1 ANALISIS. INDICE -ALMAIRE, Dieckow.

A Stylistic Analysis of the Solo Keyboard Sonatas of Antonio Soler (Ph-D, Washington University, 1971). Ann Arbor, UMI. -ANTHONY, J. French Baroque Music from Beaujoyeuex to Rameau. London: 1978 (1 ed. 1974). -BENT, Ian; DRABKIN, William. The New Grove Handbooks in Music. Analysis. London: Macmillan, 1987. -BUTT, John. Bach. Mass in B Minor. Cambridge: Cambridge: Cambridge: Cambridge University Press, 1991. -COOK, Nicholas. A Guide to Musical Analysis. London: Dent, 1987. -DELIEGE, C. Les fondamente de la musique tonale. Une perspective analytique postschenkerienne. Pars: Latts, 1984. -DUNSBY, J.; WHITALL, A. Music Analysis in Theory and Practice. London: Faber, 1988. -FORTE, Alan y GILBERT, S. E. Introduction to Schenkerian Analysis. New York: Norton, 1982. -GERVAIS, F. Prcis d'Analyse musicale. Paris: Champion, 1988. -GOLDWURM, G. "L'analisi schenkeriana e la forma-sonata". Rivista Italiana di Musicologia XXX (1995), pp. 135-70. -GROSS, Dorothy. "A Computer Project in Music Analysis". Computer in the Humanities. Washington: Health and Co., 1981, pp. 229-313. -GUT, S. y PISTONE, D. Les partitions d'orchestra de Haynd Strawinsky. Paris: Champion, 1977. -GUT, S. y PISTONE, D. Le commentaire musicologique du gregorien 1700. Paris: Champion, 1980. -HUTCHINGS, Arthur. A companion to Mozart's Piano Concertos. Oxford: Oxford University Press, 1991 (1 ed. 1948) -LA RUE, Jan. "On Style Analysis". Journal of Music Theory VI (1962), pp. 91-108. -LA RUE, Jan. Anlisis del estilo musical. Barcelona: Labor, 1989 (1 ed. 1970). -LOWINSKY, Edward E. Tonality and Atonality in 16th-Century Music. Berkeley and Los Angeles, University of California Press, 1962. -NARMOUR, E. Beyond Schenkerism. The Need for Alternatives in Musical Analysis. Chicago: University of Chicago Press, 1977. -NATALE, M. de. Analisi della struttura melodica. Milano: Guerini, 1988. -PEARCE, Alaister. "Troubadours and Transposition. a Computer-Aided Study". Computers and the Humanities II (1982), pp. 11-18. -PLA, Llacer. Gua analtica de Formas Musicales. Madrid: Real Musical, 1987 (1 ed. 82). -RETI, Rudolf. Tonalidad, atonalidad, pantonalidad. Madrid: Rialp, 1965 (1ed. 1960). -ROSEN, Charles. El estilo clsico. Haydn, Mozart, Beethoven. Madrid: Alianza Msica, 1991 (1 ed. 1972). -SCHACHTER, Carl. "Rhythmic and Linear Analysis". The Music Forum, v. IV. Columbia: Columbia University Press, 1976, pp. 281-334. -SCHACHTER, Carl. "Rhythmic and Linear Analysis. Durational Reduction". The Music Forum, v. V. Columbia: Columbia University Press, 1980, pp. 197-232. -SCHACHTER, Carl. "Rhythmic and Linear Analysis. Aspects of Meter". The Music Forum, v. VI. Columbia: Columbia University Press, 1987, pp. 1-60. -SCHOENBERG, Arnold. Ejercicios preliminares de contrapunto. Barcelona: Labor, 1990 (1 ed. 63). -ROSEN, Charles. Formas de Sonata. Labor, Madrid: 1987. -SOLER, Josep. Fuga. Tcnica e historia. Barcelona: Boch, 1980. -TOVEY, Donald. Esays in Musical Analysis. Chamber Music. Oxford: Oxford University Press, 1989 (1 ed. 1944). -TREITLER, Leo. "Music Analysis in a Historical Context". Music and the Historical Imagination. Harvard University Press, 1989, pp. 67-77. -WHITE, John Davis. The Analysis of Music. New Jersey: The Scarecrow Press, 1984 (1 ed. 31).

ANTIGEDAD. INDICE -ABERT, H; Die Lehre vom Ethos in der griechischen Musik. Leipzig: s.e, 1968 (1ed. 1899). -ANDERSON, W.D. Ethos and Education in Greek Music. Cambridge: Cambridge Massachusets, 1968. -BRAINERD SLOCUM, Kay. "Confrrie, Bruderschaft and guild. The formation of musicians' fraternal organisations in thirteenth-and fourteenth-century Europe". Early Music History XIV (1995), pp. 257-72. -CHAILLEY, J. La musique grecque antique. Paris: Belles-Lettres, 1979. -COMOTTI, G. La msica en la cultura griega y romana. Madrid: Turner Msica, 1986 (1 ed. 1977). -EVERIST, Mark. "The polyphonic rondeau c. 1300. Repertory and context". Early Music History 1996 (XV), pp. 59-96. -GAMBERINI, L. La parola e la musica nell'antichit. Firence, s.e., 1962. -GEVAERT, F.A.; VOLLCRAFT, J.C. Les problmes musicaux d'Aristote. Osnabrck, Biblio Verlag, 1988 (1 ed. 1903). -LALOY, L. Aristoxne de Tarente et la musique de l'Antiquit. Arnaldo Forni Editore, 1979 (1 ed. 1904). -LASSERRE, F. Plutarque, De la musique. Laussanne, s.e., 1954. -LIPPMAN, E.A. Musical Thought in Ancient Greece. London: 1964. -MATHIESEN, J. Bibliography of Sources for the Study of Ancient Greek Music. New Jersey: Hackensack, 1974. -MICHAELIDES, S. The Music of Ancient Greece, an Encyclopdia. London: Macmillan, 1978. -MOUTSOPOULOS, E. La musique dans l'oevre de Platon. Paris: Presses Universitaires de France, 1959. -RIGHINI, P. La musica greca. Analisi storico-tecnica. Padua, s.e., 1976. -SACHS, Curt. La Musica nel Mondo Antico. Oriente e Occidente. Milano: Rusconi Libri, 1992. -SALAZAR, Adolfo. "La msica en la edad homrica". Anuario Musical VI (1951), pp. 106-54. -SALAZAR, Adolfo. La msica en la cultura griega. Mxico: Fondo de Cultura, 1954. -WILLE, G. Musica Romana. Amsterdan, s.e., 1967.

