George Sand

Amantine (also "Amandine") Lucile Aurore Dupin (French: ), later Baroness (French: baronne) Dudevant (1 July 1804 8 June 1876), best known by her pseudonym George Sand (French: ), was a French novelist and memoirist.

Sand's father, Maurice Dupin, was the grandson of the Marshal General of France, Maurice, Comte de Saxe, himself an illegitimate son of Augustus II the Strong, King of Poland and a Saxon elector, and a cousin to the sixth degree to the kings of FranceLouis XVI, Louis XVIII and Charles X.[1] Sand's mother, Sophie-Victoire Delaborde, was a commoner. Sand was born in Paris but raised for much of her childhood by her grandmother, Marie Aurore de Saxe, Madame Dupin de Francueil, at her grandmother's estate, Nohant, in the French province of Berry (see House of George Sand). She later used the setting in many of her novels. It has been said[by whom?] that her upbringing was quite liberal. In 1822, at the age of eighteen, Sand married Baron Casimir Dudevant (17951871), illegitimate son of Baron Jean-Franois Dudevant. She and Dudevant had two children: Maurice (182389) and Solange (182899). In early 1831, she left her husband and entered upon a four- or five-year period of "romantic rebellion." In 1835, she was legally separated from Dudevant and took her children with her. Sand conducted affairs of varying duration with Jules Sandeau (1831), Prosper Mrime, Alfred de Musset (summer 1833 March 1835), Louis-Chrystosome Michel, Pierre-Franois Bocage,Flicien Mallefille, Louis Blanc, and Frdric Chopin (183747).[2] Later in life, she corresponded with Gustave Flaubert. Despite their obvious differences in temperament and aesthetic preference, they eventually became close friends. She engaged in an intimate friendship with actress Marie Dorval, which led to widespread but unconfirmed rumors of a lesbian affair.[3]Letters written by Sand to Dorval mentioned things like "wanting you either in your dressing room or in your bed." In Majorca one can still visit the (then abandoned) Carthusian monastery of Valldemossa, where she spent the winter of 183839 with Chopin and her children.[4] This trip to Majorca was described by her in Un Hiver Majorque (A Winter in Majorca), published in 1855. Chopin was already ill with incipient tuberculosis (or, as has recently been suggested, cystic fibrosis) at the beginning of their relationship, and spending a winter in Majorca where Sand and Chopin did not realize that winter was a time of rain and cold, and where they could not get proper lodgings exacerbated his symptoms. They separated two years before his death for a variety of reasons. In Lucrezia Floriani, a novel, Sand used Chopin as a model for a sickly Eastern European prince named Karol. He's cared for by a middle-aged actress past her prime, Lucrezia, who suffers a great deal by caring for Karol.[5] Though Sand claimed not to have made a cartoon out of Chopin, the book's publication and

widespread readership may have exacerbated their antipathy to each other. However, the tipping point in their relationship involved her daughter Solange. Chopin continued to be cordial to Solange after she and her husband, Auguste Clesinger, had a vicious falling out with Sand over money. Sand took Chopin's support of Solange as outright treachery and confirmation that Chopin had always "loved" Solange.[a]Sand's son Maurice also disliked Chopin. Maurice wanted to establish himself as the 'man of the estate' and did not wish to have Chopin as a rival for that role. Chopin was never asked back to Nohant. In 1848, he returned to Paris from a tour of the UK and died at the Place Vendme. Chopin was penniless at that point; his friends had to pay for his stay there, as well as his funeral at the Madeleine. The funeral was attended by over 3,000 people, including Delacroix, Liszt, Victor Hugo and other famous people. George Sand, however, was notable by her absence. She is also known for her implication and writings during "la commune" where she took position for the Versaille's assembly against the "communard", urging them to take violent action against the "rebels".[7]
[edit]Writing

