Professional Documents
Culture Documents
The Souldiers Song, for bass & ensemble Tobias Hume A souldiers Galiard (Poeticall Musicke) Nima Ben Tobias Hume David Fain Would I Change That Note for soprano & ensemble Tobias Hume Tobacco is like Love 4 Tobias Hume M.S. Georges delight (Poeticall Musicke) Tobias Hume Cease Leaden Slumber, the Queens New-yeeres Gift (from Captaine Humes Poeticall Musicke) Tobias Hume The Pashion of Musicke. Sir Christopher Hattons choice Tobias Hume What Greater Griefe, for soprano & ensemble (from Captaine Humes Poeticall Musicke) Nima Ben David Nima Ben David Nima Ben David Nima Ben David Nima Ben David
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Tobias Hume Captain Hume Lamentation (Poeticall Musicke) Tobias Hume Nima Ben David
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Hark! Hark! (No 10 in Musical Humors) Nima Ben Tobias Hume David I Am Falling Nima Ben David Nima Ben David Nima Ben David Nima Ben David
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11 Tobias Hume Beccus, an Hungarian Lord his delight (No 95 in Musical Humors) Tobias Hume Captaine Humes Pauin (No 46 in Musical Humors) Tobias Hume A Souldiers Resolution, (No 11 in Musical Humors) Tobias Hume
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Death, for chamber ensemble (No. 12, Nima "Musical Humors") Ben David Tobias Hume Life (No 13 in Musical Humors) Nima Ben David
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JOHANN SEBASTIAN BACH [1685 - 1750] 19 SINFONIAS WIR DANKEN DIR GOTT, WIR DANKER DIR (BWV 29) - 0:01 Sinfonia for organ obbligato, three natural trumpets, timpani, two oboes, solo violin, two violins, viola and basso continuo in D major note: after BWV 1006 NACH DIR, HERR, VERLANGET MICH (BWV 150) Sinfonia (Adagio) for two violins, bassoon and basso continuo in B minor - 3:43 AM ABEND ABER DESSELBIGEN SABBATS (BWV 42) Sinfonia for two oboes, two violins, bassoon, violoncello and basso continuo in D major - 6:21 GEIST UND SEELE WIRD VERWIRRET (BWV 35) Sinfonia for two oboes, english horn, organ obbligato, two violins, viola and basso continuo in D minor - 13:01 note: after BWV 1059 ICH STEH' MIT EINEM FUSS IM GRABE (BWV 156) Sinfonia (Adagio) for oboe, two violins, viola and basso continuo in F major - 18:18 note: after BWV 1056 GEIST UND SEELE WIRD VERWIRRET (BWV 35) Sinfonia for two oboes, english horn, organ obbligato, two violins, viola and basso continuo in D minor - 21:03 note: after BWV 1059 DER HERR DENKET AN UNS (BWV 196) Sinfonia (Andante) for two violins, viola, violoncello and basso continuo (organ) in C minor - 24:43 DER HIMMEL LACHT, DIE ERDE JUBILIERET (BWV 31) Sonata (Allegro) for three natural trumpets, timpani, three oboes, english horn, bassoon, two violins, two violas, two violoncellos and basso continuo in C major - 27:25 TRITT AUF DIE GLAUBENSBAHN (BWV 152) Sinfonia (Ouverture la franaise - Adagio, allegro ma non presto) for recorder, oboe, viola d'amore, viola da gamba & basso continuo in E minor - 30:00 GOTT SOLL ALLEIN MEIN HERZE HABEN (BWV 169) Sinfonia for two oboes, english horn, organ obbligato, two violins, viola and basso continuo in D major - 33:14 note: after BWV 1053 WEINEN, KLAGEN, SORGEN, ZAGEN (BWV 12) Sinfonia (Adagio assai) for oboe, two violins, two violas and basso continuo in F major - 42:18
FALSCHE WELT, DIR TRAU' ICH NICHT (BWV 52) Sinfonia for two horns, three oboes, bassoon, two violins, viola and basso continuo (organ) in F major - 44:52 note: after BWV 1046 UNS IST EIN KIND GEBOREN (BWV 142) Concerto for two recorders, two oboes, two violins, viola and basso continuo in A minor - 49:19 note: work by Johann Kunhau WIR MUESSEN DURCH (BWV 146) Sinfonia for organ concertante, two oboes, english horn, two violins, viola and basso continuo in D major - 50:38 note: after BWV 1052 HIMMELSKOENIG, SEI WILLKOMMEN (BWV 182) Sinfonia/Concerto (Grave, adagio) for recorder, solo violin, violin, two violas, violoncello and basso continuo (violoncello) in G major - 58:37 ICH LIEBE DEN HOECHSTEN VON GANZEM GEMUETE (BWV 174) Sinfonia/Concerto for two horns, two oboes, english horn, three violins, three violas, three violoncellos and basso continuo (bassoon, violone) in G major - 1.01:04 note: after BWV 1048 ICH HATTE VIEL BEKUEMMERNISS (BWV 21) Sinfonia (Adagio assai) for oboe, two violins, viola and basso continuo (organ, bassoon) - 1.06:43 GLEICHWIE DER REGEN UND SCHNEE VOM HIMMEL FAELLT (BWV 18) Sinfonia (Ciaccona) for recorder, four violas, violoncello and basso continuo in G minor - 1.09:46 DIE ELENDEN SOLLEN ESSEN (BWV 75) Sinfonia for natural trumpet, two violins, viola, violoncello and basso continuo in G major - 1.12:46 Accademia Bizantina / Ottavio Dantone (conductor)