ARMONIA. INDICE -ARNOLD, F.Y. The Art of Accompaniment from a Through-Bass. London: Oxford: Oxford University Press, 1944. -HARRAN, Don. In Search of Harmony. Hebrew and Humanist Elements in 16th-C Musical Thought. Musicological Studies and Documents, XLII. Stuttgart, 1988. -JONHSON, Jane Troy. "The rules for 'Through Bass' and for tuning atributed to Handel". Early Music XVII (1989), pp. 70-74. -KRAMER, L. "The Mirror of Tonality. Transitional Features of 19th-C Harmony". Nineteenth Century Music IV (1981), pp. 191-208. -REID, S.J. "Tonality's Changing Role. A Survey of Non-Concentric Instrumental Works of the 19th-C". (Ph-D, Texas University, 1986). -SCHOENBERG, Arnold. Ejercicios preliminares de contrapunto. Barcelona: Labor, 1990 (1 ed. 63). -SCHOENBERG, Arnold. Funciones estructurales de la armona. Barcelona: Labor, 1990 (1 ed. 54).

3 CLASICISMO. INDICE -ATLAS, A.W. Music in the Classic Period. Essays in Honor of Barry S. Brook. New York: Pendragon Press, 1985. -BARRY, K. Language, Music and the Sign. A Study in Aesthetics Poetics and Poetic Practice from Collins to Coleridge. Cambridge: Cambridge University Press, 1987. -BLUME, F. Classic and Romantic Music. A Comprehensive Survey. London: Faber & Faber, 1970. -BURDEN, Michael; CHOLIJ, Irena. A Handbook for Studies in 18th-Century Englis Music II. Edinburgh, The Faculty of Music, 1989. -DAY, J.; LE HURAY, P. Music and Aesthetics in the 18th and 19th Centuries. Cambridge: Cambridge University Press, 1981. -DOWNS, P.G. Classical Music. The Era of Haydn, Mozart and Beethoven. London: Macmillan, 1992. -FUBINI, E. Musica e cultura nel settecento europeo. Turin, E.D.T., 1986. -LANDON, H.C.R. Essays on the Viennese Classical Style. London: Faber& Faber, 1970. -LARSEN, J.P. "Some observations on the development and characteristics of Viena classical instrumental music". Studia Musicologica Academi Scientarum Hungari IX (1967), pp. 115-39. -MAHLING, C.H. The origin and Social Status of the Court Orchestral Musician in the 18th and early 19th Century in Germany. The Social Status of the professional Musician from the Middle Ages of the 19th Century. New York: Walter Salmen, 1983. -PATIER, Dominique. La dynamique musicale au XVIIIme. Lille: Lille Atelier National de Reproduction des theses, 1983. -PAULY, R.G. La msica en el perodo clsico. Buenos Aires: Victor Leru, 1980 (1 ed. 1974). -PESTELLI, G. La poca de Mozart y Beethoven. Madrid: Turner Msica, 1986 (1 ed. 1979). -PINCHARD, M. A la recherche de la Musique vivante. Chefs d'oeuvre comments, v. I. Epoque Classique. Paris: Les Editions Ouvrires, 1967. -ROSEN, Charles. El estilo clsico. Haydn, Mozart y Beethoven. Madrid: Alianza Msica, 1986. -ROWEN, Ruth Halle. "Some 18th-C Classifications of Musical Style". Musical Quarterly XXXIII (1947), pp. 90-101. -RUSHTON, J. Classical Music. A Concise History from Gluck to Beethoven. London: Thames and Hudson, 1986. -SHELDON, David A. "The Galant Style revisited and re-evaluated". Acta Musicologica XLVII (1979), pp. 240-70. -SOUTHGATE, T.L. "Music at the Public Pleasure gardens of the 18th-C". Proceedings of the Royal Musical Association XXXVIII (1911-12), pp. 141-59. -STEPHENSON, K. Die Musikalische Klassic. Kln, s.e., 1953. -WEBER, William. "The contemporaneity of 18th-C Musical Taste". Musical Quarterly LXX (1984), pp. 175-84. -ZASLAW, N. The Classical Era, from the 1740's to the end of the 18th-Century. London: Macmillan Press, 1991. -ZWOLINSKA, E. The Music at the Court of Sigismund the Old and Sigismund August (diss, Warsaw 1977). DANZA. INDICE -ESQUIVEL NAVARRO, Juan de. Discursos sobre el Arte del Danado y sus excelencias y primer origen, reprobando las acciones deshonestas. Sevilla: Juan Gmez de Blas, 1642, fasc. Valencia: Paris: 1992. -GARCIA-MATOS ALONSO, Carmen. "Una polmica en torno a las danzas de cuenta y los bailes de cascabel de los siglos XVI y XVII". Nasarre XII (1996), pp. 121-34.

4 -MARTINEZ DEL FRESNO, Beatriz. "La Historia de la danza, una nueva lnea de investigacin en la Universidad de Oviedo". Revista de Musicologa XX (1997), pp. 1069-76. -REY, Juan Jos. Danzas cantadas en el renacimiento espaol. Madrid: SEdM, 1977. -RUIZ MAYORDOMO, M Jos. "La danza histrica, herramienta para construir la Historia de la Msica y Danza". Revista de Musicologa XX (1997), pp. 301-14. -SACHS, Curt. World History of the Dance. New York: Public Library of NY, 1963. -SALVADOR BERRUECO, Teresa. Danzas populares Valladolid y su provincia. Valladolid: Castilla, colec. Nueva Castilla, 1994. -SANCHEZ DEL BARRIO, Antonio. Danzas de palos. Valladolid: Castilla, 1996. -SANHUESA FONSECA, Mara. "Carlos II y las 'Danzeras de la Reyna'. Violines y danza en las postrimeras de la Casa de Austria". Revista de Musicologa XX (1997), pp. 261-75. -SMITH, W. Fifteenth-Century Dance and Music. New York: Pendragon Press, 1993. -VVAA. La danza en la cultura tradicional de Castilla y Len. estudio y pedagoga. Valladolid: Junta de Castilla y Len,1997. -VVAA. La danza en la cultura tradicional de Castilla y Len. estudio y pedagoga II. Valladolid: Junta de Castilla y Len,1998. DIDACTICA. INDICE -ACEVEDO, J. A., BOLIVAR, J. P., LOPEZ MOLINA, E. J. y TRUJILLO, M. "Sobre las concepciones en dinmica elemental de los adolescentes formales y concretos y el cambio metodolgico". Enseanza de las Ciencias VII (1989), pp. 27-35. -ALBUERNE, F. Evolucin de los Planes de Estudio en las Normales. Las Escuelas Universitarias de magisterio. Anlisis y alternativa . Oviedo: Universidad-ICE, 1986. -ALEMANY, Susana F. de; WOLF, Frances G. de. Conversaciones sobre musicoterapia y algo ms. Buenos Aires: Guadalupe, 1975. -ALIER, Roger. Introduccin al mundo de la msica. Ejercicios prcticos. Barcelona: Daimon, 1981. -ALONSO TAPIA, J. Motivacin y aprendizaje en el aula. Madrid: Santillana Aula XXI, 1991. -ALVIN, Juliette. Msica para el nio disminuido. Buenos Aires: Ricordi, 1965. -ALVIN, Juliette; WARWICK, Auriel. Music Therapy for the Autistic Children. Oxford: Oxford University Press, 1991. -ANGULO, Manuel; ESCUDERO, M Pilar; LOPEZ DE ARENOSA, Encarnacin; ORDOGH, Lazslo; SANCHEZ, Marta. "La Msica en los diversos niveles educativos". La formacin humana a travs de la msica. II Congreso Nacional de Pedagoga Musical. Madrid: Sociedad Espaola de Pedagoga Musical, 1982, pp. 65-111. -ARNHEIM, Rudolf. El pensamiento visual. Barcelona: Paids, 1986. -ASSELINEAU, M.; BEREL, E. Audicin y descubrimiento de la voz. Courlay, Fuzeau, 1991. -AUSUBEL, D. Psicologa educativa. Un punto de vista cognitivo. Mxico Trillas, 1978. -BACHMANN, Marie-Laurie. Dalcroza Today. an Education through into Music. Oxford: Oxford, Clarendon Press, 1991. -BARBACCI, Rodolfo. Educacin de la memoria musical. Buenos Aires: Ricordi, 1965. -BARCE, Ramn y otros. "La msica en el Bachillerato". La Enseanza musical en Espaa. I Congreso Nacional de Pedagoga Musical. Madrid: Sociedad Espaola de Pedagoga Musical, 1980, pp. 39-56. -BARCONS SERRAT, Jos. Andante con alegra. Ejercicios de expresin dinmica y musical. Madrid: Instituto Calasanz de Ciencias de la Educacin, 1992. -BARJA, Angel; GARCIA, Alfonso. Msica y poesa para nios. Len:Everest, 1989. -BARONI, Mario. "Sulla nozione di grammatica musicales". Revista italiana di Musicologa XVI (1981), pp. 2ss. -BENEJAM, P. La formacin de maestros. Una propuesta alternativa. BARCELONA: Laia, 1986.

