Modernist Studies 2011 12 US

Modernist Studies 2011/2012
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page 10 page 3 page 8
Cover illustration: Ad Parnassum, 1932
(oil and casein paint on canvas), Klee, Paul
(18791940) / Kunstmuseum, Bern, Switzerland /
Alinari / The Bridgeman Art Library International.
Seen in W.B. Yeats, Ezra Pound, and the Poetry
of Paradise, page 4.
Modernist Studies 2011/2012
This catalog includes new Modernist
Studies titles for 2011 and 2012 as well
as key backlist.
Ashgate Publishing
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Contents
Literary and Historical Studies ............................................................................1
Art and Visual Studies ..........................................................................................5
Music Studies ......................................................................................................11
Index and Ordering Information .............................................................................................12
Contacts and Customer Service ..................................................................Inside back cover
Review Copies
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Publishing Proposals
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Literary Studies18th century to present
Ann Donahue, Email: adonahue@ashgate.com
Art and Visual Studies
Margaret Michniewicz, Email: mmichniewicz@ashgate.com
Music Studies
Laura Macy, Email: lmacy@ashgatepublishing.com
Lund Humphries
Part of the Ashgate Publishing Group since 1999, it is a long-established publisher
of illustrated art books, with an illustrious pedigree within the eld of the visual arts.
Proposals for Lund Humphries can be submitted to:
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1 Modernist Studies 2011/2012 | www.ashgate.com
Literary and Historical Studies
A.C. Swinburne
and the Singing Word
New Perspectives on the Mature Work
Edited by Yisrael Levin, University of Victoria
Focusing on Algernon Charles Swinburnes later
writings, this collection makes a case for the seriousness
and signicance of the writers mature work. Among
the key features of the collection is the contextualizing
of Swinburnes work in new contexts such as Victorian
mythography, Victorian literary criticism, continental
aestheticism, positivism and empiricism. Taken together,
the essays offer scholars a richer portrait of Swinburnes
importance as a poet, critic and ction writer.
Includes 5 b&w illustrations
August 2010 202 pages
978-0-7546-6996-8 Hardback $99.95
978-1-4094-0372-2 eBook
www.ashgate.com/isbn/9780754669968
NEW
America in Literature and Film
Modernist Perceptions,
Postmodernist Representations
Ahmed Elbeshlawy
Utilizing Lacans psychoanalytic theory and ieks
philosophical adaption of it, this book brings into
dialogue a series of literary works, lms and critical
theory that are concerned with dening America.
Elbeshlawy demonstrates that texts which particularly
focus on demonstrating how other texts about America
communicate an unreliable message themselves
communicate an unreliable message. Writers and lms
discussed include Adorno, Kafka, Sontag, Said, Hassan,
Dogville and Birth of a Nation.
Contents: Introduction: approaching America. PART I:
MODERNIST PERCEPTIONS: The epical American self and
the psychotic phenomenon; D.H. Lawrences radical
criticism of America; The ction of the castrating power
of America: Kafkas dream; Adornos fascist America.
PART II: POSTMODERNIST REPRESENTATIONS: America: a
stereotype and a beautiful imperialist; America:
the invincible and the surreal; Dogville: Lars Von Triers
desexualized America; Saids America: Americas
Said; Hassans radical identication with America;
Coda: America as an unrealized idea; Works cited;
Filmography; Index.
June 2011 176 pages
978-1-4094-2525-0 Hardback $99.95
978-1-4094-2526-7 eBook
NEW
Amy Lowell, Diva Poet
Melissa Bradshaw, Loyola University Chicago
Bradshaw uses theories of the diva and female celebrity
to account for Lowells extraordinary literary inuence
in the early twentieth century and the dismissal of her
work after her death. Drawing on a rich array of letters,
memoirs, newspapers and periodicals, but eschewing
the biographical interpretations of her poetry that have
often characterized criticism on Lowell; Bradshaw
restores Lowell to her rightful place as a powerful
writer and impresario of modernist verse.
Contents: Introduction: the poet as diva: femininity,
celebrity, poetry; The fat woman in the attic: cultural
memory and the construction of a persona; The
demon saleswoman: selling avant-garde poetics to the
American public; The last of the barons: Americanism
and gender ambivalence in wartime; Nothing to hide:
Lowells love poems and the myth of authenticity; The
erotics of submission: Eleonora Duse in Lowells poetry;
Afterword: whatever happened to Amy Lowell?; Index.
December 2011 c. 190 pages
978-1-4094-1002-7 Hardback c. $99.95
NEW
Anxiety and Evil in the Writings
of Patricia Highsmith
Fiona Peters, Bath Spa University, UK
Drawing extensively on the under-explored Highsmith
Archive, Peters suggests that the usual generic
distinctionscrime ction, mystery, suspense
have been largely unhelpful in elucidating Patricia
Highsmiths novels. Peters adopts a psychoanalytic
approach to show that specic disturbances within
her text have resulted in Highsmiths writing remaining
resistant to explication and to the more sophisticated
interpretative strategies that would seek to position
her within a specic genre.
Contents: Introduction; In the waiting room; In exile; Tom
Ripley: the Sinthome writes back; Bibliography; Index.
June 2011 210 pages
978-1-4094-2334-8 Hardback $99.95
978-1-4094-2335-5 eBook
Detective Fiction in a Postcolonial
and Transnational World
Edited by Nels Pearson, Faireld University
and Marc Singer, Howard University
provides a good deal of enlightening and challenging
material[This book] bring[s] forward many new critics
and unduly overlooked authors...
Clues
2009 224 pages
978-0-7546-6848-0 Hardback $99.95
978-0-7546-9642-1 eBook
Death in American Texts
and Performances
Corpses, Ghosts, and the Reanimated Dead
Edited by Lisa K. Perdigao, Florida Institute
of Technology and Mark Pizzato, University
of North Carolina, Charlotte
How do twentieth-century artists bring forth the
powerful reality of death when it exists in memory
and lived experience as something that happens only
to others? This volume grapples with this paradox,
examining literary texts and performance media that
include Amiri Barakas Dutchman, Thornton Wilders
Our Town, John Edgar Widemans The Cattle Killing,
Toni Morrisons Sula and Song of Solomon, Don
DeLillos White Noise, and HBOs Six Feet Under.
January 2010 228 pages
978-0-7546-6907-4 Hardback $99.95
978-0-7546-9602-5 eBook
NEW
France and the Spanish Civil War
Cultural Representations
of the War Next Door, 19361945
Martin Hurcombe, University of Bristol, UK
Hurcombe analyzes texts from far-right, clearly
pro-Nationalist writers, as well as from left-wing authors
whose allegiance fell unambiguously on the Republican
side, and, in a very interesting nal chapter, from authors
on both sides whose ideas found themselves challenged
by what they observed. As a result, the whole book
provides an illuminating portrait of the various political
factions and tensions that animated France in those
years and beyond.
David Caron, University of Michigan
In this wide-ranging study of French intellectuals who
represented the Spanish Civil War as it was happening
and in its immediate aftermath, Hurcombe explores
the ways in which these individuals addressed national
anxieties and shaped the French political landscape.
Bringing together reports, essays and ction by French
supporters of Francos Nationalists and of the Spanish
Republic, Hurcombe shows the multifaceted ways in
which conict impacted upon French political culture.
Contents: Introduction: importing the Spanish Civil War;
Touring the Spanish labyrinth: the Far Right in Nationalist
Spain; The art of war: the novels of Frondaie and
Maulvault; The birth of international Fascism: from
Brasillach to Drieu la Rochelle; From Republican
solidarity towards the totalitarian Republic: the French
left and the Spanish Republic; Fellow-travelling to Spain:
Malraux, LEspoir and the Civil War; Beyond the Spanish
Republic: journeys end and new departures; Lessons in the
darkness: Bernanoss Les Grands Cimetires sous la lune
and Pollss Toute guerre se fait la nuit; Epilogue: decisions
in the dark: Sartres Le Mur; Bibliography; Index.
June 2011 254 pages
978-1-4094-2082-8 Hardback $99.95
978-1-4094-2083-5 eBook
2 Tel: 800-535-9544 | Fax: 802-864-7626 | Email: orders@ashgate.com | order online at www.ashgate.com and receive a 10% discount
From Modernist Entombment
to Postmodernist Exhumation
Dead Bodies in Twentieth-Century
American Fiction
Lisa K. Perdigao, Florida Institute of Technology
A thoughtful addition to studies of representation
and the body, Perdigaos book sheds new light
on a wide range of American authors who meditate
on death, mourning and language, especially as these
are shadowed by gender and race.
Laura Doyle, University of Massachusetts, Amherst
How ctional representations of dead bodies develop
over the twentieth century is the central concern of
Lisa K. Perdigaos study of American writers. Perdigao
considers works by writers from William Faulkner and
Richard Wright to Toni Morrison and Jeffrey Eugenides,
arguing that the crisis of bodily representation can be
traced from modernist entombment to postmodernist
exhumation, complementary drives that speak to the
tension between the desire to bury the dead and the
need to remember.
