,
6
tris
be
tus,
be - ne - dic
tu
be
et
ne
i,
dic
dic - tus
ne
fruc
tus
fruc
6
- tus
16
fruc
ctus, fruc
ven
tus
tris
tus
tus
ven
6
ven
ven
tu
tris
6
tris
tu
tu
tris
tu
i.
i.
i.
i.
Agnus Dei
Canon a 6 rigoroso
From "Mapa Armnico Prctico"

(1742) folio 131 verso -132 verso
gnus
De
gnus
De
i,
De
i,
gnus
gnus
De
gnus
qui
De -
gnus
S.
De
i,
qui
tol - lis
pec - ca - ta mun - di,
S.
A
gnus
De
qui
tol - lis
di,
qui
A.
qui
tol
- lis pec - ca
ta
mun
T.
A
gnus
De
qui
B.
tol
lis pec - ca
ta
mun
di,
qui
tol
qui
tol
lis,
qui
B.
-
lis pec - ca
ta
2
7
S.
pec
ca
ta
- ca - ta mun -
di,
mun
di,
S.
pec
pec
ca
ta
mun
di,
mun
di,
tol
lis
A.
tol
lis
pec
ca
ta
qui
T.
tol
lis pec - ca
ta
mun
di,
tol
lis pec - ca
ta
mun
di,
qui
tol
lis
pec
do
B.
B.
mun
di,
pec
ca
ta
10
S.
qui
tol - lis pec - ca
ta
mun
di,
do
na
S.
do
na
no
bis
pa
na
no
bis
pa - cem
di,
cem,
A.
do
do - na
no - bis
T.
ca
ta
na
no
di,
mun
do
B.
-
bis
pa - cem,
do - na
no - bis
pa
cem,
do
na
no
B.
mun
bis
3
13
S.
no
bis
pa
cem,
pa
cem,
do
na
no
bis
S.
do
na
no
bis
pa
cem,
pa
cem,
A.
pa
cem,
na
no
do
no - bis
pa
na
no
T.
-
bis
pa - cem,
do - na
do
no
cem,
B.
na
bis
pa
B.
pa
do -
cem,
16
S.
pa
cem,
na
no
do
na
no
cem,
na
no
bis
pa -
cem,
S.
do
bis
pa
no
na
no
pa
do
A.
bis
pa
cem,
T.
do
bis
B.
cem,
B.
-
na
no
bis
pa
cem,
4
19
S.
do
na
no
bis,
do
S.
-bis
pa
cem,
do
na
no
A.
do
no
na
bis
pa
T.
cem,
do
B.
-
na
no
bis
pa
cem,
do
na
na
no
B.
-
do
22
S.
-
na
no
bis
pa
cem.
S.
-bis
pa
cem.
A.
cem,
pa
cem.
T.
-
na
no
bis
pa
cem.
bis
pa
cem.
cem,
pa
cem.
B.
no
B.
pa
bis
Dona nobis pacem

canon a 3 v.i.
W. A. Mozart ?
Moderato
& b 34
Do - na
& b .
Do
II
&b
Do - na
& b .
17
Do
II
& b .
Do
III
no - bis
no - bis
pa - cem.
na
na
no - bis
pa - cem,
no
no
no - bis
.
-
Do
na
pa - cem.
bis
pa - cem.
no - bis
& b .
& b .
& b .
no - bis pa
na
no
na
no
na
no
&b
Do - na no - bis pa
& b .
Do
na
no
cem,
j

bis
bis
pa -cem. Do
bis
na
pa - cem.
pa - cem.
no
no
Do - na
no - bis

.
-
bis
na
Do - na

www.solovoces.com
no
no - bis
pa
pa
pa
pa
no - bis
Do
bis
pa
no - bis
pa
pa -cem. Do - na
pa - cem.
na
pa -cem. Do - na
bis
cem,
Do - na
Do
bis
no - bis
pa
pa
Do - na
no
Do
III
Do - na

&b
33
II
pa - cem.
Do
bis
no - bis pa
cem,
Do
III
Do - na
Do - na
II
pa - cem.
25
na
&b
Do - na
pa - cem, pa - cem.
no - bis
.

J
pa
pa
bis
pa
pa
cem.
cem.
cem.
cem.
cem.
cem.
cem.
cem.
cem.
cem.
cem.
cem.
Laetatus sum
Lae-
ta-
Adam Gumpelzhaimer
tus
Lae-
sum
ta-
in
tus
sum
his,
in his,
in
his,
in
in
his,
his quae dic-
in
ta
sunt mi- hi,
his quae dic-
in
ta sunt mi-
10
do-
mo
do-
mi-
ni
hi,
in
do-
mo
do-
i-
mi- ni
bi-
i-
bi-
mus.
mus.
Pa- nem
no-
strum
a-
num
quo- ti di-
da nobis ho- di- e.
A round of three country dances in one
# 3
& 4
is as
# #
J
cramp
is
in
my
purse
Now
# 3
& 4
The
# 3
V 4
foot
Ro
? # 34
#
& .
foot
#
& .
#
dance
?#
toy
11
&
af -
#
& .
salve
#
V .
said
?#
you
Ro
- ter
fel
hear
Now
there
in
And
dom
is seen
Boy
Tom,
Now
Light
toy
there
Lit-tle
hear
fore
John,
me,
a,
Sing
foot
is as
Come dance
be
that
Come
me,
is
as
# #
J
if
had
some
foot
af -
bin Hood,
- ter
Ro
do
bin Hood
ly then
John,
Ro
No
Lit - tle
sore
you
bide
full
lows as
sel
that
Now
Tom,
the Queen
Boy
said
be - fore
bin Hood
do Swith-en
Tom
do
is as
#
Tom
bin Hood,
mo - ney will
Sing
Thomas Ravenscroft
(1590 - 1633)
fel
lows as
Swith - en
do
would
sing
fore
the Queen
sel
dom
is seen
And
a,
Three
#
& .
17
&
Hick
somust
trik
it
all
pet
?#
In
coun
22
&
&
try
j

-
ing in
j
#
ciet
#
&
27
all
#
&
ces in
ween
Till
to
jack
be,
et, A
Ro - bin
come
trik
it
leap - ing in
pet
the
cramp
# .
j
#
a
green
.
pret
and
ty con - ciet
a,
as
dan
ti - coat
the cramp
bet - ween
hoe,
hose
cramp
white
- try
- ty con
a red
hose
pret -
the
Three coun -
the
In
hoe,
so must
bin come
hoe,
white
Hick
Ro
et, A
- one
a green
And
hey
and
be,
to
Till
al -
jack
hey
a green
on
a,
as
#
V .
on
and
green
ti-coat
a,
bet - ween
cramp
- one
Hey
and
?#
dan
#
V # .
?#
a red
# .
leap
al -
#
V .
ces in
#
a
a.
ween
Thomas Ravenscroft
(1590-1633)
"MELISMATA. Musicall Phansies.

Fitting the Court, Citie, and
Countrey Humours."
London, 1611
Bernd Roth 1997
[Round for 3 voices]
CQ
1.
3
AQ 4 K K
And
AQ
.
Fow
2.
ler
the
F
AQ K K

Bels
3.
Bim
bome,
ring
bim
seest thou my

in
to
Mat - tens,
bome,
Cow
bome,
.
bome,
to - day
.
Fow
K K
the
K K
bim
ler,

And
seest thou my

Bels
bome,
ring
bim
Cow

in
to
Mat - tens,
bome,
to - day
bome
.
bome.
Avec du vin, endormons nous

Rameau
Avec moderation (Moderato)
Soprano
A - vec du
Alto
A - vec du
vin en - dor- mons nous, en-dor
Hommes
A - vec du
vin en - dor-mons nous, en-dor
- mons
nous, en -
S
vin en - dor - mons
nous, en - dor
mons
nous, en
dor - mons
A
mons
nous, en
dor - mons
nous.
A - vec du
vin en - dor - mons
nous, en - dor
vin en- dor - mons
H
dor - mons
nous.
A - vec du
mons
11
S
nous.
A - vec du
vin en- dor- mons
nous, en - dor
mons
nous, en
A
nous, en- dor
mons
nous, en
dor - mons
nous.
A - vec du
vin en- dor- mons
nous, en - dor
H
nous, en
dor - mons
nous.
A - vec du
2003 - Ediciones Bibiloni
Avec du vin, endormons nous
16
S
dor - mons
nous.
A - vec du
vin en- dor - mons
nous, en - dor
vin en- dor - mons
nous, en - dor
mons
A
-
- mons
nous, en
dor - mons
H
mons
nous, en
dor - mons
nous.
A - vec du
vin en - dor - mons
21
S
nous, en
dor - mons
nous.
A - vec du
vin en - dor - mons
nous, en - dor
vin en - dor - mons
nous, en - dor
A
nous.
A - vec du
mons
nous, en -
H
nous, en - dor
26
mons
nous, en
dor - mons
nous.
A - vec du
S
mons
nous, en
dor - mons
nous.
A - vec du
(dor) - mons
nous.
dor - mons
nous.
vin en- dor-mons
nous.
A
dor - mons
nous.
A - vec du vin en - dor-mons nous, en-dor
H
vin en - dor-mons nous, en-dor
- mons
nous, en

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William Daggere
1.
2.
3.

Down -
der - ry
down,
Where
fore
to
down
me
her
Trus - ting
fro',

slain
and
and
ne - ver
no
more
com
that
dis
Now
plain
gi - ven
cause
re
main
am
dain
to
now
iled my la - dy
now
shall
be
there
ex -
hey
soon
to:
Hey
Gott ist unsre Zuversicht
Gott
ist
un-
sre
Zu-
ver-
sicht
und
G. Ph. Telemann
Str-
Gott
ist
un-
sre
ke,
und
Zu-
ver-
Str.
sicht
ke,
und
Str-
Gott
ist
un-
sre
Str-
ke,
und
Str.
Zu-
ver-
sicht
und
ke,
Str-
ke,
und
und
ke,
ist
Str-
Hil-
fe
in
den
ke,
gro-
und
Str.
ke,
en
ist
Str-
Hil-
fe
ke,
N-
in
ten,
den
die
trof-
gro-
und
uns
ist
Hil-
fen
en
N-
fe
in
ten,
den
die
gro-
uns
trof-
en
N-
ten,
die
uns
trof-
10
ha-
ben,
fen
in
den
gro-
ha-
en
N-
ben,
fen
ten,
in
den
trof-
fen
trof-
fen
ha-
13
die
uns
trof-
fen
ha-
gro-
en
N-
ten,
die
uns
trof-
fen
ha-
gro-
en
N-
ten,
die
trof- fen
ha-
ben,
die
fen
ha-
ben,
ben,
die
ben,
in
den
ben,
die
uns
uns
16
ha-
ben,
ben,
die
ha-
uns
trof-
uns
Telemann: Gott ist p. 2
trof-
uns
trof-
fen
ha-
ben.
trof-
fen
ha-
ben.
ha-
ben.
fen
Gloria
Glo-
ri-
in
ex-
cel-
sis
de-
Gumpelzhaimer
et
Glo-
in
ri-
vo-
lun-
ter-
in
ra
ex-
cel-
sis
pax
ho-
de-
et
vo-
lun-
mi-
in
ter-
ra
pax
ni-
bus
ho-
mi-
bo-
nae
ta-
tis.
Lau-
da-
ni-
bus
bo-
nae
mus
te,
ad-
16
mus
te,
ta-
tis.
bene-
Lau-
di-
ci-
da-
mus
o- ra- mus
te,
be-
ne-
22
te,
di-
glo-
ri-
fi-
ci-
ca-
mus
mus te,
te,
gra-
ad-
o-
ti-
as
a-
ra-
mus
te,
gi- mus ti-
glo-
bi
ri-
fi-
pro-
ca-
mus te,
27
pter
gra-
ma-
ti-
gnam
as
a-
glo-
gi- mus ti-
ri- am
bi
tu-
am.
pro-
Do-
pter
ma-
mi- ne
gnam
de-
glo-
32
us,
rex
coe-
ri- am tu-
le-
stis,
am.
de-
Do-
us
pa- ter om- ni-
mi- ne de-
us, rex
po- tens, u-
coe-
le-
ni- ge-
ni-
de-
us
i,
fi-
li-
Chri-
ste,
stis,
38
te
Je-
pa-
ter
su
om-
Chri-
ni-
ste,
po-
tens,
do-
u-
mi-
ni- ge-
ne
a-
gnus
ni-
te
Je-
de-
su
43
us
pa-
do-
mi-
ne
tris,
pa-
a-
gnus
tris,
de-
i,
fi-
li- us
fi-
pa-
li-
Gumpelzhaimer: Gloria p. 2
us
pa-
tris,
pa-
tris.
tris,
pa-
tris.
Alleluia
William Boyce (1710 - 1779)
Soprano
h
f
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f
& C . j
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f
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Edited by: Matthew S. Sprinkle

28 December 2002
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j F

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al - le - lu - ia,
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al - le - lu - ia, al - le - lu - ia,
al - le - lu
al - le - lu
--
ia.
ia.
w
w
ia.
ia.
Copyright 2002 by Matthew Sprinkle, distributed under terms of the CPDL License (http://www.cpdl.org).
Edition may be freely distributed, duplicated, performed, or recorded.
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allarg.

