Professional Documents
Culture Documents
t
Courtesy of Ross Kidd
LIBERRTED
THERTRE
a form of
indigenous theatre
From
ARANYAK
Bangladesh
\511 iC! G1J<J5
!!9 X
'"
Theatre by the people
31
Carl Gaspar
India,s native communities in Peru,9 Bolivia,1O Ecuador, I I and
Guatemala,12 tribaP
3
and Harijanl4 movements in India, sugar
workers, domestic workers, prisoners, etc. in Jamaica,ls urban
slum-dwellers in Latin America,16 and freedom-fighters in
southern Africa
l7
-all are turning to "theatre by the people for
the people and of the people" as a means of building class
and/or women's consciousness, mobilizing people for action,
engaging in struggle, and reflecting on the struggle.
For these popular groups and movements, people's theatre
refers to theatre of the people (that is, dealing with the issues
and concerns of the popular classes-the peasants and workers)
created and performed by the people for popular audiences of
and Non-Formal Education in Botswana," in R. Kidd and N. Colletta, (eds.),
Tradition for Development: Indigenous Structure and Folk Media in
NonFormal Education (Bonn: German Foundation for International Develop
ment, 1982).
7. Honor Ford-Smith, "Women's Theatre, Conscientization and Popular
Struggle in Jamaica," in Kidd and Colletta; Honor Ford-Smith, "Sistren: Profile
ofa Jamaican Women's Theatre Collective," Theatrework 2(3): 1982, 14-16.
8. Gail Omvedt, We Will Smash This Prison: Indian Women in Struggle
(London: Zed Press, 1980); Maria Mies, "Indian Women and Leadership,"
Bulletin of Concerned Asian Scholars 7(1): 1975,56-66; S. Kanhare and M.
Sawara, "A Case Study on the Organizing of Landless Tribal Women in
Maharashtra, India," Asian and Pacific Centre for Women and Development,
1980.
9. Milada Corredorova, "Teatro Campesino del Tio Javier: Puppet Conscien
tization Theatre in Rural Peru," Young Cinema and Theatre 2: 1974,24-26;
Instituto Ferrol de Chimbote, Nacer de la Esperanza: Una Experiencia de
Comunicacion Popular (Lima: TAREA, 1974).
10. Luis Rojas, "Ayni Ruway: Indigenous Institutions and Native Develop
ment in Bolivia," in Kidd and "Colletta.
II. Carlos Dominguez Espinosa, "EI Teatreo Quechua: Una Tradicion que se
Reafirma," Con junto (Havana) 28: 1976, 5-13; E.M. Reza Espinosa, La
Experiencia de la Unidad Descentralizada de Educacion de Adultos y
Coordinacion Educativa para el Desarrollo en la Provincia de Chimborazo
(Ecuador) (Santiago: UNESCO Regional Office, 1978).
12. Teatro Vivo, "Community Drama in Guatemala," Third World Popular
Theatre Newsletter 1(1): 1982,35-40.
13. G. V. S. de Silva et al., "Bhoomi Sena: A Struggle for People's Power,"
Development Dialogue 2: 1979, 3-70; Maria Mies, "A Peasants' Movement
in Maharashtra: Its Development and its Perspectives," Journal.ofContempo
rary Asia 6(2): 1976, 172-184; D.N. Manahar, "Shramik Sangathana: A Year
in Retrospect," How (New Delhi) 2(7-8): 1979, 19-28.
14. Felix Sugirtharaj, "Rural Community Development Association: Its
Origins, Methodology, Philosophy and Description of its Movement Stage by
Stage," unpublished report. Madras: Association for the Rural Poor, 1979; R.
Kidd, "Domestication Theatre and Conscientization Drama in India," in Kidd
and Colletta.
15. Anonymous, "Popular Theatre: A Mode of Resistance in Contemporary
Jamaica," in Third World Popular Theatre (Toronto: International Popular
Theatre Alliance, 1984); Joan French, "Sistren and Jamaican Popular Theatre,"
Third World Popular Theatre (Toronto: International Popular Theatre Alliance,
1984).
16. M. Kaplun and J. O'Sullivan-Ryan, Communication Methods to Promote
Grassroots Participation (Pruis: UNESCO, 1979); Carlos Nuiiez, "Popular
Theatre and Urban Community Organizing in Mexico" in Kidd and Colletta;
Aty Nee, Hacia Un Teatro de la Comunidad: Recuento de Una Experiencia
(Asunci6n: Aty Nee, 1981); Francisco Garz6n Cespedes, EI Teatro de
Participacion Popular y EI Teatro de la Comunidad: Un Teatro de Sus
Protagonistas (Havana: Union de Escritores y Artistas de Cuba, 1977).
17. African National Congress of South Africa, "The Role of Culture in the
Process of Liberation," Education with Production (Botswana) 1(1): 1981,
34-46; International Defence and Aid Fund, "Black Theatre in South Africa,"
Fact Paper on South Africa No.2, 1976; Mshengu, "After Soweto: People's
Theatre and the Political Struggle in South Africa," Theatre Quarterly 9(33):
1979, 31-38; R.M. Kavanagh, South African People's Plays (London:
Heniemann, 1981); K.G. Tomaselli, "The Semiotics of Alternative Theatre
in South Africa," Critical Arts (South Africa) 2(1): 1981, 14-33.
People's theatre has been one of the battle
grounds in the struggle between the dominant
and subordinate classes in Bengal for centuries.
peasants and workers. "Of the people" conveys the Brechtian
sense of advancing the interests of the popular classes. People's
theatre represents:
a medium controlled by the people for expressing their ideas,
concerns, and analysis at a time when other forms of
expression and media are outside their control;
a means of resisting the ideas propagated by the dominant
class, institutions and media;
a way of recovering, reviving, validating, and advancing
the people's own culture and history;
an experience of participation, interaction and self-expres
sion through which people overcome their fears and develop
a sense of their own identity, self-confidence, and class
consciousness through showing people can "act," can change
things, both on stage and in real life;
a people's curriculum, reflecting popular ideas, concerns,
and aspirations rather than the externally imposed textbooks
of conventional education;
a forum for popular education, bringing people together and
building a spirit of solidarity;
a codification or objectification of reality for purposes of
discussion, a means of mirroring reality in order to stand
back and study it critically;
a process of popular education-drama as a tool of analysis,
of testing out through role-playing the limits and possibilities
for action and unveiling the contradictions and structures
underlying everyday reality;
an organizing medium, politicizing people and drawing them
into popular organizations and struggle;
a means of preparing for struggle-clarifying the target,
working out strategies and tactics, and testing out through
role-playing various forms of confrontation;
a means of protesting against oppression and a means of
stirring up people's anger to do something about it;
a form of confrontation and struggle;
a morale-booster during periods of struggle-poking fun at
the oppressors, celebrating victories, and building up
people's spirit.
One must, of course, not over-exaggerate the transforma
tive potential of theatre. Organizing struggle on the stage is
different from doing it in real life and the distinction must not
be blurred. Theatre must be linked with organizing and
struggle. Where these conditions are met, the performance
itself can become a form of struggle. For example some of the
organizations of landless laborers in Bangladesh have sufficient
organizational strength to openly challenge the landlords. The
means they've chosen to do this is to dramatize in a public
forum the landlords' acts of injustice and corruption. One group
found after a while that it was enough to threaten to "put the
landlords on the stage" in order to rein in the landlords'
manipulative and exploitative tendencies.
32
Popular Theatre on the Advance counter-insurgency propaganda. 29 The Japanese also recognized
This groundswell of popular theatre in the Third World
represents a resurgence after a temporary set-back in the sixties.
Popular theatre was a major force in the forties and fifties when
it served as the cultural arm of nationalist struggles allover
the Third World, inspired by experiences such as the
Communist Chinese "resistance theatre" of the thirties. 18
Nationalist movements in Egypt,19 India,20 Indonesia,21
Jamaica,22 Kenya,23 Nigeria,24 Vietnam,25 Zambia,26 and many
other colonial territories used theatre to expose colonial injustice,
develop a nationalist consciousness, and mobilize support for
j the national liberation movement. The colonial rulers
{
I
monopolized the modem mass media (radio and newspapers)
so the nationalists had to rely on their own "media"-the
dance-dramas, songs, poetry, puppetry, and drumming out of
their own traditions.
Moving from village to village behind the lines out of
reach of the colonial forces, cultural workers helped to counter
colonial propaganda, clarify issues and information, prepare
people for new situations, and build up morale and commit
ment.
Theatre was such a powerful weapon in nationalist hands
that, wherever they could, colonial forces tried to suppress it.
For example in Indonesia in the forties the Dutch jailed
hundreds of dalangs (puppeteers) and burned their pUppets;27
in Nigeria during the same period the British banned several
anti-colonial plays by a popular traveling troUpe.28 In Malaysia
the colonial security forces were so impressed by nationalist-in
spired theatre that they organized their own troupes for
18. Roger Howard, "People's Theatre in China since 1907," Theatre Quarterly
1(4): 1971,67-82; Edgar Snow, "Red Theatre," in Red Star over China (New
York: Random House, 1938).
19. J.M. Landau, Studies in the Arab Theatre and Cinema (philadelphia:
University of Pennsylvania Press, 1958).
20. Kalpana Biswas, "Political Theatre in Bengal: the Indian People's Theatre
Association," Third World Popular Theatre (Toronto: International Popular
Theatre Alliance, 1984); Sudhi Pradhan, (ed.), Marxist Cultural Movement in
India (1936-1947) (Calcutta: National Book Agency, 1979); Farley Richmond,
"The Political Role of Theatre in India," Educational Theatre Journal 25(3):
1973, 318-334.
21. R. Adhikarya and R. Crawford, The Use of Traditional Media in Family
Planning Programmes in Rural Java (Ithaca, New York: Communication Arts
Graduate Teaching and Research Center, Cornell University, 1973); J.R.
Brandon, Theatre in South-East Asia (Cambridge, Mass.: Harvard University
Press, 1967).
22 .. V.S. Reid, "The Cultural Revolution in Jamaica after 1938," paper
delive:ect to an Conference on the 1938 Labour Uprising
(Januuca), held at the Umverslty of the West Indies, Kingston, Jamaica, 1980;
Rex M. Nettleford, Cultural Action and Social Change: The Case ofJamaica
(Kingston, Jamaica: Institute of Jamaica, 1979); Marina Maxwell, "Towards
a Revolution in the Arts," Savacou 23: 1970, 19-34.
23. Maina wa Kinyatti, Thunder from the Mountains: Mau Mau Patriotic
Songs (London: Zed Press, 1980); Ngiigi wa Thiong'o, Detained: A Writer's
Prison Diary (London: Heinemann, 1981).
24. Ebun Clark and Hubert Ogunde, The Making ofNigerian Theatre (Oxford:
Oxford University Press, 1979).
25. Tran Dinh Van, "Artistic and Literary Life in the Liberated Zones of
Vietnam," Vietnamese Studies (Hanoi) 14: 1967, 11-23; Peter Weiss, Notes
on the Cultural Life of the Democratic Republic of Vietnam (London: Calder
and Boyars, 1971).
26. A.S. Masiye, Singing for Freedom (London: Oxford University Press
1977). '
27. Adhikarya, op. cit.
28. Clark, op. cit.
the power of theatre and in their occupation of Southeast Asia
(1940-45) imposed strict controls on theatre and deployed
hundreds of local troupes to explain their Greater East Asia
Co-Prosperity propaganda. This scheme had its double-edge:
for example, in the Philippines many of the troupes used the
cover of local languages and historical symbolism to advance
Filipino nationalism. 30
Once the "de-colonizing era" was over, however, there
was a temporary setback. The nationalists who came to power
attempted to contain, control, or co-opt the cultural movements
which had grown out of the nationalist struggle and other
struggles like the anti-feudal and anti-imperialist struggles.
Hundreds of cultural workers belonging to the Indonesian
popular culture movement LEKRA were killed in the
anti-Communist pogrom in 1965;31 the Indian People's Theatre
Association fell apart through external manipulation and its
own internal splits;32 the mass movement of Popular Culture
Centers in Brazil was suppressed after the 1964 COUp;33
bourgeois nationalism and neo-colonial (settlers') theatre
monopolized the cultural field in Africa;34 and the colonial
censorship laws were not only reintroduced but strongly
enforced by many of the new Third World governments.
35
In
South Africa, brutal suppression forced the liberation move
ment underground and adversely affected black cultural
expression which had bolstered the struggle.
By the end of the sixties, the increasing penetration of
multinational capital into the Third World and the growing
class divisions, landlessness, and unemployment led to
struggles by peasants and workers to defend themselves against
the pressures of surplus appropriation and other forms of
victimization and to fight for land, better working conditions,
?nd structural changes. Popular theatre re-emerged as a weapon
m these struggles.
In Thailand
36
and Chile
37
in the early seventies theatre
29. Haynes R. Mahoney, "The Malaysian Information Department's Rural
Communication Programme," unpUblished paper, School of Communications
and Theatre, Temple University, Philadelphia, Pa., 1976.
30.. J.R: Brandon, Theatre in South-East Asia (Cambridge, Mass.: Harvard
Umverslty Press, 1967); Kaitaro Tsuno, "The Asian Political Theatres" AMPO
(Pacific-Asia Resources Centre) 11(2-3): 1979, 1-9. '
31. Interviews by R. Kidd in Jakarta and Jogjakarta in August 1978.
32. Biswas and Pradhan, op. cit.
33. Emanuel De Kadt, Catholic Radicals in Brazil (London: Oxford University
Press, 1970).
34. Stephen Chifunyise, An Analysis ofthe Development ofTheatre in Zambia
from 1950 to 1970, unpublished M.A. dissertation, University of California
at Los Angeles, .1977; Michael Etherton, The Development ofAfrican Drama
Hutchmson, 1982); Ngiigi wa Thiong'o, op. cit.; David Pownall,
European and African Influences in Zambian Theatre," Theatre Quarterly
1973,49-53; Anthony Akerman, "Why Must These Shows Go On? A
Cntlque of Black Musicals Made for White Audiences," Theatre Quarterly
7(28): 1978, 67-69.
35. Brandon, op. cit., and Tsuno, op. cit.; Edward K. Brathwaite
Contradictory Omens: Cultural Diversity and Integration in the Caribbe;'
1974, Savacou); Andrew Horn, "African Theatre-Docility
and Dissent, Index on Censorship 9(3): 1980, 9-15.
36. Tsuno, op. cit.
37. Carlos Quevedo, Teatro Popular en el SectorCampesino,"
paper presented to the Latm Arnencan Conference on Educational Planning
for the Popular Sectors, Santiago, Chile, August 1970. Santiago, Chile:
Departamento de Teatro y Folklore, Secretariado de Comunicaci6n Social
1970. '
33
played a key role in making peasants and fishennen aware of
their political rights and promoting the fonnation of peasant
and fishennen unions. After the right-wing coups in both
countries the farmers' and fishennen's movements and the
cultural work which supported it were repressed. In the
Philippines a broad-based movement of people's theatre
supported struggles by peasants, fishennen, plantation workers,
and slum-dwellers against the land-grabbing and corruption of
the Filipino ruling class and the exploitative practices of the
multinationals.
38
In India the Chipko movement mobilized its
support among the tribal peoples for their campaigns against
deforestation through songs telling about their innovative tactic
of mass "hugging" (chipko) of trees to prevent contractors from
cutting them down.
39
In lamaica
40
and India
41
the women's
movement made special use of theatre in voicing women's
concerns and grievances, challenging the prejudices and
oppression against women, and building their movement. In
Bangladesh,42 India
43
and Sri Lanka
44
movements of landless
laborers, Harijans, plantation workers, tribal groups and other
oppressed groups developed a vital fonn of participatory theatre
as a core educational and organizing activity within the
movement.
In Latin America rural peasants, native communities,
urban workers and slum-dwellers reappropriated theatre, which
had been monopolized by the middle class, and began to create
their own fonns of theatre closely linked to popular education,
organizing, and struggle:
5
In post-revolutionary Cuba
46
and
Nicaragua
47
popular theatre groups helped in mobilizing
participation in the mass reconstruction campaigns and at the
same time provided a critique ofpost-revolutionary practices.
In independent Africa new fonns of theatre began to
challenge the dominant bourgeois mode. In Zambia
48
a national
theatre movement developed out of the touring and workshops
38. Gaspar, op. cit.; PETA, op. cit.; and Rikken, op. cit.
39. A. Mishra and S. Tripathi, Chipko Movement (New Delhi: People's
Action, 1978).
40. Ford-Smith, op. cit.
41. Omvedt, op. cit.; Mies, op. cit.; and Kanhare, op. cit.
42. Proshika, op. cit.; and Rashid, op. cit.
43. Footnotes 13 and 14.
44. Yohan Devananda, "Theatre and Conscientization in Sri Lanka," Asian
Action (Asian Cultural Forum on Development) 7: 1977,45-47.
45. Augusto Boal, Theatre ofthe Oppressed (New York: Urizen, 1979); Cuba
Review, ''Transforming Theatre," special issue of Cuba Review (Cuba
Resource Center, New York, 1977) 7(4): entire issue; Raul Leis, "Popular
Theatre and Development in Latin America," Educational Broadcasting
International (British Council) 2(1): 1979, 10-13; Gerardo Luzuriaga, Popular
Theatre for Social Change in Latin America (Los Angeles: University of
California, 1978); Garcia Marquez, "Now the Revolution Reaches the
Theatre," Young Cinema and Theatre 4: 1976, 39-44.
46. Sergio Corrieri, "EI Grupo Teatro Escambray, Una Experiencia de la
Revoluci6n," Con junto (Havana) 18: 1973,2-6; Carlos Espinosa Dominguez,
"La Yaya: EI Teatro en Manos del Pueblo," Con junto (Havana) 27: 1976,
2-18; Garz6n Cespedes, op. cit.; Laurette Sejourne, Teatro Escambray: Una
Experiencia (Havana: Editorial de Ciencias Sociales, 1977).
47. Bustos, op. cit.; Brookes, op. cit.; and Epskamp, op. cit.
48. S. Chifunyise and D. Kerr, "Chikwakwa Theatre and the Zambian Popular
Theatre Tradition," Theatre International, forthcoming, 1984; Chikwakwa
Repons (1971-1982), Literature and Languages Department, University of
Zambia, Lusaka, Zambia; Emeka Patrick Idoye, "Popular Theatre and Politics
in Zambia; A Case Study of Chikwakwa Theatre," unpublished Ph.D.
dissertation, Florida State University, 1982.
of a university .traveling theatre group; in Botswana,49 Ghana,so
Malawi,51 Sierra Leone,s2 Swaziland, 53 Tanzania
54
and Zambia
55
development workers and adult educators put on didactic plays
based on village-level research and discussions with villagers;
and in northern Nigeria a university theatre group developed
a village workshop process in which farmers created their own
plays and through this began to analyze the structures of rural
exploitation. 56 In Kenya a community organization of peasants
and workers created their own plays as a fonn of popular
education and popular protest against the land grab, unemploy
ment, exploitative labor practices, foreign domination of the
economy, and other major issues in Kenya.