June 2010 188 pages
978-0-7546-6717-9 Hardback $99.95
978-1-4094-0430-9 eBook
Hellenism and Loss
in the Work of Virginia Woolf
Theodore Koulouris, University of Sussex, UK
Taking up Virginia Woolfs fascination with Greek
literature and culture, this book explores her
engagement with the nineteenth-century phenomenon
of British Hellenism and her transformation of that
multifaceted socio-cultural and political reality into a
particular textual aesthetic, which Theodore Koulouris
denes as Greekness Woolfs Greekness, Koulouris
argues, enabled her to navigate male and female
appropriations of British Hellenism and was singly
important in providing her with a language of mourning.
December 2010 252 pages
978-1-4094-0445-3 Hardback $114.95
978-1-4094-1966-2 eBook
J.M. Coetzees Austerities
Edited by Graham Bradshaw, University
of Queensland, Australia and Michael Neill,
University of Auckland, New Zealand
the collection makes a ne addition to previous
scholarship on CoetzeeHighly recommended.
Choice
Representing a wide range of critical and theoretical
perspectives, this volume seeks to align the South
African dimension of Coetzees writing with his late
modernist aesthetic. It includes essays exploring the
relationship between Coetzees novels and his work
on linguistics; and, by paying particular attention
to the novelists more recent ctional experiments,
the collection points towards a narrato-political
and linguistic reassessment of the Coetzee canon.
April 2010 282 pages
978-0-7546-6803-9 Hardback $99.95
978-0-7546-9905-7 eBook
NEW
The Late Victorian Gothic
Mental Science, the Uncanny,
and Scenes of Writing
Hilary Grimes
Examining technological advances, genre and late
nineteenth-century mental science, Grimes shows
writers failed attempts to use technology as a way
of translating the supernatural at the n de sicle. She
treats a wide range of authors, including Henry James,
George Du Maurier, Mary Louisa Molesworth, Vernon
Lee and Sarah Grand to show the end of the nineteenth
century produced a Gothicism specic to the period.
Contents: Introduction: (Ghost)writing Henry James:
mental science, spiritualism and uncanny technologies
of writing at the n de sicle; Sensitive to the invisible:
photography and the supernatural in the Holmes
stories, Arthur Conan Doyles spiritualism and Francis
Galtons composite portraits; Identities and powers in
ux: mesmerism, hypnotism and George Du Mauriers
Trilby; Ghostwomen, ghostwriting; Case study: Vernon
Lee, aesthetics and the supernatural; Balancing on
supernatural wires: the gure of the new woman writer
in Sarah Grands The Beth Book and George Pastons
A Writer of Books; Postscript; Bibliography; Index.
September 2011 196 pages
978-1-4094-2720-9 Hardback $99.95
978-1-4094-2721-6 eBook
Marianne Moore and
the Cultures of Modernity
Victoria Bazin, Northumbria University, UK
Victoria Bazin brings an important new perspective
to Moore studies by positioning her dialectically in
relation to pragmatism, Walter Benjamins theories
of consumerism and history, and the contradictions
of modernity for women, demonstrating that Moore
connects poetry to the mundane and habitual while
engaging in nuanced feminist analysis of her peer
poets and philosophers and of newly emerging mass
consumerism. This is a book every student and scholar
of Moore will want to read.
Cristanne Miller, University of Buffalo
Victoria Bazins interpretations of Marianne Moores
poetry draw extensively on archival resources to trace
her inuences and to describe her own distinctive
modernist aesthetic. Bazin argues that it was Moores
feminist adaptation of pragmatism that shaped her
poetry, producing a complex response to the new
expanding consumer culture, one that explores not
only the aesthetic pleasures but also the ethical
consequences of too much.
November 2010 228 pages
978-0-7546-6232-7 Hardback $99.95
978-1-4094-2302-7 eBook
Masculinities in British
Adventure Fiction, 18801915
Joseph A. Kestner, University of Tulsa
One of the strengths of Kestners work is the care
with which he has sought out his authors published
views of their chosen genre...
Modern Language Review
Making use of recent masculinity theories, Joseph
A. Kestner sheds new light on Victorian and Edwardian
adventure ction. Canonical authors such as R.L.
Stevenson, Rudyard Kipling, Joseph Conrad and Olive
Schreiner are examined alongside popular writers like
A.E.W. Mason, W.H. Hudson and John Buchan, providing
an expansive picture of the crisis of masculinity that
pervades adventure texts during the period.
March 2010 222 pages
978-0-7546-6901-2 Hardback $99.95
978-0-7546-9594-3 eBook
Mediterranean Modernisms
The Poetic Metaphysics of Odysseus Elytis
Marinos Pourgouris, University of Cyprus
Mediterranean Modernisms is the rst comparative
study of Odysseus ElytisUndaunted in his pursuit
of a Greek and a European Elytis, Pourgouris provides
a kaleidoscopic look at the place of poetry in the
Mediterranean imaginary.
Gregory Jusdanis, Ohio State University
Engaging with the work of Nobel Prize-winning poet
Odysseus Elytis within the framework of international
modernism, Marinos Pourgouris places the poets work
in the context of other modernist thinkers in Europe,
including Albert Camus, Charles Baudelaire, Gaston
Bachelard, Sigmund Freud and C.G. Jung. Informed
by extensive research in the United States and Europe,
Pourgouris study is one of the most compelling
contributions to the comparative study of Greek
modernism, the Mediterranean, and the work
of Odysseus Elytis.
Contents: Introduction: Odysseus Elytis and the specter
of nationalism; Modernism: from Paris to Athens;
Towards a new Mediterranean culture; The theory
of analogies; Solar metaphysics; Architectural poetics;
Appendix: Odysseus Elytis: life and works; Works
cited; Index.
978-1-4094-1000-3 Hardback $99.95
978-1-4094-2290-7 eBook
Modernist Star Maps
Celebrity, Modernity, Culture
Edited by Aaron Jaffe, University of Louisville
and Jonathan Goldman, New York Institute
of Technology
This book makes an important contribution to the New
Modernist Studies while simultaneously challenging us
to rethink the phantom concept of modernism itself.
Sean Latham, University of Tulsa
Canadian, American and British scholars explore the
mutually determining relationship of modernism and
modern celebrity culture in this innovative collection.
Illuminating case studies of subjects both predictable
(Virginia Woolf and F. Scott Fitzgerald) and surprising
(Elvis and Hitler) are balanced by attention to broader
issues related to modernist aesthetics, such as celebritys
relationship to identity, commodication, print culture,
personality, visual cultures and theatricality.
October 2010 280 pages
978-0-7546-6610-3 Hardback $99.95
NEW
Modernist Short Fiction by Women
The Liminal in Katherine Manseld, Dorothy
Richardson, May Sinclair and Virginia Woolf
Claire Drewery, Shefeld Hallam University, UK
Exploring the short storys relationship to literary
Modernism, Claire Drewery considers works by
Katherine Manseld, Dorothy Richardson, May Sinclair
and Virginia Woolf. Drewery argues that the short
story is preoccupied with transgressing boundaries,
and thus is an ideal genre for examining the Modernist
fascination with the liminal. Drewery shows how
these writers contribute signicantly to the Modernist
aesthetic that interrogates identity, the construction
of the self, and the relationship between the individual
and society.
Contents: Introduction: the liminal aesthetic in the
modernist short story; The journey not the arrival:
pilgrimage as a modernist liminal metaphor; Beyond the
rite of passage: impossible mourning as an aesthetic of
disunity; The death of the other: dying, mortality, and the
textual body; The modernist uncanny tradition: mysticism,
metaphysics and the psychological; The inner life as
liminal discourse; Out of the ordinary: the revelatory
moment as a liminal space; Works cited; Index.
May 2011 158 pages
978-0-7546-6646-2 Hardback $99.95
978-1-4094-2888-6 eBook
The New York School Poets
and the Neo-Avant-Garde
Between Radical Art and Radical Chic
Mark Silverberg, Cape Breton University
offers an engaging analysis of the relationship of
the new avant-garde poets to past avant-garde poets,
especially those in 1920s ParisRecommended.
Choice
In the rst monograph to examine all ve New York
School Poets, Mark Silverberg analyzes the work of
John Ashbery, Barbara Guest, Kenneth Koch, Frank
OHara and James Schuyler in terms of the neo-avant-
garde. Silverberg examines the aesthetic concerns and
ideological assumptions these poets shared with one
another and with artists from the visual and performing
arts. A unique feature is Silverbergs annotated catalog
of collaborative works by the ve poets and other artists.
978-0-7546-6298-3 Hardback $104.95
978-0-7546-9993-4 eBook
FORTHCOMING
Queer Environmentality
Ecology, Evolution, and Sexuality
in American Literature
Robert Azzarello, Southern University, New Orleans
Offering a model for meaningful dialogue between queer
and environmental studies, Robert Azzarellos book traces
a queer-environmental lineage in American Romantic
and post-Romantic literature. Azzarellos study treats
four American authorsHenry David Thoreau, Herman
Melville, Willa Cather and Djuna Barnesall of whom
problematize conventional notions of the matrix between
the human, the natural and the sexual and challenge the
assumption that the subject of American environmental
literature is essentially heterosexual.