3. Francesco Foggia: O quam clemens, motet for 2 sopranos 4. Francesco Turini: Sonata 3 "sopra la Monica" Francesco Turini Fugues et caprices quatre parties 5. Franois Roberday: Fugue quatre parties sur un sujet italien Franois Roberday 6. Claudio Monteverdi: Sancta Maria, succurre miseris, motet for 2 sopranos, SV 328
7. Lodovico Viadana: Canzon francese in risposta 8. Giovanni Paolo Cima: Surge propera, in eco, for chamber ensemble 9. Nicol Fontei: Laudate pueri, for voice & 3 instruments 10. Maurizio Cazzati: Capriccio e ciaccona, for chamber ensemble 11. Luigi Rossi: Passacaglia Luigi Rossi In caligine umbrosa, cantata for voice & continuo 12. Giovanni Battista Bassani: Recitativo. In caligine umbrosa / Aria. Festinate, o pen terren / Recitativo. Ah! non conturbate 13. Giovanni Battista Bassari: Aria. Alta gloria, cara vita! / Recitativo. Anhelo spe costante Giovanni Battista Bassari
Z. 355 12. They say you're angry ('The Rich Rival'), song, Z. 422 13. Let each gallant heart, song, Z. 390 14. Anacreon's defeat ('This poet sings the Trojan Wars'), song, Z. 423 15. Ah! how pleasant 'tis to love, for soprano & continuo, Z. 353 16. My heart, whenever you appear, song, Z. 399 17. On the brow of Richmond Hill, song, Z. 405 18. Rashly I swore I would disown, song, Z. 411 19. Since the pox or the plague, song, Z. 471 20. Beneath a dark and melancholy grove, song, Z. 461 21. Musing on cares of human fate, song, Z. 467 22. Whilst Cynthia sung, all angry winds lay still, song, Z. 438 23. How I sigh when I think of the charms, song for soprano & continuo, Z. 374 24. Ye happy swains, whose nymphs are kind, song, Z. 443 25. Beware, poor Shepherds, song, Z. 361 26. See how the fading glories of the year, song, Z. 470 27. Cease, anxious world, your fruitless pain, song for soprano & continuo, Z. 362 28. O! fair Cedaria, hide those eyes, song, Z. 402 Disc: 2 1. I love and I must, song, Z. 382 2. When her languishing eyes said 'love', song, Z. 432 3. Not all my torments can your pity move, song, Z. 400 4. Ah! cruel nymph! you give despair for soprano & continuo, Z. 352 5. Sylvia, now your scorn give over, song, Z. 420 6. Since one poor view has drawn my heart, song, Z. 416 7. I resolve against cringing, song, Z. 386 8. Gentle shepherds, you that know, song, Z. 464 9. If grief has any pow'r to kill, song, Z. 378 10. She that would gain a faithful lover, song, Z. 414 11. Fly swift, ye hours, song, Z. 369 12. Hears not my Phyllis (The Knotting Song), song, Z. 371 13. Phyllis, talk no more of passion, song, Z. 409 14. Celia's fond, too long I've loved her, song for soprano & continuo, Z. 364 15. In vain we dissemble, song, Z. 385 16. When my Aemelia smiles, song, Z. 434 17. Farewell, ye rocks, song, Z. 463 18. What a sad fate is mine, song, Z. 428 (2 versions) 19. I take no pleasure in the sun's bright beams, song, Z. 388 20. Love's pow'r in my heart shall find no compliance, song, Z. 395 21. How delightful's the life of an innocent swain, song, Z. 373 22. She who my poor heart possesses, song, Z. 415 23. Love arms himself in Celia's eyes, song, Z. 392 24. When first my shepherdess and I, song, Z. 431 25. Through mournful shades and solitary groves, song, Z. 424 26. If music be the food of love, song, Z. 379 (3 settings)
27. Scarce had the rising sun appear'd, song, Z. 469 28. Who but a slave can well express, song, Z. 440 29. High on a throne of glitt'ring ore (Ode to the Queen), song, Z. 465 30. Incassum, Lesbia, incassum rogas (The Queen Epicedium), song, Z. 383 Disc: 3 1. She loves and she confesses too, song, Z. 413 2. Amintas, to my grief I see, for soprano & continuo, Z. 356 3. Corinna is divinely fair, song, Z. 365 4. Amintor, heedless of his flocks, for soprano & continuo, Z. 357 5. He himself courts his own ruin, song, Z. 372 6. No, to what purpose should I speak, song, Z. 468 7. Sylvia, 'tis true you're fair, song, Z. 512 8. Lovely Albina's come ashore, song, Z. 394 9. Spite of the godhead, pow'rful love, song, Z. 417 10. If music be the food of love, song, Z. 379 (3 settings) 11. Phyllis, I can ne'er forgive it, song, Z. 408 12. Bacchus is a power divine, song, Z. 360 13. From silent shades and the Elysian groves (Bess of Bedlam), song, Z. 370 14. Let formal lovers still pursue, song, Z. 391 15. I came, I saw, and was undone, song, Z. 375 16. Who can behold Florella's charms?, song, Z. 441 17. Cupid, the slyest rogue alive, song, Z. 367 18. If prayers and tears, song, Z. 380 19. In Cloris all soft charms, song, Z. 384 20. Let us, kind Lesbia, give away, song, Z. 466 21. Love is now become a trade, song, Z. 393 22. Ask me to love no more, song, for soprano & continuo, Z. 358 23. O solitude, my sweetest choice, song, Z. 406 24. Olinda in the shades unseen, song, Z. 404 25. Pious Celinda goes to prayers, song, Z. 410 26. When Strephon found his passion vain, song, Z. 435 27. The fatal hour comes on apace, song, Z. 421 28. Sawney is a bonny lad, song, Z. 412 29. Young Thyrsis' fate, ye hills and groves, deplore (On the death of Thomas Farmer), song for soprano, bass & continuo, Z. 473
