Art June 2013

ART
Lucy Lippard - 4,492,040 New Documents 2012 ISBN 9781927354001 Acqn 20951 Pb 16x10cm 460pp 26.95 Between 1969 and 1974, the influential curator Lucy Lippard (born 1937) curated four decisive Conceptual art exhibitions, and in doing so reinvented the exhibition catalogue. 4,492,040 is a facsimile reprint of the extremely scarce and hugely important catalogues produced for those exhibitions: 557,087 (the Seattle Art Museum), 955,000 (the Vancouver Art Gallery), 7,500 (the California Institute of Art) and 2,972,453 (the Centro de Arte y Comunicacin). Titled after the populations of the cities in which the shows were held, each catalogue was an envelope of loose note cards containing statements, documentation and conceptual works by each artist, to be rearranged, filed or discarded at will. If Lippard described Conceptual art as the dematerialization of the art object, these catalogues effectively announced the dematerialization of the art exhibition. (One reviewer claimed Lippard had been the artist, and that her medium had been other artists.) 4,492,040 includes such iconic figures as Vito Acconci, Carl Andre, Siah Armajani, Terry Atkinson, John Baldessari, Michael Baldwin, Robert Barry, Rick Barthelme, Daniel Buren, Rosemarie Castoro, Hanne Darboven, Walter de Maria, Jan Dibbets, Christos Dikeakos, Eleanor Antin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, On Kawara, Edward Kienholz Sol LeWitt, Roelof Louw, Duane Lundon, Bruce McLean, Robert Morris, N.E. Thing Co., Bruce Nauman, Adrian Piper, Allen Ruppersberg, Ed Ruscha, Richard Serra, Robert Smithson, Jeff Wall and Lawrence Weiner.
orders@artdata.co.uk www.artdata.co.uk
ART
Stefan Sagmeister - The Happy Film Pitch Book ICA Philadelphia 2013 ISBN 9780884541257 Acqn 22067 Pb 7x10cm 244pp 50col ills 15 Austrian-born, New York-based graphic designer, typographer and artist Stefan Sagmeister (born 1962) often tests and transgresses the boundary between art and design, through his imaginative implementation of typography. The Happy Film Pitch Book both documents Sagmeisters touring exhibition, The Happy Show, and anticipates his ongoing feature length film, The Happy Film. In both projects, Sagmeister undergoes a series of self-experiments (each experiment lasting three months)--with meditation, cognitive therapy, and mood-altering pharmaceuticals--attempting to improve his personal happiness. I am usually rather bored with definitions, Sagmeister says. Happiness, however, is just such a big subject that it might be worth a try to pin it down. The Happy Show, Sagmeisters first museum show in the United States, documents his adventures in video, print, infographics, sculpture and interactive installations, most of which were custom-made for this exhibition. Here, Sagmeister offers his own witty and poignant thoughts and reasons for his ten-year exploration of happiness. Throughout the book, Sagmeisters trademark maxims serve as access points to a larger exploration of happiness, its cultural significance, our constant pursuit of it and its notoriously ephemeral nature.
ART
Suzan Frecon Paper Radius Books 2013 ISBN 9781934435618 Acqn 22100 Hb 25x29cm 112pp 56col ills 46 Over the past four decades, New York-based artist Suzan Frecon (born 1941) has become known for abstract oil paintings and watercolours that are at once reductive and expressive. While she has described oil painting as her primary focus, watercolour has played a vital role in her process, as both a form of study for the larger oil paintings and as an outlet for a looser, more gestural style. As with her oil paintings, Frecons works on paper continue her investigation of a highly allusive, geometric and yet still organic abstraction; mostly small in scale, they are remarkable for their quiet presence and power. Suzan Frecon: Paper is published to coincide with an exhibition at David Zwirner in New York, and features over 50 watercolours, a few small oil-onpanel works and a collection of excerpted texts and poetry selected by the artist.
