:

op"3
40 Variations/ Variationen for

CtrLLO
arr. Feuillard

BOS\MORTTI

4A Variationen
fiir Violoncelloiibertragen von

40 Variations
transmites pour Yioloncelle Par

40 Variations
op.e 0,$evik
transcribed for Violoncello by

von 0.$evcik op.a

op.s de 0.$evik

L .R .F E U I L L A R D .

FEUILLARIl. L .R .

L .R .F E U I L L I R D .

40 variaci
pro violoncello uPiavil

40 BffiIlifi.
3 t{xt. op. 0.0.llJeBr{ cocr.
treperorrsrb [;rr nio.roIIqo.iIE

op.g od0.$evcika
L . RF . EUILLARD.

t . R .F E U I L L A R D . IATIOI{S AIDSIGIIS: ABBREY

G. Whole bow-length. H. flalf bow-length. u.H. Lower half bow-length. o . H . L I p p e rh a l f b o w - l e n c t h . Fr. Fig (nut, or heel) othe bow. M . B o w- m i d d l e . Sp. Tip of the bow. n Down-stroke. V Up -stroke. staccato. Broatl (detached) . Hammeredstaccato(martellato). t Jerkediricochet) or hopping - st&ccato. Raise ,h" lo* ) _-

ASKURZUIIGEII UTDZEICHEII :
G. H. u.H. o.H. Fr. M. Sp. R V GanzerBogen. Ilalber Bogen. Untere Hlfte. Obere Hlfte. Am Frosch des Bogens. Ilitte des Bogens. Spitze des Bogens. Hcrunterstrich. Hinaufstrich. B r e i t s t o s s en Ahgestossen oder gehmmert. Geworfen(spiccato) oder springend. Bogen heben.

ET TS SIGIIES: ABREYIATIO G. Tout lbrchet.

H. u.H. o.H. Fr. M. Sp. n V Noitt d'archet. I[oiti infriere. Moiti supriere. Talon de l'archet. llle'lieu de l'archet. Pointe de l'archet. Tirez. Pousses, Dtach large. Staccato ou martel. Jet (spiccatot ou sautill . Leaer l'arcltet.

)
g. tl . u.E . o.H. Fr. M. Sp. n V

z[aATKY A ZtAhrEllr.
celym..sng!ccem. potootcn?.m snlyccem, dolejiz' polooici. hoiefir.polooici. U abky smyce. Stied,ern smuce. Hrotem sn{ce. smyk dol. smuk nahoru. ir-ok{m turten. . odrd.en aneb potepem. a3rgm(spiccat6) aieb poskokem. r, gdoznsnycce. ) E dit ed an d tra n s l a te d b y H . Bre tt. Edited by L.E. Feuillard and,A.E.Bosmorth

coKFAq,EfitR H 3HAKlt:
G. II. u.H. o.II. Fr. [1. Sp. n V . I ) Id.rr^rxr cv t,lrrtioxlb. I l o " r o n r t t t o H lc r r , r rt i a . Hnxrren troJorrunuh). Bepxnerc no"roornroru. Y xo.ro,qo'rxlr. Cepegruorccvhlr{NiI. IioHu,ov-b e]f,r,rqn&. Cxbrcxorrl Brrrrl'b. CilLrcriour BBepx'b. IIp oramx r,llr'l lrrrp nxolr'6. OrpuslreTo. 0rcnalirrBenu{nx6 rr.rn IlpblraX,q,IIlI'b Cil I'lq ROY'b. Cnnrr cubrqona.

Allegro. J = l r , z .
\

-\

-'

Tema.

Allegro. J= us. EYE

Fr.
I

t-

, -n - -

n
Fr.

flf

V V; I

vV

V
I

V
t

n
f

NV

YY n

C<rpyn6ht !9Oi

bY Bilswurth .t Co

B..i C9 6t5t

Allegro. )=t44.rn

Ya.2.

