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Creativity and innovation are such broader point of view that can be conceptualized, described and prescribed from diverse logic of arguments (Mumford and Gustafson 1988), as well as from different branch of studies linked to genius and science, business and art (Puccio 1991; Eysenck 2008). So, the building block of modeling creativity and innovation greatly depends on the intensity of domain upon which the specific context is based on. In the arena of business studies, the inseparability of creativity and innovation had been judged by Amabile et al., (1996) and Heye (2006) where they were focused on the chain relationship between creativity and innovation in accomplishing novel creation. Their workings termed creativity as a mechanism of producing novel and useful ideas (Wyckoff, 1991) whereas innovation is the implementing phase of transforming this novel and useful ideas into reality through creating new objects or processes. This argument is supported by Woodman et al. (1993) where they demonstrated a theoretical framework of understanding creativity in a complex social setting like organization and defined organizational creativity as a subset of the broader domain of innovation. It was actually their consistent showing of early research on interactionist model of creative behavior in organizational innovation (Woodman and Schoenfeldt, 1989). However, creativity is necessary but not sufficient condition for innovation. According to Robert Gahim, creativity is composition of anticipation and commitment, where anticipation is the fact of revealing or exploring hidden part of any aspect through visionary view and commitment is the embedded belief with vision. Both of these two dimensions demand the creative personality which shapes the trait patterns of creative persons (Guilford, 1950). But trait perspective of examining creativity was argued by pointing the intervention of social environment upon creative behavior (Amabile, 1998). In this prospect, West (2002) noted that although environment can hinder creativity and thus generate uncertainty, however, it can serve to drive innovation. Innovation arises from organizing circles of resources of experiencing new knowledge (Wheatley, 1994) as a means of introducing products, services, processes and management those are completely new by nature to the industry (Cosh & Hughes, 1998) which subsequently act as a key force in creating new demand and thus new wealth (Schumpeter, 1934). So, it is increasingly important for firm to introduce innovation and flexibility in creative activities into firms core competence (Peters, 1987). Moreover, in order to make sure the effective and efficient utilization of resource potential,
Prahalad (1993) emphasized on developing a proactive framework in which innovation and creativity are planned and managed.