Cappella Mediterranea Mariana Flores, soprano Capucine Keller, soprano Faban Schofrin, contre-tnor Fernando Guimares, tnor Ensemble Clematis Stphanie de Failly, violon Tatiana Babut du Mars, flte bec Rodrigo Calveyra, cornet bouquin et flte bec Franois Joubert-Caillet, dessus et taille de viole Margaux Blanchard, basse de viole Lucile Boulanger, alto de viole Thomas Dunford, vihuela Vincent Flckiger, vihuela Marie Bournisien, harpe chromatique Thierry Gomar, percussions Lonardo Garca Alarcn, direction et orgue
1 SONATA IV a sei* 0:00 2 SONATA VIII a cinque* 4:11 3 SONATINA IV a due** 7:15 4 SONATA V a sei* 10:38 5 SONATA "PASTORALE" a tre*** 14:03 6 SONATA IX a cinque* 17:48 7 SONATA VI a sei* 21:46 8 SONATA "LANTERLY" a tre*** 24:54 9 SONATA XI a tre** 30:26 10 SONATA X a tre** 35:40 11 SONATA XII a tre** 40:08 12 SONATA III a sei* 46:10 13 SONATINA VI a due** 50:25 14 SONATA VII a cinque* 54:14 *Sacro-Profanus Concentus Musicus, Norinbergae 1662 **Duodena Selectarum Sonatarum, Norinbergae 1659 ***Uppsala, University Library
1 21 Aria Sopra 'La Scatola Degli Aghi' 0:02:45 Marco Uccellini 1 22 Sonata 0:04:24 Giovanni Paolo Cima 1 23 Ruggiero 0:03:28 Tarquinio Merula 1 24 Gagliarda 'Norsina' A 5 0:01:04 Salomone Rossi
1. Sinfonia in D major for 2 flutes, 2 horns, 2 violins, viola & continuo., GWV 538~Allegro(2:59) Listen 2. Sinfonia in D major for 2 flutes, 2 horns, 2 violins, viola & continuo., GWV 538~Poco allegro(1:49) Listen 3. Sinfonia in D major for 2 flutes, 2 horns, 2 violins, viola & continuo., GWV 538~Allegro(4:59) Listen 4. Overture in E flat major for 2 violins, viola & continuo, GWV 429~Ouverture(7:45) Listen 5. Overture in E flat major for 2 violins, viola & continuo, GWV 429~L'Intrepidezza(1:11) Listen 6. Overture in E flat major for 2 violins, viola & continuo, GWV 429~Rigaudon(1:07) Listen 7. Overture in E flat major for 2 violins, viola & continuo, GWV 429~Air en Loure(1:26) Listen
8. Overture in E flat major for 2 violins, viola & continuo, GWV 429~Gavotte(2:10) Listen 9. Overture in E flat major for 2 violins, viola & continuo, GWV 429~Pastorale(3:19) Listen 10. Overture in E flat major for 2 violins, viola & continuo, GWV 429~Menuet 1 & 2(2:17) Listen 11. Overture in E flat major for 2 violins, viola & continuo, GWV 429~L'Inessorabilit(1:58) Listen 12. Concerto for 2 flutes, 2 violins, viola & continuo in E minor, GWV 321~Largo(1:01) Listen 13. Concerto for 2 flutes, 2 violins, viola & continuo in E minor, GWV 321~Alla breve(6:07) Listen 14. Concerto for 2 flutes, 2 violins, viola & continuo in E minor, GWV 321~(ohne Bezeichnung)(2:19) Listen 15. Concerto for 2 flutes, 2 violins, viola & continuo in E minor, GWV 321~Vivace(6:22) Listen 16. Overture in E major for 2 oboe d'amore, 2 violins, viola & continuo, GWV 439~Ouverture(6:47) Listen 17. Overture in E major for 2 oboe d'amore, 2 violins, viola & continuo, GWV 439~Bergerie(2:55) Listen 18. Overture in E major for 2 oboe d'amore, 2 violins, viola & continuo, GWV 439~Rejouissance(1:22) Listen 19. Overture in E major for 2 oboe d'amore, 2 violins, viola & continuo, GWV 439~Loure(2:24)
Listen 20. Overture in E major for 2 oboe d'amore, 2 violins, viola & continuo, GWV 439~Menuet 1 & 2(2:27) Listen 21. Overture in E major for 2 oboe d'amore, 2 violins, viola & continuo, GWV 439~Tombeau(4:17) Listen 22. Overture in E major for 2 oboe d'amore, 2 violins, viola & continuo, GWV 439~Menuet 1 & 2(3:01) Listen 23. Sinfonia in G major, for 2 horns, 2 violins, viola & continuo, GWV 578~Allegro(2:28) Listen 24. Sinfonia in G major, for 2 horns, 2 violins, viola & continuo, GWV 578~Andante(1:50) Listen 25. Sinfonia in G major, for 2 horns, 2 violins, viola & continuo, GWV 578~Menuet 1 & 2(2:49)
17. Sonata octavi toni a 12 C.184 18. Canzon in echo duodecimi toni a 10, per concertar con l'organo C.181 19. Intonazione noni toni C.247b 20. Canzon noni toni a 8 C.173 21. Canzon noni toni a 12 C.183 HIS MAJESTYS SAGBUTTS AND CORNETTS
William Dongois, cornet Yoshimichi Hamada, cornet Ole-Kristian Andersen, trombone Wim Becu, trombone Cas Gevers, trombone Franck Poitrineau, trombone Charles Toet, trombone Simen van Mechelen, trombone
