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FULL SCORE

BOOKS AVAILABLE: String Piano Parts (First Position

Accompaniment Full Score

rp~eface
8NSEMBLES FOR STRINGS represents an indispensable collection of worth-while compositions, The material presented is admirably suited for players with only a limitad styled in easy arrangements for duet, trio, quartet and ming orchestra performance, with or without piano accompaniment. technic and experience, while the programmatic nature of the contents malees it highly desirable for use in almost any type of public performance.

Heretofore, the lack of easy music for ming ensemble performance has been a fador in limiting the possibilities of chamber music experienco by students who have studied only a short length of time. With the advent of "Ensembles for Strings," however, a deAnite step forward has been taken, as materials are now provided that will AIIa long felt need, and which will not only enhance the value of the elementary stages of stringed instrument study, but also will increase its scope and vitalize its possibilities. Duets, trios, and quartets, are especially valuable as a means of.developing players' ability to follow polyphonic dialogue of two or more inmuments; likewise, such performance developl a keenn... entirely from solo playing. for accurate intonation, and an appreciation for the most subtle shades of tone color, neither of which results

Whether used in the traditional string quartet arrangement (two violins, viola, and cello), or in combination of two, three, or four violins, with or without accompaniment,"Ensembles for Strings" is scored in such a manner that it will achieve maximum results regardless of the instrumentation employecl. When the viola is lacking for string quartet performance, a violin playing the third part may be substituted for the tenor instrument with no loss whatsoever in harmonic balance. If a full string ensemble (orchestra) is desired, parts for two or more violins, viola, cello, and string bass, with or without piano accompaniment, may be utilized. When atrio of violin, cello, and piano is to perform, parts for these inmuments are so wri"en that they serve this ensemble combination in a highly satisfactory manner.

AII of the material in "Ensembles fer Strings" has been carefully editecl and bowecl. The range of each string part is such that all instruments, including ming bass, may rema in in the Arst position throughout the entire work; in fact, fourth Fingerand open ming connotations indicated in the violin and viola parts suggest this very procedure. Players desiring to malee use of higher positions, however, may do so at their own discretion, enhancing to a still greater degr.. the overall musical effect.

The writers wish to express their gratitude to the faculty string quartet of the state teachers' college at San Jose, California, for having been kind enough to test through actual performance the entire work while in manuscript form, and for having made timely suggestions for its improvement.

Jlllrvell S. Wltisfler, PIt.1).


ENSEMBLE S FOR STRINGS

JlerlllllH . .H1I1II1IIel $C.1)

Sistema

fUdICfU d8 Ol'Questaa
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IllUl8s

Juuenlles

DONACION

~.etE:~..o.

Gnsemble~~
AN INDISPENSABLE ENSEMBLE QUARTET COllECTION FOR DUET. TRIO AND

trings
FOR STRINGED INSTRUMENT GROUPS. SUIT ABlE AS STRING ORCHESTRA PERFORMANCE

PlA YING. AS WEll

by HARVEY S. WHISTLER
and HERMAN A. HUMMEL

e"JfteJfts
No. ANDANTE CANTABILE from String Ouartet

Op. 11.

. . . . . . . . Tschaikowsky 12
Lemare 3

ANDANTlNO.

. . . . . . . . . . . . . . . . . . . . . . .

ARIA NOBILE from Classic Symphony. . . . . . . . . . . . . . . . . Haydn 6 DANSE MACABRE from Symphonic Poem. . . . . . . . . . . . . . Saint-Saens 10

HAPPY FARMER THE.


MENUETTO

. . . . . . . . . . . . . . . . . . .

Schumann

from Symphony Concertante.

. . . . . . . . . . . . . . . Mozart

ON WINGS OF SONG. . . . . . . . . . . . . . . . . . . Mendelssohn RONDO. . . . . . . . . . . . . . . . . . . . . . . . . Beethoven SCARF DANCE. . . . . . . . . . . . . . . . . . . . . . Chaminade


SCENE AND SOUTHERN DANCE
from Swan

11 4
13 2

Lake Ballet.
. . . .

. . . . . . . . . . . Tschaikowsky
. . . . . . . . . . . . .' . . . . Traditional . . Brahms Air

5
8
9

SPIRITUALS

Selection.

TAMBOURIN

DANCE

from Ballet Suite.

. . . . . . . . . . . . . . Rameau

V ALSE DE SALON YOUNG

Based on Waltz

in At> Op. 39, No. 15.

7 14

YIENNESE REFRAIN.
PRINCE AND

. . . . . . . . . . . . . . . . . . . Popular
THE PRINCESS from Scheherazade.

. . . . . Rimsky-Korsakow 15

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(First Position)
(First Position)

(First Position)
(First Position)

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THIRD VIOLlN FOURTH VIOLlN (First Position) (First Position) FULL SCORE
STRING BASS (First Position)

PIANO

ACCOMPANIMENT

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HAL-LEONARCO
,..,. MILWAUK&IE, WI Da'.

~CORPORATION

W. 8LUI(MOUND RD. P.O..o.

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Copyright MCMXLIX by Rubank, Ine., Chieago. International Copyright Seeured

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1130 - 47

9
FuI! Score

Tambourin Dance
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o 1st Violin 2nd Violin

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10
Full Score
Con bizzarria
Piano

Danse Macabre
from Symphonic Poem
SAINT- SAENS

1st 2nd

Violin Violin

3rd Violin 4th Violi n

f
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30

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1130 - 47

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32

1130-

47

11 from FuI! Score

Menuetto
Symphony Concertante MOZART

1st 2nd

Violin Violin

..
3rd 4th Violin Violin

.a
Viola
Piano

8.

