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Copyright 1914 by Euday L Bowman, Renewed Published by Shapiro, Bernstein 8. Co., Inc. and Jerry Vogel Music Co.

By Euday L. Bowman

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GL.taracha J = 108 (3-2 Clave) ,...-..._ (It)~ n ro

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(horns,

top note)

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BMI1 (bS) E 7(t~) AMI(add '?)

BM?(b5)E1(t~)

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1983 (Horns)

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(t~.ttti,

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Ml B

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(tutti, top note)

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(tutti,+ 8va bJ

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(am <ha"9" a 1!'1)

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t
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(tutti, top note)

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(t/ttt gc:t

t
t
I

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Tenor sounds one octave lower than written. Out head is played on soprano sax. Loosely based on Charlie Parker's "Confirmation".

;817 ti :SiND SZ{.rJ~- 10

I
~

I
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--..)

I 6~fJ' ~JiJJjj; I

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73

34 Skidoo
7
7

BILL EVANS
Play 3 times

:/.

r7

z
+5

z z z z :II
6

(F 6

79

E Pedal to [ID
)
7 7 7

F fE
7 7 7 7

Em(add9)

--

z7

/ / #f f
I r
C+7(~9)

[ill

~
I

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Am 6

112

112

Dm 9

Cm 9

r
o#m7 (~5)

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I 7 ~'D

8~m 9

r
~r

-a.
c7&9)

r
Fm(Maj 7)

J.
Fm6

ji,J.
a#+7

(~)J.

I J.

J.

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lr r
[Q
(C7#9) Solo CMaj 7
7
7

J I ~J.
(87#9)

#J.
7

J.
Em(add9)

J.
7

J
:/.
7
7

IIi
Play 3 times
77

8 7(~9)

IIIII: uz
(c7 #9)
CMaj 7

r7

Ir

77

z7

r7

r7

:II
112

B Pedal to [Q]
8m(add9)

/ /##=
8+7(#9)

[QJ

119

Am 9

/G

F#m9(b5)

'~ ~
I

+5--6

Em(Ma?)

.n *
Em6

r
"1

I "1 p
~ E~m 9
I

Cm 9

f,F'

8~m 9

J.
Am 9 (~5)

IJ.

#J.
Gm(Maj 7 )

j.
Gm 6

If"
I

~(

D~ 9

r
I'F.
Play 7 times

I
I

J
Solos onABCD

Cm 9&5)

:II ~

(.\,

I-~

II

A~ Pedal - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -'

*Optional chords for solos in parentheses TRO 1962 (renewed) and 1996 FOLKWAYS MUSIC PUBLISHERS, INC., New York, NY

385

34 Skidoo
Ei'41s)
I

Bill Evans

(pnJ

r #J

rr\1

( Piano Solo) F -r

Iii('

M~E
I

I"

Ei(~~)
I I I

I"

MJE

(add q)

(~,
I

FMA~
I

/E
7
I

I'
I

1/

I 1111 I I I I

-$- .
~

(,.-P-ian-o5-ol-oJ AbM 1 11

(On cue}

H AbM 1

Solo-on form (ABBCDD). After solos, D.C. al Coda

lj)~ I

indef I) <> ( Vamp & solo till cue )

~0

II

Chords in parentheses are used for solos. Letter D may be used as an Intra (piano only).
1962 (renewed) Folkways Music Publishers, Inc. 1\:ew York, NY International Copyright Secured Made in USA All Rights Reserved Including Public Performance For Profit Used by Permission of TRO

103

500 Miles High

Some day you'll

Music: Chick Corea Lyric: Neville Potter

GM?

10
look in to her eyes,

J
then there'll

J J J
be no good -

gJ .
byes, _ _ _ _ _ __

J1
and

I.

[
yes - ter - day _ _ _ _ _ _ __
will

j
you'll

have

gone _ _ _ __

and

F#M11(PS)

IF Cj
find
I
I~

r
I
I'"'

. ..----

--.... r - - 3

'f

F Pin an oth er space,_

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~

your - self _ _ _ _ _ _ _ __

eJ

1\.

.J

,
(bsJ

I'"'

___I._I_

\1'"'

"

0 0

Five hun-dred miles_

(FMI~
'0 0 /

N.C.~~ .._ -

high.

L
VI'""

.,._

t Ml ~0 ~ h--~1

-c
'

11-t---

2.You'll

s-r(:~)
0 0

To end each solo, play Sing three verses, then solos on form. last 5 bars of melody. After solos, sing verses 1 & 3, take Coda.

(2nd x:)

... .
/

Slow~
_..._

1.11

A-

""[lJIIr_

-"
0 0

II

. .

11 high. CMI ~ot "I h-~1

I
I

(instrJ 7 AbMA
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CM1

11

ill0 0

1/r,'\
/

"

104

(2nd verse) You'll see, just one look and you'll know She's so tender and warm, You'll recognize this is love, And together you're on another plane, Five hundred miles high. (3rd verse) Be sure that your love stays so free, Then it never can die, Just realize this is truth, And above the skies you will always stay Five hundred miles high.

Solos may move into double-time feel samba. On recording, piano plays an ad lib. intro based on the changes, and the first verse is out of tempo for 13 bars.

123

500 MILES HIGH

Copyright 1972 by MCA MUSIC PUBLISHING, A Division of UNIVERSAL STUDIOS, INC.

Medium Latin
Em7
F
r----3--~

Lyric by NEVILLE POTTER Music by CHICK COREA

Gm7

J
look one your
B~M7

J
in look love to and stays

J
her you'll so eyes, know free,

Some

day see, sure

r-----3---~

you'll just that

r
then she's then

f
there'll so it

J
be ten nev no der er
E7#9

J
good and can

[J.
byes,-----,------warm. _ _ _ _ _ _ _ ___ die. _ _ _ _ _ _ _ _ _ __
Am7

and You'll Just

'J

Bm7(b5)

.---3-----,

Sl k

J
will this this

J
have is is gone _ _ _ _ _ __ love, _ _ _ _ _ __ truth, _ _ _ _ _ _ __
Fm7

LJ
and and and you'll to a -

yes re re

ter - day _ _ _ _ _ _ _ _ _ _ _ __ cog - nize _ _ _ _ _ _ _ _ _ _ _ _ __ al - ize _ _ _ _ _ _ _ _ _ _ ___

r----3---

r
find geth bove your - self _ _ _ _ _ _ _ _ _ _ _ _ __ er you're _ _ _ _ _ _ _ _ _ _ _ _ __ s~es _ _ _ _ _ _ _ _ _ _ _ ____ the

r
in on you

r
an an will oth oth al er er ways space,_ plane,_ stay _ _
B7#9(#5)

11,2
N.C.

Cmll
1

'f

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1

F I"High. _ _ _ _ __

1N.C.

rA
2. You'll 3. Be Cmll
/':'.

Five Hun-dred
3 1 Cmll

Miles_

A~M7

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-=-

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[ =II"

II

High. _______

(MEET) THE FLINTSTONES

from THE FLINTSTONES
Copyright 1960, 1962 byBarbera-Hanna Music Copyrtght Renewed

Words and Music by WILLIAM HANNA, JOSEPH BARBERA and HOYT CURTIN

&~tr

Quickly FM7

Bb7

J ' It
B~7

r r lr
Meet town
A7

Am7

D7~9

J=+

I<
D7

r r
a a

Gm7

1J J

rr
G7

Cll

C7b9

1 A7b13D9

IJ

ti
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lj
Iy.

C7

07~13 I

C9

=II

Flint - stones, From the

The Flint - stones, of Bed - rock,

they're they're

mod- eru stone age place right out of

fam - i his - to

lF J 1'
Let's ride
FM7 Gm7

r r 1r r r r 1r
with the fam- 'ly down the street, To Coda fit
Am7 Bbm7 Eb7

.J

J
Gm7

r r 1r r r r 1
cour - te - sy of Fred's two D.C.aiCoda (with repeat) Gm7 C7b9
F6

ry.

through the

Am7

A~ 13

G~7b9

D7b9

IE=f
feet. CODA When you're with

J It
Gm7 Gb7b9 FM7
1

the Flint- stones,

have

r r
a
Ab13

IJ J
j

rr

liT
gay

r 1r
old
A~ 13

ya ba da ba
Gm7 Gb7~9

time.

fit

'n

BbM7

E~7

have

r
a

FM7
I

Ab13

J J

rH r u

FM7

Gm7 C7b9

J
time,

'f

J r
a

ya ba da ba

doo

ya ba

IJ
doo

JJ J

r r tF r
gay old time.

II

time,

you'll have a

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A NIGHT IN TUNISIA
< Copyright t 944 by MCA MUSIC PUBLISHING, A Division of MCA Inc., New York, NY
Copyr~ght Renewed

Music by John 'Dizzy' Gillespie and Frank Paparelli

Bright Swing

B7

Dm6

B7

Dm6

Eb7

Dm6

= ~~ FJ J J J ~J
Gm6 D709 Gm6

Em7b5

A7b5b9

Dm6

1.

2.

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D7> 9

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Dm6

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f~ j&)t1

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9:20 SPECIAL
Copyr~ght" 1941 (Renewed) by Regent Music Corp.

Reprintd by permission

By Bill Engvick and Earl Warren

Medium Bounce C9 Bm6 C9

Ebm6

Bb

Bb7

A7

Ab7

G7

C9

F#dim7

C9 G7

F7

C9

Ebm6

C9

Ebm6

Bb7 A7 Ab7

G7

C9

F#dim7

C9 F7

Bb

Bb7

Eb

Eb6

C9

~ ~~~ r ' r ' P

F

r J 1w tf!1 r ;1 fJgn 1J. vrnJi ffl r 1 r r J 11w :w 1J. rr 11

I

F6

F9

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C9

Ebm6

C9

Ebm6

Bb

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A7

Ab7

G7

C9

F#dim7

11. C6

F7

Bb

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a rr

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II ~ C9 :llr

F7

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;nr

II
275

. M edIU.m 51OW fAl Fu.nky Samba J= 134$t&

I
I

A Fonte Secou
. .
BbMiq /Eb
I

Monsueto Menezes Tufic Lauar & Marcleo

eJ

Eu nao sou

(F"'(bq,)

I I :i - gua_ -

pra me tra-ta

Ebq<u,
r r

r
-

res as - sim, _

(as sung by Leny Andrade)

GMI1(b5)

.
I

~-----J. . <> " (bs. wlpn. octaves) ,......,

I

}- i'o

C"'(!~) ~J. .

~ s6 na ho -

FMiq(MA1)

~-'

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<>

F q(MA'T)

ra da se

de,

Bb'3

que

pro- cu

ras

por mim.

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BbMiq

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A.

(fst x)

.
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(b)...
I

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di

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fon - t e _

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zer,_

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I

bs. f1ll- _- __ - _-

--

......,

.
tu

do_a

que

en

DbMAq

DbMAq

CMJ1

tre

nos_ 1--

ca

bou._

,r

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,.

A~
r
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Eu

nao_

sou

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I

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Ebqsus
(sample bsJ
I

(bsJ

L__ 3 _____]

!. L_3---.J

r-- 3
I

.
go

r - - 3.--,,_

.....----..

Seu _ _

is

mo,_

me

li - ber - tou

I I

1990 Todamerica Musica Ltda. Used by Permission

(Samba)
f\
[I'!'\

l
1

.J

I
I

~
_M

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Nao

de - ves

mais

me

pro - cu - rar,_

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h I

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I

EbMiq Ab13

fon-

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tc_

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do\-

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-,
I

do

nos - so__a - mor_

se

con, __

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c Ml1(b5)
Mas
I

os _____ seus

-t
0 -

f1Ml
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,.-p
I

~-~-

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(_)

I""
I

lhos ...

,I

nun

ca

ma1s

hao

de

Bbq

se - car._ I - -

En

r r nao_ sou

-U-+

Eb'lsus
I I

B'3
D.S. al Coda (no repeat)

(optional solo form: A B1 A B2 C)

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. .

l
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r
-

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que

en

tre

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v

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ro __

di

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tu

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ca - bon.

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D'3(11H)
>

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A Mess Of Blues
Words & Music by Doc Pomus & Mort Shuman

Medium tempo
-3-

CD = J }) C7

Ja f4J II: r r
I just_

mf

r
FF

1;

J.

1"

;:g r r
1

n
Ef
- 'I
a -lone.a -way,_

got your let - ter, slept a wink since

f7

ba - by; Sun -day;

a -too1 can't

bad you can't come home.eat a thing all day,_

Ji:<l

Ef}

I~F

I swear I'm go - in' Ev - 'ry day is just blue

I~
7

r -

~r:--1

F F
I.

era - zy, Mon -day

sit -tin' here all since_ you've been

6
Since you're

67
t-

J J If F 1 J I J J T
gone-got a

EfJb
C7

187

IdE)
I ain't-

:II

mess of blues.-

f7

C7

If you

II

F F J I t'
1 ~r

~v

Whoops, there goes a

tear - drop,

I&r J J #J I J.
roll -in' down my

face.

67 N.C.

F F
C7

cry when you're in

Ef r
love,_

it

~ Ir

sure ain't no

r r J JJJ
dis-grace.

1'

;J. j I
I got- ta

J;r

get

my- self to

r r

" J I tt' J.
- geth -er,

J 1
be - fore

r r

J IJ
mind.

1'

r d I

lose my

I'm gon -na

f7

j;t
67

F E

catch the next train

I~

r
f7
got

1'

go- in',

am
~r
mess

I~F

F F C2{11'
C7 f7
J
?

J J
Since you're

and _ _ leave my blues be - hind.-

J; rr r ~,r
gone _ __ 4

J IJ J
a

r
of

Ia

,_P>

Ff

II

blues.

Copyright 196o Elvis Presley Music, USA. Carlin Music Corporation, Iron Bridge House, 3 Bridge Approach, London NWt. All Rights Reserved. International Copyright Secured.

Danzon!Descar 9a J = '12 (2-3 Clave) (Charan9a Style)

A Mi Que

Jes(is Guerra
(as played by Johnny Pacheco) A

( lntro)

(DanzonJ
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que,

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DG
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mf

que.

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nc - ras co 1110

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D7 sus
ba

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tras que con su pa - lu cha so - li - ta se____ di - vcr
tf -

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<DI'iU Peer International Corp. Copyright renewed. Used by Permission

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(w! fl. 8va - - - )

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(vocal fill)

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(On cue)

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(end solo)

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[Q](e] D

AI

Funky Samba J ='16

&~
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ley
t:

A Nivel De ~ . .
./

Joao Bosco

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Van - der -

di

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dos das
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(repeat to letter A, 2nd verse)

BMill

J'Mill

J--

F
wou,_

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6 \MI J.
de faz_ o

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wou, wou, _ hum, hum, _ _ ca - da__ um

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que_

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I
wou, wou,_. hum, hum, _ _

[} J J
gos - ta,

f f
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0

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na - men -

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to, Second Verse: ah, _ __

D 1

r Q r plr r ~
mes - ma bos ta!

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l--o------~

II

con - ti - nu - a a

Vamlerley e Odilon bem mais unidos empataram capital e estao montando restaurante natural cuja proposta c cada mn come o que gosta. (Mmm ... ) Yolanda e Adelina bcm mais unidas acham viver um barato e pra provar tao fazendo artesanato e pel a amostra Yolanda aposta na resposta. (Mmm ... )

E Adelina nao discorda (Ah ... ) que pinta e borda como que gosta. (Ah ... ) E positiva essa proposta de quatro: hum, hum ... O.K ... ta bom ... e ... S6 que Odilon ensopapa o Vanderley com ciumc c Adelina da na cara de Yoyo ... Ending: Vanderley e Odilon (to "Ending")

-~-----

3400 Gotungen 11 OSSI/48 61 18

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)

AC-DC CURRENT
Copyright t941 by Regent Music Corp. Copyright renewed by Regent Music Corp. and Jewel Music Publishing Co .. Inc. Reprinted by permission.

By B<~nny GoOdman, Lionel Hampton and Charlie Christian

f~ e
2.

Medium bounce C9

II=

J
~

3 J0 r

r r
I

~a

G6

>~

JgQ r

f"
I

r tJ

j
>'------"

f~_J Ill f~ J~

D7

..

:j

r D r J

--

I'-G6

I >'-'""

,.. J ~ ~

r'
I

r r tJ t
r
/-.._

=II >---

J 3

Am7/D

G6

]"

c r

II

AFTERNOON IN PARIS
Copyright o 1955 and Renewal of Copyright o 1983 by MJQ Music, Inc.

By John Lewis

Dm7b5

z-;-y
Am7

G7

CM7

Am7

Dm7

C6

Cm7

F7

pr711 cr
B>m7

::r
Gm7>5

1 [

r rf

r r t;
1

v tfJI

'f r

~~ !'

r
G7>9
j

B>6

a1

Al>M7

Dm7o5

I ~~f];Jn
C6

iG J I d
G7 C6
Cm7

, I,.,.
F7

Dm7

G7>9

FII

Dm7

u----r8,6

'
B>m7

. It L J
E>7
AJ,

:
Dm7b5 G7 C

@:~ ?7 .....
7

cr

;;;;;;;

,.~

bJ

,; ~r

F I ~>fJJ?Jn

,;~

r---:1----,

J IJ

J .I J I

I :.

II

35

.
!

b
s
!l
~

b y

r.
~

.;.

i:

:X

lt.

:.c

!rl

.. ..

ACROSS THE ALLEY FROM THE ALAMO

0 Copynght 1947 by MICHAEL H. GOLDSEN. INC. o Renewed 1975. Ass.gned to MICHAEL H. GOLDSEN, INC.

By Joe Greene

Moderately

F
~

Bo/F
, r
l

!JbJ
a mo,_

Bo/F

; J IJ J
Lived a pin to
po- ny

J I I~
and a

iJt:J
F

.\

cross The

AI- ley From The

AI -

Na va jo, _

\\bo { \"bo

C7

Cdim

Gm7
,I

C7 sus C7b9

~~;;!

~g

I I
13!./F
F

...

the the

;l
ing ing
F

[J
by._ by._

sang a used to

sort of In di an bake fri jol es in

Hi de- ho _ corn meal dough

to for

peo pie peo pie

J~ass J~ass

The They

pin tho't
to

E
Cdim

F Ir
C7

fJsJ
rues_ bucks_

Fdirn

13!./F

,J

j
bl
[)uz

J
And A

spent his time a - swish - in' that they would make some eas y

and the Na va jo watched the it they're wash-in' their fri jo les in

ey skies, _ and Lux; _

F6

C7

Gm7

C9

C709

F7

Ow
ver - y rare ly pair of ver y did they ev er con sci F rest their eyes _ en tious clucks _ on to the the

j
peo ple peo pie
F pass - ing by. _ pass - ing by._

J
One Then they

F7
I

13!.

B!.m6

r r r
day, took
Dm

J' .:G9 C7

j
a long the rail road their shoes were pol- ish'd

vn
track, _ bright_

n 'j' J
They were swish in' No, they nev - er
F

A7

not_ beard the

they
this

went a walk in' _ _ cheap va ca tion, _ _

vJr
look-in'.__ whis tie.__ Toot! Toot! Toot!_ Toot!_

't

Jl J j

J J] J
A A F

r
cross cross The The AI-ley AI-ley
Cdirn

they nev er came back._ they're clear out of sight_

!IF

From The From The

C?

t~r

13!./F

C7

Qz:J J J I.
a mo,_

J ,J J I r
set ten
C9 C709

Oz;
tle low, _ der glow,_

J
A The

AI Al

a mo,_

When the When the

sum - mer sun - light

sun de - cides to beams it's ten der

Gm7

~~~-F-6--M-ill-.m---G--m-7------C-7
't

0
Hi ain't
de-lio _ _ no dough_
to for

J I Ji
the the

J
pass pass

fUJJ
ing ing

II 2F6 )'. :II_..J.

A-

fly sings an In di an beams go to sleep and there

II

peo - pie peo pie

by._ by._

MediLtm FlAnk j =130

Actual Proof
. r ,

Herbie Hancock

~Cl

(li9ht pn. compin9)

Sample keyboard comp. for lntro., bars 1 and 2 of letter A and bars 1 and 2 of Coda.

'
._
CMI

A
I...

-.,

A
A
I.... l:::ii

-.,

. .

b~

-_.
~ ~~

,.,

bb!

=: _.

etc.

First two bars of A may be repeated. Head is played twice before solos.
1973 Hancock Music. Used by Permission.

Actual Proof (Bass)

EbM? Sisus Dbisu~ DMli E i AMA'7 ,..--.._ Bb Ml

<'s'

If

[ if

rw fj nnR w D
..

Eb
A

7(.Jtjj)

MA/.:.D/

if

I rf f f 1

~~ if#~ 1 !fllil

N.C.
(dr. fill~

1-

II

Bass line is freely interpreted (except last two bars of A, which are played every chorus). First two bars of A may be repeated. Head is played twice before solos.

/..

&b1) ~

. v,

I
..

, " ',...~~r~t~b]~'~~g~~l~/'~~~~,~~~ ~o~<

Ab1(-r ~)
~ ~

"

/12"
.
p~ IJ

3)iffi aJ 1'n ro ;oo

6b,..,
~b 1 (~)

!,

!,

~
,

n J .u-ru ,m JJ JJ rrtuu 664 .-..--......, ~ gb-:1 r. I r- -4 . . 1.. i ,.. r .--~-_..E*)

t:
1

.c

----_----------:""-:: -=-====-===============- - --========--------

-

--1

~r

~r

_jr

Jl
_ji

Jl
_jf

Jl Jl
~Jl

Jl

Jt

-.

-% t:i 0111= R;ii: 7lJ : ; ;

Jl
JL l

JL
. i:!
.__J-

ADIOS
Copyright 1931 by Peer International Corporation Copyright Renewed

17

English Words by EDDIE WOODS Spanish Translation and Music by ENRIC MADRIGUERA

Moderate Latin
Gm7 C7
F

Gm7

C7

C+

F6

II:" A A

E
In Me
C7

f F F 1r
it grieves mo - re
F6 C+

EJ
me
rna

J
say jos
A de

dios, _ _ _ _ _ _ _ _ _ _ _ _ _ __ dios, _ _ _ _ _ _ _ _ _ _ _ _.:____

C7

leav - ing you, voy lin - da

to__ le

Gm7

'~ ..

Gm7

F f
I'll El

f
C7

1r
for pe
Gm7

dios. _ _ _ _ _ _ _ _ _ _ _ _ _ _ __

ti _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ____

be so lone - Iy, al - mahe - cha~una

Db7

you na

EJ
C7

J
ly queal

pZJ
I par -

on por__

C7

'~ f

FJ
and te C7

)l
my que
F

IJ
- dios, - vi

J
Gm7 C7

sigh lir
Gm7

cry __ mo _ _

A
tu~ol

.-------3----.

1And Her
Gm7 C7 C+ Dm D+
Gm7

J
in mo

this sa

I"
hewn, _ _ _ _ _ _ __ flor _ _ _ _ _ _ _ __
C7 F
1 ..

C6

p E f f :F 1r
is mem'-ry mi al-ma
Bm7b5 E7

J
to te be __ dear con_ Ia
Dm
F

i3 =)l J
for you and fra - gan - cia me_ de set to
Bm7b5

' J)

z;l
Dm6

of what used cau-ti- vasAm

a - part. _ _ _ __ can - dor _ _ _ __

E7

I"
Moon
Tu
Am A7

IF
D7

r -=-J
and wait to - da
G9

J J
ing
mi,-.i

10 _ _ _9
bove, _ _ _ _ _ __ sian
Gm7

watch - ing e - res

a lu

lj
Soon
Tu C7 Gm7 C7
F

r
be mi bless dul
C7 C+ Gm7

J J
ing ce our can
F6

it will e - res

love. _ _ _ _ _ __ ci6n.

J
A A

I" dios _ _ _ _ _ _ _ _ _ _ _ __ dios - - - - - - - - - . - - - - - - Gm

J
for hap ~ py end-ings I'll me voy lin-da mo - re C7

re - turn, _ dear na me_ voy

Gm7 C7

to dea-

Gm7

D7

C6

tr-----;;ea
yon qui With
A

If
no more tris - te to za bid __ le you jos A de dios. _ _ _ _ __ ti. _ _ _ _ _ __

llo - rar __

love ___ true, mi

Gm7

C7

Gm7

C7

Gm7

C7

&~A A

J
dios dios
A A

I" -

=--1 .. =

'f

dios _ _ _ _ _ _ _ _ _ _ _ _ _ __ dios. _ _ _ _ _ _ _ _ _ _ _ _ _ __

Med. Jazz Waltz

~
I
~

The Aerie
?~
L
~

Peggy Stern

j = 122
./
--'"oLI!

_l

.
Mf\t
i

Ab
_L~:

.J

(~~. wl gtr. & ten. Bva bJ

~:

~ ~

Db

c MAi(#S)~
:

[
4 ----_]

La;c .

BbMAL i(415)

i(415)

MAt:

(sample voicings, pn.

"

L.HJ

-.
AMI
~

~---

.
.A
_l[J

FMA/. i(s'

-.
AMI
~

FMA/./ i(o5)
_a.

.- .

_n_.
__t:

~--

J ._._.

C'~

~ '..L

LJ_
l

DbMA~l:C

c MA
$:

--

i(#S).......J

BbMA~ i(415)
b..-: .
__'-'~_

c
_l

AbMA/~=.

4 7(415)

-- -

_l

_._
J

c
I

.L:i

AMI
~-

-------

.....

F#Ml/ (add'?) "'~ ~=. C#

~

,......,
~

...I.
I

BbMA1
~=

F+(add #'7)

..t'"

~:

LJ_-------7 CbMA /

~,......._

_/'_

-"
""---!
L

_l[J

!"'"

~
~

_k,.--.._

/Eb

_L:

..

r~#~f/Eb

~i

.....

t,~L~MA~b : E

Tr

1992 Estrella Music. Used by Permission.

I.

I I
.....,j

$:

CMA_.../
I

i(Jt5)

Eb

-: Ab Ml~ (add'7) b~b$: Eb

lb~: Eb

Ab~~

.. ....
I
l

pn fill - - - - - - - - ,

.......J

su.spenclecl time -

___________ j

.
_l

,,--,_ I

llf

J.f

"'"'

I"'

,.... b_,_

~I J,

CbMA~/ Eb
I I

F#M~. . (add'7) ~J~ ~=. C#

~

l:.lJir.

o........J

-b~:

DbMA1/

A Ml_..../ (add'7)

$: B

I
-

,--

_,_
...I
~

as

1me:
~.

.
.

BbMA

--~

'"'-_

.
6

--"'

. .
. .

b.-B-: .

AMI
r;;-

FMA/. i(b5) r;. .A

.

AMI
(9-'
~
..

FMA/ i(o5) r;. A .

( last x: r1t.) - - -- -- -- - - - -- -- -.- ' [v] last t1me:

. ( fme)

CMAi(#S)
I
I

i(Jt5) BbMA/ "C

I

II I

II

AbMAt' II ~--~------,
r r
1

2
I
I

[Q]c*Miq
II
I
I

AM q(#S) A_....C#
/
II I

FMA_....: i(o5)
AMI

II

1/

2
I
I

* 1/ *
2

II
I

C#Miq
rI
II

*
I

AMI
I

,.

Solo on CCD After solos, D. C. al fine

II

Head is played twice before solos, once after solos.

19
D~ A~ B~m7

'~"~.~ [J
E~

Ab
"{

f.

(J
Cm7

I
B13 B~m7/Eb

gpLg}
A~/E~

Bbm7

'1

"{

p It
E~

"{

A~

Fm7

v~E

c r r1
B~m7/Eb

Eb/C#

B~m7/E~ A~/E~

Ab/Eb Db/E~ A~/E~

,~~'lz~f tr"r u1r "{ f'Df 1 ~fl'f f "{ D"tv 1"{

Db/Eb Ab/Eb
B~m7/E~

v"{ v "{ r v 1EJ f

A~mll

"{

Ab/Eb

Eb

Ab CIA~

Bm7 Am7

I"{ v"{ V-tt> oIt "{ v '1

C#m7 B GP/Bb
F#m!A

vIEif~c "{ YJ "{ plr ~or~r 4!a

Em/G Tempo I C13sus F Dm7 Ei>M9 Cll F Dm7EbM9 Cll Repeat and Fade

t'>'t 't

:v t- ~f 1 ~f &t , r clf:'rlr
EIG#

II~ Jl:

:II

AFFIRMATION
Copyright 1975 J & H Publishing Company (ASCAP) All Rights Administered by Stoll man & Stallman olb/o J & H Publishing Company

By JOSE FELICIANO

4f#tJuull:f ::16 lJ U1 If :t1tfl1 U1 IF" r~cQ

Moderate Funk/Rock ()5 Em9

.-...

.-...

Bm7

.r:J11

To Coda tit

~ ~ Ctj1~

~.~ IF"llJr
E9

.---3---,

UIE;7Q~

Am7

D7

"{a 1EQFcJ7
A9sus

,--- 3---,

~M9

"# . .
.
Em9

6/ U If . bfHF

[ "

r
F#m7

~##:t err 1 tt 1 lr
E~9

/bM9
:liE"

~?34.
B~M7

f
I ~a

1-r (j

, I,

F9

~I

DM9

It
.-.

f
~

1f I

be

A9sus ~

D.S. al Coda

1Ylrt.f#U1tf1r p r
CODA

D II

tit

Bm7

Repeat and Fade

'## II:FJ t 1f1{J atn 3

'--"

1H:go* 11 '
1

Medium Funk/Rock
) == 108

,~)au (?'Ei, ;:fu o,,ju' ;{& o, ~~GktH ~~

gtr:)

'J

Affirlllation
EMI4J

Jose Feliciano
(As played by George Benson)

IJEd ,ttffl

B M?

g UlfJrdU C!., 1{:, cttrrtcrl

"""

""""' . _,_

1r~~r

A '~I JEt' 11)

f 1:EJ""'c R 'Q 1
L--3

F~M?

I tJ
-

'

. . F'
Jr
~

,.
-

~
I

:d

l81~q~~M"'

It

r Irnl ~0
(strirl!Js)

Solo on form CAABJ After solos, D. C. at wda

(bsJ.
Guitar sounds one octave lower than written. Coda may be used as an interlude between solos '(vamp til cue).
0076 Feliciano Enterprises. Used By Permission.

Vamp ttade

Eifi# r*au Eli cFE QflrlElfEtctrmrY?ril

1

' '""'

-.J

~,

& J. 6 J {J I'fJ c. J r I
c,1 (V!tM!)- .

Af2o !AMI~

~FRrAKA

~ IE~

I? rf r e1 J~rtJ g."' ,

t "'

_j_

1"\

ri

r"'

""" 'l

r""'
~,.of

br.

.,. -1- .,.

.,..

.,.

.,.

._,1/
_L ,

+~

C:1

b,,

'Bb1

~.

4hb1 6-1b1
I
~

G~Ai

f svs?
I

~~D7 'P~~i
_j_

....

LL

....
~

~~

VI

I.~

.1

.
~~~ .. !~ ~ .. "__-t_
g~1 p~1 ~ A'7

.,

...!L_J_

.~

'DhA1

.. Dkb1 ga L b~

I ?f"(

2-

AFR/C)~
JOHN COLTRANE BRIGHT AFRO-LATIN
(INTRO)
(VAMP)
6 DEN 9
)

1. START WITH BASS SOLO AS WRITTEN 2. ADD DRUMS- BRIGHT AFRO-LATIN FEEL

3. ADD PIANO

_j

ON CUE GO TO (d)

1'=$( r
~ DMIN9
6

J
~-r

)>

g
---1

.,.J

"1

r
d.

j)

t
J J

:J

,,

_ _j

----

14Q ~

J.

j I

11 ~ I -

1-d
I; 0

~J

:J
J

~J

14 1$
I

fr
1-d

-i?J .FlJ_J .
I
l-J__j

~--'

<J.
j

II

-!

(Q
0.

J]

d.

...)

J J

--J

4- bS SIJ tj JJ1g; J
PAGE 13

JlJ___L~

II

Ii
(d=8'4-)
G. M

AFRICJ~lNE C S~orte.r) w.
~ ~(*7)
1

G, \N\ 7

..

G ~6

~;:~~ ;~~E 1f!7s:; A~~U ~:r rJ! ~!} ;;

I
I

'---'

BA.RK
y

f~OR BARSDAL
GeRR.Y Mul/r &AN
Oa7 C7
1 '

till=fJ'JitttJI'"'o lfl'l:;tftl-;. IJ3 '! J jl l~J. t_J I i'J''lf l)i>J. t II fJ ' I c'JS 'r'.. I
fb7 Fdia G7 C7
1
l!b

I J;J '1 1' IJ *1 (i I J1J "J f 1 \' f

!b

c.7

17

a,7

llb7

t2 I\) ' p, l' ?~ l

C7

l.'lbdU

c7

n.

C7

Qaa7

lJ. tJ 1fl'tJ:'j1M ~f'ffL?T lfll '$ JliP J, tJ MftEl)fc>E J j "+

1
Bb7
rdiA

07

CT

II

).i

!
-

rI
.::._

. . .I

y,
I'""'

LU

~\

-~-"ll

G) ...,
j

-l

...

r~

r -.: J J

/.
I

-I

A_

_to. --

'
/.

... ~

Ab-"

I~
"'
I

I-~

,~.'1

,_,..,
J
I

IJ I
I

~~-"
r
1
_:11

-....
I

-""
~

~r

J
j_
_J
~~

,..J

_..._.--- _...

.J'OL ...........

~-

r T I 1

~.

~, ..

.,
I

.....

....
~

_.V_

,.. r I 1 J

_ c;z

ri ....
T"

..,v

..,_
I

.....

!!----e.
l

/.

_J
I
.....1-

-...

.....
~.,-

1-

....

...... ~~

"'~~,.

,..

:-r
PI
~-

" ~

..

...
'

,I
\L

.,.
~

,J,

....

,_j

IC

y r'
I

J[
__j'
~

-- ..
,
_'I"

JC.t.

~~,....~

"'-t. ~,. ~+ + ,..-.-+. I

A'!:

!l

\
_!"'

~IC UJ.,uJV(:IJ _ '' MAAJ''f ..

1vJ..Kd" .. oa.

"M1.U~ Atiii-' )JI<i' . - -- '".tA&&&"

Afro Blue
Mongo Santamarfa
(as played by John Coltrane)

Db Eb FMI
I J.

J.

I J.

Eb J

FMl%(pn. solo) q

II I

J6

)d

n1
t t

Db
I

Eb
I

FMI

J. J.

J.

Eb I J

J J

Db Eb J. I J.

FMI
I

J.

II

(Vamp & solo till cue)

(FMI~
(sopJ

(On cue)

iii.St vJ11f f
l

IJ.
Eb
tr-I 1

'i

J!
FMI
I

It
1

r
Eb

I J.

J J J

J.
l

Db

Eb

LJ. J.

l g J IJ J

195'1 Mongo Music. Used by Permission

Indef.

127==7 J71 J
(sopJ

(Q]fMI~

ttD
.
I

r r P lr

FMI~

F
Db

r
"-~

n
Eb

Db7(q' /Ab
I

C7'q' /G
"i

fJ
1

J1
Eb
I

FMI~

Eb
l
I

J7] I J J=l

j
Db

l2J J
FMI

FMI

Eb

bJ

=I J

W.

j.

J.

II rI I r
1

FMiq (Ad libJ

I j.
Db
I
3
1

Ij
I

3 I j.
FMiq

I j.
J1., 2.

I j.
YYI

-jj

Eb
I

J.
i=Miq

J.

J.

J.

J.

11111111 I' r r
Yl

rI

rI

FMI~

I/ / /

II

Afro Blue
By Ramon 'Mongo' Santamaria

Medium fast

Gm7

Am7

BP

Am7

Gm7

J12p a ~ J>2p J
F

Mf

r
r
J J
J J

p I r
Am7

I r
BP

r
Am7

IJ
Gm7

,.

p I r
IJ
EP

r
EP

r
F

I J.
Gm7

Jl2p J Jl2p J
F

IJ
fll

J.
Gm7

I J.

IJ
Am7

IJ

r
8Pm~7

IJ
Am7 1 67

J J

II

Jl2p r r ,. r
Gm7

Ir
Am7

r
r

Ej I L1

. Jl I J

a
Gm7
II

J>2p r
~2p
F

,.

8Pm~7

r
J J

p Ir
IJ

t2!

I tJ
EP

J ;" I J.
Gm7

J
F

J J

IJ
EP

J.
fll

I J.
Gm7

$>2' J

IJ
3._ ...
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horn fill --------------------------------------------------------------------,

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18

AFTER ALL
By MIKE STERN

Copyright 1988 Little Shoes Music (ASCAP)

Moderately slow
N.C.

=fntr rJ 1E
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B~m7/E~ A~/E~

Ab/Eb Db/E~ A~/E~

,~~'lz~f tr"r u1r "{ f'Df 1 ~fl'f f "{ D"tv 1"{

Db/Eb Ab/Eb
B~m7/E~

v"{ v "{ r v 1EJ f

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Eb

Ab CIA~

Bm7 Am7

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Em/G Tempo I C13sus F Dm7 Ei>M9 Cll F Dm7EbM9 Cll Repeat and Fade

t'>'t 't

:v t- ~f 1 ~f &t , r clf:'rlr
EIG#

II~ Jl:

:II

AFFIRMATION
Copyright 1975 J & H Publishing Company (ASCAP) All Rights Administered by Stoll man & Stallman olb/o J & H Publishing Company

By JOSE FELICIANO

4f#tJuull:f ::16 lJ U1 If :t1tfl1 U1 IF" r~cQ

Moderate Funk/Rock ()5 Em9

.-...

.-...

Bm7

.r:J11

To Coda tit

~ ~ Ctj1~

~.~ IF"llJr
E9

.---3---,

UIE;7Q~

Am7

D7

"{a 1EQFcJ7
A9sus

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Em9

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F#m7

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B~M7

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1-r (j

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F9

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DM9

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.-.

f
~

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be

A9sus ~

D.S. al Coda

1Ylrt.f#U1tf1r p r
CODA

D II

tit

Bm7

Repeat and Fade

'## II:FJ t 1f1{J atn 3

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1

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fmlo/ct

tJJ 8J);J iJ p @PJ

Cmto/a,

C~i

AFTER HOURS
Copyright t 946 by Popular Music Co.
Copyrignt renewed, Assigned 10 Chappell & Co.. Inc.

Words by Robert Bruce and Buddy Feyne Music by Avery Parrish F9

C6

Slow blues

C6

ffil
M ter
C7 Hours, _ _ _ _ __

.,
low,_
F9
C6

tw
Ci0Ctdim7 07/D07

19
Af- ter Hours,, _ _ __
Dm7
j
1

J ~; ,
07

J J 0 J 1J
C

J-:___)
go!_ F Fl dim7

where the lone -ly

shad - ows spend the night, tbel's where I _ __

07

Dm7

C71E

J.

a J. a 3.

g3. a w
1

kAf ter Hours with

You can

rmd

me_

walk- in' with those M - ter

Hours _

bluP.s,

the

C7

1rn~c r
blues.

r
for - get her, I keep com - in' back to
3

J
the one where we met.
3
1

J
It's

Look. in'

a- round for a place to

J
dark and

~c

r r FJ 3
3

-3

----r
makes me

J
a -

-.-I

F~
':are

J
her

::
yet.

.,

de - sert -

ed,

but some- thing

a -

bout it

still

ware that

for

F7

J :1
Out C7 of
the

1,(
past comes a

(
dim

rJ
ol -

J
lee - tion, she's sit - tin' with me
C

,..
~:::::
3

(
ta Dm7

Ill

two;

ree -

at
~dim?

ble

for

4;dG ~c rJ
3

j
win - dow's re - flee- tion, I
C

2
go

'!
on_

Then in
Dm7

the dark of

see

I'm a - lone and I know that

we'1~e

thru. And I

07

C7JE

H dim?

CIO

AI. 9 09

~ J. a J. a 3.
~

g3.

aJ
1

I ~
M - ter Hours, just
the blues and me._

walk- in' with those Af - ter Hours_

F
'f'

blues,

I try to find { The night is still,

1 J. ~! J
some peace of mind; the streets are bare;

'I'

;~w. ~a
and like
G7#5

r
some - one who's kind. she's ev - 'ry - where.

.,. J J. u:
I

a friend - ly voice,

close close

my eyes, my eyes,
G7

the blues,

Dm7

c
#~

G7

C!dim7 Dm7

~ .,. l J. ]a J
try

l
oh, oh,

....
got ta have a drinl,, Oh, Lord, _ She's gone,_ make them go a- way.