5 -BENENZON, Rolando O.; YEPES, Antonio. Musicoterapia en psiquiatra. Metodologa y tcnicas. Buenos Aires: Barry, 1975 (1 ed. 1972). -BENTLEY, A. La aptitud musical de los nios y cmo determinarla. Buenos Aires: Victor Ler, 1967. -BERRY, Wallace. Structurals Functions in Music. New York: Dover, 1976. -BLAZQUEZ, F., FERNANDEZ, M. P., LOPEZ, M. A., LORENZO, M. Y MOLINA, S. Didctica general. Madrid: Anaya, 1983. -BOITIA, A.; GALAN, M.A.; MARTIN, J.D. Msica. Materiales Didcticos, 4 curso. Madrid: MEC, 1993. -BOLUDA, J. "Centro de recursos didcticos y asesoramiento pedaggico musical, dependiente de los departamentos de msica de las Escuelas Universitarias de Formacin del Profesorado". I Simposio Nacional de Didctica de la Msica. Madrid: Universidad Complutense, 1988, pp. 109-14. -BOTIA, Angel. "La msica en la educacin primaria". La educacin musical en la sociedad del futuro. I Simposio Nacional. Madrid: Fundacin Caja de Madrid & ISME-Espaa, 1992, pp. 139-40. -CAIN, Tim. Keynote Plus. Cambridge: Cambridge University Press, 1990. -CALABRESE, Omar. El lenguaje del arte. Barcelona: Paids, 1987. -CAMPO, Manuel del; SANCHEZ PEDROTE, Enrique. "La Msica en la Universidad.". La Enseanza musical en Espaa. I Congreso Nacional de Pedagoga Musical. Madrid: Sociedad Espaola de Pedagoga Musical, 1980, pp. 59-68. -CASARES, A.; PLIEGO, V. Msica. Materiales Didcticos 2. Madrid: MEC, 1992. -CASA, M. "Rapposti fra la linguistica e l'educazione musicale". Quaderni di Musica/Realt II (1980), pp. 34-46. -CASAS, M. "La orientacin de las prcticas en la nueva reforma". Cuadernos de Pedagoga CXLIV (1988), pp. 14-16. -CATEURA, Mara. Formacin musical en la educacin bsica. Barcelona: Clivis, 1976. -CERVERA, J.; FUENTES, P. Pedagoga y Didctica para msicos. Valencia: Piles, 1989. -COLL, C. Psicologa y curriculum. Barcelona: Paids, 1987. -COLL, C.; POZO, J.L.; SARABIA, B.; VALLS, E. Los contenidos de la Reforma, Enseanza y aprendizaje de Conceptos, Procedimientos y Aptitudes. Madrid: Santillana, 1992. -COPLAND, Aaron. Cmo escuchar la msica. La Habana: Arte y Cultura, 1974. -COPPENB, Helen. Utilizacin didctica de los medios audiovisuales. Madrid: Anaya, 1982. -DELFRATI, Cario. Orientamenti di pedagogia musicale. scritti 1966-86. Milano: Ricordi, 1989. -DESPINS, J.P. La Msica y el cerebro. Barcelona: Gedisa, 1989. -DEWHURST-MADDOCK, Olivea. El libro de la terapia del sonido. Cmo curarse con la msica y la voz. Madrid: EDAF, 1993. -DIAZ, Salom. "La formacin de maestros especialistas en msica". La educacin musical en la sociedad del futuro. I Simposio Nacional. Madrid: Fundacin Caja de Madrid & ISMEEspaa, 1992, pp. 125-26. -DOMENECH ZORZONA, Jose Luis; BLASCO VERCHER, Francisco; LOPEZ JORNET, Higinio. Musicoterapia en la formacin del terapeuta. Valencia: Nau, 1987. -DOMEQUE, Merc; LAGARRIGA, Eullia; SEGALS, Eulalia. Audicin Musical. Procedimientos didcticos. Barcelona: Teide, 1992. -DONA, M. Espressione e significato nela musica. Firenze: Leo S. Olschki, 1968. -DRIVER, R. "Theories in action. Some theoretical and empirical issues in the study student's conceptual frameworks". Studies in Science Education X (1983), pp. 37-60. -DUGERT, M.O.; LAURENT, T.; ROLIN, B.T. Las formas musicales. Suite, concerto, sonata, sinfona. Courlay: Fuzeau, 1989. -DUGERT, M.O; LAURENT, T. Audicin y descubrimiento de los instrumentos. Courlay: Fuzeau, 1988. -ELLIOT, J. "El profesor como investigador". III Jornadas de Estudio sobre la investigacin en la Escuela. Sevilla: 1985, pp. 295-303.