Al - le - lu
Al - le - lu
allarg.
allarg.
Al - le - lu
ia!
allarg.
Al - le - lu
ia!
ia!
ia!
Benedictus
Be-
ne-
13
qui
dic-
tus,
Be-
ne-
be-
dic-
qui
qui
qui
nit
qui
nomi-
63
ne
ni,
no-
no-
mi-
ne
Do-
no-
mi-
ne,
in
in
mi-
mi- ni, in
nomi-
qui
ne
nomi-
Do-
ne
ne
mi- ni,
in
Do- mi-
mi-
ve-
qui ve-
ni,
ne
no-
ve-
nit
Do-
Do- mi-
in
qui
Do-
qui
nit,
ve-
nomi- ne
nit
52
nit,
nit,
nit
in
bene- dic-
qui ve-
ve-
nit,
tus,
nit,
qui ve-
41
tus,
ve-
ve-
nit,
nit,
bene- dic-
bene- dic-
nit,
ve-
32
tus,
tus,
ve-
tus,
23
ne- dic-
Adam Gumpelzhaimer
ni,
qui
ve-
Do- mi- ni,
in
in
nomi- ne
Do- mi-
nomi- ne, in
nomi- ne, in
in
nomi- ne, in
mi-
ni.
mi-
ni.
Halleluja
Hal- le-
lu-
ja,
hal-
le-
Phillip Hayes
lu- ja,
hal-
le- lu-
ja,
hal-
10
le-
lu-
ja,
hal-
Hal-
le-
lu-
ja,
hal-
le-
lu-
ja,
le-
lu-
ja,
hal-
le-
lu-
ja,
17
hal-
le-
hal-
lu-
ja, hal- le-
lu-
le- lu-
ja,
hal-
ja,
hal-
le-
lu-
ja,
hal-
le-
le-
24
lu-
ja,
lu-
ja,
hal-
le-
lu-
ja,
hal-
le-
lu- ja,
hal-
le-
lu-
ja, hal- le-
hal-
le-
lu-
ja,
hal-
le-
lu- ja,
hal-
le-
lu-
ja, hal- le-
Hal- le-
lu-
ja,
hal-
le-
lu- ja,
hal-
31
lu-
ja,
lu-
ja,
hal-
ja,
hal-
le-
lu-
hal-
le-
lu-
ja,
hal-
le-
lu-
ja,
hal-
le-
lu-
ja,
le-
lu-
le-
lu-
ja,
ja,
hal-
le-
hal-
le-
hal-
le-
Hal-
le-
38
lu-
ja,
hal-
le-
lu- ja,
hal-
lu-
ja,
hal-
le-
lu- ja,
hal-
le-
lu-
ja,
hal-
le-
lu- ja,
hal-
le-
lu-
ja,
hal-
le-
lu- ja,
hal-
le-
lu-
ja,
lu-
ja, hal- le-
lu-
ja,
lu-
ja, hal- le-
lu-
ja,
Hayes: Halleluja p. 2
le- lu-
hal-
ja,
45
hal-
hal-
le-
lu-
ja,
hal-
le-
lu-
ja,
hal-
le-
lu-
ja,
hal-
le-
le-
lu-
lu-
ja,
le-
lu-
le-
lu-
hal-
ja.
Hal-
ja,
ja,
le-
lu-
ja,
hal-
le-
hal-
le-
lu-
ja,
hal-
le-
hal-
le-
lu-
ja,
hal-
le-
hal-
le-
lu-
ja,
hal-
le-
52
lu- ja,
hal-
le- lu-
lu- ja,
hal-
lu- ja,
hal-
le-
lu- ja,
hal-
le-
ja,
hal-
hal-
le-
lu-
ja,
lu-
ja, hal- le-
lu-
ja,
lu-
ja, hal- le-
lu-
ja,
hal-
hal-
le-
lu-
ja,
le-
lu-
ja,
le-
lu-
ja,
59
le-
lu-
ja,
le-
lu-
ja.
hal- le- lu-
ja,
hal-
lu-
hal-
le-
ja,
hal-
le-
lu-
ja,
hal-
le-
lu- ja,
hal-
Hal- le-
lu-
ja,
hal-
le-
lu- ja,
hal-
hal-
le-
lu-
ja,
hal-
le-
lu- ja,
hal-
hal-
le-
lu-
ja,
hal-
le-
lu- ja,
hal-
le-
lu-
le-
lu-
66
ja,
hal-
le-
lu-
ja,
hal-
ja,
hal-
lu-
ja,
hal-
lu-
ja,
le-
le-
ja,
hal-
le-
lu-
hal-
le-
lu-
ja,
hal-
le-
lu-
ja,
hal-
le-
lu-
ja,
hal-
le-
le-
lu-
ja,
le-
lu-
ja,
le-
lu-
ja.
lu-
ja,
73
hal-
le-
lu-
ja,
hal-
le-
lu- ja,
hal-
le-
lu-
ja, hal- le-
lu-
hal-
le-
lu-
ja,
hal-
le-
lu- ja,
hal-
le-
lu-
ja, hal- le-
lu-
Hal- le-
lu-
ja,
hal-
le-
lu- ja,
hal-
le-
lu-
ja,
hal-
le-
lu- ja,
hal-
le-
lu-
ja,
hal-
le-
lu-
ja,
hal-
hal-
le- lu-
le-
lu-
80
ja,
hal-
ja,
hal-
ja,
hal-
ja,
hal-
le-
lu-
ja,
hal-
le-
lu-
ja,
le-
lu-
le-
lu-
ja,
le-
lu-
ja.
ja,
Halleluja
Hal-
le-
lu-
ja,
hal-
le-
Philip Hayes
lu-
ja,
hal-
le-
lu-
ja!
Hal-
le-
Hal-
le-
11
lu-
ja,
lu-
ja,
hal-
le-
hal-
le-
lu-
lu-
ja,
ja,
hal-
hal-
le-
le-
lu.
ja!
lu-
Hal-
ja!
le-
lu-
Hal-
Hal-
18
ja,
hal-
le-
lu-
ja,
le-
lu-
ja,
le-
lu-
ja,
hal-
le-
hal-
hal-
lu-
ja,
le-
le-
lu-
ja,
hal- le-
lu-
ja!
lu-
ja, hal- le- lu.
ja!
le-
ja!
hal-
lu-
25
Hal-
Hal-
le-
lu-
le-
ja,
lu-
ja,
hal-
le-
hal-
le-
lu-
ja,
lu-
hal-
ja,
Hal-
le-
lu-
ja,
Hal-
le-
lu-
ja,
hal-
le-
lu
le-
lu-
hal-
hal-
le-
le-
lu-
30
ja,
hal-
ja,
hal- le-
lu-
ja!
lu-
ja, hal- le- lu.
ja!
le-
ja!
ja,
le-
hal-
lu-
ja.
lu-
Hal-
le-
lu-
Hal- le- lu-
Hal- le- lu-
Hal-
ja,
hal-
le-
ja, hal- le-
le-
lu-
lu-
lu-
36
ja,
ja,
ja,
ja,
hal-
hal-
hal-
hal-
le-
lu-
ja,
le-
lu
ja,
hal-
ja,
hal-
le-
lu-
le-
hal-
lu-
le-
le-
le-
lu-
ja!
Hal-
lu-
ja.
Hal-
lu-
ja,
ja!
hal-
le-
lu.
ja!
Hal-
le-
lu-
42
le-
lu-
ja,
le-
lu-
ja,
Hal-
le-
ja,
lu-
ja,
hal-
le-
hal-
le-
lu-
hal-
hal-
ja,
lu-
le-
hal-
ja,
hal-
lu-
le-
lu-
ja,
le-
lu
ja,
hal-
ja,
hal-
le-
lu-
hal-
le-
47
ja,
hal-
le-
le-
le-
lu.
ja!
Hal-
le-
lu-
ja,
hal-
le-
lu-
ja,
lu-
ja!
Hal-
le-
lu-
ja,
lu-
ja.
Hal-
le-
lu-
ja,
lu-
ja!
le-
lu-
Hal-
le-
lu-
ja,
hal-
le-
lu-
ja,
hal-
hal-
hal-
hal-
53
ja,
le-
le-
lu-
le-
lu-
ja,
le-
lu
ja,
hal-
lu-
ja,
hal-
hal-
ja!
hal-
le-
le-
le-
lu.
ja!
lu-
ja!
lu-
ja.
Verbum domini
2.
1.
Ver-
bum
do-
mi-
ni
3.
ma7
Adam Gumpelzhaimer
net
4.
5.
in
ae-
ter-
num,
in
ae-
ter-
num.
Vater unser im Himmelreich
Va-
ter
un-
ser
im
Him-
Va-
ter
mel-
un-
Adam Gumpelzhaimer
reich,
ser
im
der
Him-
mel-
du
reich,
uns
al-
le
der
hei-
est
gleich
du
uns
al-
Br-
le
hei-
est
der
sein
gleich
und
dich
Br-
der
ru-
sein
fen
und
an,
dich
und
willst
ru-
das
fen
an,
und
Be-
ten
von
uns
willst
das
Be-
ten
hilf,
da
13
han,
von
gib,
uns
da
nicht
han,
bet'
gib,
da
al-
lein
der
nicht
Mund,
bet'
al-
lein
der
Mund,
18
es
geh
hilf,
da
von
es
Her-
geh
zens-
grund,
von
Her-
Her-
zens-
zens-
grund.
grund.
Domine quinque talenta

Canon a 4, 7 tono
Vulgate: Matthew Ch 25 verse 20

folio 179 verso to 180 recto
Soprano
Do
mi - ne
quin - que ta - len - ta
tra - di - dis - ti
mi -
Soprano
Do
mi - ne
quin -
Alto
Do
mi - ne
quin - que ta - len - ta
Tenor
6
43
Do
43
43
mi
Aco..to
(Continuo).
3
S.
hi,
tra - di - dis
ti - mi -
hi,
S.
-
que ta - len - ta
tra
di - dis - ti
mi - hi,
tra - di -
A.
tra
di - dis - ti mi - hi,
tra - di - dis
ti - mi -
T.
ne
quin
43
que ta - len - ta
tra - di - dis - ti mi - hi,
Cont.
5
S.
Do
mi
ne
quin
que ta - len - ta
S.
dis
ti - mi
hi,
Do
mi -
A.
- hi,
Do
T.
6
Cont.
tra - di - dis
ti - mi
hi,
mi - ne
quin -
2
7
S.
tra
Ec -
S.
ne
quin
que ta - len - ta
tra
A.
-
que ta - len - ta
tra - di - dis - ti mi - hi,
T.
Do
mi - ne
quin
43
43
que ta - len - ta
tra - di - dis - ti mi 6
Cont.
S.
-
ce
a - li - a quin
que
su
per lu - cra
tus sum,
S.
Ec
ce
li - a quin
que
A.
Ec
ce
a - li - a
quin
que
su
per lu
T.
hi,
43
43
Ec
43
43
ce
li - a
quin
li - a
Cont.
11
S.
Ec
ce
S.
su
per lu - cra
tus sum,
Ec
A.
cra - tus sum,
Ec
ce
T.
quin
7
43
Cont.
que
su
per lu - cra - tus sum,
43
43
3
13
S.
- que
su - per
lu - cra - tus sum, lu -
S.
ce
quin
li - a
quin
que
A.
- li - a
que
su - per
T.
Ec
ce
li - a
quin
que
56
76
43
Cont.
15
S.
cra
tus
sum,
lu
cra
su - per lu - cra - tus sum, lu - cra
tus
tus
sum.
S.
sum, lu - cra
A.
cra - tus sum, lu - cra
tus
sum.
T.
su - per lu - cra
6
Cont.
tus sum,
tus
sum.
lu -
Herr, wie lange
Herr,
wie
lange
willst du
Herr,
G. Ph. Telemann
mein
wie
so
gar
lange
ver-
willst du
ges-
sen,
mein
so
wie
gar
lan-
ver-
ge
ges-
sen,
wie
ver-
bir-
gest
du
dein
lan-
12
Ant-
ge
litz
ver- bir-
vor
mir, Herr, Herr,
gest du dein Ant-
Herr, wie
litz
lan-
vor
ge, wie
mir, Herr, Herr,
17
lan-
Herr, wie
ge ver-
bir- gest du,
lan-
ge, wie
lan-
mir,
Herr,
Herr,
dein
ge ver-
Ant-
bir- gest du,
litz
Herr,
23
vor
dein
Ant-
litz
wie
vor
lan-
mir,
ge,
Herr,
wie
lan-
ge!
wie
lan-
ge!
A-Nice (finto inno)
Velthur Tognoni
9 Gennaio 2007
[Canne infinito]
I coristi, maschii e femmine in ugual numero, eseguano il brano: le femmine sparse nella sala,
messe a quattro zampe, i maschii in ginocchioni, ognuno dietro ad una di esse.
More ferarum
Femmine

Cas - so
Maschii

xe cas - so,
bu - so
no ga oc - ci.
More ferarum
Cas - so
xe cas - so,
Bu - so
xe
bu - so,
F.

bu - so
no ga oc - ci.
cas - so
no ga oc - ci.
Cas

M.
Bu - so
F.
M.
cas
so
xe
so
xe
xe
cas - so,
bu

Bu
so xe cas - so,
bu - so,
bu - so,
bu
M.
no ga oc - ci.
so
cas
no ga oc - ci. Ah,
cas - so
no
so
no
so
Cas - so
xe
cas - so,
bu -
bu - so
xe
bu - so,
cas - so
ga
ga
oc
oc
ci.
ci.
Ah,
Ad libid-um.
(Ripetere secondo la necessit e la voglia)
F.
so

no ga oc
- ci!

no
ga
oc
ci!
Non nobis, Domine

Salmo 115:1
Non a ns, Seor, non a ns, senn ao teu nome has de dar gloria
William Byrd
atrib.
(1543 ca. - 1623)
#
& # c
Soprano
Non
no - bis,
#
& # c
Alto
Non
no - bis,
non
..
Do - mi - ne,
? ## c
Baixo
Do
no
j ..
#
& #
tu
# j j
& #
no - mi - ni
? ##
da
glo
..
tu
bis,
&
##
glo
#
& #
sed
da
? ##
J J
no - mi -ni
da
tu
da
glo
da glo
sed
no - mi - ni
no - bis,
ri - am.
Fernando G. Jcome
www.solovoces.com
sed
tu
Non
j j

no - mi - ni
no
da
tu
ri - am,
sed
.. .
2
Do
j.
.
Do - mi
bis,
Do - mi -ne, non
J
-
no - bis,
Non
tu
glo - ri - am.
no - mi - ni
sed no - mi - ni

J J
Non
sed
j j

glo - ri - am,
ri - am.

J J
no - bis, Do - mi - ne, non
ri - am,
bis,
mi - ne, non no
Non
no
..
am.
mi -ne.
bis.
Miserere
Mi-
se-
re-
re,
mi-
Mi-
se-
Adam Gumpelzhaimer
se-
re-
re-
re,
re,
mi-
10
se-
mi-
se-
re-
re,
re-
re,
mi-
mi-
se-
se-
re-
re-
re,
18
re
me-
i,
mi-
se-
re-
se- re-
re,
me-
re
me-
i,
me-
27
i,
mi-
mi-
se- re-
i,
re,
mi-
mi-
se- re-
se- re-
re,
re,
mi-
mi-
se- re-
34
se- re-
re,
re,
mi-
mi-
se- re-
se- re-
re,
re,
mi-
mi-
se- re-
se- re-
re,
re.
mi-
se- re-
re.
(as we) Catches (on)upon Millitary Matter

For three Voices
_____________________________

parts 1 and 2; 1731- 33
By Mr. H. Purcell: A Catch in the Play of the Kninghts of Malta ... p.2
By Mr. R. Brown: A Catch on the Duke of Marlborough's Victory over the French ... p.3
By Dr. J. Blow: Catch on the battle at Hailbron by Mr. Herbert Sett to Musick by ... p.4
By Mr. R. Brown: Catch on the French at Audenard and Lille ... p.5
_______________________________
_________________________
2
By Mr. H. Purcell: A catch in the Play of the Knight of Malta

I.
At the
II.

But
III.

then
Ra- ra- ra-
ra, Ra- ra- ra- ra,

soun-
was

here s to
beat.
drink,
the Sky,
let
us
drink,

drink, drink a- way, then
to,

is
Ra- ra- ra- ra- ra
drink,
a-
drink

Ta- ta- ta-
ta- ta- ta-

you,
and to you,
and to
you.
Let us

Ta- ta- ta-
Ra- ra- ra- ra- ra,
is
till
tis
day,
us

Ta- ta- ta-
drink,
to,
drink

Ra- ra- ra- ra,

And Ta- ra- ra- ra,
the
Ta- ra- ra- ra, Ra- ra- ra- ra,

pear in

Ta- ta- ta-
High,
here,

to,
way,
too
then
ded on

the Guards went the Round, and the

Ra- ra- ra- ra, Ra- ra- ra- ra,
Ta- ta- ta-
to,
Ta- ta- ta-
Stars ap-

to,

a- way,
be re- liev d
Ta- ta- ta-

10

now yon- der
We shall soon
4
close of the Eve- ning the Wat- ches were set,

ta- ta- ta-
let, let
and

too

soun-
drink
till

was

beat.
ded on High.
tis day.
By Mr. R. Brown: On the Duke of Marlborough s Victory over the French, a Catch
I.
43

43

43

tis for you brave

6

way.
near,

12

Rouze
up
Eng- lish

is
the
feats

by our
An-
the
At-
tack,
then our
you how
fight,

-li-
zahs,
ven
ea-
sy
fight,

their
Huz-

zahs
ces- tors

Con- quest is
Spi-
the
rits,

Al-
up,

sunk,
on-
ly,

fight,
Ger- mans and
Friends shall come
Cou- rage

shew
ble
priz d
tis for you brave

no-

Cou- rage, rouz

back
old
to
be-
lies

this great march we
took
can t lose
the

Day.
Re-
is
sunk in

de-
spair.

on-
ly
look
on
us, we ll

made,
three
-li-

be
sure

to
their
Spi-
by our
E-

Lead

fight,
fight,
ven their

strike the Frenc-

the French
ne- mies

men all

Spi- rits, we ll en
Eng- lish Huz- zahs,
Eng- lish- men
fight
so
we
af- ter, we ll en
rits,
hold us
where

done,
mount and a-

fight,
Duke sounds to Horse Boys, let s

on
sur-
fall
va- ria s
mem- ber
18
on us,
Ba-
Al- lies,

Tal -lards sur- priz d,
Rash
III.

Duke sounds to Horse Boys, The
The
II.

Huz-

run;
slaugh- ter.

dead.
4
Catch on the battle at Hailbron by Mr. Herbert Sett to Musick by Dr. J.Blow (upon a Thorow Bass)
I.
Come

43
II.

a good
here`s
Both the
43
III.

43

and
old
the Da- nube,
Thorow Bass

3
4

bu-
ryd

the
Com- rades have
Xer- xes
9
8
6
7

the Save, For

Le- wis
new Turk, are

at

gain,

jol- ly,

grea7 7
6 5

Prince

old
that has

jol- ly

ter than
6 5
4 3
8
Wa- ter a
Sui- ta- ble grave,
Hock will we
bat- ter

has trown
in his Chain, and the Hey- del- burg Tun shall
6 7 8
6
76
76
65 65
5
3
3
3
3
3 3 3 3
3
3
3
43

er- thrown now my
drin- kers of
the fair Town, with our Bombs of
The Brave, The
slave once a6

6
3
4

here ov-
the Da- nube s our

6

6
4

Health to Prince
Turks in

it

down,
close the Cam- pain.

5
6
4
3
5
Catch on the French at Audenard and Lille by Mr. R. Brown
I.
43
Aud nard fam d
From
II.
43

flee
III.
43
Field,
we ve
ake,
Jack s
doub- lets,

we ll
tle
to

Bat-
Tren- ches, re-
your
Can- non, fix t
Boys, to
Tou
6
fou cry
the

soon
ake,
heart
first

singe
will

their doub-

ble your
dou-

right as

i th
Lille we ll now
Field,
swing d em
march,
we ve
swing d em
fire,
Jack s
heart
soon will

towns
as
he
sees

then
lets,

let
i th

they can be, we ll
now their

first
singe their
us
search;
you come
nigher:

drown
em in
Bran-
dy.