'1

)! I
please why

not

to think, stay,

Lord, _ _

but mem .. 'ries

Lord, _ _

32

c
3 3

C7

J 1_J
help can't
F7

: J2f1_4
Ob, L.Jrd,_ She's gone_ my and heart is heav- :r yet._ yet she's here with me._

Jj.-.
Oh, L.Jrd,__ So on _ _

't
1\e
C tdim7

me to she let

for get. _ me he?_

Q]J
got go
Dm7

'!

1J I J.
won't

maw.
that haunt-ing
C

't

2I
where

to fmd a fmd a

place_} place_

where I _ _
Dm7

see

face. _
C7 IE F

place_
C!G
G7 C6i9

G7

G7

F# dim7

] J. j
can go
to

I
lose_ those mel

a J.
an chol y

g 3.
Af ter Hours _

AFTER YOU'VE GONE

e 1918, 1987 MORLEY MUSIC CO. e Renewed 1946 MORLEY MUSIC CO.

By Creamer and Layton

International Copyright Secured. All Rights Reserved.

Moderately E!.M7

M9

Dm7

G7

r
Af ter You've Gone, _ Af ter I'm gone, _

'1

me cry ing; we break up;

IJ J
BJ.6
'!

7%J
I

't

:J j
Fm7

. ..
Bb7

and left af ter

Af ter You'..e Gone_ af ter I'm gone,_

There's no de ny ing You're gon- na wake up

C9

~ ~lz )i
E1M7

F9

r r

I J> F
you'll feel you were sad. _ blind_

J J J
Dm7

33

I~ J
had. _ mind._

you'll feel You will

blue, _ fmd, _

You'll miss the dear est to let some bod y

pal you've ev er come and change your

M9
j'

G7

r
now don't for get it. we've been to geth er.

IJ
Bb

J 17t:J
time_ tears,_

:J
Gm

.
I

J
~

): ..!

l .

There'll come a Af ter the

Cm

time,_ years _
Cm7

There'll come a Their joy and

when you'll re gret it. all kinds of weath er.

G7

M9

07

Gm/F

Em7

A1,9

I
Some Some day day

I J nJ
Crn7

JJ t
w w1

F
ly, ed,
F7

f r
Bb

r
!L Frn7

r
ly. you'll want me on ed. back where you start co B-~M-7--------,, 2-. B\,7

when you grow lone blue and down heart

your heart will break like mine and he with me right you'll long to

II

.,
Af-ter You've Gone, Af ter I'm gone,

r r
a a way. _ _ _ __ way. _ _ _ __

=1r

II

Af ter You've Gone Af ter I'm gone

33

\ Mo"D.\ l =100
1A

J'::

t:i J'!?
-'IIJ

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,I

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(Fr~~~J
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~~1-nt-ro""""')
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-4

After the Rain

_L

John Coltrane

.J

(tenJ

1_.b_

Ebi

sus
I

(b'1)

A I

..

.
f:--P-

.L!ol"fL"

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/
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~
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B~Ab

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/
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.

(tremolo)

AbMAi
I I I

DbMj

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~

.
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Eb

Ebi(b'1)

L_

(etcJ

-fL

1::_

AbMAi
L

.. .
I

Db ., MA/Eb
L
L_

Ebi(b'1)
L

~Eb
I
L

~Eb

.
.-1
I

(p7., sample ~ill)

j:-----j

/I

.
.
L
L_o

IJ .

DbMlMAi)

Eb1SUSM)

AbMAi-

(pn. L.HJ
I

lllr_

------

Ob(add41H) '/Ab

"

_f)_o

_l

- AbMAi

AbMA7_

"""'-~

---

Ob(add41H) 7Ab

v--

..

rio

..
-

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,.....-......._

. ......_
Db(add 41'11)

Qb(add 41'11)

..
----,

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I
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J1.

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2
I

AbMAi

..

..

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(tenJ

I
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r-- ...........

"

"'

(tenJ

AbMA1_

l...oool

..
/

. .

AbMA.,_
I

..
.J,o,

Ebisus(b4l) .............

':J

D.S. al 2nd ending al Coda

..:.
~_,_

"

AbMA1
0

_a

t-3--.J
Eb.,sus(b4l)
0

Eb.,sus(b4l)
I I I

ilL
Oo

ilL

~-

~1*-

AbMA1
0

.
t:\

Eb.,sus(b4l)
0

AbMA1
0

..
r-3-,

(sample fill)
0

.. ~

,--3-1

":"'
0

Ebi'SLJSM)

(EbClsus) AbMA1

---

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.--..
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0 0

...

~-~3-1 L3__J

-....-

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..

..

Tenor sounds one octave lower than written. Melody at A is played with variation on each repeat. Tune is rubato throughout.
( sample tenor fill at

[ID )

$ (it EFFF IEJct[tl !JtflJ t Fd Ir=

22
Copyright 1977 JOWCOL MUSIC

AFTER THE RAIN

By JOHN COLTRANE

Slowly-Rubato Bb/Ab

G/Ab

AbM7
1

ObM7/Ab

Obdim/Ab AbM7

ObM7/Ab Obdim!Ab

4~ '1.~rr
AbM7

r ll:e
G/Ab Eb7/Ab

r r
Obm(#7) Obm6/Eb

t:I 1f
AbM7

r 1r
Eb7/Ab

~If
AbM7 Eb7/Ab

r =g
-A

1~~'1.~ r
AbM7

Ij

j
AbM7

Eb7/Ab

I-

t t

F:II r
t:-~ .?.o:J

Eb7sus

r Ir

AbM7

t
AbM7 r...
a

A
II

Eb7sus

AbM7

Eb7sus

IF

If

AbM7

Eb7sus

If

Ir

A I

AGUA DE BEBER
(Water to Drink)
Copyright 1965 by BUTTERFIELD MUSIC Copyright Renewed All Rights Controlled and Administered by MCA MUSIC PUBLISHING, A Division of UNIVERSAL STUDIOS, INC.

Original Words by VINICIUS DE MORAES English Words by NORMAN GIMBEL Music by ANTONIO CARLOS JOBIM

=r# ~~~ cr
Your Em7
,_~#

Moderately

'P

r
is
~-

C#IF#

G#m7b5

#~7JITr
rain, _ _

Em7

If

--=--

Bm7

love _

my on Em11

heart dis

the tant
A13

r f

flow de

er. _ __ serts. _ _ ._ OM7

v Cdneed_ I
The rain_ My The

r
your can

Vjr
love _ _ fall _ _ C#9 C9#11

r
or up Bm7

r
I

---v
Bbl3

r
will

on

the

die. _ _ sea. _ _ 06/A 07#9

06/9

,~11 t

u
'f

~-

'Q

r 11pgr
y can C#7b9

5.
is up

IF
in on

==---

'0 F
your the

f l'p
pow flow Bm7

ver rain_

life _ _ fall _ _

r
er. er.

F#7sus

r 0'
Will

1'0

Since
N.C.

I _ _ with the _ _ rain

Ir

,)

.l

er _ __ has _ __ E7

f]'O
to _ _ fall_ Bm7

p'

r r

and to Em6

fade fall

o r _ bloom let_ it

the on

sky?_ me._

rnn
De De

It

Ag-ua Ag-ua

Be-ber, _ _ Be-ber, _ _

g!ve the flow - er Ag - ua De Be

Ed r

It
~~m7

j
ter ca

j
to rna

C'

wa ber _ _

drink.ra._

N.C.

t
De De

E7

Em6

d~

FA"

It

r r tJ r 1r
~ve

j
ter

j
to

C'

r
II

Ag-ua Ag- ua

Be-ber, _ _ Be-ber, _ _

the flow - er wa Ag- ua De Be - ber_

drink._

LJ
The

..

r
can fall_
-

r
ca

j
rna

r,

'r;>

rain _ _

ra. _ _

After You
(from "The Gay Divorcee") Cole Porter

13

CMA

(AMI7 )
I

DM11

G'1'*5 '

co/q
way, There's no

J.
Though with joy

J~

#JJ J l J. l I J. #:S I
That at last you came my

should be

reel-ing,

DMI
I

Eboi

r
fur -

j)

r
G13

J1

c6 1

(A'l)

DMI

i(11)

G'l<*s>

CMA

#;:J I J
That I'm

~J

J
far

il
from

IJ
gay.

#JJ I
For the

ther use i(11)

con - ceal - ing

feel - mg

DMl
I

c MAi
J~IJ
a - bout

EMI'l(H)

Ai(P'l)

DMI1

J.
rare a!
1(~5)
-

J.
lure

W
you

#i1 I J. l ~r l I J MD I
Makes me all the plain er see, How in -

(F:II=MI i DMI

sr<*s'
Gi

IF
ane,

r r
how vain,

J
how emp - ty,
41

AM1'1

DMl1

1":'\

Gi

#A lr
life with - out
41

gJ
you

J IJ
would

J~

be. _ _

(Ballad)

IAI (CMAq G
g
CMAq
you,

sus

CMA Gqsus

CMAq

(G 7 )

G 13(P'1)

CMAq

$llJ
(CMAq

J Em J~t_)J J I J J
who _ _ _ _ _ could sup - ply my sky of blue? Af - ter

Af - ter

AM1 7

AM?

Dq

)
7
could I love? _ _ _ __

IJ
you

J
J
why

J
q

J Jl
Af ter

who _ _ __

(CMAq

Gqsus

CMAq

G13(b'1)
~~

CMA

Gqsus

CMA

Gqsus

CMA

Gqsus

CMA
should

'1

G'l<*s'

IJ
you,

IJ

l J J IJ J
1
take the

r
time

J)
to

CMA

Ei<*s>

IJ
try,

l J J I
For who

1932 Warner Bros. Inc. (Rem:weJ). All Rights ReserveJ. UseJ by Pernuosilm

(GMAq

Dqsus

q
GMA

Dqsus

AM1q

Dq

~
j I
hand

J
else

j
could

r
qual
1

v
i
-

j
':,_

../

J~

J :b II J
Af - ter
you

~GMA

(D7(b'l))

r?
who?

l=r
Fo/q
I
7

~
Hold

~
my

fy

GMI

cq

br
and

r
(Bbq)

FMA

c7(bq)

:J
You'll

:J
nev
-

J J J
er cease ( A~q(P5) to

r vJ
""""'
care, For

j)
with -

swear,

Gq

,------3---,

lr
out you there,

r I.J

DMl
I

7(b5)

J
I

J
I

' J
II
could

What could

do? _ _ _ __

F:IFM?(PS) FM1 6 )

~~
search years, _ _ _ _ __ But who else could change my

DM? FM1
1

rt

_)'1
G7

r
ter

v
to

tears _ _

In

'1
laugh ter,

af

ter

you?

(fine)

,J ~, ~
Af -

Solo on ABC After solos, D.S. al fine

AFTER YOU
Med. Even Sths MIKE STERN

Gm7

Cm7

8m7

~ r
..

IP
~~
1

r Fr
B m/E

cE

r ! r Pcr a 1 r r ~r
11

Gm7

Cm B~

EIG#

F 1

~ * ~ :

F~ m

,A/F

9f

G/A

.-o
1

G/A

F;t/A

rG/A Em

P~r

1 r

B m7

11

cr r r : cr r r 1 Erf r p--r L
* t:J
Em D
A/C~

~ ~ ~l~~,

G/A

~~r

fJ cr r FI E
D Am7 Bm7 GL:..7

G/A

u-r
CJI J

F#JD

B m7

F#m7

r r r r 1r

~-o

!I

After You've Gone

Words & Music by Henry Creamer & Turner Layton

Medium slow
6 Em
17

Bl7m~7

r
Af-ter you've gone-

r
and left me cry-ing,

IJ J
Af-ter you've gone-

Jip
J>~p

69
1

"' J1

I ,,
C9
"

f9

there's no

de - ny- ing,

You'll feel

blue,_

r
8b7

" I Jl

you'll feel

F ~ 1' sad,_

BP
1

E17 m~ 7
There'll come a

J J J J 3 I~ J
gal you've ev-er

"' Jl

You'll miss the best-est

had._

---

Ic
j

rr r r
time,_

El7m6

Bl7m~7

67

J>~p

r f r
67

~
Cm

r
it,

I~

J j Q :A
time-

I1
BP

J J ;"' l
07

now don't for -get

There'll come a

when you'll re-gret it.

Jip r r
Oh! Babe,

Cm

El7m6

IJ
7 A

,J J
Bl7

J-

~
-

r
ing,

I 1 #F

think what you're do

You know my love for you will

r t t Fr
)

J>bJ =J J u

6m7

1;

:J

r
2.

F F
a -

Af-ter you've gone,-

af-ter you've gone

1.

JipP@
8

Bl7

El7

817

f7
1

8177

Bl7

-way. _ _ _ _ _ _ _ __

----------

?ij

:iff

Copyright 1918 Morley Music Company & Broadway Music Corporation, USA Francis Day & Hunter limited, 127 Charing Cross Road. London WC2. All Rights Reserve<:l. 'nter'\at~onat Copyright Secure-d.

c
3 3

C7

J 1_J
help can't
F7

: J2f1_4
Ob, L.Jrd,_ She's gone_ my and heart is heav- :r yet._ yet she's here with me._

Jj.-.
Oh, L.Jrd,__ So on _ _

't
1\e
C tdim7

me to she let

for get. _ me he?_

Q]J
got go
Dm7

'!

1J I J.
won't

maw.
that haunt-ing
C

't

2I
where

to fmd a fmd a

place_} place_

where I _ _
Dm7

see

face. _
C7 IE F

place_
C!G
G7 C6i9

G7

G7

F# dim7

] J. j
can go
to

I
lose_ those mel

a J.
an chol y

g 3.
Af ter Hours _

AFTER YOU'VE GONE

e 1918, 1987 MORLEY MUSIC CO. e Renewed 1946 MORLEY MUSIC CO.

By Creamer and Layton

International Copyright Secured. All Rights Reserved.

Moderately E!.M7

M9

Dm7

G7

r
Af ter You've Gone, _ Af ter I'm gone, _

'1

me cry ing; we break up;

IJ J
BJ.6
'!

7%J
I

't

:J j
Fm7

. ..
Bb7

and left af ter

Af ter You'..e Gone_ af ter I'm gone,_

There's no de ny ing You're gon- na wake up

C9

~ ~lz )i
E1M7

F9

r r

I J> F
you'll feel you were sad. _ blind_

J J J
Dm7

33

I~ J
had. _ mind._

you'll feel You will

blue, _ fmd, _

You'll miss the dear est to let some bod y

pal you've ev er come and change your

M9
j'

G7

r
now don't for get it. we've been to geth er.

IJ
Bb

J 17t:J
time_ tears,_

:J
Gm

.
I

J
~

): ..!

l .

There'll come a Af ter the

Cm

time,_ years _
Cm7

There'll come a Their joy and

when you'll re gret it. all kinds of weath er.

G7

M9

07

Gm/F

Em7

A1,9

I
Some Some day day

I J nJ
Crn7

JJ t
w w1

F
ly, ed,
F7

f r
Bb

r
!L Frn7

r
ly. you'll want me on ed. back where you start co B-~M-7--------,, 2-. B\,7

when you grow lone blue and down heart

your heart will break like mine and he with me right you'll long to

II

.,
Af-ter You've Gone, Af ter I'm gone,

r r
a a way. _ _ _ __ way. _ _ _ __

=1r

II

Af ter You've Gone Af ter I'm gone

33

After You've Gone

E
Af Af ter ter you've I'm

Creamer & Layton

Ab'7

r
and af -

r F
left ter me we
cry break

gone, _ _ gone, _ _

ing, up,
' -=- '

I J J J J
Af - ter Af - ter

j
there's you're

J J

G'7 .. J1

C'7

J.

)>

r
feel will

r
II

you've gone,_ I'm gone,_

no de - ny - ing, gon - na wake up,

you'll you

blue,_ find _ _

3 J J J J J lp J
you'll feel you were sad,_ blind_
.-...

J1 j ._,
had._ mind._

you'll miss the dear - est pal you've to let some - bod - y come and

ev - er change your

~ EbMA1

lie f
DM?

EJ

'

r
now don't we've been

Ab'7 F ~ Gr

r
IJ
when blue

BbMA1

IJ
CMI1

...._..... J J J j
time __ tears,_

There'll come a Af - ter the

time,_ years_

it, for - get to - geth - er,

there'll come a their joy and

., j

J J
you'll kinds

G'7 .. J1

J.
Some Some

~] J
you and

JEbMI6 Abq F

when all

it, re - gret of weath - er,

SbMA1
I

., #c

your heart you'll long

AM11 or e~ r break ~~ mine and I&J E you'll will like

J j JJ J i J 3 J-J
I

/F

Eo;

Bb6

grow down

lone heart

ly, ed

~~F..,........,.--, Gr

to

be

with me right

want me on - ly, back where you start - ed,

Af - ter you've gone,_ Af-ter I'm gone,_

CM? as

J J

J r r
you've I'm gone gone a a

Fr

Bb6
I

(g j

(Bb~
I

II

Af - ter Af - ter

way. way.

*Also played as an up-tempo swing (each bar 2 bars of swing).

~4FTER
.tedium-up Swing

YOU'VE GONE
HENRY CREAMER TURNER LAYTON
()

F .6. 7

1:

IF.F"

I1.

D7

~~,~~~~r~-~,0~~ 1

~ J J
12 D m7

FJ J J I
A
()

r J
Am?

l I J.
0

1#9

Om?

F
c .6. 7

If IJ J F
m7

I I
' I
'-..)

E7

7 #11

~
c .6. 7 c .6. 7

r
r

If

#r
Am?
n

r r lr
I*

#J

r# 1-r
G7

II

Om?

~J F

J J

(f

AFTERMATH (PART II)

Copyright 1992 Nivek Publishing {BMI)

23
Written by KEVIN EUBANKS

Moderately

\15

Eb7#9

Ab7#5

C9#11

F F

n=r

Jf~
BID#
Bm/D

1 f

-------If
C#7#9(b 13) Asus DM7b5

t _; lr
C#7#9(b 13) C9/Bb

L
CM7b5

GM7#11

EbM7b5

r
Ab7#5

1 ~r---r r If
To Coda~ F#m?
1

---E r
I ::j

Db7#9

::~' ~ ~s!

I ::j

; ;.
~

; ;.
GM7#11

N.C.

,~jl# J

112F#m7

CODA D.S.alCoda

tF

F=

4!

F Jltrc

g~-~

Ir

Ir

,1#"' r
jl

II

AIN'T SHE SWEET

1927 WARNER BROS. INC. Renewed EDWIN H. MORRIS & COMPANY, A Division of MPL Communications, Inc. and WARNER BROS. INC.

Words by JACK YELLEN Music by MILTON AGER

~~itr.

Moderato Eb

A9

Bb7

Eb
'f.

A9

Bb7
~

Eb
'f.

G7

f
She she

l~r
Sweet? nice?

F
See Look

Ain't Ain't

her her

lr
corn
0

r
-

f
down once

I
the or

l~r
street! twice.

r
Now Now

p IF
I I

F
you you

r r
ver ver
-

ing ver

ask ask

y y

C7

F7
~

Bb7

'~1'1. I u 0
con - fi-den con - fi-den
-

I~
Ain't ain't

l~b

Bb7

II ~b7

Ab7

Eb

J
She she

IJ
Sweet?

=II

=r .. r

r ITC77lr
eye Fm7 Bb7 Eb

F
in

r
her

F 1r
di
-

tial-1y, tial-ly,

f5TI
-

nice? Just cast an

rec

tion_

Eb7

@;~kl~f

rprnu ==trrr
my! A9 Bb7 Eb
'f.

Ab7

Oh, me! Oh,

Ain't that per

r I r r lr
-

Eb

A9

Bb7

jr
I

fee

tion.~-

=r
re
-

f~r
peat,

'f

don't you

pl

,~11 F F ijr r think that's kind of

Eb

G7

C7
~

F7

Bb7

Eb Ab7 Eb

l~r
neat?

p IF F
I

r
ver
-

I
y

lr

And

ask

you

con - fi-den- tial-Iy,

B J

I~
Ain't

J
She

IJ ...___ J
Sweet?_

t II

AFTERNOO/\f IN PARIS
JOHN LEWIS

$$-

~ t:t Qv r DCf rJ I bClCJ F U I v F~p Ef I

jQ
2

0) C-6.

C-7

F7

Bb-6.

1$ ~ij "c:J ~~b? c:I I:bD bt;J

A-7
67

EJ.J

r r~J I
7

:if

] C-6.
0

1Bb7
1

J
A7

rI
r
1

(ALTERNATE)

4r~

[ID D-7
GPEDAL

-------------------------- ----------------------------- -' (ALTERNATE)

r w
I['.
G7

G7

(STANDARD)

r v
1

F-7 C-6.

E-7 A-7

c J
1

Db-

Gb7

I~ F I I
v

D-7
GPEDAL

- - - - - - - - - - - - - - - - - - - - -

(>TANDARJi)

D-7
a

D-7 G7

G7

.J

4 r DU0: I"C/U F U I F~p nEf IbQpcJbr bi I

v
Ab-6. D07 G7 h9
C-6.
o

(g C-6.

C-7

F7

Bb-6.

Bb-7

Eb7

* p1.8) J0 !JIJ
v

A-7

D-7

G7

JJJI

II

PAGE 14

AC-DC CURRENT
Copyright t941 by Regent Music Corp. Copyright renewed by Regent Music Corp. and Jewel Music Publishing Co .. Inc. Reprinted by permission.

By B<~nny GoOdman, Lionel Hampton and Charlie Christian

f~ e
2.

Medium bounce C9

II=

J
~

3 J0 r

r r
I

~a

G6

>~

JgQ r

f"
I

r tJ

j
>'------"

f~_J Ill f~ J~

D7

..

:j

r D r J

--

I'-G6

I >'-'""

,.. J ~ ~

r'
I

r r tJ t
r
/-.._

=II >---

J 3

Am7/D

G6

]"

c r

II

AFTERNOON IN PARIS
Copyright o 1955 and Renewal of Copyright o 1983 by MJQ Music, Inc.

By John Lewis

Dm7b5

z-;-y
Am7

G7

CM7

Am7

Dm7

C6

Cm7

F7

pr711 cr
B>m7

::r
Gm7>5

1 [

r rf

r r t;
1

v tfJI

'f r

~~ !'

r
G7>9
j

B>6

a1

Al>M7

Dm7o5

I ~~f];Jn
C6

iG J I d
G7 C6
Cm7

, I,.,.
F7

Dm7

G7>9

FII

Dm7

u----r8,6

'
B>m7

. It L J
E>7
AJ,

:
Dm7b5 G7 C

@:~ ?7 .....
7

cr

;;;;;;;

,.~

bJ

,; ~r

F I ~>fJJ?Jn

,;~

r---:1----,

J IJ

J .I J I

I :.

II

35

c....;jt

A'1{a)

Uft
C~, C-'1

uTr
'~

UJ.w.
12J ]51 J&r

tJ~'
i

']'

i I
>_.I

II i

MAV-,., ~ _, I b) fil Jj

~ tT tilhlrir rr ti I~ T iv tr r;

~,....,...,

~~ _., . ~~'7

l L ;hl kl a o-:-~c_c

&~ ~~

c-,"'~

itF I ( v-~ ,.,) ~ 1 ~--~ -.=u

j
--..!

_c

~~e

c.w.'

F'
-"~--

.l ,
~

"':.4

c-s f-----r~

/.

lj/bif
IP~

rf~~AG1 ~ti~{ii ~mJ!63J rj I

A&
~ ~~r ~1c~ &o !\-~
.2.

~~

RW I J! Jd. J' I
,.,:-J '
r ,. ... ~ .

"'

I t

qs J1' i. r t I

IkWiY 1 1 i-W I~~ ~ ~ ~ ;

Db .

e'

tfj I
G.,._f- So

4~-r

q,r Bb'-r .....-:-.... ~:r

I ~ '8 r t I

"' ~

~'

...v q,

=to

~.,..

,, Ej I ~';Q:2';.i J'l azT:J. ~PI

Again
E
9

Music by Lionel Newman Lyric by Dorcas Cochran

BM?Bb01 )
AMI

17
A - gain, This_ could-n't hap-pen a - gain.

.gJJ
This is that once_ in a
1

( GMAi

B (!~)
1

CMA )

BM?

E 1(b'l)

s1<*s>
This
IS

E1(b'l)

AMI1 D1(b'l)

IJ J.
G
6

J
the thrill di vine.

I-

life - time. _ _

Whafs

EM? AM?

AMI

[i
more

17
This_ nev-er hap-pened be - fore,

17 j
(G G(ts)
A

JJ
G6 Gi)
DM? G 1

Though I have prayed_ for a

B Ml

E1(b'l)

ll JEd
life - time _ _

1frJ5J bw.
That such as as I'm hold - ing

1""\MI

1(b5)
3

D 1(b'l)

GMA1

J~
would

r
sud

v
be

you

den - ly

mme;

Di(~~

~CMA
II

DMJ1 G1(b'l)

f
to hold_ you now, and yet nev - er so

I
(Ebq
D~us) B 1 E1(b'l) A . ,1 Ml 1""\M

q
near.

Mine

CMA1

r r r=A aI Ff7 'c[ r7 I

3

r=:- 3;;;;;;;:,

Fq sus

AM?

D1(b'l)

r ~ 1,
for

Mine

to

have _

(C:II=M?(PS)CM?%BbMI

when the 6)

now and

the here_ dis- ap - pear.

What mat-ters, dear,

( ci(tH) I

BM11 Bb01 )
E
9

[Q G 6
I
o
When

EMJ

AMI

1
1

~,_]1J ~ r W 1..
D 1(;~)

_,

01

BM?

AM?

D1 (~~~

I1 J 3J
G
6

tm

This _____does-n't hap-pen a - gain,

We'll have this mo - ment for -

B Ml

E1(b'l)

AM?<bs>
I

1)5

J.

j
\...,,0,....,.....,;,.,,.,;~,...

J J s bv r J~
But nev - er, nev - er, A -

(EM?

ev-er, _ _
Oro,-.ro..,,,.,.rl 1 1,...,.,-l

gain.

1948(Renewed 76) Twentieth Century Music Corp. All Rights Controlled by EM! Robbins Catalog Inc (Publishing) and Warner Bros. Publications Inc. (Print) All R1ghts

22
Copyright 1977 JOWCOL MUSIC

AFTER THE RAIN

By JOHN COLTRANE

Slowly-Rubato Bb/Ab

G/Ab

AbM7
1

ObM7/Ab

Obdim/Ab AbM7

ObM7/Ab Obdim!Ab

4~ '1.~rr
AbM7

r ll:e
G/Ab Eb7/Ab

r r
Obm(#7) Obm6/Eb

t:I 1f
AbM7

r 1r
Eb7/Ab

~If
AbM7 Eb7/Ab

r =g
-A

1~~'1.~ r
AbM7

Ij

j
AbM7

Eb7/Ab

I-

t t

F:II r
t:-~ .?.o:J

Eb7sus

r Ir

AbM7

t
AbM7 r...
a

A
II

Eb7sus

AbM7

Eb7sus

IF

If

AbM7

Eb7sus

If

Ir

A I

AGUA DE BEBER
(Water to Drink)
Copyright 1965 by BUTTERFIELD MUSIC Copyright Renewed All Rights Controlled and Administered by MCA MUSIC PUBLISHING, A Division of UNIVERSAL STUDIOS, INC.

Original Words by VINICIUS DE MORAES English Words by NORMAN GIMBEL Music by ANTONIO CARLOS JOBIM

=r# ~~~ cr
Your Em7
,_~#

Moderately

'P

r
is
~-

C#IF#

G#m7b5

#~7JITr
rain, _ _

Em7

If

--=--

Bm7

love _

my on Em11

heart dis

the tant
A13

r f

flow de

er. _ __ serts. _ _ ._ OM7

v Cdneed_ I
The rain_ My The

r
your can

Vjr
love _ _ fall _ _ C#9 C9#11

r
or up Bm7

r
I

---v
Bbl3

r
will

on

the

die. _ _ sea. _ _ 06/A 07#9

06/9

,~11 t

u
'f

~-

'Q

r 11pgr
y can C#7b9

5.
is up

IF
in on

==---

'0 F
your the

f l'p
pow flow Bm7

ver rain_

life _ _ fall _ _

r
er. er.

F#7sus

r 0'
Will

1'0

Since
N.C.

I _ _ with the _ _ rain

Ir

,)

.l

er _ __ has _ __ E7

f]'O
to _ _ fall_ Bm7

p'

r r

and to Em6

fade fall

o r _ bloom let_ it

the on

sky?_ me._

rnn
De De

It

Ag-ua Ag-ua

Be-ber, _ _ Be-ber, _ _

g!ve the flow - er Ag - ua De Be

Ed r

It
~~m7

j
ter ca

j
to rna

C'

wa ber _ _

drink.ra._

N.C.

t
De De

E7

Em6

d~

FA"

It

r r tJ r 1r
~ve

j
ter

j
to

C'

r
II

Ag-ua Ag- ua

Be-ber, _ _ Be-ber, _ _

the flow - er wa Ag- ua De Be - ber_

drink._

LJ
The

..

r
can fall_
-

r
ca

j
rna

r,

'r;>

rain _ _

ra. _ _

Agua De Beber
(Water To Drink)
Music by Antonio Carlos Jobim English lyric by Norman Gimbel Portuguese Lyric by Vinicius de Moraes

>-

>-

y our Iove _

. 1s

. ram, _

my_ an

heart _ _ __ oth

the er

flow spnng

er. _ _ time. _ _

I need_ your I'll nev er

love*_ feel_

rr v' r
Er

GMiq

FMAq

F~q

FMAq

F~q

Jd I/o
I
will mer die. _ _ sun. _ _

1'
.t

;
~y

3~J~

or_ the sum

life_ ver y Un - less_ you're there_ Fi'(#q) E1(#9)

.wzt
Will_ like_

Ebr

DMI6 Dboi

.LJ
Erc~q)

J~

J. JJJJ
share _ _ __

J~ j
your pow that sprmg er. _ _ time, _ _

/c J>~ /s
I

JI

IS_

m _ _ _ __

to_

And

(EM?

A~us)

-Eif I J~ ~J J
'._-'

IJ ~Ji~J J 3 J~S J
fade or____!:!. blos-som t o _ _ flow - er _ our_ hearts _ the sky? are one.

A~us

DM1

I the

with - er and ram_ and the

A - gua

de

be - her, _

[6]

G13

.[,o
gua de be- ber _ _ opt. (Give the flow- er wa

J J ;1 )J1
Aca- rna- ni._ ter to drink:_ )

y.

A - gua

de

be - ber, _

GMiqc:

DM?
ca - rna- r:i._ ter to drink. _ )

' ~ J?J Ji2J j j Agua de be- her _ __ opt. (Give the flow - er wa

l~P ~; !II
>>-

AM 1rcbs)

* This line is also performed "I need your kiss" or "I need your drink" **"Bloom" is an alternative to "blossom"
1963, !992 Buttertield Music and New Thunder Music, Inc., P.O.Box 15221, Beverly Hills, CA 90209. lnternanonal Copyright Secured. All Rights Reserved. Used hy Perm1ss1on

(As is each x)

~~J Jj) J. J11MfflqW.0lqJ JfJ, I J Jj 0 J. J11MfflqJ~JqJ J

'-'

DM?

Ei(#'7)

Ai(#5)

DM?

Ei(#'7)

A7(#5)

(lnstr. or

vocal "scat")

BbMA
I

-$- DMI7
I

(Solo pick-ups 2nd x)

;=J J
Doctaves
A

;=J J.

I* ;1~J1 ~ -~
I'll nev er see _ _

-$-oMI

Solo on AS (C as is each x) After solos, D.S. al Coda

IFJ J

IJ a -

II

Additional English lyric: The rain can fall on distant deserts. The rain can fall upon the sea. The rain can fall upon the flower. Since the rain has to fall, let it fall on me.

Agua de Beber (Portuguese lyric) Eu quis amar mas tive medo. E quis salvar meu corac;ao. Mas o amor sa be urn segredo. 0 medo pode rnatar o seu corac;ao. Agua de beber, Agua de be her carnara. Agua de heber, Agua de heber camara. Eu nunca fiz coisa tao certa. Entrei pra escola do perdao. A minha casa vive aberta. Abri todas as portas do corac;ao. Agua de heber, Agua de beber carnara. Agua de beber, Agua de beber carnara.

Guaracha J = 114 (2-3 Clave) lntro t. ./

II

(n

o./

'
,

Aguardiente De Cafia
s- ~. .

Miguel Barcasnegras
(as playeJ by Ray Barretto)

. .,
I

>
,)

>

.J

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_....~..

~
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. _Oj_

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'
I. I I. I. I

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N.C.
l (pn.
+ Bva)
VI"'

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(horns)

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A:

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I. I.

N.C.

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(bs./trb. Bva bJ

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I.

I.

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lo'l

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v

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lo'l'llo'l
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I.

GMI'i'N.C.
J (pn. + Bva)
_._ _._ _._
I.

Gb1(4111)
I

,._

_._

f6break - - - - - ::._:._ 1\
-

~---------- El cam - pe

__.__

'--""

s1-

no pre- pa - ra su tie

rra y siem - bra su ea

fia, lue- go_a_ co- se- char._

Que Ia mo-

lien - da con - ten - to trans - por -

ta_en su vie - p ca - rrc

ta a pa - so can - sao',

has - ta que

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r~

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I

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AM?

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BMl
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lie- gl_al tra- pi - che

7(~5)

E7

D7
J-J.
--...I

muc -le que mue

......
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_.__ __["'_._
..11....1_

,
-

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J---J.
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o./

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C7

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FMA7
__.

, (pn., + Bva)

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l

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I

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--ill

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...._

c m

r Ya

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EM?
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J:

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(etcJ (horns, + Bva b.-

top) note

'J II

t.

I"'

.J

- _._""'. .
I
I

..1'!1.

"
....-t--

r_....

_--ill

-41

que_en ticm- po~c ca - iia

A
r~

EMl1(~5) .

A:(~~' .

DMiq G 1 'b 5)
I.
.~

. .

vas

a fer- men- tar.

(pnJ

GMiq

c~ M'
3
~
L

N.c.
-~

-----------

__._ __._ __._

El cam- pc-

., l

.J (horns, top note)

197H FAF Publishing. Used by Permission

tuttr

------'

(bs./trbJ

lU

si-no tra- ba - ja_en su tie

rra que tan - to_a Dios pi

de po- der

dis- fru- tar,_

a! pa -

,...
I.

.;

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r
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~I

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f6
i

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FMA7 GM17 AMI7

r
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_Of_

sar u - nos di - as sa -I e el _

a- guar- dien - te que brin - da_a Ia gen - te que

SbMA7 AMI7
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r
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GMI7
.,._ 'L

quie- re go- zar.

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~

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(horns)

(pn}va) ~

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OJ OJ

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1:5.

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(bs./trb. Bva b.)

(tuttt)

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(repeat to letter B)

r If'\ .J/

(tuttt)

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(horns, top note) (pn. montuno)

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r-

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FMA7 AM?AbM? GM? C7

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FMA7 DM?

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f MA7 DM? C octs.

Yo

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(sam ple bsJ

...,j

...,j

- -

(etc.l

quie - ro

sen - tir

me_en am - bien

te,

to - man - de'!.} - aguar - dien -

ffj.,
te.

(Vocal solo)

~~1 II
I 1

GM? C1
I
I

II
I I
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FMA7 DM? GMI7

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I

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FMA7
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DM?
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GM?
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c1
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FMA7
I
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DM?
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(Vamp

& solo till cue)

V.S. (turn pa9e)

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c1
I
I

FMA1
I
I

DM? GM? C1
I
I

tf7

I"
I

I"
7

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horns, ) top note

shake

ll.-3.~J4(~

_,

(C
/

) (Vocal solo )
~

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/"'"""
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!"'"

Bb
"f

dicn - te
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ca

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(C)

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' + _,__,-1

...-t-

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CBbF...--r-..
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BbC
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A- guar(tacet last x)

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Bb

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(Vamp

-!

& solo till cue)

DM?

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mf
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A.

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.;

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mf GM?

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sus

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(pnJ

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t~-tttl------- J

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F~(#ll)

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A.
(t~-ttti)

20

AGUAS DE MARCO
(Waters of March)
Words~nd Music by ANTONIOCA~LOS JOBIM

Copyright t 973 Antonio Carlos Jobim Published by Corcovado Music Corp.

Moderately

C!Bb

Am6

Fm6/Ab

I;
A

J
a stone, it's the end

J 3 J It;
of the road. __
C7

3 J IJ
It's the rest of a stump,it's a
Am61F#

llJ
lit- tie

J3

stick,

a - lone._

C6/G

Gm7

fl
Fm#7

3
It's a

J j J .1]
sli - ver of glass,_ it
C6add9/G

J
is life,_

J
it's the
C7/G

J lj
sun__

J
it

J
is
D71F#

J
y

I
it

J 3A
is death,-

night,_

~VJ

J J 3'--"3 J J
a trap,_ it's a

J 1;
gun. _
C6add9/G

)\ J J J J, I. r
The oak when it

;
a

a J 3 ~ar
fox in the
C7

3 a 3&Ea
)i J 1
a scratch, a

_ it's

blooms, _
Gm7

brush, _
D71F#

the knot in the wood, _

)l

3-J
a
Fm6

1 J.. J
thrush, _

~ J J

~ 1 l'r
wind, _

the song of

the wood of the

C6add9/G

a cliff,

~
a
C7/G

4JJ
fall,_

I~

C7

J J
it
is

noth

ing

J 3 J......_.... IJ all. _ _
at
Fm6

) 3
It's hope,_

13 3 J j ......_.... 3 J
free,_ it's the
C7/G

J j
end_ of the

the wind blow - ing

C6add9/G

slope,_

---1
I
'"----'

t; n
it's

Am61F#

J 3 J 3 lj 3 J 3 3 3 J j J; fl ;4 J
a void,_ it's
Fm6

fflJJJj
talks of the Wa-ters of

a beam, it's

hunch,_ it's a

and the riv-er bank

March._

'J
~

Am61F#

C6add9/G

C!Bb

J 3 J strain, 3 J joy 3 J _ J J 1 end of the J 13_ it's the 3 _3 in your ]heart.I; The foot, It's the
Fm6/Ab C6add9/G

I;
the ground,

)iJJ jg??l
the flesh and the bone, _

Am6

J IJ
the beat of the road, _
Fm6

y
a fish, a flash,_ a sil - ver - y glow. _

a sling - shot

stone, _
C6add9/G

D71F#

C!Bb
y

'_J i1
a

;4 J It
a bet,
Fm6/Ab

J 3 J I;
the range of a bow,_

) :J

J j J 1;
well, _

.j j(_)
the end _

J3J
of the line, _

fight, _

the bed of the

C6add9/G

C!Bb

j I;
the dis - may _ in the face, _ it's a
Fm6/Ab

3
loss, it's

J 3 I;
a fmd. _ A
CM7/G

J
spear, a
Gm9/C

1;
spike, a

J
point, a

J
nail, a drip, a

I;
drop,

J:J

oaa
'._./

I;
"-""

""'==i J J,J J -. ) IYJJJJJJ.~

'._./

the end of the

Bb13/F

tale, _

a truck-load of bricks
CM7/G

in the

soft _ morn-ing

light, _

C!Bb

i1J
'._./

.__..
a must,_ a thrust,_ a bump, _

the shot of

gun_

in the

dead _

of the

night._

mile,_

21
Fm6/A~

C6add9/G

Gm7

C9

n
it's
D/C

J J J 3 lj J J 3 j J J 3 1;
a girl, it's a
rhyme,~

'f

J J]J.
house, ~
Gm7/C

.p

j J
m

it's

'-' cold,~

J J
in bed, -

it's the

mumps._
C6/G

The plan of the

the bod y
C7

Fm!C

'.J==f+i J

1 1)~1 J J j J
stuck,_ it's the
Fm6add9/C
mud,~

l
mud._
CM7

J . Q_jt
float, a drift,
C7/G

'f

and the car that got

it's the

a flight,

a wing,

-r=ry=.ra.
'-'

1 Jt
Fm#7

'f

1LJ 3 Jj=J9 ;4 o=LJ fflJ

the prom-ise
Fm6

J j j. -1
C/B~

hawk, _ a quail,

of

spring,_
C6

and the riv. er- bank

talks
EPID~

of the Wa-ters Of March._

ifn

Am61F#

F#IE

d w w ata++JifJ-;-JJw=t =t= .. -.
Fm6/A~

t
CIB~

It's the prom-ise of life,_ it's the joy_ in your heart._

tt

Am6

CM7/G

FM7

Fm6

C6

Am6

Fm6/A~

I
CIB~

j
Am6
Fm6/A~

CM7/G

' t
C6add9/G

a J. _a
A

J r It J J j
it
CIB~

J J Jg)
is Joe,_
Am6

'f

JJ
it's

J J 3aaJ

3 J 3 J"lJlB
'-"

snake, ~ a stick,

is John, it

a thorn in your hand,_ and a

Fm6/A~

cut_ on your toe. _

C6add9/G

')
C/B.~

j
A

J
point, a

I;
grain, a
Am6

J
bee, a bite,_

JqjJJ31t 'flJJ J 3 I;
a blink, _ a buz-zard,
Fm6/A~

:J
A

J A
pin, a

a sud-den stroke of night.