Allegro.
J = r3 8 .

werfen jeter L'h 0 5 jerk

Y, Y.
p
4
I I

v
p sirnt'/e

Var.3.
M.n

"f

*t.

p n

p
n

f
Y !YV
p

f
!_

T,p
_,v t

YV

"f n

p
V N t
-t

V
t

2l

M.! _

f
n

p
I I

p
V

Allegro. J-rlB.
Ft

rr

tq

rr

Ya.4.
vf

Ft

e ,r F r6 s c h .
Du talon. U aky

At the frr,g. V no.to.1ourcrr.

!11

nn

t s . . tc , t 6 1 5 7

Allegro . )= r44.

y-r

--..
\t

Var, 5.
fe.
:-\ \

:1

-^\

fi
I

<-\
F'r

/at

-----'-

Z-\{

1-v

-\

D\l

-\

-^e)
--4.

:
1

ti\

<\

llegro . J =rlp.
It

6. Var.

f
-l I

p
Yr
fv

llr

Allegro. V-r: A l \

J =t6B, IIIecorde. r ? L .B \. t )

.---r

V&r. 7.

2-{

ct'e _

sceil,

_do

,::1-

B .& C q 6 t ?

Allegro. J =r3p.
FrI -

Var.8.
f senrpre

Allesretto. J.=ao.
-_, V rr-f.l r .r t-l I 4 I.

Var.9.

rx

: \J

Allegro. J = rso.
sDtccato \

Var. 10.

B.& Cg6157

.A,llegro,J=llol_.
4 rr 1. r

Var.l1.

. d l l e-g r o . = 8 4 . V,,_. n_

Var.12.

G.

LT,

-->
o.H .

fi. u.It.

G.Sp. G.

Allegro . J= 162.
U.(p) spiccato

13. Var.

v.
11

Ir:

-STYLES. D'ARCHET, CHAIIGES }IG Y E R i l t l E R U I ID GE ES I { O G E I I S T R I C HCHAHGEHEIITS DE COUPS E ES. OF BOWI q{n, n EPEliltHbr Ct*Ur STYXU. ZHEIIY BHHEH|n B)r

A)

t t l l

- t

u.fr
B . , r C o6 1 5 7

Var. 14.
u.II.

u.H.fl

--do

i-}.

Allegretto. J. =os.
spiccato

I 'l

:- 2+

'
VVV

fvtf

Var. 15,
nvn li.

V V Y- V *ld"[Ii q.
X'eter jcrk

VVV

VVV
4

Uhoz
Y

lo

VVV
'-ry

VV
lv-:

V
tr4

?+r.t I

VVV

vJ-

Y t

rQ
t

V
f

I V VV

t-

Allegro . J =rc2.
>|.'

sautill

Var. 16.

cre _
B.& Cg6157

f t]I

rrrr

0scen,
fttt

-do
vrtt
lrlf

yyly

llll

It

tlt

rrrr rrrl

:)ttl4

Allegro.J=162.
sautill >r :^t r r

I.'C.

7, vr tt

?, rr e&

tt

rr

t]

'{,

rr

fl

tt

rv

l:

tt

Allegro . )= lo. n Irrf

lr'
u .H .
Ar

18. Var,
u.I[.

u.II.

/1>

u.H.

o.II.

u.II.
lttl

n
o.II.

,-)
u .H .

,
o.lI a.--)

--\
u.II.
I

u.II.

c .I I .

u.H.
B..r Cg6157

o .I l .

10

Allegro . J=yt+.

,^rl_

s-n

t-.

fi.-r

19. Var.
i,o
u.H. V scen -

ll-t
- do
f!

a-

Dfrc
I

(;
I ' I

PPN.

A l l e g r o .J =8 8 . n v -t

Var.20.
M

ll

Allegro. ).-so.
h^t -r
Sp.

Var.21.
nf
G. sp.

G.

Spr.

fG.

tj

:\

G.
-i\

pp

B . . r C S6 1 5 7

Allegro . J=126.

Ya,r,22,
spiccato
ltttt
,-L

r1

,flrl

r v i l*;
i 'I

\y^1 r r I r r I

gl
It

I
I

2 3 T
I

tli*:.,t-:, r
4
t

,.i r , ?| :.Lir; Lfu-1

II9 C.
rlrrtr

I ! k,Lhi

r-L r r

r-1,r,?1,

1
t

4 ry

r, lf

venrornurogr oEs B0GErsrRrcHEs. cH^'rcEnElrrs oyEscoup$ D'^ncilEr. f;llliiilirtlllhrllirii_^.

t{. t{.
}I.