ART
Artists For Artists - 50 Years Of The Foundation For Contemporary Arts Foundation for Contemporary Arts 2013 ISBN 9780615669458 Acqn 22116 Hb 23x29cm 208pp 160ills 80col 30 In 1962, Jasper Johns, John Cage, Robert Rauschenberg and other artists came together to help Merce Cunningham finance a proposed season on Broadway by organizing a sale of their artworks. Their success led to the formation of the Foundation for Contemporary Arts--now among the most celebrated of grant-giving organizations--and a radical new way for artists to support other artists through the sale of their work. Artists for Artists celebrates the fiftieth anniversary of the Foundation, tracing its vital role in supporting artists and sponsoring some of the signal performance events of the last half-century. This beautifully designed book includes a full event history, profiles of key artistbeneficiaries, the original texts of the Foundationsponsored Six Lectures series of 1966 (most never before published) and an oral history including the Foundations co-founder, Jasper Johns. Edited by Eric Banks. Foreword by Stacy Tenenbaum Stark. Text by Nancy Dalva, Eva Diaz, Rebecca Y. Kim, Irving Sandler, Marshall McLuhan, Buckminster Fuller. Interviews by Stacy Tenenbaum Stark.
ART
Cy Twombly Gallery Schirmer Mosel Verlag 2013 ISBN 9783829606417 Acqn 22260 Hb 28x28cm 220pp 105col ills 52.50 The Cy Twombly Gallery, part of the Menil Collection in Houston, Texas, was designed by Renzo Piano conforming to the artists wishes. The intriguingly lean, clear, and light architecture provides an intimate, unmediated experience of the artists work on view, a veritable retrospective that includes a number of large canvases, sculptural works, and suites of paintings and drawings.
ART
Anselm Kiefer - The Shape of Ancient Thought Schirmer Mosel Verlag 2013 ISBN 9783829606363 Acqn 22277 Hb 25x32cm 56pp 29ills 46.95 Juxtaposing temple structures in the East and West, Anselm Kiefer illustrates parallels and similarities of the Indian and Greco-Roman philosophy, as posited by Thomas McEvilley in his seminal book The Shape of Ancient Thought.
ART
Institutional Attitudes - Instituting Art in a Flat World Valiz 2013 ISBN 9789078088684 Acqn 22281 Pb 14x21cm 262pp 16.50 Todays networked society offers us many wondrous possibilities of information, communication, mobility, and flexibility. It also has a latent side effect: it makes the world flat. Time-honoured hierarchies, traditions, elites and canons are subject to erosive movements. In such a flattened, horizontal world, art institutions are finding it difficult to survive. After all, institutions such as these traditionally represent verticality historic profundity, tradition, values, dignity, and certainty. In Institutional Attitudes the future identity of art institutes is explored. Will they be able to create profundity and height again? Is this desirable? And if so, what would these new vertical ways look like? Or is it better to develop horizontal strategies in order to react more advantageously to the flat world?
ART
Antony Gormley Model White Cube 2013 ISBN 9781906072773 Acqn 22282 Hb 25x34cm 328pp 350col ills 56 Fabricated from 100 tonnes of weathering sheet steel, Model was both sculpture and building, human in form but at no point visible as a total figure. Visitors were able to enter the work through a 'foot' and journey through its inter-connected internal chambers, the sculpture demanding that we adjust our pace and bend our bodies to its awkward yet absolute geometry. The experience of this analogy for the 'dark interior of the body' is guided by anticipation and memory and the direct and indirect light which penetrates the structure and which leads us on, as if through a labyrinth. Revealing processes that can be both playful and disciplined, the installation suggests a workshop full of ideas and procedures, methods and materials. These works, together with a series of new expansion pieces, created an exhibition which powerfully extends Gormley's exploration of the body as a site of transformation. Catalogue text by Michael Newman and design by John Morgan Studio.
ART
David Batchelor Flatlands Fruitmarket Gallery 2013 ISBN 9781908612199 Acqn 22294 Pb 21x26cm 120pp 120col ills 16.95 David Batchelor is best known for his vividly coloured sculptural installations of illuminated lightboxes, industrial dollies, and other found objects. He has, however, always been interested primarily in drawing, painting, abstraction and the monochrome. These are preoccupations that are best charted in the immensely varied two-dimensional work that is the subject of this publication, which represents a first considered attempt to analyse Batchelors graphic register by reflecting critically on his use of surface, painting, drawing, and colour. Lavishly illustrated, it contains new writing by renowned international writer and curator Rudi Fuchs, an essay by curator, writer and Director of The Fruitmarket Gallery Fiona Bradley, and an insightful interview with the artist conducted by writer and curator Andrea Schieker, who first had the idea to focus on Batchelors two-dimensional work, and who has curated the exhibitions at The Fruitmarket Gallery, Edinburgh and Spike Island, Bristol that this publication accompanies.