CD 1 (65'24) 1 Canzona XXXII 2'54 - a quattro, due canti e due bassi detta l'Altogradina 2 Canzona XIII 3'33 - a due canti detta la Bianchina 3 Canzona XXIV 2'19 - a tre, due bassi e canto detta la Nobile 4 Canzona II 3'03 - a canto solo detta la Bernardinia 5 Canzona XXIII 3'21 - a due, canto e basso detta la Franciotta 6 Canzona VIII 4'07 - a basso solo detta l'Ambitiosa 7 Canzona XXXI 4'04 - a quattro, due canti e due bassi detta l'Arnolfinia 8 Cantona III 3'12 - a canto solo detta la Lucchesina 09 Canzona XXVII 3'00 - a tre, due canti e basso detta la Lanciona 10 Canzona X 3'17 - a due canti detta la Henricuccia 11 Canzona XIX 3'40 - a due canto e basso detta la Capriola 12 Canzona XIV 3'23 - a due bassi detta la Marina 13 Canzona XXXV 3'16 - a quattro, canto, alto, tenore e basso detta l'Alessandrina 14 Canzona XXXIV 2'55
- a quattro, due canti e due bassi detta la Sandoninia 15 Cantona XV 3'56 - a due bassi detta la Lievoratta 16 Canzona XXVIII 2'27 - a tre, due canti e basso detta la Lanberta 17 Canzona VI 4'06 - a basso solo detta l'Altiera 18 Canzona XXII 4'16 - a due, canto e basso detta la Nicolina 19 Canzona XI 3'31 - a due canti detta la Plettenberger CD 2 (67'40) 1 Canzona XXXVII 3'34 - a quattro, canto, alto, tenore e basso detta la Sardina 2 Canzona IX 2'58 - a due canti detta la Gualterina 3 Canzona XXIX 3'03 - a tre, due canti e basso detta la Boccellina 4 Canzona IV 3'03 - a canto solo detta la Donatina 5 Canzona XVIII 3'03 - a due, canto e basso detta la Casotti 6 Canzona V 3'23 - a basso solo detta la Tromboncina 7 Canzona XXXIII 2'32 - a quattro, due canti e due bassi detta la Novellina 8 Cantona XVII 4'50 - a due bassi detta la Diodata 9 Canzona XX 2'49 - a due, canto e basso detta la Liparella 10 Canzona XVI 3'16 - a due bassi detta la Samminiata 11 Canzona XXXVI 3'06 - a quattro, canto, alto, tenore e basso detta la Capponcina 12 Canzona XXVI 3'23 - a tre, due bassi e canto detta la Moricona 13 Canzona VII 3'08 - a basso solo detta la Superba 14 Canzona XII 2'57 - a due canti detta la Todeschina 15 Cantona I 3'42 - a canto solo detta la Bonvisia 16 Toccata 3'09 - per spinettina e violino
17 Toccata 2'01 - per spinettina sola, over liuto 18 Canzona XXI 2'39 - a due, canto e basso detta la Tegrimuccia 19 Canzona XXX 3'43 - a quattro, due canti e due bassi detta la Cittadellia 20 Canzona II 2'12 - (bis) a canto solo 21 Canzona XXV 2'32 - a tre, due bassi e canto detta la Garzoncina 22 Canzon ultima 1'32 - detta la Vittoria
Ensemble ConSerto Musico Mario Folena : Traversa (CD1: 1, 3, 10, 14, 16. CD2: 5, 9, 12, 14, 15), Traversa bassa (CD2: 1) Josu Melndez : Cornetto (CD1: 4, 7, 9, 18. CD2: 2, 7, 20) Gawain Glenton : Cornetto (CD1: 9. CD2: 2) Federico Guglielmo : Violino (CD1: 1, 2, 5, 8, 10, 14, 16, 19. CD2: 1, 3, 4, 14, 16, 18, 19, 21) Elisa Imbalzano : Violino (CD1: 2, 7, 19. CD2: 1, 3, 7, 19) Andrea Bressan : Dulciana (CD1: 7, 9, 15, 17) Francesco Galligioni : Violoncello (CD1: 1, 11, 14, 15. CD2: 3, 7, 10, 13, 17, 19), Viola da gamba (CD1: 3, 12. CD2: 1, 5, 6, 8, 21) Cristiano Contadin : Viola da gamba(CD1: 3, 5, 10, 14. CD2: 6, 8, 9, 11, 16, 21), Viola soprano (CD1: 11), Violotto (CD1: 1, 2, 6, 7, 13, 15, 16, 18. CD2: 1, 12, 18, 19, 22) Ivano Zanenghi : Liuto (CD2: 5, 7, 17), Arciliuto (CD1: 1) Fabio Framba : Organo (CD1: 12. CD2: 10, 12) Roberto Loreggian : Clavicembalo (CD1: 1, 2, 4, 8, 10-13, 15-18. CD2: 2, 6, 8, 10, 12, 16, 18, 21, 22), Organo (CD1: 3, 5-7, 9, 14, 19. CD2: 1, 3-5, 7, 9, 11, 13-15, 19, 20) Maestro di concerto Roberto Loreggian
2. Davaus: Symphonie Concertante en Sol pour deux Violons principaux Adagio un poco andante 3. Davaus: Symphonie Concertante en Sol pour deux Violons principaux Allegro moderato 4. Martin: Symphonie en Sol mineur, op.4 no.2 Allegro 5. Martin: Symphonie en Sol mineur, op.4 no.2 Andante 6. Martin: Symphonie en Sol mineur, op.4 no.2 Allegro 7. Von Dittersdorf: 'La Prise de la Bastille' Symphonie en Do majeur a grand orchestre - Grave Allegro assai 8. Von Dittersdorf: 'La Prise de la Bastille' Symphonie en Do majeur a grand orchestre - Adagio 9. Von Dittersdorf: 'La Prise de la Bastille' Symphonie en Do majeur a grand orchestre - Allegro assai 10. Gossec: Symphonie en Re op.3 no.6 - Allegro 11. Gossec: Symphonie en Re op.3 no.6 - Andante 12. Gossec: Symphonie en Re op.3 no.6 - Presto