For three Voices
_____________________________

parts 1 and 2; 1731- 33
_______________________________
_________________________
2

I.
At the
II.

But
III.

then
Ra- ra- ra-
ra, Ra- ra- ra- ra,

soun-
was

here s to
beat.
drink,
the Sky,
let
us
drink,

to,

is
Ra- ra- ra- ra- ra
drink,
a-
drink

Ta- ta- ta-
ta- ta- ta-

you,
and to you,
and to
you.
Let us

Ta- ta- ta-
Ra- ra- ra- ra- ra,
is
till
tis
day,
us

Ta- ta- ta-
drink,
to,
drink

Ra- ra- ra- ra,

And Ta- ra- ra- ra,
the

pear in

Ta- ta- ta-
High,
here,

to,
way,
too
then
ded on


Ta- ta- ta-
to,
Ta- ta- ta-
Stars ap-

to,

a- way,
be re- liev d
Ta- ta- ta-

10

now yon- der
We shall soon
4

ta- ta- ta-
let, let
and

too

soun-
drink
till

was

beat.
ded on High.
tis day.
I.
43

43

43

tis for you brave

6

way.
near,

12

Rouze
up
Eng- lish

is
the
feats

by our
An-
the
At-
tack,
then our
you how
fight,

-li-
zahs,
ven
ea-
sy
fight,

their
Huz-

zahs
ces- tors

Con- quest is
Spi-
the
rits,

Al-
up,

sunk,
on-
ly,

fight,
Ger- mans and
Friends shall come
Cou- rage

shew
ble
priz d
tis for you brave

no-

Cou- rage, rouz

back
old
to
be-
lies

this great march we
took
can t lose
the

Day.
Re-
is
sunk in

de-
spair.

on-
ly
look
on
us, we ll

made,
three
-li-

be
sure

to
their
Spi-
by our
E-

Lead

fight,
fight,
ven their

strike the Frenc-

the French
ne- mies

men all

Spi- rits, we ll en
Eng- lish- men
fight
so
we
af- ter, we ll en
rits,
hold us
where

done,
mount and a-

fight,

on
sur-
fall
va- ria s
mem- ber
18
on us,
Ba-
Al- lies,

Rash
III.

The
II.

Huz-

run;
slaugh- ter.

dead.
4
I.
Come

43
II.

a good
here`s
Both the
43
III.

43

and
old
the Da- nube,
Thorow Bass

3
4

bu-
ryd

the
Com- rades have
Xer- xes
9
8
6
7

the Save, For

Le- wis
new Turk, are

at

gain,

jol- ly,

grea7 7
6 5

Prince

old
that has

jol- ly

ter than
6 5
4 3
8
Wa- ter a
Sui- ta- ble grave,
Hock will we
bat- ter

has trown
6 7 8
6
76
76
65 65
5
3
3
3
3
3 3 3 3
3
3
3
43

er- thrown now my
drin- kers of
The Brave, The
slave once a6

6
3
4

here ov-
the Da- nube s our

6

6
4

Health to Prince
Turks in

it

down,

5
6
4
3
5
I.
43
Aud nard fam d
From
II.
43

flee
III.
43
Field,
we ve
ake,
Jack s
doub- lets,

we ll
tle
to

Bat-
Tren- ches, re-
your
Can- non, fix t
Boys, to
Tou
6
fou cry
the

soon
ake,
heart
first

singe
will

their doub-

ble your
dou-

right as

i th
Lille we ll now
Field,
swing d em
march,
we ve
swing d em
fire,
Jack s
heart
soon will

towns
as
he
sees

then
lets,

let
i th

they can be, we ll
now their

first
singe their
us
search;
you come
nigher:

drown
em in
Bran-
dy.


For three Voices
_____________________________

parts 1 and 2; 1731- 33
_______________________________
_________________________
2

I.
At the
II.

But
III.

then
Ra- ra- ra-
ra, Ra- ra- ra- ra,

soun-
was

here s to
beat.
drink,
the Sky,
let
us
drink,

to,

is
Ra- ra- ra- ra- ra
drink,
a-
drink

Ta- ta- ta-
ta- ta- ta-

you,
and to you,
and to
you.
Let us

Ta- ta- ta-
Ra- ra- ra- ra- ra,
is
till
tis
day,
us

Ta- ta- ta-
drink,
to,
drink

Ra- ra- ra- ra,

And Ta- ra- ra- ra,
the

pear in

Ta- ta- ta-
High,
here,

to,
way,
too
then
ded on


Ta- ta- ta-
to,
Ta- ta- ta-
Stars ap-

to,

a- way,
be re- liev d
Ta- ta- ta-

10

now yon- der
We shall soon
4

ta- ta- ta-
let, let
and

too

soun-
drink
till

was

beat.
ded on High.
tis day.
I.
43

43

43

tis for you brave

6

way.
near,

12

Rouze
up
Eng- lish

is
the
feats

by our
An-
the
At-
tack,
then our
you how
fight,

-li-
zahs,
ven
ea-
sy
fight,

their
Huz-

zahs
ces- tors

Con- quest is
Spi-
the
rits,

Al-
up,

sunk,
on-
ly,

fight,
Ger- mans and
Friends shall come
Cou- rage

shew
ble
priz d
tis for you brave

no-

Cou- rage, rouz

back
old
to
be-
lies

this great march we
took
can t lose
the

Day.
Re-
is
sunk in

de-
spair.

on-
ly
look
on
us, we ll

made,
three
-li-

be
sure

to
their
Spi-
by our
E-

Lead

fight,
fight,
ven their

strike the Frenc-

the French
ne- mies

men all

Spi- rits, we ll en
Eng- lish- men
fight
so
we
af- ter, we ll en
rits,
hold us
where

done,
mount and a-

fight,

on
sur-
fall
va- ria s
mem- ber
18
on us,
Ba-
Al- lies,

Rash
III.

The
II.

Huz-

run;
slaugh- ter.

dead.
4
I.
Come

43
II.

a good
here`s
Both the
43
III.

43

and
old
the Da- nube,
Thorow Bass

3
4

bu-
ryd

the
Com- rades have
Xer- xes
9
8
6
7

the Save, For

Le- wis
new Turk, are

at

gain,

jol- ly,

grea7 7
6 5

Prince

old
that has

jol- ly

ter than
6 5
4 3
8
Wa- ter a
Sui- ta- ble grave,
Hock will we
bat- ter

has trown
6 7 8
6
76
76
65 65
5
3
3
3
3
3 3 3 3
3
3
3
43

er- thrown now my
drin- kers of
The Brave, The
slave once a6

6
3
4

here ov-
the Da- nube s our

6

6
4

Health to Prince
Turks in

it

down,

5
6
4
3
5
I.
43
Aud nard fam d
From
II.
43

flee
III.
43
Field,
we ve
ake,
Jack s
doub- lets,

we ll
tle
to

Bat-
Tren- ches, re-
your
Can- non, fix t
Boys, to
Tou
6
fou cry
the

soon
ake,
heart
first

singe
will

their doub-

ble your
dou-

right as

i th
Lille we ll now
Field,
swing d em
march,
we ve
swing d em
fire,
Jack s
heart
soon will

towns
as
he
sees

then
lets,

let
i th

they can be, we ll
now their

first
singe their
us
search;
you come
nigher:

drown
em in
Bran-
dy.


For three Voices
_____________________________

parts 1 and 2; 1731- 33
_______________________________
_________________________
2

I.
At the
II.

But
III.

then
Ra- ra- ra-
ra, Ra- ra- ra- ra,

soun-
was

here s to
beat.
drink,
the Sky,
let
us
drink,

to,

is
Ra- ra- ra- ra- ra
drink,
a-
drink

Ta- ta- ta-
ta- ta- ta-

you,
and to you,
and to
you.
Let us

Ta- ta- ta-
Ra- ra- ra- ra- ra,
is
till
tis
day,
us

Ta- ta- ta-
drink,
to,
drink

Ra- ra- ra- ra,

And Ta- ra- ra- ra,
the

pear in

Ta- ta- ta-
High,
here,

to,
way,
too
then
ded on


Ta- ta- ta-
to,
Ta- ta- ta-
Stars ap-

to,

a- way,
be re- liev d
Ta- ta- ta-

10

now yon- der
We shall soon
4

ta- ta- ta-
let, let
and

too

soun-
drink
till

was

beat.
ded on High.
tis day.
I.
43

43

43

tis for you brave

6

way.
near,

12

Rouze
up
Eng- lish

is
the
feats

by our
An-
the
At-
tack,
then our
you how
fight,

-li-
zahs,
ven
ea-
sy
fight,

their
Huz-

zahs
ces- tors

Con- quest is
Spi-
the
rits,

Al-
up,

sunk,
on-
ly,

fight,
Ger- mans and
Friends shall come
Cou- rage

shew
ble
priz d
tis for you brave

no-

Cou- rage, rouz

back
old
to
be-
lies

this great march we
took
can t lose
the

Day.
Re-
is
sunk in

de-
spair.

on-
ly
look
on
us, we ll

made,
three
-li-

be
sure

to
their
Spi-
by our
E-

Lead

fight,
fight,
ven their

strike the Frenc-

the French
ne- mies

men all

Spi- rits, we ll en
Eng- lish- men
fight
so
we
af- ter, we ll en
rits,
hold us
where

done,
mount and a-

fight,

on
sur-
fall
va- ria s
mem- ber
18
on us,
Ba-
Al- lies,

Rash
III.

The
II.

Huz-

run;
slaugh- ter.

dead.
4
I.
Come

43
II.

a good
here`s
Both the
43
III.

43

and
old
the Da- nube,
Thorow Bass

3
4

bu-
ryd

the
Com- rades have
Xer- xes
9
8
6
7

the Save, For

Le- wis
new Turk, are

at

gain,

jol- ly,

grea7 7
6 5

Prince

old
that has

jol- ly

ter than
6 5
4 3
8
Wa- ter a
Sui- ta- ble grave,
Hock will we
bat- ter

has trown
6 7 8
6
76
76
65 65
5
3
3
3
3
3 3 3 3
3
3
3
43

er- thrown now my
drin- kers of
The Brave, The
slave once a6

6
3
4

here ov-
the Da- nube s our

6

6
4

Health to Prince
Turks in

it

down,

5
6
4
3
5
I.
43
Aud nard fam d
From
II.
43

flee
III.
43
Field,
we ve
ake,
Jack s
doub- lets,

we ll
tle
to

Bat-
Tren- ches, re-
your
Can- non, fix t
Boys, to
Tou
6
fou cry
the

soon
ake,
heart
first

singe
will

their doub-

ble your
dou-

right as

i th
Lille we ll now
Field,
swing d em
march,
we ve
swing d em
fire,
Jack s
heart
soon will

towns
as
he
sees

then
lets,

let
i th

they can be, we ll
now their

first
singe their
us
search;
you come
nigher:

drown
em in
Bran-
dy.

Laetatus sum
Lae-
ta-
Adam Gumpelzhaimer
tus
Lae-
sum
ta-
in
tus
sum
his,
in his,
in
his,
in
in
his,
his quae dic-
in
ta
sunt mi- hi,
his quae dic-
in
ta sunt mi-
10
do- mo do- mi-
ni
hi,
do- mi- ni
in
do-
mo
i-
bi-
i-
bi-
mus.
mus.
Diffusa est gratia

Fuga en unsonus, 12 tono
(1742) folio 123 recto to 123 verso
Di[f] -fu - sa est gra - ti - a
in
la - bi - is tu
Di[f] - fu - sa est gra - ti - a
in
la - bi - is
Violin I
Violin II
6
6
5
Aco.to
(Continuo).
43
S.
- is,
Dif - fu - sa est
gra
ti - a
in
la - bi - is
S.
tu
is,
Dif - fu - sa est gra
ti - a
Vln. I
Vln. II
6
76
46
Cont.
S.
tu
is,
prop - te
re a
S.
in
la - bi - is tu
is,
prop - te
Vln. I
Vln. II
6
Cont.
re
2
7
S.
prop - te
re - a
be - ne - di - xit te De - us
in
S.
a
prop - te
re - a
be - ne - di - xit te
Vln. I
Vln. II
6
5
Cont.
6
?
43
S.
e -
ter
num,
prop - te - re - a,
S.
De - us
in
e -
ter
num,
prop -
Vln. I
Vln. II
6
5
43
Cont.
11
S.
prop - te - re - a
be - ne - dix - it te De - us
in
S.
te
re - a,
prop - te
re - a
be - ne - dix - it te
Vln. I
Vln. II
6
5
Cont.
42
3
13
S.
e -
ter
S.
De - us
in
e -
ter
Vln. I
Vln. II
43
Cont.
15
S.
-
S.
Vln. I
Vln. II
43
Cont.
num.
num.
Cor mundum
The Bible Psalm 51
(1742) folio 211 verso to 212 recto
Circulacin musica: diatnica, cromatica y enarmnica

Canon a 4
Largo
Cor
mun - dum
cre
in
Cor
Cor
Cor
mun - dum
cre
mun - dum
mun - dum
cre
me
cre
in
me
De - us,
7
A.
De - us,
Cor
mun - dum
me
De - us,
cre - a
in
me
De
us,
cor
A.
in
Cor
mun - dum
cre - a
in
me
De
De -
T.
in
me
De - us,
Cor
mun - dum
Cor mun - dum
cre - a
in
me
us,
T.
cre - a
in
me
De
us,
cor
mun - dum
7
6
5
6
Cont.
A.
mun - dum
cre
in
A.
-
us,
cor
cor
mun - dum
mun
dum
cre
T.
cre
T.
cre
in
6
Cont.
me
2
11
A.
me
De
us,
in
me
De
us,
A.
in
me
De
me
De - us,
us,
in
me
in
me
De
us,
T.
in
De - us,
T.
De
- us,
in
me
De
7
43
us,
43
Cont.
14
A.
et
spi - ri - tum rec - tum in - no - va,
in vis
A.
et
spi - ri - tum rec - tum
in - no - va,
T.
et spi - ri - tum rec - tum
in - no - va,
T.
6
in - no - va,
in vis - ce
7
ri - bus
Cont.
17
A.
ce - ri - bus
me - is,
et
spi - ri - tum rec - tum in
no - va,
A.
in vis - ce - ri - bus me
is,
et
T.
in vis - ce - ri - bus
me - is,
T.
me - is,
7
Cont.
in
no - va,
76
76
3
20
A.
in
vis - ce - ri - bus me
A.
spi - ri - tum rec - tum
in
no - va,
T.
in
no - va,
in
vis - ce - ri - bus
T.
in
vis
ce - ri - bus
me
vis - ce - ri - bus
me
is,
Cont.
22
A.
- is,
in
is.
A.
in
vis - ce - ri - bus, vis - ce - ri - bus
me
is.
T.
me - is,
vis - ce
ri
bus
in
vis - ce - ri - bus
me
T.
me
76
Cont.
is.
43
is.
Benedictus qui venit

Canon a 4
(1742) folio 130 verso
Desp[acio]. [Adagio]
Be
Be
Be
Be
ne
ne
dic
ne
dic
tus
7
Aco.to.
(Continuo)
ne
dic
dic
tus
tus
tus
qui
98
qui
6
ve
43
A.
qui
ve
nit
in
no
mi - ne
Do -
mi -
mi - ne Do
A.
qui
ve
nit
in
no
mi -
mi -
ni,
A.
ve
nit
in
no - mi - ne Do
ni,
T.
-
nit
in
no - mi - ne
7
Do
mi -
in
ni,
Cont.
A.
- mi
ni,
in
no - mi - ne
Do - mi
ni,
Do
mi
ni.
mi - ne
Do
mi
ni.
A.
in
no - mi - ne Do - mi - ni,
no
ni,
no - mi
ne
mi - ni,
6
5
no - mi
ne
A.
in
no - mi - ne
Do - mi
mi -
Do
Do
mi
Do -
mi
ni.
T.
no
Cont.
ne
ni.
Beatam me dicent
Canon a 4 11 tono
folio 131 recto -131 verso
Tiple 1
(Soprano)
Be - a - tam me
di
cent,
Tiple 2
(Soprano)
Be
a - tam me
Alto
Be
- tam me di
Tenor
Be
Ac.to.
(Continuo)
S.
be - a - tam me di
cent,
om - nes ge - ne - ra - ti -
S.
di
cent,
be
a - tam me di
cent,
A.
cent,
-
be - a - tam me
di
cent,
om - nes
T.
Cont.
a - tam me di
6
cent,
be - a - tam me
di
- cent,
2
7
S.
o
nes
om - nes
ge - ne - ra - ti - o
S.
om
- nes
nes
om - nes
A.
nes,
nes
om -
nes
ge - ne - ra - ti -
T.
om
6
Cont.
ge - ne - ra - ti - o - nes
10
S.
-
nes,
qui
a an - cil - lam
hu
mi -
S.
nes,
qui - a an -
A.
o
nes,
qui - a an - cil - lam
T.
om
nes
nes,
7
Cont.
13
S.
lem
res - pex - it
De
us,
S.
cil - lam
hu - mi - lem
res - pex - it
De
us,
A.
hu - mi - lem
res - pex - it
De
us,
qui - a an-
T.
Cont.