ART
ART
Art as a Thinking Process - Visual Forms of Knowledge Production Sternberg Press 2013 ISBN 9781934105931 Acqn 22295 Pb 17x23cm 264pp 260ills 16.95 The work of art has often been a battlegroundits decorative and formal aspects positioned against its nature as an embodiment of cognitive acts. Leonardo da Vincis claim that art be a cosa mentale is winning at last: recent debates around art schools and their methods, of which this book is a vast survey, demonstrate that, now more than ever, art is considered the result of a thinking process. With texts by John Aiken, Mara Ambroi, Ute Meta Bauer, Carol Becker, Franco Berardi, Jeremiah Day, Paolo Garbolino, Mika Hannula, Mary Jane Jacob, Jan Kaila, Lev Kreft, Cornelia Lauf, Paolo Legrenzi and Alessandra Jacomuzzi, Hongjohn Lin, Sarat Maharaj, Marco De Michelis, Suzana Milevska, Simon Njami, Hans Ulrich Obrist, John Rajchman, Gertrud Sandqvist, Henk Slager, Hito Steyerl, Chiara Vecchiarelli, Angela Vettese, Mick Wilson
ART
John Smith Sternberg Press 2013 ISBN 9783943365603 Acqn 22298 Hb 16x24cm 236pp 203ills 178col 26 This comprehensive new monograph on the influential British artist-filmmakerrenown for his playful and formally ingenious subversion of the everyday worldcontains essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife. Herberts text provides an incisive overview of Smiths work over the past four decades while Christie examines Smiths oeuvre within the context of English eccentricity. Meyers essay discusses Smiths film The Black Tower in relation to absence and abstraction while de Seife looks at cinematic scale through the prism of Smiths Gargantuan. The publication includes a complete fully illustrated filmography spanning 84 pages, with images and synopses from nearly fifty film and video works made between 1972 and 2012. orders@artdata.co.uk www.artdata.co.uk
ART
Tacet 2 - Experimentation In Question Editions Meteo 2013 ISBN 9782953951615 Acqn 22373 Pb 16x22cm 560pp 40ills 22.50 This densely theoretical second edition of Tacet questions the key concept of experimental music with regard to its principles, manifestations and ventures, both historically and today, including canonical figures like John Cage and Steve Reich. The notion of experimentation is indeterminate, which leads to an open concept aesthetic that can be advanced or interpreted in diverse ways. The historical pluralism of musical experimentation is emphasised first, while examples of experience form the second part, encompassing a field of sound practices that are particularly heterogeneous. With contributions by Pauline Nadrigny, Taku Sugimoto and many others.
ART
Mona Hatoum Shift Holzwarth Publications 2013 ISBN 9783935567626 Acqn 22377 Hb 23x30cm 82pp 69ills 59col 29.95 For three decades Mona Hatoum has been interrogating political issues through diverse metaphors that frequently reference Minimal Art and, in particular, its use of the grid. Shift' features several recent works by the artist, including a new, large sculpture made of marbles and two works created during a residency in Istanbul earlier this year (Kapan iki and Shift). All of the works in the exhibition catalogue embody the artist's signature use of contrasting forms and materials as well as her interest in the themes of power structures, conflict and 'home'.
ART
Darren Almond - All Things Pass Holzwarth Publications 2013 ISBN 9783935567633 Acqn 22378 Hb 24x27cm 100pp 42col ills 29.95 Almonds diverse body of work incorporates film and video, drawing, painting, installation, sculpture and photography. His multiscreen video All Things Pass (2012) was filmed in the worlds largest step well, Chand Baori, built in the 7th century in Rajasthan. Shot over both the dry season and the monsoon season, it primarily surveys the well a huge inverted pyramid designed to collect rainwater from a large surface area, narrowing to a small base in sync with a thirty-minute piece of Hindustanti music, arranged for four musicians. Almonds initial interest in the well stemmed from his fascination with the phosphorescent algae that grows there now that the structure is disused (it is accessible by the public for one day a year). The formal and aesthetic concerns that haunt the work, however, are only the starting point toward larger issues: the extraction of resources, and how necessary even desperate human activity, and the structures it brings forth, are nested within still larger structures and systems scaling upward to heavenly bodies as stars, and into invisibility.