57
In Angola, Mozambique and Zimbabwe drama played an
educational and morale-building role in the liberated areas
58
and in South Africa a consciousness-raising role in the students'
movement which shook South Africa in the seventies. 59
In Europe
60
and North America
61
migrant workers from
the Third World turned to theatre as a tool of education and
organizing within their own communities and a voice for their
movement.
49. M. Byram and R. Kidd, "Popular Theatre as a Tool for Community
Education in Botswana," Assignment Children (UNICEF) 44: 1978, 35-65;
R. Kidd and M. Byram, Organizing Popular Theatre: The Laedza Batanani
Experience 1974-77 (Gaborone: Popular Theatre Committee, Institute of Adult
Education, University of Botswana, 1979).
50. K. Alta, et al., Cultural Groups in Action: Handbook (Accra, Ghana:
Africa Bureau, German Adult Education Association, 1978); Robert Russell,
"Cultural Groups as an Educational Vehicle," in D.C. Kinsey and l.W. Bing,
Non-Formal Education in Ghana (Amherst: Center for International Education,
University of Massachusetts, 1978).
51. David Kerr, "An Experiment in Popular Theatre in Malawi: The University
Travelling Theatre's Visit to Mbalachanda," Staff Seminar Paper No. 18
(Zomba: Chancellor College, University of Malawi, 1981).
52. Nancy Edwards, "The Role of Drama in Primary Health Care,"
Educational Broadcasting International (British Council) 14(2): 1981, 85-89.
53. Martin Byram, et aI., The Report of the Workshop on Theatre for
Integrated Development (Swaziland)(Swaziiand: Department of Extra-Mural
Services, University of Swaziland, 1981).
54. P. Mlama, "Theatre for Social Development: The Malaya Project in
Tanzania," Third World Popular Theatre (Toronto: International Popular
Theatre Alliance, 1984).
55. Dickson Mwansa, "Theatre for Community Animation in Zambia," Third
World Popular Theatre Newsletter 1(1): 1982, 33-35; S. Chifunyise, et al.,
Theatre for Development: The Chalimbana Workshop (Lusaka: International
Theatre Institute (Zambia) Centre, 1980); David Kerr, "Didactic Theatre in
Africa," Harvard Educational Review 51(1): 1981, 145-155.
56. Salihu Bappa, "Popular Theatre for Adult Education, Community Action
and Social Change," Convergence 14(2): 1981, 24-35; Crow and Etherton,
op. cit.; Michael Etherton, The Development of African Drama (London:
Hutchinson, 1982).
57. Ngtigi, op. cit.
58. R. Hamilton, "Cultural Change and Literary Expression in Mozambique,"
Issue (African Studies Association) 8(1): 1978, 39-42; Mbule10 Mzamane,
"The People's Mood: The Voice of a Guerrilla Poet," Review of African
Political Economy 18: 1980, 29-41.
59. See footnote 17 and F.M. Redford, "Plays from the Proletariat,"
Theatrework 2(5): 1982, 45-48.
60. F.S. Calderon, "Teatro de los Trabajadores Emigrados en Francia," La
Ultima Rueda (Ecuador) 4-5; 1977,94-96; Bernard Granotier, "Immigration
et Expresion Theatrale," Travail Theatral26: 1977, 138-144.
61. J. Harrop and l. Huerta, "The Agitprop Pilgrimage of Luis Valdez and
EI Teatro Carnpesino," Theatre Quarterly 5: 1975, 30-39; Nicolas Kanellos,
"Chicano Theatre in the 70's," Theater (Yale) 12(1): 1980, 33-37.
34
!
I
I
I
I
I
From Outsiders' Theatre as Product to This new mode reflects Freire's and Brecht's emphasis on
Insiders' Theatre as Process
1
The resurgence of people's theatre in the seventies and
I
eighties represented not only a quantitative advance but also a
I
qualitative one. Up until the seventies social action theatre took
the form of "theatre for the people" -theatre performed by
middle-class activists, often touring from community to
community for audiences of peasants and workers.
I
While'this "taking theatre to the people" approach did
encourage cultural democratization by giving the pOl?ular
classes access to a theatre tradition which had been appropnated
by the dominant class, it often failed to its
and organizing goals. As an externally Induced theatre It
reinforced dependence on creative resources outside the
i community and failed to recognize the cultural strengths of the
i
community which had not only survived colonialism but
stiffened resistance against the colonial occupation.
It also represented an imposition of outsiders' agendas
and analysis. The peasants were left out of the action, forced
into their conventional role of watching someone else's culture,
of reproducing their "culture of silence." They remained the
passive recipients of ideas and analysis from the outside, robbe.d
of an opportunity to voice their concerns :md do. theIr
own thinking. As Freire would put It, cultural IS not
"a gift" or mere access to culture but "the conquered nght of
the popular classes to express themselves."62 The finished form
of the theatre-finalized pieces of thinking with no room for
audience contributions-and the tokenistic approach to post
performance discussion which was tacked on at the end as an
empty ritual reinforced this "banking" orientation.
Another problem was the lack of an organizational
Many of the groups had'no links to a movement or organizIng
process. They came into the community, put on their play,
held a discussion and hit the road. Their performance may have
created some interest but once they left there was no one to
do the follow-up education and organizing. Without an
organizational base the performances had a limited effect. The
above is a general picture. There are, of course, other groups
doing "theatre for the people" who are working within or
closely connected to popular movements, are to .local
issues, and perform open-ended dramas permtttIng audience
involvement and discussion.
"Theatre by the people,for the people and of the people"
attempts to overcome the above limitations by
making the peasants the performers, thereby them
the opportunity to express their own concerns, do theIr own
thinking, and control their own learning process;
grounding the theatre experience in the. community,
or movement and in an ongoing educatIOnal and organiZIng
process;
changing the form of the theatre activity so that it no longer
represents a finished product or static piece of thinking but
takes the form of an open-ended or unfinished play-a
process of collective play-making i? which in the
audience participates as actor, dIrector, and cntic and
through it analyzes their situation and tries out various
possibilities for action.
62. Paulo Freire, "Cultural Freedom in Latin America," in L.M. Colonese,
Human Rights and the Liberation ofMan in the Americas (University of Notre
Dame Press, 1970).
active approaches to learning-of peasants becoming
subjects of their transformation, questioning and challengIng
the ruling class ideas rather than remaining the objects of a
propaganda exercise.
63
It also reflects their of
drama (or literacy learning in the case of Freire) to cntlcal
discussion of the social reality. Further, it exhibits some of the
more recent insights of Augusto Boal who adapted Freire's
ideas to the field of theatre.
64
He showed how the oppressed
could create their own codes, thus breaking the division
between actors and audience and the dependence on externally
created codes, and also how they could use a continuous,
process of codification (dramatization) and decodification
(analysis) to explore reality, their own conditioning and
of overcoming oppression. Through this process of changIng
and rechanging the drama the peasants could not only see that
reality could be changed but also experience a process of
transformation which might give them the self-confidence to
make changes in their real (rather than dramatized) lives.
Restoring the confidence of the peasants in their own cultural
production might help to extend their confidence into the
political and economic spheres by, as Thom Cross puts
it-"Acting to act."
A Brief History of People's Theatre
and Struggle in Bangladesh
People's theatre has been one of the battlegrounds in the
struggle between the dominant in
Bengal for centuries. In its long history of foreign dom1OatlOn
and of hierarchical structural relationships, people's theatre has
not only reflected the struggles between the dominant castes
(Brahmins and Khotriyas) and classes (feudal overlords,
foreign invaders, bourgeoisie) and the subordinate castes
(Boishyas and Shudras) and classes (middlemen,
artisans, landless laborers) but also has served as a weapon 10
this struggle-as a means of reinforcing the domination of the
ruling classes or as a tool of challenging their exploitation and
rallying popular struggle against oppression. .
In pre-thirteenth century Bengal the mythological dramas
which had their origins in the puranic epics (Ramayana and
Mahabharata) tended to reinforce the feudal status quo and the
Brahmanic hegemony. While they were extremely popular with
their rural audiences, they functioned primarily as a means of
accommodation-of adjusting people to their situation-and
as a mechanism of escape from the hard labor. Through
showing the importance and heroism of the gods they taught
deference to the feudal overlords and acceptance of the
overlord's right to the surplus from the peasants' labor. They
also reinforced belief in a supernatural order which controlled
the world, inducing acceptance of a fatalistic and submissive
approach to the world. The dramas rarely challenged the feudal
!
power structure and where they did this was a type of
"overturning" necessary for the preservation of the system (as
in, for example, Carnival in mediaeval Europe).
63. Bertolt Brecht, Brecht on Theatre: The Development of an Aesthetic
(translated by John Willett, London: Eyre Methuen, 1964); Paulo Freire,
Cultural Action for Freedom (Harmondsworth: Penguin, 1972); Paulo Freire,
Pedagogy of the Oppressed (New York: Seabury Press, 1970).
64. Boal, op. cit.
35
I
In the thirteenth century during the short rule of the South
Indian Vaisnava Sena kings, a new fonn of people's resistance
"theatre" emerged to challenge the caste hierarchy of
Brahmanical law. Bhakti, fervent devotionalism in song and
dance, represented the upsurge of popular classes against the
social discrimination and economic exploitation of the
Brahmanic system. The songs condemned the hypocrisy and
decadence of the system and advocated a new more egalitarian
order.
In the fourteenth century, with the coming of the Moslems,
mass conversions took place, the language of the courts
changed to Persian, and taxes were increased. In spite of this
the Bhakti movement continued to grow and gain influence
among the popular classes. The songs and dances flourished
in the villages as part of this movement and expressed both
defiance against the foreign rulers and resistance against the
Brahmanic order. The perfonnances did, however, absorb a
number of Islamic influences.
In the latter part of the eighteenth century with the arrival
of the British and the introduction of education there was a
brief period of "cultural renaissance." Once the Bengali
educated elite began to see that their interests could not be
accommodated by colonialism, they began to resist colonial
rule. The new fonns of urban theatre learned from the
colonizers became a powerful tool for protest.
When the British brutally enforced cultivation of indigo
in Bengal in the mid-nineteenth century, Nildarpan (literally
the "Indigo Mirror") was produced in 1870 to expose the
atrocities committed against farmers who refused to plant their
fields with indigo. This play was immediately banned. The
nationalist feeling that it aroused provoked the censorship law
of 1876 by which the British attempted to suppress anti-colonial
cultural expression in the Indian sub-continent.
65
Nildarpan
was later followed by a number of other "mirror" plays dealing
with struggles against the Zamindars (large landowners),
tea-plantation owners, bureaucrats, police, and others.
In the 1900s these spontaneous outbursts of anti-colonial
protest culminated in a more sustained nationalist struggle. The
"traditional" theatre of the villages became a symbol for the
struggle and the Bengali elite who had previously ignored or
denigrated traditional theatre began to revalue it. Tagore and
others appropriated these arts and advocated their use in
programs of cultural revival and anti-colonial protest within
the context of rural fairs and festivals.
In the 1920s the playwright Mukunda Das transfonned
the rural folk fonn of jatra, which had traditionally dealt with
historical or mythological themes, and created a new fonn
Swadeshi (Nationalist) jatra which dealt with the contemporary
themes of colonial injustice, caste oppression, feudal exploita
tion, and tactics for anti-colonial struggle. The colonial
government "rewarded" him for this innovation by sending him
to prison.
65. Theatre was such a powerful instrument for arousing anti-colonial
sentiment that it was the first cultural form to be gagged with a censorship
law (1876), followed by the vernacular press (1877) and the right to carry
arms (1878). The law remains in force today in India and Bangladesh, requiring
all playscripts to be cleared by the authorities before a performance license is
issued. One group after India's Independence (1947) wanted to perform
Nildarpan which was written in 1870. When they sent the script to the police
for approval, the police wrote back asking them to get the playwright to come
to the police station.
Performing for the people represented the old
politics-urban-based left-wing groups preach
ing revolt to the masses, a kind of political
pamphleteering, of manipulating people with
slogans and lectures. It had little effect.
In the 1940s all this activity culminated in the creation of '\
a national popular theatre movement, the Indian People's
Theatre Association (IPTA). This operated allover India but
its strongest contingent was in Bengal. Its initial work was to
alert people to the possibility of Japanese invasion and to
promote temporary support for Britain's war effort. In 1943
during the Bengal famine in which five million peasants starved
to death, the Bengal IPTA troupe perfonned allover India with
a play exposing the native hoarders and black marketeers,
raising over 200,000 rupees and launching a campaign to "Save
People's Food."
In 1947 with the departure of the British, the Indian
subcontinent was divided into India and Pakistan. East Bengal,
whose population is primarily Moslem, became part of
Pakistan, and their links with IPTA dissolved. When the
Punjabi bureaucracy and military of West Pakistan became the
dominant force in the new state and imposed Urdu as the
national language, a bitter revolt erupted. This took the fonn
of a "language movement" in which songs and dramas played
a primary role in stirring up nationalist feelings. The cultural
work was so effective that many of the playwrights and actors
were arrested. One of the playwrights, Munir Chowdhury,
wrote his most famous play, Kabor (Graveyard), while he was
in prison. Along with other prisoners he perfonned it right in
jail.
The nationalist struggle of the fifties and sixties and
continuing victimization by Pakistan's military rulers culmi
nated in the War of Liberation in 1971 in which songs and
drama again played a mobilizing role.
During this period (1950-1970) in the villages the
peripatetic theatre-the jatra, kobigan, jarigan and other
"traditional" theatres-began to undergo a transfonnation. As
capital increasingly penetrated the villages, theatre became
more of a commodity. Traditional perfonners who fonnedy
combined work in the fields with part-time work as perfonners
stopped perfonning altogether or became employed on a
full-time commercial basis. latra groups which fonnedy
operated under the sponsorship of a zamindar or plantation
owner began to do their tours on a commercial basis, working
out contracts with the landlords in each village.
Aranyak-Performing for the People
Aranyak was founded soon after Bangladesh's Indepen
dence (December 1971) by a group of middle-class youth who
had been deeply affected by their experience in the liberation
war. Along with the peasants and workers they had hoped that
the liberation war would lead to a true revolution, one in which
land would be redistributed, other feudal structures trans
fonned, and Bangladesh's econmy taken over by the people
36
Carl Gaspar
of Bangladesh. When they saw their hopes were futile, that
the rural structures remained intact, the economy still under
foreign control, and a small comprador class monopolizing the
benefits of Independence, they decided to do something about
this betrayal of the people's hopes and to fight for change.
The vehicle they chose for their political challenge was
theatre and they initially looked to Calcutta's group theatre for
their ideas and inspiration. They formed an amateur group
made up of about thirty people, most of whom worked in other
jobs during the day in school-teaching, banks, offices, and
factories. They came together each evening or on the weekends
I
to rehearse or to give performances.
I
During the seventies they concentrated on producing one
major theatrical work a year, all of them on political themes
and performed in urban areas. While these performances
I
succeeded in theatrical terms, they failed to have the desired
political impact. Their audiences, which largely consisted of
urban, middle-class people, reacted emotionally to the plays,
but once they were over, their commitment to social action
died. The praise of theatre critics, the publication of scripts,
I the invitation to do TV work were no measure of success. In
1
I
fact, the lack of resistance to their work by the ruling class
was a clear indication of its limited effectiveness. Their work
Aranyak abandoned their role as performers and
began to work as animateurs, working with
rather than for the rural poor. They stopped
imposing their own image of the landless
laborers' world and encouraged the laborers to
create their own dramas.
So they decided to change their audience and tum to the
rural peasants who make up 90 percent of Bangladesh's
population. They took their plays out of Dakha and put them
on in open-air locations in the rural areas. Thousands of people
turned up for these performances, but in spite of the enthusiastic
reception the new approach seemed equally problematic.
Performing for the people represented the old politics
urban-based left-wing groups preaching revolt to the masses,
a kind of political pamphleteering, of manipulating people with
slogans and lectures. It had little effect. The spectators
remained the passive consumers of someone else's revolution;
they had no involvement in shaping and discussing the issues
or in creating the play. Consequently the performance was an
ephemeral "here-today-gone-tomorrow" experience in their
lives. It represented the same top-down structures, of outside
groups telling the peasants what to do. In short it had no
mobilizing potential in building a self-reliant and critically
conscious popular movement.
Making a Change: Getting the People to
Do the Acting and the Thinking
Around this time Aranyak made contact with Proshika, a
Bangladeshi rural animation organization. Proshika's
animateurs, who are permanently based in the villages, work
with the landless laborers in a process of popular education
and organizing. In each village they form groups of 15-20
landless laborers who meet regularly, build up trust in each
other, eliminate conflicts among themselves, overcome depen
dence on the moneylender (through collective savings), talk
about their problems of exploitation and victimization, and
along with other groups organize struggles to confront injustice
and corruption by the landlords and to demand better working
conditions.
In their residential training programs which support the
animation work in the field, Proshika regularly uses role-playing
and socio-drama. In a training workshop held in 1978 the
participants got so excited by an experience of making a
was becoming, they felt, absorbed by the system and their socio-drama that, upon returning to their village, they
protest muted. performed the play to their fellow laborers and later to landless
37
laborers in other villages. Proshika immediately recognized the
potential of this educational and organizational tool which the
landless themselves had demonstrated and after further
experimentation organized a national workshop to promote the
new activity.
The Proshika workshop brought together twenty rural
organizers (animateurs), twenty landless group leaders, and a
few middle-class cultural workers. It adapted a training
approach developed in Botswana whose basic notion was that
theatre for social animation should be learned not as an abstract
concept but as a practical process grounded in a specific social
context. In the Bangladesh situation this meant sending the
workshop participants in teams to villages where they met with
the group of landless laborers which Proshika had organized.
For three successive evenings the workshop participants
listened to and asked questions about the landless laborers'
problems and histories-both as individuals and as a group.
Then each team, along with a few members from the landless
group, worked for four days back at the workshop center to
develop a play which was then presented back to the landless
group and discussed.
One of the real discoveries of the workshop was the power
of the landless laborers' own stories. There was no need to
fictionalize, to create new stories out of the imagination of the
landless. Most of the plays were drawn from their real
experiences-for example, their experience of going into debt,
losing land or being tricked out of their land; victimization,
exploitation and manipulation as laborers; and the struggles of
their groups to defend themselves against oppression and to
fight for a decent living. Sometimes a collective story was
developed out of the stories of a number of landless laborers;
in other cases one of the more vital stories of a single landless
laborer became the plot-line for the drama.
Another discovery was the amazing acting ability of the
landless. In one village, the local group of landless laborers
spontaneously decided to develop their own play in response
to the visit to their village of the workshop team. The play told
the story of one of their successful struggles:
One of their members had been unfairly accused of stealing
water from an irrigation scheme and forcibly prevented from
harvesting his crop. (He had a very small plot adjacent to
the irrigation scheme but was too poor to join the irrigation
scheme.) When the group helped him to reap the crop (in
order to protect him from the threatened beating) the
landlord who was causing all the trouble (as chairman of
the irrigation scheme) used his influence to get the man
arrested. The group members rallied the other groups in the
area and marched to the police station. The show of force
worked and his release represented a major victory for the
landless.
The group put on this play for the workshop participants,
with almost minimal preparation, on the second evening o(the
village visits. (On the first evening they had simply talked
about their problems and stories, but once they understood the
workshop was about theatre they offered to dramatize the
irrigation scheme story.) The first time it was performed it
dragged a lot with too much dialogue and not enough action.
