Professional Documents
Culture Documents
JenniferIverson
UniversityofIowa
jenniferiverson@uiowa.edu
AMS2011
SanFrancisco,CA
Friday,3:30p.m.
Figure1:Networkofactorsaroundstatisticalform
Jeux
analysis
MeyerEppler
Electronicstudio
(1954)
experiencesand
limitations
Cagesuseofaleatoryand
indeterminacy
Stockhausenselectronicwork
STATISTICAL
Gesang(1956)
FORM
Boulezsmultiplication
StockhausensGruppen
Boulez/Stockhausen
Lemarteau(195355)
(195557)
correspondence
Tombeau(195960)
(195354)
Example2:Boulez,pitchclasssetmultiplicationforLeMarteauandTombeau
RowAlphaandtworowsofitsmultipliedobjects
(SketchtranscribedfromPaulSacherFoundation,Boulezcollection;myannotations)
Row:
2
4
2
1
3
RowAlpha:
:
a
c
d
e
multipliedrows:
AN: ba bb
bc
bd
be AllT5
: ca cb
cc
cd
ce AllT7
Workscited:
Borio,GianmarioandHermannDanuser.ImZenitderModerne. VolumeII.FreiburgimBreisgau:Rombach,1997.
Boulez,Pierre.Alea[1957],StocktakingsfromanApprenticeship.Ed.Thvenin,trans.Walsh.Oxford:Clarendon,1991.
_____.BoulezonMusicToday.Trans.BradshawandBennett.Cambridge,MA:HarvardUniversityPress,1971.
_____.Lemarteausansmatre.Facsimilieedition,ed.Decroupet.PublicationsofthePaulSacherFoundation.Mainz:
Schott,2005.
_____.Tombeau.Facsimilieedition,ed.Piencikowski.PublicationsofthePaulSacherFoundation.Vienna:UE,2010.
Fox,Christopher.MusicAfterZeroHour,ContemporaryMusicReview26/1(Feb.2007):524.
Heinemann,Stephen.PitchClassSetMultiplicationinTheoryandPractice,MusicTheorySpectrum20/1(Spring1998):
7296.
Iddon,Martin.DarmstadtSchools:DarmstadtasPluralPhenomenon,Tempo65(2011):28.
Koblyakov,Lev.PierreBoulez:AWorldofHarmony.Chur:HarwoodAcademicPublishers,1990.
Koenig,GottfriedMichael.StudioTechnique,trans.uncredited.DieReihe1([1955]1958):5254.
Latour,Bruno.ReassemblingtheSocial:AnIntroductiontoActorNetworkTheory.NewYork:OxfordUniversityPress,
2005.
Losada,Catherine.IsographyandStructureintheMusicofBoulez,JournalofMathematicsandMusic,2/3(November
2008):135155.
MeyerEppler,Werner.Statisticandpsychologicproblemsofsound,trans.uncr.DieReihe1([1955]1958):5561.
_____.Themathematicacousticalfundamentalsofelectricalsoundcomposition,trans.H.A.G.NathanofNational
ResearchCouncilofCanada.TechnischeHausmitteilungendesNordwestdeutschenRundfunks6/8(1954):132.
Misch,Imke.OntheSerialShapingofStockhausensGruppenfrdreiorchester.Trans.HentschelandKohl.Perspectives
ofNewMusic36/1(Winter1998):143187.
Peyser,Joan.Boulez.NewYork:Schirmer,1976.
Piekut,Benjamin.ExperimentalismOtherwise.Berkeley:UniversityofCaliforniaPress,2011.
Shultis,Christopher.CageandEurope,CambridgeCompaniontoCage.Ed.DavidNicholls.Cambridge:Cambridge
UniversityPress,2002:2040.
Stockhausen,Karlheinz.VonWebernzuDebussy:BermerkungenzurstatistischenForm[1954],Textevol.I.Cologne:
DuMontSchauberg,1963,7585.
_____.howtimepassestrans.CorneliusCardew.DieReihe3(1957[1959]):1040.
_____.ConversationswiththeComposer,ed.JonathanCott.NewYork:SimonandSchuster,1973.
Trochim,WilliamM.DescriptiveStatistics,TheResearchMethodsKnowledgeBase,2nded.
http://www.socialresearchmethods.net/kb/statdesc.php(accessed08/10/2011).
Recordings:
Lemarteausansmatre.PerformedbyDasNeueEnsembleandaltoLuisaCastellani,CordAria,2001.
Pliselonpli.PerformedbyEnsembleIntercontemporainandsopranoChristineSchfer,DGImports,2002.
Gruppen.PerformedbytheWDRSymphonyOrchestra.GesamtausgabeCD5.StockhausenVerlag,1992.