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Capel Bond Concerto No. 2 in A major for 2 violins, viola, cello, harpsichord, strings & bassoon 1. Maestoso 4 Capel Bond 2. A tempo giusto 5 Capel Bond 3. Amoroso 6 Capel Bond 4. Allegro 7 Capel Bond Concerto No. 3 in E minor/major for 2 violins, viola, cello, organ, strings, bassoon & harpsichord 1. Adagio 8 Capel Bond 2. Allegro 9 Capel Bond 3. Affettuoso 10 Capel Bond Concerto No. 4 in C minor for 2 violins, cello, harpsichord, strings, bassoon & harpsichord 1. Larghetto 11 Capel Bond 2. Tempo giusto 12 Capel Bond 3. Andante 13 Capel Bond 14 4. Allegro Roy Goodman 3:02 Roy Goodman 1:59 Roy Goodman 1:57 Roy Goodman 1:21 Roy Goodman 2:56 Roy Goodman 2:00 Roy Goodman 1:48 Roy Goodman 2:53 Roy Goodman 2:15 Roy Goodman 2:07 Roy Goodman 2:16
Capel Bond Concerto No. 5 in G minor for 2 violins, viola, cello, harpsichord, strings & organ 1. Poco largo 15 Capel Bond 2. Tempo giusto 16 Capel Bond 3. Largo andante 17 Capel Bond 4. Con spirito 18 Capel Bond Concerto No. 6 in B flat major for bassoon, 2 violins, cello, organ, strings & harpsichord 1. Andante 19 Capel Bond 2. Slow 20 Capel Bond 3. Affettuoso 21 Capel Bond 4. Allegro 22 Capel Bond Roy Goodman 2:01 Roy Goodman 1:01 Roy Goodman 3:04 Roy Goodman 3:39 Roy Goodman 5:03 Roy Goodman 2:05 Roy Goodman 1:13
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op 7 No 3, Ciaconna 2 Giovanni Battista Vitali Sonate, over conzoni, for violin & continuo, Op 5 Sonata Quarto 3 Marco Uccellini Palladian Ensemble Palladian Ensemble
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Chamber Concerto, for flute, violin, bassoon & continuo in F major, RV 100 Movement 1: Allegro 4 Antonio Vivaldi Movement 2: Untitled 5 Antonio Vivaldi Movement 3: Allegro 6 Antonio Vivaldi Gagliarda seconda 7 Giovanni Battista Buonamente Corrente terza e quarta 8 Giovanni Battista Buonamente Brando Terzo 9 Giovanni Battista Buonamente Avanti il Brando 10 Giovanni Battista Buonamente Brando Quarto 11 Giovanni Battista Buonamente Canzon 12 Francesco Cavalli Palladian Ensemble Palladian Ensemble Palladian Ensemble Palladian Ensemble Palladian Ensemble Palladian Ensemble Palladian Ensemble Palladian Ensemble Palladian Ensemble
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El Amor 13 Santiago de Murcia La Jota 14 Santiago de Murcia Sonata 3 "sopra la Monica" 15 Francesco Turini Trio Sonata for flute, violin & continuo in D major, RV 84 1. Allegro 16 Antonio Vivaldi 2. Andante 17 Antonio Vivaldi 3. Allegro 18 Antonio Vivaldi Sonate ed Arie a Violini e Basso (Book 4) Aria sopra "Caporal Simon" 19 Marco Uccellini Aria sopra "la mia pedrin" 20 Marco Uccellini Aria sopra "le scatola da gli agghi" 21 Marco Uccellini
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4. Broken Consort in D: Pavan 5. Broken Consort in D: Ayre 6. Broken Consort in D: Galliard 7. Broken Consort in D: Ayre 8. Broken Consort in D: Saraband 9. Divisions Of John Come Kiss Me Now 10. Son in A: Slow 11. Son in A: (Untitled) 12. Son in A: Brisk 13. Son 14. Ciaconna 15. Scots Airs: Auld Bob Morrice 16. Scots Airs: Lady Ann Bothwell's Lament 17. Scots Airs: Sleepy Body 18. Ayres: Andamento Con Divisione 19. Ayres: Aria 20. Ayres: Grave 21. Ayres: Ground in D, La Sol Re Per Fa La Mano 22. Two In One Upon A Ground 23. Bizzarie All'imor Scozzeze
Preludio o Capricho Arpeado: 32:25 Zarabanda Francesa: 35:41 Preludio y Fantasia: 37:53 Clarn de los Mosqueteros del Rey de Francia: 42:35 Folis: 44:47 Jracas II: 47:16 Passacalles por quarto tono punto alto: 50:04 Lanturur: 56:01 Cancin: 57:41 Canarios: 59:02
MARC-ANTOINE CHARPENTIER "MOTETS" I. "Pour la seconde fois que le Saint Sacrement vient au mesme reposoir" (H. 372) II. "Pour le Saint Sacrement au reposoir" (H. 346) III. "Motet pour une longue offrande" (H. 434) Agns Mellon - Soprano Isabelle Poulenard - Soprano Henri Ledroit - Haute-Contre William Kendall - Tnor Peter Kooy - Basse Choeurs et Orchestre de La Chapelle Royale Philippe Herreweghe Enregistrement mai 1985 au Studio 103 de la Maison de Radio France.
Concerto pour clavecin en R Mineur, BWV 1052: I. Allegro Concerto pour clavecin en R Mineur, BWV 1052: II. Adagio Concerto pour clavecin en R Mineur, BWV 1052: III. Allegro Concerto pour hautbois d'amour en La Majeur, BWV 1055: I. Allegro Concerto pour hautbois d'amour en La Majeur, BWV 1055: II. Larghetto Concerto pour hautbois d'amour en La Majeur, BWV 1055: III. Allegro ma non tanto Concerto pour violon en Mi Majeur, BWV 1042: I. Allegro Concerto pour violon en Mi Majeur, BWV 1042: II. Adagio Concerto pour violon en Mi Majeur, BWV 1042: III. Allegro Assai Concert Brandebourgeois No. 5 en R Majeur, BWV 1050: I. Allegro Concert Brandebourgeois No. 5 en R Majeur, BWV 1050: II. Affettuoso Concert Brandebourgeois No. 5 en R Majeur, BWV 1050: III. Allegro
