Professional Documents
Culture Documents
17
Curriculum Vitae
Soak
Graphical
19
28
26
25
Sei du Selbst
Curiosity Hoarding
Landscapes
Im a dot connector.
I love people.
WORK
2013 - present
Sampler - Direct Nickel Mining Pilot Plant
CONTACT
E P W A j.m.o.carlton@gmail.com +61 409 213 967 http://cargocollective.com/jcarlton 11 The Greenway, Elanora Heights, Sydney, 2101, NSW, Australia
Currently work at Direct Nickel in their pilot plant, proving a new process for extracting Nickel out of an ore. My role involves taking samples from various points around the process, analysing them and recording them.
2006 - present
Freelance Designer
REFERENCES
Christen Meli +61 423 171 356
Currently work also as a freelance designer in graphics / photography / web / animation / model making and have done so since I was 16. Domus Vim Studios, Architectural Models & Design http://domusvim.com/ 2012 ~ 2013
IGA Alex Kashin +61 405 329 620
Worked at IGA stacking shelves, serving customers, ordering stock, checking invoices and making claims. I found it to be a thrilling experience developing relationships with customers and serving various kinds of people.
SKILLS
- Fluent in Rhino, AutoCAD, Maya and entire Adobe Suite - Hand cut and laser cut model making ability - Photographic ability - Quick development of relationships with varying types of people - Music making
2011
Model Maker - Domus Vim / Kink Studios
Post university degree I helped build models using various materials and processes including laser cutting, casting, routing and 3D printing.
EDUCATION
2012
Bachelor of Design in Architecture
EXHIBITION
2011
Index, UTS
3rd year architecture exhibition for Soak building as well as group Town Plan.
2009
Art Express, various galleries around NSW
Year 12 art major work Sei du Selbst one of top 62 artworks in NSW for Visual Arts in HSC exhibited in 7 different galleries including the Art Gallery of NSW.
2005
Avalon Community Centre Competition
Year 9 Ikebana plein air oil painting selected within the Northern Beaches region for hanging.
2008
Position of Prefect
Year 12 role where I ran school assemblies as well as organising a short film competition called Capture.
QUALIFICATIONS
- Builders Green Card
2006
Duke of Edinburgh Bronze Award
SOAK
The subconscious is a powerful force of the mind. Each day we are provided with opportunities to exercise or rectify that which roams the mind. Given that our surrounding environment affects our actions in a very tangible manner, Soak seeks to soothe and massage, to release any toxic hindrances that one may have collected during the day - to help restore the mind back to a natural state of purity. Soaks intent as architecture is to perform as an environment that filters : the sub-conscious light water
above: Open- air Meditation Space below: Nor th Ryde site plan w/ Soak facing east for the morning sunrise over the cemetar y for balance of life and death
SOAK
Tools
Rules
Results
+ 4m Wall
or Entrance
Regularity
Irregularity
9
To be determined by placement of vertices in a 2 box buffer zone from each corner of a 30 x 30m grid divided up at 1 meter intervals.This is done so that there will be only subtle difference amongst the floors so as to not distract from the art, of which is the main element of the building.
SOAK
Tools
or 4m Wall Entrance
Stacked f loor plates of slight irregular propor tion provides a subtle element of beauty
10
SOAK
Floor plate study exploring the balance between regularity and irregularity
11
SOAK
The flow of water extends all the way from the roof (roof top cinema) down to the meditation space. Rain water is caught by the open air cinema (since it will not be in operation when raining) which is stored, then distributed firstly to the pool, which spills over an infinite edge to the level of meditation below. The noise of the falling water will mask noises from the highway as well as provide a visual filter for the view across the cemetery. Higher level water storage also allows for the utilisation of gravity for distribution throughout the building.
E xploration of the ver tical stack and the resultant twisting form that respects surrounding ground conditions while satisf ying optimal orientation
2
12
SOAK
3 Two distinct types must distinguish living space from exhibition space.
Regularity
Irregularity
13
SOAK
14
SOAK
South section
15
SOAK
1:200 model - card, corrugated card, perspex; predominantly hand cut with laser cut perspex
16
SOAK
17
GR APHICAL
18
GR APHICAL
Identity created for F3 driver Olly Rae - client asked for charcoal, white and purple logo that conveyed aggression, focus and determination
19
20
MODULAR GALLERY
SOAK
ystem
co-ordinates
of shifting modular
21
Sectional model of regular modular space - ply wood and card; hand cut
22
galvanised steel skylight painted jet black pine wood support frame
z-section bearers
white aluminium frame supporting skylight barrier and artificial skylight crevice to allow for water to be channeled down slope of roof into gutter
electrical services
track and frame for direct artificial lighting and partition positioning
vertical insulation in two pockets of insitu concrete frame insitu concrete frame
horizontal i-beam supporting concrete wall for artwork to hang from internal frame crevice for insulation
ventilation
23
glass crevice as drain for water caught in skylight snap-in infill steel supporting plate brush seal galvanised steel bracket to support and accurately position glazing bolt connecting skylight to raised concrete panel
24
25
L ANDSCAPES
26
CURIOSIT Y HOARDING
Curiosity is a Type- B hoarding system thats purpose is to provide weaving surfaces for advertising and exhibition. A Curiosity hoarding is built up from fragmented wooden panels that allows for a building barrier solution that doesnt impose onto passing pedestrians the essence of construction, but rather a tapestry of cultural artefacts or happenings.
The su
SOAK
powerf
above: O
27
CURIOSIT Y HOARDING
28
SEI DU SELBST
Stills from Sei du Selbst stop motion f ilm, made from over 1200 hand drawn post-it notes