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11 -FUBINI, Enrico. La esttica musical desde la antigedad hasta nuestros das. Madrid: Alianza Msica, 1988. -HANSLICK, Eduard. De lo bello en la msica. Buenos Aires: Ricordi, 1947 (1 ed. 1891). -HESS, A.G. "The Transition from Harpsichord to Piano". The Galpin Society Journal VI (1953), pp. 75-95. -HURTADO, L. Introduccin a la esttica de la msica. Buenos Aires: Paidos, 1971. -INGHELBRECHT, G. Claude Debussy. Pars, s.e.,1962. -KREMER, J. F. Les formes symboliques de la musique. Paris: Klincksieck, 1984. -LOCKSPEISER. Music and Painting. London: Cassell, 1973. -MACONIE, R. The Concept of Music. Oxford: Oxford University Press, 1993. -MEAD, G.H. Movement of Thought in the 19th-C. Chicago: The University of Chicago Press, 1962. -MILA, M. L'esperienza musicale e l'estetica. Turn: Einaudi, 1950. -MOLES, Abraham. Teora de la informacin y percepcin esttica. Madrid: Jcar, 1972. -NEUBAUER, John. La emancipacin de la msica. El alejamiento de la mmesis en la esttica del siglo XVII. Madrid: Visor, 1992. -OLIVER, A. R. The Encyclopedists as Critics of Music. New York: The Public Library, 1947. -PABLO, Luis de. Aproximacin a uan esttica de la msica contempornea. Madrid: 1968. -ROWELL, L. Introduccin a la Filosofa de la msica. Antecedentes histricos y problemas estticos. Barcelona: Gedisa, 1985. -SCHELLER, H.M. The Idea of Music. An Introduction to Musical Aesthetics in Antiquity and the Middle Ages. Michigan: Medieval Institute Publications Western Michigan and University Kalamazoo, 1988. FORMAS. INDICE -ASSELINEVAV, M.; BEREL, E. Las fomas musicales. Canon-Fuga-Variacin-Obertura-Poema sinfnico. Paris: J.M. Fuzeau, 1992. -BARTOLOTTO, M. Introduzione al Lied romantico. Milano: Adelphi Ed., 1984. -EHRLICH, C. The Piano. A History. Oxford: Clarendon Press, 1990 (1 ed. 1976). -GRIFFITHS, P. The String Quartet. A History. London: Thomas and Hudson, 1985. -GUY, S.; PISTONE, D. Le musique de chambre en France de 1870 a 1918. Paris: Champion, 1985. -KLOIBER, K. Handbuch der Klassichen ind Romantischen Symphonie. Kassel: Brenreiter, 1964. -KHN, Clemens. Tratado de la forma musical. Barcelona: SpanPress Universitaria, 1998 (1 ed. 89) -PEDREL, Felipe. Diccionario tecnico de la msica. Barcelona: Isidro Torres, 1898. -PISTONE, D. Le Symphonie dans l'Europe du XIX. Paris: Honor Champion, 1977. -RATTALINO, P. La Sonata romantica e altri saggi sulle letterature del pianoforte. Milano: Il Saggiatori, 1978?. -ROCHE, J. El madrigal. Oxford: Oxford Universitry Press, 1990. -ROEDER, M.T. A History of the Concerto. Oregon, Amadeus Press, 1994. -SMALLMANN, B. The Piano Trio. Its History, Tecnique and Repertoire. Oxford, Clarendon Press, 1990. -SOLER, Josep. Fuga. Tcnica e Historia. Barcelona: Bosch, 1989 (1 ed. 80). -ZAMACOIS, J. Curso de formas musicales. Barcelona, Labor, 1970. FUENTES. INDICE -BARKER. Greek Musical Wrintings. Cambridge: Cambridge University Press, 1994.

12 -COLLINS JUDD, Cristle. "Reading Aron reading Petrucci. the music examples of the Trattato della natura et cognitione di tutti gli tuoni (1525)". Early Music History XIV (1995), p. 12152. -GABILONDO, ngel. Ren DESCARTES: Compendio de msica. Madrid: Tecnos, 1992. -ISUSI FAGOAGA, Rosa. "Pedro Rabassa en la teora musical del s. XVIII. algunos aspectos sobre instrumentos y voces segn su 'Gua para principiantes'". Revista de Musicologa XX (1997), pp. 401-16. -LOWINSKY, Edward. "Gasparus Stoquerus and Francisco de Salinas". Journal of the American Musicological Society 16 (1963), 241-43. -MEDINA, Angel. Tratado de canto mensural. Oviedo: Universidad, Col. Ethos Msica Serie Acadmica 1, 1988. HISTORIA GENERAL. INDICE -ABRAHAM, G. Historia Universal de la Msica, 2 vols. Madrid: Altea-Taurus-Alfaguara, 1987 (1 ed. 1986). -ALVAREZ, Luis; GALLEGO, Antonio; TORRES, Jacinto. Msica y sociedad. Madrid: Real Musical, 1978 (1 ed. 76). -BELTRANDO-PATIER, Marie Claire. Historia de la msica. La msica occidental desde la Edad media hasta nuestros das. Madrid: Espasa Calpe, 1996 (1 ed. 82). -BOYDEN, D.D. Introduccin a la msica. Madrid: Felmar, 1979. -CABALLERO, C. Introduccin a la msica. Mxico: Edamex, 1984. -CANDE, R. Historia Universal de la Msica , 2 vols. Madrid: Aguilar, 1981. -COMELLAS, Jos Luis. Nueva historia de la msica. Barcelona: Ediciones Internacionales Universitarias, 1995. -CHAILLEY, J. Cours d'histoire de la musique, 5 vols. Paris: Leduc, 1981. -DOMENECH, J. Introduccin al mundo de la msica. Barcelona: Daimon, 1980. -DALHAUS, Carl. Fundamentos de la historia de la msica. Barcelona: Gedisa, 1997. -FELLERER, K. G. Anthology of Music. A Collection of Complete Musical Examples Illustrating the History of Music, 37 vols. Kln: Arno Volk, 19?. -FERNANDEZ DE LA CUESTA, Ismael. Historia de la Msica I. Madrid: Historia 16, 1997. -GALLEGO, Antonio. Historia de la Msica II. Madrid: Historia 16, 1997. -GRAY, Anne. Breve gua de la msica clsica. Buenos Aires: Vergara, 1995 (1 ed. 93). -GROUT, D. J. Historia de la MsicaOoccidental , 2 vols. Madrid: Alianza, 1991 (1 ed. 1960). -KAROLYI, O. Introduccin a la msica. Madrid: Alianza, 1988 (1 ed. 1957). -LANG, Paul Henry. La Musica en la civilizacin occidental. Buenos Aires: Eudeba, 1963. -LEUCHTER, E. Ensayo sobre la evolucin de la msica en Occidente. Buenos Aires: Ricordi, 1946. -MICHELS, Ulrich. Atlas de msica. Madrid: Alianza Atlas, 1985 y 1992 (1 ed. 1977 y 1985, respectivamente). -PEREZ, Mariano. El universo de la msica. Madrid: 1990. -RAYNOR, H. Una historia social de la msica. Desde la Edad Media hasta Beethoven. Madrid: Siglo XXI, 1986. -SADIE, Stanley. Gua Akal de la msica. Madrid: Akal Msica, 1994 (1 ed. 1986). -SALAZAR, Adolfo. La msica en la sociedad europea, 4 vols. Madrid: Alianza, 1982-85. -STERNFELD, F.W. A History of Western Music. London: Faber & Faber, 1973. -STRUNK, Oliver. Source Readings in Music History, 5 vols. New York: Clarendon Press, 1950. -TELLEZ VIDERAS, Jos Luis. Para acercarse a la msica. Madrid: Salvat, 1985. -TURINA, Joaqun. Enciclopedia abreviada de la msica. Madrid: Biblioteca Nueva, 1996 (1 ed. 1917). -VVAA. The New Oxford: Oxford History of Music, 11 vols. London: Oxford: Oxford University Press, 1954.