1 Sonata per Chiesa et Camera Johann Heinrich Schmelzer 3:38 In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest 2 Introitus: Terribilis est locus iste Johann Heinrich Schmelzer 2:41 Missa Alleluja 36 3 Kyrie Heinrich Ignaz Franz von Biber 2:51 4 Gloria Heinrich Ignaz Franz von Biber 6:38 In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest 5 Alleluja Johann Heinrich Schmelzer 2:14 Missa Alleluja 36 6 Credo Heinrich Ignaz Franz von Biber 9:37 In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest 7 Offertorium: Stetit Angelus iuxta aram templi Johann Heinrich Schmelzer 2:36 Missa Alleluja 36 8 Sanctus - Osanna - Benedictus - Osanna Heinrich Ignaz Franz von Biber 5:09 9 Agnus Dei Heinrich Ignaz Franz von Biber 2:38 In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest 10 Communio: Passet invenit sibi domum Johann Heinrich Schmelzer
1:37 11 Sonata 12 (from Sacroprofanus concentus musicus) Johann Heinrich Schmelzer 4:36 In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest 12 Deus in adiutorium intende Johann Heinrich Schmelzer 0:19 13 Dixit Dominus Johann Heinrich Schmelzer 2:08 In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest 14 Domus mea Johann Heinrich Schmelzer 0:16 15 Confitebor Johann Heinrich Schmelzer 4:22 In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest 16 Haec est domus Domini Johann Heinrich Schmelzer 0:25 17 Beatus vir Johann Heinrich Schmelzer 3:01 In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest 18 Bene fundata est Johann Heinrich Schmelzer 0:15 19 Laudate pueri Johann Heinrich Schmelzer 3:23 In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest 20 Lapides pretiosi Johann Heinrich Schmelzer 0:28
21 Laudate Dominum Johann Heinrich Schmelzer 2:21 Caelestis urbs Jerusalem (Hymnus) 22 Prima pars Giovanni Pierluigi da Palestrina 1:46 23 Fantasia 2 (organo) Johann Jacob Froberger 3:50 Caelestis urbs Jerusalem (Hymnus) 24 Seconda pars Giovanni Pierluigi da Palestrina 2:14 In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest 25 O quam metuendus Johann Heinrich Schmelzer 0:38 26 Magnificat Johann Heinrich Schmelzer
13. Deutsches Magnificat. "Meine Seele erhebt den Herren" SWV 494 Paul Hillier ( con ) The Tapiola Chamber Choir
Theatre of Voices - Monastic Song: 12th Century Monophonic Chant (Full Album)
1.Ablard: O quanta qualia 0:00 2. Ablard: Virgines caste 6:14 3. Ablard: Planctus cigne "Clangam filii" 14:35 4. Quis dabit 17:48 5. O monialis 21:07 6. Rex obiit 24:48 7. Plange, castella 28:14 8. Ablard: Deprofundis 31:15 9. Ablard: Epithalamica 42:35 10. Ablard: Planctus David "Dolorum solatium" 51:05
2. Concerto for Harpsichord in A major, Wq 8/H 411 by Carl Philipp Emmanuel Bach
Performer: Mikls Spnyi (Harpsichord) Conductor: Pter Szts Orchestra/Ensemble: Concerto Armonico Period: Classical Written: 1741-1742; Berlin, Germany Date of Recording: 10/1995 Venue: Angyalfld Reformed Church, Budapest Length: 20 Minutes 30 Secs.
3. Concerto for Harpsichord in D major, Wq 18/H 421 by Carl Philipp Emmanuel Bach
Performer: Mikls Spnyi (Harpsichord) Conductor: Pter Szts Orchestra/Ensemble: Concerto Armonico Period: Classical Written: 1745; Berlin, Germany Date of Recording: 10/1995 Venue: Angyalfld Reformed Church, Budapest Length: 21 Minutes 26 Secs.
Carl Philipp Emanuel Bach No. 3, Allegro assai Carl Philipp Emanuel Bach
8:19
Jean-Philippe Rameau (1683 - 1764) "Les Surprises De L'amour" (SUITE EN CONCERT, 1757-1758) I. Ouverture (Vif - Adagio - Gai) II. Ritournelle - Entree Des Crotoniates - Air Tendre Pour Venus Et Les Graces - Sarabande III. Entree Des Jeux, Amour Et Plaisirs - Menuet - Air Pour Les Sybarites Passepied - Gavotte I & Ii IV. Rigaudon - Loure - Passepieds I & Ii - Tambourins - Air Pour Les Gladiateurs V. Entree Des Suivants De L'amour Et De Bacchus - Gigue En Rondeau VI. Mouvement De Chaconne -- Contredanse VII. Annonce De Chasse - Descente De Diane - Sommeil D'endymion - Air Pour Diane -- Majestueusement VIII. Rondeau - Sarabande - Annonce De Chasse - Airs I & Ii IX. Entree Des Sirenes -- Gavotte X. Sommeil D'anacreon XI. Gavotte Tendre Pour Les Graces - Sortie Des Bacchantes - Entree Les Musiciens Du Louvre Marc Minkowski Recording: July 1987, Palais Barberini, Rome, Italy. George Frideric Hndel (1685 1759) Serenata Parnasso in Festa, HWV73 The festival on Parnassus for the wedding of Thetis and Peleus Libretto: Anonymous First premiere 13 March 1734, King's Theatre (Haymarket), Londra
01. Part 1 No 01. Overture: Un poco allegro - Pi allegro - Allegro 02. Part 1 No 02. Aria: Verginelle (Clio) 03. Part 1 No 03. Coro: Corriamo pronte ad ubbidir
