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Lesson 1

1
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1 2 3 4

1 2

3 4

DA

DA

DA

2
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3
A

4
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5
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6
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Lesson 2
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9
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10
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Lesson 3
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13
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16
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Lesson 4
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Bransle - Caroubel (16th c.)


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Lesson 5 (may be played as Suite)


Arr. CPF

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A

Bransle - Gervaise (1551)


S

Arr. CPF

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A

Bransle - Gervaise (1551)


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Arr. CPF

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A

Bransle - Praetorius (1612)


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Arr. CPF

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Bransle - Gervaise / Moderne (c. 1550)


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Arr. CPF

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Bransle - Gervaise (1551)


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Arr. CPF

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Lesson 6
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32 French Dance (13th c. Round for 2) * Oats, Peas, Beans, and Barley Grow (American Folk Song)

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34

35

Fais Do Do (French Folk Song)

Fine

D.C. al Fine

Exercise for Slurs 36

Stantipe (13th c. English Dance)


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37
S

S
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Lesson 7
Bransle (16th c.) - Gervaise
S Arr. CPF

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A

Gilotte - Praetorius (1612)


S

Arr. CPF

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A

1. S 1. A

2.

2.

Bransle - Gervaise (1551)


S

Arr. CPF

40
A

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Half Hannikin - Playford (1650) 41

Lesson 8

Picking of Sticks - Playford (1650) 42

Bransle Courant - Gervaise (1551)


S

Arr. CPF

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A

Saltarello - Phalse (1583)


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Arr. CPF

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Bransle de Champaigne - Gervaise (1550)


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Lesson 9
Arr. CPF

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A

Bransle de Champaigne - Gervaise (1555)


S

Arr. CPF

46
A

Bransle Double - CPF (2001)


S

47
A

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Lesson 10
Lament from the Bennada Glens (Irish Folk Tune) 48

Bransle de Champaigne - Gervaise (1550)


S

Arr. CPF

49
A

Almande Lorayne - Phalese (1571)


S

50
A

Stantipe - (13th c. English Dance)


S

51
A

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Lesson 13
Round for 2 64 Christmas is Coming (Round for 2) 65 Round for 2, 3, or 4 *

* *

66

If All the World Were Paper - Playford (1651) 67 Winder Wie ist nu dein Kraft - Neidhart von Reuental (c. 1225) 68
D.C. al Fermata

Maienzeidt - Neidhart von Reuental (c. 1225) 69


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Stantipe (13th c. English Dance)

D.C. al Fermata

70
A

Stantipe (13th c. English Dance)


S

71
S

Student plays bottom part on repeat

Stantipe (13th c. English Dance)


S

72
S

Student plays bottom part on repeat

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O Virgo Splendens - (Spanish c. 1320) (Round for 2 or 3) 82

Lesson 16

A Senor Que - Alphonso X El Sabio (c. 1250) (Dorian Mode) 83 Exercise 84


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Motet (13th c. France) (Dorian Mode)

85
A

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Lesson 20
Nota (13th c. English Dance)
S

98
S

Student plays bottom part on repeat

Finger Control Exercise 99 Finger Control Exercise 100 Apley House - English Folk Song (Ionian Mode) 101
1. 2.

Two Part Round (Ionian Mode) 102

Come Follow, Follow Me - John Hilton (1652) (Ionian Mode) 103

White Cockle Bells (Ionian Mode) 104

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Sans Orgueil (13th c. French Motet) (Dorian Mode)


S

105
S

Mit Gnstlichem Herzen - Oswald von Wolkenstein (c. 1410) (Dorian/Ionian) 106

Bransle - Praetorius (1612) 107

1.

2.

1.

2.

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Gavotte - Praetorius (1612)


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Lesson 21 (Review)
Arr. CPF

108
A

DaRaDaRa

Da

Ra

Almande - Phalse (1571)


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Arr. CPF

109
T

Bransle Double - Praetorius (1612)


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Arr. CPF

110
A

Benedicamus Domino (13th c. Spanish Motet) (Dorian)


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111
S

Student plays bottom part on repeat

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Benedicamus Domino (13th c. Spanish Motet) (Dorian)