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14 -DEAKIN, Andrew. Outlines of Musical Bibliography. Hildesheim-New York: Georg Olms Verlag, 1976 (1 ed. 1899). -DUCKLES, V. "Patterns in the Historiography of 19th Century Music". Acta Musicologica XLII (1970), pp. 75-82. -EGGEBRECHT, Hans Heinrich. "Historiography". The New Grove Dictionary of Music and Musicians , VIII. London: MacMillan, 1980 (6 ed.), pp. 592-600. -ENGEL, Carl. "Recent Accession to the Music Collection of the Library of Congress, Washington; the Sibley Library, Rochester, New York; The Public Library, New York City". Acta Musicologica V (1933), pp. 19ss. -FELLERER, Karl Gustav. The History of Catholic Church Music. Westport: Greenwood Press, 1979 (1 ed. 1902). -FERGUSON, D. N. A History of Musical Thought. New York: Crofts, 1935. -FERNANDEZ DE LA CUESTA, Ismael. Manuscritos y fuentes musicales en Espaa. Edad Media. Madrid: SEdeM, 1980. -FERNANDEZ DE LA CUESTA, Ismael. "Apuntes sobre la Musicologa en Espaa". La musicologa espaola en el contexto internacional. Madrid: Imprenta de la Comunidad de Madrid, 1993, pp. 59-82. -FERNANDEZ DE LA CUESTA, Ismael. "La Musicologa y el Patrimonio Musical en Espaa". Nasarre IX (1993), pp. 105-11. -GLYN, M. H. Theory of Musical Evolution. London: Dent, 1934. -HARRISON, F. L.; HOOD, M.; PALISCA, C. V. Musicology in the 1980s. Methods, Goals, Opportunities. New York: 1983. -HAWKINS, Sir John. General History of Science and Practice of Music. London: 1776. Ed. Charles Cudworth. New York: Dover Publications, 1963. -HEPOKOSKI, J. "The Dahlhaus Project and its Extra-musicological Sources". 19th Century Music XIV (1991), pp. 221-46. -KAGAN, Richard L. Universidad y sociedad en la Espaa moderna. Madrid: Tecnos, 1981. -KERMAN, Joseph. "A Profile for American Musicology". Journal of American Musicological Society XVIII (1965), pp. 61-69. -KERMAN, Joseph. Musicology. London: Fontana, 1985. -LANGER, S. K. Feeeling and Form. New York: Scribner's, 1985. -LEICHTENTRITT, H. Music, History and Ideas. Harvard: Harvard University Press, 1938. -LERDAHL, F.; JACKENDOFF, R. A Generative Theory of Tonal Music. Cambridge: Cambridge University Press, 1983. -LOLO HERRANZ, Begoa. "El sentido de la historicidad en msica. Espaa versus Europa". Anuario del Departamento de Historia y Teora del Arte IV (1992), pp. 359-65. -LOPEZ CALO, Jos. ndices de la revista "Tesoro Sacro Musical" 1917-1978. Madrid: Sociedad Espaola de Musicologa, 1983. -LOPEZ CALO, Jos. "La msica en la Universidad en Espaa y en Europa. Notas histricas". I Simposio Nacional de Didctica de la Msica. Madrid: Escuela Universitaria de Formacin del Profesorado Mara Daz, 1986, pp. 161-209. -LUPER, Albert T. The Music of Spain. New York: Clarendon Press: 1941. -MACHABEY, A. La Musicologie. Paris: 1969. -MARCO, Guy A. Information on Music. A Handbook of Reference Sources in European Languages. Littleton (Colorado), Libraries Unlimited, 1975. -MENDEL, A. Some Aspects of Musicology. New York: Clarendon Press, 1957. -MEYER, L. B. Emotion and Meaning in Music. Chicago: University of Chicago Press, 1956. -MEYER, L. B. Explaining Music. Essays and Explorations. Chicago: University of Chicago Press, 1973. -MEYER, L. B. Music, the Arts and Ideas. Chicago: University of Chicago Press, 1967. -MIXTER, Keith E. General Bibliography for Music Research. Detroit, Information Coordinators (Detroit Studies in Music Bibliography 33), 1976. -MOORE, D. Gua de los estilos musicales. Madrid: Taurus, 1981.

15 -NATTIEZ, J. Musicologie gnrale et semiologie. Paris: Christian Bourgeois, 1987. -PRUMETT, James W. y SLAVENS, Thomas. "Analysis and Method"; "Baroque". Research Guide to Musicology. Chicago: American Library Association, 1985, pp. 27-37 y 69-78. -PRUMETT, James W. Studies in Musicology. Essays in the History, Style, and Bibliography of Music. In Memory of Cifen Hayden. Ann Arbor: The University of North Carolina Press, 1969. -RETI, Rudolf. The Thematic Process in Music. London: Faber, 1961. -RONGA, L. L'esperienza storica della musica. Bari: Laterza, 1961. -RUWET, N. Langage, Musique, Posie. Paris: Seuil, 1972. -SALAZAR, Adolfo. Conceptos fundamentales en la historia de la msica. Madrid: Alianza Msica, 1987 (1ed. 1954). -SALAZAR, Adolfo. La msica como proceso histrico de su invencin. La Habana: Arte y Literatura, 1987 (1 ed. 1950). -SALZER, F. Audicin estructural. Coherencia tonal de la msica. Barcelona: Labor, 1990. -SEEGER, Ch. Studies in Musicology, 1935-1975. Berckeley, University of California Press, 1977. -STEVENS, D. Musicology. a Practical Guide. London: Macdonald, 1980. -TORRES, Jacinto. Artculos sobre msica en revistas espaolas de Humanidades. Madrid: Real Musical, 1982. -TORRES, Jacinto. "Fuentes para la historiografa musical espaola del siglo XIX. Ms de un centenar y medio de revistas musicales espaolas". Revista de Musicologa XIV (1991), pp. 33-50. -TREITLER, L. "On Historical Criticism". The Musical Quarterly LIII (1967), pp. 188-205. -TREND, J.B. The Music of Spanish History. Oxford: Oxford University Press, 1926. -URANGA, Jos Esteban. Prncipe de Viana. ndice de autores y materias ordenados alfabticamente. Aos 1940-1972. Pamplona: Diputacin Foral de Navarra, Institucin Prncipe de Viana, 1974. -VECHTEN, Carl van. The Music of Spain. London: Paul Trench Trubner, 1920. -WEBER, Edith. La reserche musicologique. Object, mthodologie, normes de prsentation. Paris: Beauchesne, 1980. -VVAA. Gua de los archivos y las bibliotecas de la iglesia en Espaa. Len: Asociacin Espaola de Archiveros Eclesisticos, 1985. -WESTRUP, J. An Introduction to Musical History. London: Faber & Faber, 1955. ICONOGRAFIA. INDICE -ALVAREZ MARTINEZ, Rosario. "La iconografa musical de los Beatos de los siglos X y XI y su procedencia".Anuario del Departamento de Historia y Teora del Arte V (1993), pp. 201-18. -ALVAREZ MARTINEZ, M Rosario. "Iconografa musical y Organologa. Un estado de la cuestin". Revista de Musicologa XX (1997), pp. 767-82. -BALLESTER I GIBERT, Jordi. "Els goigs marians i la iconogarfia musical". Recerca Musicolgica IX-X (1989-90), pp. 367-72. -BALLESTER I GIBERT, Jordi. Els instruments musicals en els retaules marians tardomedievals de la Corona Catalano-Aragonesa (tesina, UAB, III-88). -BALLESTER I GIBERT, Jordi. "Iconografa musical. una eina per a l'estudi de la msica del passat". Revista Musical Catalana, n 44, VI-1988. -BALLESTER I GIBERT, Jordi. "Retablos marianos con ngeles msicos procedentes del antiguo reino de Aragn. Catlogo". Revista de Musicologa XIII (1990), pp. 123-201. -COSTA, D. "Sant' Agostino e le allegorie degli strumenti musicali". Rivista Italiana di Musicologia 1993 (XXVIII) pp. 207-26.