A liaison with the writer Jules Sandeau heralded her literary debut. They published a few stories in collaboration, signing them "Jules Sand." Her first published novel, Rose et Blanche (1831), was written in collaboration with Sandeau. She subsequently adopted, for her first independent novel, Indiana (1832), the pen name that made her famous George Sand.[8] Drawing from her childhood experiences of the countryside, she wrote the rural novels La Mare au Diable (1846), Franois le Champi (18471848), La Petite Fadette (1849), and Les Beaux Messieurs BoisDor (1857). A Winter in Majorca described the period that she and Chopin spent on that island in 18389. Her other novels include Indiana (1832), Llia (1833),Mauprat (1837), Le Compagnon du Tour de France (1840), Consuelo (184243), and Le Meunier d'Angibault (1845). Further theatre pieces and autobiographical pieces includeHistoire de ma vie (1855), Elle et Lui (1859, about her affair with Musset), Journal Intime(posthumously published in 1926), and Correspondence. Sand often performed her theatrical works in her small private theatre at the Nohant estate. In addition, Sand authored literary criticism and political texts. She wrote many essays and published works establishing her socialist position. Because of her early life, she sided with the poor and working class. When the 1848 Revolution began, Sand started her own newspaper which was published in a workers' cooperative.[9] This allowed her to publish more political essays. She wrote "I cannot believe in any republic that starts a revolution by killing its own proletariat." Her most widely used quote is "There is only one happiness in life, to love and be loved."

She was known well in far reaches of the world, and her social practices, her writings and her beliefs prompted much commentary, often by other luminaries in the world of arts and letters. A few excerpts demonstrate much of what was often said about George Sand: She was a thinking bosom and one who overpowered her young lovers, all Sybil a Romantic. V.S. Pritchett (writer) What a brave man she was, and what a good woman. Ivan Turgenev (novelist) The most womanly woman. Alfred de Musset (poet)
Sand's tomb, Nohant-Vic

George Sand died at Nohant, near Chteauroux, in France's Indre dpartement on 8 June 1876, at the age of 71 and was buried in the grounds of her home there. In 2004, controversial plans were suggested to move her remains to the Panthon in Paris. Sand's reputation came into question when she began sporting men's clothing in public which she justified by the clothes being far sturdier and less expensive than the typical dress of a noblewoman at the time. In addition to being comfortable, Sand's male dress enabled her to circulate more freely in Paris than most of her female contemporaries, and gave her increased access to venues from which women were often barred even women of her social standing. Also scandalous was Sand's smoking tobacco in public; neither peerage nor gentry had yet sanctioned the free indulgence of women in such a habit, especially in public (thoughFranz Liszt's paramour Marie d'Agoult affected this as well, smoking large cigars). These and other behaviors were exceptional for a woman of the early and mid-19th century, when social codesespecially in the upper classeswere of the utmost importance. As a consequence of many unorthodox aspects of her lifestyle, Sand was obliged to relinquish some of the privileges appertaining to a baroness though, interestingly, the mores of the period did permit upper-class wives to live physically separated from their husbands, without losing face, provided the estranged couple exhibited no blatant irregularity to the outside world. Poet Charles Baudelaire was a contemporary critic of George Sand: "She is stupid, heavy and garrulous. Her ideas on morals have the same depth of judgment and delicacy of feeling as those of janitresses and kept women... The fact that there are men who could become enamoured of this slut is indeed a proof of the abasement of the men of this generation." [10] Other writers of the period, however, differed in their assessment. Flaubert, by no means an indulgent or forbearing critic, was an unabashed admirer. Honor de Balzac, who knew Sand personally, once said that if someone thought George Sand wrote badly, it was because their own standards of criticism were inadequate. He also noted that her treatment of imagery in her works showed that her writing had an exceptional subtlety, having the ability to 'virtually put the image in the word'. [11]

[edit]In

literature

Frequent literary references to George Sand can be found in Possession (1990) by A. S. Byatt. The American poet Walt Whitman cited Sand's novel Consuelo as a personal favorite and the sequel to this novel La Comtesse De Rudolstady contains at least a couple of passages that appear to have had a very direct influence on him. Elizabeth Barrett Browning (180661), the English poet, produced two poems "To George Sand: A Desire" and "To George Sand: A Recognition". The character of Stepan Verkhovensky in Dostoevsky's novel The Possessed took to translating the works of George Sand in his periodical, before the periodical was subsequently seized by the ever-cautious Russian government of the 1840s. George Sand is referenced a number of times in the play Voyage, the first part of Tom Stoppard's The Coast of Utopia trilogy. And in the first episode of the "Overture" to Swann's Waythe first novel in Marcel Proust's In Search of Lost Time sequencea young, distraught Marcel is calmed by his mother as she reads from Franois le Champi, a novel which (it is explained) was part of a gift from his grandmother, which also included La Mare au Diable, La Petite Fadette, and Les Matres Sonneurs. As with many episodes involving art in la recherche du temps perdu, this reminiscence includes commentary on the work. George Sand also makes an appearance in Isabel Allende's Zorro, going still by her given name, as a young girl in love with Diego de la Vega (Zorro).