Professional Documents
Culture Documents
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UNIVERSITY OF TEXAS
AT
ARLINGTON
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DALLAS MUSEUM
SEPT. 2012 TO PRESENT
OF
ART
EXHIBITION DESIGN WORKFLOWS AND BEST PRACTICES, SPATIAL NARRATIVE BUILDING, AND VECTORWORKS 2012
Studying under the Director of Exhibition Design for one of the most innovative cultural institutions in Dallas, my core project has been to design a show of paintings by Texas artist, Loren Mozley, from start to nish. I managed a collaborative process that guided group consensus on the construction plans, layout of artworks, paint colors, and graphic identity of the show by using digital and physical mock-ups to communicate with the Curator of American Art and the exhibitions sta.
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I wanted to take on more penetrating design work than what I was being asked to do at my job, so I started E.Clark Design Project. I partner with my clients throughout the design process, determining how best to translate their vision and objectives into stunning imagery that activates consumers. To date, my work has launched four new businesses, and helped others bring in new customers, ll events, and educate homeless children. Samples at emilyclark.info.
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AGAME MARKETING
Project Manager
JULY 2010 MAY 2012
ART DIRECTION, 2D AND 3D ENVIRONMENT DESIGN, ENGINEERING, UNIVERSAL DESIGN, RESOURCE ALLOCATION AND MANAGEMENT, AND BUDGETING
As project manager for AGame, a start-up company specializing in custom digital and interactive promotions for the gaming industry, I directed the entire production process for promotions across the US and Canada. I designed custom theatrical sets and structures for our clients, was art director to graphic artists and 3D animators, managed computer programmers, handled all logistics, and traveled throughout North America to supervise installations. With every project, I continued to dene and redene the workows, infrastructure, and vendor relationships that allowed AGame to earn its place on Casino Marketing Magazines 2010 list of Top 10 Game Changers in Casino Marketing and to triple its business within the rst two years.
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TO
In my position at SP Magazines, I learned how to come up with a visual strategy quickly while creating from-scratch ad designs for six dierent publications with a monthly circulation of 95,000 issues. Monthly production responsibilities also included assisting with content layout, managing ad updates and seasonal redesigns, and balancing editorial duties, such as content management and production for all six magazines that would foster relationships between our readers and advertisers. Additionally, I streamlined operations by designing and maintaining a database for written content and one for cover images.
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OF
ASIAN ART
The Crow Collection is the most comprehensive collection of Asian Art in Dallas, so I got an unparalleled opportunity to make creative use of my non-western art history education. I applied both written skills and design techniques to communicate the social and historical impact of the unfamiliar-looking Asian art on display through researching and developing supplementary literature for educational events, such as teacher training nights, docent presentations, and arts festivals. I also assisted education department sta in developing lesson plans and art projects for childrens events.