16 INTERPRETACIN. INDICE -ALDRICH, Putnam. "The 'Aunthetic' Performance of Baroque Music". Essays on Music in Honor of A.T.Davison. Cambridge: Cambridge (Massachusetts), Department of Music of Harvard University Press, 1957. -BORGIR, Tharald. The Performance of the Basso Continuo in Italian Baroque Music. Ann Arbor, UMI Research Press (n 71, University of California at Berkeley), Studies in Musicology, n 90, 1987. -DART, Thurston y PINCHERLE, Marc. "Performance Practice in the 17th and 18th-C". Report of the 8th Congress of the International Musicological Society. New Yok, 1961. Ed. Jan Larue. Kassel: Brenreiter, 1961, pp. 220-235. -DOLMETSCH, A. The Interpretation of the Music of the Seventeenth and Eighteen Centuries. London: Novello, 1944. -DONINGTON, Robert. The Interpretation of Early Music. London: Faber & Faber, 1974 (1ed. 63). -DONINGTON, Robert. Baroque Music. Style and Performance. A Handbook. London: Faber & Faber, 1985. -GEOFFROY-DECHAUME, A. Les 'Secrets' de la musique ancienne, reserches sur l'interpretation aux XVIe, XVIIe, XVIIIe sicles. Paris: Fasquelle, 1983 (1 ed. 1964). -GEOFFROY-DECHAUME, A. "Rythme, inegalit et ornementation dans la musique de Bach". Analyse Musicale VII (1987), pp. 11-15. -HARRAN, Don. "New Light on the Question of Text Underlay Prior to Zarlino". Acta Musicologica XLX (1973), pp. 24-56. -KENYON, Nicholas. Authenticity and Early Music. Oxford: Oxford University Press, 1991 (1 ed. 88) -LINDE, H. Pequea gua para la ornamentacin de la msica de los siglos XVI-XVIII. Buenos Aires: Ricordi, 1985. -LOCKWOOD, Lewis. "A Dispute on Accidentals in 16th-C Rome". Annalecta Musicologica II (1965), pp. 24-40. -LOWINSKY, Edward. "On the Use of Scores by 16th-C Musicians". Journal of the American Musicological Society I (1948), pp. 17-23. -MASON, W. "The Architecture of St. Mark's Cathedral and the Venetian Polychoral Style. a Clarification". Studies in Musicology. Essays in memory of Glen Haydon. Chicago: Chapel Hill, 1969, pp. 163-80. -MENDEL, Arthur. "Pitch in Western Music since 1580. A Re-examination". Acta Musicologica I (1948), pp. 1-93. -MOENS-HAENEN, Greta. Das Vibrato in der Musik des Barock. Akademische Drucku Verbagstadt, Universitts Buchdruckerei u. Graz: Universitat Verlag, 1988. -MOORE, James H. "The Vespro delli Cinque Laudate and the Role of Salmi Spezzati at St. Marks". Journal of the American Musicological Society XXXIV (1981), pp. 249-78. -NEUMANN, F. Ornamentation in Baroque and Post-Baroque Music, with Special Enphasis on J. S. Bach. Princeton: Princeton University Press, 1983. -PEDRO CURSA, D. de; SANCHEZ GONZALEZ, Vicente. Manual prctico de ornamentacin barroca. Madrid: Real Musical, 1987. -PINCHERLE, Marc. "On the Rights of the Interpreter in the Performance of 17th and 18t-C Music". Musical Quarterly XLIV (1958), pp. 145-66. -SCHNOEBELEN, A. "Performance Practices at St Petronio in the Baroque". Acta Musicologica XLI (1969), pp. 37-45. -SPITZER, John. "Improvised ornamentation in a Handel aria with obligato wind accompaniment". Early Music XVI (1988), pp. 514-22. -STAUFFER, G. (ed.). J. S. Bach. His Instruments, Music and Performance Practices. London: Batsford, 1986.

17 -VEILHAN, J. Les rgles de l'interpretation musicale l'epoque baroque (XVIIe-XVIIIe sicles) gnrales tous les instruments selon Bach, Brossard () Rousseau. Paris: Lduc, 1977. MEDIEVAL. INDICE -AESBERGHE, J. S. van. Musikerziehung. Lehre und Theorie der Musik im Mittelalter. Leipzig: 1969. -CADWELL, J. La msica medieval. Madrid: Alianza Msica, 1990 (1 ed. 1978). -CATTIN, G. El Medievo. Barcelona: Turner Msica, 1987 (1 ed. 1979). -CHAILLEY, J. Histoire musicale du Moyen Age. Pars, 1950. -COUSSEMAKER, D. Histoire de l'harmonie au Moyen Age. Paris, s.e., 1961 (1 ed. 1852). -CROCKER, R. The Early Middle Ages to 1300. Oxford: Oxford University Press, 1990. -FENWICKWILSON, D. Music of the Middle Ages. Style and Structure. Ontori:, Schimer Books, 1990. -GALLO, F. A. El medievo. Madrid: Turner Msica, 1987 (1 ed. 1983). -GEROLD, T. La musique au Moyen Age. Paris: Laurens, 1939. -GEROLD, T. Histoire de la musique des origines la fin du XIe sicle. Paris: Champion, 1932. -GOMBOSI, O. Studien zur Tonartenlehre des frhen Mittelater. Berna: s.e., 1977. -HARRISON, Frank Llewellyn. "Musik for the Sarum Rite". Annales Musicologiques VI (195863), pp. 99-144. -HOPPIN, R.H. La msica medieval. Madrid: Akal, 1978. -HUGO, M.; MEYER, Ch; PERES, M. Aspects de la Musique au Moyen Age. Paris: Creaphis, 1991. -HUGUES, D. Medieval Music, the Sixth Art, 4 vols. Toronto: The University of Toronto Press, 1974. -IDELSOHN, Abraham Zwi. "Parallelen Zwischen gregorianischen und hebrischen orientalishen Gesangswein". Zetschrift fr Musikwissenschaft IV (1921-22), pp. 515-24. -IDELSOHN, Abraham Zwi. Toledo ha-neginah ha-'ivrit, mahutath, yesodotehah we-hit-pathutah [=History of Hebrew 'Negihan', its Essence, Foundations and Developments]. Berlin: Devir, 1924. -IDELSOHN, Abraham Zwi. Jewish Music in its Historical Development. New York: Scholken, 1967. -MACHABEY, A. "Introduction la lyrique musicale romane". Cahiers de Civilisation Mdievale II (1962), pp. 27-39. -REANEY, G. "Terminology and Medieval Music". Fest.Heinrich Besseler. Leipzig: Breitkopf & Hrtel,, 1961. -REESE, Gustav. La msica en la Edad Media. Madrid: Alianza Msica, 1990 (1 ed. 1940). -SEAY, A. Music in the Medieval Word. New Jersey: Prentice-Hall, 1975. -SESINI, U. Musicologia e Filologia. Raccolta di studi sul ritmo e sulla melodia del Medio Evo. Bolonia: Forni Editore, 1971. -SPITZER, L. Classical and Christian Ideas of World Harmony. Baltimore, Johns Hopkins Press, 1963. -WERF H. van der. The Oldest Extant Part Music and the Origin of Western Polyphony, 2 vols. New York-Rochester: [The author], 1993. MODALIDAD. INDICE -ADKINS, Cecil D. The Theory and Practise of the Monocord (Ph-D diss., Iowa Unversity, 1963). Ann Arbor: University Microfilms, 64-3344. -ALLAIRE, Gaston G. The Theory of Hexachord, Solmization and the Modal System. A Practical Application. Roma: American Institute of Musicology, 1972.