04. Part 1 No 04. Recitative: Germane, figlio amato (Apollo/Clio/Calliope/Orfeo/Clori/Euterpe/Marte) 05. Part 1 No 05. Solo e Coro: Deh! cantate un bell'amor (Apollo) 06. Part 1 No 06. Recitative: Ma prima che s'avanzi (Apollo) 07. Part 1 No 07. Aria: Spira al sen' celeste ardore (Orfeo) 08. Part 1 No 08. Aria: Gran Tonante, Giove immenso (Apollo) 09. Part 1 No 09. Coro: Gi vien da lui il nostro ben 10. Part 1 No 10. Recitative: Spettacolo gradito (Clio) 11. Part 1 No 11. Aria: Con un vezzo lusinghiero (Clio) 12. Part 1 No 12. Recitative: Rimembranza gradita (Apollo) 13. Part 1 No 13. Duetto: Sin le grazie nel bel volto (Apollo/Clio) 14. Part 1 No 14. Recitative: Ma di s belle fiamme (Clio) 15. Part 1 No 15. Aria: Quanto breve il godimento (Clio) 16. Part 1 No 16. Recitative: Vada in oblio memoria s funesta (Apollo) 17. Part 1 No 17. Coro: Cantiam a Bacco in s lieto d 18. Part 1 No 18. Aria: Del nume Lieo (Marte) 19. Part 1 No 19. Aria: Sciolga dunque al balla al canto (Apollo) 20. Part 1 No 20. Coro e Soli: S'accenda pur di festa il cor (Clio/Calliope/Apollo) 21. Part 1 No 21. Coro: Replicati al ballo al canto 22. Part 2 No 01. Soli e Coro: Nel petto sento un certo ardor (Calliope/Euterpe/Clori/Clio) 23. Part 2 No 02. Recitative: Qual tetra nube, Orfeo (Apollo) 24. Part 2 No 03. Aria: Torni pure un' bel splendore (Apollo) 25. Part 2 No 04. Recitative: Ogn'un mi siegua, e godi (Clio) 26. Part 2 No 05. Aria: Nel spiegar sua voce al canto (Clio) 27. Part 2 No 06. Recitative: E non s'udiran mai (Clori) 28. Part 2 No 07. Coro: O quanto bella gloria 29. Part 2 No 08. Aria: Tra sentier di amene selve (Clori) 30. Part 2 No 09. Coro: O quanto bella gloria 31. Part 2 No 10. Recitative: Che mai facesti Orfeo? (Calliope) 32. Part 2 No 11. Aria: Gi le furie vedo ancor' (Calliope) 33. Part 2 No 12. Accompagnato: Dopo d'aver perduto il caro bene (Orfeo) 34. Part 2 No 13. Aria: Ho perso il caro ben' (Orfeo) 35. Part 2 No 14. Coro: S'unisce al tuo martir 36. Part 2 No 15. Recitative: Figlio, diletto Orfeo (Apollo) 37. Part 2 No 16. Duetto: Cangia in gioia il tuo dolor (Apollo/Clio) 38. Part 2 No 17. Recitative: Di Nettuno seguaci (Apollo) 39. Part 2 No 18. Coro: Coralli e perle vogliamo offrir
40. Part 3 No 01: Sinfonia 41. Part 3 No 02. Recitative: Io che degli avi eccelsi (Marte) 42. Part 3 No 03. Coro e Solo: Si parli ancor di trionfar (Marte) 43. Part 3 No 04. Recitative: O stirpe gloriosa (Orfeo) 44. Part 3 No 05. Aria: Da sorgente rilucente (Orfeo) 45. Part 3 No 06. Recitative: Dall'opre illustri dei genitor (Calliope) 46. Part 3 No 07. Aria: Sempre aspira eccelso core (Calliope) 47. Part 3 No 08. Recitative: Delle dotte germane (Apollo) 48. Part 3 No 09. Aria: Non tardate Fauni ancora (Apollo) 49. Part 3 No 10. Coro: Accorriam senza dimora 50. Part 3 No 11. Recitative: Sia degli eccelsi sposi (Clio) 51. Part 3 No 12. Aria: Circondin lor' vite (Clio) 52. Part 3 No 13. Recitative: Con un' spirito divoto (Euterpe) 53. Part 3 No 14. Aria: Han' mente eroica (Euterpe) 54. Part 3 No 15. Recitative: Di virt, di valor, piet, e clemenza (Apollo) 55. Part 3 No 16. Solo e Coro: Lunga serie d'alti eroi (Apollo)
Personaggi: Apollo: Diana Moore, mezzo-soprano Clio: Carolyn Sampson, soprano Orfeo: Lucy Crowe, soprano Calliope: Rebecca Outram, soprano Clori: Ruth Clegg, alto Euterpe: Diana Moore, mezzo-soprano Marte: Peter Harvey, bass Choir of The King's Consort: Soprano: Ildiko Allen, Julie Cooper, Susan Gilmour-Bailey, Kirsty Hopkins, Rebecca Outram Countertenor: Ian Aitkenhead, Stephen Carter, David Clegg, Richard Wyn Roberts Tenor: Daniel Auchincloss, Malcolm Bennett, Nicholas Mulroy, Tom Philips Bass: Benjamin Davies, Charles Pott, Richard Savage, Andrew Westwood Performer: Violin I: Matthew Truscott, Tuomo Suni, Hannah Tibell, Elizabeth McCarthy, Daniel Edgar
Violin II: William Thorp, Jean Paterson, Rebecca Miles, Nia Lewis Viola: Jane Rogers, Dorothea Vogel, Malgosia Ziemkiewicz Cellos: Jonathan Manson, Lucy Scotchmer Double Bass: Christine Sticher, Timothy Amherst Recorder: Rebecca Miles, Katy Bircher Flutes: Katy Bircher, Rachel Moss Oboes: Alexandra Bellamy, Hannah Mclaughlin, Frances Norbury Bassoon: Zoe Shevlin Trumpet: Grispian Steele-Perkins, Neil Brough Horns: Gavin Edwards, Joseph Walters Timpani: Adrian Bending Theorbo: Richard Sweeney, Lynda Sayce Harpsichords: Robert Howarth, Matthew Halls The King's Consort Conductor: Matthew Halls
Intrprete: Orphnica Lyra - Director: Jos Miguel Moreno. - Nuria Rial (Soprano) - Carlos Mena (Contratenor) - Guido Balestracci (Viola de gamba soprano) - Alba Fresno (Viola de gamba tenor) - Ventura Rico (Viola de gamba bajo) - Eligio Quinteiro (Guitarra) - Fernando Paz (Flautas) - Pedro Estevan (Percusin) - Jos Miguel Moreno (Vihuela y direccin)
[Concierto celebrado el 20 de septiembre de 2000, en la iglesia de Saint-Leu, Amiens (France), dentro del "XIII Festival des Cathdrales de Picardie"].