ART
Bela Kolarova Raven Row 2013 ISBN 9780956173959 Acqn 22380 Pb 16x24cm 120pp 70ills 50col 15 From her trademark artificial negatives, light drawings and derealised portraits to her assemblages and collages, Czech artist Bla Kolov pioneered an art based on intimate objects often associated with domesticity and the feminine. While rooted in the context of the Cold War and exile, Bla Kolovs practice is also closely linked to the life of her husband, the influential artist and poet Ji Kol, whose work overshadowed her own until its recent rediscovery. Despite the difficulties of exhibiting in her own country, she was able to develop a unique body of work, both formally and conceptually. As this exhibition will demonstrate, its legacy to the history of art on both sides of the Iron Curtain is anything but modest, unlike its materials and its authors personality. This exhibition catalogue includes new essays by Praguebased writer and curator Karel Csa and Matthew S. Witkovsky, Chair and Curator of the Department of Photography at the Art Institute of Chicago, as well as an edited conversation between Alice Motard and Czech art historian Marie Klimeov, who organised the most complete exhibition of the artists work to date at Olomouc Museum of Art in the Czech Republic in 2006.
ART
Son Et Lumiere - Material, Transition, Time And Wisdom Foil Co. Ltd 2013 ISBN 9784902943795 Acqn 22381 Pb 23x28cm 160pp 115ills 55col 34 The earthquake in 2011 undermined the sense of security, happiness and freedom that form the foundations of Japanese society. Moreover, the economic, social and other systems chosen by democratic societies to realise human freedom have become threats to our very survival. This exhibition investigates the potential for humans to confront such contradictions head-on, uncovering seeds for the future within the human condition and transforming perception into a multiplicity of meanings. It comprises a diverse range of Japanese and international artists: Gerhard Richter, Jan Fabre, Takashi Murakami, Carsten Nicolai, Patrick Blanc, Makoto Saito and many others.
ART
Edda Renouf Annely Juda Fine Art 2013 ISBN 9781904621492 Acqn 22384 Pb 22x25cm 48pp 30col ills 18 Annely Juda present a new catalogue of work spanning four decades and a recent interview with the artist.
ART
The Shadowfiles 3 - Curatorial Education De Appel 2013 ISBN 9789073501782 Acqn 22406 Pb 17x23cm 160pp 40ills 15.95 This third edition in the series is a result of the Curatorial Programme at De Appel in Amsterdam, which contributes significantly to the Netherlands as a focus of research and expertise on curating. The 24 comprehensive essays herein map the history of curatorial programmes worldwide and suggest possible directions for the future of this now greatly expanded field. Personal testimonials of Curatorial Programme alumni underscore one of its most important aspects: how knowledge is transferred to the students and how this experience shapes the practice of emerging curators. With contributions by Saskia Bos, Ann Goldstein, Hans Ulrich Obrist, Seth Siegelaub and others.
ART
Nick Waplington - The Patriarch's Wardrobe PAMBooks 2012 ISBN 9780980369663 Acqn 22416 Hb 30x25cm 56pp 28col ills 39.95 These photographs were taken in the land that was once called Palestine, on a landfill site south of the city of Hebron. The waste delivered to the landfill comes from Jewish Settlements in the Judea region of the West Bank. Before the waste is buried, it is scavenged for anything of worth by Palestinian children, working in groups for adult handlers. It was agreed I would work at a distance as not to reveal their identities. The photographs are juxtaposed with paintings I made of the landscape of the West Bank. Each painting represents a piece of this disputed land, and they are titled with a mixture of Hebrew and Arabic place names. They are based on colours caught by the photographs I shot while on location, and reworked in my studio. - Nick Waplington 2011
ART
Mark Tansey Gagosian Gallery (NY) 2013 ISBN 9781935263449 Acqn 22417 Hb 29x29cm 120pp 53col ills 68.50 The dense imagery that permeates Mark Tansey's canvases can be sourced to a trove of visual material that the artist has collected over the years. This includes his own photographs, as well as clippings from magazines, journals and newspapers. Tansey begins his creative process by stretching, rotating or cropping forms, combining images and photocopying them over and over again until he produces a collage that can serve as preliminary study for his paintings. Tansey's work typifies the complexity of our age, when certainty seems more elusive than ever. In his paintings, it is difficult to determine whether east is west, up is down, left is right, or good is evil. The literal is the figurative, and the figurative is literal. Tansey embraces this ambiguity and invites the viewer to participate in a visual and metaphorical adventure.