18 -ANGLES, Higinio. "The Musical Notation and Rhythm of the Italian Laude". Essays in Musicology. A Birthday Offering for Willi Apel. Ed. by Hans Tischler. Blooming: Indiana University, 1968, pp. 51-60. -BERGER, Karol. Musica Ficta. Theories of Accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge: Cambridge University Press, 1987. -BERGQUIST, Peter. "Mode and Polyphony around 1500. Theory and Practice". The Musical Forum , I. Columbia: Columbia University Press, 1967, pp, 99-161. -BROWN, Howard Mayer. Embellishing Sixteenth-Century Music. London: Faber & Faber, 1975. -COHEN, Dalia. "On Comparing Musical Styles. East and West". Israel Studies in Musicology IV (1987), pp. 73-92. -DAHLHAUS, Carl. "Zwei Definitionen der Musik als quadrivialer Disziplin". Kongressbericht Hamburg 1956. Kassel: Brenreiter, 1957, pp. 64-66. -FERAND, Ernest T. "Didactic Embellishment Literature in the Late Renaissance. A Survey of Sources". Aspects of Medieval and Renaissance Music. A Birthday Offering to Gustave Reese. ed. Jan La Rue. New York: Clarendon Press, 1966, pp. 154-72. -HAIGH, Andrew C. "Modal Harmony in the Music of Palestrina". Essays on Music in Honor of Archibald Thompson Davison. Massachusetts: Harvard University Press, 1957, pp. 111-20. -HIBBERD, Lloyd. "Musica Ficta and Instrumental Music c. 1250-c. 1350". The Musical Quarterly XXVIII (1942), pp. 216-26. -HILSE, Walter. "The Treatises of Christopher Bernhard". The Musical Forum, III. Columbia: Columbia University Press, 1973, pp, 1-196. -HIRSHBERG, Jehoash. "Hexachordal and Modal Structure in Machaut's Polyphonic Chansons". Studies in Musicology in Honor of Otto E. Albrecht. Ed. by John Walter Hill. Kassel: Brenreiter, 1980, pp. 19-42. -HUGHES, Andrew. Manuscript Accidentals. Ficta in Focus 1350-1450. Ann Arbor: Michigan: American Institute of Musicology [Musicological Syudies and Documents, 27], 1972. -HUSEBY, Gerardo V. "The 'Cantigas of Santa Mara' and the medieval Theory of Mode" (Ph-D diss., Stanford University, 1982). -ISUSI FAGOAGA, Rosa. "Pedro Rabassa en la teora musical del s. XVIII. algunos aspectos sobre instrumentos y voces segn su 'Gua para principiantes'". Revista de Musicologa XX (1997), pp. 401-16. -KNAPP, Janet. "Two XIII Century Treatises on Modal Rhythm and the Discant". Journal of Music Theory VI (1962), pp. 200-15. -LA RUE, Jan. "Bifocal Tonality. An Explanation for Ambiguous Baroque Cadences". Essays on Music in Honor of Archibald Thompson Davison. Massachusetts: Harvard University, 1957, pp. 173-84. -LEON TELLO, Francisco Jos. Estudios de la teora musical. Madrid: CSIC, 1991 (1 ed. 1962). -LOEB, David. "Mathematical Aspects of Music". The Musical Forum II. Columbia: Columbia University Press, 1970, pp, 110-29. -LOCKWOOD, Lewis. "A Sample Problem of Musica Ficta. Willaert's Pater Noster". Studies in Music History. Essays for Oliver Strunk. Ed. by Harold Powers. Princeton: Princeton University Press, 1968, pp. 161-82. -LOWINSKY, Edward E. "The Goddness Fortuna in Music". Musical Quarterly XXIX (1943), pp. 45-77. -MENDEL, Arthur. "Some ambiguities of the Mensural System". Studies in Music History. Essays for Oliver Strunk. Ed. by Harold Powers. Princeton: Princeton University Press, 1968, pp. 137-60. -MOYER, Ann Elizabeth. Musica Scientia. Musical Scholarship in the Italian Renaissance, 14801600, 2 v. (PH-D, The University of Michigan:1987). Ann Arbor: UMI, 1988. -NOVACK, Saul. "Fusion of Design and Tonal Order in Mass and Motet. Josquin Desprez and Heinrich Isaac". The Musical Forum, II. Columbia: Columbia University Press, 1970, pp, 187-263.