6
hu - mi - lem
6
res - pex - it
6
De
us,
6
3
17
S.
hu
mi - lem
res
pex - it
De
S.
qui - a
an - cil - lam
hu
mi - lem
res
A.
cil - lam
hu
mi - lem
res - pex
it
T.
qui - a
an - cil - lam
7
hu
mi - lem
Cont.
20
S.
- us,
res
pex - it
De
us,
res -
S.
pex - it
De
us,
res
pex - it
De
A.
De
us,
res - pex - it
De
us,
T.
res - pex
Cont.
- it
6
De
us,
6
res - pex - it
23
S.
pex
it
De
us.
S.
- us,
De
us.
A.
res - pex - it
De
T.
De
Cont.
us,
?
De
5
43
us.
43
us.
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N,
B, ;
N,
B, ;

W, ; H
k k
k X\,' @ X 2: c W, ;
)H
k ; s 5 ,8 @ X :2c
W, ;
)H
, s X @ X @ s US
: ,8U : ,.]H
KTNb o os wu)W Iu
B%?Y4@
0
v
?>
v
QV
'% =
nt), ;
n ; @
X =
X mUc =
nt), ;
54 = 8
# Y4@
Q
Q
\Q
r 4 #27 =
u k k
k :; ,8 : &
u k k
k :; ,8 : &
, @ X :2
S, ;
H
, @ X :2 )\
W, ; H
u k k
k :; ,8 : &
; JX8 ; ,' @ X 2: c
S, ;
)H
: S, ; H
W, ;
H
W KwuQ{2T8{ w os
B%?Y4@
'% =
X mUc
sw M
B%?Y4@

Q
'% =
n ; @
n ; @
sw)s sw)
B%?Y4@
'% =
X =
54 = 8
# Y4@
Q V
54 = 8
# Y4@
54 = 8
# Y4@
r 4{#27 3 =
X ; X @
@ @ o nt, ; ),' Q V : R
r {4 #27 =
u k ; s ; @ X :c W, ;
H
X
k X ; @ X :2/
W, ; H
r 4{#27 =
; s
T, ; H
>
Der grimmig Tod
Der
grimmig
Tod mit
sei-
nem
Der
Pfeil
Adam Gumpelzhaimer
tut
nach
dem
Le-
ben
zie-
grimmig
Tod
mit
sei-
nem Pfeil tut
nach
dem
10
len,
Le-
tut nach dem
ben
Le- ben zie-
len,
der
zie-
len,
grim-
tut nach dem
Le- ben zie-
16
mig
len,
der
Tod,
der
grim-
grim-
mig
mig
Tod,
Tod,
der
der
grim-
25
grim-
mig
mig
Tod
mit
Tod,
sei-
nem
der
grim-
Pfeil,
mig
Tod
mit
der
grim-
sei-
nem
mig
Pfeil,
33
Tod
mit
sei-
der
grim-
nem
mig
Pfeil
tut
nach
Tod
mit
sei-
dem
Le-
nem
Pfeil
tut
nach
dem
Le-
42
ben,
nach
dem
Le-
ben,
ben
zie-
nach
len,
dem
Le-
zie-
ben
len.
zie-
len.
Canon Omnis consummationis

per aliam viam reversi sunt in regionem suam
Source: Compendium Musices--Mont.et Neub.--Nrnberg 1552.
&b C w
Soprano
Om-
&b C
Alto
Om- nis
Vb C w
Tenor 1
Om-
Vb C
Tenor 2
con-
sum-
nis
nis------
Vb C w
Vb C
Bass 1
?b C
Bass 2
Om-nis
&b w
&b w
T1
w
Vb
nis
T2
Vb
summa-
T3
Vb w
Vb
B1
?b
con-
B2
?b
la-
ma-
con-
nis
Om-
nis con-
vi-
vi-
o- nis vi-
tum man-
ww
da-
ti-
vi-
fi-
nem
la- tum
di fi-
nem
tum
tu-
o-
man-
da-
fi-
nem
um
ni-
nis

tum man-
nem
la-
di
nem
nem
fi-
sum-
fi-
nis
di
fi-
vi- di vi- di
o-
di
con-
fi-
di
di
ma-ti-
nis
nis
nis Omnis con-sum-
ma-ti- o-
o-
nis
nis
o-
sum-ma-ti- o-
vi-
ma- ti-
sum-ma-ti- o-
ti- o- nis
sum-
con-
nis
T4
ti-
nis
Om-
con-sum-
vi-
Om-nis consum-ma-ti-
?b C
sum-ma-ti- o-
ti- o-
Om-
Tenor 4
con-
ma-
Om- nis con- sum-ma-
Tenor 3
Adrien Petit Coclico

Arr. Andr Vierendeels
(14/08/00)
vi-
di
la-tum man-da-
vi-
mis
di
fi-
&b w
13
&b w
nem
Vb
T2
Vb
T3
Vb
T4
V b .
B1
?b
fi-
da-
nem
Om-
nem la- tum
&b
ni-
&b
mis
nis
T1
T2
T3
Vb
Vb
Vb w
B1
?b
mis
B2
?b
nem
nis
la-
tum
tum
um ni-mis
man-
la-
tum
man-
tum
la-
omnis
da-
tum
da- tum
qui
man-da-
tu- um
nis
qui
per- se- ve-
ra- ve- rit
per- se-
ni-
ve-
tu-
um ni-
ni-
ni-
mis
mis
us-
ra- ve-

tum ni-
que in- fi-
ra- ve- rit
que
sal-
vus
rit
us-que
Om-
us-
qui
nis
tum tu- um
Om-
hic
tum tu- um
man-da-
tum manda-
la-tum la-tum man-da-tum tu- um
la-
tum
T4
Om- nis
Vb w
rit
la-
tum tu-
?b
19
T1
B2
tum
nis qui per-
per-se- ve-
que
qui per-
in fi- nem
man-
da-
la-
sal-
vus----------
hic
sal-
vus e- rit
se- ver- a- ve-rit
se- ve- ra- ve-
us- que in fi-
hic
e-
man-
ni-
mis
da-
rit
tum
us-
tum tu- um
tum ni-
hic
Om- nis qui per-
sal-
se- ve-

25
&b
&b
nem
T1
Vb
T2
Vb
T3
T4
Vb
B1
? b .
B2
?b
nis
vus
nis
Om-
nis
qui
Vb
Vb
hic sal-
T4
V b ww
B1
?b w
B2
?b
sal-
e-
vus
rit
sal- vus e- rit
ve-
e-
que
ra-
hic
in
fi-
hic
rit
nem
sal- vus e- rit
hic sal-
rit
hic
sal-vus
e- rit
hic
sal -vus e-
e-
rit
sal-
vus
e-
rit
vus
sal-
hic
e-
rit
e-
hic sal-
sal- vus e- rit hic----
nem
e-
hic
vus e- rit
rit
vus
vus
in fi-
rit
vus e- rit hic
us-que
sal-
e-
ve-
vus
sal-
hic
vus e-
hic
hic
ver- a- ve- rit
vus
&b
hic sal-
rit
rit
vus e-
&b
.
Vb
se-
us-
sal-
per-
rit
qui per- se-
e-
T3
e-
e- rit
ve-
sal-
T2
vus
nem hic sal-
rit
T1
hic sal- vus
31
sal-
e- rit
ra-
vus
hic
sal-
hic
Vb w
Om-
hic
in fi-
e-
sal-
vus
4
37
&b
rit
&b w
Vb
T2
Vb w
e-
rit.
w
.
rit.
T1
vus
e- rit.
rit.
T3
Vb
sal-
T4
Vb w
B1
?b
B2
?b
vus, sal- vus e- rit.
rit.
rit.
e- rit
sal-
vus e-
rit.
Notes: 1) note values have been halved

2) original keys: Ut 1st, Ut 1st, Ut 3rd, Ut 3rd, Ut 4rth, Ut 4rth, Fa 4rth, Fa 4rth
3) m 18- B1 :text "ad" in original for "in"
4) ligatures: m3 S1: fa--la
m16-17 B2: fa--sol and la--si
m21-22 T4 sol--fa and mi--re
Gehet hin in alle Welt
Geht
hin
in
al-
le
Geht
hin
Adam Gumpelzhaimer
Welt,
leh-
ret
in
al-
alle
Wl-
le
ker
Welt, leh-
ret
und
tau- fet
sie, und
alle
Wl-
ker
tau-
fet
und
tau- fet
sie
im
sie, und
Na-
tau-
fet
18
men
des
Va-
sie
ters
im
und
Na-
men
des
des
Va-
Sohns
und
ters
und
des
Sohns
li-
gen
27
des
Hei-
li-
gen
Gei-
und
des
Hei-
stes,
und
des
li-
gen
Gei-
Hei-
Gei-
stes,
35
stes,
und
des
Hei-
li-
gen
Gei-
Gei-
stes.
stes.
Agnus Dei, 8
No. 18, Cantiones Triginta Selectissimae
Ed. Clemens Stephani, Nrnburg, 1568
Discantus
[Alto]
Altus
[Tenor]
Choir 1
Tenor
[Baritone]
&b 2 w
A
Bb
Benedictus Ducis (c.1492-1544)

Edited by Charles H. Giffen
Vb 2
A -
B b
Vb 2
A
Bassus
[Bass]
Discantus*
[Alto]
Altus*
[Tenor]
Choir 2
Tenor*
[Baritone]
? b
B
?b 2
? b
gnus
- gnus
De
gnus
De
De
i,
De
&b 2
gnus,
Canon: Qui non est mecum contra me est.
Vb 2
- gnus
De
- gnus
Canon: Licet bene operor: est qui Contrariatur.
? 2
b
A -
qui
w
-
qui
tol
De
A - gnus De -
Canon: Ego loquor veritatem, et veritas refellit me.
Vb 2
w
w
- gnus
Canon: Ego Principium & Finis, loquor vobis.
A -
Bassus*
[Bass]
A -
A -
B b
B b
w
-
gnus
tol -
- gnus
* Altera vox in Cancrisat: The Choir 2 voices are retrograde canons of the Choir 1 voices. The text
underlay for Choir 2 is editorial. The italicized underlay for Choir 1 is the editorial realization of
text repeats ("ij") in the source.
Copyright 2011 by Charles H. Giffen for the Choral Public Domain Library
(www.CPDL.org). May be freely copied, distributed, performed, or recorded.
This copyright notice must not be removed.
Benedictus Ducis: Agnus Dei
D1
A1
&b
qui
tol
Vb
-
T1
lis
Vb w
?
b w
i
D2
A2
lis
T2
B2
Vb
?
De -
qui
tol
pec - ca - ta mun
qui
tol
- i
di,
- ta mun
- ta
qui tol -
w.
qui
tol
tol -
qui
di,
- lis
pec
w
lis
di,
tol
mun
lis,
qui
pec -
w
-
lis
ca - ta mun - di,
pe - ca -
lis
di, pec - ca -
De
pec - ca - ta mun
tol - lis pec
&b
Vb w
i qui
B1
pec - ca
D1
&b w
ca
A1
T1
Vb
ta
mun
pec
Vb w
D2
A2
T2
&b w
di,
qui
tol
ta,
ta
w
-
mun
ta
pec -
w
qui
mun -
w
tol
lis
di,
pec - ca
mun
tol
mun
lis
pec
pec -
di,
ca - ta
di
- ta
qui
ca
Vb
pec - ca
pec
Vb
lis
ca -
B2
mun
lis pec - ca - ta,
B1
ta
mun
- ca
di,
- di,
pec -
D1
&b
ca
A1
Vb w
-
T1
Vb w
?
ta
A2
pec -
&b w
Vb
B2
b
ca
qui
ca
tol
ta
mun
- di,
mun - di,
qui
mun - di,
mun - di,
qui
tol
ta
pec - ca - ta
lis pec - ca -
ta
tol - lis pec - ca - ta
pec - ca - ta,
ca
qui
lis pec
pec
- ca - ta
qui tol - lis
Vb
di,
di,
T2
qui tol
mun - di,
ta mun
mun -
lis
D2
ta
ca
B1
di,
mun - di,
- ta, pec - ca
w
qui
w
-
ta
pec -
w
mun -
tol - lis
12
D1
&b w
tol
A1
B1
D2
qui
T2
&b w
w
-
ca - ta,
B2
w
pec -
lis
pec
ta,
pec
qui
tol
- ca
ta
mun
w
-
ta
ca
ta
mun
ca
lis
pec - ca - ta
ta
di,
mun
- ta
mun
mun -
ca - ta
ca - ta
ca -
w
-
tol
pec - ca
di,
pec
pec
di,
Vb w
?
pec - ca
lis
Vb
pec
di,
Vb
mun
A2
lis
Vb w
mun
T1
mun
mun
di,
mun
w
-
14
D1
&b w
Vb w
pec
di,
A1
T1
w
-
pec
Vb
&b
Vb
Vb
ca
ca
ta
ta
mun -
mun
di,
B1
di,
A2
B2
b w
di,
pec
qui
tol
w
-
ca
- ca
w
-
w
-
ca
ta, pec
ta
ta
lis
ca -
w
-
di,
pec - ca
w
-
ta mun -
ta
mun -
mun
pec - ca -
- ta
ta mun - di,
pec - ca
w
-
mun - di:
ta
pec -
pec
- di
pec - ca
di,
T2
pec - ca
di,
D2
di,
mun - di, pec - ca - ta mun - di:
mun - di,
pec
w
ca
ta
17
D1
A1
Mi
B1
D2
Vb w
?
di,
qui
w
-
mun
&b w
Vb
di:
A2
T2
Vb
Mi
B2
mun
w
Vb
ta mun
T1
&b
tol - lis pec - ca
w
di,
pec
pec - ca
w
-
ta
di,
se -
- re - re, mi
pec - ca - ta
mun
w
-
pec - ca - ta
ta,
- se -
ca -
- ta
no - bis,
mi
se
- re
mi
w
-
se
w
-
re
re
no
re - re
w
re
no - bis, mi - se -
no
mun
Mi - se - re
- re -
se - re
mun - di:
di, pec - ca - ta
mun - di:
se - re - re
Mi -
di,
bis,
20
D1
&b w
-
A1
mun
T1
Vb
D2
w
-
Mi
B1
T2
B2
b
mi
di:
Mi
no -
- se
se
re
- re
se -
re
re
re
no
Mi
re
no
se
bis,
w
w
mi
re
- bis,
no
re
- di:
- re
re
no -
- bis, mi - se - re
bis, mi - se - re - re
re
- se -
se
mi -
mi -
mun -
Vb w
re
di,
&b w
no
bis,
A2
Vb
re,
w
Vb
re
mi - se -
23
D1
&b
no
A1
Vb
Vb
?
T2
re - re
no
b
no
mi
- se
bis,
w
-
w
no
no
mi - se - re
bis,
no
se - re - re no -
- bis,
bis,
- re -
se
bis,
re
se -
se - re - re
w.
no
mi -
Vb w
?
re - re,
B2
mi
re - re
w
-
mi
bis,
A2
bis,
mi
bis,
&b w
Vb
bis,
se
D2
no
B1
T1
re - re no
bis,
bis,
re,
w

re
no
- bis, mi -
mi - se
mi -
re
- se
re,
10
26
D1
&b
re
A1
T1
bis,
mi
Vb
D2
mi
A2
&b
mi
Vb
Vb w
mi
B2
b
re
se - re
T2
Vb
mi
B1
no
w
-
bis,
w
-
re
re - re
no
re
no
se - re - re
re
se
se
re
re
no
re
no
se
se
w
-
bis,
re
no
w
-
bis.
bis.
re
no
no
bis.
no
bis.
bis.
bis.
bis.
no - bis.
[JOHN] HILTON, COME FOLLOW ME (edited by Gordon J. Callon, copyright 1999)

(The Catch Club or Merry Companions, [1762], no. 93)
Come
fol -
low,
fol - low,
fol - low,
fol -
low,
fol - low,
fol - low,
gal
fol
low,
fol - low,
2
Whith - er shall I
Whith - er shall I
fol - low,
3
To
the
2
fol -
low
me.
3
fol
low thee?
gal
low tree.
low, gal
low, gal
low, to
the
gal
low,
Antonio Caldara
(1670-1736)
18 CANONS
http://users.skynet.be/benZene
Antonio Caldara - 18 Canons
1.
&C
Sua via
&C
Que staI
&C
Ne met - ter
2.
te
spen - te.
de mol -ta
zen - te.
o - se pi no,
no ,no, no, se
sen - te.

J J J J
bel
d'a - mor
te - so - ro,
mi
sol - e,
so - leIo
voi
al - tro
che
mo - ro
non
o - mai
.
.
lu - ci
bel - le
Voi
sem - preIa - ma - te
stel - le,
voi
Voi
sem - preIa - ma - te
stel - le,
voi
so -
. b
& b c J J J
.
J J
& b c J J n . J
# .
co - sa
di
ma -laIa- ver sem
do - ver sof - frir
j j
&b c
j
b j
j
j j
& b c b . n
Son co seIin
Lo so ben'
ve
ro, in ve
io cheIincor sem
ro
#
-
pre,
ha per
me.
le, voi
te.
be - ne lon - tan da
te.
mor
per me
for - mo.
.
so - leIa - do -re - ro.
.
so - leIa - do -re
ro.
j j
pre sven-tu
mol - te,
pe - ne non
j j j j j
j
j
non o - mai
be - ne lon - tan da
j j j
J J
.
so - le, voi
.

# 3
& 4 .
j j J J
j j j
J
d'a - mor mi mo - ro
J
J
mio
#
.
& 43
Voi
spen -te,
vi - ci - no,
#
& 43 .
4.
la mo - da
b
& b 38 J J J J
Ah, cheIil des - ti - no,
bb 3 j
& 8 J J J
A te
vi - ci - no,
bb 3
& 8 J J J J
A
3.
can - te- mo
re
mol
sem-pre sven-tu - re,
# j j
j j
#.
mol toIa
cer
.
sem
-1-
preIho
te scia-gu - re.
j
re.
beIe du
J
pun - tu - re.
5.
#
# 3
& 4

.
# 3

& 4
# .
Ques-toIo Ni -ceIIil nos - tro fa - to io, son na - to par
a - mar-ti,
tu per far
mi sos - pi - rar.
# 3

. .
& 4
So che van-tiIun cor
Ques-toIo
6.
in - gra - to
Ni -ceIIil nos - tro
#
& c
Do
re
fa - to
piu non
spe-roIin - na - mo - rar - ti.
Ne
io, son
na - to
tu
#
j
j
& c J J J
#
j
& c
Il son-no
miIh pre
Il son
7.
#
j j
& c
#
& c
Do
re
mi
no
miIh pre
j j
mi
fa
a - mar-ti,
pos - soIab-ban - do - nar.
per far
mi sos - pi - rar.
fa
sol
la
sol

J J
fa mi Iil let - to.
j
J
j
j
n j j j j j j
so ques
to, ques- toIIil mio dif - fet - to, Iil mio dif - fet - to, dif - fet - to.
j
j
. j j j
n j
par
ti
sol
la
so
ques
sol
to,
fa
miIil let
ques-toI
il mio dif - fet
to.
to.