April 2012 c. 160 pages
978-1-4094-2664-6 Hardback c. $89.95
978-1-4094-2665-3 eBook
Urban Confrontations in Literature
and Social Science, 18482001
European Contexts, American Evolutions
Edward J. Ahearn, Brown University
Urban Confrontations assembles a rich assortment
of politically committed writers whose work testies
to a signicant overlap between literary representations
of the city and sociological ones.
Times Literary Supplement
Edward J. Ahearn shows that together, works from
literature and the social sciences can illuminate city life
in ways that neither can accomplish separately. Whether
viewing Charles Baudelaire alongside Emile Durkheim
and Georg Simmel or Herman Melvilles Bartleby
the Scrivener as a challenge to James Q. Wilsons
Bureaucracy, Ahearn does justice to the complexity
of his subject matter. Ultimately, Ahearn suggests,
neither literature nor the social sciences can capture
the experience of urban misery.
January 2010 246 pages
978-0-7546-6882-4 Hardback $99.95
978-0-7546-9538-7 eBook
Tel: 800-535-9544 | Fax: 802-864-7626 | Email: orders@ashgate.com | order online at www.ashgate.com and receive a 10% discount 4
Virginia Woolf
The Patterns of Ordinary Experience
Lorraine Sim, University of Western
Sydney, Australia
Placing Virginia Woolfs views in the context of the
philosophical and lay accounts of everyday experience
that dominated the cultural thought of her time, Sim
draws on the major novels and on a number of shorter
and less-discussed texts such as short stories, essays,
memoirs and diaries. Woolf, Sim contends, explores the
potential of everyday experience as a site of personal
meaning, social understanding and ethical value.
978-0-7546-6657-8 Hardback $99.95
978-1-4094-0990-8 eBook
W.B. Yeats, Ezra Pound,
and the Poetry of Paradise
Sean Pryor, University of New South Wales, Australia
Emphasizing the interplay of aesthetic forms and
religious modes, Sean Pryors ambitious study takes up
the endlessly reiterated longing for paradise that features
throughout the works of W.B. Yeats and Ezra Pound.
Throughout his study, Pryor argues that Yeats and Pound
reconceive the quest for paradise as a pursuit for a new
kind of poetry, a journey that Pryor traces by analyzing
unpublished manuscript drafts and newly published
drafts that have received little attention.
Contents: Preface; The old commandment; Embarking
for Cythera; Hollow lands and holy lands; Shut gardens;
Ever turning other worlds; Bibliography; Index.
978-1-4094-0660-0 Hardback $99.95
978-1-4094-2904-3 eBook
SEE ALSO
Gender and Activism in a Little Magazine
page 8
The Yeats Circle, Verbal and Visual Relations
in Ireland, 18801939
page 10
NEW
Wyndham Lewis and
the Cultures of Modernity
Edited by Andrzej Gasiorek, Alice Reeve-Tucker
and Nathan Waddell, all at University
of Birmingham, UK
These dozen essays bring insight and original
scholarship to an examination of the complex duality of
Lewis project and persona in action, both in the familiar
arenas of Vorticism and Blast and in his later engagement
with philosophy, politics, cinema, radio, the youth cult
and the cultural ramications of shell-shock
Peter Brooker, University of Nottingham, UK
Making a strong case for a revaluation of Wyndham
Lewis, this collection argues that signicant aspects
of Lewis writing, painting and thinking have not yet
received the attention they deserve. Lewis contributions
to the production and circulation of modernism and the
links between Lewis writing and painting are explored in
the context of other key gures of the twentieth century.
Contents: Introduction, Andrzej Gasiorek,
Alice Reeve-Tucker and Nathan Waddell. PART I:
FRIENDS AND ENEMIS: Quotation, Alan Munton; Vorticism
denied: Wyndham Lewis and the English Cubists,
Dominika Buchowska; In the enemy camp:
Wyndham Lewis, Naomi Mitchison and Rebecca
West, Michael Hallam; The crisis of the system:
Blasts reception, Jodie Greenwood; John Rodker,
Julius Ratner and Wyndham Lewis: the split-man writes
back, Ian Patterson. PART II: MEDIA AND MASS SOCIETY:
Sound and the cultural politics of time in the avant-
garde: Wyndham Lewiss critique of Bergsonism,
James Mansell; Modern times against western man:
Wyndham Lewis, Charlie Chaplin and cinema,
Scott Klein; The best in the worst of all possible worlds:
corporate patronage in Wyndham Lewiss late work,
Alexander Ruch; Wyndham Lewis, Evelyn Waugh
and inter-war British youth: conict and infantilism,
Alice Reeve-Tucker and Nathan Waddell. PART III:
CULTURE AND MODERNITY: The culture theories of
Wyndham Lewis and T.S, Eliot, Victor Barac;
Wyndham Lewis on art, culture and politics in the
1930s, Andrzej Gasiorek; Wyndham Lewis and the
uses of shellshock: from meat to postmodernism,
Paul Edwards; Bibliography; Index.
978-1-4094-0054-7 Hardback $99.95
978-1-4094-3429-0 eBook
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NEW
Childrens Stories and Child-Time
in the Works of Joseph Cornell
and the Transatlantic Avant-Garde
Analisa Leppanen-Guerra
Ashgate Studies in Surrealism
PRIZE: WINNER OF A COLLEGE ART ASSOCIATION WYETH
FOUNDATION FOR AMERICAN ART PUBLICATION GRANT
Various writers in the past have touched on Joseph
Cornells fascination with childhood, and on play and
toys as subjects in his work, but there has not yet been
a study which deals with the subject head-on. This book
is among the best in the rich literature on Cornell.
David Hopkins, University of Glasgow, UK
Focusing on his evocative and profound references
to children and their stories, Childrens Stories and
Child-Time in the Works of Joseph Cornell and the
Transatlantic Avant-Garde studies the relationship
between the artists work on childhood and his search
for a transgured concept of time. As it changes the
focus from Cornells boxes to his multimedia works,
this study also situates Cornell and his art in the broader
context of the transatlantic avant-garde of the
1930s and 40s.
Contents: Introduction; ABCs: the classroom; The Little
Mermaid: the dancer; The Little Prince: the observatory;
Alice in Wonderland: the wanderer; Through the Looking-
Glass: the chess-game; Beauty and the Beast: the rite
of passage; Sleeping Beauty: the museum; Conclusion;
Postscript: n du rve; Bibliography; Index.
Includes 8 color and 93 b&w illustrations
978-1-4094-0156-8 Hardback $99.95
Maruja Mallo and the
Spanish Avant-Garde
Shirley Mangini, California State University
Ashgate Studies in Surrealism
Shirley Mangini has masterfully woven together the
historical context, the artists personal biography and
analyses of the various phases of her painting into a
gripping narrative. Hers is an authoritative and detailed
account of this astonishing woman, who forged an
artistic career in an era in Spain that was particularly
hostile to women artists and writers.
Roberta Johnson, University of Kansas and UCLA
and author of Gender and Nation
in the Spanish Modernist Novel
The rst book in English on the artist, Maruja Mallo and
the Spanish Avant-Garde examines the life and art of a
woman sidelined by history and her male counterparts.
Out of the misogyny and political conict of interwar
Madrid, Mallo emerges, not as Surrealist muse, but as a
vital gure in the owering of Spains cultural vanguard.
Unprecedented interviews with Mallos family provide
fresh insights into this extraordinary artist.
June 2010 272 pages
978-0-7546-6932-6 Hardback $119.95
NEW
Adrian Heath
Jane Rye
This is a thoroughly enjoyable read and informative
on an artist who is widely recalled but only in scattered
short texts.
Margaret Garlake
This is the rst book on British abstract painter and
constructivist Adrian Heath (19201992), who was
at the hub of Constructed Abstract Art in Britain in the
1950s and was to become the main link between the
St. Ives School and the London based Constructionists
Victor Pasmore, Mary and Kenneth Martin and
Anthony Hill.
978-1-84822-038-6 Hardback $80.00
www.lundhumphries.com/isbn/9781848220386
A Lund Humphries book
Alchemy in Contemporary Art
Urszula Szulakowska, University of Leeds, UK
Urszula Szulakowska has established herself
as an indispensable authority on the artistic as well
as ideological aspects of early modern alchemy. This
time she ventures into the modern period and opens
up hitherto unexplored territories.
Gyrgy E. Sznyi, University of Szeged, Hungary
Alchemy in Contemporary Art analyzes how twentieth-
century artists, beginning with French Surrealists of the
1920s, have appropriated concepts and imagery from
the western alchemical tradition. Examining artistic
production from ca. 1920 to the present, with an
emphasis on artistic on the 1970s to 2000, the author
discusses the work of familiar as well as lesser known
artists to provide a critical, theorized overview of the
alchemical tradition in 20th-century art.