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35

12
FuI! Score

Andante
from String

Cantabile
Quartet. Op. 11
TSCHAIKOWSKY

1st Violn 2nd Violin


3rd Violin 4th Violin

........

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Rubank. Ine.. Seeured Chieago. 111.

MCMXLlX Interl"ational

36

Copyright

1130 - 47

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3l"dVn. 4th Vn.

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1130

- 47

r
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13
FuI! Score
Semplice Piano 1st Violin 2nd Violin

Rondo
BEETHOVEN
(S)

3rd 4th

Violn Viol in

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Copyright Seeured 39

Full

Score

1st Vn. 2nd Vn.

3rd Vn. 4th Vn.

Viola

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3rdVn. 4th Vn.

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1130-47

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3l"dVn. 4th Vn.

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Viola

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1130 - 47

42

14
Full Score

Viennese

Refrain
Popular Air

1st Violin 2nd Violin

3rd 4th

Violin Violin

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Viola

Cello String Bass

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1st Vn. 2nd Vn.

3rdVn. 4th Vn.

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Viola

Cello Bass

1st Vn. 2nd Vno

3rd Vn 4th Vno

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Viola

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Copyright

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by Rubank, Ineo. Chieago, Copyright Seeu red 111. 43

1130- 47

MCMXLIX Internat,onol

Full

Score

1st Vn.l 2nd Vn.1

3rd 4th

Vn. Vn.

t.U

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f

agitato

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3rdVn. 4th Vn.

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3rd Vn'll< 4th Vn.

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1130- 47

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1 st Vn.

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2nd Vn.

3rd Vn. 4th Vn.

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Viola

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1st Vn. 2nd Vn.

3rd Vn. 4th Vn.

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1st Vn. 2nd Vn.

3rd Vn. 4th Vn.

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Cello Bass

1130-47

.PP45

15
Full Score

Young Prince and the Princess


from Scheherazade
RIMSKY- KORSAKOW

1st Violin 2nd Violin

3rd 4th

Violin Violin

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Copyright MCMXLIX Internationol

46

by qubank, Ine., Chieago, 111. Copyright Seeured

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From

the

RUBANK

EDUCATIONAL

LlBRARY

RUBANK ELEMENTARV METHODS


A Series of Graded Fundamental Courses for Individual or Like-Instrument Class Instruction Ej;> or BBj;> BASS (Tuba) . Petersen FLUTE (Piccolo)
CLARINET

Hovey . . Hovey Skornicka Hovey Robinson Skornicka Long

OBOE BASSOON . SAXOPHONE

CORNET or TRUMPET

FRENCHHORN (Ej;> Alto-Mellophone)


TROMBONE or BARITONE

Hovey Yoder Whistler BELL LYRA . MARIMBA or XYLOPHONE . Peterson . Whistler TYMPANI ., DePressles GUITAR (Spanish). . . . Potter VIOLlN , Ward .. VIOLA. . Ward CELLO. . Ward .. STRING BASS. DRUMS. ..

RUBANK INTERMEDIATE
A Series Individual CLARINET OBOE. BASSOON. SAXOPHONE of Graded Follow or Like-Instrument FLUTE (Piccolo) . .Skornicka-Petersen . . . . . Skornicka-Miller . . . ...,. Skornicka-Koebner Skornicka

METHODS
Up Courses for Class Instruction

TROMBONE or BARITONE . . . . . . . Skornicka-Boltz Ej;>or BBj;>BASS (Tuba)

. . . . . . . Voxman

CORNET or TRUMPET . . Skornicka FRENCH HORN (Ej;> Alto-Mellophone) . . . . . . Skornicka-Erdman

. . . . . . . Skornicka-Boltz DRUMS . . . . . . . . . Buggert MARIMBA-XYLOPHONE-VIBES . Jolliff VIOLlN . . . . . . . . . . Potter VIOLA. . . . . . . . . . . Ward CELLO. . . . . . . . . . . W ard

RUBANK ADVANCED
FLUTE, Vol. I . . . . Voxman-Gower FlUTE, Vol. 11. . . . . . . Voxmon CLARINET,Vol. l. . . Voxman-Gower

METHODS
CORNET FRENCH
or TRUMPET,
Vol. 11

A Series of Outlined Courses of Studies Designed to Follow Any of the Various Elementary or Intermediate Method Series
. . . . . . . Gower-Voxmon HORN, Vol. l. Gower-Voxman FRENCH HORN, Vol. 11.Gower-Voxman TROMBONE or BARITONE, Vol. I
. . . . . . . Gower-Voxman

CLARINET,Vol. 11 . . Voxman-Gower OBOE, Vol. I . . . . Voxman-Gower OBOE, Vol. 11. . . . . . . Voxman BASSOON, Vol. I . . Voxman-Gower BASSOON, Vol. 11. . . . . Voxman SAXOPHONE, Vol. I . Voxman-Gower SAXOPHONE, Vol. 11. . . . Voxman CORNET or TRUMPET, Vol. I . . . . . . . Gower-Voxman
PRINTED IN U.S.A.

TROMBONE or BARITONE, Vol. 11 . . . . . . . Gower-Voxman


Ej;>

or BBj;>BASS (Tuba), Vol. I

. . . . ; . . Gower-Voxman
. . . . . . . Gower-Voxman

Ej;> or BB' BASS (Tuba), Vol. 11

DRUMS . . . . . . . . . Whistler
No.327

U.S. 6.99

~Lj JIJ
HL04473520