J R R J j j j j j j j j
c
&
#
F pres-to, pres - to
8. & b C
Be
&b C
ve - ria
pres - to
che
pres - toIac - cio che
del
si
ne - det
to.
dor - maIil po - ve - ret
to.
To - cai
be
se
j
J
j j

me n des - siIun
puo
co;
go
to.

an - ca
mi,
an
ca
mi
che no son gal - lio
to.
j j j
j j j
j j
& b C j j
De - me - ne, de - me - ne,
de - me-ne, de - me - ne,
-2-
de - me - neIun
so - lo
9. & b C
Coss'
via
&b C
Las
#
b
Ohi - me'
10.
b
&b C
b
&b C
Sen
vor
b
&b C

&C
pur,
Sbri
& C #
Fi
den
cun
el
den
w
la
gh - la
rei pur

no
ve
di - go,
ni - la,
pre - go,
men
es
in
co - le-ra!
In
co - le - ra sion
in
co - le-ra,
te!
in co-le- ra,
sion
con - ten
no
fIab - ban - do
no
pe
.
pi
ser con - ten
to,
to,
to.
nar.
j

-
nar.
pe - nar.
J J J J
Che v ne pen -ti - re, v ne pen- ti - re.
J # J

in co - le-ra,
-3-
te.
es-servor - ria
J J

JJ
pi
j
J
co - le-ra,
te!
j# j
b b #
No me fIan-dar in
Sion
giaIel
vor-ria pur es - ser,
v pre - go,
j
& C J J J J J
&C
vor
&C
&C
men
Fi - ni - la,
12.
me diol
n
rei
do
al
vor-ria pur es - ser,
11.
che
far
gra
Me diol,
za
# #
b
vis - in e
mio no sen - to gnen - te.
# b
V son
&b C
las - s,
stIal - le
s,
&b C
eh
eh
via no
f, no
via no
f, no
no no
f.
no no
f.
Che bel con - ten
& b 43
Non han tor - men
to
ve - der due
co - ri
to, non han do - lo
& b 12
8
ri,
& b 12
8

C
15. &
gustoI
mai questo
com - pare:
& C # #
ma - gna-re
cheIu-ni - ti
sen - za ran - co - ri
co - si
ri
j r
. j j . j

quel - la che l'al - ma
mi - a
co - si
mi
non han ti - mo - ri
j . j
J
so
se sdeg - no
si - a, non so
j r j
.
. J
J
quel - la che l'al - ma
Non
Che
sen - za ran - co
b 3

&b 4
. - to ve - der

Che bel con - ten
due co - ri
12 J
b
&
8
14.
b 3
b
&
4
13.
j .
J
d'in - fe-del
cheIu-ni - ti
j j .
tur - ban
- do v.
sia
pie - ta,
tur - ban - do v,
be-ver
.
st.
t.
st.
j
j .
se
ben presto
quan - do f
cal - do ben.
J
J
JJ
& C . j # #
Ma - gne - mo, be - ve
mo, be - ve - mo
vi,
che po
bal - le - re - mo, bal-le - re-mo, bal-le-re - mo.
Al - le - gri si Com - pa-re, chiame - molaCom - ma - re,che bal - le - ra,
C
16. &
Son
&C
po - ver
ve
&C
so
che
non
&C
Pa - zien
&C
el
pa - zien
che bal-le - ra con n.
ro,
far.
za,
za!
-4-
17. & b C j j
Al - la cac - ciaIan
&b C
Trum,
li
#
& C
Il
mIun
Dio
d'a
bon
li
#
& C
al
le
mo!
trum!
mo.
mo
re
sem
quo
re
mo
dun - que, be - via - mo
.

J J
gri
si
mo, be - via - moI
-5-
pre
fe - ris - ceIil
smor - zaIil
j j

via
trum,
j j

liIa - maz - zi - a
#
& C
an - dia
trum, trum,
cig - na
dia - mo,
trum, trum,
18. & # C
be
j
& b C j
do

sen - za
ti

tut - te,
tut - te
Co
re,
lo
mo
re,
re,
re.
Ich will den Herrn loben
Ich
will
den
Herrn
G. Ph. Telemann
ben
lo-
Ich
will
al-
den
le
Herrn
lo-
Zeit,
ben
Ich
will
den
al-
le
Zeit,
al-
le
Zeit,
Herrn
sein
Lob
soll
ben
lo-
im-
mer-
dar
al-
le
al-
le
in
mei-
nem
Mun-
de
sein,
Zeit,
sein
Lob
soll
im-
Zeit,
al-
mer-
dar
le
in
mei-
nem
Mun-
de,
in
mei-
nem
Mun-
de
sein,
Zeit,
sein
Lob
soll
im-
in
mer-
dar
in
sein
Lob, sein
mei-
nem
Mun-
mei-
nem
Mun-
Lob soll
im- mer-
dar
de,
de
sein,
in
mei-
in
mei-
nem Mun-
de
sein
Lob,
sein
im- mer-
nem
Mun-
Lob soll
de,
sein,
dar
in
in
mei- nem Mun- de
mei- nem Mun-
sein Lob, sein
Lob
soll
sein, in mei- nem Mun-
de
sein,
im- mer-
dar
in
mei- nem Mun- de
in mei- nem Mun-
Telemann: Ich will p. 2
de
de
sein.
sein,
sein,
Hodie Christus natus est
Ho- di- e
Chri-
stus na-
Ho-
di-
Chri-
Adam Gumpelzhaimer
tus est,
ho-
di-
stus na-
tus est,
Chri-
stus na-
ho-
tus est,
di- e
Chri-
ho-
di- e
stus na-
sal-
va-
tus est,
ho-
di-
11
tor
ap-
pa-
ru-
it,
ho-
sal- va-
di- e in
ter-
tor ap- pa- ru-
ra
it,
ho-
ca-
di- e in ter-
16
nent an-
ge-
ra
li,
lae-
tan- tur
ca-
nent an-
ar-
ge- li,
chan-
ge-
lae-
li,
ex-
tan- tur ar-
21
ul-
tant
chan-
iu-
sti,
ge-
li,
ex-
ul-
tant
iu-
sti,
ex-
ex-
ul-
tant
iu-
sti,
ul-
tant
iu-
sti,
di-
ex-
ul-
tant
iu-
sti,
ex-
24
cen-
tes: glo-
ri- a
ul- tant iu- sti,
in ex-
cel-
di- cen-
sis
tes:
glo-
de- o,
ri- a
glo-
ri- a
in excel-
in ex-
sis de- o,
29
cel-
glo-
sis
de-
o.
ri- a
in
excel-
Al-
le-
sis
lu-
ia, Al- le-
de- o.
Al- le-
lu-
ia, Al-
lu- ia, Al-
34
le- lu-
le-
ia,
lu-
ia,
Al-
le-
Al-
le-
lu- ia,
lu-
ia,
Al- le- lu-
Al-
le-
lu-
39
ia,
Al-
ia,
le-
Al-
lu- ia, Al-
le- lu- ia,
le-
Al- le-
lu-
lu-
ia,
Al-
ia, Al- le-
le- lu- ia,
lu-
ia,
45
Al- le-
lu-
Al- le- lu-
ia,
ia,
Al-
le- lu-
Al-
le-
ia, Al-
lu- ia, Al-
Gumpelzhaimer: Hodie p. 2
le-
lu- ia, Al-
le- lu-
le-
lu-
ia, Al- le-
ia.
lu-
ia.
Hilf mir, Gott
Hilf
mir,
Gott,
G. Ph. Telemann
durch dei-
nen
Hilf
Na-
mir,
Gott,
durch dei-
nen
men,
dei- nen Na-
men
Na-
und
men,
dei- nen Na-
schaf-
fe
men
mir
und
13
Recht
durch dei-
schaf-
ne
Ge-
walt,
und
schaf-
fe
mir
Recht
fe
mir
Recht
durch
dei-
ne
Ge-
walt,
und
18
durch
schaf-
fe
dei-
mir
ne Ge-
walt,
Recht
und
durch
schaf-
dei-
fe
mir
Recht
durch
dei-
ne Ge-
walt,
und
schaf-
ne Ge-
fe
mir
24
walt,
durch
dei-
ne
Ge-
walt,
durch
dei-
ne
Ge-
walt.
Recht
durch
dei-
ne
Ge-
walt,
durch
dei-
ne
Ge-
walt.
Wo Gott zum Haus
Wo
Gott
zum
Haus
nicht
Wo
gibt
sein
Gunst,
Gott
zum
Haus
Adam Gumpelzhaimer
wo
Gott
nicht
gibt
sein
zum
Haus
nicht
Gunst,
wo
Gott
gibt
sein Gunst,
zum
Haus nicht
da
gibt
ar- beit't je- der- mann um-
sein Gunst,
da
sunst, da
ar- beit't je-
ar-
der- mann
beit't
je-
der- mann
um-
sunst, da
beit't
je- der-
ar-
um sunst,
beit't
da
ar- beit't
je- der- mann um sunst,
je- der-
da
mann,
ar- beit't
da ar-
je- der-
mann,
14
da
ar-
mann,
beit't
da
je- der-
ar-
beit't
mann,
da
je- der- mann
ar-
um-
sunst,
beit't
je- der-
19
da
mann
ar-
um-
sunst,
beit't
je-
je-
der-
mann
der-
mann
um-
um-
sunst.
sunst.
Wie der Hirsch
Wie
der
Hirsch
G. Ph. Telemann
schrei-
Wie
der
Hirsch
et
nach
Hirsch
schrei-
schrei-
Wie
der
fri-
schem
Was-
et
ser,
nach
fri-
schem
so
schrei-
Was-
et
ser,
nach
fri-
schem
Was-
et
so
mei-
ne
See-
le,
schrei-
Gott, nach
et
ser,
so
mei-
ne
dir,
Gott,
See-
le,
schrei-
nach
Gott, nach
et
mei-
ne
10
dir,
mei-
dir,
Gott,
See-
le,
ne
See-
le,
Gott,
nach
dir,
mei-
nach
dir,
Gott,
Gott,
ne
See-
nach
12
nach
dir,
le,
dir,
mei-
ne
Gott
nach
dir
Gott,
nach
dir,
Gott,
nach
dir,
Gott
nach
dir
Gott,
Gott,
nach
dir,
Gott
See-
le,
15
nach
dir,
nach
dir,
nach
dir
Gott
nach
nach
Gott,
Telemann: Wie der Hirsch p. 2
dir.
dir.
nach
dir.
Qui nos creavit
Qui
nos
cre-
a-
vit,
re-
Qui
nos
cre-
a-
di-
mit
et
Adam Gumpelzhaimer
pa-
vit,
re-
sem-
pi-
rit,
di-
mit
il-
et
li
pa-
rit,
gra-
ti-
il-
as
a-
gi- mus
li gra-
ti-
as
a-
ter-
gi- mus
sem-
nas,
A-
pi-
ter-
nas,
12
men,
A-
sem-
pi-
ter-
nas,
A-
men,
sem-
pi-
men,
ter-
nas,
A-
A-
men.
men.
Henry Purcell
10 Catches
The Catch Club or Merry Companions.
A Collection of Favourite Catches for Three and Four Voices

Compos'd by Mr. Henry Purcell, Dr. Blow, and the most Eminent Authors.
The Catch Club or Merry Companions.

A Collection of Favourite Catches for Three and Four Voices
Compos'd by Mr. Henry Purcell, Dr. Blow, and the most Eminent Authors.
Extraits de l' dition Walsh

(1st part 1730)
Tis women makes us love

The nut brown lass
When V and I together meet
Of all the instruments
He that drink is immortal
A health to honest Rudy Roger Hewett
(2nd part 1733)
Room, room, room ( The siege of Limerick )

Sweet Sir Walter
Five reasons we should drink
Let us drink to our wives
Ressources et rfrences:
http://www.shipbrook.com/jeff/bookshelf/index.html
http://ace.acadiau.ca/score/facsm/ctcc/intro.htm
Catch Club II / 12
# 3
& # 4
Sir
#
& #
&
Wal - ter,
&
He that
drinks
For
wine

still
Catch Club II / 16
b
&b C J
If
all
&b
b
b
tain
t'wards the end
sup
how
&b
Dam - sel

J
J
con
is Im
his
#
.
& 43
#
joy - ing
#.
be
Good
plys,
for
can
he be
true
he that
that
wine,
do
He
mat - ter,
is Im
still
sup - plys
Dust,
how
think,
mor
ti - ckl'd
There are
Friend
or
o - ther Rea - son,
or
a - ny

cry'd
swit-ter swat-ter swit-ter swatter swit-ter swat-ter switterswat-terswitter
what
tal,
Age
can
he
be
# j j
Five
Rea -sons, there are
Five
o - ther Rea - son;
can
a - ny
ne'er
Sir
de
Wal - ter,

swat- ter.
cay,
a - way,
Dust
that
Rea -
#
J J J
mois
o - ther Rea - son why,
tens his
sons
we
should Drink:
be

a - ny
by
Rea
Clay.
j
#
Or least, we should
Or
sweet
and
height,
wears
be - ing Dry,
to so great
out,
-1-
pleas'd her
J .
J J
J
and
but in Rap-ture
sweet Sir Wal - ter,
drinks
wine
night,

Or a - ny
http://users.skynet.be/benZene/
tal,
mor -
one
J .
of the
.
J J
sweet Sir Wal - ter, O sweet Sir Wal - ter, O sweet Sir,
Catch Club I / 17
&
that she could not
##
en
and
by,
j
.
son
why.
Purcell - 10 Catches
j r .
j
& b C j .
Here's a health,
Pray
Catch Club I / 32
a health,
J .
J J
&b
There-fore drink
ea - ger - ly,
a - way,
and brave
&
Of
all
all
And
But a-bove all
Catch Club II / 8
3
&4
Room, room, room,
&
Hark!
&
ly,
it
ne - ver
all
J
J
hark!
hark!
a - bout,
it
stand,
But
J
R
per - sue
it,
For
j
j J . R

J J
all
all
all
all all, this still
a - bounds,
. .
J
At length
here it comes;
j
.

to -wer ring, ring it
in
peals,
. J
con-que-ring Ar-my loud Prai-ses, loud

.
J
#
J
J
R
health that
ply
it
J
tis
ne'er
close
health,
shall
cease
ly
round
health,
Till

J
To
j
.
all
our
Wine
From hand
is out.
to
hand.
And
n # J J
ho - nest
Rud - dy
Ro - ger
Hew - ett.
J J j J
J
J
J J
J J
none none none none none none none none none none none
with the Vi -ol can com - pare.
keep with a whetwhet whet whetwhet whet

whetwhet whet whetwhetwhetwhet and a sweep
J J J
J
all
The Guns of the
j j
J
J j r j j j j
j
j
j j
j
J
J J J
RR
all the Ins - tru-ments that are,
how the strings, howthestringstheir or - der
. .
let
With cou- rage thus
room, room for th'ex - press,
pays
j R J J J .
.
mark mark mark
&
the Ins - tru-ments, all
Mark
J .
J
let
r
j J J . j J
Catch Club I / 13
&C

J J
j
J J # J
&b
Prai -ses let's sing,
# #
With a zingle zinglezinglezinglezinglezinglezinglezingle zing,
. j .
Lim - rick's our own,
sweep
sweep,
And a zit
zan
zounds.
. . J . . j .
J
J
Lim -rick's our own,
be it known,
be it known
to all
Grums.
. J
we'll drink round the Bon-fires, we'lldrink round the Bon-fires. Huz
za,
Huz
za to the Bells,
j
.
and now Mon-sieur Frenchman,and nowMonsieurFrench man have at you, have at you next
-2-
To our
Spring.
Catch Club I / 8
3
&b 4
&b
When
and
Yet
&b
But
when
and
to
may
ge
ther
once
. J
. #
J
that
from
6
&4
Tis
&
'tis
&
wo
sad
and
drin
make
up
more
And
then
we
las
poor
gone,
us
sad,
us
drink
king makes
-3-
us
mad.
in
love,
us
ness makes
that makes
men makes
We
Love
'tis
&
am
meet,
Catch Club I / 4
meet
House
can
can
make
make
#
or
but
Street,
4,
but
one.
Catch Club I / 5
3
&b 4
&b
Health,
.
As much
&b
j .
a Health
to
brown Lass
live
But
Oh
li-er Gray they're as
i'll pledge
the
the Nut
. b J b
to the
I'll pledge Sir,
&b
what
ho
with the

good
by
b
j
& b C J b
b
b
&b
Once in our lives,

J J
as
let
day
it be
Sack
let us

J J
drink
and the
good Eyes
to
al - so good Thighs,
let it pays,
has
al - so good Thighs,
drink a - way, drink
good Eyes
mine And
to
#.
JJ
J
She that has
thine,
to
thine and
good Eyes
has
to
.
JJ
J
has
She that has
mine
let it
al - so good Thighs and
way
b .
JR
the Co - lours are
pays
bet - ter
Di - vine.
knack.
j
w
n
J
to our Wives, tho' their num - bers
n
J J J J
De - vil take the rest,
Man
J
J
night
She that has
j j
j
b j
this hear-ty wish, let each
Eyes
b
J J J J
J J
Heav'n take the best,
some wine here some wine
Catch Club II / 46
Ha - zle
.
JJJ JJ
black Eyes, theblack give me as muchagain and
&b
.
JJ
take his dish,
-4-
be
but
J J J j n
J J
and
and
so we
drink,
shall get rid
drink,
of them
till
he
small;
. J
all;
To
fall.
Anima mea
Canon a 3
Michal Praetorius
Arr. Andr Vierendeels
(27/02/96)
Source: Le VIIime Livre des Chansons---Amsterdam---P.Matthys 1644-1650.