38
I
1
f
i
I
r
1
i
t
I
f
I
I
!
1
I
I
I
I
ci1i
...,
'"
]
"E
E
~
.:::
" E
E
;:;
Cl:::
j
I
l
Two of the group members were invited to join in the day-time
sessions at the workshop center. They came along the following
day and participated in a session on such basic dramatic
techniques as showing not telling and limiting the dialogue.
At the end of the day they decided to abandon the workshop:
they thanked the workshop organizers but said they preferred
to work with their own group. They said that the other workshop
participants would leave at the end of the workshop and they
would be left with a play but no performers. So they went back
to the village and worked on the play on their own. When they
returned a few days later to put on the play it was totally
transformed-lots of action, lots of miming (showing their
work in the fields and other actions rather than talking about
them) and much less dialogue. 66
The middle-class cultural workers who had been invited
to the workshop felt totally overwhelmed by this and other
performances by the landless. They had come thinking they
had something to teach the landless; by the end of the workshop
66. This group is continuing to do drama on its own, perfonning in its own
village, in other villages and occasionally at large rallies as a way of
encouraging other landless laborers to form their own groups, to build
inter-group solidarity, and to fight for their rights. Within their own village
drama has become publicly recognized as a powerful weapon against injustice.
Having successfully exposed the landlords' corruption, manipulation and
brutality, on a number of occasions, they have reached the stage where they
feel they no longer need to perform the drama. Simply threatening to "put the
landlords on the stage again" is enough to caution the landlords and make
them think twice about continuing their corrupt or manipulative practices.
they felt totally the opposite, that if anything it was they who
had learned. The improvisational and acting skills of the
landless were prodigious: there was no way they could match
this lively, vital improvised theatre with a scripted, highly
rehearsed, urban-produced facsimile.
For Proshika the organizing potential was clear. Their
own work was undergoing a transformation in which theatre
could play an important role. Up until 1979 a lot of their work
had gone into developing individual groups, supporting
economic projects like fish farming and crop production
undertaken by these groups, and helping to break the
dependence on the moneylender through the groups' collective
savings.
By 1980 a new strategy was emerging. Some of the groups
began to recognize the limitations of the project work and to
challenge the oppression and victimization they faced in the
villages-beatings by landlords, exploitative working condi
tions, feudal obligations to landlords, loss of their land through
cheating, and unjust court decisions. In response, a number of
groups organized together to confront oppressive landlords on
specific issues.
This new type of activity required a new organizing
strategy-one group on its own was too weak to confront the
local power structure. Groups had to work in concert if they
were to present a strong enough challenge. A wage strike, for
instance, could only be successful if all of the laborers in the
area supported it.
This meant that more and more landless had to be brought
into the "movement," more groups had to be formed in each
39
village, and links had to be built among groups in the same
area. This shift from "project" to "movement" demanded far
more organizers than Proshika could provide-it meant that
the landless themselves had to become the organizers for
building the movement.
For this new work of mobilizing and solidarity-building
theatre was extremely well-suited. It worked much better than
speeches, was not dependent on literacy skill, could be
performed by the landless, and touched an emotional core-an
important factor in overcoming the landless laborers' initial
fear of doing something, of getting organized, of fighting for
their rights.
Theatre also suited the new perspective. By simply
presenting the every-day stories of the landless, theatre showed
that
little could be achieved by economic projects within the
existing unequal power structure;
real change required addressing and confronting incidents
of harassment, exploitation, and corruption;
oppression at the village level involved a complex system
of collusion among the rural landed class, the bureaucracy,
and the police.
From Performing to Animation
Aranyak was equally impressed by the workshop and
when a second workshop was held in 1981 one of Aranyak's
members helped to organize it. They immediately recognized
this new approach as the breakthrough they were looking for.
The landless laborers clearly had an amazing knack for
drama. All that was needed was some encouragement, to help
them gain some confidence and to show them they could do
it. Moreover, getting the landless laborers to do the dramas
transformed the whole process: the laborers doing the "acting"
were taking the first awareness-raising and confidence-building
step toward real action. The activity of drama-making could
become a group-building experience in which participants
deepened their understanding, bolstered their morale, and
developed the courage and organizational unity to fight for
their rights.
So Aranyak abandoned their role as performers and began
to work as animateurs, working with rather than for the rural
poor. They stopped imposing their own image of the landless
laborers' world and encouraged the laborers to create their own
dramas. They saw their work, in the way Augusto Boal does,
as encouraging the peasants to re-appropriate the theatre which
had been stolen from them. Historically the peasants had made
art: art and labor had been united. But with the change of
society art had been alienated from the peasants and
appropriated by the middle class. Aranyak's role was no longer
to sing the songs for the people and keep them quiet. Their
task was to show the peasants that they could act, that they
could express themselves and enjoy themselves through making
drama, that they could analyze their life-situation through this
medium, and that it could be used as a weapon in their struggle
against oppression and victimization.
The Aranyak Workshops:
Moving Back to the Villages
Aranyak's animation work has taken a different direction
than Proshika's. Since they have no funding they have been
unable to put their workers into the villages on a full-time
basis. Each member can only do theatre in his/her spare
time-they all have full-time jobs in teaching or the
bureaucracy or the private sector. Instead they run short, 10-12
day workshops in various areas of Bangladesh, trying to build
up interest in cultural work among the landless and where
possible promote the formation of landless drama groups. Their
short-term aim is to get these groups going and operating on
their own without an over-dependence on Aranyak. Their
long-term aim is to facilitate the development of a national
movement of landless drama groups.
The Aranyak "workshop" is not a workshop in the
conventional sense of formally organized learning in a
residential setting on a sustained day-long basis. It is more of
an engaged experience working with the landless laborers in
their own communities and fitting into their own patterns of
living and the constraints on them. Instead of bringing the
landless laborers out of their own environment, the Aranyak
animateur moves into the village and works with the landless
in their own social situation-staying with them, joining them
in their periods of leisure, and eating with them.
One implication is that workshop sessions cannot be held
throughout the day, as is possible in a residential workshop.
The animateur can only meet with the landless on an intensive
basis in the evenings because during the day the landless are
at work. Another implication is that the "workshop" sessions
are not in an isolated and protected environment like a
residential training center. They take place within the village
and are exposed to the same intimidation and pressures that
the landless face every day from the landlords.
The workshops are held in villages with no previous
experience of landless organizing. This differs from the
Proshika cultural work in which drama is being introduced as
an "add-on" activity to groups which are already organized.
The basic objective is to use each workshop as an organizing
tool, to build a landless group through bringing people together
for a drama-making experience. Since there has been no
previous animation in the village a good deal of the time is
spent in building trust and developing a relationship with the
landless laborers.
The Aranyak team normally consists of five members
four animateurs and a coordinator. Each animateur is assigned
to a different village, all within the same area, and the
coordinator provides back-up support, and informs team
members about what is happening in the other villages. He
also brings the team together from time to time to share
experiences and to advise one another.
Each workshop goes through the following stages which
will be taken up below.
1. establishing a base in the village
2. winning the landless' confidence
3. listening to the landless' problems
4. analyzing these problems and making a scenario
5. improvising, analyzing, making changes
6. community performance
7. post-performance discussions
8. follow-up and evaluation
Setting Up a Base
The initial obstacle is the landlords. They know it
immediately when an outsider enters the Village. They come
to find out what is going on and to offer hospitality. When
40
I
,
I
i
they discover the animateur's intentions, they at first cannot
understand, and ask: "Why are you going to work with those
poor people? What do they know? We know many stories, we
can provide you with actors. Why don't you stay with us?"
I
But the animateur resists all offers of hospitality from the
landlords. Being associated with them would increase the
doubts of the landless and jeopardize the work. The let-out is
the local school: it provides a non-controversial base for the
work, a place that the landless feel comfortable about visiting
and better than the home of a landless family which would be
too exposed, inviting immediate suspicion and possible
intimidation.
The animateur sleeps on the floor at the school and
prepares food there. Once the landless get to know the
animateur, they come to visit there. Often some of the initial
research (listening to the landless talk about their lives) is
conducted there. The local schoolteachers, although better off
than many of the villagers, are often very supportive. Other
allies from the middle class are often the traditional doctors
who are popular among the poor villagers. Having their support
helps to break down some of the suspicion.
Winning Their Trust
With the school as a base the animateur starts to get to
know the landless laborers. He works through a local contact
person-a landless laborer who has been identified by others
as a potential leader. Sometimes the person suggested is
unsuitable but usually the references are correct. The
designated person tends to be vocal, militant, and less fearful
of the local landed class. The animateur starts by winning this
person's confidence and over time persuades him or her to call
a number of landless people together to a common place. If
the process of going through a potential local leader fails, the
animateur has to develop other contacts and encourage people
to come together.
Courtesy of Ross Kidd
Carl Gaspar
At the same time the animateur starts to get to know other
landless laborers, visiting them in their fields during the day
and meeting them at their homes at night. These encounters
are informal-sometimes one-to-one, sometimes with a small
informal group. A brief encounter in the fields during the day
might turn into an invitation to come for a visit at night.
The object at this stage is to gain the trust of the landless.
They are initially suspicious. They have seen other outsiders
come to their village to talk with the "big men." "Why are you
coming to talk to us?" they say. "Are you here to help us or
to spy on us?"
The animateur explains that, far from being a policeman
or a spy or a researcher, "I've come to make drama, so I'm
here to collect stories from you. We want to make dramas with
you based on your own stories." When this fails to strike a
chord, the animateur gets them talking about various cultural
forms-radio, television, cinema. "00 these media serve your
purpose?" They respond, "No." "Well, why not?" They
explain, after a bit, that none of these media talk about their
lives-they only deal with the lives of the rich people.
Eventually they begin to see that drama can be an alternative,
a means of reflecting their own lives. The animateur suggests
to them that they can make the drama themselves. Their
reaction is uncertain; "Can we do it? Is it possible?" The
animateur coaxes them to try it out, to put on a short skit about
a real incident in their lives. After a bit of hesitation and some
prompting they put on a highly entertaining skit. This breaks
the ice, gives them some confidence, and catches their interest.
The animateur then gets them to talk about the major events
in their lives. By remaining quiet and merely listening, showing
genuine interest in what they are saying, the animateur
encourages them to tell their life-stories in great detail. Through
this process interest grows and the landless begin to say, "This
person has come to listen to us, not to talk. He wants to hear
our stories, rather than giving us speeches or sermons. We can
work with him." Once this basic trust is established, the
animateur encourages them to come together and hold regular
meetings.
41
At this initial stage when talking to the landless about
their problems, often the landless are reluctant to admit they
have problems. When specific questions are asked-such as
"Do you have sufficient food?" "Can you afford to send your
child to school?" or "Do you get adequate medical care?" -the
landless give a clear response-"No." The animateur follows
this up by questioning them about the food, education, and
medical treatment that the rich people get, and, when they
comment on the difference, asking them why. Often the
explanation is simply "It's Allah's will." When they respond
in this way, the animateur then asks, "Why does Allah patronize
these people who've been stealing your land and remain silent
when you're dying of starvation?" Often this challenge
confuses them, but starts them thinking. This process continues
in the second phase when the landless come together as a group.
Listening to People's Stories
The local contact person calls people together, organizes
the meetings and gets people to come. The group normally
consists of 30-50 people, the majority landless but a few are
marginal farmers, schoolteachers, traditional doctors, hawkers,
and the like. The meetings are held in the evenings-the only
time the landless are not working, for landless laborers work
seven days a week. Meetings go on until midnight, with people
arriving at different times throughout the evening, depending
on their work and other commitments. During this phase, the
animateur continues to make rounds of visits during the day,
building trust, learning more background information, and
continuing to research the problems together with the landless.
The initial meetings are taken up with story-telling. Each
person stands up and tells his or her story. Many of these
stOlies the animateur has heard already-through various
informal encounters in the first phase-but this collective
story-telling is important. It is only through telling each other
their stories that people begin to recognize the commonality of
their experience-that they have all lost their land in a similar
way and that they are facing the same forms of victimization,
manipulation and exploitation by the landed classes.
Almost all of the stories are about money-lending-how
a moneylender gives money, takes back an exorbitant interest,
and eventually grabs the debtor's land. This is the common
experience of every landless person.
These stories are recorded-on paper and/or a tape
recorder-so they can be referred back to from time to time.
Often the recording is done during the informal encounters in
the initial phase when, it is felt, a more accurate account is
given. Once people come together as a group, formalities come
in and some people are too shy to expose their whole life story
in front of their fellow villagers.
Making the Scenario
But this is not always the case. In some groups every
person wants to tell a story and in great detail. Then the problem
comes of which story to select as the basis for the play. Usually
the animateur encourages the group members to make one story
out of the common elements of different stories-losing land
to a moneylender, the economic demands of marriage with its
dowry, being cheated on paper contracts because of illiteracy.
The more lively and unique experiences also get woven into
the play. The group itself works out the story-line, arguing
about the focus, basis of conflict, and the climax.
The animateur attempts to be as non-directive as possible,
leaving the scenario-making to the group members. Sometimes
they get so emotionally involved that the drama becomes a
six-hour production. Then the animateur intervenes and asks
how they might make the story more concise: "Suppose you
only have one hour to tell this story to a man who will leave
this place in one hour's time. How would you narrate your
life's experience of fifty years in one hour? What would be thf
main elements?" After that the animateur gets them to list the
major events in the main character's life much as follows: "My
father died, his land was fragmented, I received half of a biga
of land, my mother came to live with me, I got married and
we had six kids, our debts grew, I borrowed from the
moneylender, my land was taken away from me, I started to
work as a landless laborer, my child fell sick and died ...."
The group then makes these major incidents the story-line of
the drama, and all the minor happenings get chopped out.
42
1
I
Theatre by the people
Deepening the Analysis
In the course of developing the play, the animateur
encourages the landless to develop their own thinking, to
analyze why they are poor and downtrodden, to make the
connections among moneylenders, the local courts, the village
council, and the bureaucracy.
The analysis is important. As Bappa and Etherton
67
have
shown:
Those who are oppressed already know of their oppression:
and a play which delineates this oppression superficially
tells them nothing which they do not know already. They
know too that there never is a simple solution to their
problems: and a play which claims to have the answers is
not really to be trusted.
The animateur stimulates the landless to analyze their
experiences through questions, through insistently challenging
assumptions and conventional explanations of reality to get at
the underlying structures and contradictions, to highlight the
discrepancy between their expressed views about reality and
-.
their daily experience of it. If one of the stories is on the issue
of dowry, the animateur might ask them who benefits from
this practice. When they analyze it, they discover that marriage
has become a business and women a mere commodity. The
whole enterprise primarily benefits the moneylenders who loan
people money to pay the dowry.
The animateur does not preach or impose pre-digested
analyses or use big words like imperialism, neo-colonialism,
capitalism, and class struggle, but lets them discover the
meaning of these words and concepts in trying to understand
their own reality. One group wanted to make a play about the
deep tube-wells that were being introduced into their village.
Instead of branding this "an imperialist scheme devised by the
multinationals to control Third World production," the
animateur simply asked a few questions: "Who controls this
new technology? Why do they control it? Why is it being
67. S. Bappa and M. Ehterton, "Third World Popular Theatre: Voice of the
Oppressed,' Commonwealth 25(4): 126-30.
introduced? Who benefits?" This was enough to stimulate the
group's own thinking. They discovered that control over this
new factor of production had been monopolized by the richer
farmers in the area and that the introduction of this new
technology had in fact precipitated a new power structure within
the village. What could have been a new means of livelihood
controlled by the landless had become, once again, the
monopoly of the local elite. They also began to recognize who
ultimately benefitted from the tube-wells, the multinational
who produces them. The landless laborers began to understand.
"imperialism" not as a Marxist slogan manufactured in ~ a k h a ,
but as a specific relationship connecting production in their
village to a specific multinational corporation.
Another play showed, through a simple but real story,
how Japanese imperialism was impoverishing and killing
people in Bangladesh. The story was about "2-in-l ," a Japanese
radio/tape recorder which has been imported into Bangladesh
in huge quantities and which has become a status symbol in
the rural areas. (Bangladesh has a free-port, import-oriented
economy which is linked with businesses in Hong Kong and
Singapore.)
In the story a man threatened to divorce his wife unless
his father-in-law gave him a 2-in-1. To buy the 2-in-1 the
father-in-law sold his remaining piece of land, thus becoming
landless. In spite of the gift the man divorced his wife, ...
and soon after the woman committed suicide.
Improvising and Rehearsing the Drama
Once a story-line is agreed on, the group starts to
improvise the drama. There is need for very little direction and
the animateur limits advice to a few points on theatrical
technique-how to stand on the stage, how to project one's
voice, "showing" actions rather than talking about them.
Once the landless see they can do it, they get on with the
work and the animateur sits back and becomes an appreciative
audience. The landless have a wealth of stories and experiences
to draw on and they work these into their roles and dialogues
with great skill. What is lacking in "artistic polish" is far
outweighed by the exuberance and wit of their acting, their
obvious joy in performing, the genuineness of their expression,
and their commitment to the ideas and experiences they are
communicating. They love playing the oppressor and have a
greatinsight into his character and motivation. Once they get
over the initial fear of being victimized, they portray him with
great satire, bringing out all his mannerisms and idiosyncracies.
The problem, if anything, is not how to get them going
but how to contain their enthusiasm once they get started. The
animateur's job is to help them to be more selective, to decide
on the essential points for each scene and to cut out some of
the extraneous detail.
By this stage the group has become very interested and
involved and the initial reserve has gone. The group members
take on the responsibility of finding a place to hold rehearsals
and to light them. Everyone begins coming at the right time
for rehearsals and the morale is high.
Organizing the Performance and Follow-Up
Once the play is ready, the group publicizes it through
word-of-mouth and performs it in front of the whole village in
a public place. A day or two later all the groups (from the four
villages) come together to a common place to present their
plays to each other. By this stage so much interest has been
43
generated that people from each village come with their troupe
to the final performance.
After the final performance each animateur spends two or
three days doing "follow-up," discussing the issues of the play
with the landless, evaluating the whole experience with them,
and recording their views. After encouraging them to continue
with the drama work on their own and to form their own
organization, the animateur stresses the importance of building
unity, of overcoming the petty conflicts and quarrels among
themselves, and forming an organization to defend their
interests.
Finally, the animateur exchanges addresses with them and
leaves. Often the animateurs receive letters from the village,
giving their feedback on the workshop and describing what has
subsequently happened in the village. The animateur maintains
contact with the village group, through correspondence afid
occasional visits, but tries on the whole to stimulate their
independence and self-reliance. For this purpose groups in the
same area are encouraged to maintain contact and support each
other.
The Landlords Retaliate
Changes in the village or even talked-about changes do
not take place without disturbing the status quo. Once the
landless start meeting together as a group there is immediate
suspicion. Once it becomes clear that this is not some whimsical
diversion but a serious examination of what is happening in
the village the landlords intervene.
Even at the initial stage some of the landlords spread
rumors and try to sway the landless against the animateur.
When the process reaches the rehearsal state this opposition
becomes even stronger. In a number of cases the landlords
have sent thugs to break up the rehearsals and threaten the
group members.