Contents: Introduction; The alchemical legacy; The
French Surrealists and alchemy; The theatre of alchemy:
Artaud, Duchamp, Klein; Alchemy in American art?;
Redemption; Black alchemy: the photographic library;
Gender and abjection; Womens alchemy; Australian art
and the esoteric tradition; Earth magic; Alchemy and art
in the Czech State and Poland; Afterthought: politics
or poetry?; Bibliography; Index.
978-0-7546-6736-0 Hardback $114.95
www.ashgate.com/isbtn/9780754667360
ASHGATE STUDIES IN SURREALISM
Series Editor: Gavin Parkinson, Courtauld Institute of Art, UK
With scholarly interest in Surrealism greater than ever, the Ashgate Studies in Surrealism series serves
as a forum for key areas of Surrealist inquiry as they evolve. The series follows on the recent academic
and popular fascination with Surrealism, resulting in studies that have rethought established areas
of Surrealist activity, including politics, photography and modern physics.
For more information on this series, visit www.ashgate.com/studiesinsurrealism
S
E
R
I
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FORTHCOMING
After Francis Bacon
Synaesthesia and Sex in Paint
Nicholas Chare, University of Melbourne, Australia
Nicholas Chare has written an intellectually engaging
and rich theoretical analysis of the work of Francis
Bacona signicant contribution
John Paul Ricco, University of Toronto and author
of The Logic of the Lure and The Decision Between Us
After Francis Bacon is the rst book to consider how
the uncritical reception of David Sylvesters interviews
has shaped interpretations of Bacons work. Nicholas
Chare moves beyond the interviews limiting effects to
offer new readings of the artists works, primarily based
on themes of sexuality and synaesthesia. Chare also
contributes to contemporary debates about creative
writing in art history; and suggests new avenues
of research in Bacon studies.
Contents: Preface; Introduction; His masters voice;
Auditing the studio; Sexing the canvas; X marks the spot;
Private viewing; Afterimages; Bibliography; Index.
978-1-4094-1170-3 Hardback c. $114.95
Anarchism and the Advent
of Paris Dada
Art and Criticism, 19141924
Theresa Papanikolas, Honolulu Academy of Arts
Theresa Papanikolas book on Paris Dada revises
our understanding of this seminal movement which
in contrast to Berlin and Zurich Dadahas been too
readily dismissed as lacking an ideological focus. The
authors fresh perspective enables her to recongure
the history of the movement in an exciting way that
offers new insight on Paris Dadaist art and writing.
Mark Antliff, author of Avant-Garde Fascism:
The Mobilization of Myth, Art and Culture
in France, 19091939
Anarchism and the Advent of Paris Dada is the rst
book-length study to interrogate the Paris Dadaists
complex and often contested position in the postwar
groundswell of anarchoindividualism. Drawing on
such surviving documentation as correspondence,
criticism, periodicals, pamphlets and manifestoes,
this book argues that, contrary to received wisdom,
Dada was driven by a vision of social change through
radical cultural upheaval.
978-0-7546-6626-4 Hardback $99.95
NEW
Art in Consumer Culture
Mis-Design
Grace McQuilten, University of Melbourne, Australia
Art in Consumer Culture gets to the heart of the
anxious dialogue between contemporary art and design.
McQuiltens rigorous argumentation addresses the
role of bodily desire, irrationality and the disruption
of function in practices of mis-design. Her nuanced
analysis recovers a place for the criticality of art
in the era of late capitalism.
Amanda Boetzkes, author of The Ethics of Earth Art
A call to arms for creative freedom and critical
thought, Art in Consumer Culture: Mis-Design asks
the contemporary art world to be honest about the
pervasive effects of commodication and the difculty
of staging critique. The book examines the collusion
of art and design in the work of Murakami, Zittel,
Kalkin and Acconci, in order to nd avenues of critique
in a commercially driven cultural landscape.
Contents: Introduction; Art, design, mis-design;
Playing Zittel: Andrea Zittels design for living;
Adam Kalkins architectural wonderland; Overcoming
design: Vito Acconci/Acconci Studio; Conclusion;
Bibliography; Index.
July 2011 218 pages
978-1-4094-2240-2 Hardback $119.95
www.ashgate.com/isbn/978t1409422402
NEW
Australian Art and Artists
in London, 19501965
An Antipodean Summer
Simon Pierse, Aberystwyth University, Wales, UK
Subtle and wide-ranging in its account, this study
explores the impact of Australian art in Britain in the
two decades following the end of World War II and
preceding the Swinging Sixties. Publishing for the rst
time previously unavailable archival material, this book
demonstrates how the work of these expatriate artists
constructed a distinct vision of Australian identity
for a foreign market.
Contents: Foreword; Sir Kenneth Clarke: deus ex
machina of Australian art; A miserable climate;
Australian artists in London, c.193050; Australian art
and artists in the new Elizabethan age; Bryan Robertson,
director of the Whitechapel Gallery; Antipodeans,
abstractionists and the quest for an exhibition in
London; Recent Australian Painting at the Whitechapel
gallery; A horse designed by a committee: Australian
PaintingColonialImpressionistContemporary; Flag
of convenience: Australian art and the Commonwealth;
Australian artists in early 1960s London; Australian
painting and Sculpture in Europe Today; Comings
and goings in the mid 1960s; Conclusion; Appendix;
Select bibliography; Index.
Includes 20 color and 60 b&w illustrations and 4 tables
978-1-4094-2054-5 Hardback $134.95
NEW
Barbara Hepworth: The Plasters
The Gift to Wakeeld
Edited by Sophie Bowness
Celebrating the generous gift of Barbara Hepworths
plasters to The Hepworth Wakeeld by the Hepworth
Estate, this groundbreaking publication combines a fully
illustrated catalog of the sculptors surviving prototypes
in plaster, and occasionally aluminum, with a detailed
analysis of her working methods and a comprehensive
history of her work in bronze. In addition, insights into
the building which will be home to the collection are
provided through essays exploring the history of The
Hepworth and, in a contribution by David Chippereld,
the design of the new museum by his architectural
practice. A fascinating account of the sculptors
connections with Wakeeld Art Gallery also features.
978-1-84822-066-9 Hardback $70.00
Designing UNESCO
Art, Architecture and International
Politics at Mid-Century
Christopher E.M. Pearson
In this fascinating, detailed narrative, the Canadian
architectural historian Christopher E.M. Pearson has
turned what might have been a plodding account of a
now obscure building into an enthralling cultural history.
The Art Newspaper
Designing UNESCO represents the rst full-length
monograph on the genesis, construction and reception
of the Paris headquarters of the United Nations
Educational, Scientic and Cultural Organization
(UNESCO). The author shows its history to constitute a
unique nexus of modernist practices in twentieth-century
international politics, art, architecture and criticism. It
is a compelling and original account of one of the most
important buildings of twentieth-century modernism.
978-0-7546-6783-4 Hardback $134.95
Biocentrism and Modernism
Edited by Oliver A.I. Botar, University of Manitoba
and Isabel Wnsche, Jacobs University, Germany
This volume provides a stimulating and much-needed
consideration of a range of concepts drawn from the
biological sciences and their impact upon cultural
theory and production, in ways that signicantly enrich
our understanding of some of the key intellectual
contexts for early twentieth-century art and culture.
Julia Kelly, author of Art, Ethnography
and the Life of Objects
Examining the intersections between art and scientic
approaches to the natural world, Biocentrism and
Modernism reveals another side to Modernisms
development. While historians have usually framed
this movement as being mechanistic and against
nature, the essays in this collection illuminate the role
that nature-centric ideologies played in late-nineteenth
to mid-twentieth-century Modernism. Looking at
philosophy and application, this volume features
case studies of artists such as Duchamp-Villon,
Klee, Kandinsky and Pollock.
Contents: Introduction: biocentrism as a constituent
element of modernism, Oliver A.I. Botar and
Isabel Wnsche; Dening biocentrism, Oliver A.I. Botar;
Rereading bioromanticism, Monika Wucher; The naming
of biomorphism, Jennifer Mundy; On the biology of the
inorganic: crystallography and discourses of latent life
in the art and architectural historiography of the early
20th century, Spyros Papapetros; Traces of organicism
in gardening and urban planning theories in early 20th-
century Germany, David Haney and Elke Sohn; Organic
visions and biological models in Russian avant-garde
art, Isabel Wnsche; Biocentrism and anarchy: Herbert
Reads modernism, Allan Antliff; Organicism among
the Cubists: the case of Raymond Duchamp-Villon,
Mark Antliff; Klees neo-romanticism: the wages
of scientic curiosity, Sara Lynn Henry; Kandinsky
and science: the introduction of biological images
in the Paris period, Vivian Endicott Barnett; Pollocks
dream of a biocentric art: the challenge of his and
Peter Blakes ideal museum, Elizabeth L. Langhorne;
978-1-4094-0050-9 Hardback $119.95
FORTHCOMING
Building Ruskins Italy
Watching Architecture
Stephen Kite, Cardiff University, UK
Stephen Kites study gives us an unprecedented
understanding of the development of Ruskins
observation of, and thinking about, Italian Gothic
architecture in the period leading to the publication
of The Stones of Venice. The book sheds substantial
new light on Ruskins thinking at a key period
in his intellectual development. It is essential
reading for anyone interested in the subject.