CM7/G
u

&J

J J
m

I;
sting, a pain,
D/C

J J J
a snail, a

IJ
m

J W3 J *7 $
a wasp, - - a
Fm6/C

'f

l
a

J 3l 1
the moun
m

nee die,

rid die,

stain, C

pass in

Cm7

'"~
m

tains,

) 3 3 3 saJ J J
a horse and a mule, D/C

J J ii33J
shelves D~/C

J J i 3 J J,
rode three shad-ows of

u n
C/G

=;:-'""1J4
m

in the dis-tance the

blue, -

and the riv

er bank
m

~n
talks
CIB~

of the Wa-ters Of

a J a 3 I;
Am6

~n

J J J 3 I J ~J
of life,_
Fm6/A~

&J

3 J J J 3 I;
A
C6add9/G

J
stick, a

March._

It's the prom-ise

in your heart,_ in your heart._

~J
v

'f

JY] J 3 JJJ
the end of the
C7

)1....__,. 1-J
the rest of a stump, Fm6

'f

Ji J J 3 J
a sli ver of
m

stone,
Gm7

load, _
D13/C

a lone

some

road,_
CM7/G

glass, -

----

'J

qt;
a life,
C7

ry t;
a night,
D13/C

:n a a aJ
the end of the
Fm6

G#dirn!C

..__,.

I;

n ;m
and the riv
C6add9
m m

fJ
II

the

sun, _

death, _

run, ~

er bank

Gm7

,---3----,

j
talks of

1 3

J 3 I;
Of March. _

j
It's

J
of

J 3 I; J
all strain,_ it's the

J J
joy in

I
your heart.

the Wa - ters

the end

L..

n-,-- g __ -=-:;;: t1 - lLl Y~ 1.1~ -W

d

G ae

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I --

~ l-rluMft1l {~~YfHr.1 C,HAH&e>)

---

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r r r r
~

_;

.__

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L
~ ~

L L l
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lj/bif
IP~

rf~~AG1 ~ti~{ii ~mJ!63J rj I

A&
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.2.

~~

RW I J! Jd. J' I
,.,:-J '
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IkWiY 1 1 i-W I~~ ~ ~ ~ ;

Db .

e'

tfj I
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4~-r

q,r Bb'-r .....-:-.... ~:r

I ~ '8 r t I

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...v q,

=to

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AH-LEU-CHA (Also Known As AH LEV CHA)

o 1 948 ATLANTIC MUSIC CORP
O Renewed

By Charlie Parker

ard assigned 1976 ATLANTIC MUSIC CORP.

Bright tempo Gm7

~ ~ r [ Fr
,2.

r [ f r In r
C7 F

fJ 1 I] J] J J J1 Ir
Em7
A7

I _

11.

C7

;)

EU S =II
3

~~
07

- J J J J fJ lr
I

f
G7

~~

j
Gm7

A_J

t
3

'1
C7 Gm7

l!r;

ffl
~

r ~~
r

-J)
~

IW J
3

~ ~

i - r F r r 1 j 4 PTJ lc - f
C7

F EFE FI

'-o...l

I~

=1

J J J

lr

AIN'T MISBEHAVIN'
Copyright CJ i 929 by Mll!s Music, Inc. Copyright Renewed, Waller's interest controlled by Chappell Inc. (Rightsong Music, Publisher}

& Co .

Words by Andy Razaf Music by Thomas Waller and Harry Brooks

Slowly Eb

Edim7

Fm7

F#dim7

Eb/G

G7#5

Ah6

Di>9

~ ~"~,

'1

J a J vr
No one to
talk with,
C7

j j
all by

J
B>9

Iy r
no
G7

rr v
one to walk "ith, but B>7 F7 C7 I'm hap - py on _
Eb

J'
I

my- self,

the
Edim7

shelf,

Eb!G

Fm7

~ ~~~~" J
Fm7

a J v r
F#dim7

I '1 J J
I'm

v r v I ~CJla
my love for

Ain't Mis be hav in'

sav in'

EbiG

G7#5

you. - - - Di>9 Ah6

know for cer - tain

C7

Eb/G

z
the one
Fm7

r r r rn r v
I'm thru with flir tin'
Eb

kttJ rw
just you I'm think in'
Cm

J
of.

J j J
Ah7/C

love,

it's

Ain't Mis -be- hav - in'

B>9

Eb

0709 G7

It
I'm sav in' my love for you.----

Like J ac:k Horn er

in

the cor ner,

36

[~'P!J . d
..
'

R-

Ley- 6aE

c. fMtEJ\ -

i
~

~VfHfrl ~i'T"~Uft1Vi1l {~""""'-- . ~~ANG7e> )I f'"""''l

.
.

~f"""\

lllo..

..n.- ,,

(1'!NC~l
'

...

,,

,.

--..

.....

,.

.__)

-----

- -

ftJW'T Cf{A ~ftb (w.t~u-RA-; "1133}

1\

\J

~, B
Cl-

Xfi i I T'
f~

So

a,....r

Fr

~r

q,

(Jf1 I

~6u( ~ /1.~~ l3)

AH-LEU-CHA (Also Known As AH LEV CHA)

o 1 948 ATLANTIC MUSIC CORP
O Renewed

By Charlie Parker

ard assigned 1976 ATLANTIC MUSIC CORP.

Bright tempo Gm7

~ ~ r [ Fr
,2.

r [ f r In r
C7 F

fJ 1 I] J] J J J1 Ir
Em7
A7

I _

11.

C7

;)

EU S =II
3

~~
07

- J J J J fJ lr
I

f
G7

~~

j
Gm7

A_J

t
3

'1
C7 Gm7

l!r;

ffl
~

r ~~
r

-J)
~

IW J
3

~ ~

i - r F r r 1 j 4 PTJ lc - f
C7

F EFE FI

'-o...l

I~

=1

J J J

lr

AIN'T MISBEHAVIN'
Copyright CJ i 929 by Mll!s Music, Inc. Copyright Renewed, Waller's interest controlled by Chappell Inc. (Rightsong Music, Publisher}

& Co .

Words by Andy Razaf Music by Thomas Waller and Harry Brooks

Slowly Eb

Edim7

Fm7

F#dim7

Eb/G

G7#5

Ah6

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No one to
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C7

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all by

J
B>9

Iy r
no
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one to walk "ith, but B>7 F7 C7 I'm hap - py on _
Eb

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my- self,

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a J v r
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I '1 J J
I'm

v r v I ~CJla
my love for

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sav in'

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you. - - - Di>9 Ah6

know for cer - tain

C7

Eb/G

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the one
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r r r rn r v
I'm thru with flir tin'
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just you I'm think in'
Cm

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of.

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love,

it's

Ain't Mis -be- hav - in'

B>9

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0709 G7

It
I'm sav in' my love for you.----

Like J ac:k Horn er

in

the cor ner,

36

F71C

C7

F6

Cm7

F9

G719

C7

Il
don't go no where,
F7 Bb7

I
Your Fm7

f If
are
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for,
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what do

care.

r
be

kiss es

E!.

Edim7

worth wait in' E!>IG

j
lieve

I" J J J ~
I
don't stay out

r
late,

I"

J
Fm7

r
go. Bl9
m) Jove

r r

r vI
just

me

don't care to

I'm home a bout eight, AJ,9 H619

I7 J J J
me and my ra di o, Ain't Mis be. hav in'
I'm sav in'

v r p I "c57?tr
for you. _ _ __

II

AI REG IN
o 1963 Prestige Music

By Sonny Rollins

Bright tempo

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Ain't Misbehavin'
~
~ed.-Siow

c6 E.,(#S) ~e'JJ1lJIjJJ ~ I,J JJ ~ r ~

A.,
DM?

c6

Swing

(C~

Music: Thomas "Fats" Waller and Harry Brooks Lyric: Andy Razaf

G.,

F6
FM1

I LJ

J]J&J J I

No one to talk with,

all by my- self,

No one to walk with but

I'm hap-py on_ the shelf,

~ l'~j J

1 }J.

A.,

DMI1
I -t
I'm

G.,
I>

j J j J1 J
sav - in' my love

E., A., Dq G., ]> 10 IJ for you.

~

Ain't mis - be - hav - in',

c6
I ~a J

(C~

E.,(#S)
just you I'm think - in' of,

J
the one I love,

J~ r ~
...

q
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I

I know for cer-tain

I'm through with flirt- in', it's

A.,

IJJ1lJ
Ain't mis - be - hav - in',

I-t j J j J1 J } I
I'm sav - in' my love for

1 DM1

G.,

C6 f6!MI6c6

E.,
I

~ you.

-&-

I1 -

:ru AMI

Like Jack Hor-ner

E2J
Your

F., J. It ~
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in the cor - ner,

E1
1

D., J. It ~ D.,

don't go no- where,

E2J
G., IJ
for,

A., J. I t #0 ~ J. I ~
what do I care?

G6

AMI

A.,
j
be

r r r
kiss - es

IF
are

F
worth

wait - in'

Dq lj
lieve

G., j
me.

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don't care to go,

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me and my ra

- di - o

q
I'

1 J 1 Ji J I' J J J Jl
I'm sav - in' my

A1

DM?

G.,

J
love for you.

Ain't mis - be - hav - in',

1929 Razaf Music, Warner Bros., EMI/SBK. Used by Permission.

AIN'T MISBEHAVIN'
Medium Swing

"FATS" WALLER HARRY BROOKS ANDYRAZAF

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17

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Ain't No Sunshine
Pop Ballad

~c4"J

N.C. <AM?)

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a- . . n
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Ain't no

E~

AM? EM1

Bill Withers

AM?

It

J
when_ she's a-

Ain't no

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gone,

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AMI1 EM11

I~
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sun - shine when she's

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and she's a!

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I tfj.
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AM? EMIi

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this time where she's

an - y time_

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if

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"GJ(J
and this house_ just ain't no_

lr 1 JJ jJ JtJJJ
an - y- time _ she goes a - way. An' I know, I know, I know, _ I know,

AM?

[BJ N.C.<AM?)

(dr./perc. continue)

lfJJ J J
I know, I know,

J tflQ 3
I know, _ I know, _ I know,

j iJ
I know, I know, _ I know, _ I know, I know, I know,_

tJ JJ
I know,

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I know,

___ JJ J J J JJ
I know, I know,_ I know,

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I know,

___ J J J JJ J J
I know, I know,_ I know,

~~ iJ
I know,

JI
I

19i 1 lnteric'r Mu>ic Corr. All Rights Reserved. Used hy Permission

E rJrb r E r f c r E cFIE r; bc:-o

know, Hey,_ I ought-ta leave the young thing a-lone,_ but ain't no 1 (Solosi'optional)
1

N.C. (EM?)

(DMI1 )

a
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I

sun - shine when she's_

tJ 8
s

AM?

z
A wo wo wo.

gone. _ _

I I I I ~ Solo on A (repeat for more solos) After solos D.S. al 2nd endin9
I

AMI

(solo pickps)

-a-u n
Ain't no sun - shine when she's day. Ain't no

~ AMI EM? AM?

1
11

J -

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r .m-u~- J o
ness_ ev - 'ry and this house_ just ain't no_

liiiii"~....__

gone,

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an-y time_

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Sample A .. 1

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AIN'T SHE" SweeT (~-'fe/6....~t.r)

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AFTERMATH (PART II)

Copyright 1992 Nivek Publishing {BMI)

23
Written by KEVIN EUBANKS

Moderately

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AIN'T SHE SWEET

1927 WARNER BROS. INC. Renewed EDWIN H. MORRIS & COMPANY, A Division of MPL Communications, Inc. and WARNER BROS. INC.

Words by JACK YELLEN Music by MILTON AGER

~~itr.

Moderato Eb

A9

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Eb
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A9

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l~r
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F
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lr
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I
the or

l~r
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r
Now Now

p IF
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you you

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IJ
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t II

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tMotl.
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Ain't That Peculiar

1.

You

do

me

wrong_ but

still_ I'm

era

zy

a - bout

you,_

~ITr U-P f fT~ f

Stay a - way too long_ and I _ can't

F*MY- E J. E ]--J

D~

JE

q/ E JhJ J.

F*MY.

(d f

J~ J~J JE

E [}

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d o _ with - out_ you,_

A
J.
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you get you seem_ to hurt

F F
me more and more, _ _

Ev- 'ry chance

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F*MY- E J. E J-J

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7

F*MY./ E J.E J~J

l
1

q/

p~ I

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But each

flow- ers grow through rain,_

But how can_ love_ grow through rain?

b4

~A QA A ~ A l ~ J. J '! J ~
I

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QE

l~J

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F#MI/

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p F F CJ
uh ain't that

F
liar,

pe - cu

Er:i r
a pe
-

J~J ,......._,

JE

o~

,_.......

cu - li - ar -

c:f

1965, 1975 (Renewed 1993) Jobete Music Co. Inc., USA Used by permission of CPP /Bel win, Inc., Miami, FL and jobete Music Co. (UK) Ltd., London WC2H OEA. All Rights Reserved.

E
i ty,_~--

Tr
Ain't

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r
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that

B Eb~s~ cu
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be?_~~

ltJ 1 F !f 1 IJ
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hey, _ __ (Hey
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some times,_

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D/

II

strange

Second verse: You tell me lies, that should be obvious to me, But I'm so much in love, baby, till I don't want to see That things you do and say are designed to make me blue, It's a doggone shame my love for you makes all your lies seem true. If the truth makes love last longer, why do lies make my love stronger? Uh-Ain't that peculiar ...

(fade) Third verse: I've cried so much, just like a child that's lost a toy, Maybe, baby, you think these tears I cry are tears of joy, A child can cry so much until you do everything they say, But unlike a child my tears don't help me to get my way. I know love can last through years, but how can love last through tears? Uh-Ain't that peculiar ...

Medium Rock J = 164 ( lntro )

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SEA'S FLAT
PLAYED BY: CHET BAKER PACIFIC JAZZ PJLP - 6 BY:

RUSS FREEMAN

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24

AIR DANCING
By BUSTER WILLIAMS

1987 Buster Williams Productions, Inc. (SESAC)

All Rights Administered by Soroka Music Ltd.

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M IJ _IJ =--IJ
F7#5(#9)
:

Ai>m9

Ai>m9

~ 4 ___--, Bbm9 II;J w J 1.J 1 r

2
11
0

-----

Ai>m9 Am9 Bbm9

,,

Bm9

Am9

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'f

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Am9

-==-' J

Am9

Bm9

Am9

Bm9

Bm9

IJ
Am9 Bm9 Abm9 Bbm9

IJ
Ai>m9 Db7#5(b9) Gi>M7 Ebmll DbM7

,~1

J ijf
Gb6

&ill~

fr
Fine

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Bbm9

IJ.

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n IJ J J11J
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,-4----,
1

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------

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AISHA

II:

. :ill:

D.C.alFine

-41

Copyright 1962 Aisha Music Company Copyright Renewed

By McCOY TYNER

Slowly
,.------- 3 - -

Am9

Gm9
I

,.-------3-

Am9

'B'f fl
Fm9

'ro
Fm7

1
Bb7

D
,--3----,

I Jo
Gm7 C7

'I

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3

'I

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lbrn7 C7

'I

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IJ

'I

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Bm7 E7 AM7

,--3----,

D7b9

To Coda-fJt

J
D7#11

J d ~6Lr
AM7

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D7#11

Fm7

tAO
Di>M7

E~ 3 ---, ~~~7
'1

C7

)i

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I] :jpJ
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'I

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BM7

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'

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BM7

lp ro
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3
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,--3----,

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C7

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J) J
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II

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tr

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rito

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C'tl1
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BTM

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lq Zf 1]\..

AIR MAIL SPECIAL

Copyright e 1941 by Regent Music Corp.

Copyright renewed by Regent Music Corp., Jewel Music Publishing Co., Inc. Rytvoc Music Reprinted by permission
arvj

By Benny Goodman, Charlie Christian and Jimmy Mundy

f ~~~ cP u PIcrtr cP Ic~ u ccu 'ttc; r l I tfi u ; vI I 4~~~ crfr ., rP 1Cft; l; 1rr rrr l :II cCt; tf:t; 1~ i rr= r lz E:fpt r~ r- f 1

7 7
'f

Bright tempo BJ, 6

fiL

jt.

Bb dim7b

~ 9" t r ~ tury
CH

b~

1y

aL f: r r f
_
Bb 6

b~

Cr rf tmer

Bb dim7

1y

ctJ Cr r i t r FY tear
Adim7

Ab dim?

~ ~~t Df)J f:Cg ItJfo' f

t
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tf U

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r r .:z~:~~ ~ I gpf>J-

.. ~ ,.. ,.. ~ ~ ~, ,.. ,. ,.. ,.. ~ e. ztJGiiCfQLfFJJLLL

ALL ABOUT RONNIE

"Copyright 1951-1953CRITERION MUSIC CORP. " Renewed 1981 CRITERION MUSIC CORP.

By Joe Greene

Moderately with feeling

~ ~h

.I J. J J J II:
All A-

.--a-...,

EJ.9# 11

.--a-...,
I ~

Bb6

r r
there's

bout

Ron- nie,
BJ,6 A7 AbM7

so

I
much to

I~CJJ J
tell,
G7

..
I

,---3--...,

Cm7

J
A-

i
bout

Ir
J
I~

All

Ron- nie,
Cm/R G7/D

F7

r-3-,

A 7 BJ,6

D'f!Ili- a-,

pl.

r
Cm

j I~CDW F' F knowg:}so well. ____

Gm7

J Id F
{~}

J ..___ J I I
rm.
gers, __

r-3-,

I r~
their sense of
r--3-,

I
J.
~

mag. i. cal

em - brace. _ _

J Ir J
{ Her His

,-a---,

C7

.-a---,

GJ,9# 11

F9

Eb9# II

J J] J J
l

J
j

r
face. - - - Cm7 F7

J J J
All

jJ
D7

whiS per

pe~ fume} that lin - gers_

Bb6

car - ess - ing your

A-

bout

Ron- nie,

.---3--...,

r--3--...,

c~;;a3---,

F'
best G7

J I ~CDJ
a

J J
Let me
Rm7

IF

Il

r r
C'm he's

ja

I
~.J

told in

toast,

pro- pose it.

her } fav' rite my

host.
C7\5 F7

Cm7

r lr r r
We'll drink from dry C9
F7# 5

r-3---,

,--3---,

,--3---,

J J

r
N.C.

IJ

~w

r ~r
the cham-pagne is Ron-nie,_ And Ron - nie is

glass-es, There's no

need for wine,

r--3-----,

J
mine.
All

J
A

I
mine.--------

bout

38

1~7

AIREGIN

written by: Sonny Rollins ncookin' with Miles n Prestige 7094

0
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1

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(~7)

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lll-8

BLUES BY FIVE
written by: Miles Davis "Cookin' with Miles .. " Prestige 7094

BLUE SEVEN
written by: Sonny Rollins "Saxophone Colossus" Prestige 7079

:S~7-f

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(Ei"fl)

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F71C

C7

F6

Cm7

F9

G719

C7

Il
don't go no where,
F7 Bb7

I
Your Fm7

f If
are
F#dim7

F f
r

for,
G715

what do

care.

r
be

kiss es

E!.

Edim7

worth wait in' E!>IG

j
lieve

I" J J J ~
I
don't stay out

r
late,

I"

J
Fm7

r
go. Bl9
m) Jove

r r

r vI
just

me

don't care to

I'm home a bout eight, AJ,9 H619

I7 J J J
me and my ra di o, Ain't Mis be. hav in'
I'm sav in'

v r p I "c57?tr
for you. _ _ __

II

AI REG IN
o 1963 Prestige Music

By Sonny Rollins

Bright tempo

f &'\~

Fm7
(!

G7

Fm7

G7

Fm7

Go7
9~'-

J J J J J J J IJ.
3

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3

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G7

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3

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IJ J J J
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C7)5#9

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G7

J J J I~ ~J~

IJ J J J
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JJJIJ. J1
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II J
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r v 1BbM7

r IJ
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r ' r 19
Fm7 G7

If

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rz
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Eb7

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~

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IF
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Fm7

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37

Medium-Up Latin

(H)~2:;ings)
l

(IntroJ
r--3-,
-.-.,-

Airegin
~
I

Sonny Rollins
(As played by Miles Davis)

.--3---,
\

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(ten.)

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(belss)

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solo break- -

- - -

II
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Sclc on fcrm (ABAC-) After sole~ D.S. al Coda

II
Piano tacets for head.
el963
Pre:~tige

( pn.

bs.)

Music. Used By Permission.

..)#.~,.

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24

AIR DANCING
By BUSTER WILLIAMS

1987 Buster Williams Productions, Inc. (SESAC)

All Rights Administered by Soroka Music Ltd.

Moderately Bi>m9

,~~~ f

0 ..

ar

Ai>m9

Bi>m9

Al>m9
..

Bi>m9

Ai>m9

Bi>m9

11.J

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tr
1 r
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:

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,,

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Am9

-==-' J

Am9

Bm9

Am9

Bm9

Bm9

IJ
Am9 Bm9 Abm9 Bbm9

IJ
Ai>m9 Db7#5(b9) Gi>M7 Ebmll DbM7

,~1

J ijf
Gb6

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Fine

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,-4----,
1

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,~1

------

IJ

i>J

r
AISHA

II:

. :ill:

D.C.alFine

-41

Copyright 1962 Aisha Music Company Copyright Renewed

By McCOY TYNER

Slowly
,.------- 3 - -

Am9

Gm9
I

,.-------3-

Am9

'B'f fl
Fm9

'ro
Fm7

1
Bb7

D
,--3----,

I Jo
Gm7 C7

'I

t5]J r'
I
Am7
3

'I

'J
lbrn7 C7

'I

~D

IJ

'I

~u I J.
Bm7 E7 AM7

,--3----,

D7b9

To Coda-fJt

J
D7#11

J d ~6Lr
AM7

.3
D7#11

Fm7

tAO
Di>M7

E~ 3 ---, ~~~7
'1

C7

)i

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Gi>7#11

I] :jpJ
Di>M7

'I

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BM7

#J5 ro
E7#11

'

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..

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E7#11

Gi>7#11

BM7

lp ro
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~F F= F ~>r
3
3

F ~r
D.S. alFine
E7
,--3----,

I'F"

