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Thelonious Monk
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by Scott Yanow
biography [-]
The most important jazz musicians are the ones who are successful in creating their own original world of music with its own rules, logic, and surprises. Thelonious Monk, who was criticized by observers who failed to listen to his music on its own terms, suffered through a decade of neglect before he was suddenly acclaimed as a genius; his music had not changed one bit in the interim. In fact, one of the more remarkable aspects of Monk's music was that it was fully formed by 1947 and he saw no need to alter his playing or compositional style in the slightest during the next 25 years. Thelonious Monk grew up in New York, started playing piano when he was around five, and had his first job touring as an accompanist to an evangelist. He was inspired by the Harlem stride pianists (James P. Johnson was a neighbor) and vestiges of that idiom can be heard in his later unaccompanied solos. However, when he was playing in the house band of Minton's Playhouse during 1940-1943, Monk was searching for his own individual style. Private recordings from the period find him sometimes resembling Teddy Wilson but starting to use more advanced rhythms and harmonies. He worked with Lucky Millinder a bit in 1942 and was with the Cootie Williams Orchestra briefly in 1944 (Williams recorded Monk's "Epistrophy" in 1942 and in 1944 was the first to record "'Round Midnight"), but it was when he became Coleman Hawkins' regular pianist that Monk was initially noticed. He cut a few titles with Hawkins (his recording debut) and, although some of Hawkins' fans complained about the eccentric pianist, the veteran tenor could sense the pianist's greatness. The 1945-1954 period was very difficult for Thelonious Monk. Because he left a lot of space in his rhythmic solos and had an unusual technique, many people thought that he was an inferior pianist. His compositions were so advanced that the lazier bebop players (although not Dizzy Gillespie and Charlie Parker) assumed that he was crazy. And Thelonious Monk's name, appearance (he liked funny hats), and personality (an occasionally uncommunicative introvert) helped to brand him as some kind of nut. Fortunately, Alfred Lion of Blue Note believed in him and recorded Monk extensively during 1947-1948 and 1951-1952. He also recorded for Prestige during 1952-1954, had a solo set for Vogue in 1954 during a visit to Paris, and appeared on a Verve date with Bird and Diz. But work was very sporadic during this era and Monk had to struggle to make ends meet. His fortunes slowly began to improve. In 1955, he signed with Riverside and producer Orrin Keepnews persuaded him to record an album of Duke Ellington tunes and one of standards so his music would appear to be more accessible to the average jazz fan. In 1956 came the classic Brilliant Corners album, but it was the following year when the situation permanently changed. Monk was booked into the Five Spot for a long engagement and he used a quartet that featured tenor saxophonist John Coltrane. Finally, the critics and then the jazz public recognized Thelonious Monk's greatness during this important gig. The fact that he was unique was a disadvantage a few years earlier when all modern jazz pianists were expected to sound like Bud Powell (who was ironically a close friend), but by 1957 the jazz public was looking for a new approach. Suddenly, Monk was a celebrity and his status would not change for the remainder of his career. In 1958, his quartet featured the tenor of Johnny Griffin (who was even more compatible than Coltrane), in 1959 he appeared with an orchestra at Town Hall (with arrangements by Hall Overton), in 1962 he signed with Columbia and two years later was on the cover of Time. A second orchestra concert in 1963 was even better than the first and Monk toured constantly throughout the 1960s with his quartet which featured the reliable tenor of Charlie Rouse. He played with the Giants of Jazz during 1971-1972, but then in 1973 suddenly retired. Monk was suffering from mental illness and, other than a few special appearances during the mid-'70s, he lived the rest of his life in seclusion. After his death it seemed as if everyone was doing Thelonious Monk tributes. There were so many versions of "'Round Midnight" that it was practically a pop hit! But despite the posthumous acclaim and attempts by pianists ranging from Marcus Roberts to Tommy
GENRES STYLES
Jazz Bop Hard Bop Modal Music Post-Bop Jazz Instrument Mainstream Jazz Modern Big Band Piano Jazz Progressive Jazz
ACTIVE BORN
1940s - 1980s October 10, 1917 in Rocky Mount, NC February 17, 1982 in Weehawken, NJ Thelonious Sphere Monk
DIED
ALIASES
http://www.allmusic.com/artist/thelonious-monk-mn0000490416[27/2/2013 6:05:27 ]
photo gallery
Flanagan to recreate his style, there was no replacement for the original. Some of Thelonious Monk's songs became standards early on, most notably "'Round Midnight," "Straight No Chaser," "52nd Street Theme," and "Blue Monk." Many of his other compositions have by now been figured out by other jazz musicians and are occasionally performed including "Ruby My Dear," "Well You Needn't," "Off Minor," "In Walked Bud," "Misterioso," "Epistrophy," "I Mean You," "Four in One," "Criss Cross," "Ask Me Now," "Little Rootie Tootie," "Monk's Dream," "Bemsha Swing," "Think of One," "Friday the 13th," "Hackensack," "Nutty," "Brilliant Corners," "Crepuscule With Nellie" (written for his strong and supportive wife), "Evidence," and "Rhythm-a-Ning," Virtually all of Monk's recordings (for Blue Note, Prestige, Vogue, Riverside, Columbia, and Black Lion) have been reissued and among his sidemen through the years were Idrees Sulieman, Art Blakey, Milt Jackson, Lou Donaldson, Lucky Thompson, Max Roach, Julius Watkins, Sonny Rollins, Clark Terry, Gerry Mulligan, John Coltrane, Wilbur Ware, Shadow Wilson, Johnny Griffin, Donald Byrd, Phil Woods, Thad Jones, and Charlie Rouse. His son Thelonious Monk, Jr. (T.S. Monk) has helped keep the hard bop tradition alive with his quintet and has headed the Thelonious Monk Institute, whose yearly competitions succeed in publicizing talented young players.