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112
S

Student plays bottom part on repeat

Quant Ay Lo Mon Consirat (12th c. Troubador Song) (Dorian) 113

Lesson 22
Aeolian Mode

Phrygian Mode

Dorian Mode

Robert, Veez de Perron -Thibault, Roi de Navarre (c. 1260) (Aeolian) 114 Lullaby from the Isle of Man (Aeolian) 115

Shule Agra (Irish Folk Song) (Aeolian) 116

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D.S. al Fermata

3 = tritone

Lydian Mode

Lesson 23

Transposed Ionian

Ionian Mode

122

He! Robins & Bergeronette (13th c. French) (Lydian Mode)

Robins M'aime - Adam de la Halle (c. 1280) (Lydian Mode) 123

Wir Suln den Kochen Raten - Walter von der Vogelweide (c. 1200) (Lydian Mode) D.C. al Fermata
3

124 Dansa - Guirant D'Espanha de Tolosa (13 c.) (Lydian Mode) 125

Mara Villom'eu - Alphonso X, El Sabio (c. 1250) (Transposed Ionian) 126

D.C. al Fermata

A Virgen - Alphonso X, El Sabio (c. 1250) (Mixed Lydian/Ionian)


1. 2.

127
3 1. 2.

D.C. al Fermata

Round for 2 or 3 (Transposed Ionian)


* *

128

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Argeers - Playford (1651) 132

Lesson 24

Lamento di Tristan / La Rotta - 14 c. Italian (Dorian Mode) 133


1.

Arr. CPF

2.

1.

2.

Glen Lyon (Scottish Reel)(Dorian Mode) 134

D.S. al Fermata

Une Chanon Encore Vueil - Thibault, Roi de Navarre (c. 1240) (Lydian Mode)
3 3

Arr. CPF

135
3 3

Ed Muitas Guisas - Alphonso X, El Sabio (c. 1250) (Dorian Mode)


3 1. 2.

Arr. CPF

136

D.C. al Fermata
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Lesson 25
Mixolydian Mode Transposed Dorian Dorian Mode

137

Chanterai Por Mon Couraige - Guiot de Dijon, 1189 (Mixolydian Mode)

Congaudet Hodie (French c. 1200) (Mixolydian Mode) 138

Tr. CPF

Vide Perdite Me Legi (French c. 1200) (Mixolydian Mode) 139

Tr. CPF

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Syncopation Exercise 1 140 Syncopation Exercise 2 141

Lesson 26

142

Viva La Musica - Praetorius (Round for 2 or 3) * Syncopation Exercise 3

143 Singet Dem Herren - Praetorius (Round for 2, 3, or 4) * * * Aus Tiefer Not - Martin Agricola (c. 1530) (2 part round) (Phrygian Mode) *

144

1.

145

2.

Vom Himmelhoch - Kaspar Othmayr, 1547 (Ionian Mode) 146


Student plays bottom part on repeat

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147

Haussegen - Adam Gumpelzheimer, c. 1600 (2 Part Round) *

Der Grimmig Tod - Adam Gumpelzheimer, c. 1600 (2 Part Round) (Dorian Mode) * 148

Nun Komm Der Heiden Heiland - Kaspar Othmayr, 1547 (Transposed Dorian/Aeolian)
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149
A

Lesson 27
Ionian 150 Ionian 151 Dorian Phrygian Mixolydian Aeolian Dorian Phrygian Lydian Mixolydian Aeolian

13

Try these sample cadences both without the sharp and with the sharp (ficta)
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Lesson 36
Can She Excuse My Wrongs (excerpt) - John Dowland 197 Syncopation Excercise 5 (as metrically shifted pulse) 198 Aus Tiefer Not - Kaspar Othmayr, 1547 (Pythagorian Mode)
S

1.

2.

199
1. A 2.

Ein Feste Burg - Kaspar Othmayr, 1547 (Ionian Mode)


S

200
A

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Lesson 37
Difference Tones Exercise 1 - Pure Thirds (5:4 5/4 - 4/4 = 1/4 = 2
SS

lower)

204
(Diff Tone)

Difference Tones Exercise 1 - Pure Fifths (3:2 3/2 - 2/2 = 1/2 = 1


SS

lower)

205
(Diff Tone)

206

Andray Soulet - Matheus de Perusio, c. 1400 (Round for 2 or 3) * *

An Old Epitaph - Henry Purcell (Round for 2 or 3) 207 *

Now That the Spring - John Hilton, 1652 (Round for 2 or 3) 208 *

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