#Jl
CODA

,J.
C7

#Jl l#j,
Fm7 Bi>7

J) J
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f:l

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II

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Bm7

~ Gm7

tr

J J J

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rito

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<

,~ ilrr &r-Gjtr ff11G , W! ,~;t t r~s~ I &i>sE-?J, ;~0VJ I )~' ~- be ~

/1

AIS~A

M~ Tie. ~.

~~~~~~~~~:~ . YJ

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AJA
Copyright 1977, 1978 by MCA MUSIC PUBLISHING, A Division of UNIVERSAL STUDIOS, INC.

25

Words and Music by WALTER BECKER and DONALD FAGEN

Moderately

'I

CM7

Bb/C

CM7

FM7

Cmll

DbM7

1. Up-on the hill_ peo 2., 3. (See additional lyrics)

r F r r J.

~ 1F
-

pie nev-er

r a F fTF
stare,

r
they

1r
just

r
don't Ab

IF'
care.

Eb9

F7

AbM7Bb/Ab

IF'
Chin A7 Cm7
-

r
ese

1'F

D f'
un-der DbM7

r
-

p f (lr
yan_ trees_
3

F r 'F IF
here at the dude GbM7 Fm7

,--3T

G7
~

E7

I
ranch
a- hove
the

mu-sic

ban

I
sea.

r lr
A - ja,
11

I2

rr F IF r r F IF
3______,

~--,

D7b5

ToCodall~~ DbM7b5

f IF T--}11=
1

~rr
you. _ _

when all my dime dane-in' is through

run

to

Gm7 Fm7

!iS

Bb
'I

Ab
Play 8 times

Bb
1

Ab

Bb

Ab

Bb

Ab

=II
Bb Ab Gb Ab Gb
'I

II=~
~

Pl ~r- =IIP '1.

Ab DbM7
Play 3 times

Dm7

It
G Ab

pr l r' ~J
~

Ir

=II r-

pr

r I

ll:r fr =II F II
Ab
Play 3 times
'!

Bb

Ab

Dm7

Gb

To Codal~ Bb GbM7 Ab

Bb

I~r
CODAl ~ Gb GbM7

F' p lir
EM7

?r II
li ~r

"'
0

Ab D.S. al Coda I
'!

lr r lr r IP
p
~

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Bm7

=II t
Cm7

p as-&M
FM7

Ab

Cmll

,~11, F
Instrumental N.C.

iF

rr_
Dm7 Cl3

r 11=1 r r
BM7

Play 7 times

=II *r

l'

Iqo
Cm7

DbM7 GbM7

'~I'!. q~

qJ.

I q ~

"'

r
Dm7 Cl3

II fe ~rA Ill= ~r r - =II *r

Cmll

Cmll Play 8 times Bm7

FM7

N.C.

Repeat and Fade

'~I'!,

qu

Iq~

qJ.

~ # Ip !J.

pp PJ.

IqJ.

Additional Lyrics

2. Upon the hill they've got time to burn. There's no return Double Helix in the sky tonight. Throw out the hardware Let's do it right. 3. Upon the hill they think I'm okay. Okay so they say. Chinese music always sets me free. Angular banjoes sound good to me.

7 DbMA

BbMAq

J
'--"" (rit.)

In

Solo on form (ABC)

DbMA7 CbMA7

I?
(dar. fills)
Solos and out head are in time. For solos, each bar may be two bars of swing. Melody is freely interpreted.
1986 Torrie Zito Music. Used by Permission

~MAq

Io

II

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26
Copyright 1977 JOWCOL MUSIC

ALABAMA
By JOHN COLTRANE

,~~"' t

Slowly, Pensively (Rubato) Cm

'I

ar ar

b.

f! ( U F
3

cuGFrrFr
3 3

'I

U1 d p r
3

,-3---o

w r r
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Cm9 Cm71G Cm/D AbM7 Gm7 Cm

t:l

AbM7

Gm7 Cm
t:l

J w. Ji ;.

t lflj
'---"

-a-

II

ALFIE
Theme from the Paramount Picture ALFIE
Copyright 1966 (Renewed 1994) by Famous Music Corporation

Words by HAL DAVID Music by BURT BACHARACH

Very slowly, rubato

~Jf J J J j.
What's it all a-bout, Dm7

CM9

Dm71G

CM7

Dm7

Em7

A7b9

I )1
AI
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fie? _ _ Em7

=1 I J
Is it just Am7

for

J:J

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the

mo~ment

)i
we

j
Cdim7

JFB
What's it

live?

G/F

' 0 F~F
all a
~

Dm7

F F gcfJEtf- ,J

Dm71G

r]

J
Dm7

bout_ when you sort it out,_ AI- fie? _

Are we meant

to take more

than we give,

,.

f
FIG

$28
or G/F

Dm7

Dm/C

iJ?g
are

J
Fm7

-J
be

J a:
kind? _ _ Em7b5

FIG

G9#5

CM9

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J
And A7b9

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if

IJ J J J j.
on ~ ly fools are kind, Dm7 Fm6

tJ1
AI
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we meant

r
Eb7

J
than

]
I

to

'J
l

C9/E

Em7

guess

J52
it

~)

is wise

)fQL J be cruel. to
Cdim7

J~
And if life be - longs _ on-ly to the strong, _
AI~

fie, _

what

tsrn
Bm7

Dm7

Dm71G

-a
an Am7/D

CM7

Bm7

Eb6/D

Am7/D

J
old

IG' r
gold~

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If
sure

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be
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en rule?

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ON THE- ALA-Ho (3oK~A-K~ 19u)

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EVEN 8ths INTRO E

ALANJUNEALLY
m7 F# m7
AL:>.7

KENNY WERNER

Am7

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C# m7~5

D 9 sus 4

Esus

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IJ J J IJ
F#m7~s
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ED. 1

r
Bm7 Em7

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IT
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j
~

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F#7 E m7

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IT

lqJ bJ

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:!1

Alardoso
Cha-Cha-Cha recorded by: La Aragon Enrique Jonin
Intra

.L

120

1,--t-J---3

~ .- - - '-q-~_____,_JJ_J_E!-------,----j~-*----t---E8-&--+-B8fl ([] ~
voice

11

Gm7

C13

Cm7

F7

I'"'

Gm7

t1 r l!ii
C13
#

Fine

fJ 8 3 II:(
6

r
-

Bb9

Cuan-do

lie- go voa. Ia \.......1

fies

ta,--

Jar,---Gm7
C7(b9) Gm7

las ne- nas se por que di- cen que soy

e-bo-

Gm7

F
g
ro -

F
di- ccn que yo soy el bra- vo,

r rI
que yo soy un man- te - ca- 'o,
Am7
di- ccn que yo soy can y que tr.ll-e Ia em-

tan,--

crc

rna,--

07

Gm7

12

de-la,---

y noes, ver - dad.

~

Se

dis - pu- tan por bai

Fmaj7

15

I -

rc

bai- ian - do con

tu - ra

al - go

so - brc- na - tu - ral.

18

to

das--

pc - ro

sin

a - gi - ta - cion,

J J 3 IJ fJ_j
21 di - cen

r---- 3 ~
lo

C maj7

Ob

~3~ i,]JJJ J
con mu- cho rit ~

Dm7

G13

que

trai - go

bue

no.

sa -

Gm7

c
Co- jan tur - no ten- gan

Fmaj7

Bb9

24

bor. _ _ _ _ _ __
F9add.

cal

rna,--

Gm7

Cg

Gm7

C9

27

les

tJ CJ.. U I"
lie - ga - ni
'-"

lao - ca - sion,

de

sa- ber si

ffil

CJn -

14p u mu u lea J J J J IJ
30
tu - ra

Gm7

C?(b 9)

tic - nca - ca - so

sa - bro - su - ra

sa - bor

de

rna - m - non.

(orchestra)

33

... ...b i3 i J
I
F

it=
C1

Jl

""-

J IJ
09

Jl J }
Gm7

....

C7

i]

I Montuno I

t;
36 40

&

II:~

Gbdim

Gmin

lar - do

so!

- IF
~~
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Am7

F IF
Fmaj7 Gm7

!0
I
Gb0 7

:it

repeat Ad lib

loptionall F

Gb0 7

I* &li: F F F

P n A 1r r
Gb0 7

C9

r
Cg

!;
43 46

Gm7

Cg

*
Am7

p !J
Abm7

IF
G m7

* r

*-23f
G b?

0. C. a! Fine

* F *
3

to montuno and Intro

Alardoso -2-

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26
Copyright 1977 JOWCOL MUSIC

ALABAMA
By JOHN COLTRANE

,~~"' t

Slowly, Pensively (Rubato) Cm

'I

ar ar

b.

f! ( U F
3

cuGFrrFr
3 3

'I

U1 d p r
3

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w r r
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t:l

AbM7

Gm7 Cm
t:l

J w. Ji ;.

t lflj
'---"

-a-

II

ALFIE
Theme from the Paramount Picture ALFIE
Copyright 1966 (Renewed 1994) by Famous Music Corporation

Words by HAL DAVID Music by BURT BACHARACH

Very slowly, rubato

~Jf J J J j.
What's it all a-bout, Dm7

CM9

Dm71G

CM7

Dm7

Em7

A7b9

I )1
AI
~

r.~ F
fie? _ _ Em7

=1 I J
Is it just Am7

for

J:J

' J)

the

mo~ment

)i
we

j
Cdim7

JFB
What's it

live?

G/F

' 0 F~F
all a
~

Dm7

F F gcfJEtf- ,J

Dm71G

r]

J
Dm7

bout_ when you sort it out,_ AI- fie? _

Are we meant

to take more

than we give,

,.

f
FIG

$28
or G/F

Dm7

Dm/C

iJ?g
are

J
Fm7

-J
be

J a:
kind? _ _ Em7b5

FIG

G9#5

CM9

Am?

J
And A7b9

j
if

IJ J J J j.
on ~ ly fools are kind, Dm7 Fm6

tJ1
AI
-

r
fie,

---=--

we meant

r
Eb7

J
than

]
I

to

'J
l

C9/E

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guess

J52
it

~)

is wise

)fQL J be cruel. to
Cdim7

J~
And if life be - longs _ on-ly to the strong, _
AI~

fie, _

what

tsrn
Bm7

Dm7

Dm71G

-a
an Am7/D

CM7

Bm7

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J
old

IG' r
gold~

'I

D
As

If
sure

p #J
as I

J
be
~

I~J
lieve

will you lend

on

en rule?

there's a

'""0 ~
heav~en

DIC

Bm7

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Dm71G
1

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bove,

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I

If
know

p ]J .

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some~thing

r
~

there's some-thing much more,

ven

non

be Iiev

r $3
-

ers

27
G7#5 CM9 Am7 Dm7 Fm6/G F#m7b5

J
can

IJJjJJ.
I be-lieve in love,
Fl3 Em7

lj ;
AI- fie. _ __
Am7 D9#11

EJ
we
Dm/C

J
just ex -

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Am7

in.
F#m7b5

With- out true love

Dm7

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ist,
F#dim7
AI- fie.

J'u
Dm7

ft1
FIG

J ll
C7b9
~

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AI - fie.
C7b9

J
When yon walk let your heart
CM9

Un- til you find the love you've missed yon're noth-ing,
Fm6/C

B7#5 E9 Eb7

'

lead the way,

, r

IQ . . :J ALtO
aud you'll find love an - y day,

10 J.
AI fie.

II

AI

fie,

ALICE IN WONDERLAND
from Walt Disney's ALICE IN WONDERLAND
1951 Watt Disney Music Company Copyright Renewed

Words by BOB HILLIARD Music by SAMMY FAIN

Moderately Dm7

CM7

FM7

Bm7b5

E7

'2J
Am7

f
ice clouds
Eb7
In

F
Won roll
Dm7

IJ.
laud, by,
G7

If
how they
Em7

r
do roll

f
you

f
get way

AI When

go

der ing

to aud

F
Won leave der the
Dm7

IJ
land? sky.

r
ver is

f
the the

1r
hill laud

I
or be un yond

r
der the land eye or that
Am7

0 Where

G7

D7

f
just peo
Dm7

be pie

hind can

the not
Em7

tree. _ _ _ __
see? _ _ _ __
Am7 Dm7

If
Where
CM7

F
is

f
the
A7

r
cres cent

do
FM7

stars
F#m7

go?
B7b9

Where
Em7

r
moon?
A7

I~
They
Dm7 A7

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be

If
some
G7

r
Dm7

IF
where
G7

F
in

r
the

must
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I~
af

r
ter
Bm7b5
1

I~
noon.

r
f
the

Jr
AI
E7 Am7

ar
ice
Eb7

sun

ny

In

FM7

F
Won
Dm7

IJ
laud,
G7

r r
is

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path
Dm7

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G7

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CM7

der

where
Em7

land?

f
0

f
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IF
here

r
or there?

r .tc .
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II

ver

the

or

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der _ _

,.,...-.

42 6 427 430

. . . Another U They Can 1 t .. Me Tones ... Bones

5 bars from end, 3 bars f:-om end,

Bridge, G-7

I A-7 07 I I G7t9 C7 I
- . J'

07 I G-7

07 I G-7

A7+ I

bar 11, I Eb741:9 I ; p.430 2nd last bar I ob-maj7 p.231 4th line bar 1 I E-7 Ft-7 I last line,p. 431,
E-7 F-7 Gmaj7 A7sus

$J
432

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IJ J

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1

\.......

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II

Time r:.emem.

rr
07

436 441

Triste U.M.M.G.

bar 10,

I A-7b5

line 4 bars 3 & 4, I F07 from line 6 bar 4 to end,

Fmaj7 I

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Ab7

Dbo7

Dbmej7 Dbo7

Dbmej 7

'1

JJ

.....,...

'-....__.,/ .

J.

JI

.....,...

II

'-....__.,/

Dbo7

Dbmej7

II=

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These last 4 repeated bars should only be played the last time through the head.
I
-...1

462

When ... Blue You Don 1 t ... You Took Adv.

1st ending,

A7

o7b9

47 6

pickup note, middle C (like last note of 1st ending) bar 1, 2nd note is G, same for 8th bar from end

4 77

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CALGO BUENO)
JOHN BIRKS (DIZZY) GILLESPIE

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Bb-7

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II

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9

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PAGE 271

ll..jO BUENO
Clef 1rGC-641 written by: Dizzy Gilespie rec 1 d by: Roy and Diz

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AU PRIVAVE
Clef MGC-646

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written by: Charlie Parker rec'd by: Charlie Parker

I' /='or ffi tn1t

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AIlCe Jn '' l OnderIand VV

(from "Alice In Wonderland")

Music by Sammy Fain Lyric by Bob Hilliard

!A]

Jazz Waltz * DMiq

f aw.
Al

(As performed by Bill Evans. Lyric as performed by Tom Lellis)

G13

CMA

FMAq

BM?(bS)

E 1(!~)

(8va-- -)

I j
ICe

J
In

IJ
Won

J
der

J.
land,

J J J
How do you

;J
get

J
to

AM1q
I

Ebq

DMI
I

G 13

) EM? (E 1(!~)) AM? (A1(:~,,

(Ar(;~)

j
-

J
der
-

Won

land?

8.

J J J I;J
0 - ver the hill

J I;J
or un -

J IF
der land

~ I
or

(Si:1i(#Hl

Ar(;~~

[J
I

DMI

G13 Gq sus

CMAq

J
be

J
hind

J
the

j.
BMl
I
they

EJ
I

AM?

DMI

I
Er(:~)

j.
'-"'hen

just

tree. _ _ __

CMA

FMA

1(b5)

AM1q

j
roll
-

J
mg

by,

4.

J J J
roll a

J
way

J
and

I j
leave

J
the

(Ar(;~)

1'------;;,,J~W
'-"'here
1s

DMiq

EM? (E 1(!~)) AMI 1 (A1(:~)) DMiq

-----"L._J

------'------6--------..1-------'----6'-ll_
yond

:J
the

IF
eye

IW
peo -

:
pie

the

that

1 CMA
I

~
I

or
(loco)

Gq

CMAq

J.

J
lj
G~us

J
~ere

d.
do

j j.
stars

see? _ _ __

La

DM?

Gq

CMA1

J J
IS

rJ

(stems "R are Bill Evans' notes)

F#1(#5)

I~~ J

drJ

#J.

Where

the

some

where

Ill

the

sun

ny

af

ter

* Bill Evans plays all of this one octave higher, except the first 12 bars uf lt:ttt::r B and tht: ad lib ending.

10

Gt3

q
CMA FMA

I
AI

g J Ig J
1ce In Won
-

Ml B 7(1l5)

E1(!~)

I
-

der

land,

4.

J J J
\Vhere is the

g J
path to

(Take Coda for Bill Evans' endin9)

(A7(;~))

Ebq

-$- DMiq
I
0 - ver the

G13

EM? (E 7(!~)) AM? (A7(~~))

I

IJ
Won -

J I J.
der land?

J J J Ig J Ig J
hill or here or

r;J ~
there? I

Gt3

Gq

nJ

I J.

'F

J.

* Alternate chords for the last 4 bars of letter B:

DM?
j.

Bb7

Ab7 (#11)
--

G7
I

ll

J.

J.

J.

t1

27
G7#5 CM9 Am7 Dm7 Fm6/G F#m7b5

J
can

IJJjJJ.
I be-lieve in love,
Fl3 Em7

lj ;
AI- fie. _ __
Am7 D9#11

EJ
we
Dm/C

J
just ex -

be- lieve
Am7

in.
F#m7b5

With- out true love

Dm7

Em7

1'1
ist,
F#dim7
AI- fie.

J'u
Dm7

ft1
FIG

J ll
C7b9
~

If
AI - fie.
C7b9

J
When yon walk let your heart
CM9

Un- til you find the love you've missed yon're noth-ing,
Fm6/C

B7#5 E9 Eb7

'

lead the way,

, r

IQ . . :J ALtO
aud you'll find love an - y day,

10 J.
AI fie.

II

AI

fie,

ALICE IN WONDERLAND
from Walt Disney's ALICE IN WONDERLAND
1951 Watt Disney Music Company Copyright Renewed

Words by BOB HILLIARD Music by SAMMY FAIN

Moderately Dm7

CM7

FM7

Bm7b5

E7

'2J
Am7

f
ice clouds
Eb7
In

F
Won roll
Dm7

IJ.
laud, by,
G7

If
how they
Em7

r
do roll

f
you

f
get way

AI When

go

der ing

to aud

F
Won leave der the
Dm7

IJ
land? sky.

r
ver is

f
the the

1r
hill laud

I
or be un yond

r
der the land eye or that
Am7

0 Where

G7

D7

f
just peo
Dm7

be pie

hind can

the not
Em7

tree. _ _ _ __
see? _ _ _ __
Am7 Dm7

If
Where
CM7

F
is

f
the
A7

r
cres cent

do
FM7

stars
F#m7

go?
B7b9

Where
Em7

r
moon?
A7

I~
They
Dm7 A7

#f"

-tf
be

If
some
G7

r
Dm7

IF
where
G7

F
in

r
the

must
Dm7

Ab7

I~
af

r
ter
Bm7b5
1

I~
noon.

r
f
the

Jr
AI
E7 Am7

ar
ice
Eb7

sun

ny

In

FM7

F
Won
Dm7

IJ
laud,
G7

r r
is

1r
path
Dm7

1r
to
Won
G7

F .lJ
der
CM7

der

where
Em7

land?

f
0

f
hill

IF
here

r
or there?

r .tc .
I

,
=i

lF

r
where. _ __

II

ver

the

or

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Alivio
recorded by: Elena Burke Bolero Julio Cobo

J=

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270 Nevertheless (I'm In Love With You)- Mel Tonne 270 New "Frankie And Johnnie" Song, The

- Duke EllingtonjHarvey Brooks

272 New York Afternoon - Richie Cole

271 Nica's Dream - Horace Silver

272 Nice Work If You Can Get It- Stan Getzj

Bob Brookmeyer
275 Night In Tunisia, A - Dizzy Gillespie 274 Nightingale Sang In Berkeley Square, A 275 276 276 277 278 279

302 304 303 305 306 305 306

Poinciana (Song Of The Tre~~)- Ahmad Jamal Polka Dots And Moonbeams- Bud Powell/Frank Sinatra Pompton Turnpike - Charlie Barnet Pools - Steps AheadjWoody Herman Preacher, The - Horace Silver jWoody Herman Put On A Happy Face- Oscar Peterson Put Your Little 1:oot Right Out- Miles Davis/

- Stan GetzjManhattan Transfer 9:20 Special- Count BasiejHarry James Nippon Soul - Cannonball Adderley No Moon At All - Woody Herman None But The Lonely Heart- Various Now He Sings, Now He Sobs- Chick Corea Now's The Time- Charlie Parker

Q _ __

Frank Sinatra

308 Quasimodo - Charlie Parker 309 Quiet Nights Of Quiet Stars (Corcovado) - Stan Getz 307 Quiet Now- Denny ZeitlinjBill Evans

R ____
310 310 312 311 314 312 313 314 316 315 316 Rain - Ella Fitzgerald/Joe Pass Rain In Spain, The - Andre Previn Raincheck - D~!ke Ellington Random Thoughts - Steve Kuhn Red Cross - Charlie Parker Red Door, The-- Zoot SimsjGerry Mulligan Red Sails In Th~~ Sunset- Nat King Cole Red Top- Lionel HamptonjWoody Herman Revelation - Gerry Mulligan River, Stay 'Way From My Door - Frank Sinatra Robbins' Nest-- Count Basiejlllinois Jacquet;

Q _ _ __
279 Oh! Look At Me Now - Frank Sinatra (with 280
282

280 281 282

284

283
284

286
285

Tommy Dorsey and The Pied Pipers) Oh! What It Seemed To Be - Frank Sinatra Oh! You Beautiful Doll - Various Oh, What A Beautiful Momin' - Frank Sinatra 01' Man River- Tommy DorseyjFrank Sinatra Old Devil Moon- Miles DavisjLena Horne Oleo- Sonny RollinsjMiles Davis On A Clear Day (You Can See Forever)- Illinois Jacquet; Bud Shank On A Little Street In Singapore- Harry James; Frank Sinatra On A Slow Boat To China - Phil Woods On The Street Where You Live - Johnny Richards - Peggy Lee (with Benny Goodman)jLionel Hampton

Claude Thornhill
317 Rock-A-Bye You1r Baby With A Dixie Melody

- Sonny
318 317 318 322 319

Rolli~!S

286 On The Sunny Side Of The Street 287 Once Upon A Summertime - Stan Getz 292 One By One - Art Blakey 288 One Mint Julep - Ray Charles 289 One Note Samba - Stan Getz 290 Open Country - Gerry Mulligan & Bob Brookmeyer 291 Opus One - Tommy Dorsey 292 Orchids In The Moonlight - Glenn Miller 293 Organ Grinder, The - Woody Shaw 293 Ornithology - Charlie Parker 294 Out To Lunch - Eric Dolphy

Rockin' Chair -- Louis Armstrong/Roy Eldridge Room 608 - Horace Silver Rosetta - Earl Hines 'Round Midnight - Thelonious Monk Route 66- Nat King ColejBobby Troup/

Manhattan Transfer
320 Royal Garden Blues - Count Basie 322 Ruby, My Dear - Thelonious MonkjJohn Coltrane

-.!

s ____

p _ _ __
294 294 295 296 297 298 299

Paper Doll - Nat King Cole Trio /The Mills Brothers Parker's Mood - Charlie Parker Party's Over, The -Judy Holiday/Gerry Mulligan Paul's Pal -Sonny Rollinsjfohn Coltrane Peacock, The - Stan GetzjBranford Marsalis Peanut Vendor, The (El Manisero) - Stan Kenton Peel Me A Grape- Anita O'Day (with Cal Tjader)j

323 324 357 324 326 324 326 327 325 328

S.O.S. - Wes Montgomery Sack Of Woe- Cannonball AdderleyjNat Adderley St. Thomas - Sonny Rollins Salt Peanuts - Dizzy Gillespie Samba De Orfeu- Vince Guaraldi Satin Doll -Duke EllingtonjWoody HermanjCount Basie Saturday Night Fish Fry - I..ouis Jordan Scrapple From The Apple -- Charlie Parker jPhil Woods Second Hand Rose - Barbra Streisand Senor Blues - Horace Silver/Anita O'Day

(with Gary McFarland)

329 330 331 330 332 332 333 334 336 321 338 335 Sentimental Jorney - Les Brown September Song - Frank Sinatra Serenade To A Hus Beat - Clark Terry Sermonette - Cannonball Adderley Seven Come Eleven - Benny Goodman Sextet Shake, Rattle And Roll -Joe Turner /Joe Williams Shawnuff- Dizzy Gillespie/Freddie Hubbard She's Funny Th,at Way (I Got A Woman, Crazy For Me) - Count Basie fErro II Garner/Dizzy Gillespie Sheik Of Araby,. The - Dukes Of Dixieland S-H-1-N-E - Count Basie Shiny Stockings - Count Basie Shivers - Benny Goodman Sextet

Dave FrischbergjBlossom Dearie

296 Pennies From Heaven - Stan GetzjStan Kenton 300 People - Oscar Peterson/Ella Fitzgerald 300 People Will Say We're In Love - Ella Fitzgerald!

_ _

_)

Erroll Garner
301 Perdido - Duke Ellington 301 Perhaps - Charlie Parker 302 Pick Yourself Up- Benny GoodmanjNat King Cole!

_)

Anita O'Day
8

11

All About Ronnie

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1

Joe Green

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There's so much to

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their sense of em - brace, _ _ __

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28

ALL ALONE
Words and Music by IRVING BERLIN

Copyright 1924 by Irving Berlin Copyright Renewed

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ALONE TOO LONG

from BY THE BEAUTIFUL SEA
1954 (Renewed) ARTHUR SCHWARTZ and DOROTHY FIELDS All Rights Controlled by EDWIN H. MORRIS & COMPANY, A Division of MPL Communications, Inc. and ALDI MUSIC All Rights for ALDI MUSIC Administered by THE SONGWRITERS GUILD OF AMERICA

Words by DOROTHY FIELDS Music by ARTHUR SCHWARTZ

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ALL BLlJ'ES
MILES DAVIS
BLUES

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ALL BLUES
o 1959 JAZZ HORN MUSIC CORP. & WARNER-TAMERLANE PUBUSHING CORP. WARNER-TAMERLANE PUBLISHING COPR. administers on behaW of ijseW and JI\ZZ. HORN MUSIC CORP.

By Miles Davis

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ALL OF ME
Copyright o 1931 Bouma Co. Copyright Renewed.

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Words and Music by Seymour Simons and Gerald Marks

Moderately

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Of Me _ _ __
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ALLOFYOU
Copyright o 1954 by Cole Porter Copyright Renewed, assigned to Robert H. Montgomery, Trustee of the Cole Porter Music & Lfterary Property Trusts. Chappell & Co., Inc .. Publisher

Words and Music by Cole Porter

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All My Tomorrows
Ballad

Music by James Van Heusen Lyric by Sammy Cahn

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14

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* Optional ending

AMI'i'

Et
all

f
my

T .
hright

Ff777
he -

1T
long

r
to you. _ _ _ _ __

II

to - mor - rows

IS.
... c4ijU I.,-,,. p. lrtb M!dc&t!
~

- $'4
"--

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A.. fl _

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c~..;,.,

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I l J J J IP JJ)) JJ J I
c. . .
9"~ e~~~
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e~

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fir, /

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n0 J.
A-..,

J' I R ~J
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S"P1
'D~ b"

t~fiJJBJ JJIJ
A-1

;1qJ !11

I PJ J. ) I r
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,t~E

--:---"!' - - - - __ , - - : - - -.----

--~

---

_,..

. - - - - - - - ----- - -

--

ALL BLUES
o 1959 JAZZ HORN MUSIC CORP. & WARNER-TAMERLANE PUBUSHING CORP. WARNER-TAMERLANE PUBLISHING COPR. administers on behaW of ijseW and JI\ZZ. HORN MUSIC CORP.

By Miles Davis

Moderately G7

C7

li
G7 07#9

'f

Ij

~p

r
J

~ I

am

D71519

G7

I 4-=-- 4~ ffi I J
ALL OF ME
Copyright o 1931 Bouma Co. Copyright Renewed.

J_

~F-

I I

..

II

Words and Music by Seymour Simons and Gerald Marks

Moderately

All
Of Me _ _ __
~

r r
why Dm7

r---3---.,

E7

A7

r
take

,.
I
All
E7 Of Me, _ _ __

not

---------Ij
G7

Can't
~--3-

. - ;
I

you see _ _ _

A
'I

Am?

I
no good "ith 07

J
out

II

J. ~~- J
Take

you. _ __

my li~_.....-

~J

.a F
want to

I IT
lose

them._

,--3-

r
mth

p Jj -==- j
my arms _ _ _ E7

j
I'll

r
nel' -

,. I ..

Dm7

I
them.

r
Dm7

J:
IJ
G13

j
~

Take

'"

er A7

use

Your

good- bye

left

,--3-

,.

i
me

r I r
r
took
I

~J!
E>dim7

2
F
that G7

1 ..

..
!

A~3----,

)i

eyes

that cry.

----------Em7

How

Can I _ _ _ _ A9

J I J #J J ._____......
go on Dm'M

~F

dear mth out

you? _ _

r
You

:- I$' i
part Dm7

lr
once
11

J J
was my

I rt
I

j
So Fm6

the

heart.

why

,,_!
not

F
take

I
All

r
Of

Ebdim7

>~---'----

=1111
Me. Me.

~r

ALLOFYOU
Copyright o 1954 by Cole Porter Copyright Renewed, assigned to Robert H. Montgomery, Trustee of the Cole Porter Music & Lfterary Property Trusts. Chappell & Co., Inc .. Publisher

Words and Music by Cole Porter

Moderately

MIH

Eb

Fmns

B!>H9

~ ~\e J
Eb

I
love

J
the

II:
Mm7

a I.

J
of ])1,7

IJ
you,

J
the

I &J.
lure cn9

J IJ
of you, Fm7 the sweet Bb7 of B>71A>

looks

~ ~~'!,

J
you

J
the

I b).
pure

F I r
of you;

j
the

I r
eyes,

F I r
the

r I r
the mouth

arms,

of

J I "''I

J
the

you,

39

Medium Funk
)== HG

Always There

Ronnie Laws William Jeffrey

(As played by Jeff Lorber)

~3,

1st x:

synth. enters

II'- . . . . . . . .

I'-

..........

=
(qtr.)

- -111'"-

.... -r~

--
~

.
Fiii'"
-~
~

,.

"'
FMI~
CMJ1f
--""""""'

~
_n_

'--

"'

"'
D~MA7

#~us

'""'
~

'"''

---. ___.

N"svs

D~MA7
;;;;;

.,

.
"

~
Ill'

,........,

(2.)

~!!!!!!!!!!~~~-......:= '-3_J

__.. ""'-

FM?
I ;

. CMI?,_
I

evM? flf' D~MA7

""'"'-

G~fJ

_(~
~

.L....-J (sample bass line)

..

Bass line played with considerable variation.

1975 National League Music,At Home Music, Fizz Music, Administered by National League Music. Used By Permission.

--~---

!6.

C. ,.i)

ALL

0E MIS

I
'

'--'

f--

If

T 1

I %.

I~
CG1

J J I f'
( ,;V

J 41 ~

~-~ G,")

~-

47

r r

r
-

,
!

'-

I I l I I l l l L l

ALL BLUES
o 1959 JAZZ HORN MUSIC CORP. & WARNER-TAMERLANE PUBUSHING CORP. WARNER-TAMERLANE PUBLISHING COPR. administers on behaW of ijseW and JI\ZZ. HORN MUSIC CORP.

By Miles Davis

Moderately G7

C7

li
G7 07#9

'f

Ij

~p

r
J

~ I

am

D71519

G7

I 4-=-- 4~ ffi I J
ALL OF ME
Copyright o 1931 Bouma Co. Copyright Renewed.

J_

~F-

I I

..

II

Words and Music by Seymour Simons and Gerald Marks

Moderately

All
Of Me _ _ __
~

r r
why Dm7

r---3---.,

E7

A7

r
take

,.
I
All
E7 Of Me, _ _ __

not

---------Ij
G7

Can't
~--3-

. - ;
I

you see _ _ _

A
'I

Am?

I
no good "ith 07

J
out

II

J. ~~- J
Take

you. _ __

my li~_.....-

~J

.a F
want to

I IT
lose

them._

,--3-

r
mth

p Jj -==- j
my arms _ _ _ E7

j
I'll

r
nel' -

,. I ..

Dm7

I
them.

r
Dm7

J:
IJ
G13

j
~

Take

'"

er A7

use

Your

good- bye

left

,--3-

,.

i
me

r I r
r
took
I

~J!
E>dim7

2
F
that G7

1 ..

..
!

A~3----,

)i

eyes

that cry.

----------Em7

How

Can I _ _ _ _ A9

J I J #J J ._____......
go on Dm'M

~F

dear mth out

you? _ _

r
You

:- I$' i
part Dm7

lr
once
11

J J
was my

I rt
I

j
So Fm6

the

heart.

why

,,_!
not

F
take

I
All

r
Of

Ebdim7

>~---'----

=1111
Me. Me.

~r

ALLOFYOU
Copyright o 1954 by Cole Porter Copyright Renewed, assigned to Robert H. Montgomery, Trustee of the Cole Porter Music & Lfterary Property Trusts. Chappell & Co., Inc .. Publisher

Words and Music by Cole Porter

Moderately

MIH

Eb

Fmns

B!>H9

~ ~\e J
Eb

I
love

J
the

II:
Mm7

a I.

J
of ])1,7

IJ
you,

J
the

I &J.
lure cn9

J IJ
of you, Fm7 the sweet Bb7 of B>71A>

looks

~ ~~'!,

J
you

J
the

I b).
pure

F I r
of you;

j
the

I r
eyes,

F I r
the

r I r
the mouth

arms,

of

J I "''I

J
the

you,

39

15

All Of You
Freely
(Verse)

(Standard Version)
Cole Porter

(from "Silk Stockings")

(Bb1)

Bl;r

~g~,., J
Af
-

J I J J J J I J.
ter watch - ing her ap
-

/F

Bb1

1 EbMA

)i J
from cv
-

J IJ
'ry
an
-

r/~'1
gle,

peal

1 EbMA

Bbi

tr
Eb6

J I J J J J I J. * J There's a big

/F

1 Bb

Eb

J~

J J IJ
to wan

J--=--- J
gle.

1 FMI
-

ro

man - tic

deal

1 FMI
-

I've got

Bb

G1<*s' G1

ll
I-

~ J IJ
For
I've

GMI1(b5)c1

(~)J qJ
And
it's

IJ J J g<lsfJ JJ J J1l J
not a pass - ing fan
-

FMI

fa!

len

F
for

r
a

I r
cer

tain love - ly

v F r I cJ
Bb1

J
I":\

lass,

cy or

.'---"' a fan - cy pass._

*
3
The (I'd

IJ
I love the looks of you,

J ld
the lure

J iJ
of you.

(Bb7 )

FM11(b5) (Bb1(b'1))

Eb6
I cJ.
you, make

AbMI

Db'1(13)

tJ
sweet love 6

J
of to

the a

J
)

bJ
pure tour

r r
I
of of vou, you.)

J
The

(Eb

Gboi

GMI

1
I

c1<*s>
the

eyes,

r r
1

r
the

FM?

J
of you,

arms,

mouth

the

J
)

(EbMA7

EbMA

Ob'w 3 >C7(;~) ci(bq)

* BMAq

EMAq

'r
East, West,

r
North
to

~r
and

r rI
the South

FM?

Bbq

J J IJ J
of you. _ _ I'd

J_.~J~II
love to

* Alternate chords (Miles' version) sometimes do not fit the original melody.
Cole Porter. Copyright Renewed, Assigned Rohert H. Montgomery, Trustee of the Cole Porter Musical & Literary Property Trusts. Chappell & Co., Owner of Publica

Gm7

C7>9

Fm7

r lr
East, West, North and the South

J J IJ J
of you. _ _ I'd

Fm7lt5

m7>9

w
love

J
to gain

J
com Gm7

I J.
plete
C7

J
con

J IJ
trol of you, Am7lt5 and ban D7lt9

;J J J I J.
ven the heart C7 and soul

die
G715

e Db9

or
C71G

you.

So

g&''

A> sus

Fro

Fm/Alt

Blt7

!z

. i
love, at

~ IF
least,
a

c:J7t;
or
Fm7

F I '!CJ J.
me,

r
for love

c::>

small per cent

do,

All

or

11. a

m1

11 2 a

Db6

D6

619

&'\

J
You.

J
love

J
the

:II

IJ

II

ALL THE THINGS YOU ARE

From VERY WARM FOR MAY
Copyright 1939 T.B. Harms Company. Copynght Renewed. (c/o Tho Walk Music Group, 5M1a Monica. CA 90401)

Words by Oscar Harnmerstein II Music by Jerome Kem

Moderately

Fm7

mm7

a1
or
Fm7

AJ.M7

Db.M7

G7

i_

biz
1>

~
It

111 >p"

J IJ J J J IJ F
are
the prom ised Cm7

J IJ J J J IJ
That ma.kes the lone ly

~r

j
seem

You

kiss

spring - time

win ter

CM7

m1

aM7

1118
You Am7lt5 DH9

J
are
the

qJ

.J

J J
hush or

qJ
Am7

2
That

breath Jess

eve - ning

GM7

trem bles

I J J J I J qFJ J J I q-:~J
on the brink or a love ly song.

-===--Hm705

You

are
B7

the

an

gel glow _ _
E~!7

07

GM7

CM7

~ b''1 ,J ~J
that
C75 lights

F
a
Fm7

&
star. _ _ __
The dear est things

~
what you l),M7

know__

are

are. Dbm7 G9

mm7

a7

AJ.M7

~ ,rz 1 ,~

In
Some day
Bdim7

J IJ J J J IJ r
my hap py arms will bold you,

J In
And some AJ.M7
day

I'll

AltM7

mm7

a9

t b''l.~ J J J J J I J
know that mo ment di
vine,

J I OJ J j
When All

r
Are,

I"
are

0:::::::::::=:::::;:>'

1).

!I

The Things You

mine. _ _ _ __

16

FM1i(b5) (B~ i(bq))

E~6

Ml

i(bs>

(B~ i(bq')

~W~, J
gam

:J
com
-

I :J.
plete

con

I bJ
trol

J
of

I J.
you,

J
And

FM1i(b5) (B~ i(bq)'

E~6

GMI

ci(bq)

&k
han

J
dle
7

IJ
e
-

;:J

J J
and

I J.
soul

f
of

~f
So

ven the heart

you.

r
love

A~MA

AMii(bS)

Di(bq)

GM?

(D~i(#H))

~
7

ci
For

~
a

r
small 1

c:I~tr
per-cent_

o,

~/:J
(B~qsus)

at least

of me,

do, _ _ _ __

(FM?
FM1

C -r<~'n

FM1

B~q

icJ
I

r
love

IF
all

J
of

I* d J
(fine)
I love

w,j
the

You.

Solo on AS After solos, D.S. al fine

17

All Of You
(Bill Evans' Version)
Medium N.C.

Cole Porter
(As played by Bill Evans)

( D~q

D~q

)
11

~~r
1 CMA

r r Er r
EMI 1(b5)

[A) 0PMA1

CMA1
I

f'

APMA1

G 1(;~,

W I ~zd.

DbMA1

@r

I E.
A1(;~)

gF I

A1(;~)

tt
I

:J
q(b5)

J.

r
EMI

r
I

r
rpr
r
A1(;~)

[c r

DMI b~

G1(;~)

q(b5)

r r
I

:J I
1 CMA

r r
:J
I,,;J
A1(;~)
1

r Ir
(D~q

DMI

q(b5)

G1(;~)

,,J
@r

;J I ;JI"'F'
:_,.. 2

Fr
F

D~q

1 ~ 0PMA

APMA1

G1(;~)

I
DM?

0PMA1

'

EMl

1(b5)

(D:II=o1)

I.J
EMl 1(b5)
A1(;~)

r
1

r- #r

crcr rcterrl
1
lJ

1 B (bq)

ID~'~osl

Gq(13)

JJr
IEnding\ (ad libJ (VampJOM?

J
G1

r r lr
I I
I L

I'*
II

err,,
DMI
1

(On ct.te)

~I

11

II

I L

II

I'
L

I L

(Vamp till ct.te)

Gqsus

Jf
i

~
!":'\

W I

G 1(t~)

c6
A

c13
(bass fill)

~
t

I
"1

>

Ju #J

Note: Bill Evans does not play the original melody. The original melody has been altered here to better fit his changes.
!l;l Cole Porter. Copyright Renewed, Assigned to Robert H. Montgomery, Trustee of the Cole Porter Musical & Literary Property Trusts. Chappell & Co., Owner of Publicatinn ':lnl~ .A.IIiPd Rioht.;;; thrmlohnllt thP Wnrld All RiO"ht~o:: RPo;:PnrP...i ll.:Pr~ hu Po:.rmio.:..:inn

r J? I -

l~

1"1

II

17.

ALL Of!
Af-(,

'IQU
~-,

c~-.,,,

,,
~'?

';~, '~

~\~ J j J-J
A~-b e~~,

J I J

J I Lt.
F_., pf

J IJ.

JI
J II

pJ.
~'-;~ V1

J I J.

J I~J.
1

r If'
~~,

G-

If
~-'

f
~~--

It

tr

:u~ c.,

f -~

t If

l J lj J J J I
""""-'

~~ ~..; 1

f ~" c~,)
G-1

~~, ,~

tEt=_WE.~3J31~d:----~- -~~~Ii~Ji~.~Jm1 ~~J~I J~.

~~~.,

f=a.
A~~,

J I J Jl J J I J.
A-1

ur
tJ

vr
f

vIt oft r r I ~ _
If

'r

~~ \q

G- _.,

c:~ ( ~:: ~)

J g.
f "

JI

1(? J TJ~

~~~~~

T~~~

II

~~

I
_,l

J
~r
--.1

' J
J
-.-~-

.,

"'-"'"

>

. .

gfcf I

)I

I
,

Easy Swing

ALL OR NOTHING AT ALL

Am Ame::.7
3

JACKLAWRENCE ARTHUR ALTMAN

Am?

Ams
-J

~~0::~~~-J~J~JJ~ ~0::~~I~0~~I J~l

Am Ame::.7 Am? Am6

~-~J~I~J~J~J~JIJ~.~~~l~~~-0~~
G m? G m6
3

8~7

8~6

Bb+

8~7

Om~

E~o7

I d J#J J I
J
I

J. )1J
c~
0:

I _j
Bm7

r
E

J
1#9
II
'I

----

I ~J

Am

Ame::.7
3

Am7

Am6

~~~UJEEJJ~ J~I~a~~~o~~

~~W~l~J~JJ~J~I~J.~~~l-~-~-0~~
E~ 0 7

A rn

A me::. 7

A m7

A m6

B~ 7

--"'

I _d

All Or NothingAtAll
Words & Music by Arthur Altman & Jack Lawrence

Medium slow

Am

Am

Am6

Ja:~
Am7 Am6
.--3---,

c: IJ
or noth-ing at all;--Half

J
a
r--3--,

All,---

8179

8176

817 aug 8177

Gm

Em7(17S> A7(179>

Jn

J J J I J.
nev-er ap -pealed

)j..._..IJ.
to me.

t lj
If

j
your

lj
heart

love

J iJ J I nev - er could
Cm~ 7

;w.
Jl
Am

Om

67

J'
to

..

7 Gaug

(t GJ
me,

yield

Then I'd

J IJ J
ra -ther

J IJ J
have no- thing

J lo
at all!

8m7(17S> E7(179>

Am

Am7

Am6

Am6

10
Am7

All

----Am6 Om

IJ J J J J 10 or no -thing at all!
8179 8176

r---3----,

----Gm

IJ.

8 17 aug 8177

$1J
If

r--3---.

J
it's

IJ
A7(179>

J J J I J.
.. Jl

) j..._......J. I

I J.
Why

J. J I

love, there is no

in - be- tween.-

be-gin, then

Em7(175>

67

Jl J.
cry

(t GJ J IJ. IJ that might have been. for some-thing

Jl J
Cm~ 7
817m El77

r--3----,

r
No,

J IJ J
I'd ra - ther

J
have

Jl J
6

7 Gaug

Al7

Abaug

J lq -=at all.

j) t

~w
But,

IF

F
bring

no -thing

please, don't

vcur

Copyright 1940 MCA Music (a division of MCA Incorporated, USA). MCA Music Umited, 77 Fulham Palace Road, London W6 for the world (excluding North, South and Central America. )a pan. AJ.Jstra;.as.a a-c ~~ ,.,, ,~,. -~ All Rights Reserved.lntemation.al Copyright Secu~.

or

noth - ing

at

au, _ _ _ _ __

AMI

Id
Half

a
a love nev er ap pealed

J J I J. '----""
to me, _ _ __

GM17

IJ
If

J
your

IJ
heart nev - er could yield to

Ld
me, _ __

(~"1)

J J
then I'd

DMI7 Cadd f1)

Ol'~(flf)

IJ d
rath er

6M?''f' E7
W
at

J IJ J
have noth- ing

0
all.

I
AMI 6

II

lm
II

AMI

AMJ(MA1)

c-3~

AM?
all,

o,
All

1.
....,/

J J J JJ I ~,
or noth- ing at

I (J.
_./

a g
If

AMI

it's

love

there

is

no

7 GMI

(0~"7)

I J. J) J.
Why be- gin, then cry for some- thing that might

)
have been?.____ _

J J
No, I'd

DMJ7 (add 11)

DPi(4tU)
CJ
at

IJ d J IJ
rath er have

B~?
0
all

I -

Eb7 ~ ,J II
But

noth - ing

el939, 1940 MCA Music, A Division of MCA, Inc. Renewed 1967, 1968 MPL Communications, Inc. This Arrangement 1988 MPL Communications, Inc. International Copyright Secured. All Rights Reserved. Used By Permission.

Easy Swing

ALL OR NOTHING AT ALL

Am Ame::.7
3

JACKLAWRENCE ARTHUR ALTMAN

Am?

Ams
-J

~~0::~~~-J~J~JJ~ ~0::~~I~0~~I J~l

Am Ame::.7 Am? Am6

~-~J~I~J~J~J~JIJ~.~~~l~~~-0~~
G m? G m6
3

8~7

8~6

Bb+

8~7

Om~

E~o7

I d J#J J I
J
I

J. )1J
c~
0:

I _j
Bm7

r
E

J
1#9
II
'I

----

I ~J

Am

Ame::.7
3

Am7

Am6

~~~UJEEJJ~ J~I~a~~~o~~

~~W~l~J~JJ~J~I~J.~~~l-~-~-0~~
E~ 0 7

A rn

A me::. 7

A m7

A m6

B~ 7

--"'

I _d

A'tJ6

A'tJaug

A'tJ

~ r p F
lips so

r---3-.,

A'tJaug

A'tJ6

A'tJaug E'tJ7

A'tJ

A'tJaug

close to

'

~J

16:
cheek.

O'
E'tJaug E'tJ7

p 1r
Don't smile,

p
or

r
I'll

my

be

"

O'tJ

A'tJ
.---3-,

E'tJ9

B'tJm7
r--3-,

E'tJ7

~T

F &r
be -yond

~J

lq

..........

JJ.
B'tJm7 E'tJ7

&W
The

lost

re -

call.

l6r r r r
kiss in your

p
the

eyes,

B'tJm7
~ .-3-.

E'tJ7
.---3-----,

Gn?('tJS) C7

Fm

touch of your hand makes me

rr r
(J

F J I&oz-:
weak;

JJr

F
And

my

IPzJ
heart

J
may

J
grow

O'tJ7

C7

E7

Am

~J
Am7

J lo
and fall.

diz - zy

It J J J I o
And if fell

IJ J J J J J I
un-der the spell of your

.--3----,

.--3---,

Am6

Am

Am6

Am7

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r--3--,

B'tJ9

B'tJ6

~ ..__LJ.
call,

IJ

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would

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be

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caught in the

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r-3---,

Om

~].
Bm7('tJs> E7

lj
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j
you

I J.
see,

)
I've

J pt J Ia
to say: No!

got

Am

Om7('tJ5>

7 G sus4
r--3------,

~ ..

c
at all!

16:
All

No!

Et

or

F F F F 16:
no-thing

0''

II
7

430

B~M? E~7

Dr
please don't bring your lips so close to my cheek, _ _ __

t>J
Don't

I
smile, or I'll
be

CJ.
The

lost

be -

yond

re

call, - - - - -

B~M?
kiss

.-----3~

~3-----:~

EP7

IbF F F F' P IiF F F F

in your eyes, the touch of

r-3-----,

B~?
Z'"'
weak, _ __

E~7

C7

r J Ibo
C7

T'f
E1

r
And

bF
my

your hand makes me

DP'f i~J d
heart may grow
diz -

J
and

0
fall.

I!JJJI
And
if

zy

[Q)
II

AMI

o
fell un der the spell of your call, _ __

AMI

I d
GMI7

Q
would
be

caught

in

the

un

der -

tow,~--

"---

__,;

E7

J
So,

J
you
see,

0
I've got to say no, no,

AMI

a"

(E7)

I
or noth - ing at all.

II

All

Alternate chQnges for first 4 bars of letter

11: lAP

AV+

A~6

ftF+ I

2 ~

AL

LOR

NOTHI~G .

AT ALL(P. 2)

cs 9

ALL OR NOTHING AT ALL

Copyright 1930, 1940 by MCA MUSIC PUBUSHING, A Division of MCA Inc.
Copyrigl"lt ~enewecl

Words by Jack Lawrence Music by Arthur Altman

Moderately Slow Am

,-3---,

Am7

Am6

Am

Am6

Am

,-3----,

All, _ _ _ __

~
Bb6

J J
Or
Bi>+ Bi>7

j
At

le
j

Noth ing

All. _ _ _ __
Em7i>5 A7i>9

IJ.
,-3---,

IJ
Half Dm

IJ
a
love

J J
nev er

j
ap

Bi>9

Gm

lj
pealed
G7

lj
heart

J
nev

f.l J
er could yield to
Am

cJ
me, - - -

to

me. _ __
G7#5

If
CM7

r
then

J
I'd

your

Bm7i>5 E7i>9

~J J
rath er
Am6 Am

,-3----,

Am7

J IJ J
have noth ing at all!
All _ _ _ __

J J J
Am

j
At

..______
then

Am6

,--3---,

Bi>9

------------Bi>6

Or

Noth ing

All! _ _ __

Bi>+

B>7

Gm

lj
If
Em7i>5 A7i>9

j
it's

IJ
love,

J J J IJ.
there
is

no

in

be tween.-G7

---------

Why
GHS

be gin, CM7

,-3----,

Dm

cJ
might have been. _ _
Ai> 6 Ai> +

cry

for some thing that

Ei>7 Ai>

No,

r
to

j
I'd

IJ J
rath er have

IJ
notb ing
Ai>+ Ei> 7

J I ..
at
Ai>

l
Ai>-i-

all. _ _ __

Bi>m7

t
Ai>

d IF F F F I r
But, please, don't bring your
Ei>9

lips
Ei>+

so close
Ei>7

my

cheek.

Don't

smile

or
Ei>7

I'll

be

r
lost
B>m7 Ei> 7

r-3~

Bi>m7

~r d

,----- 3 ----,

Eb7

Bl.m7

,----- 3----,

,---3----,

I ~r
call. _ _ _ __
C7
The kiss
1)1,7

r r
in

v I ~r r r r r
the
C7

be yond re

your eyes,

touch of

your
E7

hand makes me

Gm7i>5

Fm

F ~F I d
weak, _ _ __ And my heart

j
may
Am7

grow
Am6

J
diz zy and
fall.

I~
Am

J
And

j
if

Am

,-3----,

,-3---,

IJ
fell
Bi>9 Bi>6

J J J J
the
Bi>7

j
your call.-----

lj
would

I W
be

un der

spell of

caught in
E7

the

Bi>+

Gm

Em7i>S

A7i>9

,-3----,

Dm

Bm71.5

Am

un

der- tow. _ _
G7sus

-----r
Or

lj
So,
3----,

j
you

IJ.
see,

J)J ~J J
I've got to say: No! No! All _ _ __

Dm7i>S

c
II

r
Noth

r
ing

r
At

-?lw

C6

All!

41

~~~

l,j

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E

fL

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------

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- - - - - .----: -~-

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~~~

l,j

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E

fL

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------

. ---

- - - - - .----: -~-

--~---- --~----------------------

ALL THE TH/Nc;s !:JOU ARE

JEROME KERN
DIZZ!d OR/GINALL!d USED Dh-9 TO C7#9 IN THE INTRO. MAN!d FOLKS NOW USE D~7#9 TO C7#9 INSTEAD.

12' ~b~.~
I I~ b'&~
0

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(ALTERNATe)

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CA

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WTERNAT) C5TANDARW

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GA

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B-7 E7 Bb- 7

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(_ 3 .,.--J
(OR) PAGE 16

C-7

Eb7

G07 C7 ~ 9

Gm7

C7>9

Fm7

r lr
East, West, North and the South

J J IJ J
of you. _ _ I'd

Fm7lt5

m7>9

w
love

J
to gain

J
com Gm7

I J.
plete
C7

J
con

J IJ
trol of you, Am7lt5 and ban D7lt9

;J J J I J.
ven the heart C7 and soul

die
G715

e Db9

or
C71G

you.

So

g&''

A> sus

Fro

Fm/Alt

Blt7

!z

. i
love, at

~ IF
least,
a

c:J7t;
or
Fm7

F I '!CJ J.
me,

r
for love

c::>

small per cent

do,

All

or

11. a

m1

11 2 a

Db6

D6

619

&'\

J
You.

J
love

J
the

:II

IJ

II

ALL THE THINGS YOU ARE

From VERY WARM FOR MAY
Copyright 1939 T.B. Harms Company. Copynght Renewed. (c/o Tho Walk Music Group, 5M1a Monica. CA 90401)

Words by Oscar Harnmerstein II Music by Jerome Kem

Moderately

Fm7

mm7

a1
or
Fm7

AJ.M7

Db.M7

G7

i_

biz
1>

~
It

111 >p"

J IJ J J J IJ F
are
the prom ised Cm7

J IJ J J J IJ
That ma.kes the lone ly

~r

j
seem

You

kiss

spring - time

win ter

CM7

m1

aM7

1118
You Am7lt5 DH9

J
are
the

qJ

.J

J J
hush or

qJ
Am7

2
That

breath Jess

eve - ning

GM7

trem bles

I J J J I J qFJ J J I q-:~J
on the brink or a love ly song.

-===--Hm705

You

are
B7

the

an

gel glow _ _
E~!7

07

GM7

CM7

~ b''1 ,J ~J
that
C75 lights

F
a
Fm7

&
star. _ _ __
The dear est things

~
what you l),M7

know__

are

are. Dbm7 G9

mm7

a7

AJ.M7

~ ,rz 1 ,~

In
Some day
Bdim7

J IJ J J J IJ r
my hap py arms will bold you,

J In
And some AJ.M7
day

I'll

AltM7

mm7

a9

t b''l.~ J J J J J I J
know that mo ment di
vine,

J I OJ J j
When All

r
Are,

I"
are

0:::::::::::=:::::;:>'

1).

!I

The Things You

mine. _ _ _ __

.
~

A'"P'Isus
~

I~

(2)
..:;

~.
-~)

..
.

\, II

t-\

FMI7

_=::::1.

CMI7

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-;,...

f).

f(

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_jioll

., _._ :; D

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.........
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(~ ~) /Jt"~sus

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liiiiiiiil

11 DMA7

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19

All The Way

(from "The Joker Is Wild")
G7(#5) )

Music by James Van Heusen Lyric by Sammy Cahn

CM1 9
When some-bod-y loves you, it's no good un-less he !roves you she!

F9
1
way. the

~\J.
)

1-

rr
all

(Sb~us

I
Hap-py to be near you, when you neeJ some-one
to

G7(#5))

J J
all the

cheer you

way.

(AbMA7

A~MA7

FM?

EbMI

8~ 9

DMl

7(b5)

1~

rE'r

qu1r
than the

r ~r

DMI7(bS) G1us
is,

G1
it's got to

CM? (B7 )B~M?E~7 (#S)

I o
feel.

J Il J ) j J
that's how

Tall-er__

tall - est

tree

(AbqG 7(;~))

(F#=MiqBq FM?Bb7M')

A~MA7
I

rf ?r tJ" I t r ~r
than the deep blue

B~q

B01
rs,

CM?

(F 9 )
if it's

Ab1Cb

Bb7
I

J I i J 3j JJ iJ
that's how deep it goes, _ G7(#5)

I ..
real.

Deep-er_

sea

'

CMI

Fq

When some-bod - y needs you, it's no

good un - less he l needs you, she!

oilqJ.

1- f
all

r
the

way.

'
Thru the good or lean years and for all the in be-tween years,
1929 Warner Bros. Inc. (Renewed). All Rights Reserved. Used hy Permission

Eb~q/ (CM?B7 ) B~M?Eb7

1-

J J I
come what

may.

20

(A~MA7

/G

FM1

DMl
DMii(bS)

j(P5)

AbMA1

~ ~~. ~
E~MYs~

rs r ~u Ir r ~~~r
where the road will

Bbq

G1us
on - ly a fool would say. But

J ll J
us,

\Nho knows_

lead

(A~MAq

G'T(#Sl)

Db q(#11)

j(bq)

GM?(b5)
0

j(b'l)

J J J 3 :J j j J I J J J 3 J r
if you let me love you, it's for sure I'm gon- na love you all the

way,

(Ab1Cb

E7(o5))

I ~

FMI

Bb
the

Eb~q (C 1(!~) FM11 Bb j(b'l))

0

all

II

way.

21

All Through The Night

(from "Anything Goes") Cole Porter
F FMI F FMI F FMI F FMI

I
The day_ is my

J JJj
en - e-my, _

* J tJ JJ I "
The night_ is my friend,

* Cf r -------,rI
For I'm al-ways

FMI

1,---r-CJ--,.-----F
so a -lone_

-J-J-----,-11 -J-J-J-J-.-------1 - ,-----,-1 , J J. ; 1 J w J -. a-.