TEMAS: [Dado que los temas no vienen reflejados en los ttulos de crdito del concierto, he tenido que sacarlos de odo. La mayora estn basados en el "Libro de msica para vihuela, intitulado Orphnica Lyra" de Miguel de Fuenllana, lo cual ha facilitado bastante la tarea; pero an as ... pueden haber errores]
- Diego Pisador : Romance de Abindarrez: "La maana de San Juan" ("Libro de msica de vihuela", S. XVI) - Cristbal de Morales- Fuenllana : De Antequera sale el moro ("Orphnica Lyra", S. XVI) - Claudin de Sermisy- Fuenllana: Tan que vivray ("Orphnica Lyra", S. XVI) - Annimo : Rodrigo Martnez ("Cancionero de Palacio", S. XV/XVI) - Diego Ortiz : Dos 'Recercadas' ("Tratado de Glosas", S. XVI) - Annimo : Al alva venid ("Cancionero de Palacio", S. XV/XVI)
- Luys de Narvez : Diferencias sobre Gurdame las Vacas ("Los seys libros del Delphin"; S. XVI) - Annimo : Dindirindin ("Cancionero de Montecassino", S. XV) - Mateo Flecha "El Viejo" : Buscad d' hoy ms (Ensalada "La Justa") ("Las Ensaladas de Flecha", S. XVI) - Mateo Flecha "El Viejo" : Ande, pues, nuestro apellido (Ensalada "La Bomba") ("Las Ensaladas de Flecha", S. XVI) - Giacomo Fogliano : L' amor, dona, ch' io te porto ("Cancionero de Palacio", S. XV/XVI) - Alonso Mudarra : Romanesca? ("Tres libros de msica en cifra para vihuela", S. XVI) - Diego Ortiz : Recercada segunda sobre el passamezzo moderno ("Tratado de Glosas", S. XVI) - Mateo Flecha "El Viejo" : Ass, ass, cuerpo de nos! (Ensalada "El Iubilate") ("Orphnica Lyra", S. XVI) - Juan Vsquez- Fuenllana : Dulete de mi seora ("Orphnica Lyra", S. XVI) - Juan Vsquez- Fuenllana : De los lamos vengo ("Orphnica Lyra", S. XVI) - Juan Vsquez- Fuenllana : Morenica dame un beso ("Orphnica Lyra", S. XVI) - Juan del Encina : Ms vale trocar ("Cancionero de Palacio", S. XV/XVI) - Juan del Encina : Si habr en este baldrs ("Cancionero de Palacio", S. XV/XVI) - Alonso Mudarra: Fantasa X que contrahaze la harpa en la manera de Ludovico ("Tres libros de msica en cifra para vihuela", S. XVI) - Annimo : A los maytines era ("Cancionero de la Colombina", S. XV)
- Annimo : Nia y via ("Cancionero de la Colombina", S. XV) - Juan del Encina : Oy comamos y bebamos ("Cancionero de Palacio", S. XV/XVI) ... (Bises)...
TEMAS: - Claudio Monteverdi: Toccata - Barbara Strozzi: L' Eraclito amoroso - Pandolfo Mealli: La Vinciolina - CLAUDIO MONTEVERDI: * Ohime, ch'io cado * Pur ti miro * Damigella, tutta bella - Tarquinio Merula: Ciaccona - Giovanni Legrenzi: Lumi potete piangere - CLAUDIO MONTEVERDI: * Quel sguardo sdegnosetto * Adagati, Poppea
- Domenico Maria Melli: Dispiegate, guance amate - Andrea Falconiero: Battalla de Barabaso yerno de Satans - Claudio Monteverdi: Si dolce e' l tormento - Orazio Michi dell' Arpa: Piangete, afflitti lumi - Luigi Pozzi: Salve Regina - Lorenzo Allegri: Canario - Claudio Monteverdi: Zefiro Torna - Giovanni Felipe Sances: Presso l' onde tranquille
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Pices de clavecin, Book 4: Ordre 20 in G major/G minor - La Princesse Marie by Franois Couperin Performer: Olivier Baumont (Harpsichord) Period: Baroque Written: by 1730; Paris, France La Dauphine by Jean-Philippe Rameau Performer: Olivier Baumont (Harpsichord) Period: Baroque Written: 1747; France
9.
in C major
No. 130 in G minor 6:28 No. 121 in C major 3:17 Sonata No. 63 in F major
4 Cantabile 8:44 5 Allegro 5:25 6 Intento 4:06
15 Allegro 5:40
Johan Helmich Roman - Lilla Drottningholmsmusiken 01 Suite D Major (BeRi 2 1,2) Spicco Allegro Da Capella 02 Suite D Major (BeRi 2 1,2) Allegretto 03 Suite D Major (BeRi 2 1,2) Andantino 04 Suite D Major (BeRi 2 1,2) Larghetto 05 Suite D Major (BeRi 2 1,2) Allegro Non Tanto Da Capo 06 Suite D Major (BeRi 2 1,2) Andante 07 Suite D Major (BeRi 2 1,2) Vivace 08 Suite D Major (BeRi 2 1,2) Allegro Swedish National Museum Chamber Orchestra; Claude Gnetay 09 Cantata Piante Amiche Aria Andante Largo 10 Cantata Piante Amiche Recitativo 11 Cantata Piante Amiche Aria Allegro Swedish National Museum Chamber Orchestra; Claude Gnetay, Pia Maria Nilsson (soprano) 12 Suite G Minor (BeRi 7) Poco Adagio 13 Suite G Minor (BeRi 7) Allegro 14 Suite G Minor (BeRi 7) Allegretto 15 Suite G Minor (BeRi 7) Allegro 16 Suite G Minor (BeRi 7) Andante 17 Suite G Minor (BeRi 7) Allegretto 18 Suite G Minor (BeRi 7) Allegro 19 Suite G Minor (BeRi 7) Allegretto Non Tanto Da Capo 20 Suite G Minor (BeRi 7) Andante Swedish National Museum Chamber Orchestra; Claude Gnetay G.P.Telemann - Oden 1741 (Klaus Mertens, Ludger Remy) Ode No. 1: Indoctum se dulce bibenti Ode No. 2: Die Vergngung Ode No. 3: Die Tugend Ode No. 4: Der Schfer Ode No. 5: An den Schlaf Ode No. 6: Der frhliche Ausgeber Ode No. 7: Wahre Vorzge Ode No. 8: Das Lachen Ode No. 9: Trinklied Ode No. 10: Der Mittelstand zwischen Reichtum und Armut Ode No. 11: Vernnftige Lust Ode No. 12: Der Wein Ode No. 13: Jugendlust Ode No. 14: Die schlechte Mahlzeit
Ode No. 15: An Doris Ode No. 16: Ein guter Mut Ode No. 17: Lob des Weins Ode No. 18: Das vergngte Schferleben Ode No. 19: Die Zufriedenheit Ode No. 20: Die Gengsamkeit Ode No. 21: Das Gesundheittrinken Ode No. 22: Der Freund Ode No. 23: Das Landleben Ode No. 24: Der Sonderling
17. Partita In A Minor (After BWV 1004, Arr. Mortensen) Allemanda 18. Partita In A Minor (After BWV 1004, Arr. Mortensen) Corrente 19. Partita In A Minor (After BWV 1004, Arr. Mortensen) Sarabanda: 20. Partita In A Minor (After BWV 1004, Arr. Mortensen) Giga 21. Partita In A Minor (After BWV 1004, Arr. Mortensen) Ciaccona