In one case the group had developed a story on a local
moneylender who was so influential that he could manipulate
local politicians on the village council and local officials of the
bureaucracy. When he heard about the play, he sent his pawns
to stop it. The village council chairman came to the rehearsal
and accused the group of manufacturing lies. The group
defended the authenticity of the story and refused to be
brow-beaten. Later the chairman sent some goondas (thugs) to
break up the rehearsal. The goondas threatened to beat the
performers and most of the performers went home without
finishing the rehearsal.
The animateur and a few of the performers stayed behind to
confront the goondas. In the end the animateur had to use his
class position to fight back:
Look, we come from Dakha [The goondas: 'We don't care.
We'll not even spare you!'] We know many things and if
you touch us you'll be in trouble. You may be running this
local show but we know bigger people-for example the
inspector-general. Ifyou bring in your local big-shots, we'll
call in our big-shots.
This counter-threat seemed to work and the confrontation ended
without violence.
The next day the group had to find another rehearsal space.
They appealed to other people in the area who were opposed
to the moneylender and council chairman. A meeting place
was provided and the rehearsals continued. The council
chairman and moneylender were angry but could do nothing.
The rehearsals continued-with a new scene being added to
show the collusion between the moneylender and the local
officials-and the group gave its performance without being
stopped.
In another case the local power elite tried to sabotage the
final performance of a play. The play in this case was about
the local bank manager who had been taking 40 percent of the
loans given for agriculture as a bribe. When the bank manager
heard about the play, he paid some goondas to stop it. They
went to the performers' houses and threatened the actors,
saying: "If you put on this play we'll not spare you. Why are
you wasting your time with these people from Dakha? They'll
leave tomorrow and where will you be? This play won't give
you food to live, ... so why all this nuisance?"
In spite of these threats the landless were determined to
go ahead with it. They said, "This is our chance to speak our
own truth." So they continued the rehearsals and told everyone
in the area to come to the final performance which was to be
held at the school. The bank manager then pressured the
headmaster to stop the group from using the school field for
the performance, but by this time it was too late. All of the
villagers from the surrounding area had gathered. When they
heard that the performance was being prevented, a huge
discussion developed and the actors explained everything. The
discussion itself raised the major points of the play-the
bribery, corruption, use of goondas to threaten people,
collusion among local officials, the various attempts to stop
the play. In a way there was no need for a play, for the
discussion had served the purpose, making people aware of
the bank manager's corruption and manipulations and the need
to do something about it.
The crowd was so incensed that they insisted that the play
be given and demanded that the headteacher provide the
school's electricity to light the performance. People kept
coming and eventually over 3,000 people had gathered. The
headmaster grew afraid and at 8 p.m. he finally gave in. The
light connection was provided, a stage was quickly erected,
and the performance was given without further opposition.
During the arguments between the group and the bank
manager in the school headmaster's office, the animateur
surreptitiously taped the conversation. When the bank manager
discovered that all of his threats had been recorded on tape,
he became afraid and tried to bribe the animateur, first offering
1,000 rupees, then 2,000, then 5,000, and finally 10,000. This
further case of attempted bribery convinced the group to go
ahead with the performance.
Immediate Impact of the Workshop
What has been the effect of the workshops? The most
significant impact has been the change in people's conscious
ness. Before the workshops many of the landless were resigned
to their situation, explaining their impoverishment as the result
of bad luck or the will of Allah. They saw no contradiction in
their society. They were on the whole passive and skeptical
about making any change in their lives.
Once they produced a play and found their lives portrayed
in these plays, they became much more conscious of the
exploitation and victimization which was keeping them down.
More than that, they began to recognize that they could do
something about the exploitation and manipulation if they could
get organized. Part of this growing awareness was a heightened
self-confidence, an awareness that they could do something
44
they could make a play and they could also organize to make
demands and fight against oppression.
In a few cases the workshop resulted in some immediate
action. For instance, one workshop was held in a fishing
community whose livelihood had been destroyed by the
damming of a river further upstream. The fishermen decided
to make their play about the land created by the silting of the
river. This land had been grabbed by the larger landowners in
the area, even though there is a policy in Bangladesh that this
kind of land should be given to fishermen. The play inspired
the fishermen to get organized and to occupy the land. There
was lots of resistance from the landlords but in the end the
fishermen prevailed and some of the large landowners had to
leave the area.
The Landlords Try to Co-Opt the Process
Instant action, however, is rare. The workshop is only
two weeks long and this is only enough time to get
organization-building started. While the experience does open
their eyes to the possibility of change and the importance of
organizing, it is too short to solidify a group. Once the
animateur leaves there is a power vacuum which the landlords
attempt to occupy. The landless remain heavily dependent on
them-for jobs and loans-and this dependence can be
manipulated.
In a few cases, the same landlords who have fought against
the workshops become the groups' new patrons once the
animateurs go. They offer to pay the groups and because many
of the landless are unemployed or have little income, it is
difficult to refuse these offers. In this way the landlords gain
control over the landless' weapon and tum it around to serve
their interests. The groups stop performing plays on their own
stories and put on plays commissioned by and paid for by the
landlords, plays on themes of romance or on projects which
fail "because the workers are lazy" or having other victim-blam
ing themes.
I
In other cases landless drama groups have been hired by
government agencies for short-term contract work as propa
ganda agents for government. These plays exhort peasants to
"plan their families" and "build latrines" (as if these
victim-blaming measures will on their own without structural
changes transform the livelihood of landless laborers) and to
"participate in self-help projects on canal building" (the
I
landless laborers do the work and the landlords, who can make
use of the irrigation canals, get the benefits).
What Comes Next?
Over the past year Aranyak has run twenty-five workshops
along these lines in over 100 villages. This experience has
demonstrated both the potential and the limitations of the new
approach. The shift from performing to animation has not only
magnified the impact of their work, reaching out to much larger
numbers, but it has also transformed the quality of the
interaction.
Up until a year ago Aranyak put on political plays for the
people-imposing their own understanding or perspective of
the world, relating to people in a didactic or "banking" way,
and limiting their encounter to one-off performances. Now they
are working with the people, building up the people's capacity
to put on plays and do their own analysis of their situation,
and starting a more sustained process of conscientization and
organizing.
The limitations are those of a process which is still being
developed. A single workshop is too short to build a self-reliant
landless organization. It needs follow-up. Aranyak is now
working on a follow-up program for these fledgling groups:
encouraging groups in the same area to come together on a
regular basis to exchange experiences, skills, and ideas
among themselves;
organizing regional and national festivals and workshops in
which landless groups can come together and plan the
development of a people's theatre movement;
building contacts with other teams of animateurs working
in the villages like Proshika.
One of Aranyak's main concerns is to mobilize the
landless without building a dependence on Aranyak. As a
middle-class, urban-based group they recognize the limitations
of their organization and the vacillating potential of their team
members who may lose interest and drop out. They are also
aware of the possibility of their taking a leadership position
within the landless movement and later, because of their class
position, working against the interests of the movement. By
promoting horizontal contacts and mutual support among the
landless groups and by encouraging the development of
landless animateurs drawn from the groups they hope to avoid
this dependence. As MECATE (the Nicaraguan peasant theatre
movement) is doing, they hope eventually to have the bulk of
animation work carried out by landless laborers.
In a sense their work is just starting. They now realize
that to make any significant impact they need to sustain an
animation program for ten years or more. At the same time
they recognize the real dangers and obstacles that lie ahead,
including the victimization and repression of cultural groups.
Finally, the links between the village-based work and the bigger
social and political events of the country remain to be worked
out. *
Sources on People's Theatre in Bangladesh
Ahmed, F. and Ahmed, R., "Proshika: Its Aims, Methods, History, and
Experience of People's Theatre," unpublished notes from an interview by
R. Kidd. Koitta, Bangladesh, March 1980.
Aranyak, Liberated Theatre: A Form of Indigenous Theatre. A booklet
prepared for the Indigenous People's Theatre Festival held in Peterborough,
Ontario, August 1982. Dhaka: Aranyak, 1982.
Bappa, S. and Etherton, M., "Third World Popular Theatre: Voice of the
Oppressed," Commonwealth 25(4): 1983, 126-130,
Biswas, Kalpana, "Political Theatre in Bengal: the Indian People's Theatre
Association," Third World PopUlar Theatre. Toronto: International Popular
Theatre Alliance, 1982.
Farber, Carole, "Rivers and Rulers: An Interpretation of the Meaning of Form
of Peripatetic Performance in Bengal," Peasant Studies (University of
Pennsylvania), 1980.
Kidd, Ross, "Bangladesh Workshop on Popular Theatre and Development,"
report on the workshop organized by Proshika, Koitta, Bangladesh, March
1980. Unpublished manuscript. Toronto: International Council for Adult
Education, 1980.
Pradhan, Sudhi (ed.), Marxist Cultural Movement in India: Chronicles and
Documents (1936-1947) (Calcutta: National Book Agency, 1979).
Proshika, "People's Theatre and Organizing Landless Labourers in
Bangladesh," paper presented to the International Seminar on Indigenous
Structures and Folk Media in Non-Formal Education, Bonn, November
1980.
Rashid, Mamunur, "Liberated Theatre: An Indigenous Theatre Form for the
Third World," paper presented to the Indigenous People's Theatre Festival
at Peterborough, Ontario. August 1982.
Roy, Rati Ranjan, "Folk Poetry in Bangladesh: Updating Traditional Forms
to Carry Timely Messages," Develoment Communication Report 34: 1981.
84.
45
Land Reforms in Pakistan: A Reconsideration
by Akmal Hussain
Introduction
Before the introduction of the high yielding varieties of
food grain in the late 1960s the argument for land reform was
a simple one. It was observed that small farms had a higher
yield per acre than large farms, I so it was argued that a
re-distribution of owned land in favor of the smaller farmers
would improve average yields in agriculture. Hence land
reforms were considered advisable both on grounds that they
would reduce the degree of inequality of rural incomes, as well
as on grounds of efficiency. The efficiency argument for land
reforms in Pakistan gathered momentum in the 1950s when
agricultural stagnation began to fetter the growth of industry. 2
Agriculture provided not only food grains for the rising urban
population but also provided most of the foreign exchange with
which industrial machinery and raw materials were imported.
3
Accordingly, slow agricultural growth generated both a crisis
in the balance of payments as well as food shortages in the
urban sector.
4
In such a situation even the technocrats who
were merely interested in the growth of GNP joined the cry of
the social reformers for a land reform. It began to be seen as
a necessary instrument for accelerating agricultural growth and
thereby releasing the constraint on industrial growth.
I. There was a lively debate on the factors underlying the inverse relationship
between farm size and productivity. One of the more elegant explanations for
this phenomenon was offered by A.K. Sen who suggested that with traditional
technology small family farms could produce a higher yield per acre than large
farms through a higher labor input per acre. This could happen because small
farms using family labor applied labor input beyond the point where the
marginal product equalled the wage rate, while large farms using hired labor
could not afford to do so.
2. Annual growth rate of large-scale manufacturing during 1950-55 was 23.6
percent, while that of agriculture during the same period was only 1 .3 percent.
During the period 1955-60, annual growth rate in large-scale manufacturing
declined to 9.3 percent, while that of agriculture was only 1.4 percent. See
S. R. Lewis, Jr., Economic Policy and Industrial Growth in Pakistan, London:
George Allen and Unwin Ltd., 1959, p. 3, table I.
3. Cotton and jute constituted 85 percent of total commodity exports up to
the mid-1950s. See S.R. Lewis, op. cit., p. 7, table 5.
4. Import of foodgrains and flour as a percentage of total commodity imports
increased from 0.5 percent in 1951-52 to 14.6 percent in 1959-60. See: A
Hussain, "The Impact of Agricultural Growth on Changes in the Agrarian
Structure of Pakistan. "D. Phil. Thesis, Sussex University, 1980, table 3, p. 16.
46
When the Green Revolution technology became available
in the late 1960s, the ruling classes could breathe a sigh of
relief. The new technology made it possible to accelerate
agricultural growth substantially through an "elite-farmer
strategy" which concentrated the new inputs on large farms.
Now the crucial determinant in yield differences became not
the labor input per acre in which small farms had been at an
advantage, but the application of the seed-water-fertilizer
package over which the large farmers with their greater
financial power had superior access. Thus the technocrats felt
that the Green Revolution had made it possible to accelerate
agricultural growth without having to bring about any real
change in the rural power structure.
Today after more than a decade and a half of the
"elite-farmer strategy," the imperative of land reform is
re-emerging, albeit in a more complex form than in the
pre-Green Revolution period. As the large farms approach the
ceiling on yield per acre with the available technology, further
growth in agricultural output will increasingly depend on
raising the yield per acre of smaller farms.
The small farm sector whose yield potential remains to
be fully utilized, constitutes a substantial part of the agrarian
economy. According to the Pakistan Census of Agriculture
1972, farms below 25 acres constitute 88 percent of the total
number of farms, and 57 percent of total farm area. From the
viewpoint of raising the yield per acre of small farms, the
critical consideration is that 54 percent of the farm area in the
small farm sector (below 25 acres) is tenant qperated. Since
tenants lose half of any increase in output to the landlord, they
lack the incentive to invest in raising yields. Tenants also lack
the ability to raise yields in a situation where, because of their
financial and social position, they are unable to ensure optimum
quantity and timing in inputs. The ability of the tenant to invest
in increasing yields is further eroded by a whole nexus of social
and economic dependence on the landlord which deprives the
tenant of much of his investible surplus.
The objective of raising yields in the small farm sector is
clearly inseparable from removing the institutional constraints
to growth arising out of the fact of tenancy. A land reform
program that gives land to the tiller is therefore an essential
first step in providing both the incentive and the ability to the
small farmer to raise yields. The imperative for land reform
today arises not only from the need to accelerate agricultural
growth, but also from the need to prevent the developing social
crisis associated with the impact of the Green Revolution on
Pakistan's rural society. I shall argue in this paper that in a
situation where the distribution of landownership was highly
unequal the adoption of the Green Revolution technology set
in motion powerful economic forces which rapidly enriched
the large farmers and brought a sharp increase in rural poverty,
unemployment and the pressure on big urban centers. I shall
discuss the following four contradictions generated by the
growth process in Pakistan's agriculture during the Green
Revolution period:
1) The rapid mechanization of large farms in an economy
characterized by a "labor surplus."
2) The polarization in the size distribution of farms accomp
anied by a growing landlessness of the poor peasantry. The
polarization consisted of an increase in the percentage shares
of large and small farms at the expense of medium-sized
farms (8 to 25 acres).
3) The growth of capitalist farming together with a growing
social and economic dependence of the poor peasantry on
large landowners.
4) An absolute deterioration in the economic condition of the
poor peasants alongside the growing affluence of the large
farmers.
The Attempts at Land Reform and their Failure
Before embarking on an analysis of the four contradictions
specified above and their link with an unequal distribution of
landownership, the land reforms of 1959 and 1972 will be
briefly examined.
The Land Reforms of 1959
The 1959 land reforms fixed the ceiling on the private
ownership of land at 500 acres irrigated and 1,000 acres
unirrigated. The fundamental feature which rendered this
reform incapable of reducing the power of the big landlords
was that the ceiling on ownership was fixed in terms of
individual rather than family holdings. This enabled most of
the big landlords to circumvent the ceiling by transferring their
excess land to various real and fictitious family members.
, .
Moreover, a number of additional provisions in the 1959 land
reform allowed landlords to retain land far in excess of the
ceiling even on an individual basis. For example, an individual
could keep land in excess of the ceiling so long as his holding
was an equivalent of 36,000 Produce Index Units (PIUs). A
PIU was estimated as a measure of the gross value of output
per acre of land by type of soil and was therefore seen as a
measure of land productivity. The flaw in this provision was
that the PIUs were based on pre-partition revenue settlements.
Since the gross value of output was dependent on the quality
of land and prices, values of PIUs fixed before 1947 would
grossly underestimate land productivity in 1959. M.H. Khan
estimates that even if the PIU values published in 1959 were
taken as a correct representative of land productivity, the
allowance of 36,000 PIUs for an individual holding would
leave a substantially larger area than that specified in the
ceiling. S Another provision which enabled landlords to retain
land above the ceiling was the additional area allowed for
When the Green Revolution technology became
available in the late 1960s, the ruling classes
could breathe a sigh of relief. The new technology
made it possible to accelerate agricultural growth
substantially through an "elite-farmer strategy"
which concentrated the new inputs on large
farms. Now the crucial determinant in yield
differences became not the labor input per acre
in which small farms had been at an advantage,
but the application of the seed-water-fertilizer
package over which the large farmers with their
greater financial power had superior access.
orchards.
Given the fact that in the 1959 land reforms the ceiling
was fixed in terms of individual rather than family holdings,
and given the existence of additional lacunae in the provision,
most big landlords were able to circumvent the ceiling and
retain their land without declaring any land in excess of the
ceiling. Those who actually declared excess land were
super-large landlords who even after making use of exemptions
still could not conceal their entire holding. Thus the average
owned area per declarant landlord in Pakistan was as much as
7,028 acres and was 11,810 acres in the Punjab province. It
is interesting that even out of the land declared in excess of
the ceiling only 35 percent (1.9 million acres) could be resumed
by the government. After the government had resumed
whatever excess land it could, the average owned holding
retained by the declarant landlords was as much as 4,033 acres
in Pakistan and 7,489 acres in Punjab province.
6
Thus the land
reforms of 1959 failed to have a significant effect on the
economic power of the landed elite in Pakistan. The final
gesture of benevolence by the government towards the
landlords was to be seen in the fact that of the land actually
resumed under the 1959 land reforms, as much as 57 percent
was uncultivated. Most of this area needed considerable land
improvement before it could be cultivated. Yet the government
paid Rs. 89.2 million to the former owners as "compensation"
for surrendering land which was producing nothing.
7
The Land Reforms of 1972
The 1972 land reforms shared with the 1959 land reforms
the essential feature of specifying the ceiling in terms of
individual rather than family holdings. However the ceiling in
the 1972 land reforms was lower, being 150 acres for irrigated
and 300 acres for unirrigated. The 1972 land reforms allowed
an area equivalent to 12,000 PIUs (with a bonus of 2000 PIUs
to owners of tractors or tubewells) which enabled a de facto
ceiling on an individual ownership far above the ceiling. The
5. M.H. Khan, Underdevelopment and Agrarian Structure in Pakistan.
Vanguard Publications Ltd., 1981, chap. 5.
6. Land Reforms in West Pakistan. Vol. III, appendix 18, Government of
Pakistan, 1967.
7. See M.H. Khan, op. cit., chap. 5.
47
The land reforms of 1959 and 1972 failed to alter
significantly the highly unequal distribution of
landownership in Pakistan. As much as 30
percent of total farm area in Pakistan is owned
by large landowners (owning 150 acres and
above), yet these landowners constitute only 0.5
percent of the total number of landowners in the
country.
reason for this discrepancy between the de jure and de facto
ceiling was that the basis of estimating the PIUs was still the
. revenue settlements of the 1940s. The considerable improve
ment in yields, cropping patterns, and cropping intensities since
the 1940s meant that the use of obsolete PIUs in 1972
considerably understated land productivity. M.H. Khan has
estimated that due to the understatement of land productivity
through the PIUs provision, the actual ceiling in the 1972 land
reforms was 466 acres in the Punjab and 560 acres in Sind for
a tractor/tubewell owner. If an owner also took advantage of
the provision for intra-family transfers the ceiling came to 932
acres irrigated in the Punjab and 1,120 acres in Sind.