Soprano
Alto
&c
&c
? c .
Bass
7
mi-
ra in
Do-
num,
&
?
xil- li-
um,
a-
ni-ma me-
a quid tri-stis
ra in
Do-
Do-
in
in
minum,
Do-
a-
.
JJ
ni-ma me1.
Do-
mi-
j j
um,
i- pse fe- ret au-
j
j
um,
i- pse fe- ret au- xil- li- um,

JJ
j j
1.
in
minum,
pse fe-ret au- xil- li-
minum,
b.
minum,
i-
a quid tri-stis es,
pse fe- ret au- xil- li-

J J
um,
i-
.. 2.
xil- li- um.
1.
jj
i- pse fe- ret au- xil- li um.
& j j

i- pse fe- ret au- xil- li- um,
ni-ma me-
jj
w
ni-ma me-
ra in
i-
pse fe-ret au- xil- li- um,
a-
spe-
? J
J
xil- li- um,
w
JJ
i- pse fe- ret au- xil- li-
18
a-
a-
j
j
num,
a,
spe-ra, spe-ra,
& .
i-
.. .
a,
spe-ra, spe-ra, spe-
&
Do-
ni-ma me-
a,
jj
w
ni-ma me-
spe-ra, spe-ra, spe-
A-
es,
&w
13
j j ..
.
& w
es,
ni-ma me-
a quid tri- stis
A-
.
JJ
A-
j
j .
.. .
2.
.
j .
j .
ni-ma.
a-
.. 2..
me-
Note: original keys: Ut 2nd, Ut 4rth, Fa 4rth
pse fe-ret au-
j
j
ni-ma me
a.
a.
Anima mea
2
23
&
&
26
&
&
29
&
&
Missa brevis KV 65 (1769)
1 - Kyrie
Wolfgang Amadeus Mozart
(1756 - 1791)
Adagio
f
j
& b c .
Tutti
Soprano
Tutti f
& b c . j
Ky - ri - e
Alto
Tenor
Baixo
Ky - ri - e
e - lei - son, e - lei - son, e - lei
3 . #
& b 4 J # R J J
j
& b 43 j . rj
Allegro
Ky - ri-e e - lei - son,
? 3 .
b 4 J RJ J
n w
son, e - lei
# . J J #
J R
j r j j
.
j r j j
.
son.
son.
.

J r j J
3
# . n
& b 4 . # # #
.
# n

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Piano
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& b #
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17
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j j

n #
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22
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lei -
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lei -
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son,
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32
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36
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lei
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#
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son,
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son,
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e
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J
J
J
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n n
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J J
ri - e e - lei
son,
lei
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son,
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n ..
son,
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ri -
ri -
son.
son.
lei
son.
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lei - son,
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son.
Fernando G. Jcome
www.solovoces.com
Viva, viva
Canon a 3 v.i
# 2
& 4 J
Vi - va,
II
# j j
& J J
&
vi - va
j j
la
bot - ti - glia,
j j
J J
bel - la com - pa - gni - a
vi - va,
j j
J J
vi - va
J j
nel gran mon - do non si
Antonio Salieri
(1750 - 1825)
l'a - le - gri- a; nonpi
d.
j
J
ti - glia,
II
&

J J
&
II
III
&
la
bot -
l'a - le - gri - a; non pi
j
J j J
nel gran
j j
J J
nel gran
#
J j
j j
J J J J
mon - do non si
&
l'a - le - gri - a, non pi
vi - va
vi - va
j j j j j j j j j j j
J
# j j
j j
J J J J
ti - glia, vi - va,
La bot -
Vi - va,
&
mon - do non si
17
d.
d.
j
J
Vi - va!
j
J
La bot - ti - glia,
Vi - va,
vi - va
la
bot - ti - glia, vi - va,
Copia: Fernando G. Jcome

www.solovoces.com
l'a - le -
vi - va
l'a - le -
&
#
J
#
J
j j j

Vi - va!
II
&
no,
gri - a,
III
&
non pi
# j j
J
gri - a;
II
III
#
& J
&
&
non pi
vi - va
la
III
II
III
&
&
nel gran
j
J
j j
J
bel - la
com - pa - gni - a
j
J
bel - la
com - pa - gni - a
ti - glia,
vi - va,
bot -
nel gran
nel gran
nel gran
nel gran
vi - va
non
non
mon - do
non
non
si
si
d.
mon - do
non
mon - do
non
si
si
si
si
d.
Vi - va,
l'a - le - gri - a
vi - va
non pi
j j
J J
l'a - le - gri - a; non pi
j
J
J
Vi - va!
no,
no,
j
J
com - pa -
no,
no,
j j
j j
bel - la
com - pa -
La
bot - ti - glia
la
bot - ti - glia,
j j

vi - va
d.
vi - va,
Vi - va!
j
J j J
nel gran mon - do
j j
J J
no,
non
nel gran mon - do
j j j J J
no,
bel - la
non pi
33
j
J
non pi
gri - a,
d.
j j j

d.
gri - a;
Vi - va,
j j
J
d.
Vi - va!
j j j

mon - do
mon - do
l'a - le -
l'a - le -
ti - glia,
mon - do
j j j j j j j j j j j

J
J
#
J
no
j
j j j

# j j j j

gni - a
&
no,
j j
j
j
bot -
nel gran
j
J
no
&
j
J
Vi - va!
gni - a
II
no,
#
& j j J
&
j j
J
25
La
non
si
d.
si
j j j

no nel gran mon - do
non
si
d.
d.
Blessed is he that considereth the poor

Canon four in two
The Bible, Psalm 41, verse 1

q = 60

Treble

the
poor
and
Bles - sed is he that con - si - der eth the poor,
Counter

Tenor

The Lord
shall de - li - ver him, the Lord shall de
Tenor
Bles - sed is
Bass

Slow
Piano
S.
nee-
A.
T.
B.
dy, the
he
ver
that
Lord
con -
si
and
nee
der eth
the
shall
de
the
dy.
in
time

poor
li - ver him, the
poor, the
him
poor

li
the
Pno.
and
Lord shall de -
2
10

S.

A.
T.
B.
Bles
sed
nee
li
dy,
A.
nee
Lord
Pno.
trou - ble
time
and
nee
in
poor
the
is
of
trou - ble,
poor
and
of
trou - ble, the
the
shall de - li
that con - si

in
the
time
time

the

that con - si - der - eth
ver
him
the
poor
of
trou
the

dy,

he
in
sed
that con - si - der - eth
dy,
T.

Bles
B.

him
he
14
the
ver

S.
of

Pno.
is
der - eth
in
the
and

ble, the
3
18

S.
A.
poor.
B.
of
poor,

T.
poor.

B.
li
the
poor
ver
Pno.
him,
li
ver
si
der - eth
the

shall

de
the
in
the
si - der - eth
him
that con
con

the Lord
that
time
he
trou - ble,
1.
S.
is
shall de
22
A.
nee dy,

Lord
Pno.
Bles - sed
time
T.
the
Lord
and
shall
de
is
Bles
sed
of
trou
ble.

2.
poor.
li
poor.
time.
Source: Cantiones, quae ab argumento

sacrae vocantur... (London, 1575)
Contra Tenor primus

[Tenor I]
Tenor primus
[Tenor III]
Bassus primus
[Bass I]
Superius primus
[Alto I]
Superius secundus
[Alto II]
Contra tenor secundus

[Tenor II]
Tenor secundus
[Tenor IV]
Bassus secundus
[Bass II]
5
um
tu

tu
um
tu
tu
Di

Di

Di

Di
cor
um,
De
um,
to - to
li - ges
Do
li - ges
Do
li - ges
li - ges
tu
de
um
o,
tu
to - to
um,
ex
o,
cor - de
De
tu
tu
to - to
cor
tu -
De
o,
ex
ex
um
o,
cor
to - to
um
um,
num
De - um
De - um
tu
tu
mi - num
tu
um
De
tu
mi - num
Do - mi
de
ges
ex
tu
um,
tu
De - um
Do - mi - num
De - um
mi - num
De
Do - mi - num
li - ges
li
de
cor
Do
mi - num
Do - mi - num
li - ges
cor
to - to
ex
to - to
um
um,
Do
Di
li - ges

Di

Di

ex
Di
William Byrd (c.1540-1623)

ed. Edward Tambling
um
um
um
ex
tu
tu

Diliges Dominum
ex
de
tu -
de
tu
ex
to - to
2
9

- o,

de,
et
in
to
to - to
cor
o,
de
tu -
cor
tu
de
de
tu
ex
to - to
cor
ex
cor
to - to
- o,
to - to
o,

o, tu

cor
cor
de
ex
to
ma
tu
de
tu
to
cor
cor - de
tu
ex
a,
et
in
to
et
ni - ma
ta
in
to
et
ta
in
to
tu
- ta
a,
tu
tu
ma,
ni - ma
to
de
et
in
to
tu
tu
et
ta
a,
ta
a,
tu
in
to
ni -
ni - ma
a,
ta
et
o,
o,
a,
ni -
to
et
tu
ta
tu
cor - de
in
ma
ni
ma
et
o,
in
ta
ni - ma
ni
tu
o,
to - to
ni
to - to
de
o,
tu
to
cor
o,
et
in

- o,

to - to
ex
o,
- o,
13
ex
tu -
ni - ma
in
ta
to
3
17
et
in
to
ma

tu
tu
ta

a,
et
in
to
a,
et
te
tu
te
tu
tu
a,
a,
men - te
tu
in
a,
men - te
tu
ta
men
men - te
tu
tu
tu
te
tu
et
in
to
in
to
ta
Di
li
Di
Di
a:
Di
a:
Di
Di
a:
te
tu
te
men
te
te
tu
li
ges
tu -
pro - xi -
pro - xi -
li - ges
li
in
li - ges
men -
men - te
li - ges
li
ta
ges
li
Di
et
a:
a:
a:
tu
men
Di
a:
ta
a:
tu
ta
men - te
et
a,
in
ta
a,
to
et

a,

a,
to
te
in
to
et
men
in
in
men
a,
in
a,
tu
men
a,
a,

tu
tu
tu
te
a,

tu
ni - ma
men
ta
- a,
men
21
ges
ges
pro -
pro -
pro - xi -
ges
pro -
pro -
4
25

pro

mum tu
tu
- um
pro
xi

tu
ges

mum

te
li
xi
psum,
tu
si
pro
xi - mum
psum,
di
um,
tu
di
cut
si
um
si
tu - um
si
ges
um
cut
te
psum,
di
si - cut
psum, pro - xi
te
xi
li - ges
mum
mum
si - cut
um
si
te
i - psum,
pro
di
xi
xi - mum
li
tu
i - psum,
tu - um
si
psum,
tu
xi
te
tu
psum,
pro
li
pro - xi - mum
i - psum,
pro
te
si - cut
te
cut
li - ges
i - psum,
cut
tu - um,
pro
te
li - ges
mum
um
um
tu - um
- mum
pro
te
tu
i - psum,
di
te
te
si - cut
si - cut
um,
mum
xi - mum
29
di
tu
tu - um,
tu
tu - um,
xi - mum

mum
tu - um,
um
xi
xi - mum
xi - mum

mum
um
si - cut
te
cut
te
5
33

cut

ges
mum
te
xi
tu - um
si
pro
i - psum,
cut
te
- um
xi - mum
tu
te
- psum,
cut
te
psum,
cut
te
i - psum,
um
li - ges
pro
xi - mum
tu
um
si - cut
si
te
i - psum,
li - ges
pro
si
ges
te
i - psum,
um
si
te
cut
i - psum,
li
psum,
pro
xi - mum
tu
um,
te
um
xi
si -
tu
pro - xi -
tu
cut
pro - xi - mum
pro
di
te
si - cut
xi - mum
xi - mum
mum
pro
li - ges
i - psum
te
ges
pro - xi -
xi
pro
cut
li
tu
si - cut
psum,
di
cut
li
si
si
i - psum,
pro
tu - um
li - ges
si
di
te
di
pro - xi - mum
si
si - cut
di
psum,
te
te
cut
i - psum,
xi - mum
cut
di
pro

mum tu
tu - um
mum
di
37
li - ges
um
psum,
si
psum,
tu
um,
di
psum,
6
41
- ges

- cut

si - cut
te
i - psum,
tu - um
-mum
- um
pro
te
tu
si

- mum tu

di - li

si
xi - mum
- ges
te
cut
si - cut
te
te
cut
cut
cut
te
psum, te
mum
tu
psum,
um
te
te
psum.
te
psum.
psum.

psum.
psum.
te
i - psum.
si - cut
te
i - psum.
i - psum,
xi
si
si
si
psum,
cut
pro
um
- um
Editorial note
Taken from Cantiones, quae ab argumento sacrae vocantur, quinque et sex partium, autoribus Thoma
Tallisio & Guilielmo Birdo Anglis, Serenissim Maiestati privato Sacello generosis, & Organistis.
(London, 1575), no. 25
Where 'ij' appears to show a repetition of the text, this repetition has been expanded and denoted by
italic text underlay.
The construction of this piece is centred around a retrograde canon in each of the primus voice parts, the
resolution being present (at the unison and in reverse) in the secundus voice parts. Thus, the Superius primus
[Alto I] is mirrored by the Superius secundus [Alto II] and vice versa.
psum.
Ehr sei dem Vater

1.
Ehr
sei
dem
Va-
ter
2.
und
und
Gei-
dem
dem
Soh-
hei-
ste.
ne
li-
gen
Alleluia
&
R = 100
(Canon)
`
2
Al
&

&

&

&
le

Alleluia
R = 100
`
2
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&
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Michael Prtorius
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Rehearsal Only
&

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This digital engraving copyright Cantate Domino.
The edition may be freely copied and used. www.cantatedomino.org

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This digital engraving copyright Cantate Domino.
The edition may be freely copied and used. www.cantatedomino.org
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Agnus dei
Adam Gumpelzhaimer
1.
Ag-
2.
nus
de-
i,
tol-
3.
lis
10
qui
pec-
ca-
ta
mun-
di,
do-
na
no-
bis
pa-
4.
cem,
do-
na
no-
bis
pa-
cem.
Ach, Herr, strafe mich nicht
Ach,
Herr,
stra-
fe
mich
nicht
Ach,
in
dei-
Herr,
stra-
G. Ph. Telemann
fe
nem
Zorn,
in
mich
nicht
in
dei-
nem
Zorn,
dei-
nem
Zorn,
Herr,
und
in
dei-
zch-
nem
ti- ge
Zorn,
mich
nicht
Herr,
in
und
zch-
11
dei-
nem
ti- ge
mich
Grimm,
ach,
Herr,
nicht
in
dei-
stra-
nem
Grimm,
fe
mich
nicht
ach,
Herr,
in
16
dei-
stra-
fe
nem
Zorn,
und
zch-
mich
nicht
in
dei-
ti-
ge
mich
nicht
nem
Zorn,
und
zch-
in
ti-
21
dei-
nem
Grimm,
ge
mich
nicht
in
in
dei-
nem
Grimm,
in
dei-
nem
Grimm.
dei-
nem
Grimm,
in
dei-
nem
Grimm.
Canons
Bonsoir
G
1.
4
4

Bon - soir,
5
3
4 3.
G
2.
P

bon - soir!
3
3

4.
P

Bon - soir,
bon - soir!
London s burning
G

3.
s bur - ning,
Lon - don
Traditional
1.
3
4
P

P

Fire!

Pour on
1.
2.
Tous les ma - tins

6
G2

O
cien
tire

sur la
3.

ga - re
de -vant la

wa - ter.
r
-
4.

les petites lo - cos se mettent en rang.
r (
r (

G2
2.

feu
tous
En - ten - dez - vous

5 3.

dans

le

Ce sont les
P
7
tschschsch.
Traditional
1.
Le meca - ni
tschi, tschi, elles partent en a - vant,
bar - re, hou, hou,
Entendez-vous
G 2S
Melodie populaire

P

pour on
wa - ter,
fetch the

Tous les matins

G2 2
4
en - gines,
fetch the
Fire!