ART
Spinning. Nature, Culture And The Spiritual In The Work Of John Newling Nottingham Contemporary 2013 ISBN 9781907421068 Acqn 22418 Pb 24x28cm 144pp 160ills 140col 20 John Newling is a pioneer of public art with a social purpose. His works explore the natural world and the social and economic systems of society such as money or religion. He belongs to a generation of artists whose work evolved from Conceptual Art, Land Art and Arte Povera art movements occurring during the 1960s, that placed emphasis on the concept, process and site of the work, alongside material and aesthetic properties. This is the first substantial overview of Newling's mysterious, intriguing, and often beautiful works.
ART
EP Vol. 1 - The Italian Avant-Garde: 1968-1976 Sternberg Press 2013 ISBN 9783943365498 Acqn 22443 Pb 13x21cm 224pp 81ills 42col 18.95 EP is the first critically underpinned series of publications that fluidly move between art, design, and architecture. The series creates a discursive platform between popular magazines (single play) and academic journals (long play) by introducing the notion of the extended play into publishing: with thematically edited pocket books as median. The first volume is devoted to the activities of the Italian avant-garde between 1968 and 1976. While emphasizing the multiple correspondences between collectives and groups like Arte Povera, Archizoom, Superstudio, and figures such as Ettore Sottsass and Alessandro Mendini, The Italian Avant-Garde: 19681976 also highlights previously overlooked spaces, works, and performances generated by Zoo, Gruppo 9999, and Cavart. Newly commissioned interviews and essays by historians and curators shed light on the era, while contemporary practitioners discuss its complex legacy. With contributions by Paola Antonelli, Pier Vittorio Aureli, Andrea Branzi, Carlo Caldini, Alison J. Clarke, Experimental Jetset, Verina Gfader, Martino Gamper, Joseph Grima, Alessandro Mendini, Antonio Negri, Paola Nicolin, Michaelangelo Pistoletto, Catharine Rossi, Vera Sacchetti, Libby Sellers, Studio Formafantasma, and Ettore Vitale. orders@artdata.co.uk www.artdata.co.uk
ART
Janet Cardiff And George Bures Miller - The House Of Books Has No Windows DVD Fruitmarket Gallery 2013 ISBN 9781908612069 Acqn 22444 DVD 14x19cm 14mins 10 This exhibition offers a rare chance to experience the work of one of the most internationally respected artist partnerships. Janet Cardiff and George Bures Millers collaborative installations are multi-layered, multimedia experiences. Using objects, images and sound, they collage together impressions and experiences, memory and history, mixing references to high and popular culture in works which draw an audience into a series of intensely credible fictions. The six installations in the exhibition entice the viewer into six new worlds. In one room, we peer into a mini cinema, screening a five minute Midwestern film noir. Opening an old door into another, we seem to have strayed into the artists studio: a room stuffed with books, record players, speakers, models, notes and drawings, all of which start to tell us stories as we wander amongst them. In a third room, 2,000 records, 8 robotically-controlled record players and 24 speakers perform a 20minute, automated opera, collaging together arias from Italian operas, rock music, a recording of a stage hypnotist from the 1970s, the sound of rain and a train, and the lonely musings of an opera-lover alone in his room in the middle of nowhere. Cardiff/Millers work is mesmerising, as much theatre as installation. Original, imaginative and performative, it is a coup for The Fruitmarket Gallery and a treat for its audiences.