8
Of the land that was declared above the ceiling by landlords
after making use of the provisions for circumventing the
ceiling, only 42 percent was resumed in the Punjab and 59
percent in Sind. The area actually resumed by the government
under the 1972 land reforms was only about 0.6 million acres,
which was even less than the area resumed under the 1959
land reforms (which was 1.9 million acres). The resumed area
in 1972 constituted only 0.01 percent of total farm area in the
country. Moreover in the case of the Punjab 59 percent of the
area resumed by the government, was uncultivated. Con
sequently the land reforms of 1972, like the land reforms of
1959 failed to affect the power of the big landlords.
Agrarian Structure and the
Impact of the New Technology
The land reforms of 1959 and 1972 failed to alter
significantly the highly unequal distribution of landownership
in Pakistan. As much as 30 percent of total farm area in Pakistan
is owned by large landowners (owning 150 acres and above),
yet these landowners constitute only 0.5 percent of the total
number of landowners in the country. 9 The overall picture of
Pakistan's agrarian structure has been that these large
landowners have rented out most of their land to tenants with
small- and medium-sized holdings. 10 In such a situation when
8. Ibid.
9. These figure are estimated on the basis of combining Land Reforms
Commission data and the Agriculture Census data. The 1972 Agriculture
Census data alone gives an incorrect figure for land owned by the large
landowners because its sampling procedure is such that absentee land is
systematically excluded. For details of my estimating procedure see: A.
Hussain, op. cit., appendix 2, pp. 219-21.
10. As late as 1972, 46 percent of the total farm area in Pakistan was
tenant-operated, and of this tenant area, 50 percent had been rented out by
large landowners (owning ISO acres and above). My estimates show that as
the HYV technology became available in the late 1960s the
large landowners found it profitable to resume some of their
rented-out land for self-cultivation on large farms, using hired
labor and capital investment. II It is this process of the
development of capitalist farming which has generated new
and potentially explosive contradictions in Pakistan's rural
society.
Farm Mechanization and the
Problem of Employment
During the period when the HYV technology was being
adopted in Pakistan there was also a rapid introduction of
tractors. The number of tractors increased from only 2,000 in
1959 to 18,909 in 1968. The rapid increase in tractors continued
and by 1975 there were 35,714 tractors in Pakistan. Between
1976 and 1981 an additional 75,859 tractors were imported
into the country. 12
It is significant that most of the tractors were large.
According to the report of the Farm Mechanization Committee,
84 percent of the tractors were above 35 horsepower, while
only I percent were in the small-size range of less than 26
horsepower.13 Two questions arise: why were predominantly
large-sized tractors introduced in a rural sector where 88 percent
of the farms are below 25 acres in sizeI' and why did
tractorization occur at all in what is commonly regarded as a
"labor surplus" economy? Both these questions can be
understood in terms of the fundamental features of Pakistan's
agrarian economy arising out of the highly unequal distribution
of landownership.
First, the distribution of farm area in Pakistan by size of
owned holding is much more unequal than the distribution of
farm area by size of operated holding. My estimates based on
the 1972 Census of Agriculture show that as much as 30 percent
of total farm area in Pakistan was owned by landowners in the
size class of 150 acres and above; by contrast the percentage
of farm area operated by farmers in this size class was only
9.2 percent. The difference in the degree of concentration of
farm area between owned and operated holdings suggests that
many of the larger landowners must be renting out some or all
of their owned area to smaller farmers. This proposition is
supported by the data which shows that the large landowners
(150 acres and above) were even in 1972 the biggest renters
out of land, compared to any other size class in Pakistan and
Punjab respectively. IS
Second, the larger landowners attracted by the high
profitability of owner cultivation following the availability of
HYV technology, tended to resume their formerly rented-out
much as 75 percent of area owned by large landowners in 1972 was rented
out to smaller tenants. See: A Hussain, op. cit., chap. 3.
11. For detailed evidence and analysis of this tendency of land resumption
by big landlords, See: A. Hussain, "Technical Change and Social Polarization
in Rural Punjab in Karamat Ali" (edited), The Political Economy of Rural
Development, Vanguard Publications, 1982,
12. Finance Division, Economic Adviser's Wing, Pakistan Economic Survey
/980-8/. Government of Pakistan, Islamabad.
13. Ministry of Agriculture and Works, Report of the Farm Mechanization
Committee. Government of Pakistan, March 1970.
14. Ministry of Food and Agriculture, Agriculture Census Organization,
Pakistan Census ofAgriculture: All Pakistan Report. Government of Pakistan,
table I.
15. See: A. Hussain, op. cit., table 5(a), p. 194 and 6(a), p. 198.
48
Table 1
Increase in Farm Area since 1960 by Source of Increase and
Size Class in 1978 (in Acres)
Increase in Farm Area by Source between 1960 and 1978
Increase in Total Farm Resumption Increase in Net Purchase Net Other
Size Class Size of Farm Farm Area Area in of Rented- Rented-in (Purchase- Sources*
1960 to 1978 1978 outLand Land Sale)
Small Less than 8 -20 52 4 -5 0 -19
Lower Medium 8t025 -81 209 0 -50 2 -33
Medium 25 to 50 +48 407 45 +8 4 -9
Upper Medium 50 to 150 +448 711 340 +24 40 +42
Large 150 and over +3338 6464 2172 +38 1493 -365
* Other sources of increase or decrease in farm area are: (I) land brought by wife as dowry; (2) land appropriated by government, following land reforms;
(3) farm area reduced through fragmentation following decision by family members to cultivate individually in independently operated plots.
Source: Field Survey, 1978.
land for self-cultivation on large farms with tractors. Evidence
Polarization in Rural Class Structure
for the resumption of land during 1960 and 1978 for owner
and the Increase in Landlessness
cultivation on large tractor farms is provided by field survey
data, which shows that farms in the size classes 50 to 150 acres An examination of Census data for the period 1960 to
and 150 acres and above have experittnced a substantial increase 1972 shows that in the Punjab province (where the New
in their area over the period. . Technology had its greatest impact) a polarization occurred in
In the case of farms in the size class 150 acres and above, the size distribution of farms. The percentage shares of both
the increase in farm area over the period 1960 to 1978 large- and small-sized farms increased while that of medium
constituted half their total farm area in 1978. In terms of the sized farms (7.5 to less than 25 acres) decreased (see Table
source of increases, 65 percent of the increase in farm area of 2). This polarization was essentially the result of large
large farms came through resumption of formerly rented-out landowners resuming for self-cultivation some of the land
land. Thus resumption of formerly rented-out land was by far which they had formerly rented out to tenants.17
the biggest source of increase in farm area of large farms (see The process underlying the polarization in rural class
Table 1). structure was as follows:
There is evidence that the resumption of rented-out land (1) Large landowners resumed for self-cultivation land
for self-cultivation on large farms was associated with the which they had rented out to both small and lower-medium
purchase of tractors by those farmers. My field survey data sized (7.5 to less than 25 acres) tenant farmers. However, the
shows that whereas in 1960 almost 60 percent of the farmers resumption hit lower-medium farms to a much greater extent
! in the large size class (150 acres and above) were without than small farms due to the considerably greater degree of
tractors, by 1978 all of them had at least one, and 41 percent tenancy in the former size class. i
r
had three or more tractors. 16 Evidence at the all-Pakistan level (2) As tenants operating lower-medium-sized farms lost
is provided by the Report of the Farm Mechanization some but not all of their land following resumption, many of
Committee. It shows that within the farm area operated by them shifted into the category of small farms over the
tractor owners, the percentage area operated by large farmers inter-censal period.
was as high as 87 percent. The evidence shows that polarization in the size of farms
I
An important reason why large-sized tractors began to get was accompanied by a growing landlessness of the poor
introduced during the 1960s was that large landowners peasantry. My estimates based on population census data show
responding to the new profit opportunities began to resume that from 1961 to 1973,794,042 peasants entered the category
I
I
I
rented-out land for self-cultivation on large farms. Given the of wage laborers, that is, 43 percent of the total agricultural
difficulty of mobilizing a large number of laborers during the laborers in Pakistan in 1973 had entered this category as the
peak seasons in an imperfect labor market and the problem of result of the proletarianization of the poor peasantry.
I
supervising the laborers to ensure satisfactory performance, the Given the unequal distribution of landownership in
large farmers found it convenient to mechanize even though Pakistan, when the New Technology became available, it
there may have been no labor shortage in an absolute sense.
I
!
I
17. This picture emerges when the 1960 Census data is adjusted for biases
t
inherent in its methodology in order to make it comparable with the 1972
I
16. A. Hussain, op. cit., chap. 5 and Appendix. Census methodology. A. Hussain, op. cit., chap. 3.
49
I
Table 2
Percentage of Farms and Farm Area by Size of Farm 1960 and 1972 in Punjab
(Adjusted* and Unadjusted Agriculture Census Data)
Number of Farms Farm Area
Size ofFarm 1960 1972 1960 1972
(Acres)
Unadjusted Adjusted Unadjusted Adusted
Less than 7.5 63.35 35.53 41.28 19.07 9.93 11.80
7.5 to 25 29.81 52.82 46.88 45.27 51.15 46.42
25 to 50 5.42 8.88 8.81 20.21 20.23 21.30
50 to 150 1.27 2.49 2.72 10.57 12.94 14.72
150 and above 0.14 0.27 0.30 4.88 5.76 5.77
Total 100 100 100 100 100 100
Summary Table
Size of Farm Number of Farms Farm Area
(Acres)
Col. (a) Col. (b) Col. (c) Col. (d)
1960 (Adjusted) 1972 1960 (Adjusted) 1972
Less than 7.5 35.5 41.3 9.9 11.8
7.5t025 52.8 46.9 51.2 46.4
25 and above 11.6 11.8 38.9 41.8
-------------------
Total 100 100 100 100
* The columns may not add up to exactly 100 in every case due to rounding errors.
Sources: 1960 Pakistan Census of Agriculture and 1972 Pakistan Census of Agriculture.
induced a process of land resumption by big landlords. This
resulted in a polarization in the size distribution of farms on
the one hand and an increased landlessness of the poor
peasantry on the other.
The Growth of Capitalist Farming and the
Economic Dependence of the Poor Peasantry
The growth of capitalist farming was accelerated consid
erably in the late 1960s as large landowners began to resume
their rented-out land to operate their own farms with hired
labor and capital investment. The particular form of the
development of capitalism in Pakistan's agriculture was such
that instead of being accompanied by a growing independence
of the poor peasantry (as in Europe), in Pakistan's case
capitalism in agriculture was accompanied by an increased
social and economic dependence of the poor peasantry on the
landowners. The reason for this was that capitalist farming in
Pakistan developed in a situation where the power of the
landlords was still intact. Consequently the emerging market
was mediated by the social and political power of the landlords.
The local institutions for the distribution of agricultural inputs
and credit and of sale of output are heavily influenced by the
big landlords. In order to acquire the inputs, credit and facilities
for transport of output to the market the poor peasant has to
depend on help from the landlord. In many cases the poor
peasant in the absence of collateral cannot get credit from the
official agencies at all, and has to depend on the landlord for
loans. In addition to this he or she often has to purchase the
tubewell water from the landlord and use landlord transport
for taking output for sale to the market. Thus as the inputs for
agricultural production become monetized and insofar as the
access to the market is via the landlord, the poor peasant's
dependence has intensified with the development of capitalism
in agriculture.
With the development of capitalist farming, the poor
peasant is subject to a triple squeeze on real income.
Increased Money Costs
Inputs which were formerly non-monetized (seed, animal
manure and the like) or inputs which were formerly not used
at all (such as tractor ploughings, tubewell water, pesticides)
now have to be purchased with money. It might be asked why
the poor peasant now has to buy fertilizer and hire tractors.
The answer lies in the inability of the poor peasant (whether
owner or tenant) to maintain as many farm animals as before.
The reasons for this are:
I) Pastures devoted to fodder have been reduced on poor
peasant farms as farm size declined following loss of some
rented land due to resumption.
2) The poor peasant's access to the fodder and pasture lands
of the landlords was reduced as the latter mechanized and
began to grow cash crops over much of the area formerly
devoted to pastures or fodder.
50
Thus mechanization and the development of capitalist
farming on large farms has adversely affected the poor
peasants' ability to keep animals thereby making them more
vulnerable to market pressures.
The second factor in the rise in money costs is the shift
from sharecropping to money rents which are rising sharply.
The money rent is often fixed by the landlord not on the basis
of the actual yield of the tenant-operated farm, but its potential
yield if it were being cultivated at peak efficiency.
Slow Growth in Yield Per Acre
While there has been an increase in cash rents payable by
the poor peasant and thus in rental burden, yields per acre have
not increased proportionately. The latter is due to the fact that
the poor peasant has neither the financial and political power
to acquire all the required inputs (seed, fertilizer, supplementary
tubewell water, pesticides) nor to control their timing.
Selling Grain Cheap and Buying Dear
The third pressure on the real income of the poor peasant
is that in a situation of rising cash requirements and
indebtedness, they are forced to sell a part of their subsistence
output at harvest time at low prices. Then at the end of the
year they have to buy grain in the market at high prices. Thus
selling grain cheap, and buying dear, is another squeeze on
the poor peasant's income.
The squeeze on the real income of the poor peasants is
reflected in the changes in the quality and quantity of their diet
since 1965, in Table 3. Table 3 shows that the class of poor
peasants (with farm size below 25 acres), contains a substantial
number of farmers who have suffered an absolute decline in
the quantity of food and 'contains an even larger number of
farmers who have suffered a decline in the quality of their diet.
Conclusion
In Pakistan, with its highly unequal distribution of
landownership, the introduction of the New Technology in
agriculture has unleashed powerful contradictions which are
not only likely to become constraints on continued agricultural
growth, but are also generating acute social tensions. The
nature of the economic progress, in the absence of an effective
land reform, is such that it is enriching the rural elite at the
expense of the rapid deterioration in the economic and social
conditions of the majority of the rural population. Four major
contradictions can be seen in the process of agricultural growth
since the adoption of the New Technology:
First, there has been the rapid adoption of large tractors
in a labor surplus economy where 88 percent of the farms are
below 25 acres. This has happened as the result of large
landowners resuming their formerly rented-out land for
self-cultivation on large mechanized farms. Labor displacing
technology is being used by large farmers not because there is
an absolute labor shortage, but in order to overcome the
problem of supervision of labor and the difficulty of mobilizing
labor within a short time period.
Second, a polarization in the size distribution of farms
has taken place, with the percentage shares of large and small
farms increasing at the expense of medium-sized farms (8 to
25 acres). This has also resulted from large landowners
resuming their formerly rented-out land. Land resumption has
hit medium-sized farms to a much greater extent than
small-sized farms, pushing many of them into the category of
small farms following resumption.
Third, the development of capitalist farming has occurred
in a situation where the prevalence of feudal power by the big
farmers has deprived the poor peasant of equal access to the
market. Consequently the poor peasant has become more
dependent on the big farmer for conducting his production
process.
Table 3
Percentage Change in the Quantity and Quality of the Diet of
Farmers between 1975 to 1978 by Size Class of Farm
Quantity ofDietl Quality of DietZ
Size ofFarm Diet has Diet has Diet has Total Diet has Diet has Diet has Total
(Acres) improved. deterio- remained improved. deterio- remained
rated. unchanged. rated. unchanged
Less than 8 11 33 56 100 0 67 33 100
8t025 0 25 75 100 0 69 31 100
25 to 50 0 0 100 100 0 25 ~ 5 100
50 to 150 0 0 100 100 0 0 100 100
150 and above 0 0 100 100 0 0 100 100
I. Quantity of Diet. A reduction in the quantity of diet refers to a reduction in the quantity of one or more of the following items, without an increase in any:
(i) number of chappattis consumed during the day, (ii) quantity of milk consumed during the day, (iii) quantity of lassi consumed during the day, (iv) number
of times during the day that lentils or vegetables are eaten along with chappattis.
2. Quality of Diet. A reduction in quality of diet refers to a change of one or more of the following: (i) A reduction in the quantity of milk with an increase
in the quantity of lassi. (ii) A reduction in the frequency of meat consumption per month by the peasant household. (iii) A replacement of homemade butter
and ghee with canned vegetable cooking oil purchased in the market. The latter has a much lower fat content than homemade ghee and is also often adulterated,
according to the respondents.
Source: Field Survey, 1978.
51
Fourth, rising money costs for the poor peasants-in a
situation where they are locked in a structure of dependence
have placed the poor peasant into a triple squeeze which is
resulting in a rapid deterioration of their economic condition.
Each of the contradictions specified above stems from the fact
that the New Technology became available in a situation where
economic and social power was concentrated in the hands of
the big landlords.
Agricultural growth during the 1960s and 1970s was
predicated on the rapid increase in yields of the larger farms,
but continued growth in the next two decades will have to be
derived from increasing yields per acre of the small farmers.
An essential pre-condition for this is institutional and economic
changes which will give the small farmer better access over
the new inputs and greater control over the production process
and investible surplus. In this sense, an effective land reform
is now not only an imperative of a more equitable economic
growth but also of growth itself. *
THINK TANK FOR
THE AMERICAN LEFT
Featuring: Feminist politics. democratic movements.
labor struggles. organizing strategies and left perspec
tives on American economics. politics and culture.
SUBSCRIBE TODAY
0519.50
One year
subscription
NAME
{6 issues)
ADDRESS
o 522 Outside
of USA
Cl7Y STATE ZIP
3202 ADELINE BERKELEY. CA 94703
THE
NUCLEAR FIX
\ (iuKJc (0 \udcar In the rhlrd World
"A MUST!"
The only resource book of its kind in the world
today is now available from WISE. THE
NUCLEAR FIX outlines the history.develop
ment and current status of nuclear activities in
over 60 Third World countries. all in one
handy volume. No group or person interested
in the nuclear debate can afford to be without
it! THE NUCLEAR FIX also contains an
introduction. glossary. contact list of safe
energy groups in the Third World. a further
reading list and extensive footnotes. Fore
words are by Amory and Hunter Lovins and
Dr. Frank Barnaby.
HY IIiUS I.A{"Ot;KI.
IIIHOI{MII'I{"K & 'OKl>l,Ili IS I
.. We've heen .....aitingfor thi.I'!"
HIRI'WORDS HY ,,\MOI{Y & HI'" I EK I.()VI"S
-Anna Gyorgy. author of NO NU KES
& 'I{'\"K HAR"AHY
WISE Now it's here!
To order THE NUCLEAR FIX. send $9.95 to:
WISE! Thirld World Distribution
25 Powers Park Barrett. M N 56311
Name
Address
Zip ______________
Price Includes Postage. Canadians please add SUO
Bulk r.lles available al 3()1'o discount for order of 10 or more.