Mark Swenarton, University of Liverpool, UK
Based on extensive eld-work, and research into
John Ruskins still little-interpreted archival material,
notebooks and drawings (in the Ruskin Library,
Lancaster University, UK and elsewhere), Stephen
Kite offers an unprecedented account of the evolution
of Ruskins architectural thinking and observation
in the context of Italy where his watching of building
achieved its greatest intensity.
Contents: Introduction; Picturesque down to its door
knockers: a grand Italian tour; Constant watchfulness:
beginning the study or architecture (184145); Watching
Byzantium 184650; Watchful wanderingevolving
a Gothic taxonomy; Cities of bitscolor, ornament
and spoils; Stones of Verona; Bibliography; Index.
978-1-4094-3796-3 Hardback c. $119.95
NEW
Edward Burra
Edited by Simon Martin
Edward Burra (190576) was an English painter who is
best known for his paintings of the seedy underworld
of urban life. Yet, as this fascinating new monograph
on his work reveals, his interests were much broader,
incorporating landscape and still-life paintings, stage
designs and book illustration. Somewhat neglected
by histories of modern art because his singular vision
was often at odd with the mainstream art world, his
work is now due for an appraisal. This important book
represents the rst full-scale monograph on Edward
Burra and reproduces 100 key paintings alongside
drawings and a range of fascinating contextual material.
978-1-84822-090-4 Hardback $70.00
Contemporary Art
and Classical Myth
Edited by Isabelle Loring Wallace,
University of Georgia and Jennie Hirsh,
Maryland Institute College of Art
As this compelling and revelatory volume proposes,
classical mythologys rich territory and enduring
stories of morality and the human condition provide
a provocative lens through which to read and
re-read the works of some of contemporary arts
most celebrated artists.
Irene Hofmann, SITE Santa Fe
Contemporary art is deeply engaged with the subject of
classical myth. Yet within the literature on contemporary
art, little has been said about this provocative
relationship. Composed of fteen original essays,
Contemporary Art and Classical Myth addresses this
scholarly gap, exploring and in large part establishing,
the multifaceted intersection of contemporary art
and classical myth.
Contents: Introduction, Isabelle Loring Wallace and
Jennie Hirsh; Prologue: Faraway, so close; mythic
origins, contemporary art: the case of Kara Walker,
Lisa Saltzman. SECTION I: MYTH AS MEANING: A poetics
of becoming: the mythography of Cy Twombly,
Craig G. Staff; Art is glimpsed, Sharon Hecker;
Narcissus, narcosis, neurosis: the visions of Yayoi
Kusama, Jody B. Cutler; The porous space of Bracha
L. Ettingers Eurydices, Marisa Vigneault; Double take,
or theorizing reection in Felix Gonzalez-Torres,
Jennie Hirsh. SECTION II: MYTH AS MEDIUM: Lichtensteins
Narcissus, Graham Bader; Philomela as metaphor:
sexuality, pornography and seduction in the textile
works of Tracey Emin and Ghada Amer, Giulia Lamoni;
Icarus returned: the falling man and the survival of
antiquity, Sharon Sliwinski; Deep shit: thoughts on
Wim Delvoyes Cloaca project, Isabelle Loring Wallace.
SECTION III: MYTH AS METHOD: A new Parrhasius: Duane
Hansons uncanny realism, Elizabeth Manseld; Over
and over, again and again, Emma Cocker; Video art in
the house of Hades, Sophie-Isabelle Dufour. SECTION IV:
EPILOGUE: The Sphinx unwinds her own sweet self,
Joanna Frueh; Bibliography; Index.
February 2011 410 pages
978-0-7546-6974-6 Hardback $124.95
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NEW
Eileen Gray and the Design
of Sapphic Modernity
Staying In
Jasmine Rault, McMaster University
redresses signicant lacunae in the literature of modern
architecture, modern literature and early twentieth century
studies of gender and sexual culture, while pushing the
literature on Eileen Gray in very fruitful directions.
Tirza True Latimer, California College of the Arts
and author of Women Together/Women Apart:
Portraits of Lesbian Paris
The rst book-length feminist analysis of Eileen Grays
work, Eileen Gray and the Design of Sapphic Modernity
argues that Grays unusual architecture and designas
well as its history of abuse and neglectresulted from
her involvement with sapphic modernism. Grays works
share with paintings by Romaine Brooks, and novels by
Radclyffe Hall and Djuna Barnes, an aesthetic opacity
intended to resist the clarity of lesbian identity.
Contents: Introduction; Decadent perversions and
healthy bodies in modern architecture; Screening
sexuality: Eileen Gray and Romaine Brooks;
Accommodating ambiguity: Eileen Gray and Radclyffe
Hall; Not communicating with Eileen Gray and Djuna
Barnes; Conclusion: staying in; Bibliography; Index.
June 2011 196 pages
978-0-7546-6961-6 Hardback $104.95
Gender and Activism
in a Little Magazine
The Modern Figures of the Masses
Rachel Schreiber, California College of the Arts
Rather than viewing cartoons from the Masses
primarily in terms of critical social stances or aesthetic
choices, Schreiber uses these images to analyze the
complexity of early 20th century viewpoints relating
to labor, parenthood, sexuality, gender roles and
citizenship in American culture.
Helen Langa, American University and author of
Radical Art: Printmaking and the Left in 1930s New York
Interweaving nuanced discussions of politics, visuality
and gender, Gender and Activism in a Little Magazine
uncovers the complex ways that gender gures into the
graphic satire created by artists for the New York-based
socialist journal the Masses, published between 1911 and
1917. This study uses these images to open up new ways
of understanding the complexity of early 20th-century
viewpoints, and returns these often-ignored images to
their rightful place in American modernist scholarship.
Contents: Gee, Mag, think of us bein on a magazine
cover!: introduction; The miner emerges: the gendered
division of labor; $acred motherhood: parenthood in
the age of maternalism; Putting the best foot forward:
sex and the single woman; She will spike wars gun:
suffrage, citizenship, and war; Conclusion;
978-1-4094-0945-8 Hardback $104.95
Malevich
Painting the Absolute
Andri Nakov
readers will nd much of interest in this
examination of Malevichs creativity and its multiple
levels of thoughtThe many illustrations are lavishly
reproducedthe encyclopedic approach presented
in this set of books is especially well suited for research
librariesRecommended.
Choice
Andri Nakovs monumental 4-volume study of Russian
painter Kazimir Malevich (18791935) is founded
on many decades of research in Russia, Western
Europe and the US. The author has uncovered many
previously unknown documents, and sheds a new
light on Malevichs pivotal role in the development
of modern art, offering a radically new interpretation
of a fascinating artist.
What results is the most detailed and comprehensive
analysis of Malevichs complete oeuvre available
in English, and an essential reference companion
to the Malevich catalogue raisonn.
December 2010 1656 pages
978-1-84822-046-1 Hardback $600.00
FORTHCOMING
Modernist Semis
and Terraces in England
Finn Jensen
Ashgate Studies in Architecture
Modernist Semis and Terraces in England is a thoughtful
and sympathetic exploration[and] encourages us
to see that modernism has become a very British way
of building houses
Vesna Goldsworthy, Kingston University, UK
Illustrated with line drawings and photographs of more
than 30 examples from around the country, this book
examines Modernist semi-detached and terraced houses
within the broader context of the Modern Movement
in Europe, as well as the inter-war building boom in
suburban Britain. It shows how these houses speak
of a time of political, social and artistic unrest and
a world where the avant-garde architects sought
to capture the spirit of modern technology in their
designs for the average home owner.
978-0-7546-7969-1 Hardback c. $99.95
Louis H. Sullivan and a 19th-Century
Poetics of Naturalized Architecture
Lauren S. Weingarden, Florida State University
Recommended.
Choice
Include 16 color and 153 b&w illustrations
2009 456 pages
978-0-7546-6308-9 Hardback $124.95
The Nabis and Intimate Modernism
Painting and the Decorative
at the Fin-de-Sicle
Katherine M. Kuenzli, Wesleyan University
an important book that contributes a new analysis
of the relationships between art and design in modern
timesFirst audiences for this excellent book include all
interested in modernism, art history, design history and
French cultural studiesthe potential impact of this book
is signicantly broad: Kuenzli provides a basis for re-
evaluating what we think we know of twentieth-century
arts emergenceHighly Recommended. Upper-division
undergraduates through researchers/faculty.
Choice
An in-depth account of the Nabis practice of the
decorative, this book provides fresh perspective on an
important but underappreciated group of late nineteenth
century French painters. The author reconstructs the
Nabis relationship to Impressionism, mass culture,
literary Symbolism, Art Nouveau, Wagnerianism and
a revolutionary artistic tradition in order to show how
their painterly practice emerges out of the pressing
questions dening modernism around 1900.