ART
Dieter Roth - Diaries DVD Fruitmarket Gallery 2013 ISBN 9781908612205 Acqn 22445 DVD 14x19cm 15mins 10 Dieter Roth (193098) was an artist of astonishing breadth and diversity, producing books, graphics, drawings, paintings, sculptures, assemblages and installation works. He was also a composer, musician, poet and writer. For Roth, art and life flowed readily into each other and much of the material for his artistic output came from his everyday experiences. Throughout his life, Roth kept a diary: a space to record appointments, addresses, lists and deadlines but also ideas, drawings, photographs and poems. His diaries teem with graphic exuberance and proved a rich source for his work. The Fruitmarket Gallery is fortunate in being able to show Roths diaries to the public for the first time in an exhibition which explores the importance of the idea of diary-keeping in the work of this influential artist. Many of Roths works can be understood as kinds of diaries. In the mid 1970s, he attempted to record a year of his life by collecting and preserving all items of waste less than 5mm thick. The resulting work, Flat Waste, celebrates and subverts the ordering principle of a diary. Solo Scenes, a vast video diary, records the last year of Roths life on 128 video monitors. Although Roth died in 1998, his work remains of interest to artists and audiences alike. He has a particular connection to Edinburgh, having been part of Richard Demarcos exhibition Strategy Get Arts at the 1970 Edinburgh International Festival. This will be the first time his work has been seen in Scotland since. orders@artdata.co.uk www.artdata.co.uk
ART
Masimo Bartolini - Studio Matters + 1 DVD Fruitmarket Gallery 2013 ISBN 9781908612212 Acqn 22446 DVD 14x19cm 15mins 10 Massimo Bartolini (born 1962, Cecina, Italy) is internationally renowned for his immersive, experiential art. His work is often talked about in terms of metamorphosis and experimentation he makes art which changes space and our experience of it and which acknowledges, in its finished form, the processes by which it was made. This exhibition engages directly with this, by presenting one major installation together with a selection of small sculptures and works on paper, taken directly from Bartolinis studio and exhibited here for the first time. Though he is known for large installations made on site, the studio still matters to Bartolini: in his words, In the studio is where I really think. But since Im not a conceptual artist, I need to do something while Im thinking. The small sculptures and works on paper studioworks are what he does. This exhibition opens with La strada di sotto (The Street Below), a glowing field of coloured lights of the kind used during street celebrations in Sicily. It continues with a selection of the objects and images that Bartolini has been making while thinking over the past 10 or so years. In the context of the confident visual statement made by the installation, these are uncertain objects whose status and meaning are in flux. They are not models for major sculptures they are simply what they are; containers for thought or maybe impulses towards it. orders@artdata.co.uk www.artdata.co.uk
ART
Self-Organised Open Editions 2013 ISBN 9780949004178 Acqn 22447 Pb 16x21cm 166pp 17 The current economic situation and societys low confidence in its institutions has suddenly demanded that artists become more imaginative in the way that they organise themselves. If labels such as alternative, non-profit and artist-run dominated the self-organised art scene that emerged in the late 1990s, the separatist position implied by the use of these terms has been moderated during the intervening years. This new anthology of accounts from the front line includes contributions by artists, as well as their institutional counterparts, that provide a fascinating observation of the art world as matrix of interconnected positions where the balance of power and productivity constantly shifts. With contributions from Julie Ault, Maibritt Borgen, Cline Condorelli & Johan Frederik Hartle, Anthony Davies, Stephan Dillemuth & Jakob Jakobsen, Ekaterina Degot, Charles Esche & David Riff, Barnaby Drabble, Jonas Ekeberg, Linus Elmes, Juan A Gaitn, Abdellah Karroum, Livia Pancu, Jan Verwoert, What and How & For Whom/WHW.
ART
Image Coming Soon - Interviews With Artists Gagosian Gallery (NY) 2013 ISBN 9781935263708 Acqn 22453 Pb 13x20cm 344pp 20 Interviews with Matthew Barney; Peter Beard; Dan Colen and Nate Lowman; George Condo; John Currin; Rachel Feinstein; Dave Hickey; Damien Hirst and Jay-Z; Rashid Johnson; Jeff Koons; Wes Lang; Hanna Liden; Adam McEwen; Ryan McGinley; Richard Phillips; Richard Prince; Ed Ruscha; Tom Sachs; Julian Schnabel; Dana Schutz; David Benjamin Sherry; and Kara Walker.

Art June 2013

Uploaded by

Document Information

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Art June 2013

Uploaded by

Copyright:

Available Formats

ART

You might also like