--===--

Allegro.J=ro,

1v.
I

Allcgro.

I =88.
'-\ \Y

'4=^^.,'41rr)

Var.23.
II1c tz',
:J

1.5=G. o.H.

C.

tI'.- -o,L I

Vr}

G\

r,.rJ

-.

- -a.L l^ r

PP

M. }I .

B . & C S8 1 5 ?

L2

Allegro. ) = Mz.

Y- t
v

Yat24.

n9

sautill
tttr

I vlt

Y R, t-\liy'.
lrr

I tt

rl!

Y r l-l

Y,-Yrl.tl

tr

rt

Y1..

Ytt-

at

Yr=

L \ ,-:.:;rLLi
9C .
l^

Atteg ro. -Ft 'i_\

^ rr

J :138.

n,-i
.->
M.

;\

iin

Cn

2-'
l\

Ta1.
trY.f

s
u.H. 'G.

r:\

trl.wclf uhr,z 4^ ietuf,It JerK ---...--&."

t\

nr-

vI'r

ilr-)

1,i>
Allegro moderato.J =ro4.

;\

' f l _

fi

Var.26.
l'Nj r"
G.

Fr.

B . & C g6 { 5 7

fffi:

fe

;"fr;->
G
8r | lr | -:--. I

nnn
nn
R
3

! .t ttF

6/
Allepro.) =r44.

Srytill.

g,

v r*,

Yar.27,
>Y I f

>V

l.l->^-

t
V

=iil;i
4 >lrt>tlr

4000 >

ooo >
24 >t t v r l- - t a l ^f - - l l v t t

Allegretto. J: too.
o"4

Var.28.
' lljssend letmo "^o\'nt f lyiug
a

B . & C 96 r 6 7

l4
A lt e g rO .

d = 86.

Var.29.

I ' R C H E TC H A i l G E 0S F 8 0 W l t C -S T Y L E S . DESEOGETSTRICHES,c H A i l G E t E t { 0 TE S" C o U BIS YERATI}ERUTGET

zrny sHyr(,

crbtqKA. nEpEtrtHbr8HxEHili

t{..(P) , l . l '

\tfi

z.\*)<.

rl

it. r-r )r'ii

1\>r- 4.wuto.*

d 4ll'g'g../n11.,,
I\t. sautill

sr-.Q)

rrW)

Allegro.J=152. 'Lf ;

Var.30.
fliegend rtolant letmo flying

G.

.-^\

ffi
II9 C.

/ 4:{-/\-ltlhS

Allegro.J=12o.
rtttf

f,h_
--*a-.. L=

Var.31.

B .& C 9 8 t 5 7

15
4-\ {-llll-

,\ irrVtlt-^

->
D

rrrtr

l-

-dolce

AlleEro. J:tlo.

sPP..-.rfu

Var.32.
/--:
#>>->
5l*->
Irltv

werfen j.ete.r uhoz J"t* -\.

--

-P-

,f

f
p

;>>> *>
tt tt

:/' J

f
;F=--

.f--:
\\

='

JP>>
I r t

>-

:>-55

>

,'>
Semltre

r
'c t

vf

r.

i\

p
t v tt v

aj

Allegrells.J = ro4.

Var,33.
/.-=-/---^

Y:c; r)
o.H.dolce
t-ur t

/r'>

--:

l.-7-.

B .& c 98 1 5 7

16 Allegro. J : 126.
spic cato
I

,raQg
Ivf

Var.34.
@)^ Fr. ("fl

r v 4 99
r.r-l I

FB O W I T G DESBOGEIISTRICHES, I!'ABCHET C H A I I G O ES CHAHGEIIEilTSDE COUP"S S. TTLES. III)ERUI{GEfl VERA H CMbrqKA. ZHilY nEPEH f b t B r f ShIYKU. XEHtH
.-+ J 1-'/ II.

v't

c'-/7\J t

^ lt. 6.Fr.(
i'.