978-0-7546-6777-3 Hardback $109.95
Nouveau Ralisme, 1960s France,
and the Neo-avant-garde
Topographies of Chance and Return
Jill Carrick, Carleton University
Carricks book is the rst critical study in English of
the Nouveaux Ralistes group, formed in Paris in 1960.
Much of the writing on the group (in any language)
has been written under the shadow of its founder, Pierre
Restany; Carricks book is important as it is the rst
to be published after his death in 2003, and diverges
considerably from the French critics doctrinaire reading
of their works.
Burlington Magazine
Jill Carricks Nouveau Ralisme, 1960s France, and the
Neo-avant-garde provides the rst in-depth historical
analysis of the New Realism movement and the
critical and theoretical debates it engaged. This text
makes available a new corpus of materialthe rich
historical and theoretical analysis as well as the
fascinating photographic documentation of artists
and worksfrom one of the most signicant French
art movements of the post-World War II period.
July 2010 184 pages
978-0-7546-6141-2 Hardback $104.95
Modernist Studies 2011/2012 | www.ashgate.com 9 For information on submitting a proposal, visit www.ashgate.com/authors | www.ashgate.com
NEW
New Perspectives on
Brcke Expressionism
Bridging History
Edited by Christian Weikop,
University of Edinburgh, UK
an extremely useful contribution
to the literature on the Brcke.
David Ehrenpreis, James Madison University
New Perspectives on Brcke Expressionism: Bridging
History brings together highly-renowned international
art historians in a scholarly work that offers the rst full-
length reassessment in English of the importance of the
Brcke group to German modernism specically and to
international modernism more generally. It challenges,
interrogates and updates existing orthodoxies in the eld
of Brcke studies by deploying new research combined
with innovative interpretative approaches.
Contents: Preface. PART I: CULTURAL AND MATERIAL IDENTITY:
Introduction, Christian Weikop; Brcke, German
expressionism and the issue of modernism,
Rose-Carol Washton Long; Brcke, French art and
German national identity, Timothy O. Benson; Some
re-considerations of Brckes new German style:
shape, components and ramications, Reinhold Heller;
Woodprimitive material for the creation
of German sculpture, Monika Wagner. PART II:
COLLECTIVITY AND SELFHOOD: Introduction, Christian Weikop;
Knstlergruppe Brcke and the public sphere: bridging
the gender divide, Shulamith Behr; Difcult Kirchner
alternative traditions, visual tensions, autodidactism,
Colin Rhodes; Otto Mueller and the Brcke: a creative
dialogue, Tanja Pirsig-Marshall; Max Pechstein: outsider
or trailblazer?, Aya Soika; Intersubjectivity and selfhood
of the Brcke: a Kohutian perspective, Donald Kuspit.
PART III: DEFAMATION AND REHABILITATION: Introduction,
Christian Weikop; Old masters of modern art: Brcke
after 1945, John-Paul Stonard; The art of Brcke
as a political issue, Christian Saehrendt; The British
reception of Brcke and German expressionism,
Christian Weikop; Bibliography; Index.
July 2011 342 pages
978-1-4094-1203-8 Hardback $124.95
FORTHCOMING
Perspectives on Manet
Edited by Therese Dolan, Temple University
Manet remains a compelling and elusive object
of study and interpretation whose works continue
to elicit rich and conicting readings from
contemporary scholars.
Heather McPherson, University
of Alabama, Birmingham
Bringing forth fresh perspectives on Manet's art by
established scholars, this volume places this compelling
and elusive artist's painted oeuvre within a broader
cultural context, and links his artistic preoccupations
with literary and musical currents. Rather than seeking
consensus on his art through one methodology, or
focusing on one crucial work or period, this collection
investigates the range of Manet's art in the context
of his time and considers how his vision has shaped
subsequent interpretations.
Contents: Introduction, Therese Dolan; Manet and
the ethics of realism, Nancy Locke; Spectacle of face:
Manets portrait of Victorine Meurent, Susan Sidlauskas;
Manet and Whistler: Baudelairean Voyage,
Suzanne Singletary; Manet and the Impressionist
moment, Jane Mayo Roos; Zolas Manets,
Robert Lethbridge; Manets heroic corpses and the
politics of their time, James Rubin; Manets synesthetic
portrait: composing Cabaner, Therese Dolan; Yet
another look at the Bar: Manet, Duranty, and the double
view, Marilyn R. Brown; Reconstructing Manet,
Steven Levine; Bibliography; Index.
February 2012 c. 242 pages
978-1-4094-2074-3 Hardback c. $119.95
The Robert and Jane
Meyerhoff Collection
Selected Works
Harry Cooper
provides readers with a new lens through which they
can see and appreciate artColorful plates and concise,
instructive essays make this an enjoyable, light read that
American postwar-era art lovers must check out.
Library Journal
From 1958 to 2004, Robert and Jane Meyerhoff
assembled one of the greatest collections ever to focus
on American painting of the postwar era. Built around
six major guresJasper Johns, Ellsworth Kelly, Roy
Lichtenstein, Brice Marden, Robert Rauschenberg and
Frank Stellathe collection comprises some three
hundred works, almost half of which are included here.
Works by leading abstract expressionists and younger
artists such as Julian Lethbridge and Mel Bochner
also feature.
Includes 165 color illustrations
978-1-84822-050-8 Hardback $55.00
NEW
Reading Photography
A Sourcebook of Critical Text
Edited by Sri-Kartini Leet,
University of Northampton, UK
The relatively new medium of photography has
generated, from its inception, intense debate over
its merits as an art form. (It was not until late in the
twentieth century, for example, that color photography
was accepted in the canon of art historical scholarship).
In Reading Photography, Sri-Kartini Leet brings together
over 100 extracts from writings on different themes
in the medium to explore the art of photography.
978-0-85331-976-4 Hardback $250.00
NEW
The Sculpture of Gertrude Hermes
Jane Hill
The British Sculptors and Sculpture Series
The Sculpture of Gertrude Hermes presents for the rst
time a full analysis of the artists entire sculptural oeuvre.
Along with a comprehensive catalog of Hermes works,
Jane Hill provides a full account of the artists life in
the context of her career as a sculptor. What results is a
picture of a pioneering spirit whose robust and vigorous
treatment created busts and heads, decorative work and
reliefs which display dynamism and unpredictability.
978-0-85331-865-1 Hardback $90.00
NEW
The Sculpture of John Skeaping
Jonathan Blackwood,
University of Dundee, Scotland
The British Sculptors and Sculpture Series
Although his career spanned six decades, John Skeaping
(19011980) is often associated with the work he
completed while he was married to Barbara Hepworth.
However, this period of just six years (1926 to 1932)
ignores the breadth of Skeapings visual output and
fails to reect his true artistic legacy. Long overdue,
The Sculpture of John Skeaping surveys the artists
rich career in the round. Including a full catalog of
Skeapings sculptures plus over 200 reproductions of the
artists works, the book is essential reading for all those
interested in learning more about this unjustly neglected
gure within British sculpture.
June 2011 152 pages
978-0-85331-931-3 Hardback $90.00
SEE ALSO
A.C. Swinburne and the Singing Word
page 1
The New York School Poets
and the Neo-Avant-Garde
page 3
Wyndham Lewis and the Cultures
of Modernity
page 4
NEW
Sculpture and the Museum
Edited by Christopher R. Marshall,
University of Melbourne, Australia
Subject/Object: New Studies in Sculpture
Sculpture and the Museum is the rst in-depth
examination of the varying roles and meanings assigned
to sculpture in museums and galleries during the
modern period, from neo-classical to contemporary
art practice. In particular, the contributors consider the
complex issue of how best to display sculpture across
different periods and according to varying curatorial
philosophies. Sculptors discussed include Canova,
Rodin, Henry Moore, Flaxman and contemporary artists
such as Rebecca Horn, Rachel Whiteread, Mark Dion
and Olafur Eliasson, with a variety of museums
in America, Canada, the UK and Europe presented
as case studies.
Contents: Sculpture and the museum, from starry skies
to tropical haze, Christopher R. Marshall. PART 1: MUSEUMS
AND THE SCULPTORS LEGACY: The Gipsoteca of Possagno:
from artists studio to museum, Johannes Myssok;
The pantheon, the university and the artists bequest:
the Flaxman Gallery at University College London,
Pauline Ann Hoath; Rodin: the construction of an
image, Antoinette Le Normand-Romain; Adopting
Moore and modernity in Toronto: controversy,
reputation and intervention on display, Sarah Stanners.
