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Miguel Costa 09467574 The piece then resumes its original structure with variations. The piano is now providing strong, low notes in accompaniment to the quartet, almost like bells. Important to note is that in the rehearsals the piano was originally understated, this has been altered to better highlight the role of the piano. Now the low notes ring out strongly and distinctly. The quartet begins to break out of phase as the piece becomes more and more energetic while retaining some semblance of the original structure. It culminates in a chaotic, overlapping pattern for a rousing conclusion, the eureka moment. Dynamics and instrumental work have been refined since the rehearsals, resulting in a more expressive piece as a whole. The pre-concert open discussions were a crucial step in the creative process, giving the piece and performers small tweaks to better align the many components of the piece with the composers message. Overall this has been an exciting piece to listen to with its various tempos and scale changes, along with the rich textures that appeared with powerful dynamics. I found it significantly easier to follow than the other postmodern pieces. In this sense this is a piece that deserves merit for telling both a compelling message and being easy to enjoy.