4.
.
Fire!
2.
s bur - ning,
Lon - don
en - gines, Fire!
7

on entend le ros -signol.
La brume monte du sol,
on entend le ros -signol.
La brume monte du sol,
3
P

3

ti
20000804 - andre.van.ryckeghem@pandora.be
sons
qui
chan -tent:

ces bruits mys - te - ri
eux?
4.
7

Com - pa - gnon,
www.gmd.de/Misc/Music/scores

sois
jo - yeux!
Canons - 1
Little Jack
G
Anonyme
1.
4
4

Litt - le Jack Hor - ner
5
4 2.

sat
in

>

( P

ea -ting his Christmas

said:
Yum,
pulled ont

>
what a good boy,
a plunx and
( P
what a good boy,
what a good boy am

he
jum
jum,

pie;
( P )
in his strumb and

a cor - ner,
put
9 3.
4

7

I,
am
I.
Cantate Dominum
1.
G2 4
4

4
Can -

G2
- ta - te
5 3.

Do - mi - ne.
(
Ju - bi - la
(

2.
te
De
(
-
Al
o!

P

Al
Alleluia

Al
10
G
le
lu

ia, al - le - lu - ia,
17 3.
GO

ia,
al - le - lu

O

1

:
al -

- le - lu - ia,
- ia,
4
O
al - le - lu - ia,
( P
2.

Praise God from whom all

( P ) 6.
4
6
him
2 - Canons
ia.
P

- le - lu - ia.

al - le - lu - ia,
Al - le - lu -
al -

al -
- le - lu
Thomas Tallis, (1505-1585)
1.

>

2.
Praise God
G S
7

le - lu - ia.

al - le - lu - ia,

Al - le - lu -
William Boyce, (1710-1778)
1.
GR
4P
Al - le - lu - ia.
Al - le - lu - ia.
le - lu - ia.
4.

a - bove,
ye
( P
3.
( P
4.

bles -sings flow; praise him all crea -tures

( P ) 8.
( P ) 7.
heaven - ly
host; praise
Fa - ther, Son
and
( P
5.
here be - low; praise

( P )
Ho - ly Ghost.
andre.van.ryckeghem@pandora.be - 20000804
Laudate Dominum
1.
G2
2
P

Br. Leontinus
Lau - da - te, lau - da
G

6
da

2.

>

>

lau-da - te
G2 2
2

-
le - lu
G2
P

ia,
lu - ia.
P

minum, lau -
7

>

mi - num.

(
4

?
>

lu - ia,
al

al - le
le
P

al - le - lu - ia, al - le - lu - ia.
Al
le - lu - ia,

>
le
al
3.

?
-
Al

8
Do-minum, lauda - te Do
Al - le - lu - ia, al - le - lu - ia,
5 2.
G2

Exultate jubilate (Mozart)
Alleluia
1.
C
6
Do
P

3.

lau - da - te
te,
te omnes gentes
lu
ia,

le -
al -
P
7
>
- lu
ia.
Surrexit Christus hodie

G
1.
2
2
2.
3.

6

Chris - tus
Sur - re - xit

2.
P

>
om - nis
ter - ra,
Mor - gen - stun - de,

ju - bi - la - te,
sin - get ihm und
la - te
die - ser

Ju - bi - la - te,
Singt dem Her - ren,
4
4 4.
(Amen)
4
4

-
1.3. Kyri -e,

2. Chri - ste,
>
men
7
>
De - o om - nis
ju - bi - lie - ret
5.
ju - bi
ter - ra,
in
al - le - samt
psal - li - te
in
met her - bei
kom

P
7
lae - ti - ti - a.
und
dan - ket ihm!
Herbert Beuerle
1.
P
3.
Kyrie eleison
4
Michael Praetorius (1571-1621)
1.
4
2
ho - di - e, al - le - lu - ia, al - le - lu - ia. A
Jubilate Deo
4
P ( P
O
2.

>
Ky - rie,
Chri - ste,

3.
P

P

4.
Ky -ri - e e - lei - son, Ky -ri - e e - lei - son, e - le

Chri - ste e - lei - son, Chri - ste e - lei - son, e - le

i - son.
i - son.
Canons - 3
Sying du nattergal
Otto Laub (Dansk) - Fritz Jode
1.
2
G2 3
4

2.

(
>

i
b - ge - nes duf - tende sal
Nar
le
u - ber - all,
A - bend - stil 9 3.
2
G2

P
>
(

2.
P
4
3.

laugh,
Sing,

koo - ka - kur - ra laugh,

lach, du Vo - gel - schar,
Quodlibet
G4
4

P

7

life must
gru - nen
be.
Wald
2.

1.
P

merry, merry king of the bush is he,

Amsel, Star und Fink singen: Lenz kommt bald.
4.
gay your
koo - ka - bur - ra,
mach den Fruh
ling wahr im
# Canon
2.
Kooka -bur ra sits on an lod gum tree,

Lu -stig trommeln Buntspechte durch das Wald,
5 3.
P
From Australie - Germ. text: Lieselotte Holzmeister
1.
7
>
je nen suis pas plus heureux.

de-puis que je vous ad - mi - re,
seit ich eu - ren Glanz ge - se -hen, will mir kei - ne Ru - he taugen.
Kookaburra

English, 17th century
Beaux yeux, beaux yeux,

Scho - ne
Au - gen,
G4
4
Syung kun e - ne, du nat - ter - gal.

Sing nur, sing, Frau Nach - ti - gall!
Beaux yeux
1.
>

slàr end en lille sanger sin trille hjt i hal:

singt ihre Weise klagend und leise durch das Tal.
2
G2 2
2
al - ting ti - er og nat - ten er sval,

nur am Bach
die Nach - ti - gall
4.

-

>

>
Mai, der lie - be Mai zieht ein, la - rida, juch - hei,

1. Der
Lied und hellem Sonnenschein,
la - rida, juch - hei!
mit
jung und alt ... sie singen in dem grunen

Wald ...
2. Da singen Voglein
3. Der Mai, der liebe Mai zieht ein ... mit Blumenpracht in Feld und Hain ...
in die grunen
Au ...
4. Sie bluhen
rot und gelb und blau ... sie bluhen
Rossinyol que vas a Franca

1.(S/A).
2
G2 2 2

2
2
G 2
2.(T/B).

Fran-ca, ros - si - nyol,
ma - re, ros - si - nyol, dun
4 - Canons
Ros - si - nyol que vas a

Popular catalana
bel
bo

(ros -
en - co - ma -mam a la

si -
cat - ge ros - si - nyol, dun

nyol)
vol.
Miau
G

5 2.
?
-
?
-

mir
aus

(

wir
1.
2

P

Si - ne
6
3.
P

nul - la vi - ta,
mu - si - ca
hoch auf den Da - chern.

au,
1.

Ro - zen
bloei - en
6 3.
P
G2
3
4
P

reich mir dei - ne Tat - ze!

nul - la
2
4
ro - ze
rood, ik min die

1
kmin haar tot
den
dood.

si - ne mu - si - ca.
2
4
>
P

>
>
Br. Leontinus
lief - ste tot den

vi - ta
2.
4.
Rozen bloeien rozerood

G2 3
Karl Marx
2.
P

Sine musica nulla vita

2
G2 2 4
ich will dich freien,
mi
mi - au,
sin - gen
den Ge - ma - chern,
komm, gelieb - te Kat - ze,
au,
(
Horst du mich schreien mi - au,
Mi
mi - au!
9
4 3.

Mi - au,
folgst du
1.
4
4
aus Frankreich
dood, kmin die
P
3
4
7
lief - ste,
(Tot den
dood.)
dAvondzon is heengegaan
1.
G4
4
3
2.

Strelend komt de

heen - ge - gaan,
stijgt de maan
is
dA - vond - zon
Mid - den ster - ren

Hongaarse canon
a - vondwind,

moe
naar
ter
een
rust
krns

ge - zon
van wol

Slot
7
ken.
ken.
D.C.
wenst hij goe -de nacht.
als een trou -we men-senvriend
Devinette
G2
2
1.
2.
3.
Un gre - nouill, si
4.
5.

6.

7.
8.

on la met en haut, dun saut dun saut se perd au fond de
<
leau.
Canons - 5
La chasse
G
1.
4
42
4
4
14
Sjroum,
2.
Sjroum,
4
4
O

Sjroum, Sjroum, Sjroum,
Sjroum,
Sjroum,

Bo
bo
bo
bo
bo
bo
bo bo bo
3.

bo
bo bo bo bo bo
to
to
to

O
bo
20
4
4
G
P
,
bo
bo
bo.
Bo
bo
bo

to
to
to
to to to

Sjroum, Sjroum, Sjroum,

bo bo
bo
To to
bo.

to
to
to to to
P
to
to
to to
to.
To
to
to
Avondcanon
1.
G2 3
2.

Zing aan het

Nooit mag een
G2
7
>

Be - ne - di

mooi - e dag,
ein - de gaan,
eind van een

dag naar zijn
uit.
fluit.

ca
mus

zing er
zon - der
Do
mi

no!
(einde tweede stem:) Do
mi
no!
John Hilton (1599-1657)
1.
2
2
G 2
2
G2

Come follow me

vreug - de maar
je
lied op
de
een

fol - low,
Come
2.

fol - low,

Wither shall I fol - low,

3.
2
G2

-
To
fol - low,

6 - Canons

-
fol - low,

fol - low thee?
P

fol - low
me!
Anonyme, 17. century
1.
me!
O my love
G 2R
fol - low
the greenwood
to

fol - low,
wither shall I
the greenwood,
to

fol - low,
fol - low, fol - low,
the greenwood,
my love,
2.
P
lovst thou me?
3.

P
4.

-

Then quickly come and save him that dies
P
7
for thee.
Schon
und lieblich
1.
G4
4
7

Schon
und
G

lieb - lich ist

ei - ner Stimme
3.
P

2.
Me - lo - die

und
die

A - ber die Drit - te gibt erst die rechte
scho nert und verbes - sert sie.

1.
2.

Lief - de
met
de
P

doet geen pijn,

lief - de
gen
dra -
(doet geen pijn)
2
G2

lief - de
mag
ge
<
4
doet geen pijn,

-
lo
1.
44
4
2.
naan - je,
Su - ze
44
4
14
(
sluig
ik

die:
(
ned
zijn.

Moar doe bist
(
die.
(
mie
nog
aal
G2
1.
G2
Een

re
do

din

te
klain:

k Mout die moar

-
naan - je
Su - ze
2.
(
7

doe.
Jos. Wuytack
de
gro - ter
Een ezel...
als

-
zoin!

Wast - toe wat
vin - gers
wat deur de

wai - ge
ik

G2 2
uit Friesland
<
Suze naanje
44
4 3
Br. Leontinus
3.

P

Har - mo - nie.
Liefde dragen doet geen pijn

2
G2 4
Zwei - te ver -

si
3.
zel
balk
te

(
la
(
sol
fa
sol

(
no
re
ten
ben legato

(
la,
na,

en
zeem - de
zoet
een
ri
P

i
(
a,
di - del - dom - pom
P

P

(
i
(i-a)
a.
Canons - 7
Christus is opgestanden
1.
G2
2

Herbert Beuerle
(slot 2)
P

Christus is op - ge - stan
2.

Hal - le - lu - ja,
- den,
(slot 1)
P

3.
Hal - le - lu - ja,

Hal -le - lu - ja,

Hij
is

(slot 3)
P
Hij
ver - re - zen,

is
Ad Heerkens
4 (
4 (
(
4 (
4 (
4
(

la la
6

4 (
dans

jong en oud, grijp
ta - ran-tel - la,
ta - ran - tel - la,

11

1.

G R
met ons
la la la la.
P

spin
de

in - tret,
De - us,
>

- nendans!

"
>
>

in di - e

in

Ah

P

la la la la.
>
et nocte
clama -vi
6

6

Do - mine,

4

P
>
(

>
in con - spe - ctu tu - o,
di - e cla - ma - vi et nocte coram te:

>
sa - lu - tis me - ae,

De - us
Dans met ons de
la la

o - ra - ti -o me
25 4.

(
Michael Haydn (1737-1805)
in - tret,
17 3.
4 (
Ah
Do - mine De - us sa - lu -tis me - ae
9
4 2.
je kans!
2.
nu
Domine Deus
Ta - ran-tel - la,
(
6
1.
6
8
ver - re - zen.
Tarantella
4
Hal - le - lu - ja,
G
Do - mine
P

>
Do -mine cla - ma-vi coram te:

3

(

P
>
co -ram te, clama -vi, cla -ma - vi, co -ram te Do -mine.
Arma, arma, armata

G2 2
4
1.
2.
Ar -ma,
8 - Canons

ar - ma,
3.
ar - ma - ta.

Sousoukine

Soso - kana
4.

a - tam

ra.
J7
Ostinato

Nou
Ave Maria
1.
G 2R
A
10
G2

ve
Ma

18
ri
2
3.

sa, Do
<
gra
G2
( P
ti

gra - ti - o
2
mi-nus
te

2.

San - (ctus)

2

( )

cum.
Clemens non Papa (1500- 1558)
1.

Sanctus

G 2R

( )
sa,
4.
( )
G2
( P ) Adam Gumpelzheimer (1559-1625)

2.
4.

<
( P )

( P
(ctus)
San
5.

-
ctus,
San
ctus, San -

>
( P
( P

9

ctus,
3.
ctus.
Gloria

1.
2
2
G 2 S

?
Glori - a,
3.
2
G2 2

?
Glori - a,
2.

in excel -sis De - o,

Et in ter - ra pax
ho - mi

?
Glori - a,
4.
(
ni - bus

?
Glori - a,

bo - nae

al - le - lu -ia!

vo - lun - ta
6
tis.
God is het Woord van het begin

1.
2
G2 2

God
is

2.
het woord van het be - gin;

blaast
het

G2 1
2
G2
Schep -per,
Kom

Geest,
daal
tot
ons
neer,
uw
in
P
7
in.
Luuk van der Vegt
tocht,
Heer,
>
ons
P
2.

de mens nieuw le - ven
Kom Schepper Geest

P1.
Jac. Horde
P

>

>
houd
Kom
Schep
Gij
bij
per,
Geest.
Canons - 9
Soli Deo gloria

G4
4
1.

G

So

li
De
glo
P

-
1.

G2
3.
Eer
God

ge!

Al - le - lu -
- ia,
(a,
ia.
3. (Om te eindigen).

al - le - lu - ia)
(lu
ia, al - le - lu - ia)
Laat de bron
G
2
2
1.
O

-de.
Laat
de
bron
Is
1.

zij
niet
11 3.
Heinz Lau
6
4 2.
G
4
al
van
les,
al - les
hier
op
aar
en
la - ten
normaal

lief -
2.
t diepst
normaal

- de
zijn.

ge - heim.
normaal

3.

de
vol
le
lief - de

geheim.
Geef ook
P

zijn.
t men - sen - le - ven

lief - de, lief - de
10 - Canons
van doen

16 1. (Om te eindigen).
7

al - le - lu
<
aar - de aan de

(al - le - lu - ia)

vre - de op

En

>
ho
lief - heeft.

mensen die Hij
in den
13 1. (Om te eindigen).
G2

aan
7

P. Schollaert
2.
7

a!
Eer aan God

G2 2
4
glo - ri - a!
so - li

glo - ri - a,
ri
so - li
O
ri - a,

P

!

glo - ri -a,

glo - ri - a,
ri - a,
so - li De - o glo - ri -a,

4.
Ostinato
glo
so -li, De -o glo
so - li De -o glo - ria,
De - o, so - li De - o,
I4

De-o, so - li De - o,

so - li De -o glo - ria,
9 3.

glo - ria,
Glo - ria,
5 2.
Paul Kickstat
le
V 7

waar
lief - de waar - de.
Morgencanon
1.
2.
3.

G2
4

?

9
- as, good mor -ning, gu

2. (*).
P
di
P

dag, buenos
Goe - den
7 1. (*).

(jour)

Heinz Lau
(* Fin)
ten Tag, bon - jour.

3. (*).

(jour)
P

(jour)
7
>
Come follow me
1.
2
G2 S

Come
2.
2
G2
fol - low,

Wither shall i
9 3.
2
G2
fol - low,

fol - low,

-
fol - low,

fol - low

me!

-
fol - low,

fol - low thee?
the greenwood
to
P

wither shall i
the greenwood,
to

fol - low,
fol - low, fol - low,
the greenwood,
To
fol - low,

fol - low
P
7
me!
O Jhesu soete brudegom

G
1.
4
4
Jhe - su
Jhe - su
4
heb dijn soe - te
2.
P

O
(O
soe - te
siet my
bru - de - gom, siet

aen.)

diep
beel - de
my van bin - nen
in

3.

6
4
mi - nen her - te

>
aen.
Ic
P

:
>
7

staen.
Frohlich
sein
G2 2
4
1.

2.

Froh
lich sein, gu - tes

3.
P

P

singen, tanzen, mu - sie - zieren, und auch nicht den Mut verlieren.
tun,
Zing voor elkaar

G
4
4
2.
Zing
1.
voor
el - kaar
P

nog een
3.
lie

-
de
kijn:
de
P

win - ter - tijd
P

brengt de kou - de
aan,
stook het
vuur en laat hem
bui - ten
staan.
Canons
- 11
Su, cantemo
Allegro spigliato
1.
G3
4

'

Su, can - te - mo, la, la,
Antonio Caldera (1670-1736)
'

la,
la, la, la,

la,
co - si

la, la, pas -se - rà.
la, la, la,
la, la,

G 2S
G2
P

>

ontspron - gen uit e - ne

4.
8
la, la, la,

lora ne pas -se - rà.
la, la, la,
2. P

(
la,
Melchior Vulpius (?-1615)
is een roos
Er
7 3.