PART 2: MUSEUM DISPLAY AND CHANGING ATTITUDES TO
THE CRITICAL STATUS OF SCULPTURE IN MUSEUMS: Italian
Renaissance sculpture at the Museum of Fine Arts,
Boston: the early years, Marietta Cambareri; The
elephant in the room: George Grey Barnards Struggle
of the Two Natures of Man at the Metropolitan Museum
of Art, New York, Thayer Tolles; Sculptures as museum
models: Malvina Hoffmans Races of Mankind display
at the Field Museum, Chicago, Marianne Kinkel; Out
of time and place: the recent history and curious double
life of the Sultanganj Buddha, Suzanne MacLeod. PART 3:
DESIGNING DISPLAY SETTINGS AND THE CHALLENGE OF NEW
SCULPTURE: The nest sculpture gallery in the world!: the
rise and falland rise againof the Duveen Sculpture
Galleries at Tate Britain, Christopher R. Marshall; A grey
universe: Tate Moderns Turbine Hall and the Unilever
series, Wouter Davidts; Object to project: artists
interventions in museum collections, Khadija Carroll La;
978-1-4094-0910-6 Hardback $99.95
Anthony Caro
Quest for the New Sculpture
Ian Barker
Its the best book ever written on my development
as a sculptor.
Anthony Caro
Includes 555 duotone illustrations
2004 360 pages
978-0-85331-910-8 Hardback $80.00
NEW
Women Artists in Interwar France
Framing Femininities
Paula J. Birnbaum, University of San Francisco
Ambitious and uniquely thorough in scopea valuable
contribution to the literature on motherhood and artistic
production by women.
Anna Novakov, St. Marys College of California
Incorporating recent theories of feminism and diaspora,
Women Artists in Interwar France returns the Socit des
Femmes Artists Modernes, known as FAM, to its proper
place in the history of modern art. Paula Birnbaums study
explores how FAM artists including Suzanne Valadon,
Marie Laurencin and Tamara de Lempicka, approached
the self-portrait, motherhood and the female nude,
as well as their response to marginalization and the
reactionary politics of 1930s France.
Contents: Preface; Framing femininities; FAM: modern
women artists; Modern madonnas; Masquerade; Self-
effacement; Negotiating the nude; Painting the perverse;
Conclusion: what became of the FAM?; Appendix;
May 2011 358 pages
978-0-7546-6978-4 Hardback $124.95
NEW
The Yeats Circle, Verbal and Visual
Relations in Ireland, 18801939
Karen E. Brown, University of Dundee, UK
Focusing on W.B. Yeats ideal of mutual support between
the arts and on the cultural production of the Yeats circle
members, Karen Brown explores the artistic relationships
and outcome of Yeats vision in ve case studies. In so
doing, the author makes use of primary materials and
fresh archival evidence, and delves into a variety of
media, including embroidery, print, illustration, theatre,
costume design, poetry and painting.
Contents: Introduction; W.B. Yeats and the Fraternit des
Arts tradition; The Dun Emer and Cuala industries during
the Irish cultural revival; W.B. Yeats, Norah McGuinness
and Irish modernism; The pictorialist poetics of Thomas
MacGreevy; Word and image relations in the later
career of Jack Yeats; Bibliography; Index.
978-0-7546-6644-8 Hardback $104.95
Anthony Caro: Drawing in Space
Mary Reid
2009 152 pages
978-1-84822-030-0 Hardback $60.00
Anthony Caro: Figurative
and Narrative Sculpture
Julius Bryant
Like the other books in the series, Bryants account is
refreshingly direct, jargon-free, stylish and engaging.
Times Literary Supplement
2009 128 pages
978-1-84822-032-4 Hardback $60.00
Anthony Caro: Interior and Exterior
Karen Wilkin
2009 152 pages
978-1-84822-031-7 Hardback $60.00
Anthony Caro: Small Sculptures
H.F. Westley Smith
978-1-84822-051-5 Hardback $60.00
Anthony Caro: Presence
Paul Moorhouse
Paul Moorhouse believes that an encounter with a
Caro sculpture is akin to encountering a living presence,
and this book is an imaginative exploration of the
octogenarians career in those terms.
Apollo
978-1-84822-053-9 Hardback $60.00
Anthony Caro 5-volume Boxed Set
The Denitive Series on the Sculpture
of Anthony Caro
Edited by Karen Wilkin
the volumes constitute a thorough overview of the
artists career and development, offering valuable and
fresh insights into his achievement as a modernist artist.
Choice
This is a boxed set of Anthony Caro: Drawing in Space,
Anthony Caro: Interior and Exterior, Anthony Caro:
Figurative and Narrative Sculpture, Anthony Caro: Small
Sculptures and Anthony Caro: Presence. The box has
been specially designed by Anthony Caro.
978-1-84822-057-7 Hardback $240.00
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British Music and Modernism,
18951960
Edited by Matthew Riley,
University of Birmingham, UK
Imaginative analytical and critical work on British music
of the early twentieth century has been hindered by
perceptions of the repertory as insular in its references
and backward in its style and syntax, escaping the
modernity that surrounded its composers. Recent
research has begun to break down these perceptions
and has found intriguing links between British music
and modernism. This book brings together contributions
from scholars working in analysis, hermeneutics,
reception history, critical theory and the history of ideas.
Includes 19 b&w illustrations and 44 music examples
June 2010 346 pages
978-0-7546-6585-4 Hardback $124.95
British Rock Modernism, 19671977
The Story of Music Hall in Rock
Barry J. Faulk, Florida State University
Ashgate Popular and Folk Music Series
British Rock Modernism, 19671977 explains how
the denitive British rock performers of this epoch
aimed, not at the youthful rebellion for which they
are legendary, but at a highly self-conscious project
of commenting on the business in which they were
engaged. They did so by ironically appropriating the
traditional forms of Victorian music hall and the result
was a symbolically charged form whose main purpose
was to unsettle the hierarchy that set traditional popular
culture above the new medium.
978-1-4094-1190-1 Hardback $99.95
978-1-4094-1945-7 eBook
NEW
Ligetis Laments: Nostalgia,
Exoticism, and the Absolute
Amy Bauer, University of California, Irvine
Ligetis Laments provides a critical analysis of the
composers works, considering both the compositions
themselves and the larger cultural implications of their
reception. Bauer both synthesizes and challenges
the prevailing narratives surrounding the composers
long career and uses the theme of lament to inform
a discussion of specic musical topics, including
descending melodic motives, passacaglia and the
inuence of folk music.
Contents: Preface; The cosmopolitan exception; Ligetis
Ur Laments; Lament and the universal exception;
The transparent tangle of history; The singular exotic;
Lament and the absolute; Lament as genre; Selected
bibliography; Index.
November 2011 c. 268 pages
978-1-4094-0041-7 Hardback $99.95
Harrison Birtwistle:
The Mask of Orpheus
Jonathan Cross, Christ Church, Oxford, UK
Landmarks in Music Since 1950
With Jonathan Cross, author of numerous important
texts on Birtwistle, [The Mask of Orpheus] has found
a most persuasive advocate.
Music and Letters
2009 196 pages
978-0-7546-5383-7 Hardback $69.95
The Modernist Legacy:
Essays on New Music
Edited by Bjrn Heile, University of Sussex, UK
This collection present[s] ways in which we might
(and must) reconsider modernism, enlarging our
understanding of its breadth, depth and reach and
projecting a happier future for its reception. It does
this through the sharpness of its arguments for the
expressive, technical and social achievements of
musical modernismthis is a collection of top-drawer
contributions, intelligently compiled and thoroughly
polished for publication.
Tempo
Includes 13 gures, 11 tables and 26 music examples
2009 276 pages
978-0-7546-6260-0 Hardback $114.95
FORTHCOMING
The Music of David Lumsdaine
Kelly Ground to Cambewarra
Michael Hooper, Royal Academy of Music, UK
Australian by birth but a long-time resident of Great
Britain, David Lumsdaine (b.1931) is central to both
Australian and British modernism. By analyzing a series
of Lumsdaines compositions, focusing on works written
between 1966 and 1980, Hooper places Lumsdaines
music in the context of Australian and British avant-
gardes, and reveals its elegance, lyricism and
technical virtuosity.
Contents: Introduction; David Lumsdaines Kelly
Ground; I would love to know how it all goes together
or free as a bird: improvisatory ights, indeterminacy
and two works by avid Lumsdaine; Labyrinths and
journeys; Hagoromothe melody of a bell / the
harmony of a ute; David Lumsdaine, modernism
and Bach: Ruhe sanfte, sanfte ruh and Mandala 3;
Recongurations in the fracture of Lumsdaines
Cambewarra: re-experiencing a territory; Postscript;
Bibliography; Discography; Index.
Includes 79 tables, 39 examples and 42 gures
March 2012 c. 261 pages
978-1-4094-2876-3 Hardback c. $114.95
978-1-4094-2877-0 eBook
Music and the Modern Condition:
Investigating the Boundaries
Ljubica Ilic
I cannot overemphasize the originality and brilliance
of Ljubica Ilics project. Seventeenth-century music
continues to be viewed as an awkward transition
between the Renaissance and the Enlightenment, and
her insights shed light not only on music history but
on European culture in general: the problems of artistic
autonomy, of representation, of subjectivity, of the
ethical responsibility of art, of theology. I was
continually astonished by the insights she brings
forward throughout the book.