-9.. tt.@l''

1:rr-

l,r.

Ll -=,

A l l e g r o. J = t 4 4 .

M . (? ) Fr.(nf)

12.
l I t:

Allegro. J : eo.

r r .

. -

r , ,

il.i

Allegretto. J : 6s.

vffi'h.'-..

Var.35.
rffi>

' \_:
l\-

l/->

olz

{T---

.--\

B . & C 96 t 7

II9C.-_- - I9C.

rffi-

Mod.erato.J: to8.
lr-

fffi>

| --GrJ

Var.36.

Allegro. J = Lao.

ff>

Var.37.
G.gliss.

i$x

fr
IIC.IC.

tf

18

Allegro. J =ru,e.
3I lr

ooe

tl^

r r

,9

Var.38.

44
l!f

4
t

ICHES. DSBOGETSTR YER AIIDERUI{GEII = ,^. ]. , ].2'?

Fr.(r,tf) M,(P) ,

-G C H A I I GO EF S BOWIT STYLES. C H A T G E T E TIT SC . ( I U BD ,S 'ARCHET. lE zilEty styr(. nEpEHtHbt BtlxEHt[ctbtqKt.

l; , L:. , r s.l G* (i -(l : (i 4.i

t

ff:w

,.7

trl.

, .- e.L[ L]

V?T
ii:',f
L:

, ra)t*
M;sautill

, &.)> LJ
M.
>

Allegretto.J =noo.tt' ,,f6.1;J L:.:.

Var.39.A. Var.39. B.
lrt
zJI 8g Pe

llEI S HE TC SO U PIS l ' A R C H E T C H A H GO STYLES SH A T G E M E D FB ( } W I IIG ES YENIilDERUIIG IB O G E i l S T S I C H EC P o - urR E s I A R3 39l) 39B,). FOR . 9 A . ) 3 9B . ) . A . )3 sB . ).. T H EV A R3 run otEYAR. s , 39B) NEPETtHbIBHXEHIl,| zililysnyruyEyARtAcrcH se'A) CITbII{KA

e. A.gg nn vAR.3e

>l

B . . t C 96 t 5 7

. ) 1y+ n.Allegro

r] nu.i

Var.40.
arpegglo t)-

u .
g

, a.

u
I

r5 I
.G <-

(t

, cr

f>

,l= vrn HDSRUP{GEH DEnARPEGGTEH.

, DESARPEGES. CHAHGEIdEHTS

lrr

,z
OFTHE AI.:PEGGI(,S. CHATOES

i =lo8. Moderato.

zttHY YAnPEzifcx.

nEPEittHbt Arnrtr xrr.

'Jifniu ,,)
flyinq

,
-werfc.n 'j'eter {thos

Allegro. J =$2. /
4.sautitl / :

^,

[1

8.

.#l,,5 i) ftL)n L)(; r ri r, Zxt . r-r

it B.& C6t5?

Printed and bound in Great Britain by CaligravingLimited Thetford Norfolk

1/ 00( 36245)

The \{trrks of OTAKAR SEYOIK

VJ

vloLtN
L IT T L E S EV C IK El , ementary Tutor SEVCIK SCALES & ARPEGGIOS H OW T O P R A C TIS E S E V C IK ' S MA S TE R W OR K S INTRODUCTIO TN O SEVCIK VIOLIN STUDIES fromOp. 1 (by K. W. Rokos)

Tnz /{*o

l,ronecl

P"plt

Sovolopmcnt ofi the .tot, l/""/

OP.6.VIOLIN METHOD F O RB E G I N N E R S . P a r t s1 - 5 . l s t P o s i t i o n . P a r t6 . Studies P r e p a r a t o rty o the various
Part 7 . Positions. 5 t h P o s i t i o na n d c o m b i n i n g t h e v a r i o u s Positions.