52
Peoples College of Law
f oundt'd hy LI R.ll.l L.IW '\'.... 01 1,IIIBIl, ASI.L1l I,IW
COllt'Cli\'(', N,II10ll,II L.1\\ytr, Cudd ,mel N.lllon.!! ('I tlll.-n'll( t'
I.' HI.II \..I,I\\\,I'r.. ,
NOW ACCEPTING ENROLLMENT APPLICATIONS FOR
FALL 'e4 AND SPRINGeS
PCl's Iloals are 10 Irain
peoples' lawyers .lnd haw
ol studenl body of ,/,
Third World/Working CI.lSs
students wilh 50% women,
Its unaccrPdited
four-year evening
program leads to
al.D,andthe
California Belf Exam.
Admission based
primarily on the
demonstrated commitment
to the slruAAle for SOCi.ll
change, Two years of coileg,'
or equivalent also required,
660 SOUTH BONNIE BRAE STREET
LOS ANGELES, CA 90057
213/483-0083
The Penetration of Capitalism and Agrarian Change in
Southwest India, 1901 to 1941: A Preliminary Analysis
by Joseph Tharamangalam*
It is now widely recognized that the penetration of a
world-wide, capitalist market economy has been a critical
process in the transformation of traditional peasant societies.
This paper examines some aspects of this process in the
erstwhile princely state of Travancore in southwest India,
the most important of the three regions that were unified to
form the present Malayalam speaking state of Kerala. Today
Kerala is well known for its many unique features, among
them its strong agrarian movement, grass roots political
mobilization, and the progressive social policies of its left
governments. It is perhaps not equally well known that it
was Kerala's spices that brought the European trading
companies into India's coasts in the first place and that since
that time the increasing cultivation of cash crops for the
world market has had a radical impact on Kerala' s social
structure. In Travancore this process became greatly
accelerated in the twentieth century with the opening of
capitalist plantations in the hill regions and the reclamation
of backwater areas along the coast for commercial paddy
cultivation. Indeed by 1921 a little less than half the cropped
area of Travancore was under cash-crop cultivation. I This
paper will confine itself to Travancore. It will analyze some
aspects of the penetration of capitalism into Travancore and
the consequent transformation of agriculture with the aim of
revealing the region's unique social and political developments.
Travancore Society at the Turn of the Century
At the tum of the century Travancore presented the picture
of a "model state" in India, a prosperous, stable kingdom
ruled by "progressive" rajahs and their enlightened Brahmin
ministers from British Madras. Caste, which formed the
* The author wishes to thank Mount Saint Vincent University for providing
a research grant towards the preparation of this paper. An earlier version
was presented at the XIth International Congress of Anthropological and
Ethnological Sciences, Vancouver, British Columbia, Canada, August
20, 1983.
1. It may be instructive to note that in the unified Kerala state food grains
accounted for onl y 30 percent of the cropped area in the 1970s as compared
with 75 percent for all India. Thomas Paulini, Agrarian Movements and
Reforms in Kerala, (Verlag breitenbach, Saarbriicken, 1979), p. 105.
53
structural basis of society and defined the nature of
Travancore's "feudalism," was still largely intact. 2 Excluding
the Brahmins who, despite their preeminent ritual and
economic status constituted only a tiny minority, there were
broadly four major castes or groups of castes who inhabited
very different symbolic-cultural-ritual worlds and commanded
vastly different economic and political resources. At the top
stood the Nayars, the traditional military-aristocratic and ruling
caste of Travancore, who made up 22 percent of the state's
population.
3
They were also perhaps the most important
landowning caste. When they were not landlords themselves
they held "superior" tenancies from Brahmins, the state
(including the state-owned temples) and/or from other wealthier
Nayars and generally cultivated these with the help of Syrian
Christian or Ezhava tenants or sub-tenants and untouchable
landless laborers.
The Syrian Christians: who made up 24 percent of the
population, were also accorded relatively high ritual status,
2. The caste system is generally regarded as involving the division of
society into a number of hereditary and endogamous groups, each
associated with a certain occupation and occupying a specific ritual status
in a hierarchy defined by the rules of purity and pollution. An adequate
discussion of caste from a materialist perspective would involve a
discussion of Travancore's pre-modem mode of production or "feudalism"
and is clearly beyond the scope of this paper. At the very least caste will
be seen as a production system that made possible the extraction of an
economic surplus from the immediate producers by a group of upper castes
and rulers. Looked at from this perspective, caste defined the concrete
historical form in which class relations manifested themselve in Travancore
and in India generally. However, modem changes of the' kind discussed
in this paper not only altered the relative economic and political positions
of many castes but also led to the internal differentiation of castes as well
as to the emergence of new classes outside the framework of caste
altogether. Hence the concrete relationship between caste and class today
is complex and must be regarded as a question for empirical examination.
3. The figures used here are all from Census of Travancore, 1901.
4. In a strict sense the Syrian Christrians are outside the framework of the
Hindu caste system. However, traditionally they have functioned as a caste
accepting the caste rules, and have been so regarded by other castes. Hence
they are regarded a caste for purposes of this study. They are an ancient
Christian community whose history goes back to the beginning of the
Christian era. Today the majority of them are Roman Catholics (following
the Syrian rite), some still belong to such ancient orthodox sects as the
Jacobites, and others have embraced various Protestant faiths.
12'
II'
10'
9'
75E
7"
77'
Map sbowiDB TraviUICOrc. Cochin and Malabar
Map courtesy of J. Tharamangalam
perhaps slightly below that of the Nayars. Although they
claimed a few landed aristocrats and wealthy traders among
them they were in general tenants of Nayars and Brahmins
mostly holding "inferior" forms of tenancy. Below the Syrian
Christians were the Ezhavas who made up 17 percent of the
population. They occupied a relatively low position in the caste
hierarchy due to their "polluting" characteristics and the
consequent social disabilities imposed upon them. Their
traditional occupation was "toddy-tapping" (the extraction of
an alcoholic beverage from the coconut tree) and other trades
related to various products of the coconut tree. Nevertheless,
the vast majority of them were also engaged in the cultivation
of lands held under "inferior" tenancies from Nayars or even
Syrian Christians.
At the very bottom of the caste hierarchy stood the "slave
castes," roughly 10 percent of the population, but separate by
an unbridgeable ritual gulf from the rest of society. Although
they had been legally freed from slavery in 1855 they had
experienced little change in their actual conditions of living.
COCHIN STATE
TRAVANCORE in 1901
,
0 10 20 .,0
10 26 30
mole!.
Map by author
They were landless agricuIturallaborers with no rights in land,
generally "attached" to specific Nayar or Christian landowners
under various forms of bondage and were kudikidappukars
s
in
plots alloted to them by the landowners. Nowhere were the
iniquities of caste so elaborate and complex as in this "model
state" where the rules of "distance pollution" made these castes
not merely untouchables but literally unseeables to large
numbers of upper caste Hindus.
The political machinery of the state was run by Nayars
with the help of Madras Brahmins. A relatively large public
service and public works apparatus was staffed exclusively
by upper caste Hindus except in lower positions.
This picture of stability and controlled progress was
5. A kudikidappukaran was a hutment dweller or squatter who was allowed
to reside in a plot alloted to him by a landowner in exchange for a variety
of services. He had no real rights in the land and could be evicted by the
landowner at will.
54
deceptive. Three centuries of European trading, political,
missionary and educational activities, the disbanding of the
Nayar militia and the establishment of Pax Britannica a
century earlier" had set in motion many forces of change that
were to become more clearly visible in the twentieth century.
Most important of all, agriculture was being radically
transformed and set on a course of radical change. The 1880s
had seen Travancore change from being an exporter of rice to
a rice-deficit state, and increasing quantities of rice were being
imported since then. Subsistence agriculture was fast disappear
ing, forever. In 1901, Travancore's population counted
2,950,000, roughly a 6 percent increase from 1875.
7
Land
available per capita declined from 2 acres per person in 1881
to 1. 9 acres in 1891 and further to 1. 7 acres in 1901.
8
Nevertheless, it was to take another thirty years before the
pressure on land reached crisis proportions.
Trade, Commerce and Capital Mobilization
Since developments in agriculture were directly related to
trade, commerce and capital mobilization it is useful to begin
with a brief examination of these. The Portuguese who broke
the Arab monopoly on the pepper trade along the Kerala coast
were followed by the Dutch, the French, the Danes and the
English, each aggressively competing with the others to grab
a greater share of the lucrative pie. To take full advantage of
this favorable market Maharaja Marthanda Varma, the founder
and ambitious ruler of Travancore, established a state
monopoly on the pepper trade. He gradually extended it to
other commodities such as coconuts, cardamom and cotton
goods. In consequence, the Maharaja and his government (the
sircar) became the super-trader and speculator of Travancore.
6. In 1795 and 1805 Travancore signed treaties with the East India
Company which made it a client "princely state" of the company's empire.
7. It is generally agreed that population data prior to 1901 are not very
reliable. The 1891 figures are generally regarded as underestimates.
8. Census of Travancore, 1931, p. 16.
Table 1
Total Value of Trade: 1894-95 to 1903-04
Export Import Total
Year Rs. Rs. Rs.
1894-95 16,867,834 10,367,530 27,235,364
1895-96 14,645,487 9,672,099 24,317,586
J
1896-97 14,693,752 10,104,348 24,798,100
1897-98 14,455,893 9,158,623 23,614,516
1898-99 17,210,342 10,440,176 27,650,518
1899-00 16,947,824 9,394,050 26,341,874
1900-01 16,685,774 10,339,488 27,325,262
1901-02 15,865,694 12,557,739 28,423,433
1902-03 18,717,906 10,059,121 28,777,027
1903-04 20,529,496 10,875,217 31,404,713
Source: Nagam Aiya, Travancore State Manual, 1906, p. 207.
It was Kerala's spices that brought the European
trading companies into India's coasts in the first
place and since that time the increasing cultiva
tion of cash crops for the world market has had a
radical impact on Kerala's social structure.
Although this monopoly was later broken by the English, the
sircar continued to take a very active interest in the state's
trade till the end. It is significant to note that tarifs on trade,
and not land revenue, remained the single most important
source of the sircar's revenue.
9
Under Pax Britannica trade
continued to expand and to flourish. By the end of the
nineteenth century cash crops such as coffee, tea and rubber
had been added to pepper, coconut and cardamom as major
exports. Pepper remained the number one export in 1901, it
was replaced by tea in 1925. Tables I and 2 show the total
value of exports and imports. It will be seen that Travancore
not only increased its exports steadily but also maintained a
comfortable trade surplus till the eve of the depression and that
even during the depression the balance of trade was favorable.
It should be noted that while European companies and
the sircar were the major players in Travancore's trade, a
flourishing group of indigenous merchants and entrepreneurs
had emerged by the tum of the century. Since Kerala's
pantheon of castes had never included the Vaishyas, the
classical trading caste, historically their role had been filled
by the Syrian Christians, Muslims and Jews. In Travancore
it was the Syrian Christians who came to occupy the
preeminent position in trade.
9. T.K. Velu Pillai, The TravancoreStateManual, 1940, Vol. III, p. 11.
Table 2
Total Value of Trade: 1925-26 to 1934-35
Exports Imports Total
Year H.Rs. H.Rs. H.Rs.
1925-26 114,065,138 61,643,268 175,708,406
1926-27 118,408,817 82,381,910 200,790,727
1927-28 118,042,935 93,290,681 211,333,616
1928-29 112,939,039 93,610,748 206,549,787
1929-30 96,515,615 76,568,897 . 173,074,512
1930-31 75,116,153 64,929,804 140,045,957
1931-32 77,108,954 64,399,262 141,508,216
1932-33 77,897,856 62,916,056 140,813,912
1933-34 83,766,483 79,151,279 162,917,762
1934-35 81,600,000 74,300,000 155,900,000
Source: T.K. VeluPil1ai, TravancoreState Manual, 1940, Vol. III., p. 604.
55
Two important consequences of trade may be briefly
mentioned here. First, the boom in cash-crop trade
inevitably led to the expansion of cash-crop cultivation with
the active encouragement of the sin'ar and with far-reaching
consequences. This will be discussed later. Second, it led
to the monetization of the state's economy and the
commercialization of its agriculture. Increasingly the
peasant family was producing commodities that its members
sold for a price determined by world market conditions far
beyond their control and it was with this cash crop that they
had to buy rice and other necessities.
Cash could be used not only to buy one's necessities;
when accumulated in sufficient quantity it was capital which
could be invested to produce more cash. And capital was a
necessary ingredient in the expansion of commercial/
capitalist agriculture. Although foreign capital played a
major role in this respect, as we shall see later, the important
role played by indigenous capital must not be under
estimated. The latter was significant not only in the
expansion of capitalist agriculture but also in the transforma
tion of the traditional caste-class structure. Indigenous
capital was itself mobilized by two sources. The first was
the sin'ar which even after relinquishing its role as trader
continued to benefit from the cash crop boom and to
accumulate substantial amounts of money. And this capital
too played a crucial role: it was used not only for the creation
of an extensive transportation and communication network,
but also for advancing loans to "progressive" agriculturists
and, by the 1930s at least, even for direct investments in
industry. The second was a number of rapidly expanding
credit institutions and commercial banks.
Commercial banks in Travancore evolved out of
indigenous credit institutions called kuris and chitties which
were prevalent among the Syrian Christians. These institu
tions had traditionally confined themselves to advancing
credit for consumption purposes. They gradually became
incorporated into the new commercial banks and were
transformed into instruments for capital mobilization. As a
result, "when commercial banking developed in the region,
and began to cater to credit requirements for productive
purposes, one of the main activities of the many banks in
the region continued to be running of kuries and chitties for
the purpose of mobilising savings and for attracting
depositors."10 The commercial banks began to grow very
rapidly in number in the 1920s, reaching an all-time high of
275 in 1932-33. In 1937 the Travancore National and Quilon
Bank (created by the merger of two family-owned banks)
ranked first in the number of bank offices in India and third in
the total volume of business. II However, the Travancore banks
were hit hard by the depression, apparently due to their
structural weaknesses.
12
Despite this at independence both
Travancore and Cochin topped the Indian states in the range
of area and population served by the office of a commercial
bank. 13
10. T.C. Varghese, Agrarian Change and Economic Consequences,
(Bombay: Allied Publishers, 1970), p. 112.
11. M.A. Oomen, "Rise and Growth of Banking in Kerala," Social
Scientist, Vol. III, No.5, 1976, p. 31.
12. "Report of the Travancore-Cochin Banking Inquiry Commission,"
Trivandrum, 1956.
13. Oomen, op. cit., p. 25.
Increasingly the peasant was producing com
modities that he sold for a price determined by
world market conditions far beyond his control
and it was with this cash that he had to buy his rice
and other necessities.
Some important features of Travancore' s banks are worthy
of note. First, these originated not in the export port towns but
in the regions in which agricultural development and expansion
was most visible. Second, they were developed almost
exclusively by Syrian Christians. Third, the families associated
with these banks were themselves capitalists with major
interests in commercial agriculture. It seems clear that these
banks were instrumental in mobilizing the savings of small
cultivators and financing indigenous entrepreneurs for invest
ments in plantations as well as in capitalist farms in Kuttanad. 14
Cash, Caste, Land Tenure and Labor:
Changes in the Agrarian Structure
As Varghese has pointed out, the development of
capitalist agriculture in Travancore was related to changes
in the land tenure system. The state was able to play an
important role in these changes since it "had, directly or
indirectly, under its ownership and control more than 80
percent of the cultivated lands, and almost the whole of the
arable and uncultivable waste. "15 This was in sharp contrast
to Malabar and British India where most of the lands were in
the hands of private owners. Perhaps with a view to adapting
a caste-based, feudal land-tenure system to the requirements
of a growing cash economy and with the avowed aim of making
the state's cultivators "peasant proprietors," the sircar began
a series of land reforms from the middle of the nineteenth
century. The first of these, proclaimed in 1865, granted full
proprietary rights to the tenants of sircar (pandaravaka) lands.
This affected some 200,000 acres or half the rice-growing land
in the state with an estimated value of 15 million rupees which
was now made salable and alienable. Further measures were
adopted in 1867 and 1896 to help the tenants of janmon lands
(of private landlords). These granted permanent occupancy
rights as well as fixation of rents to the kandamdars (superior
tenants) who held 150,000 acres representing more than half
of all janmon lands.
Although these measures left untouched all those who
held inferior tenancies or sub-tenancies, not to mention the
landless laborers, they had the important consequence of
creating a market in land. The proclamation of 1865 was
followed by an immediate spurt in land sales: within one year
lands worth Rs. 475,000 changed hands and the resulting boom
in land led to a new interest in the reclamation of waste lands.
This in tum led to an expansion in agriculture and to a still
14. Vargehese, op. cit., pp. 112-113.
15. Ibid., p. 96. The following discussion on land reforms is based on
Varghese, pp. 64 to 67.
56
1
i
I
I
Table 3
Alienations and acquisitions of property by Nayars, Christians, Iravas, Shanars and
Samantas in Travancore for 18 months prior to 1 Makaram 1083 (about January 1908)
Sales in Mortgages Total in + or - in
Category rupees in rupees rupees rupees
NAYARS
Buyers or mortgagees 1,220,264 7,640,804 8,861,068
Sellers or mortgagors 1,739,607 8,998,463 10,738,070 -1,877,002
CHRISTIANS
Buyers or mortgagees 2,244,641 8,007,137 9,851,778
Sellers or mortgagors 1,982,647 6,698,124 8,680,771 + 1,171,007
IRAVAS
Buyers or mortgagees 1,171, 197 4,231,665 5,392,862
Sellers or mortgagors 1,053,763 4,044,083 5,098,476 + 294,386
SHANARS
Buyers or mortgagees 308,643 1,249,291 1,557,934
Sellers or mortgagors 303,261 1,171,664 1,474,925 + 83,009
SAMANTAS
Buyers or mortgagees
Sellers or mortgagors
11,829
17,298
Source: Robin Jeffrey, 1976, p. 248.
further increase in land prices. It may be noted that the close
connection between cash and land naturally favored those who
possessed cash and were eager to trade it for land, the new
commercial and entrepreneurial classes.
The land reform measures of the twentieth century
extended the tenurial rights granted in the nineteenth century
to a wider variety of tenants but did not include any measures
to regulate the leasing of lands or to protect the lessees. Hence
these did little to further strengthen "peasant proprietorship."
Instead, "leasing of land and the tenancy problems created
thereby began to be on the increase during this period,"'6 and
"very soon the area became notorious for numerous types of
land leases many of them based on new terms and practices. "17
If these "backward" fonns of land relations did not
disappear under the impact of all the new changes, neither
did the caste system. It did, however, undergo changes
which had serious implications for subsequent socio-political
developments in the region. Many of the new changes were
not equally beneficial to all castes. As we have seen, Syrian
Christians, and to a lesser extent Ezhavas were the main
beneficiaries of the new developments in trade and
commerce. No doubt, their exclusion from government
service gave them added incentives in these pursuits. Syrian
Christians also had the added advantage of closer connection
with the British and they even enjoyed a measure of
patronage, which was particularly useful in getting intro
duced to the business of establishing plantations.