Till the day draws_ to an end, But when the

FMI

FMI

FMI

FMI

sun goes down

And the moon comes

through,

To the

mo - no - tone of the eve-ning's

drone

I'm

~I ---+&...--J____1_1_-9:_ b::JF--.
all a -

BbMl 1

Ml

Ml

i(bs)Ci

7 FMA

J.
DbMI
7

-1
with

J
)

GM1

II

lone _ _ _ __

(Medium)

(DM?
7 FMA

~~., E..'--

EM1i(b5)

Ai(bq)

CM?

you. _ _ _ __ 7

7 7 DM? (Db ) CMI

Fi(b'1)

7 BbMA

tJ ,w

qJ
the

0~~
night

j/J #J
I

~J
de -

~__fi_
light _ __

All _ _ _ _ through

( AbM?
AM?'bs'

Db

D i(b'1)

Ill

GMl

i(b5)

your

love. _ _ __

All _ _ _ _ through the

night _ __

_ you're so close to me. _ _

ci(bq'

i Ebi(b'1)

II

(DMI

DbMI

~
II

i FMA

EM1i(b5)

Ai(bq)

CMI

F7

)
i BbMA BbMI

DM?(Dbi) CM? Fi(b'1)

0,

~~'-All

tJ ,w
through

qJ I
the

-=-

j/J#j
from

~J
a

'----

JLJ

J
far

bW j
a -

night

height

1934Warner Brm. Inc. (ReneweJ) All Rights ReserveJ. UseJ hv PPrmi"inn

22

$~~o~j
bove, _ __

APMA

CM? 7 EMA I -0~~

You _ _ __

rr r ')r
and your love _ _ _ _ bring me

(9~b A~6
APMA
7

GMl

7(b5)

F1M)

I-

F ''FIF
B~MI
1

F ~r
to

ec - sta - sy. _ _ _ _ _ __

When dawn_ comes

rr
1-

GMI

7(b5)

c.,
()

( CM?(b5)

/Ab

)
~

EbMI
1 -

wak -

en

I
me,

r br?r r ~r r
er there at

Ab

Db6
07 -----

t'o

You're nev

all.

GMl

7(b5)

c.,,bq)

DMl

7(b5)

lin
I know__ you've for sak en me Till the shad - ows 7(b5)

GMI
0
'

c.,,bq)

[Q]
But

FMA
()

) CMr1 F1 7(Db.,, CMI 7 Fi(bq) DMI

-=

j/:J
7

II

>--.

o,-=
a -

]/:J #J ~J
I

fall.

then _ _ _ _ once

gain _ __

can

8bMA
()

BbMI

1
I

---...._

JtJ :J J
I've the

~ 0? ------right To be close

0
to

.,,bs,

-r

#J J
you

dream

c.,,bq)

c.,,bq)

I ~r F
All
through the Jazz performers often alter the melody to
1 F MA

night.___'~~------

(fine)

Solo on ABCD After solos, D.S. al fine

(etcJ These chords are less structured than the original changes. The melody fits this chart's chords with some liberty.

~ b ~: "s tJ

EMl1(b5)A1(bq) DMl1
WqW I o

c Ml1 F1(bq) BL 1 "'MA ] lti~J I .. I

or

o~11

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c.

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,

\1

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f ""!f-

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--

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-ec ~ +
l

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P, I :J

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.....

-~~ .

~~~~~Ae~-t~;;:;:p~Yf~~~:=~~;:=~~~.,:

ALL YOU WERt: TO US

STEFAN KARLSSON JAZZ WALTZ
I

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D.C. AL CODA

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F.6

Bb6

A-7

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!:
==
PAGE 17

:!:

;;

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Fast Be-Bop ( lntro/Endin9 )

(a.k.a. Allen's Alley)

Wee

408

Denzil Best
(As played by Stan Getz and Dizzy Gillespie)

~~b c E

N.C.
12
I

(l &otJ f I b~ @ f ~ I

N.C.~

r- 3

:-~

(dru.ms play time)

* *

Eb6
I

J J J.

J)

I "1

If
Bb6

.PJ~ J!u~ I~ J J fi 1 J 1 JJ~~

Bb1 Eb6 Eoi

J J . J. ;;~ I1 J 1 J5 :l ~ ~ I ~ ~ J f I ~ b~

~~

Fi

Bb6

fd 3 I!
fd 0 :
II

pLl d ] A
Ci
I

I1
I-

G Ibe erJ bu
Fi
1

Gi

I*

~fbJ

tJ ] JJ

ctlf Per t5f e

j ~.

DM? G1

J J.

CM?

F1
1

;1 lv

j ~ ~ I

Bb6
I

Bbi

Eb6

EOi
1 }

J J J.

)!

I "I }

:l

~ ~
Solo on form (ABC, rhythm chan9es). After solos, D.S., play head (ABC), then D.C. al fine (repeat before fine)

1949 (renewed) by Music Sales Corp. (ASCAP) International Copyright Secured Made in USA All Rights Reserved Used by Permission of Music Sales and Bosworth & Co., Ltd., London (for Britain, Europe and the Commonwealth excluding Canada and Australsia).

kI.~siRomuT.- GiLey' ClJr &-v~

IB1dn\3-1P1
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@).
1
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Aln1ost Like Being in Love Jay Lerner Lyric: Alan

Music: Frederick Lowe

OM?Gr

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What

day

this

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rare mood I'm in!

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Bb~

1947 (renewed 1975) Alan Jay Lerner and Frederick Loewe c/o EM! U Catalog Inc. and Warner/Chappell Music, Inc. Used by Permission of CPP/Belwin, Inc., Miami, FL. All Rights Reserved

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Alone Together
(from "Flying Colors")

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Music by Arthur Schwartz Lyric by Howard Dietz

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Our

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24

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HOWARD DIETZ & ARTHUR SCHWARTZ
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ALL ALONE
Words and Music by IRVING BERLIN

Copyright 1924 by Irving Berlin Copyright Renewed

Moderately F

F/C

C7

C7#5

'~~ :ra J ~~J

All A - lone, _ __ I'm
FM7 F6 Em7P5

J
so

lj J J
All A lone. _ __
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J
There is

IJ
no _ __
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relse _ __

but

AlE

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All Am7

you. _ _ __

A - lone _ __

J
by
the
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wait - ing
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tel - e - phone _ _

for

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p
a

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c r hn
All A
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IF
F

ting

ling.___

I'm

lone _ __

r r lr _ r?TJ
ev 'ry eve ning, _ _
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All
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rlr
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F f
feel ing blue, _ _ __
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A - lone _ __

won - d'ring where you

IJ
are, _ __

J
and

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and

IS
if you are,

IFJ J
All A-lone too.

:II J

_IJ

"'

II

how you are _ __

too. _ _ __

ALONE TOO LONG

from BY THE BEAUTIFUL SEA
1954 (Renewed) ARTHUR SCHWARTZ and DOROTHY FIELDS All Rights Controlled by EDWIN H. MORRIS & COMPANY, A Division of MPL Communications, Inc. and ALDI MUSIC All Rights for ALDI MUSIC Administered by THE SONGWRITERS GUILD OF AMERICA

Words by DOROTHY FIELDS Music by ARTHUR SCHWARTZ

Slowly
G6

II== J
I'd kiss lips you, if are much

J
I too

u.
dared, still,
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wu r
I

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I'm their

I J.
scared. skill. I My

II

I :J

my

want arms

to have

but lost

should have known I've charm has flown, I've

JEd

Bm7

Bm7

Am7

Em

Em7

Em6

C7P5 B7

IJ
been been
Em6

A - lone Too A - lone Too

Long. _ __

My Long. _ __

r r r
It's been years since
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0
G6

J j

I
D7

have

whis-pered a fool - ish

Em

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love -

IJ

D lr r r r
and I'd be a - fraid I'd
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~~~r

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r

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song. _ __
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J IJ J J f4
But if you smile and

word, _ _

sing you a fad - ed

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Am7

J IJ
then say

IJ
a - gain."

J IJ f
I'll

rr

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J lo _IJ

II

"dar - ling, try

know you've known I've

been

A - lone Too

Long. _ _ _ _ __

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ten.

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ALONG CAME: BETT!:J

BENN!:i GOLSON
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PAGE 19

II

ALONG CAME BETTY

Copy,ght ~ 1958 (Renewe<l1986) TIME STEP MUSIC (ASCAP) Ail R1ghts Adm1mstered by MAYFLOWER MUSIC CORPORATION (ASCAP)
International Copyright Secured Made in U.S.A All R1ghts Reserved

By Benny Golson

Medium bounce

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AMAPOLA (Pretty Little Poppy)

Copyright o t 924 by Edward B. Marks Music Company. Copyright renewed.

By Joseph M. Lacalle New English Words by Albert Gamse

WithPep

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p
my

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to

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love _ _

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long

43

ALONG CAME BETTY

BENNY GOLSON
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ALRIGHT, OKAY, YOU WIN

1955 CHERIO CORP. Renewed 1983 CHERIO CORP.

Words and Music by Sid Wyche and Mayme Watts

Moderate Boogie Woogie

~+ ~+

El.

a J
II=

:~I
0 kay,_

'J .I
Win,_

r
I'm in

Well AI right, _ _
~

You

a7

J. ~lJ
love

Efti?J
You Win, _ __ Ba - by,
AJ,7

with you_

Well, AI right,_
~7

0
3

kay,_

To Coda ~ AJ, 9

'> ii

...
I
do?_

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&J. a J J LJ ~~!9'r
I'll_

,..

~;I

r
just long

n~w
got ta be as it's me

:I

what can I

do an y thing_

you say,_

J'-"L-5---------,~~Z-56

c~

that way . and you.-

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All

Well, AI right

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am

ask

in,'

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all I
want_

J. a1
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2
'I'

't

r
just love_
me like B>7

'I

r
a

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love _
you an'

from you,_

it

g
u

a
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be

J
hard

J. @J
to

won't

do!_

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kay,_

You
A>9

win_

D.S. al Coda

.,.
I'm in

'!

r v?R::t r !!
Sweet ba by take
me
p.J,

w
by
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the

hand, 56!9

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Well, AI

d
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A>

AJ,

AJ.

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Yau Win._

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ALWAYS AND FOREVER

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PAT METHENY

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Dm7 Em7 Fm7

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G.c:,.7

w w w
3

8~7

DI
--'
'

E~.67

8~/D

0~.67

Cm7

r
Gm7

DI bj" il

J J ~p I ( Dbt
01b9

A~-6.7/C

L"

hi
II

Fm7

Am7bs

Bm7bsE7b9

F ms/G

EIG#

Am

i
......)

Medium Funk
)== HG

Always There

Ronnie Laws William Jeffrey

(As played by Jeff Lorber)

~3,

1st x:

synth. enters

II'- . . . . . . . .

I'-

..........

=
(qtr.)

- -111'"-

.... -r~

--
~

.
Fiii'"
-~
~

,.

"'
FMI~
CMJ1f
--""""""'

~
_n_

'--

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D~MA7

#~us

'""'
~

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---. ___.

N"svs

D~MA7
;;;;;

.,

.
"

~
Ill'

,........,

(2.)

~!!!!!!!!!!~~~-......:= '-3_J

__.. ""'-

FM?
I ;

. CMI?,_
I

evM? flf' D~MA7

""'"'-

G~fJ

_(~
~

.L....-J (sample bass line)

..

Bass line played with considerable variation.

1975 National League Music,At Home Music, Fizz Music, Administered by National League Music. Used By Permission.

.
~

A'"P'Isus
~

I~

(2)
..:;

~.
-~)

..
.

\, II

t-\

FMI7

_=::::1.

CMI7

~
~
~

't

-;,...

f).

f(

J
-~

I)~A7

~
~
_jioll

., _._ :; D

(: L)

.........
~

.......

II"""

rii""""

FM?
I
II\

) ~I

..... .

CM?
...
~

... -

_...

I"'"_

#'fsvs
...

D~Ml
_"'11""' ,... ... I""

FM? CM?

(~ ~) /Jt"~sus

"

liiiiiiiil

11 DMA7

 1',
t'

...

[
I
I
l!t

G,_

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f@tr

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(,f.

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cr~bclf

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.

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25

Am I Blue?
(from "On With The Show 11 )

Music by Harry Akst Lyric by Grant Clarke

I) JJ ~jv~
Am I

AM?D7
Am

GM?

tr

ci

v? r

blue? _ _ _ __

blue? _ _ _ __

Ain't these tears_

(DP1

ci

!JJ~
in these eyes_

J
you?_

tell - in'

- JJ
Am

blue?_

FMAi

II

=:.............

I~ j

AM? Di

GMIi

ci
r~r

}
You'd

J
be
l

v'~o"
too

-=

J J v T
If each plan_

(AM,r)

Fi

Tf
0 f~

Di Gi ci #v r (~)tt;J j,J1 :J
with your man_ done fell

(DP1

Cr)

J3Ji.,
through.

F6

(Sb6 BbM16) F6

Ei
~

=:::::::

~~ #J1
Was

:J
a

f?1
time_

[B] AM?

tr
Ei
I

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I

r
was

F
his

BMli(lls' v? I qv

Ei

y?171t
Di
--

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qv<1'
I'm_

on - ly

one,

But now

BMI

i(ll5)

AM1 1
the

'~'o? ~ ~

== ~~I

r r
sad

qr
and

I~

vp r
GMIi

lone - ly

I one,_

I~

GMIi

ci
Was I gay?_

"Law- dy, "

J JJ ~l

~FMA1

o,
#/ ..............

I~ j

AM? Di
'Til

J v/:Tto/-= J
to
-

ci

day.

tr
F6

J J
Now he's

gone_

rtt

(AM?)

(DP1

Fi

ci

Tf

~,)
and we're through, _
Am

j
I

)Jjjo
blue? _ _

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01:5___]:~::
Iman man tes _ _ __ tes _ _ __

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A -

AMl'Wil~ :J
1

J
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J'
pa lie -

If
sa - r o n _ na - r o n _ por m1s mi va vi - da _ _. _
cf OS

que que

t
I

AMl(add'?)

AMl'Wilr--- 3 II J

J
87(;~)
vian que el

a - li 1 - gual

las a - gua_a

J f
he los

FMAi(P5)
I
0 0

t
t
I
das
OS

rf

J,.

de con

nus nues

fra - ca - sos tros sue - nos

J F f
que_es - con que com -

E1sus

E1

10
-

de a de a

mor. _ __ mor.

D13(#,., 3 ~ r---

----las m1s

lj

l I!
A A

t t t t
I I I I I I I I I I

0 13sus
bras _ _ _ _ nas _ __

Inun nun tes __ _ tes _ _

J f I f F f J I F Ff1.,
di - dos en par - tie - ron

Dl3(#11) r--- 3 I ~ J

j'
-

If
ga -

me en - tre

ron

tier
111

J
na ca
-

FMAi(P5)

som pe

men de

te ____ _ nas,_. _ _.

(horns/ pn./bsJ

AMI'l

I <'._,_
cl
se a - mor ere - to de un a a cam - bio de_a fl
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Co

EMl
I

j(P5)

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l
(1.

"f

J1

I I I
I

mor. _ _ __ mor. _ _ __

& 2.) Sa -

r-

.,
.U_

luz

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que

fue - ron_ pa-ra

mf

+--

Ia

en

./\ DMI'l >

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SUSA

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G13
v

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~

U~:J

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I I

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0:

20

n1cn - ta,

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J:jl -

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F# 1 IM ri .
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J:'

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so- bre - vi -

vf

1.
Slll

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cucn-

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cucn

FMA
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j(I>S)

813
ff~

E sus
:r

_,...

E7
/

Ei(alt.l
-~ ... hCii.

r-- ~
~...I

-:1

EM?A7
fol,j

I ta.

Sa -

~~

t"

L.l~

bran

que_cl
A

tiem -

po~
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ra,

qui

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mi

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da~~

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t"

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AMl'Wil
B13Ml

rran - t e . _ -

zas

1 r 1 ( J3 - mas las_ vue! - va_a

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pe- ro yo

7 FMA >
(horns)

EMiq

Db

ver

M'>c
t"

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.J

[JU

t\

~r
sc

E bass
I

r
que

p
nun
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r
ca ol

I
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VI

~Ei(:~)

r
a

%A

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~--~

(+ 8va)

1[QJ (~~ Clave)

n~
I
man - tes.

1A I
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E4

l
a -

man - tes,

ld

ITill cue I
r
On cu.e V.S. (turn pa9e)

FiJR ~
1--o-c--- 11----"::__

E7

-11

~ ~- - - f
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-"f-~ ~
b., both x's)

~-

(low horns, plus 8vo

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I'"

f6-

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(Bdim.

~- _.

..
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( Vocal solo )

[]

QMj_-___AMI

~~i

(horns, 1st x only)

tid

~======

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A

Ja
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(Vocal solo)

1/~'k)
que a - man tcs

nun

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las

ol

vi - Ja -

rc.
_.__
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[I] N.C.

fE
[g)
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f61:10

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(ho rns, top note in

"

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,.........

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N.C.
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g r
(3-2 Clave)
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r,I

N.C.

dim.

b.

N.C.

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.
t
"

break - - - - - - - ,

I-

J ~
Sa -

~+-~

mf

.J br,in

"""-'
Ia luz

que

fuc - ron __ pa - ra

r en

1/

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DMiq
>
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(horns) 11

"

;\
04

;\

Gl3

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mor

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6
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X X

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(horns)

~---==:::...----45---

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.
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1.
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dar - me

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Sa

B'3
.......
w~

E7(alt.l
~

r--~~

EM?
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A7
;f6

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J~l--t~~L_J~ I

br,in

quc_el

ticm - po_ pa - sa
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ni,

qui

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mi

vi - da_ si - guc_hc-

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r-

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I

t.l

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...
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rran - te.

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r )<1

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ver,

mas las_ vue! - va_a

pe- ro yo

f~ ~

'

AMl q,.,

7 FMA >
~

EMiq

DbMA7(5)

,_

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_U

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(horns)

'

[JU

Bf3(P'7)

r
sc

l'r
que

nun

ca_ol

vi - da -

rc. __ - - -

F
A (

FMA~A
man tes, _ _ 1 a

AMl
man

q(MA 7)

fst x be9in ) muted T rp. solo

tcs. _ _ _ _ _ __

I'

FMA A

1&
II. AMtq(MA 71

j
A-

,.,.,.,
12. FMA:.A

[NJ (Trp. solo ) AMlqoo

FM~iA
I
I

L%1 r
I

II

1/

FMA;A
I
I

1/ / /

II r

1I

II
(horns/tutti)

Guaracha J = 104 Amantes (3-2 Clave) (I ) (lst x clave only, 2nd x full percJ
JL

(Rhythm Section)
(etc)
~

f\

ntro

~
.J

. .

'!

J' ( J

( J J (
~-

(pnJ

-ueAMI(add'7)

"'::"

1---ue---

~-~

:eO
~
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.roo.

.L_LI

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.,...--r--.n

AMl7(add 4)

~-e-

AMrq
7

"

(bs./pnJ

r,

.
2.
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. -.

,.,...-- ---0

-.
I

,.,

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~~'-~

r-C~

. .

--

7 FMA

1:::%
v

-e.
7 FMA -

~-...;

---- ~'-~

' l l 7~---.::
r---e-

~-

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(etcJ

/A

-- -

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. . .

/A

-1.

-- -

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AMl'l(fl)
(bs./pnJ 7(b5) MA:2.-----

I
0

*
F#M?(b5)
----..

AMl(add'1)
I
J
87(~~)

2
I

AMl '1(11) 2

$
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7

1h
II

F....-0

--.....

J.
(bsJ

I #o~J J

--------0 13sus
1

IBI AMI q (pn. sustained)

11

J. fr

err fr J r rr t
1

013(#11)

,..---..__
1

rr r r vee (l'r"
EMr7'bS)

AMrq

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rr1 ~

D~F J~J. D~F

G13SUS

J Ir
,....,

A7

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G13
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J I J.
Q/c
0

D~F

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6

ff

DMlq(pn. montuno)

FM1 o

~t:tr

Jl:J

F I J. D F J I J.

P3 J
0

I ()
0

In
0

----c

....._......

24
F#M?(P5)

ry:

813
0

~
s
0

E7
0

#o (bsJ

-e-

--e-

J]. :tt=r
Db
7(#5)

j E7(alt.l

EM?

A1

lo
B13Ml
0.....-....0

ld'h~f]r
(as is)
0

MA.c.

N.C.

N.C
I
()

E1(:~)
0

[.EJ AMiq(H)
II
()

(pn. glissJ

AMl'WI)A
J.
} break--,
~

'

........._

]_o
Eb 7(41'?)

-e-

I ......___ X'~ I J. J1
(tutti)

'

E7(41'?)

llo~
[fJ (2-3 Clave) ,.....

v11f~ ~
I

0 7(41'?)

Db 7<41'?) c1<41'?)

87(41'?)

(bs./pnJ (perc. play thru)

v 1_,..--..,+.:~.
;~

vflo

I
,..~,..

>

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II.
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.. (pn.-montuno) ~'-"
. ,.
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lot.--llr

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v v

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AMI

BM?(P5)E7

AM?
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DM1
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-
I

(sample bsJ

,._

,
/

-ft.
.M

-.
ft.

r
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,:_ fll-

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E7

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v v

r
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,._

,._
V

ft.-_111
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E7

v v

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(etcJ AMI

---

r---.
I

AMI

.... ....

.._...., .

.- I

.
I

(etcJ

(2-3 Clave)

~E
( "--"')

(Coro/V ocal solo) 1 (pn. montunol

';1tll= 1.

(sample bsJ

4) J.....__..,J. I

AM1

ITE~r~

~~F

1......._.., IJ.

On cue V.S. (turn pa9e)

[8] (pn. plus ~va)

N.C.

ij: r
(bs./pnJ

(Bdim. AMl
f
1

N.C.

v If
~D~ \

~~

I[j

(2nd x add chords)

N.C.

(Bdim. AMI
1

1f

tr

P 1f fF t 1t" (!~

1U *
4J r 1J.
)[.J F I J.
AMI

\'N.C.

~MI
(Coro)

(Vocal solo)
(pn;montno)

I#. ,p~J
(sample bs.l

AMI

1J.
AMI

v=r
,...........,

1r
I

E1

er
,...........,

tr

DMI

J~J F
t
1

J.

Ei

AMI

F
-

J=J

m N.C.

l.lJ (pn. plus ~va)

If f
(bs./pn.l

N.C.

N.C.

Ffd
"

l!lp

tutti- - - - - - - - - - - - - - - - - - - - - - - -

I[j * * J
3

break- - - - -~

FMI/
"' .A

Ill
1

(3-2 Clave)

K DMl. ,( pn. montuno'

(sample bsJ

2-r

rttr

rr

G'

3SUS

ll

fr tlJ fr a 1..

G'

D.
0

/c

/c

1..

AMl '](H)

F#Mli(b5)

B'3
0

Ei(altJ

40

j.

)J

EM?

Ai

26

[] DMiq

(pn. comp)

G' 3

'J r Jt;J (lr Jt;J F I J (F

(sample bsJ

tll

(F J I J Jl~J ~
FMA7
0

CMAq

EMiq
0

-e-

N.C.
I
(as is)

E7(!~)
0

-e-

----

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II

.._ ( muted T rp. solo

lst x begin

r r
1

(Trp. solo)

IN I~~~:w_,----...

tJ.

~~r r~"
II
f
(tutti)

ALONG CAME BETTY

Copy,ght ~ 1958 (Renewe<l1986) TIME STEP MUSIC (ASCAP) Ail R1ghts Adm1mstered by MAYFLOWER MUSIC CORPORATION (ASCAP)
International Copyright Secured Made in U.S.A All R1ghts Reserved

By Benny Golson

Medium bounce

i. I=''1/'" b ~
I'

BOrn?

Bm7

E9

BOrn?

G1> 7

I '! ~

cr r ; 1..
11
Om7 C9
07#5

Bm7

E9

AM7

r-3--,

I 't ~ fiJ1 ~fill

Gm7

,- 3 - ,
't

AJ,

J1 1~ ...

GM7

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i:U..
Dm7

G m7

1-

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. ~m::r..
~

Gl> m7

0!3

Cm7

F7i>9

Am7i> 5

D7i>9

I'! jJ;3 r E I r--- l]j ef I ~F~F

Gm7

Emn5

~ ~~~.~ Jijj ]qJ rqF r~r I~ ..

Bm7 E9 BOrn? Bm7 E9

B>m7

1Cm7b5

~ ~~v

F7

Bi>m?i>5

Ei>7#9

urc?Pr-

't

JJinJ

1 ..

Al>M9

AMAPOLA (Pretty Little Poppy)

Copyright o t 924 by Edward B. Marks Music Company. Copyright renewed.

By Joseph M. Lacalle New English Words by Albert Gamse

WithPep

EO

't
Arnapo-

p
my

rr
pret - ty since

r Ir I j I
lit - tie

;$

a~ I

t)

J J J J Ij
love - ly flow'r
~

w
so

Ia _ _

pop - py. _ _ _

You're like that

Bb/D

J:ll,dim7

F7/C

F7

JIOJ
sweet
and

IJ

J J IJ
I
found you, _ _

't

j) J

J J IJ
wrapped a

Jt
you

j
-

heav-en-ly _ __

---------you, it seems

My heart is

- round
I

F7#5

Bb

~~bJ
~~IPS

't

]!

J J J J I :J

J IJ
to
beat

and lov- ing

J I0 J IJ ----------- G7
a
rhap - so - dy.

J J
A-

r
po

rna-

Ia, _ _

Cm

07

F
Cm

't

p F
the

F
lit

pret-ty

rIj tie

't

)l

FI
F r
I

I
its

JI
en

j
dear -

J I r
ing charm

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from

pop

Cm

PY---

must cop - y

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. c::u
you.

G7

Rm6

Bi>/D

J:ll,dim7

F
A

,.

Ij
po

(Jt
Ia, _ __

rna

Bi>

r --- tr
po

F F
how

mn

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F7/C

F7

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J
to

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hear

J
you

r
say

F
"I

r r
love _ _

II
you.'

long

43

""fr

f~
/,;J/4

'1D~~t.i-c. hk {&f ~~ ~1r- J'OfwalfJM.4{ ~ ~&' lt"'~ .}fot.u<ct '15M. , ~ ~ iJ tr~ ~ ~~ ~ CoviKJ 'JPH-, if .fe.e-<<<4 fD ~ tl ~~ /f~~(A_ I ~ e;/Kt. fOfrJ ~ C/)f'J lts ~~ ~

IIMitPoLtq I~ Jlrl.l/t,

rm

~'t~ ~~~~~w 3~ h~lft7tt~ J tovt. '1n., ,

rH:!

I
1:':

AMAZING GRACE
Copyr!ght
~

lnterrational Copyright Secured

1988 HAL LEONARD PUBLISHING CORPORATION ALL RIGHTS RESERVED Printed in the U.S.A.

Traditional

Moderately
G GIB

D7sus

D7

J IJ J IJ J IJ
A
G7/B

maz ing_
C

Grace! How sweet

G

the
Em

sound

that

saved
Am9

a_
D7 jLG

wretch like

me! _ _

once_ was_
G

D7

f#J
lost,

G/B

lj2.

CIG G

J IJ. l J] I j
but now__

J IJ
was blind, but_ now

J I J.23 J
see. _ _ _

J :II
A

J.t3 J
see. _ _

II

am_

found;

AMONG MY SOUVENIRS
Copyright o t 927 by DeSywa, Brown & Henderson, Inc. Copyright Renewed, Assigned to Chappell & Co., Inc.

Words by Edgar Leslie Music by Horatio Nicholls

Fm7 Eb/G Gb dim7

Moderately

Ci't>9

f If
There's no thing
Fm7

j
for me; _ __

j
of

j
days that
used

left
Bb7

r r
to
Ci't>9

I
Fm7

be _ __

f
live

in

r r r
memBb7

f
mong My

ry

Sou ve

laJ2JJ
nirs. _ _ _ _ __
BIG Gbdim7 Fm7

I
Some let
to~rs

J
~ith

J
blue, _ _

tied
Bb9

J J
a

I
57

I'

pho to

graph or

I
two, _ __

,.

,.
I
see

r IF
a

r r
f:rom you

F
A

r
mong
My

I
Sou
ve

rose

Eb

M6

Fm7

Bb7 Bb9#5 H

J
nirs.
Bb7

j
I
few more Dm1>5

to

r
kens
G7

r---------- r r IF
rest___ Cm7 Mth in

F I:I
my

r
and
Fm7

J
tho' they

trea sure chest_-

F9

Bb7#5

Ci't>9

r r73t r
do
Bb7

r
give drops

J IJ
me con so

IJ
Ia tion.
BIG Gbdim7 Fm7

I~

J J

r
Bb9

I
all

t
F f
Sou ve

their

best _ _

to

count them

a part, - -

Bb9#5 a

J J

r
the

I
tear

r r
start,___

r Ir
rmd

F IF
a

j
heart

r
A

~ ~~t ,r.j'.=-:~-=~=---=-c-m7.....:.::...::::0_--.e:.::=-;-'m:C..:.:.:..'---_.:..:.._:._s-7-----,~r.~~
nirs. nirs.

And

as

bro ken

moung My

44

Medium Samba j ='16

Amazonia
Bva b. w/percJ
a_

Ana Caram
(arranged by Leandro Braga & Steve Sacks)

<Intro)
,.~
J

G1(itlf) (9tr., sounds

_/

.....

p I

~~-

.,_

& pn. tacet>f

/~=

0:~

1(itlll ( I f'll ) wpn. 1 s

(8)

- - -

,r,

.. 0

Z
(etc.l

~-3-xt-s) (last x) "L

;II

(~)o....._...,o

;1 I J
"---""

"--"'

;) J J~ l
"---""

cu - pu - a - ~u--~-

ja

1bi - ri - ba ta
~a

- i._

'---"

ba - na - na

na_

B~(G

:) L& J
Ja
cu -

f1
ma.
"--"' ~

"i

#J1
E'
L

tp J ~
tu - cu

pi, __

pa"'----'

co

}va. _J _ _u_ _
"--"
~

I1
A
7<>s>
Ml/b

"I

J1 J1
E'
gra -

&J
VI

J1 I _____..,
0

A Ml
ram - bo~

1(b5)

o1<os)

J I~
1

-e-eIa. _ _ _ _~

(add fl. & bsJ

Sao _ _ _ __

Jdo

f a._w
to - d a s _ gua - ra - pi,

-----J J
ver guem de
na

1@)

E, _ _ _ _ _~
Fqsus

as fru uns _ _ _ _ _ __

tas que

bo cor -

T?r
Eb\us

j
'as.

Fqsus

Eb'l

I "I j.

rc.

1ft

j
.........

]J

-bq E sus I "~ J.

e_o de

Do E al

da A pra

ma 1a

zo mor -

Eb'l

j
vcn tan

I j.
to to a -

JcJ~
traz _ __ mor_ _ _ _

nia, _ _ __

re, _ _ __
1990 Caram Music. Used by Permission

I
~

28

If. A 7(b5)

~] nJ
vo -

Ml

J~

J
0 7(#'1)sus
ln---._
zer..~--

ce. ----------------------

BbMA'i'

lo
1~,--- - - - tan ta _____ be le

Z1, ----------"

BbMA'i'
I () I

AMI7(bS)
0 ,

07(;~)

----------

j/J) j. #J
meu bom

0 Ml
I

7(b5)

que

Deus ________ _

G1M)

CM?
I
E '

07(;~)

J
EMl7(b5)
pa

J
me

I _...__..... }ti p11J J

faz___________ pen sar, __

A13M)

que

J bJ
o

} J (lt
ra I

J j
so

nes

se _ _

lu

gar. __ _

G7(;~)

j)

CMI7
l
"I
E
'~

07(;~)

1 IJ
'

J
me

j
~

gJ
pen sar,_

faz _ _ _ _

se ____

lu - gar._

[]

(FIG~~~o) (w!vocal on D.SJ

( optional till cue for solos)

'*(-

J J 1(end flute solo)

(bsJ

1-

~~8~~~~~8~~~~~--~~~~#~)~(1st endin9 3x's)

(9tr. like intro) (gtr. compJ

D.S., play D 4x's

Vamp & fade on E (With flute & vocal fills)

Amazonia (Rhythm Section & Flute)

(8)

}
8

Iff
...._....
B1(#'i')

2 ~
/G

<3xts )
(etcJ

I I

Gf

jj

AMl1(b5) j7 / /
(fl~.tte, 8va)

(gtr. continues)
AI
#.

. .
(gtr. etc.

.;

""' . . w/pn. sustained chords)

r-

.
0-/

..,. . _._.

. .

GMiq

Fqsus

Fq

":"

.'

. .
Oj_ ,...

-h-

~t

. .
I

"'
Fqsus

(bs. w/pn. octaves) (drs., light hi hat)

Fq
Ebqsus

~
..,j

Ebq b~

v~

bt
I

.
vr-

. .

Ebqsus

Ebq

~
~.

I .

,...

sus

!'"'

..,

,,
~

;.
>

. .

AMl1(b5)

;.
>

;.
>

1,41'1) -('-~
-('--

D1(i'?)

.
A

J
I

- - I I

t
~

. .
/

2.
,-

,...
D1(i'?)

r----

0 1,41'1)

AMl1(b5)
~

sus -!'--

,...

_A_

30

[g(S am ba, w If u. II drs. )

fl
I

(fl.,

loco)~

f=
Fqsus

fr~

.J.f6

1'1..-...

.J

,.

1 CMI
-~
~

Fq
I I I I I I

Bb
I

1(415) MA
I
I I

BbMAq
I I I L

(bsJ
-._

(etcJ

BbMAq

AMl1(1>5)

~(f:
'

f0:
r\

r
f=
D1(;~)
I

?J
b Jt=
~
Ml
1'1.

1(1>5) Ml
I I I

G1M)
I I I

1 CM1

(fl. w/pn. octaves) G

>
I

J~
,.,

(bsJ

.
Q_ -

ff ...

;..'-----"

D
/
0-f

f--0-f'GMiq

;,1'-t

f!:_
r-

r-

1\

r-

~~ -

~ t\
D
I I

r-

~(~~~~ ~~_Q

,t-t-G1(;~)
I I I I I I

EMl1(1>5)
I

A13M)
II II

D1(;~)
I I I

1(1>5) Ml
I

~u

-6-

f= 3t= ~ " . .
CM?
I
0.{

JL8v a - - - - - - > A'. -

. _,_.

.
A
-,~

_I~~~
AMI;G
l.
}--- :----<>
t'~

tr

~ tr~

D1(;~)

D1(;~)

I I
L

. .
:tf

;;.

GMiq }--:--<>

l. J-

G~

t"

----!.-

~~

tr
r

(Flute solo)
u

~ .
/

. (bs. w/9tr. chords)

I I I

....
-

.. " . .
/

(wlvocal on D.. (optional till cue for solos) 5)

GMiq
..--~,..-

'~
....

l.
,.j

}....- '<>

AM~G

.....;.

.
8

::.

~
"':

l.
,.j

}~

GMiq

AMiq
- :-

."

(etcJ

/G
-

G1(# ll)

r-.(

(bsJ f::-1.-so-:-lo_e_n-:"ds-..)

. .

(Gtr. w/li9ht perc. like introJ

D.S., play D 4x's (1st endin9 3x's) Vamp & fade onE (With flu.te & vocal fills)

13

Med. FLA.nk ( lntro) J = 126 Dsus(add'1)

American Gothic

Bob Berg

'

. .

.. I

(pn. & 9trJ

. .

rr
.p-

..

I"

.. ..,_-- ._
...JI

'\..

. .

cym fills--,

'

. .

.~-f'!~ .

:::

:: ~~
~

~)
~

.p-

~~:

..,_-- ,_
/

(pnJ

"

.....
1991 Fire And Ice Music. Used by Permission

J Ja te
1

Dbbass C bass
w

J J ta ts

Bbass

Bb13(Jt11)

(Sb 13(1111))

14

jJ..

rr:lTenor Solo, Half-Time Feel1 ) LCJ Ab t FMl

II'
I
I

I I Y T II

I'

T lI

I I rr

I'

Y lI

I T lI

rr rr

rrr1

I,
I

I I , , rI

I' r , I

I I I r r r r rI1I

I'

I ,, I'''' I''
r-

''I''''

I'' ''I

FM? I'

c~

F
q Eb%
,, I I

I I Y T II

rrr rr rr rrrr

r-

I'

r I' r
I

II'
I

Sb
I I I YTI

I'
I

C'add"'
I Y lI YI

I'
I

Db
I Y lI YI

I'
I

A.,(:~)
I I Y T II

I'

I I Y Y Y II

I'

I I I YYYY

I' Bl c I'
I

F(ad~ '~) om1t3

I I

I I I TIT

I ., I
Y.

D.S. al Coda (omit letter D)

f5)

Bass plays one note per chord change during melody (except where bass line is written).

'

"

._.)

:1

_) f

~{

,I
1...

'
I

'' ~BE~iC.Atl

\PA~e.

'PA!fol~

1\ .

'313.
GJerttJ MillE~

I' ;

,
i
(

'

' J
~

1)1-

{fw..}

1@W 7

DO fFQ I 'ci '1

+.

F'"
1 .'

{Bb) ~-~-

Jt=f-

IA i

II

--....

r-

--

--~

- - ... -

-.....--r--"'(" -;;;- -.,.-,.-..---;:- -..---

---~

- ... ---

. -

--

--

-.

__

.,

-----------

e.:.~
I '

~':t-

!~~

t Il

~ ~

~
I

>

Js ~

6,

. ~':). I

J I; ~

~ ~W 'v

>
"

'i

I I
'

,
b

'I \; '.

11'+

f4,1-

I I 1 ~:r-

~ II

'

II

AMAZING GRACE
Copyr!ght
~

lnterrational Copyright Secured

1988 HAL LEONARD PUBLISHING CORPORATION ALL RIGHTS RESERVED Printed in the U.S.A.

Traditional

Moderately
G GIB

D7sus

D7

J IJ J IJ J IJ
A
G7/B

maz ing_
C

Grace! How sweet

G

the
Em

sound

that

saved
Am9

a_
D7 jLG

wretch like

me! _ _

once_ was_
G

D7

f#J
lost,

G/B

lj2.

CIG G

J IJ. l J] I j
but now__

J IJ
was blind, but_ now

J I J.23 J
see. _ _ _

J :II
A

J.t3 J
see. _ _

II

am_

found;

AMONG MY SOUVENIRS
Copyright o t 927 by DeSywa, Brown & Henderson, Inc. Copyright Renewed, Assigned to Chappell & Co., Inc.

Words by Edgar Leslie Music by Horatio Nicholls

Fm7 Eb/G Gb dim7

Moderately

Ci't>9

f If
There's no thing
Fm7

j
for me; _ __

j
of

j
days that
used

left
Bb7

r r
to
Ci't>9

I
Fm7

be _ __

f
live

in

r r r
memBb7

f
mong My

ry

Sou ve

laJ2JJ
nirs. _ _ _ _ __
BIG Gbdim7 Fm7

I
Some let
to~rs

J
~ith

J
blue, _ _

tied
Bb9

J J
a

I
57

I'

pho to

graph or

I
two, _ __

,.

,.
I
see

r IF
a

r r
f:rom you

F
A

r
mong
My

I
Sou
ve

rose

Eb

M6

Fm7

Bb7 Bb9#5 H

J
nirs.
Bb7

j
I
few more Dm1>5

to

r
kens
G7

r---------- r r IF
rest___ Cm7 Mth in

F I:I
my

r
and
Fm7

J
tho' they

trea sure chest_-

F9

Bb7#5

Ci't>9

r r73t r
do
Bb7

r
give drops

J IJ
me con so

IJ
Ia tion.
BIG Gbdim7 Fm7

I~

J J

r
Bb9

I
all

t
F f
Sou ve

their

best _ _

to

count them

a part, - -

Bb9#5 a

J J

r
the

I
tear

r r
start,___

r Ir
rmd

F IF
a

j
heart

r
A

~ ~~t ,r.j'.=-:~-=~=---=-c-m7.....:.::...::::0_--.e:.::=-;-'m:C..:.:.:..'---_.:..:.._:._s-7-----,~r.~~
nirs. nirs.

And

as

bro ken

moung My

44

31

Med. Latin Ballad J = 100 I nt ro. J 1------;] r:--- :J~ r;-fi~l

Amor
"'-

Ivan Lins Vitor Martins

"'
e)

. r-

'I J I
!""

l__;J__j

(Choir)

. I

. . . .

::z.

I J 'I

jl
I 'I

I~ u I
,..,

L___:J-----1

~l_J 3

l_J__j

I
.,

I
__,

L__:J----1

l
0
"'-"'~

. .

F#M?

. .

r--.1u

DMAq

F#M?
r--3~

DMAq Gqsus

(1st x wlpn. only)

IA I AMAq (vocal Bva bJ F#MIH

"

-d-....___.....-u-

-dC#M1
11

.,

....__..-

$(Jfr r
Vem V em se mos - trar, a - fas - tar Vem \'em me bus - car, a - cal - mar

Fp
Al3sus

r f f A r! 1Ef77
o - lhos pni_eu ver. _ _ meus po - roes ________ ~eu_es - tou pron - to me us te - mo - res pra - tr. _ __ me us ats. ~--

vem me con - ven - cer, traz seus bans as as - som - bra - cues, a re - Jar

vem me se - du - zir, os meus ven - da - vais,

I #r f r qr lEG! f tJ I~F :i .~
Vem me_en - can - tar, Vem c me faz me ti - rar ca - da vez dos con - fins, mais au - daz, fa - zer ca - da

F# G#

G#q

C#qsus

C#i(P'?)

Fo! b "G

fes - ta pra mim. ~~ vez mats ca - paz _ __

.~

tl rlr AMAq

GbMAq Fq Fq sus

O"=r r r ! gf~ T ~~ r r ~3~ - ~J~

1

BbMAq

BM?(PS)

E1(:;)

tie::~
DMiq

I/ / -/ ) C#M?

1 2 i3M? GqsusGqj Aqsus Aq

~

Vem, de_a

co - ra ere - di -

~ao.

tar

A - cen que_ain - da

der meus pos - so

ba - loes ten - tar

mi - nhas~con - ti

pai - xoes. nu - ar.

~
Lu tar, lu tar,~

r-3~

J 1lu - tar

J Jfj
pra gen - te

CMAq

E
scr

~~
fc - liz.

BM?

l l "1

p IE
Can - tar,

can- tar,_ can - tar

u-a
A13

Eqsus

Ej

I 1 "1

co

}..........- j
-

1
F#'?

J~

rno_a gcn - te

Po

AMAq ...........\ I

scm - pre

D. qmz. _ _

I~A~3sus 1-

"1

v lF*q~s
=D
Lu-

11-~l

1993 Dinorah Music. Used by Permission

32

D*MIH

J f3Jg1Jlj2] J
Vcm se mos - trar, V ~m a - fas - tar vcm me con - vcn - cer, traz seus bons as as - som - bra - cues, a rc - jar o - lhos pr~i__cu vcr. me us po - roes. ___ _

fJ 3 J
V em me bus - car, Vem a - cal - mar

F* " Ml C#

J~J j' ~ J J ~J
vem~--os~------

B'3

B'3

JI f_J-J JgJ
a qJ
1

EMAq

E6 G* E E6 .l

bJJ
V em_ Vem

me se - du - zir, meus ven - da - vais,

eu_es - tou pron - to pra - ir. _ _ meus tc - 1110 - res meus ais. ____ _

Bb'lsus

Bb'l

JJ &J

r - 3~

qJ J ~i>J ij3 &J

1

w:+

'/

Eb'lsus

r---- 3 ~

EbiM) ']

J qJ J 1 ~j
C*Mij(bS)
r-

G07 /Ab

r---- 1----,

AbMA 'lGf3sus Gq

J qJ

ffil= ~ qgg
\-'e1n, dc_a_

___ me_en - can - tar, e me faz

me ti ca - da

rar dos con - fins, vez mais au - daz,

fa - zcr ca - da

fcs - ta pra 1111111. ____ _ vez mais ca - paz_~-~

g,J J J
co - ra - <;ao. ere - di - tar

CMAq r--- 3 ~

gSJ F@ J J J
A - cen
quc_ain - da der mcus ba - lues ten - tar

. ~

3--,

F* 7(:~) ,----3------=!

BMAq

J~g~~t--@==J=~(J-=g
"--""' pai - xucs. _ _ - ar. _ _ nu

,--- 3~

mi - nhas con - ti

Lu

tar,

lu - tar,-~

lu - tar

pra

gcn - tc

scr

fc

liz. ________

Can - tar,

can - tar,_

can - tar

co

mo a gen - tc

li9.
scm - pre quiz. _ _ _ _ _ __ can - tar, _ __ ___ can - tar

Bf3sus

t$
I

F*qsus
"f

FJs
.'1

B
qmz. ________

f3sus

:JJJ)O
...._...
co moy gcn - te

IJ J
sem - pre
-------~-------

________ _

B.(add q)

ll

(Top note of synth. voicin9)

33

Guaracha ~ = 186 (3-2 Clave) ( lntro)

Amor Artificial

C. Curet Alonso
(as played by Ray Barretto) (arranged by Oscar Hernandez)

~~;:

:tl= ~-='- .,....,-ueq AbMA7

.....
I""

l#~~~

:___,....=~

!Jt-~

Ml

/G
"-----'<7

.
T
,..--....,

GMAq
l
.~

CMI 9

crescendo
r-

...
-

-jl

u~.-,:===-=t!~
~'!!

~o

c;

--= ~3
--

/G
I

'

,..- I

-. r

)
;

-
1

...

AbMA7 GM? "G

~<:7

-.
I
-

.....
r- r-

r' I

--~~

. '
l

. . . .
GMAq

A .,._

t,

..__~

7 CM1 G

...
-
I

[A] (2-3 Cl ave .

I
~

f
l

v
-

-- .
cia! ccr
A--~

,, '

GMl

I. Un __ pa-ra2. La - bo-ra'1(MA7)

f - so ar - ti to - rio de

fi pia

nif GMiq 0

A~MA~G
::;;r

que e -

=-~lipSF

" - - - - - '<7

break - - - - - - -

....
1

-A-

f)--

(pn./bsJ

r r

,...

r-:

!""
1

,._
(etcJ

so no_es

a - mor._

(horns)
Cua - tro pa - rc - des y el do Ex - pc - ri - men - t(ur 'b'a - ca lor nal
d de _ _

ma - ra dc_ho- rror._ sen- sua - li - dad._

I
0:

~-

"-<

~.,

IV

~,.,.-_.

.
;....

>

~~

......
~

..
-"------'-

(pn./bs.l

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Balada Meme Solis
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AND ALL THAT JAZZ

Copyright e 1 973 by Kander.Ebb. Inc. and Unichappell Music. 1nc. All rights administered by Unichappell Music, Inc., Publisher

Words by Fred Ebb Music by John Kander

Quickly

G7# 5

~(! Ji J ~--) J J J I )1 J :t_J

Come on, babe, _ why don't we paint the town,_ And All
Th~tt

.
I
I'm gon - na

Jazz! _

G7

~ l J t:_J J J J I 1> J Ji J
rouge my knees_ and roll my stock ings down _
AJ,7

And All That

J~lZZ!

Start

the car,_

koow a

I
whoop-ee

Jc J
spot _

J
where

JIp
the
Em7~5/!ll.

r
is

J
cold_
AJ,7

~w
the

J
pi

v
an

r
o's
hot._ G7# 5 It's just

gin

but G7

a
AJ, 7# 5

A7

)1

J :k__j j J J I JJ J $ J J I ~J t
hall_ where there's a
1)1,

nois y

night-ly brawL

And

All

That

t
'!
And

Jazz!
AJ, 7# 5

~ ~~\~~

J
Slick
1)1,

r a_J
your hair_
is

J
and

J J
1

e_w
shoes _

~ )1 I Js J
All TI1at
AJ,7

tz:J
Jazz!_

J J JI
I hear that

wear your

buck le

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j)

J J_:__J J J J I J
gon- na

A J
A7

~Jd Ji J o[J I r
And All That Jazz!_ Hold

8
on

J J J JI
bon,_ were gon na

Fa- ther Dip_

blow the blues_

J
bun ny hug, _ I

J I #p F
bought some as pi

9
rin__

I ~
S7~

J
U
AJ,7

F
nit ed
Drug_

down at

in

case

we

Fmns

Bb7

A7

3J
shake a D

J I Jj J
a brand new start_

r
to shim my

II a
do

I o...___..-- J I
that

part _

and want

jazz! _ __

~
Oh, _ __

.J
That

A7# 5

J--.J
A7

I '
I'm gon na see my She - ba shake _ (And All

Jazz!) _

Oh,___

she's gon - na

shim - my

till

her

gar - ters

break._

(And

All

That

Jazz!)_
D

Show _ _

j
her where to

J J
gir die.
E7~

Er
Oh, _ __

r
il q~l

r
c

r
if

n
flask,_

J
her

park her

her
D

moth er's blood - d'

G7

cur - die

she'd hear_

B7

A7

J
ba by's

r
queet:.....

J I 'IJ
for aU

I:J
that

....

....___........

J 11_) J
Find a we're play ing

jazz! _ __

46

G7# 5
j

#J> I Ji J
k

k J
Jazz!_

#~\' I j)
And
All

J
That

J) .J
Jazz!-Right 'lp G7

12__3 J
here_ is

J j
where I

fast

and! loose_

And

All

That

i?J J
store the juice, _

't

#;) I )l
And

J # J.
That Jazz!_

#;) I )l
And

J Jc: ~l
That Jazz! __

IP F
Come on babe_ we're gon - na

All

All

A),7

~ ~

F
brush

FJ
the

J J dlv r i>; J J d J I v F
2

sky._

bet- cha

luck - y

Lin

dy

nev- er G7

flew

so

high, _

'cause in

the

Emn 5/BI>

A7

AJ,7

J J
stra - to - sphere _ how could he G7# 5 lend an ear_
to

I ~e
all

I (o)
0

that

jazz! 1 1

' v r v o r v r r r r er r r ~ rr r r ~r r ttiY v r v v r v r r r
1 1 1

M7

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l Il
G7

F :l I
No,
I'm

Dm7

C7/JJ!,

FIA Fm!AJ, CIG

It
no - one's wife,_ but oh, I love my life_ And A'-"-11_ _ ThaL__

JJ
That jazz!

l II

Jazz! _ _.

APPLE CORE
o Copydght 1956 CRrTERION MUSIC CORP. 0 Renewed 1985 CRITERION MUSIC CORP.

By Gerry Mulligan

MedillliDFast Fm

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AND I THINK ABOUT IT ALL THE TIME

1990 URBAN RENEWAL MUSIC (BMI) /Administered by BUG

29
By ERNIE WATTS and RAY DEWEY

Rock Ballad

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A biBb

Bb/F

J J J t=t =B.IJ
~

J}=J J ...
Fll

ld
g

J.
Abll

9J

F
Fll

~J+

C9/E

_.. !jjJ J
t

,~1 J

Dm7

Gm7

'f

J) J #8
D7#9

Cm7
1

F7b9

J.
'{

J) J
Gm7#5

IJ.
}l

J~------J IJ
Cm7/Bb

-J

BbM7

Gm7

G7/B

Cm7

,~1 J
BbM7

,-- 3 ____,

Abll
'{

J J J J
D7#9

UJf?J?
Gm7

Jl
C7b5

1 J 1;.
Fll

J J IJ,j)

~Jl

Abll/A

J J

Abll

,~1

Jl

Et?Tt

L.

f
E7#9

f
E7b9

tF
EbM7

'f

o~r---r
I
Ab9

, r r
Ab(# 13)

,----3-

AbM7/Bb

ti~r~r
DM7 Bm7 Em9

,----3-

r r
Cm7

If

r r r
3

..-----.._

EbM7 D7b9 Db9

,~1:

~-

,--3I

Abll

Fll

F7b9

#)l J #o*J
~

J
'f

~J

f?=r~
Bb/G

r~~-----

J J4
RaJ~Fll C9/E

BbM7

,~1

J J J J J
Dm7

n J IJ
~

Ab/Bb

Bb/F

;J~Jl
J

qJ J

lg
...

J5 d
q~

A7b9(b5) A7b9

J.
Cm7

9J
#;d
'-./

J
J.

Gm7

'~a
BbM7

'f

jl

F J IJ
Ab9#11

,-3----J

'{

jl

J
'fgJ

lj
~

BbM7

'~'

J,

..

'1

JJ

Jj
J

1J.
Ab9#11

J J
'-"
3

J
Jl

;-._..---

IJ.
1 ]

'{

gI
I

Ab9# 11

'-"

14

~t
Ab9#11

To Coda~

~&J
Fll

J J~~~J j J)J
J CJ.
Ab9#11
'{

BbM7
"{

IJ

4J g '-"
'f

D.S. al Coda

CODA
~

BbM7

BbM7

,JI'JI=J.

'{ j J

IJ

' Jl

'f

' ~ I~U

Repeat and Fade

~a

=II

15

(And) It All Goes 'Round and 'Round

Bernard Ighner

1(cg::;{.:~
(strin9s)

F#Miq

(As sung by Jaye P. Morgan) 13

J J J

r!.~ J

l l

7 DMA C#iM)

l?r r
II

l l

and

some

folk_ hard - ly

G1
(
lose. _ __ But

CMJ9
[
here

J 1r
we are,

F13 ~a f d
we're all a part of all there is,

D1M)

GMI'I
I

r r
And it all goes

'round

and

'round. _ _

~GM19
II

j J J J
Life is like a

C13
I

r
are,

It

EbMA9
'f

l r r E rJ
and some folk_ nev - er

D1(b'i')

----:----3

school,

GMI11 ----, ,-- 3

_....._...,_

G1
~

r4 r r
the rules.

learn~

But here we

J 1r ~ E

CMI'? F ~ 3 ---,

BbMA7
~

D1(b'7)

'fc; I ( [_;
Some are

&

wise_ and some are

r t?i

EbMA1

fools, _ _

1976 Almo Music Corp., USA (ASCAP), Rondor Music (London) Ltd., 10A Parsons Green, London SW6. Used by Permission of CPP /Bel win, Inc., Miami, FL and Music Sales Ltd. All Rights Reserved. International Copyright Secured.

16

GMI

I
And it all goes

'round

and 'round _ __

(tnstrJ

L--

3 =:J

space,

gain - ing

time,

End - less - ly

spin - ning_

a -

EMli(P5)

Ai(#S)
youth

I j.
round.

It

E .
With each brand

J
new day we

IJ J
leave some

j
be - hind,

C13sus ,.
And it all

c:J

lo
'round_ and

1 DMA

-$1

II

goes

'round.

Solo on form (ABC). A-Fter solos, D.S. al Coda

r
Lyric at letters Band C, last time:

F
'round._ And it all goes 'round_ and 'round _ _

And it all goes 'round and

Life is like a school, And some folk never learn the rules. But here we are, Much wiser now than we were then, And it all goes 'round and 'round. No way to turn back the time, Endlessly spinning around. With each brand new day We leave some youth behind And it all goes 'round and 'round.

Melody is freely interpreted. On recording, letter C and the Coda are 1/2 step higher the last time. On recording, solo is letter A only, vocal in at letter B.

,_,

I
{
I

'~P"p~'" ~.
)()ill
'~

WI'I.M

,...

\ 1'

"'' ... ,, ,. v
'
PI

'
'

.,

llo~

-.
.I

h
,

...

(~\ ~~

~t..~.

., ....
I

_)

, ""'
_.
_j
I

I
~

Jt--:1-.J..

~ pt-ljl~

~rr-

'

..

~~

......

......
,....-

.;.

-.
~
I

-.,---# '# ..

~~
I

...

,, __..,

"

- ......
I

-.,

rY C.I

....
"

,...

23.

~11

""""'

i
;;,

~
c~,
~.

-p,.,

1 tt -s

1 J_.

ia )Iit(t =at I f
~. ~t.Wi fj

;,

~~

~-

bpf t ---=
;:;'.

tlr;P4JJw.

lg ;u,o:

27

And The Angels Sing

EbMA
0:,

Music by Ziggy Elman Lyric by Johnny Mercer

Ebq
The

(Boi CM?)
I
an - gels

We

meet,

and the

an - gels

smg.

-------

]/J J J J
CMI i FMI i Bb13(Pq)

FMI
smg

ci<*s'
the sweet - est

Fq

Bbi

Eb6

IJ J J
Eb6

r IJ
song

:J
I

~
ev
-

J I
er

I~

~
You

heard.

FMI
I

speak,

J JJ J J
and the an
-

,..

Bb1
gels

EbMA
0,

Ebq
or

(Boi CMI1 )
I

smg, -------

]/J J J J
am
I

FM?

ci<*s'
:J

Fq

Bb

Eb6

(Sbqsus)

Eb6

J
mu -

breath - ing

SIC

I:J
Ill

J J J 10
-

to

ev

'ry

word?

(Eb7

~BbMii

Eb

BbM?

Eb

llcJ ~r
Sud-den-ly

r
the

I~Erc;~r
set-ting is strange, _ I can see wa-ter and moon-light beam-ing,

(Eb7

BbM?
I

Eb

BbMI

C Fbr
sil - ver waves

F I br
that break

CJ! gc r r J~
on some un - dis - cov - ered

Eb

BbMI
0

.,

Eb1

shore.

Then

BbM?

Eb

F l~crc;~r
sud-den-ly

'

~ 3----, r-- 3---,

Eboi

Ebi

Bb i
Ml

gJ

r r ~r r r II,J

J
gleam-ing,

see

it

all change, _

long win-ter nights with the

can - dies

1919 WR Music C:nm. IRPnPwPrl\ All RiDhts RPsPtvPrL l lsPrl hv PPrmissinn

'

,;

-..J

~-

~j

~'

~I

JJ
~{

~l

l Jl Jt
~L

-JL
~l

.JL JL
. il
if

28

Ab6

FM? C 7'*5, Fq

Bb7

Eb6