19 -POWERS, Harold S. "The Modality of 'Vestiva i colli'". Studies in Renaissance and Baroque Music in Honor of Arthur Mendel. Ed. by L. Marshall. Kassel: Brenreiter, 1974, pp. 31-46. -RASTALL, Richard. The Notation of WesternMusic. London: Dent, 1983. -REANEY, Gilbert. "Modes in the Fourteenth Century, in particular in the music of Guillaume de Machaut". Organi Voces. Festschrift Joseph Smits va Waesberghe. Amsterdam, Instituut voor Middeleeuwse Muziekwetenschap, 1963, pp. 137-43. -RIVERA, Benito. German Music Theory in the Early 17th-C. The Treatises of Johannes Lippius Ann Arbor: UMI Research Press, 1980. -RUBIO, Samuel. La Polifona clsica. Madrid: El Escorial, 1983 (1ed. 1956). -SALZER, Felix. "Tonality in Early Medieval Polyphony. Towards a History of Tonality". The Musical Forum I. Columbia: Columbia University Press, 1967, pp. 35-98 -SCHACHTER, Carl. "Landini's treatment of Consonance and Dissonance. A Study in fourteenthcentury counterpoint". The Musical Forum II. Columbia: Columbia University Press, 1970, pp, 130-86. -SEAY, Albert. "The Expositio manus of Johannes Tinctoris". Journal of Music Theory IX (1965), pp. 194-229. -SEAY, Albert. Johannis Tinctoris. Opera Theoretica. Corpus Scriptorum de Musica , vol. 22. American Institute of Musicology, 1975 -STRUNK, Oliver. "The Tonal System of Bizantine Music". Essays on Music in the Bizantine World. New York: Norton, 1977, pp. 3-18. -STRUNK, Oliver. "Intonations and Signatures of the Bizantine Modes". Essays on Music in the Bizantine World. New York: Norton, 1977, pp. 19-36. -TAYLOR, Eric. The AB Guide to Music Theory , 2 vols. London: ABRSM, 1991-92 (1ed. 89). -WERNER, Eric. "The Oldest Sources of Octave and Octoechos". Acta Musicologica XX (1948), pp. 1-9. -WERNER, Eric. "New Studies in the History of the Early Octoechos". Kongress-Bericht. Utrecht, 1952, pp. 428-37. -ZIMMERMAN, Franklin B. "Air, A Catchword for New Concepts in Seventeenth-Century English Music Theory". Studies in Musicology in Honor of Otto E. Albrecht. Ed. by John Walter Hill. Kassel: Brenreiter, 1980, pp. 142-57. MUSICOLOGIA. INDICE -ADLER, Guido. Methode der Musikgeschichte. Leipzig: Breitkopf & Hrtel, 1919. -ANGLES, Higinio. "El 'Breviarum de Musica' del monje Oliva (s. XI)". Scripta Musicologica LXXV (1975-76), pp.45-54. -BROOK, Barry S.; DOWNES, Edward O.D.; SOLKEMA, Sherman van (eds.). Perspectives in Musicology. New York: Norton, 1972. -BUKOFZER, Manfred. The place of Musicology in American Institutions of Higher Learning. New York: The Liberal Arts Press, 1957. -CARPENTER, N.C. Music in the Medieval and Renaissance Universities. Oklahoma: University of Oklahoma Press, 1958. -CASARES RODICIO, Emilio. "Presente y futuro de la msica en la Universidad espaola". I Simposio Nacional de Didctica de la Msica. Madrid: Escuela Universitaria de Formacin del Profesorado Mara Daz, 1986, pp. 153-60. -EHRMANN-HERFORT, Sabine. Musikwwissenschaft und Berufspraxis. Darmstadt: Wissenschaftliche Buchgesellschaft, 1996. -FELLERER, Karl Gustav. Einfhrung in die Musikwissenschaft. Passau: Bernhard Hahnefeld, 1953. -GURLITT, Wilibald. Der gegenwrtige Stand der deutschen Musikwissenschaft. Halle: Max Niemeyer, 1939.

20 -HOLOMAN, D. Kern; PALISCA, Claude V. Musicology in the 1980s. Methods, Goals, Opportunities. New York: Da Capo Press, 1982. -KEMP, A. Research in Music Education. A Festchrift for Arnold Bentley. London: ISME, 1988. -KERMAN, Joseph. Musicology. London: Fontana Masterguides, 1985. -LANG, Paul Henry. Reflexiones sobre la msica. Madrid: Debate, 1998. -LANG, Paul Henry. "Musicology and Related Disciplines". Perspectives in Musicology. New York: Norton, 1972, pp. 185-346. -PETROBELLI, P."La musica nelle Universit". Didattica della storia della musica. Firenze: Leo S. Olschki, 1987, pp. 109-12. -RASHDALL, H. The Universities of Europe in the Middle Ages. Oxford: Clarendon Press, 1895. -RIEMANN, Hugo. Grundiss der Musikwissenschaft. Leipzig: Quelle & Mener, 1928. -SCHIEDERMAIR, Ludwig. Einfhrung in das Studim der Musikgeschichte. Berlin: Ferd. Dmmlers, 1930. -STEVENSON, Robert. "Estado actual de las investigaciones musicolgicas en Latinoamrica". Revista de Musicologa XX (1997), pp. 103-15. NOTACION. INDICE -ALDRICH, Putnam. Rhythm in 17th-C Italian Monody. London: Dent, 1966. -ANGLES, Higinio. "La notacin musical espaola de la 2 mitad del s. XV". Anuario Musical II (1947), pp. 151-74. -ANGLES, Higinio. "The Musical Notation and Rhythm of the Italian Laude". Essays in Musicology. A Birthday Offering for Willi Apel. Ed. by Hans Tischler. Bloomington: Indiana University Press, pp. 51-60. -APEL, Willi. The Notation of Polyphonic Music. 900-1600. Cambridge: Cambridge, The Medival Academy of America, 1961 (1 ed. 1942). -ASENSIO, Juan Carlos. La ornamentacin del canto llano, el canto eugeniano y las melodas mozrabes de los cantorales de Cisneros. Revista de Musicologa XXVIII (2005), pp. 6585. -ASENSIO, Juan Carlos. Procedimientos de adaptacin en los "Quadrupla" tropados del ms. Madrid BN 20486. Revista de Musicologa XX (1997), pp. 51-60. -BAL Y GAY, Jess. "Fuenllana and the Transcription of Spanish Lute-Music". Acta Musicologica XI (1939), pp. 10-25. -BROU, Dom Louis. "Notes de palographie musicale mozarabe". Anuario Musical VII (1952), pp. 51-76. -BUSSE BERGER, Ana M. Mensuration and Proportion Signs. Origins and Evolution. Oxford: Clarendon Press, 1993. -CABERO PUEYO, Bernat. "El fragmento con polifona litrgica del siglo XV E-AhI 1474/17". Anuario Musical XLVII (1992), pp. 39-79. -CARAPETYAN, Armen. "A Preface to the Transcription of Polyphonic Music". Musica Disciplina V (1951), pp. 3-53. -DEFORD, Ruth I. "Tempo relationships between duple and tiple time in the sixteenth century". Early Music History XIV (1995), pp. 1-52. -DENNY, James. The Oxford: Oxford School Harmony Course, v. I. Oxford: Oxford University Press, 1960. -GOSSETT, Philip. "The Mensural System and the 'Choralis Constantinus'". Studies in Renaissance and Baroque Music in Honor of Arthur Mendel. Ed. by L. Marshall. Kassel: Brenreiter, 1974, pp. 71-107. -HARNONCOURT, Nikolaus. Baroque Music Today. Kent, Christopher Helm, 1988 (1 ed. 82). -HEWITT, Helen. "A Study in Proportions". Essays on Music in Honor of Archibald Thompson Davison. Massachusetts: Harvard University Press, 1957, pp. 69-82.

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