Education favored these two rising castes. While the
16. Ibid., p. 132.
17. Ibid., p. 134.
57
63,423 75,252
94,605 111,903 36,651
missionary connection was particularly helpful to the Syrian
Christians, Ezhavas too were able to benefit from the
Christian educational institutions. True, the Nayars also
took advantage of modern education though to a less extent
than the Christians, but their relative position of superiority
had been destroyed. It became increasingly difficult to
justify ascribed privileges in a society that had, in theory,
already recognized the legitimacy of achieved status. IS
The upwardly mobile castes were also feeling comfortable
with their connection with cash and the cash economy. While
cash crop cultivation in general favored the Christians, the
boom in coconut cultivation especially favored the Ezhavas
whose historic connection with that versatile Kerala crop
proved to be very helpful. In particular they benefitted from
toddy and arrack trade and the coir industry (the manufacturing
of ropes and carpets from fibers extracted from coconut husks).
It is significant to note that profits made from these enterprises
were mainly invested in land, which continued to remain the
symbol of status and security but was now a commodity
available to anyone with cash. The market in land was
particularly favorable to these castes because of increasing sales
by Nayars as a result of the crisis in their matrilineal kinship
system and legislative measures enacted in the 1920s for the
partition of joint family property. As it turned out, the Nayar
kinship system proved to be ill-equipped to adapt to a growing
commercial/capitalist economic system. 19 Tables 3 and 4
18. See Robin Jeffrey, The Decline of Nayar Dominance: Society and
Politics in Travancore, 1747-1908, (New York: Holmes and Meier, 1976).
See especially chapters 5 to 7.
19. Ibid.
Table 4
Percentage Share of Different Communities in the Number of
Sales and Purchases of Lands in Travancore
1926 1930 1935 1940
Name ofthe
Community Sellers Buyers Sellers Buyers Sellers Buyers Sellers Buyers
Brahmin 4.5 2.7 4.3 2.7 3.4 3.2 3.0 2.4
Nayar 38.6 29.2 41.6 36.1 44.4 36.2 47.2 27.7
Ezhava 10.2 12.7 13.3 15.8 14.7 17.2 14.2 13.1
Vellala 6.4 5.8 6.9 5.2 5.1 5.2 4.6 4.3
Other Hindus 9.4 9.4 8.5 8.6 9.1 6.2 6.2 7.1
Backward Hindus 1.9 1.6 1.6 1.9 1.5 2.0 2.1
Christian 23.8 33.9 19.5 25.5 17.7 22.2 18.3 28.0
Muslim 5.2 4.7 4.3 4.2 4.1 3.8 4.4 5.2
Total 100.0 100.0 100.0 100.0 100.0 100.0 100.0 100.0
Source: Varghese, 1970, p. 103.
provide infonnation regarding the sale and purchase of land legislation for the partition of joint family property. Table 5
by caste. It will be seen that throughout the twentieth century gives the distribution of holdings according to size in different
Nayars, a major land-owning caste of Travancore, was parting communities in 1931. It can be seen that the Syrian Christians
with its land in favor of the Christians and that this process were the largest landowners followed by the Nayars and then
became accelerated in the 1920s after the enactment of by the Ezhavas.
Table 5
Distribution of Holdings According to Size in Different Communities: 1931
All com- Depressed Other Syrian Other
Sizeofholding munities Brahman Nayar L1ava Hindu Hindus Christian Christians Muslim
Below 20 cents 1,776 8 340 383 122 388 194 217 124
20-40 cents 2,892 5 633 608 173 628 341 344 160
40-60 cents 3,190 12 719 559 241 663 454 347 195
60-80 cents 2,320 4 575 448 137 452 327 221 156
80-100 cents 1,221 2 370 241 53 155 220 109 71
Below 1 acre 11,399 31 2,637 2,239 726 2,286 1,536 1,238 706
1-2 acres 7,271 24 1,970 1,279 391 1,148 1,284 738 437
2-3 acres 3,797 28 1,075 581 166 490 851 356 250
3-4 acres 2,195 15 635 312 66 256 573 203 135
4-5 acres 1,428 9 415 219 34 156 416 103 76
5-6 acres 936 8 268 138 16 100 261 81 64
6-7 acres 624 3 184 77 7 59 210 51 33
7-8 acres 390 4 117 48 10 22 131 27 31
8-9 acres 334 1 98 44 5 31 120 20 15
9-10 acres 191 4 54 19 3 25 62 19 5
10-11 acres 1,317 22 367 140 9 109 506 96 68
100 acres and above 21 4 3 3 10 1
Total holders 29,903 149 7,824 5,099 1,433 4,685 5,960 2,933 1,820
Total earners 55,803 296 9,910 10,413 6,219 9,864 8,863 7,501 3,237
Source: T.K. Velu Pillai, The Travancore State Manual. 1940, Vol. m., p. 289.
58
I
I
,
I
I
I
Table 6
Plantation Companies in Travancore
I
i
Year
I
1905
1915
1925
1935
1945
Number of regis
tered plantation com
panies incorpo
rated and working
in Travancore
3
10
37
38
89
Number of registered plan
tation companies incorpo
rated outside Travancore,
but working in Travancore
not known
not known
17
23
19
Source: Varghese, 1970, p. 117.
Capitalist Tendencies and Their Implications
The first half of the twentieth century saw Travancore' s
agriculture gradually change from what was primarily a
system of production for consumption to one that became
predominantly a system of commodity production. The most
important factor in this change seems to have been. the
growth of cash crop production in general and of plantations
in particular. To a somewhat less extent the development
of commercial paddy c.ultivation in the backwater areas also
contributed to this change.
Although peasants in Travancore had, for a long time,
cultivated cash crops such as pepper, cardamom and ginger
for the foreign market, plantations for growing coffee, tea
and rubber were first introduced by Europeans in the latter
half of the nineteenth century. 20 The sircar was very generous
with these planters and gave them large tracts of land in the
high ranges on very favorable terms. Tax on these ranged from
5 annas to Rs. 3 per acre. The Kahnan Devan Hill Produce
Company, one of the largest with cultivated holdings at over
100,000 acres, paid only 5 annas per acre; it paid nothing for
the remaining unoccupied area out of 215 square miles leased
from the sircar.
21
In addition, a network of roads connecting
the high ranges to major towns in Travancore were built at
sircar expense. The planters also had available a supply of
cheap and docile labor consisting largely of migrants from
neighboring Madras.
I
Plantations grew steadily, and European planters were
soon joined by native ones, mostly Syrian Christian as could
be expected. Table 6 shows the progress of plantation
companies in Travancore. In 1905 there were three plantation
I
20 It is customary to make a distinction between garden crops such as
I
and pepper generally grown by small cultivators and plantation
crops such as tea, coffee and rubber grown by large planters. It is often
difficult to apply this distinction to Kerala since such crops as rubber :u-e
increasingly grown by small landholders. In fact, a very large proportion
of Kerala's export crops are grown by small cultivators today.
21. Varghese, op. cit., p. 117. Varghese also notes that in 1926 the return
from tea gardens per acre was estimated at Rs. SOO per acre.
Table 7
Total Cropped Area and the Percentages under
"Cash" and "Food" Crops in Travancore
Year Total Area Per- Per-
cropped under centage centage
area cash under under
crops cash food
(in thousand acres) crops crops
1920-21 1,952 899 46 54
1930-31 2,108 948 45 55
1940-41 2,374 1,004 42 58
1946-47 2,346 1,073 46 54
Source: Varghese, 1970, p. 109.
companies incorporated and working in Travancore, all of them
British. In 1915 there were 10 and in 1925 a total of 54 of
which 37 were incorporated in Travancore and 17 incorporated
outside but working in Travancore. According to the Admini
stration Report of 1943-44 there were 89 plantation companies
registered in Travancore and 21 registered outside but working
in Travancore. That the imperialist sector was clearly dominant
is seen from the fact that the paid up capital of the 21 companies
registered outside Travancore was Rs. 7.7 crares (73.3 percent)
as against 2.2 crores of those registered in Travancore.
22
And
the Depression Committee reported that of the total area of
184,604 acres under plantation crops only 31,000 acres or 16
percent were held by local planters.
23
Indigenous capital was also being invested in the
reclamation of the backwater area of Kuttanad for relatively
large scale, commercial paddy cultivation. This was being done
independently of cash crop plantations and foreign involvement
and was actively encouraged and promoted by the sircar.
Reclaimed paddy lands in were tax-free for the first
five years and paid a very low tax thereafter. Here too the
sircar built a network of canals and water transport systems at
its own expense. It may be noted that the credit institutions
and banks played a major role in financing this lucrative
enterprise. Many entrepreneurs who leased in substantial
amounts of land were able to buy these from their profits. 24
There is little doubt that the processes described above
had far-reaching consequences for economic
and social structure. First we must consider the radical and
irreversible change in the region's cropping pattern. Table
7 shows the total cropped area and the percentages under
"cash" and "food" crops in Travancore. It can be seen that
by 1920-21 46 percent of Travancore's total cropped area
was taken up for cash crops and that this remained
22. E.M.S. Namboothiripad, Kerala Yesterday, Today and Tomorrow,
1967, p. 96.
23. Ibid.
24. See Joseph Tharamangalam, Agrarian Class Conflict (Vancouver:
V.B.C. Press, 1981), p. 37.
59
Table 8
Population and the Occupied Area in Travancore
Popula- Percentage
tion increase
Year (in 000) over the
previous
period
1911 3,429
1921 4,006 13.9
1931 5,096 24.8
1941 6,070 19.1
1951 7,529 24.0
Source: Varghese, 1971, p. 124.
unchanged until 1946-47, despite a 20 percent increase in
cropped area and a more than 60 percent increase in
population. Even this position was maintained only because
of the cultivation of tapioca, an inferior rice substitute grown
in the less fertile dry lands. The change in cropping pattern
meant that the Travancore peasant could never again fall
back on subsistence agriculture.
The population of Travancore grew by 120 percent
between 1911 and 1951 (152 percent between 1901 and
1951) while land under occupation increased by only 33
percent and the area under occupation in 1951 represented
98.1 percent of the total available for occupation (Table 8).
In the decades preceding 1950 both the rate of natural
increase and the rate of net migration in Travancore
exceeded the Indian average. Travancore's higher rate of
natural increase throughout the twentieth century appears to
have resulted from a lower mortality rate rather than a higher
Land
under
occupation
(in 000
acres)
1,943
2,100
2,537
2,575
2,585
Percentage
increase
over the
previous
period
8.1%
20.8
1.5
0.4(1948)
Occupied
area as
percentage
oftotal
available
for
occupation
73.7
79.7
96.3
97.7
98.1
fertility rate. While the causes of this are not clear, it would
appear this was associated with the penetration of capitalism
and the consequent socio-cultural changes.
If we look at the growth rates of major castes in
Travancore we find substantial differences (Table 9). The
most striking fact is the very low growth rate experienced
by the untouchable castes of Pulayas and Parayas. No doubt,
this is in part due to the conversions to Christianity from
these castes, but it is very difficult to interpret without
careful study. There is reason to believe, however, that
conversion alone cannot explain the substantial difference
between these and other castes such as the Ezhavas and the
Nayars. It seems possible that this very low growth rate has
been associated with the agrarian crisis and the impoverish
ment and disruption experienced by the untouchable castes
of agricultural laborers who were rapidly becoming
proletarianized. Recently Joan Mencher has argued that the
Table 9
Population Growth among Major Castes in Travancore: 1901-1941
Year 1901 1911 1921 1931 1941 Percentage of
increase between
1901 and 1941
Nayars 651,100 639,981 711,772 868,411 1,062,357 89.03%
Ezhavas 491,771 516,265 667,935 896,863 1,038,494 11l%
Christians 697,387 903,868 1,172,934 1,604,475 1,963,808 181.6%
Pulayans 206,503 185,314 196,184 208,132 237,865 15%
Parayans 69,974 70,554 63,038 70,684 77,382 10.6%
Hindus 2,035,615 2,282,617 2,549,664 3,134,888 3,671,480 80.4%
Muslims 190,566 226,617 270,478 353,274 85.4%
Total
Population 2,952,157 3,428,975 4,006,062 5,095,893 6,070,000 105.6%
Source: Census of Travancore, 1931 and 1941.
60
Table 10
Distribution of Population under Different Occupational Groups
in 1911 and 1951 in Travancore
1911
Occupational Population
Category (000)
AGRICULTURAL OCCUPATION
Cultivating landowners 1,164.0
Tenants 124.1
Agricultural Laborers 229.8
Rent receivers 95.8
Cultivators of special products 209.1
Total 1,822.8
NON-AGRICULTURAL OCCUPATION
Non-agricultural commodity production 672.8
Commerce and transport 340.3
Others 593.1
Total 1,606.2
Total population 3,429.0
Source: Varghese, 1970, p. 128.
birth rates of agricultural laborers in Kerala has been falling
faster than those of the general population. 25, In any case, in
the absence of clearer evidence it seems at least plausible to
suggest that the growth and decline of castes were associated
with the way in which they were affected by the new capitalist
economic system.
The evolution of Travancore's occupational structure
reveals some classical tendencies associated with capitalist
penetration and underdevelopment. First of all it should be
noted that there has been a steady fall in the labor-participa
tion rate of adults and a rise in unemployment-trends that
assumed serious proportions in the 1930s. 26 An examination
of broad occupational categories (Table 10) reveals that
between 1911 and 1951 while the population increased by
119.5 percent those under agricultural occupation increased by
136.3 percent and non-agricultural occupations declined from
46.5 percent to 42.8 percent of the population. It is noteworthy
that there was a fall in the proportion of owner-cultivators and
a corresponding increase in that of tenants.
The most significant change, however, was that relating
to the proportion of agricultural laborers. It is difficult to obtain
accurate data on these changes, in part because of changes in
the mode of census classifications. Nevertheless there is little
25. Joan Mencher, "The Lessons and Non-Lessons of Kerala: Agricultural
Labourers and Poverty," Economic and Political Weekly, Vol. XV, Special
Number, 1980, pp. 1782-83.
26. Census of Travancore, 1931, p. 236.
61
1951
Percentage Population Percentage Percentage
of the total (000) ofthe total change
1911-51
34.0 2,295.3 30.5 + 97.2
3.6 439.1 5.8 +253.8
6.7 1,488.6 19.5 +547.8
2.8 84.1 1.1 12.2
6.1
53.2 4,307.1 57.2 + 136.3
19.6 1,586.8 21.1 + 135.9
9.9 710.0 9.4 + 108.8
17.3 923.9 12.3 + 55.8
46.8 3,220.7 42.8 + 100.5
100.0 7,527.8 100.0 + 119.5
doubt that the increase in their proportion has been not only
substantial, but also one of the highest in India. It can be seen
from Table 10 that between 1911 and 1951 agricultural laborers
in Travancore increased from 230,000 or 6.7 percent of those
engaged in agriculture to 1,487,000 or 19.5 percent of
agriculturalists. Indeed, by 1931 their proportion among
agriculturalists exceeded that in every other state except in
Madras and the Central Provinces and Berar.
27
It is significant
to point out here that in 1971 the number of agricultural laborers
in Kerala exceeded that of cultivators and that in some regions
of Travancore such as in the paddy areas of central Kuttanad
their proportion among agriculturalists was as high as 86.28
The agricultural laborers were experiencing significant
changes not only in their proportion but also in their conditions
of work and in their relationship to their employers. The
economic changes were undermining, albeit very slowly, the
many bonds which tied them to their employers. \he full impact
of these changes, particularly the proletarianization of the
agricultural laborers, did not become clearly visible until after
the socio-economic crisis of the depression and the war. The
political mobilization of agricultural laborers as an organized
class began only in 1939 and it was not until the late 1950s
that they emerged as a well-organized and significant political
force.
2
27. Census of Travancore, 1931, p. 245.
28. Thararnangalarn, op. cit., p. 19.
29. A more detailed discussion of this process can be found in my book
(Ibid.), especially in chapters 4 and 5.
The relatively high proportion of the population in
industrial categories is misleading and it should not be taken
as an index of industrialization. These included workers in
plantations and in very backward and agro-based cottage
industries such as coir-making, the making of beedis or
local cigarettes, and carpentry. Significantly these workers
include a disproportionately large number of women. It
would seem that these sectors are the last resort for a large
number of the unemployed and the underemployed. The
fact is that with all its capitalist developments in agriculture
or perhaps because of this development, Travancore showed
a very weak impulse toward industrialization. It is
noteworthy that in the 1960s per capita production in the
industrial sector in Kerala was Rs. 539 compared to Rs.
1294 for India.
30
Furthermore, a disproportionately large part
of the labor force is employed in the tertiary sector. For a long
time, Travancore has maintained a relatively large public works
department, and education, health and other social services.
The sircar seems to have been able to pay for these with the
income from Travancore's export-import trade. It is the extent
and quality of these services that are said to make Kerala a
progressive state in India today. 31
By the end of the depression of the 1930s capitalist
developments had thoroughly disrupted Travancore's tradi
tional economic and social arrangements and brought severe
strains on its social structure. On the eve of independence three
groups, in particular, stood ready to be drawn into radical
political movements. These were: first, the declining and
downwardly mobile Nayars whose position in society had been
thoroughly dislocated; second, the upwardly mobile and
forward-looking Ezhavas who now commanded new resources,
but were nevertheless rebelling against outmoded social
restrictions and injustices; and finally the semi-proletarianized
ex-untouchables who were experiencing new insecurities ~ d
increasing impoverishment at the same time as they saw rapid
social changes around them and were confronting new ideas
about social arrangements. The Syrian Christians who, on the
whole, were the major beneficiaries of these changes did not
entirely escape the effects of the agrarian crisis. They
experienced the highest population growth during this period
and, it would seem, also greater internal differentiation. It
would appear that vast numbers of the Syrian Christian
peasantry were able to escape the worst effects of the crisis by
taking advantage of the new opportunities for migration and
colonization of waste lands, first in the high ranges, and since
the 1940s increasingly outside the state, in Malabar.
32
The fact
that they were disproportionately involved in these migrations
may also partly explain their very high growth rate. In any
case, on the eve of independence the Syrian Christians as a
whole felt little sympathy for the radical politics of the other
castes; the bourgeois and petit bourgeois Christians were
consolidating their gains while the poorer classes among them
were preoccupied with more cash crop cultivation, commerce,
the possibilities of upward mobility and the acquisition of more
land. *
30. National Council of Applied Economic Research, The Techno
Economic Survey of Kerala, 1963, pp. 9-10.
31. Centre for Developmenbt Studies, Trivandrum, Poverty, Unemploy
ment and Development Problems (United Nations, 1975).
32. P.K. Michael Tharaican, "Migration of Fanners from Travancore to
Malabar from 1930 to 1960: An Analysis of its Economic Cause," M. Phil.
thesis, (Trivandrum: Centre for Development Studies, 1976).
62
You can
now order
article
repnnts
from this
publication
University Microfilms International,
in cooperation with publishers
of this journal, offers a highly con
venient Article Reprint Service.
Single articles or complete issues
can now be obtained in their
orig i nal size (up to 8112 X 11 inches).
For more information please com
plete and mail the coupon below.
ARTICLE REPRINT
SERVICE
University Microfilms International
DYES! I would like to know more about the Article Reprint I
Service. Please send me full details on how I can order.