COLLAPSE
artist moods
- Complex Earthy Exuberant Humorous Passionate Quirky Sophisticated Whimsical Ambitious Brash Earnest Elaborate Lively - Confident Enigmatic Freewheeling Irreverent Playful Searching Stylish Witty Amiable/GoodNatured Dramatic Effervescent Literate Reflective
discography
Year
list
Title
condensed
Label
MAIN ALBUMS
COMPILATIONS
Editors' Rating
1952
Genius of Modern Music, Vol. 1 Genius of Modern Music, Vol. 2 Thelonious Monk/Milt Jackson Thelonious Monk Quintet
Discovery
(11)
1952
Blue Note
(57)
Blue Note
No User Ratings
artist themes
- Maverick - Cool & Cocky - Drinking - Guys Night Out - Housework - Rainy Day - TGIF - The Creative Side - Day Driving - Girls Night Out - Hanging Out - Night Driving - Road Trip 1953 JVC Compact Discs
No User Ratings
1954
Prestige Records
No User Ratings
1954
Prestige Records
No User Ratings
1954
Monk
1954
Prestige Records
No User Ratings
1954
1954
(1)
1954
Vogue / RCA
No User Ratings
1954
We See [Dreyfus]
Dreyfus Records
No User Ratings
http://www.allmusic.com/artist/thelonious-monk-mn0000490416[27/2/2013 6:05:27 ]
1955
Riverside Records
(1)
1955
1956
Riverside Records
No User Ratings
1956
Riverside Trios
Milestone Records
(1)
1956
1956
Savoy
(1)
1957
Brilliant Corners
OJC / Riverside
(122)
1957
Monk's Music
1957
(3)
1957
Thelonious Himself
(5)
1958
Misterioso
1958
At the Five Spot Art Blakey's Jazz Messengers with Thelonious Monk New York with Johnny Griffin
No User Ratings
1958
Atlantic
(64)
1958
Atlantic
No User Ratings
1959
Milestone Records
No User Ratings
1959
1959
5 by Monk by 5
1959
(76)
1960
1960
Evidence
France's Concert
(1)
1961
Monk in France
OJC / Riverside
No User Ratings
http://www.allmusic.com/artist/thelonious-monk-mn0000490416[27/2/2013 6:05:27 ]
1961
magnetic
No User Ratings
1961
Monk in Italy
1961
Monk in Bern
magnetic
No User Ratings
1961
1961
Milestone Records
No User Ratings
1961
Thelonious
No User Ratings
1961
Thelonious
No User Ratings
1962
Monk's Dream
Columbia
(37)
1963
Monk in Tokyo
(1)
1963
Tokyo Concerts
No User Ratings
1963
Four Star
(1)
1963
Prevue
No User Ratings
1963
Legacy / Columbia
(5)
1963
Criss-Cross
Columbia
(13)
1963
Monterey Jazz Festival '63 Two Hours with Thelonious Monk, Vol. 1 Two Hours with Thelonious Monk, Vol. 2
Storyville
No User Ratings
1963
Riverside Records
No User Ratings
1963
No User Ratings
1964
Explore Records
(2)
1964
Explore Records
(3)
1964
1964
Solo Monk
http://www.allmusic.com/artist/thelonious-monk-mn0000490416[27/2/2013 6:05:27 ]
1964
TriStar Music
No User Ratings
1964
1964
France's Concert
No User Ratings
1965
Disc Trema
No User Ratings
1965
Monk.
Legacy / Columbia/Legacy
(1)
1966
Jazz Helvet
No User Ratings
1967
On Tour in Europe
Charly Records
No User Ratings
1967
France's Concert
No User Ratings
1967
Thelonious
No User Ratings
1967
Nonet: Live!
Le Jazz
No User Ratings
1967
Straight, No Chaser
Legacy / Columbia/Legacy
(9)
1968
Monk's Blues
Columbia
(2)
1968
The Prophet
No User Ratings
1968
Underground Jazz Soundtracks: Bird/Straight No Chaser/Round Midnight Two Hours with Thelonious: Paris and Milan Concerts Unissued Live at Newport 1958-59
Columbia
(22)
2004
No User Ratings
Fresh Sound
No User Ratings
In Crowd
No User Ratings
http://www.allmusic.com/artist/thelonious-monk-mn0000490416[27/2/2013 6:05:27 ]
http://www.allmusic.com/artist/thelonious-monk-mn0000490416[27/2/2013 6:05:27 ]