Er is een roos ontsprongen

1.

>

>
lora ne pas - se - rà.
3.
2.
'
wor

tel -
P

gen, t was Jesse
tronk, zoals Pro - fe - ten zon
die
All praise to thee, my God
ze schonk.
1.
G S
2.

keep me,
En - gel
me, oh
dei - ne
(3).

All praise to thee, my

Dank sei dir Gott, der
Thomas Tallis, (1505-1585)
king
hast

God, this night, for

uns den Tag vor

G2
4
7

Laat
nu de
(

?
dom,
ei dat
dom,
is een
1.
G S
Da
12 - Canons
7

en
on - ze
(
heer
lijk,
een
har - ten en

?

?
dom,

?
-
dom,
P
>

heerlijk gau - di - um!
Melchior Franck (1580-1639)
2.

P
Da pacem
4

of the light, keep

man -cher Plag, durch
di-del-di-del dom,

didel - didel dom,
(
?
-

?
flui - ten weer - klin - ken,
zin - gen:
mon - den ook

12
of kings, be - neath thy own al - migh - ty wings.

be - hut
aus
Gnad und va - ter - li - cher Gut.
ve - dels en
Eusebius Mandyczewski (1827-1929)
2.
all the bles -sings

Scha -den, Gfahr und
Laat nu de vedels
1.
(4).
pa -cem
3.

-
Do - mine,
>
4.

da pa -cem

Do - mi - ne in di - e - bus
P

no - stris.
Kyrie eleison
Pierluigi da Palestrina (1520-1594)
1 (A). 2 (S).
GR
Ky - ri - e
IR =

=

le - i -son,

G

Kyri - e

e
le
<
i -son,
ri

7
le
le B.

lie - ber
P

Her -

4
4

1.
P
nun
lass
uns

>
<

fro - lich
4.
>
sein.
(
?

P

ra

-
ot,
ge - sotten und ge -bra - ten, sie mus

sen all herein!
Unknown
le
3.
sja - lom cha - ve -rim, sja - lom

7.

Sja - lom cha - ve -rim,
6.
Die Gans sollst du uns
2.

hit
Sjalom Chaverim
G
2.
- re,
meh - ren und den kuh

len Wein,
i - son.
T.
Heint zu dei - nen Eh - ren und durch den Wil - len dein!
5.

Mar - tin,
Hand written 1400
1.
5 3.
Martin
GS
i - son.
S.
Ky - ri - e

-
A.
Starts

7
Chris - te e - lei - son,

e
4
-4 (T).
i - son,

7
3- (B).le

28

I

Ky
14
hit

tra

-
ot,
sja

-
lom
4.
5.
sja
8.
lom.

sja
Le -
7

lom.
Canons
- 13
Dona nobis
1.
Unknown
G2 3
4

G2 3
4

23
4

pacem,

bis
pacem,

3.(start at 1st repeat of 1.).
4
42
Can
1.
4
42
Al
le - lu

no - vum, can -ta

ia,
al -

A
ta
-
- le
lu
te
can
ti - cum
G

4
4S
4
4
G

o
14 - Canons

da
glo
(
>
>

bis

7

-
P

7

ta - te.
P

men.
>

>
ri - am,

sed
tu

sed

tu -

nomi -ni tu
da

tu -
6
o da

- o
no-mi -ni
sed no-mi -ni
B: P

sed nomi -ni
am,
(
-

can
no - bis,
3.B
glo - ri
ia,
>

no - bis Do - mi - ne, non no - bis,

S: P
4
4
G
(
William Byrd? (1543-1623)
no - bis Do - mine, non

2.A(T 8")
am. Non
Non
bis
no - vum,

a
Non nobis Domine

1.S.
4
4S
G

te can - ticum
2.

men,
(
cem.
Quodlibet: Herman van Tooren

-

no

no
pacem,
do -na

do -na
Do - mi-no can -

4
4
G
4
4
ta - te
pa

no - bis
Cantate Domino - Alleluia
na

pacem,

bis
do
no
no

- na
pacem,
- na
Do -
pa - cem,
G2 3
4

no - bis
Do 3.
Do - na
2.
G2 3
4
(
glo - ri-am.

- o

da
(
glo - ri-
Cantate Domino
G
1.
3
4

Can - ta - te
2.
(
Do - mi -no

can - ti - cum
P

no -
3.

- vum,

P
7
om - nis ter - ra!
Gloria
Taize
1.
2.

G2 6
8

glo - ria,
Glo - ria,
(

3.

in excel - sis De - o!
4.
glo - ria,
Glo - ria,

halleluia,
halleluia!
Minoen koen
4 4 1.
4
G

44
4
44
4

kai
11
3.
Minoen koen ta - ni
2.
pp

>
>

ni - son.
Vai kon kan

loej - nen.
vai kon kan ta

Hai - ma,

Hai - ma,
mf
Minoen koen ta - ni
loej - nen.
ta
loej - nen.

Vai kon kan ta

kai ni - son.
4.

dia - la - la,

dia - la - la,

vai kon kan ta
loej - nen.
4.
5.
Siebzehn Mann
G2 2
G2
G2
2.

Sieb - zehn
6.
11
1.
(
und ein
ho,
11.
ho l - lenfahrts
To
8.

ten Manns
>

mit
13.
Rum.
(
ho,
ho,
ho,
te,
ho,
10.

Schnaps stand
15.
14.

und ein
(

-
Kis
9.
(
Lis - te,

de
Bud - del
12.

auf
Mann
7.
3.

(

auf
16.
stehts
ho,
4
>
Bud -del
mit
der
Rum.
Vrede en alle goeds

G4
4
1.
P

Vre -den al - le

goeds,
2.
vre - de wens ik
P
jou,
3.

vre - de voor al - tijd.
Canons
- 15
Buona sera
1.
G2 3
4

Buo - na
se
ra,

si sen -te lu -sig - nol!
se

Già la luna appare in
ra!
ciel,
3.

buo - na
G2
2.

Già la luna appare in ciel,

si sen -te lu-sig - nol!
Buon giorno, mia cara

1.
G2 2

Buon giorno, mi - a

G2

?
bi - na,

moiti
3.

?
bam - bi -na,
(
?
ca -ra,

?

moiti

?
Buon giorno, mi - a

(

bam - bi - na,
(
?
ca -ra,

?
ca - ra,
Buon giorno, mi - a
ba -ci!
ba - ci!
2.
bam-

moiti
ba - ci!
The cock is crowing

1.
G2 3
2.
cock
is

The

stream
is
cro - wing, the

twit - ter, the

lake
does

glit - ter, the

small
birds

flo - wing, the
4.
G2
3.
green fields sleep

in
the
sun.
Zin zin zin fa violino

1.
G2 2

Zin

zin
zin

fa il
vi
2.

o
drin drin
li - no;
8 3.
G2
drin
fa il

-
(
zum
zum
(
zum
fa il

-
con - tra
bas - so;
(
ta
ta
ta
Goede nacht
1.
4
Uit Engeland
2.
P

3.

P

Goe - de nacht, de dag is heen, de aarde slaapt, in de hemel God oneindig

16 - Canons
chi - tar
4.
ri - no;
G2
2
4.

o - ver ons waakt.
Nacht vangt aan

1.
G4
4

Nacht
vangt
5 3.
2.
P
morgen weer - om
de
is
ge
lacht, goe -
daan,
tot
P

nacht, goe -
- de
4.

dag - taak
On - ze

aan!
>

- de
nacht.
Groot is de wereld
1.
G2 6
8

Groot is
4
2.
de
gaan waar geen

we - gen gaan,

lang duurt de tijd,
we - reld en

G2

klein zijn
maar
o - ver - al
de
voe - ten die
P
7
>
>
heen.
Van t opgaan der zonne

G
1.
4
4R

t op - gaan der
Van

O
P

pre - zen de naam van de
He

4.
O

#
(
O

ne - dergaat, zij ge -

zij ge - pre - zen de naam
re,
3.
zij weer - om
tot - dat
zon - ne
4
4
2.
P

van de
He

re.
O Heer, blijf bij ons

1.

G 2S

2.
P

O

3.
O

O Heer, blijf bij
a -vond is ge - ko - men, be - waar ons in
de
ons,
ge - na
de.
Alles wat adem heeft

2
G2 S
1.
Al - les wat
7
4.
2
G2
Al -

2.
P

a - dem heeft
P
- le - lu - ia,
5.
3.
lo - ve
de
Heer.
A
-

Al - le -

6.
P

- lu - ia,

a
men
Canons
- 17
Avec du vin, endormons-nous

Canon la 4te et la 7e
Jean-Philippe Rameau
(1683-1764)
Avec modration
Soprano
Alto
&C
&C
A - vec du
A.
& ..
B.
? .. b
- dor
11
S.
&
- nous.
A.
B.
&
en - dor - mons - nous, en - dor
mons
mons
#
-
A - vec du
- nous, en - dor
A - vec du
nous,
en
mons
mons
mons
nous.
nous,
en - dor
en
mons
nous,
b b b
dor
mons
nous.
b
en
A - vec du
dor
vin,
Les ditions Outremontaises, 2006
b
-
mons
dor
nous, en
mons
vin, en - dor-mons -
mons
b b
nous, en
nous.
mons
A - vec du
vin, en - dor-mons - nous,
en - dor-mons - nous, en - dor
dor
vin, en - dor-mons - nous, en - dor
A - vec du
vin,
nous, en
nous.
vin, en - dor -mons - nous, en - dor
& .. #
vin,
A - vec du
? C # # #
Baryton
S.
b b
A - vec du
b b
en - dor -mons - nous, en - dor
& b
16
S.
- dor -
A.
mons
b b b b b n b
nous.
& b b
A - vec du
b b
B.
?
-
&
mons
21
S.
A.
& #
- nous.
B.
nous,
S.
A.
&
&
en
dor
A - vec du
mons
- dor - mons
B.
nous,
mons
dor
mons
mons
? # #
nous.
nous, en
nous,
en
mons
en
mons
dor
nous.
dor
A - vec du
vin,
en - dor - mons -
mons
mons
#
-
.
.
2.
..
-
nous, en
Les ditions Outremontaises, 2006
A - vec du
U
w
#
mons
nous.
nous, en
A - vec du
mons
vin, en - dor - mons - nous, en - dor
#
# # # # #
nous.
vin, en - dor -mons - nous, en - dor
nous,
A - vec du
dor - mons
A - vec du
mons
n #
nous.
#
# # #
# # # # # #
n #
en
- nous, en - dor
1.
n #
? # #
26
b b
nous.
nous.
dor - mons
.. #
U
#w
U
w
vin en - dormons - nous.
Ich will den Herren loben
Ich
will den Herrn loben, so
G. Ph. Telemann
lange ich le-
Ich
will
den
Herrn
lo-
ben,
so
lan-
be,
le-
ge
ich
be,
so
lan-
Herrn
lo-
le-
Ich
will
den
ben,
so
lan-
ge
ich
be,
le-
ge
ich
le-
be,
und
be,
mei-
nem
so
Gott
lob-
lan-
le-
sin-
gen,
ge
ich
be,
le-
weil
le-
ich
hie
be,
be,
bin,
und
mei-
so
nem
Gott
mei-
nem
lob-
lan-
10
Gott
lob-
sin-
gen,
ge
sin-
gen,
weil
weil
ich
ich
ich
hie
hie
le-
be,
bin,
und
mei-
nem
mei-
Gott
nem
lob-
12
bin,
weil ich
hie
Gott
lob- sin- gen,
sin-
gen,
bin,
hie
bin,
nem
Gott
ich
hie
weil
bin, mei- nem Gott
weil
ich
ich
hie
lob-
sin-
gen, weil ich
hie
bin,
weil ich
bin,
mei- nem Gott
hie
hie
lob- sin- gen,
15
bin,
mei-
weil
weil
lob-
ich
hie
sin-
gen,
weil
ich
bin,
weil
ich
hie
Telemann: Ich will p. 2
bin.
hie
bin.
bin.

"fuga ex una"
Tenor 1
Tenor 2
10
Be
ne
ve
tus
qui
ve
qui
qui
nit
qui
nit
dic
tus
nit
(c.1460 - c.1513)
ve
ve
ne
qui
13
qui
ve
dic
Be
ve
Antoine Brumel
nit
nit
qui
Copyright 2009. Distributed under the terms of the CPDL License (http://www.cpdl.org).
This edition may be freely distributed, duplicated, performed or recorded.
16
ve
nit
19
nit
22
Do
28
31
qui
ve -
ve -
mi
no
ne
Do -
mi
ve
in
Do
Do - mi
ni
no -
qui
ne

qui
ve
nit
mi
ni
- nit
ve
- nit
qui
nit
in
25
qui
mi
mi
ni
ni
nit
Drei geistliche Chre op. 37
2. Adoramus te
Johannes Brahms (18331897)
Sopran I
f

Sopran II
do

ra
mus
f

A
Alt I
Alt II
Allegro
do
te,
ra

Chri
ste,

mus
te,
f

ra
mus

et
et

ste,
Chri

per sanc

cem tu am

tam
bi,

cru

qui

bi,
re de mi sti
cem tu am

a

per sanc

qui
mun dum,

a
mus

tam

qui

be ne di ci mus ti
f

be ne di ci mus

re
de mi
re de mi sti
tam
ra
a per sanc
bi,

sti
mun dum,

et

cru
ti

f
ste,

13
qui
bi,
be ne di ci mus ti
do

te,

be ne di ci mus ti
f
Chri
te,
f

7
ste,

do
et

Chri
f

cru
per sanc
mun dum,

re
de

cem
tu
tam

cru
am
mi
qui

sti

re de

cem
2009 by CPDL. This edition can be fully distributed, duplicated, performed, and recorded. Edited by Robert Urmann. Engraved by LilyPond.
18

sus
pas
est

pro
no bis,
mun dum,

sti
mi
tu
22
pro

no
bis,
est
de
mi
p
pro
no
bis,
sti
mi
sti
pro
p

no
pro
no
bis,
re
bis, pro
f

pro

pro
cresc.
qui
pas
mi
de
no

sus
est
cresc.

sti
mun dum,

ritard.

pro no

no
bis,

pro
no
bis,

pro

qui
p

bis.
ritard.

cresc.
bis
no
no bis,

no
pro

f

bis,
cresc.

mun dum,
mun dum,
f

no
p

re de

re

am
sus

mun dum,
bis, pro
pas
p
pro

qui

p

bis.

p

p

ritard.

no
bis,

pro
no
bis.
ritard.

pas sus est
27
pro
no
p
Do
ne,
mi
p

Do
mi
p

Do
mi

Do
mi
ne,
ne,
ne,
f

bis,

Do
Do
Do

Do
pro
no
f
p
bis,
mi ne,
mi
f
p
f mi ne,
p

mi
mi ne,
p

f

mi ne,
mi

mi
pro
no
bis.
f
se

se

se

se
re
re
f
re
re
no
bis.

no
bis.
f

re
re
no

re
re
no
bis.
bis.

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Two Cat Catches

2005 by Anders Stenberg under CPDL- lisence

mid- night spit

in Ken- nel, all

Cats when as- sem- bled at

they sur- prise

spit, spit, give a

fret, and we spit,

Music engraving by LilyPond 2.6.1 www.lilypond.org

shi- ney weat-

squall and good

can- ti- cum no-

ti- cum no-

a sanc- to- rum,

in ec- cle- si-

a sanc- to- rum,

qui fe- cit e- um,

qui fe- cit

qui fe- cit

qui fe- cit e- um,

fi- li- ae Si-

on ex- ul- tent in

ul- tent in re- ge

ex- ul- tent in

ul- tent in re- ge

ex- ul- tent in

ul- tent in re- ge

ul- tent in re- ge

ex- ul- tent in

ul- tent in re- ge

o, ex- ul- tent in

ti- cum no-

Michael Haydn (1737 - 1806)

Copia: Fernando G. Jcome

(Canon XXXVI vocum)

Three (More or Less Naughty) Catches

Copyright 2005 by Anders Stenberg (under CPDL lisence)

king a Man- teau

yet all too short, all

all too short, all too

ad- van- ces,

wou d not half sur-

plea- sure, pull d

di- ly streight lac d Sir,

yet all too short,

reach her swin- ging

Copyright 2005 Anders Stenberg. Music engraving by LilyPond 2.6.4 www.lilypond.org

hear him com- plain:

Lear- ning on the Spin- net to

priz d was the

shook not the

Copyright 2005 by Anders Stenberg (under CPDL lisence)

you may Kiss

you may Kiss,

you may Kiss,

you may Kiss,

Copyright 2005 Anders Stenberg. Music engraving by LilyPond 2.6.4 www.lilypond.org

Some ''Musical'' Catches

From ''The Catch Club or Merry Companions ...''

Copyright 2005 by Anders Stenberg (under CPDL lisence)

Mu- sick, Per-

Cat- ches, play tunes and cut

sume will con-