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No childs play
How handmade toys have reimagined rural employment in Bangladesh
Farzana Nawaz n
s you make your way through the narrow, crowded, muddy and unpaved streets of Dhakas Natun Bazaar, buffeted by a mixture of smells of sewage, snack stalls, garbage and sweat of the people around you, the last thing you would expect to find here is a factory that produces beautiful, handcrafted toys that are sold at upscale shops in Europe and North America. And yet, improbably, this is the neighbourhood that houses the head office and finishing centre for Hathay Bunano, a social business that does just that. The Hathay Bunano office and production/finishing centre is housed in a modest four-story building, so modest, in fact that there isnt even paint on the walls (although, I was told that they have moved in there very recently). However, its clean, with lots of windows that let in sunlight and fresh air. Inside, one would find stacks of unfinished toy parts (a bunny rabbit with a missing face), or finished toys packed in clear plastic bags, yarn in all the cheerful colours of the rainbow. In the midst, groups of women sit at tables knitting, joining pieces and putting the finishing touches on toys with assured, astonishing speed.
necessary. For children between three and six years, preschool facilities with trained teachers are also provided on the premises. In fact, one of the loveliest parts of my visit to the Natun Bazar finishing centre was to see groups of happy children noisily participating in their pre-school classroom right next to the production floor or occasionally running over to their mothers who were working. The crche for the babies is clean, bright, with lots of toys. This is a stark contrast to the conditions in the RMG sector where its not unusual for a woman to be fired for getting pregnant and childcare facilities are provided in only a fraction of the factories. The Hathay Bunano women are paid according to the number of pieces they produce, a model that incentivises the more-skilled workers. The rate of compensation is 25 percent higher than the official minimum wage and 150 per cent higher than similar work in rural areas. Considering that living costs are much lower in rural areas, this means that the disposable income available to the women often end up being much higher than their counterparts in the RMG sector. The workers are provided free training on knitting and crochet for six weeks. Women who show particular
The Pebble childrens items are labelled Made in Bangladesh, with tags that include a Bangladeshi flag, something that surely contributes to a positive branding for Bangladesh chars, refugees and indigenous people living in the hill tracts. that many surface obstacles businesses face can be overcome if the local knowledge is consulted. The innovative business model of Hathay Bunano has received accolades and praise in the international arena, including from the Clinton Global Initiative. Samantha was awarded an MBE (Member of the Order of the British Empire) for her work and most recently a detailed case study on Hathay Bunano was featured in MITs Innovations magazine.
As a social business, Hathay Bunano also makes it a point to work with the most disadvantaged and margnisalised. Their rural production model enables them to employ relatively low-skilled, sometimes illiterate women at the villages for the more labour-intensive tasks
Just like their head office, the story of Hathay Bunano is one made up of seemingly incongruent parts that still somehow come together to form a truly inspiring tale of entrepreneurship, ingenuity, and a uniquely Bangladeshi success story. Hathay Bunano is the brainchild of Samantha Morshed, a Brit, and her British-Bangladeshi husband Golam Morshed. The company was started in 2004 out of a conviction that the handicraft tradition in Bangladesh can be used to create world-class products while providing decent employment opportunities for poor rural women. On one of her first visits to Bangladesh in the mid 90s, Samantha was taken aback by the desperate poverty of rural women. Many of these women were artisans, making traditional embroidered items that were sold in the local market to tourists. However, there was little possibility that these would reach the scale where decent, sustainable income can be generated for the artisans. At the same time, Samantha was inspired by the fast-growing ready-made garment industry (RMG) in Bangladesh that was producing clothing at the scale, quality and attractiveness required for the global market. An avid knitter herself, Samantha combined these elements to come up with the idea of knitted and crocheted childrens clothing and toys that can be produced by rural women with a small amount of training. And thus, Hathay Bunano was born.
aptitude can develop and grow within the organisation by receiving further training to become supervisors or trainers themselves. Ultimately, some of these women go on to assume overall responsibility for entire production centres. Training on administrative tasks and accounting is also provided, when the role requires these skills.
One of the loveliest parts of my visit to the Natun Bazar finishing centre was to see groups of happy children noisily participating in their pre-school classroom right next to the production floor or occasionally running over to their mothers who were working
employment for disabled women. In fact, the nature of the work is particularly well-suited for the disabled. At the Natun Bazar finishing centre I met Shima, a young woman in a wheelchair who has been working with Hathay Bunano for over five years. Shima was a patient at the CRP when she found out about Hathay Bunano and decided to come to work for them. In addition to working there, she also lives on the office premises, along with a few other disabled colleagues, an arrangement she seemed quite happy about. Hathay Bunano has also teamed up with NGOs and development organisations to bring employment opportunities to the extreme poor living on
relishes telling is, in the early days of the business they received a lucrative order where the pattern required using a cable needle (a miniature knitting needle). Samantha couldnt find this type of a needle in the local market and she despaired that the order would need to be turned down as it is too expensive to import the needles. Then, a woman working at one of the rural production centres asked her what a cable needle looked like. When Samantha showed her she said she would try to see if a solution could be found. A few days later she returned with a batch of cable needles made from bamboo (at the bargain price of Tk. 2 per piece) and the order was saved. This story wonderfully demonstrates
have been also created which features animals native to Bangladesh, such as the Bengal tiger, Tokay gecko, owl, and otter. One of the remarkable aspects of Hathay Bunanos growth is that all of it happened without external investors or debt. The owners have made it their mission statement to prove that it is possible to create market-drive rural employment in Bangladesh without donor grants or bank loans. By any measure, their effort is a success. Pebble toys are now available in a growing number of stores in Bangladesh. In line with the ethos of the company, the aim is to sell them within a price range that is affordable for the middle class customers here. Samantha is determined that the toys
are not perceived as luxury items only affordable to the very rich. The story of Hathay Bunano brings together two of Bangladeshs greatest traditions handicrafts and social business. It also shows what is possible if entrepreneurs are willing to exercise creativity to make the local conditions work for their business. But most importantly, it shows that profitability doesnt have to come at the expense of the workers and that given the chance, poor rural artisan women in the villages can create products that can compete with the best in the world. And thats no childs play. l Farzana Nawaz is a GIZ returning expert and editorial fellow at the Dhaka Tribune. She can be reached at farzana.nawaz@gmail.com.
Photos: COurtesy