~~~.J J J
thru it all

CMI

FMI

Bb13(b'1)
CJ
You

your

IJ J J J I o
face that
I

I CJ
(Bo1

dore.

[Q

Eb
0

"[~ SIDle,

I J J~~ J J
and the an
-

FMI

Bb

7 EbMA

Ebq
And

CM?)
it's

I
7

gels

smg,

I* J J J I
'tho

FMI

c7<*5)

Fq

Bb

Eb6

CMI

FMI

Bb13(b'1)
--j

IJ J J
just a gen
-

tle

r
and

IJ J J J
mur - mur at the

I o ~ CJ I
start,

CJ
We

G1
_ __ ki ss,~

(F"')

(Db7(b5))
And

81
leave

CM1
their

lo
the an gels smg,

J J J
Eb6
II

J J I J
mu
SIC

( Ab 6 Goi 1 FMI

FMI

.,

Eoi )
FM17(bS) Dbq

nng

mg

r I 'r r
Ill

(CMI

FMI

I
heart.

Bb7(bq))

II

my

----- ----------- -~----------.:.:....~=-~~_. _____ _,.::_ __:_..:. _ ~___..__:__-_..._____;:. _____ -_

-- ~

Son9o .I = 106 (3-2 Ru.mba Clave) (Note: 1 clave per measure) ( lntro)

(Anda Ven Y) Muevete

F6
c(addq)

Juan Form ell

(as played by Los Van Van)

~; $fuHf(J 1diJ]fftJ 1,.lith Qg ~4~

G
C9tr. or synth. 2nd x only)

G (fst

key. only)

fAl

1 u r rro- cgr =-~~ 1 o

-l

F6

C'addq)

t i

-4

o
mue - ve

1n.: r -4
te.~-

Sti - ma - te

a~

mi ac

t[{EJ F 0 I 0 Eg~J t I 0 J @ J I Q#j Jj H

De - ja_ o- ye, pe- ro de-ja- te lie- var,_ rnue- ve- te, mue - ve - te,
~~-

F6

ti -vi- dad,_

mue- ve - te,

c(addq)

~G

lfR U 1qQ _r v - I qE ~ J:f n

Da le~

F6

C'addq)

tj
mue - ve -

I f= H
te.

con

el

co - ra - zon, _

mue - ve - te, _

tEJr
Da-le_

con el

[QG

Olqf~'- lqE ~J:J,tG1flJl~9p11

co-ra- zon,_ mue- ve- te,_ mue- ve te.~

F6

C'addq)

G~

r
G

[Q] G
Si

a
tu

f J 7~ ~ r 1 ;t~=+ q~
F6
quie - res_ mo - vi mien - to

tp

F6

C'addq)

~dl

J I J.

JJ
9 ,

t
1 r=
U
mf - ra -

1 r

C'""'

f
C'addq) C'add q)

r
n1e,

I Cr C" l~E
G
Da - le

t r I t t Q r ;-r r I B F
F6
re - gu - lar, _ mf - ra - rne,

I L"
me.

--mu - cho, _ pe - ro

FT F C" ! Ct F I t F Cb;(F
[e) G

I g F C F I L"
mf - ra mf - ra me.

g:r
Da - le__

0 I qf f jl
con el co-ra - z6n,_

F6

dar - le

sin

pa - rar, _

C'addq)

I qE

~j:t n I r=
mue- ve te. mue- ve -

rnue- ve - te,_

E@Er
Da - le____

u lqffjS,- lqE fJ:In 0

C'addq)
con el co-ra- z6n,_ rnue- ve- te,_

F6

G~

1PJ 1
te._

342

c<aJJq>

G
I

I
L!J

J fJ I ). j i) J I j. ) I f"LfJ
G (w/ Perc. solo) F6
-.....__.,

m(trbsJ

(,,,; tt ft I W.ivl] t fjJj I! rt jj I JJiv!fhl

c(addq)

c-FJ J j_ I ~

rHev u tfyst
G
_b
1
Da - le __ con el co-ra- z6n, _

~~

LLJ IJl

(VGocal solo)
I

f
I

FG
1

eJJq) 1l I'\; =t~ 1:rH0 r= na1Jifd

1
mue- ve- te_ mu'- ve - te.
(trbsJ
te.

tG
.1
I

c<aJJq)

G
1
I

rI

1,------ ~~

rI

rI

rI

:r

rI

rI

I :1
I

rI

I :

g:r u I qE f j1
con el co - ra - z6n,-

'"""'

F6

c(addq)
1 -

I qE

fJ:t n 0
mue VC -

G( Vamp till cue'

I r=
te.

l )

Da - lc - -

mue - ve - te,-

IK IG(~Vo-ca~l so..,......lo)
l.bJ

(On cueJ

I / / / / I/ / / / I/ / / / I/ / / / I
rnG BM7E Ml7 NC. C7(add4) I .
>-

,Sjl (@ 1 ~
ffl.tu.tti,
~G

~---

t= ~ (g~ ~ ~ w E~ I [11 1 fF t t C I8f 1 DEcJ I f

NC

G BM?EM?N.C. DqsusC*qsusCqsusB\us >>J J J J

>---e-

>-

>-

>-

top note) (,...Sy-nth-. s-olo-on-0-.SJ

fAil ( T rb. solo)

i84l J (Coro) Come on,

F6

c<aJJq)

It

ff

J t 3 It d9 Jl
an - da.

It vA - ~
come on.

come on,

J\iue - ve - te,

mmm, _

( Vamp & solo till cue) On cue, D.S.

vamp & fade on letter M (Synth. solo).

(Anda Ven Y) Muevete (Rhythm Section)

Son9o J = 106 (3-2 Rumba ClaveHNote: 1clave per measure) ( lntro)

l C9tr. or synth. 2nd x only)

=-=e

~' , -l 1 ~(bs.lperc. tacet)

~ ~"PP- 11- ~

c(add'?)

G
I
I

G
I
I

F6
I
I

c<add'?)

I'
I

:L

J'

_I

I'

fF!

1/

J'

,CEfr=z-=--7/}d

li:J G

F6 c(add'?) G G F6 c(add'?) G I ~J+Ljll:7tLL77 !7 ;7Lj7=~Z7rzjl

(bs. tacet)

C9tr. or synth. 2nd x only)

344

~ G

(Vocal)

F6

c(add'7)

F6

!)~l--F=FZ~FT~Efa=-_E7=v-==;=-z=-z:~~~i~
(bs./el. pn. etc.)

rn G

(m ~ [,))-------------- (m ~JJ)--- G F6 ~"i rFjL: LY z=jrr:-:.LTj-~E=jZE-L:=;"VT7=-j

(w/ perc. solo-1

(T rbsJ

F6

C (add '7)

(Coro)

c(adJ'7)

G
rI
1
-~

(3x's)

[1] ~ocal solo)

_.
.~

FG
-

c(add'7)

G
_____
I_____A
-

~~~.L ~
(Coro)

7----T--

'---~!

~~~-~-r=)l ~--~~-;-~--~/ r L__

~z::_____f

a- 7 --f _ _____ J -17=1=-j .

_
--------

FG
I I

c(add'7)

k*9

/~/

lz

Ld

G ~jT "-cc/ ,,J=c

z:E)

(Vamp till ctAe)

fAAl (T rb. solo) ( Synth. solo on D.SJ I.!!..!J G (el. pn. like head) FG

c(add '7)

G
(Vamp & solo till ctAe) On ClAe, D.S. vamp & fade on letter M (synth. solo)

{fog'& ~futfcf~~W~-W~
(bsJ

Note: On main part letter A through E are written out (without a repeat).

Andalucia
recorded by: Ernesto Lecouna Allegro Vivace

from the suite "ANDALUCIA" Ernesto Lecuona

IW

J
G

!31

U nJ~J ; I
11

Am

07

1;# L_ _IJ.
16

1J
07

r r
J

1r
Gmaj6

r 1r

a an

Em

Am/C

1;# r A J U
21

J tJ
G

IJ

H
Am/C

Am/C

09

p :p F f 1L
26

r1U!EJ(jJU
G
07

l;.w

07

07

il_

IU J.

;~IJ_

*~~, r a Ell r r r
F

Gm

r aa r r r
1

Gm

..
F

Ii

..
I

41

Eb
fl
~

!'-

!'-

07

Gm

07

I ~~>
51

*
56
I'\

Gm

07

Gm

07

Cm/Eb

C
07

If

tJ tJ IF F F If
F
Gm

J f IF F F I
F

Gm

Gm
I
n
v '

'r

II r\ '\: j

..
F
G

r-

Eb
~

!'-

,_

a_.07

. .

~-

07
r-

,.
I

~ 61

Am

07

I* ~
66

J #J I J f ftF If

il q * J

J Ir
G

71

lt-J
76

J IJ

lr
Andalucfa

iU ll JJJ

12

-2-

u
81

r-----31

#J qJ

J iJ. ___~J.
G Em

Am/C

09

F
85

1r r r
07

IE
Gmaj6

U EJ !r
I

J ~ Z

~~

Am/C

~~ j
89

[j
07

j. _
G

J.

I*~
93

j
Am/C

r
J

rr
07

r f

1C

U U IU (J A I
07

I*~ J i; r
97

tJ
G

ci trJ
G

iF

il

1;
104

101

07

ti

~r

Andalucfa

-3-

13

Try to

think _

that

love's

not

a- round,_

Still it's un- com- fort- 'bly near,_

An- gel Eyes-

that

old

Dev- il

sent,__

They glowun- bear- a- blybright, _

I'1 ht) 1 I J Jj
Need I say_ that

CMI

D7G7

CMt

my love's rnis- spent,_

3). J I JJ 3) 3 f] I j
rnis - spent with An- gel Eyes
~

A7(t.lt.)

N'~

G7'~51

CMI

~ I
So

to- night._

mJ
II

6PM,'l,.......,. Eb 1 ~

N7 MA

A07

B~u'?

EP1;
an- y- thing

P FE ErrJ}

t.J
v
The

Ip

r Cl r
F*1
the laugh's

-- I J]"-""' J.
you see,me~

NM~7

I
Have

Or - der

(SM~1 ) C*M? "t~) ltJ J J

drink and

OM? G1
I

J) fll/o
on

fun _ _

you

hap-py peo- ple, _ _

CM1

(F13) . 7 AMt ''''

DM?<~~J G7

1!!}11 EbE p;."'d'o

Par-don me,but I got- ta run,_

Got- ta find_

who's

now num ber one__

and

why my An- gel Eyes

ain't

here-~

1946 (Renewed) by Dorsey Bros. Music, a Div. of Music Sales Corp (ASCAP). International Copyright Secured. All Rights Reserved. Used By Permission.

10

(Emli~~ree!Y)}

G71*'1l

CMI

I J j Jj J (J (t~
'Scuse me while I

II

dis- ap

pear.-

Alternate changes for bars 1 & 2, 5 & 6, 9 & 10, 13 & 14, 25 & 26, 29 & 30:

/av AC1pf01 c~ I~/~/ I /"J'VVY'I

CMI
(et~>

or:

l ~,.~/I

CMt

E~ pt D~

CMI

,,.;vvw
(etc.)

----- ----------- -~----------.:.:....~=-~~_. _____ _,.::_ __:_..:. _ ~___..__:__-_..._____;:. _____ -_

-- ~

:l
, L
l

ANGEL E!:JES
MATT DENNIS

C- ~

Ab7 G7"9C-

A07

JliJ f)W lvJfOF CFI

L
L
CAb7 G7 Gb7 F7 Ab7*11 C-7 F7 Bb--7 Eb7 Ab7 G7 "9

L
L'
(

It 2 w~ll Jll BJ J Jl J)J)W W I

2

CI

@ Bb-7 Eb7 "

I I

Ab6Db7 C-7 F7 hs Ab6

'"'

-e. Bb-7

L L L
['
L

I ~bb DF pF r IJ
Db-11
Gb7"9

Eb7" 9

-e. Ab6 8!,--7Bo7 C-7 Ab6

.......

A-7

D7" 9

G6

F I 1F ., q) A I J J qJ
G7"9

I$ ~b& ~J WJ J Iq., J
C-

D07

L
L
1 .....,.;

I$ ~b& JV r FF I .,
'f

~ A07

D07

G7 "9

C'f

Ab7 G7 Gb7 F7 Ab7*11 C-7 F7 Bb--7 Eb7

I JJdJ. Jll BJ J j
Ab7

$~"& i) i)

Ab7

G7 "9
W W I

C-

G7*s

C-

J.

! I iJ iJ r iJ I.,
TAG - PLA!:J ONLY ON HEAD - - - - - - - - - - - - -' DO NOT PLA!:J ON SOLOS
PAGE 20

II

L
L

ANGEL EYES
Copyright o t 946 (Renewed 1973) Dorsey Brc111ers Music

Words by Earl Brent Music by Matt Dennis Cm6

3

Slow Blues Cm7

A'. 7/C

A'.91C

Cm9

Am?.S

a13 A'.M7 Gi'o5 Dmll

~ ~L lz E!

'I'

Try to think.____. An gel Eyes_ Cm9 A'.71C

W3 W_J
that that Cm6 lme's old not a round_ dev il sent, _ D7o9 still it's
un com fort"bly near._

they glow un bear a bly A'.9 GM

bright._

A'.91C

j tm7

2
A'.9 G7o9jj cm

~ ~"i,
~lzlz

'I'

} j]J J
'

h I j. j
ain't gain in' that my

pJ J
no ground_ F7o9

j
be

I ]. j

My old heart _
Need I Bbm9 say_

cause my An gel Eyes ain't here._

J. j J i?J I J -A'.M9 [l!,M9 Am9

:II

I
~-

../

r
So

love's mis- spent,_

mis- spent with An gel Eyes to night_

Bb m9

a 7,9
?'

A'.M9

~ v I
GM7

.Efro_l
all you peo CM9

an 9
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~)

J.

drink up _ _

ple, _ _

-----

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-1

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you see_ _ Dm7 G7#5

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hap py

or der an y thing

Om7

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peo pie

----------3

'f

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the

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on

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Got. ta

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but

drink and the laugh's_

me._

Par don me,_

Cm6

Ab 9/C

Cm9

~:!

lz

j_ j
run,_

... ;;J ) - J r ..
'

Am7.5

Dm7

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AJ,9
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CrrO

""1

got- ta

the fact's un com-

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flnd_

who's

Cm6

Ab9iC

D/1.9

AJ,9

G7#5

G7#5

J; I J J J. ; J
now "Num ber One: and why my An- gel Eyes ain'tbere._

J 3 J j P) iJ J
'Scuse me while I dis- ap

II

pear._

ANOTHER HAIRDO
o 1948 ATLANTIC MUSIC CORP. o Renewed and assigned 1976 ATLANTIC MUSIC CORP.

By Charlie Parker

Blues Bb7

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45

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JL

ANGEL EYES
Copyright o t 946 (Renewed 1973) Dorsey Brc111ers Music

Words by Earl Brent Music by Matt Dennis Cm6

3

Slow Blues Cm7

A'. 7/C

A'.91C

Cm9

Am?.S

a13 A'.M7 Gi'o5 Dmll

~ ~L lz E!

'I'

Try to think.____. An gel Eyes_ Cm9 A'.71C

W3 W_J
that that Cm6 lme's old not a round_ dev il sent, _ D7o9 still it's
un com fort"bly near._

they glow un bear a bly A'.9 GM

bright._

A'.91C

j tm7

2
A'.9 G7o9jj cm

~ ~"i,
~lzlz

'I'

} j]J J
'

h I j. j
ain't gain in' that my

pJ J
no ground_ F7o9

j
be

I ]. j

My old heart _
Need I Bbm9 say_

cause my An gel Eyes ain't here._

J. j J i?J I J -A'.M9 [l!,M9 Am9

:II

I
~-

../

r
So

love's mis- spent,_

mis- spent with An gel Eyes to night_

Bb m9

a 7,9
?'

A'.M9

~ v I
GM7

.Efro_l
all you peo CM9

an 9
""""-

D7o9

~)

J.

drink up _ _

ple, _ _

-----

Iv
F#7#5

r b! I
-1

Q __l J
you see_ _ Dm7 G7#5

F I ~r p ~~~
Have fun,_____ you Cm9 A'>7/

~
hap py

or der an y thing

Om7

'
u

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Js, J.
peo pie

----------3

'f

~1'
the

~ I ;f

a ; J_ ..

f J]
on

o--

'f'

Jj
]1 J
Got. ta

~;

J
AJ, 7 IC

j;
but

drink and the laugh's_

me._

Par don me,_

Cm6

Ab 9/C

Cm9

~:!

lz

j_ j
run,_

... ;;J ) - J r ..
'

Am7.5

Dm7

G7b5 G7

Cm9
'!'

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Cm Cm/B\.
AJ,9
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CrrO

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got- ta

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mon-ly clear._

flnd_

who's

Cm6

Ab9iC

D/1.9

AJ,9

G7#5

G7#5

J; I J J J. ; J
now "Num ber One: and why my An- gel Eyes ain'tbere._

J 3 J j P) iJ J
'Scuse me while I dis- ap

II

pear._

ANOTHER HAIRDO
o 1948 ATLANTIC MUSIC CORP. o Renewed and assigned 1976 ATLANTIC MUSIC CORP.

By Charlie Parker

Blues Bb7

~ ~lz
a7

I:"

I~

B\7

~ ~" ~,r

g;

~ J ;d J J~;
G7 3 Cm? F7

't

lfTT] : r J ~:
Bb7

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F7

~'&'!J J J1q}t0 JJJJ I;~JJW '~vl?rd'J]&f:ll; JO~J J J IJ

45

II.J.9

ANOTHER KIND OF SOUL

written by: 1;at Adderley "Sophisticated Swing" (Cannonball) Emarcy mg 36110

BACK TALK
written by: S.Rogers-R.Norvo (Woody Herman) Columbia CL-6026

II.

!;., - IA' Eg. i lj di tj ~ tj a II

.
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;A

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17

Another Star

Stevie Wonder

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la

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r-=
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(voices)

La

Ia

I Ia

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la

la_ Ia

l a _ la,

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la

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la_ la

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u.se on D.S.

!j

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-=

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/

F#Miq

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....;;;

=--

1976 Jobete .Yfusic Co. & Black Bull Music Inc., USA. Used by permission of CPP /Bel win, Inc., Miami, FL and Black Bull Music Inc./Jobete Music Co. Inc., London WC2H OEA. All Rights Reserved.

18

CtCr]l"
you, there might be a _ bright - er

,_r--g

DMA

II

C#M?
Of

star,

but through

r J:Jj
my

eyes_

I~\
the light of

C#1(!~)

F
is all see. _ _ For

you _ _

F#Miq
0

E13
,------ 3 ----r

I
you,

f f
there might be an oth - er

C#M?
()
1

"i

P
but

r
all , my heart_ So

song,

C#1(!~)

can

hear

dfk9r
is your _ _ _ __

'--"'
0-

mel

dy. _ _

3rd x:

A1

D.S., vamp & fade on letter [A]

I with - out de - mand
ing,~

p
long a - go, my

r
0

heart

in -

EMiq

IJ.
formed

~}
me

J.
that no oth er love_ could

:J
But lis -

do.

F#Miq

C#1

1.J fJ-p
ten did_ I not,_ though un

lt"ip[F r
der

rl

stand

ing,_

(I)

fell in love with

F*M?
I

"I

J
who

one

would break _ _

,J:tp r l?Jb
my
heart~

G#1

j
in

P"
two. _ _

I~\

C#~us

F
2. For

Horns and background vocals at letter Bare like letter A each time (horns on bars 9-16 only). Second & Third Verses 2. For you, love might be a toast of wine, But with each sparkle know the best for you I pray. For you, love might be for you to find, But I will celebrate our love of yesterday. 3. For you, there might be another star, But through my eyes the light of love is all I see. For you, there might be another song, But in my heart your melody will stay with me.

8.

aND1 HU Snn\
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19

Med. Swin9 (in 2)

j

Another Tin1e
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Alan Broadbent

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.
EbMI11 Ab13M)

AMA1
I

U*
I
~

F#Miq

EM11

,
I

.
I

r-3

.
I

DbMA

BbMiq

AbM?
I

--

.. - . ---~-

--

_.L ~--tr-_J]--

=:-t
-~

.:; ;/- -

--!;;
v-

-111

[7

Gb'7'#w
I I I I
~

--

Bass plays roots on beat 1 of letters A and C on head.

1987 Weyman Music. Used by Permission.

20

.
--t

r-1

.
- (Ebq)

"""'""

.
--t

r-1

.
(Ebq)

"~A
'\. /
~

F~

1~
I

E~
P'

tF~
~--

~A
-

Fq
t
I

1~,..
L_

E~ l F~
~'"'
~

e,

~~
"- f.--'-

Ill'.-

~r;,.l

~~--

P'

Ill'.-

P'

.
--t

..._

DMI~
t
~

~Bb~
Bb7

.u

...
--t

"- 1---'-

.
--t

..._ ./u

1\

{6
~--

DMI~
~

Bbi
1\
"--"

~-

!IJ:~

"--"

p-

liJ:.......___..., p.......___...,
----...,
~

~I

.-..~

v
I.
.1"' 101

[Q]( in 4 )
11011""'

_j_

....-!
Llo

I
[..

!"':

. .
I"'

i,1
I"'

I
-

b...
-

(EbMiq

Ab13

I~)

Ll

J
r

-~

f'W-

1 AMA1 U# F*Miq EM1

-7-

EbMl11 A 7(!~) Ab 9sus o-r(:~) Db13#q) Gb13M) 813

- -

,.
"\.

-. 813 -.
I
. r-

lA

~I

~
..I , ......

l l

11011"'

T'l

I-,
r

- u ...._
1

~
~

J-

. .
. .

E13M)

.
I

J!-

A13sus

.--

~"'~

Ab 13sus J!~
...._ L-

_,-

"',.

Gb13
/

-J L.... (pn. wl bsJ

..
v--

-I
101...1

L..-

"I "-- /

Ab ~_:us

.,.-- ~

(Gb13)

FMAi(#~
......--h

- -I

,.

Solos in 4. Chords in parenthese are used for solos.

ALPHABETICAl- INDEX
TITLE BLUES MINOR BLUES WALK BODY AND SOUL BOLIVIA BUSTIN' CHOPS BUT NOT FOR ME BYE, BYE, BL-A-CKBIRD CANTELOUPEISL-A-ND CARAVAN CEDAR'S BLUES CENTERPIECE CEO !<A CHEROKEE CHRISTMAS SONG CON ALMA CONFIRMATION CO:<.AL CORNER POCKET (UNTIL I MET YOU) COTE D'AZUR COTTONTAIL DANCE CADAVEROUS DANCE OF THE INFIDELS DARN THAT DREAM DAYS OF WINE AND ROSES DAYS OF WINE AND ROSES DEARLY BELOVED DONT GET AROUND MUCH ANYMORE DONT TAKE YOUR LOVE FROM ME DOXY DWELLINGS EDDA EL OTONO EPISTROPHY EVERYTHING I LOVE FINGERS ( KEESTER PARADE ) KEY FBb Db NC GEb F FFBb Bb Ab Bb Eb D F FBb BbBb CF G F F/Ab PA6E STYLE
!

COMPOSER. JOHN COLTI<ANE CLIFFORD BROWN

i

7/B 39 41 4'"1 J.. 4::1

4!:"

MED/UP BLUES BALLAD MIXED UP MED/UP MED EVEN8 LATIN BLUES BLUES LATIN UP XMAS MIXED MED BALLAD MED BLUES MED/UP WALTZ MED/UP BALLAD MED MED MIXED MED MED MED EVEN8 WALTZ EVEN8 MED MED MED/UP

JOHNNY GREEN CEDAR WALTON STEFAN KARLSSON GEORGE GERSH\MN RAY HENDERSON HERBIE HANCOCK JUAN TIZOL CEDAR WALTON H-ARRY "SWEETS" EDISON LEE MORGAN RAY NOBLE MEL TORME
I

_,

46 47 4B

I I I I

49

50
51 5'"1
~.

