CHAPTER 7
The Photometry of Optical
Systems
LINTRODUCTION
With any optical instrument, a quantitative knowledge of the flow of
light from object to image is of the greatest importance. It enables us to
determine the illumination falling on the film in a camera, for in-
stance, or the brightness of a star seen in a telescope, or an image
projected on a screen. We live in a world of light, and we can see
surrounding objects only if they have sufficient brightness.
‘We cannot see “light”; if we could, the entire night sky would be
bright, as a large amount of light from the sun is streaming past the
arth all night. We can see only the source from which the light comes.
‘Thus our response to light is entirely different from our response to
sound, We can be in a room full of sound and have no idea where it
originates. Our ears can distinguish high notes from low notes, and
even different types of sound, whereas our eyes can detect only the
resultant mixture of wavelengths which we refer to as the “color” of
‘the object.
‘A, RADIOMETRY AND PHOTOMETRY
tis essential to distinguish carefully between the basic concepts of
radiometry and photometry. Photometry is concerned only with the
integrated effect ofall the wavelengths to which the eye is sensitive, Le.,
from about 0.4 to about 0.75 zm. The basic unit of photometry is that
of brightness, or more strictly Jwninance, because the eye responds
‘only to brightness. On the other hand, radiometry is concerned with
‘the emission and detection of radiant energy, taken wavelength by
‘wavelength through the entire radiation spectrum from the extreme
ultraviolet to the extreme infrared, with the detectors being generally
responsive to radiant power, which is expressed in watts, In this
2Il, PHOTOMETRIC DEFINITIONS 93
chapter we shall consider only photometric concepts, assume that the
light is “white,” and leave problems of color aside for separate consid-
eration.
I, PHOTOMETRIC DEFINITIONS
There are four basic concepts in photometry that must be clearly
differentiated and understood. Two of these relate to the emission of
light, one to the flow of light from a source toa receiver, and the last to
the effect of light on a receiving surface.
‘A. LUMINANCE
‘The concept of luminance (B), formerly called brightness, is basic to
all photometry because the eye responds only to luminance. An object
having a high luminance looks bright to our eyes, and conversely, an
‘object having a low luminance looks dim to our eyes. The apparent
brightness of an object depends on three factors— the luminance of
the object, the size of the pupils of our eyes, and our state of adapta
tion. If we have been in a dark room for some time, our eyes become
dark adapted, and even dim objects appear bright. On the other hand,
after being in bright sunlight for some time our eyes become bright
adapted, and upon going indoors everything looks dark, but gradually
we find we can see more and more as our eyes lose their bright
adaptation.
‘The fundamental unit of luminance is the stilb. which is defined as
one-sixtieth of the luminance of a black body at the temperature of
freezing platinum, ie., about 170°C. Ifa luminous surface is diffusing
G.e., not shiny), then its luminance is independent of both the area of
the surface and the angle of view. Indeed, the constancy of luminance
with angle provides the criterion for regarding a surface as being
diffusing. If a surface is shiny, or partially specular, we cannot draw
any useful conclusions about its luminance, because the luminance of
sucha surface varies with the direction of view and the presence of ight
sources above the surface which are partially reflected by it.
The luminance of a surface is a physical property of the surface and
does not depend on how it is viewed; indeed, it may not be viewed atall94 7, THE PHOTOMETRY OF OPTICAL SYSTEMS
and yet retain its luminance. Viewed from the end of the highway, al
the street lamps in a row appear equally bright to our eyes, although
‘the distant lamps appear small and the nearer lamps large. The
luminance of a source is quite independent of the size of the source,
provided it is uniform over its area. The concept of luminance is not
‘confined to a plane solid surface; the sun, which consists of a ball of
slowing gas, has a very high luminance of about 200,000 stlb. A bright
‘spot on the surface of the full moon has a luminance of about 0.25
stilb, with the reflectance (albedo) of the moon being about 17%, A
sheet of white paper under fairly bright indoor lighting has a lumi-
nance of about 0.017 stil, and under full noon sunlight outdoors may
reach about 3.5 stilb. The filament of a tungsten projection lamp may
have an effective luminance of 2500 stilb.
It will be seen that the stilb is a fairly bright unit, suitable for
‘measuring light sources. If we are concerned with much dimmer
Tuminances such as some illuminated objects, a more convenient unit
isthe nit, which is defined as one ten-thousandth ofa stilb, so that 0.25
stitb is 2500 nit.
B, Inrensiry
‘The unit of intensity (/) is the candela (formerly candle power). The
intensity of a source is a measure of its ability to illuminate other
objects. If we limit the area of our black body at the temperature of
freezing platinum to | cm?, its intensity will be 60 candelas (cd) in a
direction perpendicular to the surface. In any other direction the
projected area will be less in proportion to the cosine ofthe angle from
the normal and so will the intensity of the source. This is known as
Lambert's cosine law of intensity. The intensity of a source also
depends directly on its area. Thus,
I= BA cos,
where A is the area of the source, B its luminance, and 6 the angle of
view. If Ais | cm, B 1 stilb, and 0 zero, then the intensity is 1 od. Thus
we may regard the stilb as such a luminance that its intensity is
1 cd/em? of projected area.
‘The intensity of an ordinary domestic light bulb varies with direc-
tion, The average intensity over a complete sphere is called the mean
spherical candle power, and it is this which measures the ability of the