Professional Documents
Culture Documents
Colman
NYU Steinhardt, Department of Art and Art Professions / Visual Culture: Costume Studies Mondays, 2-4 P.M., Art and Art Professions Building, 34 Stuyvesant Street, Room 304 Required books (all available at NYU Bookstore and/or on Amazon.com): Christopher Breward, Fashion (Oxford History of Art 2003) Anne Hollander, Sex and Suits (Knopf 1994)/(Kodansha 1995) [out of print; buy used copy on Amazon] Daniel Purdy, ed., The Rise of Fashion: A Reader (Minnesota 2004) Dana Thomas, Deluxe: How Luxury Lost Its Luster (2008) [inexpensive used copies readily available] Gary Watt, Dress, Law, and Naked Truth (Bloomsbury 2013) (also available via NYU Libraries eBrary) Required coursepack is available for purchase through the NYU Bookstore. Students may instead elect to purchase each book highlighted in yellow; if bought used, the difference in price might be minimal. Other readings are available electronically; where no hyperlink appears, look in NYU Classes/Resources. Please print out these readings so you can annotate them and bring them to class for easy reference. Remaining course requirements consist of (1) a midterm paper of roughly ten double-spaced pages, in which students must either (a) engage in a hypothetical dialogue with at least two theorists discussed in the course, or (b) design and perform a field experiment involving the modification of the students appearance, devoting (i) the first half of the paper to an explanation of the objective, methodology, and results of the experiment, and (ii) the second half of the paper to an analysis of those results based on the material assigned and discussed in the course; and (2) a final paper of roughly twenty-five pages, in which each student must apply selected historical and theoretical material covered throughout the semester (and other research, as necessary) to a dress-related topic of her choice. Final grades will also reflect the quality of class participation, with a focus on whether each students questions and comments during class show thoughtful and nuanced engagement with the assigned readings and with the professor and other students.
UNIT 1: INTRODUCTION
WEEK 1 (Jan. 26th) -Christopher Breward, Fashion (pp. 21-113) -Christian Garve, On Fashion (1792), in The Rise of Fashion (pp. 65-71) WEEK 2 (Feb. 3rd) -Christopher Breward, Fashion (pp. 159-215) -Eicher & Sumberg, World Fashion, Ethnic, and National Dress, in Joanne B. Eicher, Dress and Ethnicity: Change Across Space and Time (Berg 1995) (pp. 295-305) -Anne Hollander, Sex and Suits (The Work of Fashion, pp. 14-29) -Daniel Leonhardt Purdy, Introduction, in The Rise of Fashion (pp. 1-17)
-Gary Watt, Dress, Law, and Naked Truth (Bloomsbury 2013) (Chapter 1, Dress Is Law, 1-11; Chapter 2, Foundations of the State of Dress, pp. 13-16, 44-50; recommended but not required: Rest of Chapter 2 and all of Chapter 4, The Face the Law Makes, pp. 79-121) -Ruthann Robson, Beyond Sumptuary: Constitutionalism, Clothes, and Bodies in Anglo-American Law, 1215-1789, 2:2 British Journal of American Legal Studies 477-509 (Fall 2013) [UNIVERSITY HOLIDAY FEB. 17TH NO CLASSES] WEEK 4 (Feb. 24th) -Michael Zakim, Sartorial Ideologies: From Homespun to Ready-Made, 106:5 The American Historical Review (Dec. 2001) (pp. 1553-1573 [rest of article assigned for Week 8]) -Toby Slade, Japanese Fashion: A Cultural History (Berg 2009) (portion of Chapter 3, Japanese Menswear: Masculinity and Sartorial Statecraft, pp. 65-77) -Eugenia Paulicelli, Fashion, the Politics of Style and National Identity in Pre-Fascist and Fascist Italy, 14:3 Gender and History 537559 (Nov. 2002) -Lawrence Glickman, Make Lisle the Style: The Politics of Fashion in the Japanese Silk Boycott, 19371940, Journal of Social History, Vol. 38, No. 3 (Spring, 2005), pp. 573-608 WEEK 5 (Mar. 3rd) -Watt, Dress, Law, and Naked Truth (Ch. 5, Addressing the Naked and Unfolding the Veil, pp. 123-148) -Mimi Thi Nguyen, The Biopower of Beauty: Humanitarian Imperialisms and Global Feminisms in an Age of Terror, in 36:2 Signs 359-383 (Winter 2011) -Arjun Appadurai, Modernity at Large: Cultural Dimensions of Globalization, Public Worlds (1998) (Excerpt from Chapter 2, Disjuncture and Difference in the Global Cultural Economy, pp. 27-43)