Susan McClary, University of California, Los Angeles
Two crucial moments in the formation and
disintegration of musical modernity and the musical
canon occurred at the turn of the seventeenth and the
rst half of the twentieth century. Ljubica Ilic provides
a fresh and close look at these moments, exploring
the ways musical compositions shift to and away from
ideological structures identied with modernity. The
focus is on European art music whose grand narrative,
dened by tonality and teleological development,
begins in the seventeenth century and ends with
twentieth-century modernisms. Seeing musical
storytelling as a metaphoric representation of selfhood,
and modernity as a historical continuum, Ilic examines
the boundaries and relationships between the musical
work, the subject and modern European history.
978-1-4094-0761-4 Hardback $99.95
978-1-4094-1824-5 eBook
FORTHCOMING
Roger Smalley: A Case Study of
Late Twentieth-Century Composition
Christopher Mark, University of Surrey, UK
Writing the history of musical composition in the
late twentieth century might be seen as problematic.
A productive way forward is to pursue case studies
involving single composers whose music reects several
aspects of recent activity. The music of the composer
Roger Smalley is ideal material for such a study, because
of his involvement with an unusually large number
of the myriad concerns and practices of post-1950s
composition. Employing an interview with the composer
as a kind of cantus rmus, the book incorporates critical
commentary on the composers major works in a
chronological narrative that engages with broad issues
of central relevance to Smalleys generation.
Contents: Preface; Culminating moments: an interview
with Roger Smalley; A child of Serialism (19615);
Changing orientations (196574); In a new land
(197488); Back to the future II (198899); Epilogue;
Bibliography; Appendices; Index.
Includes 15 b&w illustrations, 23 gures and 94 music examples
March 2012 c. 283 pages
978-1-4094-2411-6 Hardback c. $114.95
Music Studies
Index
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A
A.C. Swinburne and the Singing Word ..................................... 1
Adrian Heath.............................................................................. 5
After Francis Bacon .................................................................... 6
Ahearn, Edward J. .................................................................... 3
Alchemy in Contemporary Art .................................................. 5
America in Literature and Film .................................................. 1
Amy Lowell, Diva Poet ............................................................... 1
Anarchism and the Advent of Paris Dada ................................ 6
Anthony Caro 5-volume Boxed Set ......................................... 10
Anthony Caro: Drawing in Space ............................................ 10
Anthony Caro: Figurative and Narrative Sculpture ................. 10
Anthony Caro: Interior and Exterior ........................................ 10
Anthony Caro: Presence .......................................................... 10
Anthony Caro: Small Sculptures ............................................ 10
Anxiety and Evil in the Writings of Patricia Highsmith ............ 1
Art in Consumer Culture ........................................................... 6
Australian Art and Artists in London, 19501965 .................... 6
Azzarello, Robert ....................................................................... 3
B
Barbara Hepworth: The Plasters ............................................... 6
Barker, Ian ............................................................................... 10
Bauer, Amy .............................................................................. 11
Bazin, Victoria ........................................................................... 2
Biocentrism and Modernism .................................................... 7
Birnbaum, Paula J. ................................................................. 10
Botar, Oliver A.I. ........................................................................ 7
Bowness, Sophie ...................................................................... 6
Bradshaw, Graham ................................................................... 2
Bradshaw, Melissa ................................................................... 1
British Music and Modernism, 18951960 ............................ 11
British Rock Modernism, 19671977 ...................................... 11
Brown, Karen E. ...................................................................... 10
Bryant, Julius .......................................................................... 10
Building Ruskins Italy ............................................................... 7
C
Carrick, Jill................................................................................. 8
Chare, Nicholas ........................................................................ 6
Childrens Stories and Child-Time in the Works
of Joseph Cornell and the Transatlantic Avant-Garde ........ 5
Contemporary Art and Classical Myth ..................................... 7
Cooper, Harry ............................................................................ 9
Cross, Jonathan ...................................................................... 11
D
Death in American Texts and Performances ............................ 1
Designing UNESCO .................................................................. 6
Detective Fiction in a Postcolonial and Transnational World.... 1
Dolan, Therese .......................................................................... 9
Drewery, Claire .......................................................................... 3
E
Edward Burra ............................................................................. 7
Eileen Gray and the Design of Sapphic Modernity................... 8
Elbeshlawy, Ahmed .................................................................. 1
F
Faulk, Barry J. ......................................................................... 11
France and the Spanish Civil War .............................................. 1
From Modernist Entombment
to Postmodernist Exhumation ............................................ 2
G
Gender and Activism in a Little Magazine................................ 8
Goldman, Jonathan .................................................................. 3
Grimes, Hilary ........................................................................... 2
Gasiorek, Andrzej ...................................................................... 4
H
Harrison Birtwistle: The Mask of Orpheus ............................ 11
Heile, Bjrn ............................................................................. 11
Hellenism and Loss in the Work of Virginia Woolf .................... 2
Hill, Jane .................................................................................... 9
Hirsh, Jennie ............................................................................. 7
Hooper, Michael ...................................................................... 11
Hurcombe, Martin .................................................................... 1
I
Ilic, Ljubica .............................................................................. 11
J
Jaffe, Aaron ............................................................................... 3
Jensen, Finn .............................................................................. 8
J.M. Coetzees Austerities ......................................................... 2
K
Kestner, Joseph A. .................................................................... 2
Kite, Stephen............................................................................. 7
Koulouris, Theodore ................................................................. 2
Kuenzli, Katherine M. ............................................................... 8
L
Late Victorian Gothic, The .......................................................... 2
Leet, Sri-Kartini ......................................................................... 9
Leppanen-Guerra, Analisa ....................................................... 5
Levin, Yisrael .............................................................................. 1
Ligetis Laments: Nostalgia, Exoticism, and the Absolute.... 11
Louis H. Sullivan and a 19th-Century Poetics
of Naturalized Architecture ................................................. 8
M
Malevich ..................................................................................... 8
Mangini, Shirley ........................................................................ 5
Marianne Moore and the Cultures of Modernity ..................... 2
Mark, Christopher ................................................................... 11
Marshall, Christopher R. ........................................................ 10
Martin, Simon ........................................................................... 7
Maruja Mallo and the Spanish Avant-Garde ............................ 5
Masculinities in British Adventure Fiction, 18801915 ........... 2
McQuilten, Grace ...................................................................... 6
Mediterranean Modernisms ..................................................... 3
Modernist Legacy: Essays on New Music, The ..................... 11
Modernist Semis and Terraces in England ............................... 8
Modernist Short Fiction by Women ........................................... 3
Modernist Star Maps ................................................................. 3
Moorhouse, Paul ..................................................................... 10
Music and the Modern Condition:
Investigating the Boundaries ............................................ 11
Music of David Lumsdaine, The ............................................. 11
N
Nabis and Intimate Modernism, The ....................................... 8
Nakov, Andri ............................................................................ 8
Neill, Michael ............................................................................ 2
New Perspectives on Brcke Expressionism ........................... 9
New York School Poets and the Neo-Avant-Garde, The ........... 3
Nouveau Ralisme, 1960s France, and the Neo-avant-garde .. 8
P
Papanikolas, Theresa................................................................ 6
Pearson, Christopher E.M. ....................................................... 6
Pearson, Nels ............................................................................ 1
Perdigao, Lisa K. ................................................................... 1, 2
Perspectives on Manet .............................................................. 9
Peters, Fiona ............................................................................. 1
Pizzato, Mark ............................................................................. 1
Pourgouris, Marinos ................................................................. 3
Pryor, Sean ................................................................................ 4
Q
Queer Environmentality ............................................................ 3
R
Rault, Jasmine .......................................................................... 8
Reading Photography ................................................................ 9
Reeve-Tucker, Alice ................................................................... 4
Reid, Mary ............................................................................... 10
Riley, Matthew ......................................................................... 11
Robert and Jane Meyerhoff Collection, The .............................. 9
Roger Smalley: A Case Study of Late
Twentieth-Century Composition ....................................... 11
Rye, Jane ................................................................................... 5
S
Schreiber, Rachel...................................................................... 8
Sculpture and the Museum .................................................... 10
Sculpture of Gertrude Hermes, The .......................................... 9
Sculpture of John Skeaping, The .............................................. 9
Silverberg, Mark ........................................................................ 3
Sim, Lorraine ............................................................................. 4
Singer, Marc .............................................................................. 1
Smith, H.F. Westley ................................................................. 10
Szulakowska, Urszula ............................................................... 5
U
Urban Confrontations in Literature
and Social Science, 18482001 ........................................... 3
V
Virginia Woolf .............................................................................. 4
W
Waddell, Nathan ....................................................................... 4
Wallace, Isabelle Loring ........................................................... 7
W.B. Yeats, Ezra Pound, and the Poetry of Paradise ................. 4
Weikop, Christian...................................................................... 9
Weingarden, Lauren S. ............................................................. 8
Wilkin, Karen ........................................................................... 10
Women Artists in Interwar France........................................... 10
Wnsche, Isabel ....................................................................... 7
Wyndham Lewis and the Cultures of Modernity ...................... 4
Y
Yeats Circle, Verbal and Visual Relations in Ireland,
18801939, The .................................................................. 10
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