I
D Please include catalogue of available titles. I
Name Title
I I
Institution/Company
I I
Department
I I
I
Address
City State
Zlp ___ I
I I
Mail to: University Microfilms International
I
Article Reprint Service
I
300 North Zeeb Road
I
L ______________
Ann Arbor, Michigan 48106
.1
I
Review
by K. Gopinath
The seriousness of the environmental degradation in
India has been well known yet there has been a dearth of
readily accessible information on this vital and pressing
problem. A few attempts in the past have not gone beyond
the specialist and by their nature are undesirably frag
mented. Lately there has been increasing interest in trying
to assess the situation in the newspapers (like Indian Ex
press) and magazines (like India Today). In consonance
with the increased interest in this subject, the recent publi
cation of "The State of ' India's Environment, 1982-A
Citizen's Report," edited by Anil Agarwal, Ravi Chopra
and Kalpana Sharma, is a notable event. In times such as
these, when reactionary and authoritarian trends seem to
be gaining the upper hand, when optimism is a difficult
virtue, the book has come to this reviewer as a whiff of fresh
air. A range of voluntary agencies and individuals, free
from governmental or institutional interference or control,
interested in environmental issues have come together on
a scale never seen before and have contributed their efforts
towards making this report a reality "within a span of 6
months and without a rupee to start with." Financing of this
venture has been by advance sales of the report and volun
tary contributions; grants from government or institutions
were neither sought nor used.
The leitmotifof this report as given by the editors states:
We found that a number of development oriented organiza
tions have begun to focus on the environmental issues . ...
Many ofthem have realized that the conflicts in the develop
mental process are essentially conflicts for control of re
sources , , , that changes in the environment have a direct
impact on the lives ofthe people. particularly the poor. who
are dependent on their immediate environment for their basic
needs. . , . The focus of the report had become sharp-to
explain how environmental changes were affecting the lives
ofthe people.
The book is divided into 11 chapters (Land, Water,
Forests, Dams, Atmosphere, Habitat, People, Health,
Energy, Wildlife, Government), each chapter examining
an aspect of the environment in detail. First, data from the
~ d
THE STATE OF INDIA'S ENVIRONMENT
1982 - A CITIZEN'S REPORT, by Anil
Agarwal, Ravi Chopra and Kalpana Sharma
(eds.). In English, Hindi, Marathi, Malayalam.
$20 (in U.S.). Annually published by Centre for
Science and Environment, 807 Vishal Bhavan, 95
Nehru Palace, New Delhi 11019.
official sources-the Indian Government or its agencies
and UN agencies-is presented, either in the form of tables
or more interestingly as charts. A number of photographs
are also used for emphasis. An interpretive gloss on the
data is also undertaken so that the real significance of these
disturbing data can be easily grasped. Examples:
Before Yamuna enters Delhi, 100 ml of its water
contains about 7500 coliform organisms. After it re
ceives Delhi's waste waters, the coliform count sky
rockets to 24 million.
In the highly grazed Shivalik hills 6 cm of topsoil,
representing nearly 2400 years of ecological history,
often disappears with one monsoon.
Between a quarter to a half of the lands brought under
irrigation can go out of cultivation permanently be
cause of soil salinity and waterlogging.
Cherrapunji-the wettest spot on earth and once cov
ered with lush subtropical forests-is today a barren
area.
Though the forest departments control 23 percent of
India's area, only about 10-12 percent has adequate
forest cover.
In mountainous Garhwal, women walk at least 6
hours 3 out of 4 days to bring back 25 kg of wood each
time.
For the most part, the energy gathering of the poor
does not appear to be the cause of deforestation.
Their hearths bum mainly with little twigs, branches,
leaves and whatever "kachra" (junk) that they can
find.
Secondly, an attempt is made to show that the poorer
sections of society have much more to lose by environ
mental degradation than others-an observation that is
accepted by many with as much difficulty as the fact that
civil liberties and democracy are crucial for the survival and
betterment of the poor. Liberal use of boxed items is made
to recount many of the experiences and insights gained in
the past. Some examples are the Chipko Andolan Move
ment (non-violent action of hugging trees by local populace
63
to prevent felling of trees by forest contractors), Srisailam
dam and the pushing out of the dispossessed, and Women
and Energy for Cooking.
The book offers ample evidence for the sagacity and
desirability of what is often termed as Gandhian or Bud
dhist economics, especially in the Indian context. In a few
words, this means decentralization, the undesirability of
externally imposed solutions or external control of re
sources, self-governance and responsibility at lower levels,
and respect for local initiatives and input in resolving situa
tions. The current top-heavy administration, hardly rep
resentative of the people it is supposed to serve, has either
capitulated to the vested interests causing much misery or
has pursued well-meaning, oftentimes glamorous, but seri
ously flawed technocratic/bureaucratic approaches, bene
fitting few and unwittingly becoming a source for fresh
difficulties. In addition, many crucial actions are under
taken without the consent or input from people who will be
most affected by it, thus insuring either failure or resis
tance. It has been observed that each time a major develop
ment project goes up, or there is a fresh inroad into the
remote areas for untapped natural resources, a new ecolog
ical niche is destroyed and the unlucky people, who called it
their home and relied upon it for their marginal subsis
tence, are uprooted and pauperized. Some examples are:
The dispossession and harassment of tribals. The pro
posed Forest Bill is an example of insensitivity and
lack of understanding on the part of its authors
towards tribals who are accused of destroying forests
without any basis and have had their time-honored
means of livelihood declared illegal in as much as it
depends on collecting flowers, fruits or firewood.
The myopia of this bill is all the more egregious as the
real plunderers of the forest, the private contractors
working for the timber-based industries, will contin
ued to find few obstacles in their way.
The experience of Tawa Dam and others have shown
that more often than not such large irrigation projects
reduce the fertility of the soil by causing waterlogging
and by subsequently decreasing crop production. The
Tawa dam was undertaken without taking into ac
count the impact on soil fertility and in disregard of
the long-standing experience of the farmers of the
area in cultivating the heavy retentive black soil. Ex
cessive surface water, often the result of unlined canal
irrigation, cause the rise of sub-soil water which
reaches the root zone of the crops. Harmful salts
move upwards in the soil along with the water and the
land loses productivity. Groundwater irrigation,
which would have been quite adequate, was never
seriously considered, due to "pathological preoccu
pation with big projects."
Good intentions alone are not enough. Asked to build
a brand new village for disaster victims of a cyclone, a
German architect, Reinhold Pingle, an inmate of the
Aurobindo Ashram at Pondicherry, chose the rammed
earth approach to contain the cost. The mud houses
are reasonably stable and better than what most
villagers could ever aspire for but, surprisingly, the
villagers hardly take care of their homes. Improved or
not, mud is a low status material to them. Mud houses
created considerable disillusionment among them be
cause they had expected concrete houses. "I have
learnt that housing cannot be imposed on the people,
it has to evolve on its own ...."
The most striking observation made by the editors is
that the women of India, who are largely left to fend for the
basic material needs of the family, are more concerned
about husbanding the environment.
Why is it that almost every effort to involve rural communities
in accepting new energy technologies, like improved wood
stoves, community biogas plants or fuelwood plantations,
has failed? ... [because] women are rarely involved in the
projects. When they are consulted the success rate is high.
Men seldom collect or use cooking energy and are least
interested in spending their labour or the family cash re
sources under their control on service technologies that
hardly concern them.
The sharp differences in the interests of men and women
over trees are evident from the experiences of the Chipko
Andolan volunteers. The Chipko activists have encour
aged local villagers to plant one million trees, making it the
country's largest voluntary afforestation program. The
survival rate of these trees is over 85 percent as against
20-25 percent in governmental plantations undertaken by
contractors. When the village assembly was asked to
choose the trees to be planted, the men wanted fruit trees
while the women argued in favor of fuel and fodder trees.
"What will we get if fruit trees are planted," said the
women. "The men will sell the fruits and purchase liquor or
tobacco." In the end, both types of trees were planted to
retain the interest of men, but it is women who have
worked to ensure the survival of the trees.
The above observation also goes a long way in explain
ing why very basic needs like potable drinking water (again
in the domain of women) or sanitation have not been met
whereas rural electrification, even when inappropriate, has
had a semblance of success. Where action has been guided
by real needs of the people, there have been some success
stories. Examples are:
Chipko Andolan movement (hugging of trees by the
local populace to prevent felling of trees by forest
contractors)
Development of improved chulhas (woodstoves): It
has been remarked that the highest pollution any
where occurs in the poorly ventilated huts of the poor
while cooking. Not only is the smoke a health hazard,
it also represents using scarce wood very inefficiently.
Working exclusively with the women ofNada, Madhu
Sarin designed a stove that has a chimney which al
lows smoke to escape outside; a damper between the
chulha and the chimney controls the airflow. The
stove lights with ease and the women find that they
can boil about twice as much water as before with the
same amount of wood.
Sulabh Sauchalaya (latrine): More than 25000 poor
people who previously fouled the streets and parks,
now use a string of public baths and toilets set up by a
voluntary organization called Sulabh international.
Long queues are common. "Every rickshaw puller in
Patna now bathes twice a day." The maintenance cost
64
is covered by collecting a fee of 10 paise from those
who can afford it.
The report is a valuable addition in increasing our
understanding of the impact of domination of one group of
people over another, rich over poor, men over women or
strong over weak. Since this domination is a reality that
cannot be wished away, for those who feel sufficiently
concerned to apply themselves to removing this domina
tion, this report should be of considerable help. It can be
profitably read along with two other books on similar
themes but in different contexts:
Homo Faber by Claude Alvares in the historical/co
lonial context detailing, among others, the rape of
Review
by Elly van Gelderen
This study describes movements against Untouchabil
ity in present-day Punjab, as the subtitle indicates. The
emphasis is on the Ad Dharm movement (with its leader
Mangoo Ram) and relations with other lower caste organi
zations. The Ad Dharm movement began to ftuorish in
Punjab in the 1920s (their first organizational meeting was
in 1925). It was not a movement unique in its kind, for
Untouchable organizations arose elsewhere, such as the
Adi Dravida in Madras. The latter apparently was "the first
to formulate the concept that the Scheduled Castes were
the original inhabitants of India" (p. 24), but this idea
either spread rapidly or was conceived of by other groups as
well. There were attempts to amalgamate groups like Ad
Dharm, Adi Dravide (ad adi [adii: original, ancient) and
other Adi groups in, for instance, Uttar Pradesh and
Delhi, but these were not successful.
J uergensmeyer notes that one of the reasons for this
sudden political activity was the changes in British policies
after World War I. The Government of India Act (im
plemented in 1919) made communal representation possi
ble in the Indian Parliament and this stimulated Untouch
ables to organize (pp. 22-3). In Punjab, Untouchables
constituted ten to twenty-five percent of the population and
before they became organized had always been taken as
belonging to Hinduism by the census-takers (p. 26). In a
state where Hindus did not have a clear majority, it became
Indian agriculture/crafts at the hands of the British.
Food First by Frances Lappe Moore and Joseph
Collins, in the context of contemporary agricul
ture and the depradation of the Third World
agriculture economies at the hands of multinational
corporations.
The book unfortunately does not have an index which
is bothersome. It has a section on resources (voluntary
organizations, articles, reports) which should be of great
help. Finally, there is "A statement of shared concern" of
all those who participated in this report which can be most
easily condensed to a quote of Gandhi's: "There is enough
in this world for everyone's needs but not enough for
everyone's greed." This book is highly recommended. *
RELIGION AS SOCIAL VISION: THE
MOVEMENT AGAINST UNTOUCHABIL
ITY IN 20TH-CENTURY PUNJAB, by Mark
Juergensmeyer. Berkeley: University of Cal
ifornia Press, 1982,350 pp., $30.
important to reconvert Untouchables to Hinduism from
Islam or Christianity. One of the groups doing this was the
Arya Samaj. Founded in 1875, it was a reform movement in
Hinduism, which among other things advocated a more
humane treatment of women and Untouchables (p. 38) and
established a network of schools. Apart from groups like
the Arya Samaj, Muslims, Christians and Sikhs tried to
convert Untouchables to their respective beliefs.
Other "competitors" are discussed: Rishi Valmiki,
Radhasoami, Ambedkar and Gandhi. What has been com
mon, according to Juergensmeyer, to all these organiza
tions of Untouchables and has been the key to their success
is that they are religious organizations: Unkmchability is
rooted in (Hindu) religion and therefore lower castes "see
freedom from oppression not only as liberation from old
social alignments, but as a release from old religious ideas
as well" (p. 269). Once groups shift their emphasis from
religious to political, they lose their appeal, (political in the
sense of entering into elections, having political represen
tation). This happened to Ad Dharm after 1935 (p. 143).
To the question of whether or not religious move
ments like Ad Dharm have been successful, Juergens
meyer gives only a partial answer. He does regard them as
successful in being able to give the lower castes a new
identity. The "crowning moment" (p. 80) of Ad Dharm
was that in the census results of 1931 Ad Dharm not only
65
was listed as a separate category in the Punjab but also that
nearly half a million Untouchables, "perhaps only a tenth
of the total number of o w ~ r caste people" (p. 77), listed
their religious affiliation as Ad Dharm. The movement's
success is measured by the number of people who felt they
belonged to Ad Dharm. A new religion certainly can pro
mote a new sense of personal dignity when castes play no
role in the new religion, but it can also become a dream
world (d. p. 278) which need not imply social equality. To
judge what brought about improvement in the situation of
the Untouchables is a more complex matter than this and
one which the author does not adequately deal with.
According to Juergensmeyer., a secular movement
(such as Marxism or the Congress Party) "is not altogether
convincing" in this Framework of change (p. 220). Western
assumptions on the separation of religion and social values
"simply do not apply" (p. 275). The implication of this
notion is that one could not appeal to the government of
Pakistan to abolish Islamic punishments such as stoning to
death on the secular grounds that they are cruel and inhu
man. Clearly, the author does not approve of Untouchabil
ity even if it is rooted in religion, nor would he of stoning to
death. Yet, he does not address the problem that religious
movements must be restricted in their actions. Religious
movements may be helpful in providing new identities to
people, but a secular government must enforce equality
and justice. The Indian government has not always been
doing that as diligently as possible, but secularity has not
been the reason
1
for its inaction and secularity cannot be its
excuse either.
Compatible with the book's thesis that social reforms
"come in the guise of religion" (p. 4), the reader perceives
two strategies proposed to change Indian society. These
two visions are in conflict with each other: 1) integrating
Untouchables into a (changed) Hindu society, as for inst
ance Arya Samaj, Ambedkar and Gandhi wanted, and 2)
forming a separate organization so as to give Untouchables
pride, religion and organization (p. 293), as Ad Dharm
wanted. Juergensmeyer is mainly concerned with the latter
movement.
The first position involved reforming the upper caste
Hindus, but the Arya Samaj also made great efforts to
educate the lower castes in order for them to be admitted
into Hinduism. In fact, the majority of the Ad Dharm
leaders were educated in this way. Ambedkar's movement,
the Scheduled Caste Federation, became important on a
national level in the early 1930s. It was impossible for this
group and Ad Dharm to amalgamate, however, because
Ambedkar "wanted to join, not a separatist religious tradi
tion, but rather an egalitarian one, which would embrace
the whole of society" (p. 162). He eventually joined
Buddhism as others had joined Christianity or Islam in
search for equality. In Gandhi's case, it is not so clear that
he wanted to educate Untouchables. Gandhi strove for a
more humane Hinduism-a politically conscious Untouch
able was not really necessary. 2
The second position involved giving Untouchables a
new identity, a non-Hindu one. Untouchables, when
asked, do not consider themselves Hindus as Juergens
meyer notes in his introduction. Often a new identity
meant an uplift by showing that Untouchables were the
original people. Emphasized in the book in the context of a
new identity is the veneration by Ad Dharm of Ravi Das, a
sixteenth-century poet-saint "touching the heart of the cul
tural tradition of lower caste Punjab" (p. 83). He was a
Chamar, an Untouchable, who was nonetheless recognized
by both Hindus and Sikhs. J uergensmeyer includes as Ap
pendix B a report, published recently by Ad Dharm, which
narrates how the forefathers of the Untouchables were
enslaved and mistreated by the primitive conquerors. It
describes the religious characteristics and social goals of the
Ad Dharm movement.
Of course, either strategy-integration with or sep
aration from Hindu society-is not a solution in terms of
universal human equality as stated, for example, in the UN
Declaration of Human Rights. However, the second stra
tegy, giving Untouchables a new identity based on their
being the "original" people, contains the possibility of the
oppressed becoming the oppressor. This potential reversal
exists in groups which seek to define their identity in terms
of religion or nationality. One is tempted to say that that is
what identity theories have often been about,3 but Juer
gensmeyer does not take up this question.
J uergensmeyer's book is an interesting historical study
of religious organizations in the Punjab, but the author
leaves this reader in doubt whether religion will ever eradi
cate Untouchability in India. *
3. L. Poliakov, The Aryan Myth: A History ofRacist and Nationalist Ideas in
Europe (New York: Basic Books, 1974).
1. See for instance D. Hiro's The Untouchables ofIndia. rev. ed. (London:
The Minority Rights Group, 1982) pp. 7-12.
2. See E. Zelliot, in M. Mahar (ed.) The Untouchables in Contemporary
India (Tucson: The University of Arizona Press, 1972) p. 77 and p. 88.
66
Review
by Jonathan N. Lipman
The recent flood of books about Chinese women has
concentrated almost exclusively on revolutionary China.
Apart from the compulsory and general "historical back
ground" chapter(s), these works evaluate change and con
tinuity in women's lives only under socialism. Feminist
scholarship on traditional China-in Wolf and Witke's
conference volume, for example-has not yet stimulated
an equivalent body of work on pre-socialist topics. Sue
Gronewald contributes the present volume to address part
of that huge gap in our knowledge. It is the first in a series of
journal/monographs on Women and History, published by
the Institute for Research in History, with a truly dis
tinguished Board of Advisors.
The book describes prostitution in China's urban areas
during the late Qing and Republican periods. Unlike the
work of pop sexologists and hunters for the exotic,
Gronewald's study places the very unglamorous institution
of sex-for-hire where it belongs, in its historical context.
She elucidates the socio-economic matrix which forced
women into prostitution as an alternative to starvation,
violence, odious arranged marriage, or other catatas
trophes. She also includes more general material on
women's lives, which is one of the great strengths of the
book. She demonstrates the continuity between those who
lived in the urban "willow bowers" and their sisters who did
not.
Beginning with the 19th century, Gronewald narrates
recruitment practices, price scale, life cycle, and occupa
tional hazards of Chinese prostitutes. She concentrates,
perhaps unfortunately, on the spotty and imprecise statis
tics, which may tell us less than the folk songs in which
"fallen women" yearn for husband, children, and conven
tional life. Roughly chronological in organization, the
book dwells briefly on the legal and moral status of prosti
tutes, then describes the changes in prostitution which took
place during the wrenching years up to 1936.
The clarity and normative power of the double sexual
standard in China worked to ensure a continuous demand
for prostitutes at all levels of society. Female infanticide
and the impoverishment of the countryside also played
BEAUTIFUL MERCHANDISE:
PROSTITUTION IN CIllNA, 1860-1936, by Sue
Gronewald. New York: Institute for Research in