7/9 5::' 54

DIZzy GILLESPIE CHARLIE PARKER KEITH JARRETT FREDDY GREENE CLARK TERRY DUKE ELLINGTON WAYNE SHORTER BUD POWELL JIMMY VAN HEUSEN HENRY MANCINI HENRY MANCINI JEROME KERN DUKE ELLINGTON HENRY NEMO SONNY ROLLINS BOB GILLIS WAYNE SHORTER STEFAN KARLSSON THELONIUS MONK ~ KENNY CLARKI COLE PORTER TH-AD JONES

74
55

73
512;

57 5B
6"1 59 60

c c c
Bb EG

6:2 64
6~3

65
6~3

67

c c
Eb Bb

~'
69

70
71

Page2

30
Copyright 1946, Renewed and Assigned to Atlantic Music Corp. and Music Sales Corporation

ANTHROPOLOGY
By CHARLIE PARKER and DIZZV GILLESPIE

'~lt r F.r.~r .. r .~~r r F I f

Fast Bebop Bb6

G7

Cm7 'I

F7

Bb6

Gm7

'I

r
__,.

ul'l D
lrim7 'I

~ -.J

F r r:::j

,.

C7

F7

J~ J
F7

'f

~r- A 0

Fm7

Bb7

'f

~Dlli
Cm7

Eb7

Ab7

~p

c: F
Bb6

r J Ir
'f

G7

~D

'f

Cm7

'f

~o I

I!

~f

,. ] 'f;)Ijl

& -r j r ~b_r
G7

2 / Dm7

G7

'f

p [j

I~

F7

J3
'f

~ f

D7

~o'lt
~

~ #~ {jlj ~~ ~ ljl~ f -....

~r

'f

~Dl

.,~1

cqr
F7

r ~tr E F ~r r

n
t

'f

v v 1F r n
'f
G7

C7

Jl I b:EiJ
3

u
Cm7

t
Gm7

'f

I.D~

'~~r 0 ~c F FJ' IF ~n
Fm7
'f

Bb6

Cm7

F7

Bb6

'fD'fDr l'foB-rrr[l
Eb7 ~~1
'f

Bb7

Ab7

Dm7

G7

F7

Bb6

p3f

:0

D I D'C ~P c F F F I F f
ANTIGUA

.. '

rf

'f

0 [F IF r r

r -$%1

Copyright 1967, 1968 Antonio Carlos Jobim Copyright Renewed Corcovado Music Corp., Publisher

By ANTONIO CARLOS JOBIM

Medium Bossa Nova EbM9 Bb7b9

EbM9

Bb7b9

BM7

F#7b9

BM7

F#7b9

~~~,I '
1+'~
EbM9

J>

fl J J
Bb7b9

J :Jj_J J J J J'"tJ J ' I, 'g 'Ei 'l E'F 'flf

'-""
.

1 [

r ~~ ~ ~
1.J

,;'l

rg J J
p

J J~j

mM7

JH [} j lgd ~J
G7

EbM7b5

Gm7/C

j
Cm7

u J J)jd IJ
J FJ
Bbm7
'f

Dbm/C

d~ J J jA
'--"

Fm7

Dm7b5

'~I\ j J 3
'.._/

J J J J tJJ
EM7

~J I,J

J #) J

,--3---.

F13b5

)l

----- J 3
I

I0

Fm7

EbM7 Bbm7

EbM7

Eb

E(bS)

E(bS)

'~~~.

'f

;,

;--g i J J tJJ a-j J g J J

13

Med-Siow Funky Rock

J= ""
(elec. prr.)

Baby, I Love You

Ronnie Shannon
(As sung by Aretha Franklin)

..
(bs.)

l.If

you

want

my

lov

in',_

'-'

If

you_

real- ly d o , - - -

Don't

be' -frid,

ba- by,

ju<t Mk

~.

Ynnknow

I'm

gnn-~

-,~a
it

to Y = -

Ohr--

and

do de - clare

want to

see

you with-

it,

Stretch out your armsr-

lit- tie boy,_

JJQ: JJ[iii' 'J I~J J ~ ibB

_ you're gon- na geLit, 'Cause I love you, (Ba-by, Ain't no doubt a- bouLit, ba- by I love_ you,,_________

C7

G7

J Qn J&JI
ba-by,
ba -

by

I love you),

(Ba by, ba- by, ba -

by

love
I

you)

1%7 Pronto Music & Fourteenth Hour Music. Used By Permission. All Rights Reserved.

257
-,~~~so

$~ u i r r r r 1 , [U r
c_,
f'?
~- '1 ~,

~'

(rJ'

c_,

~,

~~
~b,

(, . 1
Pr~ ~

I v Pr 4 r rdd
\Q ~

~ If

rr- ~ -~
"D'7
('7
("

1JJJJ ~r ft'f Dpr~PTV~FPtfltn

v;r ipl 0rr t1

;..--I
~

i'7

C"

;: "

~-"
1,,

r f G'l f [ r I J~~a~a t= ''Vi

~.,

f"

;,.:

~ ftr!rl!r~rtltr rc 'rq Plt!r r trr rll rf t

..,.
'

Jii

tfnr r?r
~~
Gr1

~I cit fl t"'VTI I rit r;l rtR lt 1J

I

f'?

I ar!Er tr rJI i! r 11 r I r- pU rrr1 I J JJ Jl t p1

f .,

c.-"

;:-,

~~

c;. _,

c. .,

r= ~

~'l

~~,

A~"

c.-"'

F"

~~ w

tr

Pvr ~vrv~ntfltrurrr1rbr1trrl

-AI

30
Copyright 1946, Renewed and Assigned to Atlantic Music Corp. and Music Sales Corporation

ANTHROPOLOGY
By CHARLIE PARKER and DIZZV GILLESPIE

'~lt r F.r.~r .. r .~~r r F I f

Fast Bebop Bb6

G7

Cm7 'I

F7

Bb6

Gm7

'I

r
__,.

ul'l D
lrim7 'I

~ -.J

F r r:::j

,.

C7

F7

J~ J
F7

'f

~r- A 0

Fm7

Bb7

'f

~Dlli
Cm7

Eb7

Ab7

~p

c: F
Bb6

r J Ir
'f

G7

~D

'f

Cm7

'f

~o I

I!

~f

,. ] 'f;)Ijl

& -r j r ~b_r
G7

2 / Dm7

G7

'f

p [j

I~

F7

J3
'f

~ f

D7

~o'lt
~

~ #~ {jlj ~~ ~ ljl~ f -....

~r

'f

~Dl

.,~1

cqr
F7

r ~tr E F ~r r

n
t

'f

v v 1F r n
'f
G7

C7

Jl I b:EiJ
3

u
Cm7

t
Gm7

'f

I.D~

'~~r 0 ~c F FJ' IF ~n
Fm7
'f

Bb6

Cm7

F7

Bb6

'fD'fDr l'foB-rrr[l
Eb7 ~~1
'f

Bb7

Ab7

Dm7

G7

F7

Bb6

p3f

:0

D I D'C ~P c F F F I F f
ANTIGUA

.. '

rf

'f

0 [F IF r r

r -$%1

Copyright 1967, 1968 Antonio Carlos Jobim Copyright Renewed Corcovado Music Corp., Publisher

By ANTONIO CARLOS JOBIM

Medium Bossa Nova EbM9 Bb7b9

EbM9

Bb7b9

BM7

F#7b9

BM7

F#7b9

~~~,I '
1+'~
EbM9

J>

fl J J
Bb7b9

J :Jj_J J J J J'"tJ J ' I, 'g 'Ei 'l E'F 'flf

'-""
.

1 [

r ~~ ~ ~
1.J

,;'l

rg J J
p

J J~j

mM7

JH [} j lgd ~J
G7

EbM7b5

Gm7/C

j
Cm7

u J J)jd IJ
J FJ
Bbm7
'f

Dbm/C

d~ J J jA
'--"

Fm7

Dm7b5

'~I\ j J 3
'.._/

J J J J tJJ
EM7

~J I,J

J #) J

,--3---.

F13b5

)l

----- J 3
I

I0

Fm7

EbM7 Bbm7

EbM7

Eb

E(bS)

E(bS)

'~~~.

'f

;,

;--g i J J tJJ a-j J g J J

31

Abm7

, ~',, r 'r r
Abm7

r--3-

r--3-

~r

J fF w r J ~m J
r - - - 3------,

r--3-

r--3-

w
r
~w
BM7

Ebm

r--3-

&D

r0
~

r--3-

1 J 1~f -J :J
M

r--3--.

r r r
Bb13b9

,-3---r'

.~~~,, f r
EbM9

~r--- 3-.,.---,

F9
r----- 3 -------..,

~r

r 'r

If

~r
Fdim

r - - 3------,

r----- 3 -------..,

IF

I
C#dim

~r

r r r
BM7

r - - 3------,

~~o
C#dim

Fdim

EbM9

4'

1 '1 y
EbM9

j\

11 4J
Fdim

J J~ J J J iO J , I y 'U b ..__.
EbM7 EbM7b5 Gm9/C

'r E'diE r 'f U' r ~I

1 [
Dbm/C

'''>
1

Jl

org j
M

iJ J q__ifj
Abm7

Jj4 ,Ej ] hd 1J J u J J l:,thJ 1.J d_j J j

Gm7 Gbm#7

@~

'& JJ J. J [3
'&

Fm7

J R& d JD3 J J )~ J J LFJ

EM7 E7 EbM7 Fdim EbM9 Fdim

IJ J

'1

)l ~j

Ql
I II

~~~,J'-_J

Fm7

gJ a 1n

EbM7 Fdim

EbM9~~dim

'1

J J Ql
APRIL IN PARIS

Copyright 1932 by Kay Duke Music and Glocca Morra Music Copyright Renewed All Rights for Kay Duke Music Administered by BMG Songs, Inc. All Rights for Glocca Morra Music Administered by The Songwriters Guild Of America

Words by E.Y. HARBURG Music by VERNON DUKE

Moderately

Fm6/G

CM7

Dm7b5

G7

CM7
c--3----,

~~

J J J ~J
A - pril In Par - is, _ _ C7 FM7

r--3----,

IJ2EJ=tj
chest.nuts in bios - som, _
,--3---,

lj j
Bm7b5 E7
~

j
Am7

hol-i-day

J un j J bles IJ - der ta
-

l
the

r ..
I

trees._

Gm7

'e

I
B7b9

r
Bm7 E7

A-pril In Par

rrrf
A7

F
-

,.
Fdim

F#m7b5
,--3---,

rr

,--3---,

I
a

is, _ _

this is

f Fmr feel

FFF

J
-

- ing~

no one can ev

f -I
er~

'f
I

B7#5

Em7b5
..
~-

F#m7b5

C6/E

Fm6

CIE

re

r
F ~j

In

-~II

Ir
I Am/G

F ~j
F#m7b5

~j

F IF F
B7#5 B7

prise.

nev-er knew the charm of spring,

IF ~j
-i

FF F
to
~3-------,

I II
I

A
.J l
M

nev-er met it face

face.

Bm7b5

E7b9

Am

EM7

Dm7 G7 Fm6/G

''vj .
CM7

~j

1r

nev - er knew my heart could sing,

IJ

f em brace, f I,:J nev - er missed a warm

-

,J

j J

~~

IJ J J
A - pril In

till

~Par

..___--

is,_

Em7b5

f f ,:J whom can I run

rr

r--3-----.

A7#5

D7
c--3-----.

G7

Ja ..
to, _ _

f what have you done

IF

rr

rar

r
my

I .. heart?

-~

t =II

to _ _

ANTIGUA
ROLAND PRINCE
SAMBA

L L
L
1

07

A7

D-

07

A7

L L
L'
f

r
G-7

r 7f
F7 @Bb.6.
G-7

C-7

L
L
r .
~....o

D7

Dv r
v J_

pI o7

t
6

1$ r~~ Py r pI~)
Bo7

r {Jin 15-?
D7

J ;~ t ~r
J

p1

RHY - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

PLAY

L L
L

I$ g p'f

r pI F

A-7

b[

PITO

I
E01

r.Dp Q * I
A7

G-7

RHY - - - - - - - - - - - - - - - -

L L
L

----------------------1
PAGE 22

II

29

Anything Goes
(from "Anything Goes")

Times

have

changed _ _

And we've of- ten

re - wound the clock_

Db Ab Db

G1 DM? G1

~'*~&~~J~S~J~I~J~bS J_t~I*~~J~~-~-B_Wl ~1 ~ ___

Since the Pu - ri -tans got a shock_ \Vhen they land-ed on Ply-mouth Rock._ 7

Db

.rJ.~l

G1

~l

FMI C FMI

It
If
to day _ __

J
An - y

~l

CMIG

shock they should

try

to stem, _

CMI

r c 11 c:r r r r r
1

J ~l

D1

'Stead of land-ing on

Ply-mouth Rock, _

Ply-mouth Rock would land

on

them. _ _

(Mediu.mJ

~ (CMA1

DMI

EMI

DMI
~

CMA

DMI

(Gi)z c6
j
In old - en

y;

j
a

J r:t~a
-

j
G1us

tf!

k:

J l
)
()

(GMI

cq

days

glimpse of stock

mg was

looked on

as some -thing shock -

ci

F6

(DM?

Bbq

c6
;::;:::

(AM,i)
~I

~
DMI

r r
Gi
t

F
j
DMI
Good i

0?~

lt
DMI
i

E2f
EMI

mg, Now

heav - en

knows.

Fr *
(CMA
1

c6 j I
auth

(CMA

An - y - thing i

r I
bet

goes.

DMI

J
-

j
GMI
too i

:J
who

IJ
once

j
knew ter words

ors

cq

c6
J)
k:

ci

F6
jter

J
on

tf!
ly

k:

j
use

Now

four

cJ
-

rc

r r
words, writ
-

F
mg

--=

-=-

~I

let

prose,

30

G~us

r
An - y - thing

()

goes.

The world _

has

gone

EMAi

(C#i(P9))

Bi

(CMAq)

Ei

"r
mad

Ef?

t:r r
And good's bad

E!? t:r
to- day,_

11

qt Ef' U
white to- day,_

to- day_

And black's

And day's

Bi

(E~)

Aq

I r Ef' t:r F
night to - day, _ \Vhen most guys to - day _ That wo - men

If JJ~fPJ
pnze to - day, _ Are just

(C#oi

DMI

(CMA

DMI

* DMI

Gi

~c6

ll
sil
-

j.
ly

#)) j
gr
-

l&JLJ
-

t
7

:J
So

II
7

:J

go

los.

though

c6 I J
great

(EMI

DMI

CMA

DMI

y.

ci
7

GMI

I'm 7

not

cq

:s~a :J
ro- mane
-

]l
)

J)

:J

r:J. FEJf
to an -

r r
i Gi

F
-

er

( F6

B~q

know that {you're} bound I'm

swer when { I } pro you

F6

(EM?)

DMI

G~us
An - y - thing

c6
goes.

(AM?
(fine)

DMI

~
pose,

lt

EJ ~ F In *

1-

(:J )
(In)

* Ori9inally
(C:II=oi
DM1

Solo on AS After solos, D.S. al fine

J J #J
Sil ly gi go los. _ __

J
''A NYTtfr~GoiS " . '1 .

~r
---

if

-.J

il
rL

._I

. --.1

il
iL

jl
--'

j~
--.1

ll

j~

JL JL
~~L
~L

c 'irlS1"RuMEdfJ;a -. '' BNt:(iME n

~80

\MD~ !l=I~D

. . . .. .@

"@

cB
II Jf il J( II
-..J
,_J

.__)

j(

l l
r[
--'

--'

:L JL .l
__,.
--'

~L

'~l

Med. Slow Bossa Nova j = 120 ~____,. B u ( lntro.) > Ml > > > >

Aparecida
> > > >

Ivan Lins Mauricio Topajos

> > >

~@;
--o- . .
.J

(9trJ

T J J } J J J l J J J l J J J l (etcJ JJ J l JJ J l JJ J l JJ J l

+=
I

10
(bsJ
I
I

/ (vocallor9an Bva b)

(el. pn~
~-

BMr 11

-.----I
I

. .

"~

1: .--:

" (See sample bs. lntro. at end)

._

=---~ l,_.::
_.-

-= ~ :-= :: "::-l-~-~-~ ~:~ t---:: -= ,.~ -= -::--=-I:

~-

_ilL_

- -

Diz, Diz,

A A I

pa pa

re re

ci"---"' c1

da. __ _ da._

Me
Su -

B'3
con - ta por nur des - se

Bi(iS)

E'3

f
on - dee Jel - to que nao
r----3---,
1

VO

r r=P
ca nao, tem e

ce_~

Af3sus

tem

A' 3

F{Pf r J a 3 (J, d)
con - ta con - ta por - que_c quem foi que vo - ee por - que foi,

IFR
mais_ tu - do a - que - Ia que VO - ce fei pas -

Df3sus

an - dou. _ _ ___.___ bi - men to.

.PJJ rJ,
D'3
1

Me Me

~
sou.

JSSJ
Nao Pre -

~,"ao.

C~F(!~)
r--

~~J4 J
tem

J===r

G'3
r--- 3

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Cl

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<Play on
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Music Used by Permission

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(harmonica solo)L- 3

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0'3
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(ad

fib.)

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It

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(end solo)

1111

(with harmonica solo)

CMiq Fqsus EMiq

diz,

D.S. al Coda Optional Solo on Form (A A B C D) 0MAq 0~ C#Miq f#1(;;

A - pa
re - c1 da.
Me_

(Sample bs. at lntroJ

BMI 11 G*Miq(bS) CMiq F* (:~) BMI 11
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(Vamp

& Fade)

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IG,w

''A PPLAo!E "

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~r

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J

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k

k J
Jazz!_

#~\' I j)
And
All

J
That

J) .J
Jazz!-Right 'lp G7

12__3 J
here_ is

J j
where I

fast

and! loose_

And

All

That

i?J J
store the juice, _

't

#;) I )l
And

J # J.
That Jazz!_

#;) I )l
And

J Jc: ~l
That Jazz! __

IP F
Come on babe_ we're gon - na

All

All

A),7

~ ~

F
brush

FJ
the

J J dlv r i>; J J d J I v F
2

sky._

bet- cha

luck - y

Lin

dy

nev- er G7

flew

so

high, _

'cause in

the

Emn 5/BI>

A7

AJ,7

J J
stra - to - sphere _ how could he G7# 5 lend an ear_
to

I ~e
all

I (o)
0

that

jazz! 1 1

' v r v o r v r r r r er r r ~ rr r r ~r r ttiY v r v v r v r r r
1 1 1

M7

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C7
A7

C r ~( C 1

eeo tiJJ Crtrzs

1
G7sus

~>ffl

l Il
G7

F :l I
No,
I'm

Dm7

C7/JJ!,

FIA Fm!AJ, CIG

It
no - one's wife,_ but oh, I love my life_ And A'-"-11_ _ ThaL__

JJ
That jazz!

l II

Jazz! _ _.

APPLE CORE
o Copydght 1956 CRrTERION MUSIC CORP. 0 Renewed 1985 CRITERION MUSIC CORP.

By Gerry Mulligan

MedillliDFast Fm

G7

C7

Fm

G7

C7

1 A), Fm7 Bl>7 1,7

1

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C7

'

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li
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II
47

APPLE HONEY
o 1944, 1945, 1987 EDWIN H. MORRIS & COMPANY, A Division of MPL Communications. Inc.
c Renewed 1972, 1973 EDWIN H. MORAIS & COMPANY, A Division of MPL Communications, Inc.

By Woody Herman

International Copyright Secured.

All Rights Reserved.

Medium Jump 8o6 Gm7

DJn I ~J ~Ff1? lv J
G9 #5 F!3 806
3

C9

F9

Gm7

Dbdim7

JJ
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S.6

II

AREN'T YOU GLAD YOU'RE YOU

Copyright 1945 by Bouma Col and Dorsey Bros. Music Inc. Copyright Renewed.

Words by Johnny Burke Music by James Van Heusen

Bdim7

~..;

Moderately F

F/A

B!.6

C7

Gm7/C

C7

~~ J J J
EvF 'ry time A!.dim7

~
you're C/G

IJ
near
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r r
a
rose,

I r
aren't
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p F F I~
you glad F you've
f/A

J J
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fresh with

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IJ J J J
aren't you

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you?

I; J J J I j
When a mead- ow lark

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I I
aren't

v ;;F sr
you glad
)'OU'\e
~--'

ap - pears,

48

21

Slow, even 1/8's j = 11 ( lntro )

~

Appointlllent in Ghana
no

Jackie McLean
I

fl

-(3-"

Di(#'7)
~ ~

17

e)

(trpJ

.
-(3-"

(BbMA1
n

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(tom)

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(H)

(8bMA

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t

Di(#'7)
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7

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(bass walks)

l""

--.
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Ei(#'7)

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G13

1960 (renewed 1988) EMI Unart Catalog, Inc. Used by Permission of CPP /Bel win, Inc., Miami, FL All Rights Reserved

22

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16
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11~1 YJ~ IJ~ LIY~ YJ~Y ~~~

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G 13

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8
.

Solo on DEF. After solos, D.S. a/ Coda

alto fills- - --- - - - -- - -- -
~
""0

Drums play time throughout (except 1 bar before A). Bass walks for solos.

23

Appointment in Ghana (Harmony)

Slow, even 1/8's J = 11 lntro )

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J. (

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Tenor & alto sound one octave lower than written.

jj?

II alto fills- - - - - - ~

II.

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APRIL IN PARIS

Copyright 1932 by Kay Duke Music and Glocca Morra Music Copyright Renewed All Rights for Kay Duke Music Administered by BMG Songs, Inc. All Rights for Glocca Morra Music Administered by The Songwriters Guild Of America

Words by E.Y. HARBURG Music by VERNON DUKE

Moderately

Fm6/G

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G7

CM7
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~~

J J J ~J
A - pril In Par - is, _ _ C7 FM7

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IJ2EJ=tj
chest.nuts in bios - som, _
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lj j
Bm7b5 E7
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hol-i-day

J un j J bles IJ - der ta
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A-pril In Par

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a

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this is

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no one can ev

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nev-er knew the charm of spring,

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nev-er met it face

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nev - er knew my heart could sing,

IJ

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Aquella tarde
recorded by: E. Lecouna Criolla

Emesto Lecuona

A7

Yo quie- ro que

tu,

me

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ras.

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v

Em
cruel,

87
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45

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que

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me

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rr.is.

Una gorda es mejor que ......

JY_

Aquella tarde

-2-

15

Samba (in 4) J = 122- 144

)
E(aJJq)

'lntro

~1VJ-~~n.E~ ('f'l

Aqui Qh!
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Music ~ Toninho Horta Lyric ~ Fernando Brant

-??J
nhao --~--~~ __ ~----

...__...
Eu

ri

aa

pe_

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oh meu_ a n1or,~~---------~-

J);J p J 1 #Dl J~JiiJ3J

nas Ge - rais, a le - gri a

F#q

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fres, ca te - drais.

Bq

e_

guar - dar - da_em co

&.J=l>f I d ~J,,
Na va ran da_eu ve jo_o meu a

iS FMl1(add4 )

EbMl1(add-4) /
-

Jg
mor. ~-

EbMl q Aq(l3)
:t E
Tem

(MAi)

F:
ben -

l1 r:!rSJ._.rt;- J ~W~Di1)iO&JfiJa@zj
<;ao de Deus_ to do_a - que le que_ tra - ba lha no_es - en tl) -

Ab13

A13

Ab13

B\us

rio. __

Ben - di -

to,Y

fru

to

des

sas

Mi

nas

Ge - rais, __ _

!J
---

F#q G13
1
1 .

Mi

fP~J ~ t_j) - solo) f dJ J'--"'J;ftLtt P..-. 1 I J ' nas Ge - rais. _

ll--.-1\...

F#q C"?

Bqsus s1<altJJ 2 'Edq

Opt1onal on repeat till 2nd endin

AMlq

G#Ml1(1>5) C#1(o~~q) lf5

to _ '

Ben - Ji - to e_ -

fru

~.

.,

1..1

. _ : __

D..-..-~iccinn

BM?"" Bb7
Ben di ~ to_e~

(bS)

BbM?(II)Eb7(#q)6AbMAq

p J'#J WJ. ~(_)

o fru to,__ to des sas Mi nas Gc - rais.
(no lyric)

IE E
Ben di to_e~

fru -

LtiJA r Tlr rlJ &J 1 ~r

Na va c;J.o tic
Deus~-

AbMl

GM q(b5) A r-

3 =:--1

IC 1GbMAq
6

F &J ttd &o=J=+r or~

vc - jo_o mcu a - mor. ___ Tem ben,---- 1

1( #5 ) EbM1(add 4) Ml add 4 I ~

EbMl'l<MA7)A 13 ,....

ran - da_cu

6 J 1 ~~r 1 r
to - do_a- que le que_ tra- ba lha_ no cs- en - t6 - rio. __

~ ~

B1sus'"'~>

(to end)

-:lh_

'+'-

Ben

di

~ to_e _____

fru

to

des

sas

Mi

nas

Ge - rais, ____ _

Mi

nas

Gc

- rai;----

Optional D.S. (to [A]) al 2nd endin9 for additional solos (take Coda to end)

-$- Eq
t

AMiq

G#M?(bS)

f ,J J
Ben -

di

to_e~-

J11 lJ)~J. ;l~J

o

C# 1(:~)

F#MAq

#pJ
ben di
t(~c ____ _

f ru

to,_

tiu -

BMI1(H)Bb1(oS)

BbMI1 (H) Eb1 (#'1)

AbMAq

FMiq

'------'"'

gg l
'---""

b~

to,_____

'--'

I r F bJ :fJ
ben di -

to_e _ _

'-...__-/

fru

to

des

sas

Mi -

II r
nas Ge - rais. _ _ __

/ / (Vamp, solo & fade)

1I

Chords in parentheses are for solos. This arrangement is based on several different versions. One version is A, B (1st ending), solo on A & B, melody at 2nd ending, take Coda (1st x), end with vamp.

Gua9uanc6 /Guaracha j = 1tO

Arallue
,
;_j

Ruben Blades
(as played by Ray Barretto) (arranged by Gil Lopez)
(2 nd X' .--------~
--'

(2 - 3 Clave) (I nt ro ) II I /
'J

. .

'

.J

(trpJ

A:

. .
CMI

N.C. ~ _,__.

.-

-.--1"'

"-

-1~

r--~.
~

~ ~

-?r-----_,__.

c~
(etcJ /

. .

"~ q (bs. w/ percussion)

f &23__jF ~o~n~
,...---.._

DMl 0 ----- 0 ----- 0 ----=

I I I

7(o5)

dill
r
1

------f: l

Ff7
sci - va

ce - rra -

F 1da,

1. J
1
"1
E'Wt11l
v

..

J1

Jr7~ -r_,_, :~ ~ r r
hom - bres
for - ma - dos a sLcs

de

1-

t. J
I
"1

}
de

l.

l?q(Hl J

1( Guara~ha ) (3-2 Clave)

sol

tra

ba

jo,

A -

ra

llue.

gg
(horns) (horns)

G1

~Ab

"~ P 1 D 1 1 I r
(3-2 Clave)

/~[M?i J

Bb7M>

EbMAq
to

I~
vi en

Don - de_el

(g)F.
li

p'11p J )JJ
bre~-

co

rre~-

197H Ruben Blades Productions. Used bv Permission

54

~ 6-

,DMl7(o5) 3 6

G7(115)
--:l

J J I J5 a
de_ sus cam pos__ (trpJ
3

EbMA

r---

(fp J
se
con fun -

JJ J J I M. J I=
que de le - jos

AbMA

de

con

los______

gri - tos__

Aq
>

el

mar

(whole tone)

ian - za.

-jj'::

:;

,
LC__

y
~

L---

~~
3

~~=

> -~~

>

~::----

-~

"----"

(horns)

_____J

(tutti)

sa_

es ~ __

(horns)

J
pe -

[QJtJ. (Afro)
.
.J
I

Ia

,.....-.,..
a

h 1.-
I

_,...---._

..__..

nfn

su - Ia

bra

vf

L__3 de A

__j

ra

llue,

ra -

CMiq

. . .
I

ll

EbMAq

b
bq(1llt)

Abt,

- - -~

l
l""

DMiq bGqsus

I I I (bsJ w Iperc. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - I- - - - - - - - - - - - - - - ''

( Guaracht)

~ gr~
[]N.C.

CMA

-------

Lr~

.---__B_.--

eJ~

~CMAq

tr=

llue. _ _ _ _ _ _ _ _ _ _ _ _ __

1L f

!- V
1

D.S. al Coda

(top

note

of chords)

.\y,

sa

tic

rra

Jc A

ra

lluc. _ _ _ _

DM?

Gi

CMAi

t7 / / / 1/ / / / 1/ /

c6 / / !/ /

~---~-

GM?(b5)

CiMl(3x's)

/ / ]

J ! fitr
------..1

AMli(b5)

Di

56

[KJ

~1) f' J J I J
111 -

FM?

Bb7
1

r
que

v'lv gr
bo

CMA7
ni

to_A - ra

llue,

to_A -

ra

lluc. ----

(tutti)

,...
'I

A
~

(coro )
I.

I
-~

rI!'\

.
I

....

I-:.--...:~

. -

~I'";\
In

.J

FM?

sa

tie

rra

de_A
~

. .

N.C
~

ra

~ ~~f=
v

lluc._~_

(bsJ

v (bs. only)

(no ritardJ

8va - - - - - - - - - - - - - - - - - - - - - - - - - " - - - - - - - - - - - - - - - - - - - - ,
,...--....,
'

~-----------~ CMiq s:MI:reak ------------~ BbMiq~bMI:reak-------------:Ab'?(m)yb:~:~~-ll - I ~ I I ~ I I ~ I

(bs.l

r --------------, Gb'?(#ll) ~'?W~reak----------------- --: E'?(#H) ~q(:~:ak------- -_.:_----- -~ --: I , Ir ~ I Ir $ I fl

'J

( Guaracha) (3-2 clave) .

I
1-'

'r."\.

...

.J

q-- (pn. monhtno) ,.

""'
-#-~-

...I

...

q-.

... ...

..
"
v

..,..
I

..,..

G7
~ ,

(bs.l

-""""" r
bsJ

Ab .
r-

r
I

G7

G7

-r
I

1'1~

..

- . -~
I

Gb7

(sample

r I J. v r r I r }JJ
.....
r11r 1111 1111

Bb7M)

EbMAq

t1! r
Bb13(!~)

(etcJ

17/

Zj

g:bb6 /

EbMA7
I
I

AbMA7
I
I

Db'W3)
I
I

I II

II I

Db'?(# II)b(whole tone) .

(bsJ

I ~r r r lr
3

Aq

br
3

I ...

>

>

>

N.C.
I

G octaves

?f f

II

~
D

r E
~

11

rr\1 (Afro)
~ J,..,

t u tt'/ perc. ----------------------------------------------------------------------------I 1

.J

(bsJ

c Ml
. - ~

(pnJ
H
l

-J
>

...
I

01[;;;

!
I

EbMAq
I
~

t
I

Abq
-..

.,~

(pnJ

r::-

---

---

J.. .

...h I
~

J ...

DMiq Gqsus
r:

--I J.

( Guaracha)

CMAq

Bbq(wl

)LiJ.

,..--..._

r E I r

p F

-$- CMAq

,..--..._

break----

II

CM? Fq

[
I

r
r

pF
Dq !qlp
~

......

Bb6

J.gJ.
G6

pF

......

r r
1

Bb6 Ebq
_..-.,

Ab6

r J I J.
"'--"'

_..-.,

Ab6

...-..
I

r p.- r

DM?
1

G6

GM?
~

p
GM?

GbM?

D br

II D.S. al Coda

-$-CMAq
I

J.

...-....

Ci

IF

V.S. (turn pa9e)

II

(3 -2 cave I ~ (foroh r'),

.
.J

..
1'\

~r')
'-'-I

--~--r

1"""'1

IJ:--1_1_
FM?

,
r-:

(pn. sample monhtno, plus Bva)

. q-.-~

-=h
~o~

llll

~--.
I

., qil '-'--.
r

.. q:. .,
.

~.: ~

- -"' -or
""

1\

qI"'

-41-

,..
0

(~V,...c-a":"'"l

soo
I

. . :' . " (sample bs.l -,:""'\)

1\
-41.....___, ...
I

Bb7
I

7 CMA
I

AM?,....

-,,
/-

.
r
1

...
J..- ,.....

-F=F
I
"I~

-~-

J.-

.
I

=--~

,~-41

1'\

l.

..j

101-

q-.
......_

..j

"'

h.
1-v

--.
I

--..'-- v--.
I

., q:. ~=-

II
6
I

1--j---l.;.;;J --~- +=~~~

,. ~
I

(3x's)
~

DM?

G7

7 CMA
r
I

I I

.Ml

7(sl

c1
I

(etc.l

. .
/

(etc.l

1.1.11.1 r r r
1

I",,"

A7Ml 11.1.11
I

CMAq

1i
AM?
(horns)

i~E J

Bb7

(Vocal solo)

[F/ / /
[ ] FMI
7

1/

DMJ

FEd

1/

G7
E/ /

1/ / / / 17 / Fj c6 GM?(bS) C7(o'1l( 3x's)

/ 6ftE/
L/-

7 CMA

rr~j
(sample bs.l

GMAq

Dbq

r=r (t
[ 1 1

~J I ~r d I / / / /
(etc.l

CqllJ FM?

Bb7(alt.l
I I

I",, r
I

GM?
I

,,,,

Bb7

r ,r, r , ,
GMJ
7

/?-+//
AM?(b5)

7j

t=f7 / /

, , , I",,,

Bb7

1/
I

CMA7
I
I

A7M)
I
I

DM?
I
I

I'
I I

fZ7

I'
I

r I (GuaguancoJ (2-3 Clave) fAAl C q (pn. sust. chords) ~ ~ Ml f= f=" === =(?

:=

(bsJ

c:J

t=

IE

Bva - - - - - - - - - - - - - - - - - - - - - - - - - - - - - '

,..--..._

'

'} &cJ t f V1f ~ :E p 1cf f

(bsJ .
j''(bS)

Db'3611)

~ :

+;'

CMI9(111

AbMA91tHI

V 1f yp
.

rJ f t V
7

tutti-----------------------------'

rrrrf

C1 ~ Ml~ ~ 1 l 1 1 1

FM?

N.C.

f f f 1f. 1

fF F 1F F

(bs. w/ vocal) (no ritardJ , break------------------------------------------------'

f fq-f

(CMA

~~-<':"~

11

II/.

32

ARE YOU HAVIN' ANY FUN?

from GEORGE WHITE'S SCANDALS (1939 Edition)
Words by JACK YELLEN Music by SAMMY FAIN

Copyright 1939 by Chappell & Co. and Fain Music Co. Copyright Renewed

Moderately bright
Bl>

F7

Bl>

Cm7

F7.

Edim

Gl>7

0 J.
Are YouHav- in' An - y Fun? _ _ _~ What y' get - tin' out o' Iiv in?_
F7

J
What good is
Bb N.C. Bb F7

,~1'

'

F pp
got_ if you're not
F7

J. J J. JI oo>
hav - in' an - y
Cm7 F7

Bb

Eb6

f~ . *{

J. 0
Are

j.

Jl

what you've

fun? _ _ __

you hav - in' an - y

laughs? _ __

Bl>

Edim Gb7

'~~tJl

J.
Eb6

j f

j J j

I
-

-J

I+

~
If

. J ~w I J11
peo- pie do _ so can you; Have a lit - tie
Bbm

F7

Are you get - tin' an - y Iov

in'? _ _ __

oth - er

Bb

Bb

Ebm7

It

r r f
I Af - ter I Why do
the you

luer
C7 F7

f l~r
comb _ lit - tie bees save?_ Life is full go of out and ifs and play; _ buts;_ E - ven the You know the
C7 F7 N.C. Bb F7

fun.

bon - ey's i n _ the work and slave _ and

old grey squir - rels

mare down save and

r f ll
home~

f f IFJ have has got to

and what have they
F7 Cm7
1

save, _

hay. got?

ID
Hey! Nuts!

'1

J. 0 l
Bet - ter have

I
F7

J ]In -----=::::::::: I .. .
fun.
---~

a lit - tie

Bb

F7

Edim

Gb7
1

ttJ~

'f

1 oJ
F7

J. 3t r
for- ev er; _
Bb
G7

w ~a

J _Lr -r
and gray _

Dm7

G7

you ain't gon - na live

Be - fore you're

old

still

o - kay._

Cm

,~,, '!

Cm7

F7

Have your lit - tie

ffun,

r
son!

J
Have your lit - tie fun! Are You Hav- in' An - y fun!

' II

ARMANDO'S RHUMBA
Copyright 1976 by MCA MUSIC PUBLISHING, A Division of UNIVERSAL STUDIOS, INC.

By CHICK COREA

Moderately

i ~1-tt

N.C.

Cm

~r ~o

r
G7

p 1r
Cm D7

1!: *{
G7 ,--3-

Ji c1

r r=A
Cm
II

D7

vrr

Tit ~f' . r

r----3~

vr v1r J r r

r--3--------,

vr

f It

~r ul~ f-

v r vJ

[~n.-saum.-tJ

A~e tbl!l

Saw?
J '1l11
~ E..,
~

s. &a!:blss

tA~unm1J1rftrH11j
&
AM

~*\ J ,,n'
p -

Jt- JJJJ1J rJtJ c.=l . p ,.., ~fj j= QJ) I JJ J L 1nI j J ' j ffl I J J ' 1ffl I
G4 '1fJ!J J~

r=:!d

, Jl1 !

AM
J

J -

7.

APPLE HONEY
o 1944, 1945, 1987 EDWIN H. MORRIS & COMPANY, A Division of MPL Communications. Inc.
c Renewed 1972, 1973 EDWIN H. MORAIS & COMPANY, A Division of MPL Communications, Inc.

By Woody Herman

International Copyright Secured.

All Rights Reserved.

Medium Jump 8o6 Gm7

DJn I ~J ~Ff1? lv J
G9 #5 F!3 806
3

C9

F9

Gm7

Dbdim7

JJ
Gm7

lxllr v v r ~~h:~~H~~~J~~n~rP~I
C9 Fl3 Gm7 Dbdim7

C n9

F13

806

Gm7

C9

F9

f ~~~ r

8o6

Gm7

't
Gm7

vl!1 r ;1 r lrcuErglr 't v a C Iv J Jd I

Cm9 F13 8b6 Gm7 D9 Eh9 D9
3

Clo 9
't

Fl3

t1r

v tJ E I
I

>

f~"r r r ulr mSJA1r

C9

8b6

Gm6
1

r r
Gm7

F13

87' 5

8'6

1'tr r D1Jw;nJJ1al

;p~nnmr lr
F13 806 Gm7

r r1

C9

G7#5 F9#5 806

Gm7

C9

F9

806

Gm7

C9

G7 #5 F13 806

~1,

r 't ~' 9p r vI~ r

D9

I qJ

~j

lj
Gm6

't

11 lp r v 0' r lr
C7

't

v#1 r
3

Ar
C7

f ~"

't

r r r~v r vI r r r~v i v IE
't
F7#5 8>6

t t
Gm7

D IJ J J] J I r r
'f
Cm7 G7 F7 Gm7

]),dim?

,.

r lr
g

rt
G9

IF
F13
1

gr

r I D r
C7 F7

. vr D I . I 11 a
I i
I ~
7

Db7

Cm7

Fl3

'1

f ~~~ r r

80M9

807/A'

r u r r r F3 r v
1

S6/G

't

r !r r ~c r #r r e
1

S.6

II

AREN'T YOU GLAD YOU'RE YOU

Copyright 1945 by Bouma Col and Dorsey Bros. Music Inc. Copyright Renewed.

Words by Johnny Burke Music by James Van Heusen

Bdim7

~..;

Moderately F

F/A

B!.6

C7

Gm7/C

C7

~~ J J J
EvF 'ry time A!.dim7

~
you're C/G

IJ
near
G7

r r
a
rose,

I r
aren't
C7

p F F I~
you glad F you've
f/A

J J
a Bo6 nose?

Iv
Ci#dim7

r v r I.
the dawn Bm7 is E7
~..J

got

And if
A

C7sus

=1 ~~ J
fresh with

j
dew,

IJ J J J
aren't you

glad you're

you?

I; J J J I j
When a mead- ow lark

.. r

I I
aren't

v ;;F sr
you glad
)'OU'\e
~--'

ap - pears,

48

F#m7

Bm7

E7

F~ln7

Bm7

E7

f~ J I J
got Cm9 two ears? F7

C7

I v F p llr
And if Cm7 your heart F7

~~

~ I

J
too,
B~m7

IJ
H7

#r ,J
Glad
A~M9

~F
You're

f)

r
You Gm7

HD
can

is
B~

sing ing,

Aren't You

You?

f~ r
see F

C7

r r r I 'r
a
sum .. mer Drn7 sky Gm7 mar but ain't

r Ir r r r
or touch a friend ly F

I ~r
hand F/A

ur
Bo6

I r ,,.l
taste an Bdim7

ap

r. j
c

II

pie

pie.

C7

C7

f~ E F F k - I J -~ ~ .
Par- don the gram F Gm7/C F C7

i?J,_)
life grand?_ F

IJ J J
And when you Gm7 D7#5 D7

~
wake

IJ
up C9

r r
each

I r
aren't Gm7 C7

p I f
you glad that

~~

~
you

,. I

vr F
the

Ij

t!

(#

I F I
Aren't You

"'1

J Ij

r.

morn,

II\
I
=II

t?You?

II I

were born?

Think what you've got

whole day through,

Glad You're You?

AS CATCH CAN
o Copyright 1959-1964 CRITERION MUSIC CORP.

By Gerry Mulligan

Fast

,-3---,

,-3---,

J IJ. J)J ~g J IJ. i' j J J I

Ebm Db
i

A),7

1JTJ1crrnr 1fJ;nnJ liJJl

Hm Db

f ~~~~,tg:J ~ ;;m J) J v t
1

C7

B7

B7

B>7

't

v vr v r
1

t
D
'I

j'

If v II

'dp

r r
[)!,

I llf

j'~r

vI I

l;

j'

(i! u

6~J, ~I'

Eo

A7

A),7

~ " I
E>m Db

J1i(f F r I sJ .J 0 j J3TJ I J J~J J J~J W I J

49

24

OEb
IAl Cq
'---"'

J J J J J.
I
'-..__../'

(horn & pn. rhythm)

s{'r . c rTir .
(bass walks throu9hout [AJ

~'fj: t

'!Jt
)

~ (tc.l
1

Da
c r r r
1

(DMI1

G~
break- - - - - - - - - - - - - - - - - ,

DM?G1 ~J qr
2
1

CMl
J
A

i(b5)

--~ f- J a t&J #J r ~b f ~ W1
I

---

'

FM? Bb7

r r

Chords in parentheses are used for solos. Break is not used for solos.

1961 (renewed 1989) EMl Unart Catalong, Inc. Used by Permission of CPP /Bel win, Inc., Miami, FL All Rights Reserved

25

Medium-Fast Swing J =228 ( lntro)

~
I~

Arietas (Harmony) ..... . ..

~
I

L">:

'
(tenJ

f'

.
-

_L

..,. .

t:
\..
f' .

~
f'
~.

...,_,;---.....,_

hn

"'

(trbJ

.
~

.....

l"'

.
I

"'

.
hn

..,. ,.-.......
'-"

........--.. ........-.....

t:
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28.

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32

ARE YOU HAVIN' ANY FUN?

from GEORGE WHITE'S SCANDALS (1939 Edition)
Words by JACK YELLEN Music by SAMMY FAIN

Copyright 1939 by Chappell & Co. and Fain Music Co. Copyright Renewed

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Bl>

F7

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Are YouHav- in' An - y Fun? _ _ _~ What y' get - tin' out o' Iiv in?_
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peo- pie do _ so can you; Have a lit - tie
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in'? _ _ __

oth - er

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It

r r f
I Af - ter I Why do
the you

luer
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f l~r
comb _ lit - tie bees save?_ Life is full go of out and ifs and play; _ buts;_ E - ven the You know the
C7 F7 N.C. Bb F7

fun.

bon - ey's i n _ the work and slave _ and

old grey squir - rels

mare down save and

r f ll
home~

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and what have they
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save, _

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ID
Hey! Nuts!

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Have your lit - tie

ffun,

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son!

J
Have your lit - tie fun! Are You Hav- in' An - y fun!

' II

ARMANDO'S RHUMBA
Copyright 1976 by MCA MUSIC PUBLISHING, A Division of UNIVERSAL STUDIOS, INC.

By CHICK COREA

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10

ARMANDO'S RHUMBA

CHICK COREA

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'1
1934 (Renewed 1962) TED KOEHLER MUSIC and S.A. MUSIC CO.
All Rights forTED KOEHLER MUSIC Administered by FRED AHLERT MUSIC CORPORATION

$-

Cm

'~',, ~J.

F II

AS LONG AS I LIVE
Lyric by TED KOEHLER Music by HAROLD ARLEN

Moderately
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D7

j
I can't _ live to
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r
love _ you as
C7

~P
life
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LT" I
e-nough,
C7

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long _

as

I
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want _

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is - n't long

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r
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I

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can
Em71>5

JJ
Long

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love

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Live. _ _ _ __
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-, ~ ~l F
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I; F
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won't live

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long_

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that's why

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wear my
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Long

3
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I'm

Live. _ _ _ __

11
ARMANDO'S RHU MBA (P.l)

G7

G+7

D.S. at Coda

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can

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see F

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r Ir r r r
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morn,

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were born?

Think what you've got

whole day through,

Glad You're You?

AS CATCH CAN
o Copyright 1959-1964 CRITERION MUSIC CORP.

By Gerry Mulligan

Fast

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49

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As Long As I Have You

Words & Music by Willie Dixon

Medium tempo

cn=J ~)
N.C.

,--3--,

~j J

Plf

Long as

J J 11(0
have you,-

It: J J J J lfO
Long as have you,-

J>t

r J I r ~j
Noth-ing

I would-n't do,

ba -by, Long as

r r ~r

rr

J I tz;J.
have you._

JJ

r
be your slave,_ just call me, ba-by, and I'll

Well, I don't mind work-ing, I'll

8b7

j>E
J>-

r f sJ J j
grave.- Long as

IJ

0
Bb

F I t:

c:t
Long as

F
I

r I 4JjJ.
have you,-

rise from my

have- you,

cu

1r
Noth-ing

rJ r
ill!

F
~r

I[ r

I would-n't do,

ba-by, Long as

rr

J I t;J.
you.-

II

I have

Verse 2
I'll do like a lizard, I'll drag in the sand; just call me sweet names, And I'll be your man. Long as I have you, Long as I have you, Nothing I wouldn't do, baby, Long as I have you.

Jewel Mws:c L:rtec. 22

Copyright 1970 Arc ~usic Corporation & Hooch;e Coochie M ... s-c. _5.-1.. ~e~r-ar( St:eet. L,:,~;:.::r it'C2 .25::" B.. g M~sc L'r1tec, 31 'll ...s.c:- ~:...ac. _:.-cy ..... -~"'"'
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g-:s ;-e;e-==

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33

C7

Fm

07

Gm

Al>dim
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'~'"' w ~n P J
EPIBI>

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Ai>m!Bi> Bi>7

I~r pC F F IP~F pep C D ~I

Ei>

To Coda

$-m
I

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=II

U I~p t 'D r F J Il
1

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G7

Cm

D.S.alCoda

CODA

if"'#r a: r ~riF r r FD f 'V If Vf

'1
1934 (Renewed 1962) TED KOEHLER MUSIC and S.A. MUSIC CO.
All Rights forTED KOEHLER MUSIC Administered by FRED AHLERT MUSIC CORPORATION

$-

Cm

'~',, ~J.

F II

AS LONG AS I LIVE
Lyric by TED KOEHLER Music by HAROLD ARLEN

Moderately
FM7

,~1
G7

Am7

D7

j
I can't _ live to
Gm7

r
love _ you as
C7

~P
life
Om7 Gm7

LT" I
e-nough,
C7

May- be

long _

as

I
FM7

want _

to,

is - n't long

=fj

r
by, but
I

' P f3 d
can
Em71>5

JJ
Long

J
As
D7

j
I

j~j

ba

love

you

As
A7

Live. _ _ _ __
Am7
D7

'*

FM7

J =J=J
I

J JctJ
Gm7
m

J
C7

t_J

J JgJ
I

r
to,
Bi>7

1P
but
FM7

r
I

May- be

can't _ give you dia

monds and

things _ like

want _

can prom-ise you,

r
ba
Cm7

FM7

IP F &D f3 ,,J
I'm
F7

~1-- --3 _j
Long As
Bi>m7
I

J j
Ei>7

by,

gon

na

want

to

As

Live. _ _ __
FM7 Em71>5 A7

IJ

'1

Jl
I

Bi>M7

-, ~ ~l F
nev- er
Dm7

ffi
cared,_ but

I; F
now I'm
G7

scared_

'--'

I Gm7

won't live

J1'--' .;

:::J

J J I;
C7

long_

enough;-- ~

i J

W
I

that's why

=fs#fj -kgJ
wear my
FM7

J IC
bers when

Q{ J
it
rains _
Em71>5

Jllr F F r
and
A7

r
07

F F F IJ
see
Am7

W W
a

J
07

rub

eat an

ap- pie

ev- 'ry day, then

doc- tor an - y- way.

'~

J J J
I

j
live

J JgJ
to
Gm7

J J J
long _

j
as

J JgJ
I

r
to,
Bi>7

1 P

r
F

~P
I

o-

r
=II

What if

can't _

love _

you as

want _
FM7

'long as

prom-ise you,

r
ba by,

-r
gon na love you As

IW
Long

3
As

W
I

I'm

Live. _ _ _ __

31

As Time Goes By
(from "Casablanca") Herman Hupfeld

rreely Jr Mediu.m Verse (Bb7) EbMA7

1 '"

~ ~'' il I F F F F -c~c
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m

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cause

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ap - pre - hen - sion,

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for

gives

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we

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l

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and

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m

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and

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things like

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mat
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proved,

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-

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such a

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can

II

Slm

pie

facts

of

are

they

- not

be

re - moved.

You

must re-mem-ber this,

kiss

is

still

a kiss,

sigh is

just

a sigh;

(GM? C 7(~~,, 7 7 GMI CMI

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fun - da - men - tal things

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ap -

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time goes by. _ _ __

32

(B'i'(#s)

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lov - ers woo, they still. say,

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And

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when two

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jeal - ous - y and hate;

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his mate,

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rr r

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of do or

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die!

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D S al -Fintl

Aftllr

~olo~

As Time Goes By
Words & Music by Herman Hupfeld

You

must re-mem-ber this, a kiss is still a kiss, A sigh is just a sigh; when two lov - ers woo, they still say, "I love you," On that you can re- ly;

I.

ED

f7
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by. _ __

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ED

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C1

b~pp ..______Jj
by. _ _ __

F I r.

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rt r r v
of date,

Moon - light and love_ songs

nev-er out

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f#dim

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BDdim

r'
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1

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jeal - ous - y

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man must have his mate, That no one can de - ny.

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It's still the same old sto-ry, a

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fight for love and glo-ry,

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die!

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by.

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world will al -ways wei -come

lov - ers,

J
as

lr
time

goes

II

Copyright 1931 Harms Incorporated, USA., all rights assigned to Warner Chappell Music Incorporated.
Redwood Music Limited, Iron Bridge House, 3 Bridge Approach, London NWt. All Rights Rese~. International Copyright Secuned.

..31.

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Pop/Samba Ballad, 2 Feel

( lntro )
(sop. sax with bass)

As We Speak

David Sanborn Michael Sembello

JSI AI ,., . .
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(sop. sax) (solo on D.S.l

...,.
1

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1-

t.

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&"J iJ

1982 WR Music Corp., Gravity Raincoat Music and Hiatus Music. All Rights on behalf of Gravity Raincoat Music Administered by WB Music Corp. All Rights Reserved.

34

(keys sample comp)

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35

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36

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& fade)

34

AT LONG LAST LOVE

from YOU NEVER KNOW
Words and Music by COLE PORTER

Copyright 1937, 1938 by Chappell & Co. Copyrights Renewed, Assigned to John F. Wharton, Trustee of the Cole Porter Musical and Literary Property Trusts Chappell & Co. owner of publication and allied rights throughout the world

Slowly

~~ J J J llj
Is Dm7 it an G7

,.---- 3 ~

C6

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r - - 3 -.........,

Am

Em/G

IJ J J J J 10 ____...... IJ
or Dm6 sim-ply a shock _ __

J J J IJ
Is Fm6
u - ...

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FM7

A7

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or mere-ly the Dm7

earth - qnake _

it the good tur-tie soup G7

'

u..._....

mock. _ __

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II

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Is

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n

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J lr
a cock
-

it

r
J
1
it F6

l'r J
this C6

tail, _ _

+Hw I
feel-ing of

IJ
Or
Am

J w J lr
is what I feel Em

J
the

joy. _ _ __

Gll

G7

f r

J
Me

,---3__...,

I ~I I~
Coy? _ _ _ _ C7

J IJ
all

u
It

G7

J J J J J 10 ..._.... IJ
or sim. ply a lark? _ __ Is it Gra D7 Fm6
r----- 3 ----,

. . . - 3 ---,

real

Is

for

time, _ _

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tJ-. J J-~r
na - da I see

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0

r Ir
or

pr f
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on - ly As- bu - ry

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r r r rnr r r r r I ==g
I
is a fan cy _ _ _ not worth think.ing Fm6 C

of, ~--

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Love. Is it an

J J l
or is it

w J ..
At Long

I
I

I"
Love.---~

Last

ASHES TO ASHES
Copyright 1990 by MUSIC CORPORATION OF AMERICA, INC. and BLUE BALLET MUSIC All Rights Controlled and Administered by MUSIC CORPORATION OF AMERICA, INC.

Music by JOE SAMPLE

Moderately bright Bbm9

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BM9

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35

G6

G~7sus G~6

Fro7

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Am9

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Croll
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:II

II

AUNT HAGAR'S BLUES

Copyright 1998 by HAL LEONARD CORPORATION

Words by J. TIM BRYMN Music by W.C. HANDY

Moderately F7

'~I 'f ~ [J ~Du-r

Old Dea- con Spliv- in',
B~7

g
his flock was giv - in' F7 the way of liv - in'
B~7

right,

~~'{ #p l]

C7

J.

I 'f

)l

@ qJ
F7

J,J JJ .. -

I 'f

jlp

&?J

J.

said he ''No wing-in', C7

no rag-time sing- in' to - night." _ _ _ __

Up jumped Aunt Ha-gar,

'~

J) @ qJ
'f

J ,J
1

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-=
Oh,
B~7

and shout-ed out with all her

might: _ __

'taint no use

o' preach-in',

1 '[

f f !! F J
use o' teach- in',
D7

I'f J) jJ 1,)1 l
each mod - u - Ia - tion G7 C7 of syn - co - pa - tion

oh, F7 A7

'taint no

'~

'f

,mm

J J ,; 3 1uJ J
to dance and
G7

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F7

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hear_

JiJd
the mel - o - dy they call the

just tells my feet

I can't re - fuse _ C7

when I

'~ J
F7

F7

J
those
0~7

IJ J
ev - er F7

J
If

J
Just

IJ d
hear
0~7

blues;

lov- in' blues.

Aunt

Ha - gar's

lr
chil-dren har-mon- iz - in' C7 to that

_,ttttJ

IJ
tune, it's

l ~r I~ = J
a choir_ from on C7 high broke

I"

If
IJ
to C7 me, F7 let C7

ul
If the

old mourn - ful F7

like
0~7

loose. ______

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bit brought it the good Lawd

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sent C7

If
it right F7

down
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the

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gre -

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tion join

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while I

J J J

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Aunt

id
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gar's

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sing those Iov - in'

1-Z.

37

At Last
(from "Orchestra Wives")

Free~
(VerseJEMI

Music by Harry Warren Lyric by Mack Gordon

Aj(bq)

j DMI

Ml

-r<bs>

G.,(~~)

CMA

~~2 J br
I

J'l
-

IW

J.

IJ
by

j
a

~,J.
star
-

l
ry

was

nev

er

spell - bound

sky.

EMI

j(b5)

Ai(bq)

DMI
l

G;us

Gi

EM? Ai(bq)DM? Gj(bq)

I :J J
What
IS

j. J)
there to

lj J J IJ J J J lo
moon- glow, when love has passed you by.

j EMI

Aj(bq)

DMI

DMI

j(b5)

Gi(~~)

CMA

J
there

~r
came

J'!
a

IJ

d.
i(b5)

IJ
and

J ,,J.
the world

]l
was

IJ
new.

J;ZJ
Now

Then

mid - night,

EMI

I:J
here

#J J J
am I so

/o

C#MI

Bq
dar - ling,

EMI

Ai

lr J #J #J
spell - bound,

IJ
Not

:J
by

J.
stars,

DMI

Gi(~~)
!':'..

---t~)
but

IJ
just

J bJ
by you.

If

At

last _ _ __

my love_ has come a - long,

My lone

ly days are

(B~qctu>)

(B~q

Ai(altJ )

EM1 1

Ai(bq)

AM?

Abq

Gi<*s'

[j
o -

j
ver and life _ 1s like a

-6-~ song. _ _ _ __

:J
At

(E~3)

C~q AM?

I .,z-

tr c:ffl r EJ
the skies _ a - bove are blue, My heart_ was wrapped in
PPrmi~o;;.inn

DMI1

Gi(#S)

last _ _ _ __

1942 (Renewed 1970) Twentieth Century Music Corp. All Right Controlled by EM! Feist Catalog Inc. (Publishing) and Warner Bros. Publications U.S. Inc. (Pnnt)
All R1!Jhts RPsPrvPd_ l J..t>d hv

38

GMI

c.,
(AM?)

FM1
do ver the night_ I looked at you.

C6

]t

J J
I found

j
a

dream that

can

speak to, _

A dream that

can

call

my

own.

I found a

AMI7(~5)

Drc~q'
press my

(BMI7 )

Ir
thrill

r r
to

J I r

GMA

Er'~q'

cheek

to,

r
A

I J J
thrill I've

AM1

Drc~q'

J?

7 DMI G7

I ;J.
known.

j
You

nev- er

(E~13)

~C~q AMI 7 DM?

II~~~

Gi(*S)

tr

c&!~c
i

r E:1
the spell was cast, And here_ we are m

smiled _ _ __

and then_

EMIi AM1

DMI

EE F
Heav
-

17

G'3

rF
are mme

j
At

c6 I()
Last.

(AMI7
(fine)

DMIi Gr

1-

en,

For

you

,w
At

Solo on ABC After solos, D.S. al fine

- - - - -- -- - - - - - - - - - - - - - - - - - - - ---------------------- ------------------