O P . 1 . S C H O O LO F V I O L I NT E C H N I O U E . P a r t 1 . E x e r c i s e si n t h e 1 s t P o s i t i o n . P a r t 2 . E x e r c i s e si n t h e 2 n d - 7 t h P o s i t i o n s . P a r t 3 . E x e r c i s e si n C h a n g e o f P o s i t i o n . P a r t 4 . E x e r c i s e si n D o u b l e - S t o p p i n gT , ripleS t o p p i n g ,O u a d r u p l e - S t o p p i n g (3 & 4p a r t c h o r d s ) . P i z z i c a t o ,F l a g e o l e tT o n e s , Harmonics. OP. 1. Completeb , ound in Cloth.

O P . 6 . C o m p l e t e ,b o u n d i n C l o t h .

T"z fligAtly lvanccl, Fuplt

OP.7. STUDIES PREPARATOR TY O T H E S H A K E& DEVELOPMEN TD O U B L E - S T O P P I N G . IN P a r t1 . E x e r c i s e is n the 1stPosition. P a r t2 . E x e r c i s e is n t h e 2 n d ,3 r d , 4 t h , S r h & 6 t h positions. O P .B . C H A N G E S OFPOSITION & PREPARATOR SY CALE STUDIES. ln Thirds, Sixths, O c t a v e s& , Tenths. YU D I E S O P .9 . P R E P A R A T O R ST IN DOUBLE.STOPPING. In Thirds, Sixths, Octaves & Tenths. O P S .7 , I & 9 . C o m p l e t eb , o u n di n C l o t t r .

?nrolopmcntof tAc RtgAt l/""/

O P . 2 .S C H O O L OFBOWING TECHNIOUE. ( 4 , 0 0 0E x e r c i s eis n Bowing) Parts 1-6 ExercisT e h e m e st o O p . 2 . O P .3 . 4 0 V A R I A T I O N S (o P i a n oA c c o m p a n i m e n t ptional) O P S .2 & 3 , C o m p l e t eb , o u n di n C l o t h .

VIOLA
A r r a n g e d b y L i o n e lT e r t i s O P .1 . S C H O O L O FT E C H N I O U E . Part1. Exercises in the 1stPosition. Part2. Exercises i n t h e 2 n d - 7 t hP o s i t i o n s . Parl3/4. Exerclsesin Changes of Position & in D o u b l e ,T r i p l e& O u a d r u p l eS t o p p i n g ,e t c . O P . 2 .S C H O O L O F B O W I N GT E C H N I O U E . P a r t s1, 2 & 3 . (arr. Margaret Major) OP.3. FORTYVARIATIONS toptional) P i a n oA c c o m p a n i m e n ( YT U D I E S O P . 7 .P R E P A R A T O RS TO THETRILL P a r t 1 . a r r .A l a n A r n o l d ; 1 s t P o s i t i o n P a r t 2 . 2 n d - 6 t hP o s i t i o n .

O P . 8 .C H A N G E SO F P O S I T I O N & P R E P A R A T O RS YC A L E STUDIES. O P .9 . P R E P A R A T O RS YT U D I E SI N D O U B L E - S T O P P I N G ( a r r .A l a n A r n o l d )

CELLO
1 .T H U M B OP. PLACINE GX E R C I S E S . (arr. P art1. 1stP osi ti on W . S chul tz) L FB O W I N G O P . 2S . C H O OO TECHNIOUE. (4,000 E xerci ses arr.Feui l l ard) P arts 1-6. (arr. OP 3. . FOR ryV A R IA TION S Feui l l ard) (opti onal ) P i ano A ccompani ment OP .8. C H A N GEOF S P OS ITION & P R E P A R A TORY SCALE STUDIES. (arr.H . Boyd) In Thi rds, S i xths, & Tenths Octaves

BOSWORTH
8 / 9 F r i t h S t r e e t ,L o n d o nW 1 V 5 T Z Exclusivd ei s t r i b u t o r s : M u s i cs a l e sL i m i t e d ,N e w m a r k e t R o a d ,B u r y s t . E d m u n d s s , uffolk lp33 3yB Augustinusstr. 9b, 50226 Frechen, Germany

L a F l t ed e P a n4 9

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itilililililililtill |ilililill Sevcik <>

0takar 8.38 - Violoncelle Euro 0p.3 Etudes - 110 8083550