Bibliografa Ficcin Joyce, James. Dubliners. 1914. Londres: Penguin, 2000. Hadfield, John, ed.

Modern Short Stories to 1940. Londres: Everyman, 1984. Showalter, Elaine, ed. Daughters of Decadence: Women Writers of the Fin-deSicle. Londres: Virago Press, 1993. Stein, Gertrude. Three Lives and Q.E.D. Ed. Marianne DeKoven. A Norton Critical Edition. Nueva York: Norton, 2006. Modernismo Childs, Peter. Modernism. The New Critical Idiom. 2000. Nueva York: Routledge, 2008. Goldman, Jane. Modernism, 1910-1945. Image to Apocalypse. Nueva York: Palgrave Macmillan, 2004. ix-91. Harrison, Charles. English Art and Modernism 1900-1939. 1981. New Heaven y Londres: Yale U P, 1994. Paul, Catherine E. Poetry in the Museums of Modernism: Yeats, Pound, Moore, Stein. Michigan: U of Michigan P, 2002. [Introduccin y captulo sobre Stein] Poplawsky, Paul, ed. Encyclopedia of Literary Modernism. Westport: Greenwood Press, 2003. [Preface, entradas: Barnes, Djuna, Beckett, Samuel Barclay, Rhys, Jean (Ellen Gwendolen Rees Williams), Mansfield, Katherine]. Rainey, Lawrence, ed. Modernism: An Anthology. Oxford: Blackwell Publishing, 2005. Relacin texto e imgenes Conroy, Derval y Gratton, Johnnie. Introduction a Loeil crit: tudes sur des rapports entre texte et image, 1800-1940, eds Derval Conroy y Johnnie Gratton. Ginebra: Slatkine rudition, 2005. xv-xxii.

Cooke, Peter. Baudelaire, Delacroix et la problmatique de la peinture littraire. En Loeil crit: tudes sur des rapports entre texte et image, 18001940, eds Derval Conroy y Johnnie Gratton. Ginebra: Slatkine rudition, 2005. 89-103.

Hobbs, Richard. Du Visuel lcrit: Jules Breton peintre-crivain. En Loeil crit: tudes sur des rapports entre texte et image, 1800-1940, eds Derval Conroy y Johnnie Gratton. Ginebra: Slatkine rudition, 2005. 49-63.

Lloyd, Rosemary. Nature morte avec figures: quand lobjet devient sujet. En Loeil crit: tudes sur des rapports entre texte et image, 1800-1940, eds Derval Conroy y Johnnie Gratton. Ginebra: Slatkine rudition, 2005. 177-189.

Pickering, Robert. Valry: pour une criture-peinture de la Mditerrane. En Loeil crit: tudes sur des rapports entre texte et image, 1800-1940, eds Derval Conroy y Johnnie Gratton. Ginebra: Slatkine rudition, 2005. 65-78.

Short Story Feddersen, R.C. Introduction a A Readers Companion to the Short Story in English, eds. Erin Fallon, R.C. Feddersen, James Kurtzleben, Maurice A. Lee y Susan Rochette-Crawley. Westport: Greenwood Press, 2001.xi-xxxiv. Glaziou, Jol. Nouvelles et tableaux: textes et pr-textes. En La nouvelle hier et aujourd'hui : actes du colloque de University College Dublin, 14-16 septembre 1995, bajo la direccin de Johnnie Gratton y Jean-Philippe Imbert. 239-250. Gratton, Johnnie y Le Juez, Brigitte. Introduction a Modern French Short Fiction, eds. Johnnie Gratton y Brigitte Le Juez. Manchester: Manchester University Press, 1994. 1-22. Gratton, Johnnie. From the Nouvelle to the Nouvellistique. En Short French Fiction. Essays on the short story in France in the twentieth century, ed. J. E. Flower. Exeter: University of Exeter Press, 1998. 122-152. Head, Dominic. The Modernist Short Story. A study in theory and practice. Cambridge: Cambridge University Press, 1992. Tim Killick. British Short Fiction in the Early Nineteenth Century: The Rise of the Tale. Aldershot: Ashgate Publishing, 2008. [Introduction, 1 Overview: Short Fiction in the Early Nineteenth Century, Part I: Criticism, History, and

Definitions, Part II: Short Fiction in the Periodical Press, 3 Improving Stories: Women Writers, Morality, and Short Fiction.] Kotrodimos, Paul. Jean Rhys en A Readers Companion to the Short Story in English, eds. Erin Fallon, R.C. Feddersen, James Kurtzleben, Maurice A. Lee y Susan Rochette-Crawley. Westport: Greenwood Press, 2001.357-363. May, Charles E. Why Short Stories Are Essential and Why They Are Seldom Read. En The Art of Brevity, ed. Per Winther, Jakob Lothe y Hans H Skei. Columbia: U South Carolina P, 2003. 14-25. Rohrberger, Mary. Preface a A Readers Companion to the Short Story in English, eds. Erin Fallon, R.C. Feddersen, James Kurtzleben, Maurice A. Lee y Susan Rochette-Crawley. Westport: Greenwood Press, 2001. ix-xi. Sheringham, Michael. Nouvelle et pome en prose: Mademoiselle Bistouri de Baudelaire. En La nouvelle hier et aujourd'hui : actes du colloque de University College Dublin, 14-16 septembre 1995, bajo la direccin de Johnnie Gratton y Jean-Philippe Imbert. 85-95. Sobre autores Eliot, T. S., Preface a Nightwood, Djuna Barnes. London: Faber and Faber, 1936. ix-xiv. Gontarski, S. E. Introduction a Samuel Beckett, The Complete Short Prose, 1929-1989. Ed. S. E. Gontarski. Nueva York: Grove Press, 1995. xi-xxxi. Herring, Phillip. The Stories of Djuna Barnes. En Collected Stories of Djuna Barnes. Los Angeles: Sun & Moon Press, 1996. 7-24. Joyce, James. Dubliners and A Portrait of the Artist as a Young Man. Ed. Morris Beja. Nueva York: Palgrave Macmillan, 1973. [Edicin que incluye fragmentos de manuscritos de Joyce y reseas contemporneas. Fotocopi una seleccin de los manuscritos en donde se meciona la epifana concepto clave en la definicin de short story segn la mayora de los crticos y que yo retomo en mi proyecto, y reseas contemporneas de Dubliners.] Lohafer, Susan. Katherine Mansfield and Sandra Cisneros. En Reading for Storyness. Baltimore: The John Hopkins UP, 2003. 71-92.

Lothe, Jakob. Aspects of the Fragment in Joyces Dubliners and Kafkas The Trial. En The Art of Brevity, ed. Per Winther, Jakob Lothe y Hans H Skei. Columbia: U South Carolina P, 2003. 96-105.

Messerli, Douglas. The Newspaper Tales of Djuna Barnes. En Smoke and Other Early Stories by Djuna Barnes. Ed. Douglas Messerli. Maryland: Sun & Moon Press, 1982. 7-19.

Miller, Tyrus. Late Modernism: Politics, Fiction, and the Arts Between the World Wars. Berkeley, Los Angeles, London: U California P, 1999. 121-168. [captulo sobre Djuna Barnes]

Walker, Jayne L. The Making of a Modernist: Gertrude Stein from Three Lives to Tender Buttons. Amherst: U Massachusetts P, 1984. xi-18. [Introduccin y captuo 1: The Reality of Czanne and Caliban].