~~~~~

--------- - - - - - - - - -

39

At Long Last Love

f W~, c

Med ilA.m, Ala RLA.mba (VerseJ CMI

'l

(from "You'll Never Know")

Cole Porter

Fq

$ ,J J
I'm _ _ so

)l
in

J /J J J q3
'""="'

B~ D
I
gives

love,

And though it

r
-

me _ _

r/ v
=-

r
JOY if

vIn

BbAY[,b Ebq
tense, _ _ I can't de -

A~c
ciph er, _ If I'm a

SbM11

Eb1

ltJJ J J w~'~r~~~J~j~W_J~I_J.~~~)~b~~J~J~
!if er, _ Or it's

FMI

I7
just

r5
I'm

"""'

a__

r
so Is this

~
m

first

of

fense.

love, _ _

I've

no sense of

val

ues _

left

at

all. _ _

J
play - time _ af - faire

If

( Medium or Ballad J

m lAJ (C6
,C{

of

May - time, _

Or

IS

it

wind - fall? _ __

G
A 1 1"\MI
I

f
good

lq[fJ
Is it an

G133

;o

Ej t
)
1

CG

DMl1 r---Gq

AMI 7
3

G6

j
or

Jj1
a

C6 AM? DM?
I IJ ~
Is it the shock? _ _ __

earth- quake _ __

sim-ply

)j

DMI

I
or mere - ly the

IJ
Is
7(b5)

tur - tie soup

mock? _ _ __

it

Aq
r-a~

w
of

..

/c DMI1
c:::::::::::.:

FG

BMI

G1

r---3----,

tJJ

~J
Or

J ~ J
IS

cock

tail, _ __

this

feel - ing

JOy,

what

193 7, 1938 Chappell & Co. Copyrights Renewed, Assigned to John F. Wharton, Trustee of the Cole Porter Musical & Literary Property Trusts. Chappell & Co., Owner of n._Ll: __ .. :~- ~-..J A lli.arl 'Q;,...hrc rh.rrmnhrmt thP Wnrlrl All R.iohts Reserved. Used bv Permission

40

Gq

c6
J
I
I ,

(Ai(:~)

DMI

:::=--

rr
AM? G6

I
Is it for

feel

the

real

Me

Coy?

C6
I
all
time, _ __ or sim - ply a
0

DM?
I

:J

I
Is it Gra -

lark? _ _ __

Ebo'T

GMI
I

cq
r----3--,
I

cq 1

F6 F6
07

GMI

Abo'T

r vrrr
on
-

......---

lt
Is

na - da

see

or

ly

As - bu - ry

Park?

it

fan

cy _ __

not

worth think - ing

of, _ _ __

------

:J
Or
1s

J
it

:J
at

DMI
(J

Gi

c6
0

(DMI

G13

;:-:

~~
(fine)

long

last

love?

I (~ Is

a J l}
it an

Solo

on

AB

After solos, D.S. al fine

34

AT LONG LAST LOVE

from YOU NEVER KNOW
Words and Music by COLE PORTER

Copyright 1937, 1938 by Chappell & Co. Copyrights Renewed, Assigned to John F. Wharton, Trustee of the Cole Porter Musical and Literary Property Trusts Chappell & Co. owner of publication and allied rights throughout the world

Slowly

~~ J J J llj
Is Dm7 it an G7

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I
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Love. Is it an

J J l
or is it

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At Long

I
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Last

ASHES TO ASHES
Copyright 1990 by MUSIC CORPORATION OF AMERICA, INC. and BLUE BALLET MUSIC All Rights Controlled and Administered by MUSIC CORPORATION OF AMERICA, INC.

Music by JOE SAMPLE

Moderately bright Bbm9

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(add snare)
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f IH qp E E 'f
Ba - da ba ba - da

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ba - da - ba - ba

Lyric at letters D & E after Guitar solo: Poderemos por isto atras de nos Conheciamos todo tempo que nao sentia bern. Devemos descobrir a verdade, a falsidade ficado A teu sorriso congelado, deve desmaiar. Novos ventos vai, mente clara vai!

Aprendo o que deixamos, Enche o cora<;ao com muito sofrimento. Dizendo-me que nunca mais a ca<;oado e feito. Eu prefiro a caminhar adiante e isolado Novos ventos vai, mente clara vai!

Melodic rhythm is freely interpreted. 6/9 chords may also contain the major 7th.

ll..jO BUENO
Clef 1rGC-641 written by: Dizzy Gilespie rec 1 d by: Roy and Diz

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AU PRIVAVE
Clef MGC-646

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written by: Charlie Parker rec'd by: Charlie Parker

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written by: Bill Holman recorded by: Frank Roseline

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AU PRIVAVE
0 1958 ATLANTIC MUSIC CORP. o Renewed 1985 ATLANTIC MUSIC CORP.

By Charlie Parker

Fast

F7

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C709

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AUTUMN LEAVES (LES FEUILLES MORTES)

:II

o 1947, 1950, 1987 ENOCH ET CIE c Renewed 1975, 1978 ENOCH ET CIE Sole Selling Agent for U.S.A {including its territories and possessions) and Oominion of Canada: MORLEY MUSIC CO., by arrangement wrth Enoch Et Cie International Copyright Secured. All Rights Reserved.

English Lyric by Johnny Mercer French Lyric by Jacques Prevert Music by Joseph Kosma

Medium Swing

Am7

07

GM7

CM7

Bmns
I

B7

Em
I

.
Am7

j , .. -07

ll" J
GM7

I
the win dow, _ _

In
of red and
Em Am

J
gold.
Em

JI

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leaves _ _ drift by

the Au . tumn Leaves, _ _ F#m705 B7

see your

CM7

If J J
lips,--B7 the sum mer kiss es,___
Em

J
the sun burned hands _ _

I
hold.

J
GM7

12

J
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used to

Since you went a way_

Am7

07

J
the days grow long, _ __

J
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1 '\:

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Em

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r
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of

and soon I'll

Om7o5

hear _ _ __
CM7

old win. ter's

miss you most

B7o9

87 >9

r Ir
all

my

dar

ling, _ __

J
when Au

J iJ
tumn Leaves start

to

..

..

fall. _ _ _ __

BABY, WON'T YOU PLEASE COME HOME

o Copyright 1919 by MCA MUSIC PUBUSHING, A Divisiol'1 of MCA INC., New York, NY Copyright Renewed 1980 Great Standards Music Publishing Company pursuant to sections 304(c) and 401 (b( of the U.S. Copyright Act

Words and Music by Charles Warfield and Clarence Williams

Mediwn 18ounce tempo

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Won't You Please

J
Come

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07

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J IJ
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J J IJ
nev er no more

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vain,

your

name._

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:II

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AUNT HAGAR'S BLUES

Copyright 1998 by HAL LEONARD CORPORATION

Words by J. TIM BRYMN Music by W.C. HANDY

Moderately F7

'~I 'f ~ [J ~Du-r

Old Dea- con Spliv- in',
B~7

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his flock was giv - in' F7 the way of liv - in'
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use o' teach- in',
D7

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to dance and
G7

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hear_

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F7

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'TIS ftUTUf1N (~ liqrrt)

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12

AUTUMNIN3
Medium3

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C.co.7

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KENNY WElt.'\TER

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36

AUTUMN IN NEW YORK

Words and Music by
VERNON DUKE

Copyright 1934 by Kay Duke Music Copyright Renewed All Rights Administered by BMG Songs, Inc.

Brightly Gm7

,~1

j J...... J J
C7

Am7

Bb6

C7

F6

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Am7

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Am7

lj J J J
Am7b5

r
D7

p It
in at
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j
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19 F J
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Au- tumnln New York, _ _ why does it seem so Au-tumn In New York, _ _ the gleam-ing roof- tops Bb6

J~

vit sun

ing? down.

Au-tumn In New York,_ Au- tumnln New York, __

'~ J 3 J J
'-'

Gm7

r=

p If
Dm7b5 Crn!G

J
ing. down. Dm7b5

lp F
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..

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C7

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and and shim-mer gay di C7#5
-

'

r' ~w.
ing clouds vor- cees

f\

&J1
in who Am7

it spells the thrill of first night it lifts you up when you're run

ing crowds rou - es

AbM7

-~J
Bb6
'-'

can-yons of steel, _ _ lunch at the Ritz _ _ C7

I;J J j -------

j r:;
they're will F6

Ill J
Gm7

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-->.

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Am

IJ

ijr

Gm7

J o_

----=----

IJ

,J IG
It's This

mak-ing me feel _ _ tell you that "it's _ _

I'm
di

home. vine!" Dm7

Au-tumn In New York,_ Au-tumn In New York,_

mJ

-._...-

'~ Jr J 1 J -o
_ Bbm Abm7 GbM9

D7 Db7 Cm7

Ebm6

r
t

p If
new May Fm

j
love; fair; C7#5 Fm

I{:J
Ab7#5

0
DbM7

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d
with in DbM7 Abm6

that brings the pro-mise of trans-forms the slums in - to C7#9#11

Au-tumn In New York__ is of- ten min-gled Au- tumn In New York, _ _ you'll need no cas- ties Ab7#5

'~ ~0-pain. Spain. Gm7

If
Am7

lp d p
Dream-ers Lov-ers

F
ty the

with emp that bless

hands dark

may on

I' Jl J
I'

)l

F F Id.
-

J
It's greet

sigh for bench-es

ex- ot ic in Cen - tral 2 Fm

lands; Park

I
II
I

'~ ~J.

Au- tumn In New York,__ it's good to live it

m ;~; 3

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11

Bb7

Fm

:11 .. - : = - - ~J
gain. _ _ __

a - gain.

BARK FOR BARKSDALE

Copyright 1954 (Renewed) Criterion Music Corp.

By GERRY MULLIGAN

Quickly Gm7 C7 F Bb7 G7 C7

1 -:; 4
F

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11.J J~JJ
Eb7 C7
F7

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Autumn leaves (les Feuilles Mortes)

Music by Joseph Kosma *Words by Jacques Prevert

Medium slow

N.C.
The faH - ing

Am7
leaves

07

~ j mp J J 116: J

Gm~ 7

I]
87

J J J
drift by my

lr
win
-

r--==- 'I
dow,

~~ r J
The

Cm~ 7

F~m7(b5>

Em

J I 'C
leaves

Au - tumn

t4J J #J
of

#J
and

lo
gold.

red

~ t J J J 16:
see your

Am7
lips,

07
the Sum - mer

Gm~ 7
kiss
-

11 J J J lr
87

'I

es,

~~ r J

Cm~ 7

F~m7(b5)

Em

J J
sun -burned

I Os;;:
hands

J
used

J lo
to

The

hold.

--------;;;;;>

87

~~J

Em

t #J
Since

J I J p_}[J_J) J J J lo =you went a - way, the days grow long;

J;~ J J
And

Am7

07

J
soon

J In
I'll

:......

I)

hear

J old
87(b9)

r
Win my

p Ia:-""'
- ter's
song.

Am6

Em

J;=r

t ,J
But

r
Ale~

lr F
miss you

~J
most

J IJ
of all,

F lr
dar ling,-

Am/c
tumn

87

Em
start

J
When

IJ
Au

J I ,J
leaves

J J 10
to

fall.

-------

IJ.

e.

II
11

Copyright 1947 Enoch & Cie, France/Ardmore Music Corporation, USA. Peter Maurice Music Publishing Company limited,127 Charing Cross Road, London WC2H OEA. All Rights Reserved. International Copyright Secured.

AUTUMN LEAVES
JOSEPH KOSMA
MEDIUM SWING
- ....,,/

Bb7

Db?

C7

C7 b9

F-

jiJ.lJJio
Eb7 Ab-6.

J IF
C7h9

jo
F-7 E7

f f I J.

lr

PAGE 23

AU PRIVAVE
0 1958 ATLANTIC MUSIC CORP. o Renewed 1985 ATLANTIC MUSIC CORP.

By Charlie Parker

Fast

F7

F#dim7

Grn7

C709

F7

Crn7

B9

~ ~ (! J
Bo7 o9

JJJ
807

J J I J J J3 J J
F7 Grn7
7

't

~r

J' I

Arn7

0709

Grn7

I,J j J J IF
C 7sus

F7

07

't

r F FI l
AUTUMN LEAVES (LES FEUILLES MORTES)

:II

o 1947, 1950, 1987 ENOCH ET CIE c Renewed 1975, 1978 ENOCH ET CIE Sole Selling Agent for U.S.A {including its territories and possessions) and Oominion of Canada: MORLEY MUSIC CO., by arrangement wrth Enoch Et Cie International Copyright Secured. All Rights Reserved.

English Lyric by Johnny Mercer French Lyric by Jacques Prevert Music by Joseph Kosma

Medium Swing

Am7

07

GM7

CM7

Bmns
I

B7

Em
I

.
Am7

j , .. -07

ll" J
GM7

I
the win dow, _ _

In
of red and
Em Am

J
gold.
Em

JI

The fall ing

leaves _ _ drift by

the Au . tumn Leaves, _ _ F#m705 B7

see your

CM7

If J J
lips,--B7 the sum mer kiss es,___
Em

J
the sun burned hands _ _

I
hold.

J
GM7

12

J
,.

used to

Since you went a way_

Am7

07

J
the days grow long, _ __

J
Em Em/0

1 '\:

cJ ..I
F#m?>S

,..
I

E7>9

F#m7>5

I
song. _ __ But
Em

,. I r
Am

r
I;

Em

JI
of

and soon I'll

Om7o5

hear _ _ __
CM7

old win. ter's

miss you most

B7o9

87 >9

r Ir
all

my

dar

ling, _ __

J
when Au

J iJ
tumn Leaves start

to

..

..

fall. _ _ _ __

BABY, WON'T YOU PLEASE COME HOME

o Copyright 1919 by MCA MUSIC PUBUSHING, A Divisiol'1 of MCA INC., New York, NY Copyright Renewed 1980 Great Standards Music Publishing Company pursuant to sections 304(c) and 401 (b( of the U.S. Copyright Act

Words and Music by Charles Warfield and Clarence Williams

Mediwn 18ounce tempo

G6

F#m7

J
Ba by,

Won't You Please

J
Come

F9

E9

A7

Em7

A7

)
Gm6/BO
3

,.
I
El>7

J
a lone. _ _
09 D709

Home,

'cause your mam rna's all

07

Em7

A7

have

tried_

J IJ
in

J J IJ
nev er no more

J
to

;[..
call

vain,

your

name._

50

14

D~ass break_
J-

--I love you,

--love you.

fm C7
II~

love you,

love you,

r m~J.J 3 & E ,
-1

r--3~

I -r
run

cg!]N
away~~

G7

J I &

.,;\gJJJ 3
and leave me sit- tin'

Some- d a y - - - - you m1ghtwant to

G7

IJ
here

JlQ__J '
to

cry,

D7

J
stop

J ,
you

'
say-

~I I ; 'f } ~ J )P(!JiJ J J 1" , J J .J

But if it's all the same to you, ba

C7

by,

Howcouldi

J1
from

J J J g:l_ L,d '

in' good bye?

II!(

9J,_) J J
Ba by

II

.
I
love you, Ba-by I

I need you,

I I

_\ . .
Ba- by I

Ba-by I

want you,

G7
(bkgr. vocals)

.
,I

==-'""
,..,_

.......,
I

Ba by ba .

_..,...,

. .

I
Ba-by, ba by I love you, Ba by, Ba -

by I need you,

I _( by I want you,

2nd VERSE If you feel you wanna kiss me Go right ahead, I don't mind. All you got to do is snap your fingers And I'll come a-runnin', I ain't lyin'. Ah, oh, what you want, little boy, you know you got it. I'd deny my own self before I see you without it 'Cause I love you (etc.)

(Lead vocal ad lihl

Vamp~faae

Melody is freely interpreted. Piano riff Qike intro) is out at letter B, back in at letter C.

$6.

0e':smJ

I '--'

).1,

(! ,J

I~
I
~

f t -" -~

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v~

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I TI
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J J I J,
6?
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I J,

J IJ

JI

(}

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~~..-

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; J JYr

-....)

CIti51!1JMtclfS - "- Au~u MN LEAves"

\IV\6 6.1 l- ELD

tl'l.

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I

1ttJtlR1 -~'T~n t~hfjJ 1 1~

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,
.

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II

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* II

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41
Music by Josef Myrow Lyric by Kim Gannon

J
When au-tumn sings her lull - a - by_ And green leaves turn_ to

gold_~-

Then

re

mem - ber

last

Sep - tern - ber

you and

Ej(#5)

IJ
bye, whis - per - ing that we would be re - turn - ing when Au - tumn came a - gain.

(BMii(~S) EiM))

1 CMA

DM1

liz

r=J J
Now au-tumn roams the

I j
hills

P' (
once more_

G1

G#o7'

i)l
But you for -

r
got~

your

(Er(!~))
EM1 1 (bS) A1(;~)

0
vow_~_

1:J.

~o
On - ly

And here

am

a - lone with

on - ly

mem-o - nes,

J
lone - ly mem - u - ries, Au-tumn mem - u - ries of you.

I
7 (FMA {)
F'i'(#H)

(FMA { )

[BJ EMA1 I
Love,

F'i'(#H)

J D ; J ~I
when the leaves are turnmg
I
/r

get

for your

AMir

A~13)

AbMAi(#/GI1))

AM? Dj(b'i')
I
arms.

GMA'i'

A~ 'i'(#H)

GMA'i'

I#--- J
when a heart
IS

Love,

so - ber

it

42

(G6

#f J J ~
shad-ows bright Oc - to- her's gold- en minds me of_ The night

GMA

DMI

DMI

Gr<ts)

G7 )
~CMA
II 7
1

(AM,,.)

Ar(bq)

lo
charms.

j3 J J J
The flam - ing moon re -

of love_

that_ we once knew. _ _ _ Each

ti - ny

EMI
I

Ar(;~)

Dq

I
star

J
IS

#J
but

J
a

~r
pray'r

J
that

#j

when it's

fall

Jj J

a - gam

love will

call

a - gam

bW J IJQ
and you'll be be - side me to make my au - tumn dreams come true. _ _ __

1., solos q q(#U) * CMA Db

Last x

EMiq Eb7

AbMA7 Dbq(tH))

~ CMAq Db q(#ii)

CMAq Db q(#H) CMAq Db q(# 11 )

CMAq

H -

Solo on ABC

JR JQ,..,~

tp,~

II

true. _ _ _ _ _ _ _ _ _ _ _ _ _ _ __

After solos, D.C.al last x endim3

true. _ _ _ _ _ _ _ _ _ _ __

D.C. tor solos

13

AUTUMN NOCTURNE
KThiGANNON Swing BaLlad

JOSEFMYROW

C~

C# 0 7

Dm7

00# 0 7

Am7

Am7/G

F#m7bs Fm6.7

~ Vfi J
Em7

J IJ

d F"
Dm7

.PI
G7

J
't

tf r J I L iJJJ I

Ebo7

~ JJ D)l r

U I J.

Em7bs A7b9

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C~ 87#9

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E.tl7

F#m7 91#11 E6.7

87#9
!

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ij10 pr
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J11

ifJ J j Jl J m
Ab 13#11

A m7 D 1

~.
Am7

# I

#f J J J
C# 0 7
E m1

D
Dm7

r
A 1 bg

DI
G<;#o7

I
Am7/G

41 J J I J ;r f" ~~ ~

J11

F m ,0. 1

EEU I J JBj
D i'

J ~r 1J
II

Db1

C~
-a-

~J J) J qHJdJQ J I~~-___

27

Autum.n Serenade
"IJ
(bass) (w/ pn. L.H. Bva bJ-" Er(:~)

Lyric: sammyGaiop Music: Peter De Rose

(As played by John Coltrane & Johnny Hartman)

13

ll

d I !gr

f2f

6 U[

t I 6F.

t"~J"~J"~J

EbMIq

~~~d

l!f f-fffr
(w I

~-

EbMIq
'f

----

"!

"f

pnJ -- - - - - -- - - -- ;

Through

the

:8'@
u

m ~

Eb (MAr) Ml
0

Bbr(:~)

trees _ _ __

I ......__...

JJ
comes

J J
au - tumn with

j J J 1_
her ser - e -

nade, _ _ __

------H

lj

Mel - o

EbMI(MA1)

Ab13(i11)
I

dies,

....._.....J

J J
the

J j J J J:ec
mu - sic ev - er

sweet - est

playe~

~J

J J -~
Au - tumn

w
kiss - es we knew are

f} J
Ci(altJ
3---,

r
-

::~1 -r~M~~ -~ J
As
Sb13Ml

beau - ti - ful

sou - ve

nirs, _ _ _ __

pause

to

re - call

the

#J
leaves

J J J J
seem to fall like

FM?
I
-e-

1-

tears.

Sil - ver

bJ

Bbi(:~)

stars

....._.....

J j f) J J 1_
were cling - ing to an au - tumn

IJ

F
Love was

sky:---

EbMI(MA1)

Ab3

EO....._..... IJ
ours

J J
un - til

j j

J 1_

lj

J
Let the

Oc - to - ber

wan - dered

by,..._...

1945 (renewed 1973) c/o EMI Robbins Catalog, Inc. Used by Permission of CPP /Belwin, Inc, Miami, FL All Rights Reserved

28

FM? ,--3----,
I

Sb'iM)
,----3----,

J J J J J IJ J J J
go,

years come and

I'll

still

feel

the

glow

that

cq f I r f r rT?Tr f
GM? r::----::--3
time
~

f=j
I

can - not

fade

when

CM?
I
hear that

Fq
love -

J J f

r
ly

Bq J I #J
au - tumn

Sb'i(#S)
ser e

-$- Eb~
I
nade.

Sb13M)
II

r 1 10

Sb13M)
I
I

(8x's)
I
I

II
E13(#11)
I

)
}
I
I

Solo on ABC.

After solos, D.S. af Coda

-$-Eb~
I
0

E~MAq

E13
'I
7
I

(7

l.

'I
I
I

}
I

II

-nade. Piano comp rhythm for first 8 bars of letters A & B is similar to Intro. Break at bar 16 of letter A is not played for solos.

) ( VamE fill & fade)

I
I

~.

14

AVALON PLACE
JACK ZUCKER

Fine (LAST X)

II
E~m7bs

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BLOWING CHANGES
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7 7 7 rrri~

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UP TEMPO VINCENT ROSE

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PAGE 25

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Med. Bossa
J =154 ( lntro J
11
a)

A vance
--~_..,. .J::
.:l'J/L--

Russell Ferrante
(As played by the Yellowjackets)
~
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Jt.:, ~

"'

...

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n..LL

.
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(pnJ
c<addi11)

BMiq

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or(;~)

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./
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I 17"1' I'

,.
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(Vamp solo & fade) '\. '

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Pn. may double bass line at Intro and C. Alto doubles melody at B for out head. Each bar is subdivided into 4 beats + 2 beats. Sample pn. comp rhythm at A: ~f ~ <etc.) 1
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