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Broadcast by French Public Radio ORTF. Lacan speaks about his writings (Ecrits) that
were just published in 1966. He underlines the direct affiliation of his works with
Freud's discovery and shows how he tries to refresh and to carry on Freud's works.
Lacan's tribute to Lewis Carroll and Alice, broadcast by french radio France Culture.
Interview broadcast on French Public Radio France Culture. Lacan starts talking about
his exclusion from the 28th International Psychoanalysis Congress.
Answers to seven questions submitted by Robert Georgin. First radio broadcast in June
1970 by RTB (Belgium) and ORTF (France). The text "Radiophonie" was published in
Lacan's Journal Scilicet 2/3, 1970.
Radiophonie: Question 1
Radiophonie: Question 2
About the concept of structure and its similar use in linguistics, ethnology and
psychoanalysis.
Radiophonie: Question 3
Radiophonie: Question 4
Radiophonie: Note on Question 4 (file has gone missing. if you have a replacement,
please contact us, thanks)
Radiophonie: Question 5
Radiophonie: Question 7
Extract from a conference during Lacan's School (l'École Freudienne de Paris) 7th
congress in Roma.
Séminaires
8. Le Séminaire de Caracas (12 juillet 1980)
The last known recorded intervention of Lacan in Caracas, Venezuela, just after the
dissolution of his Ecole Freudienne de Paris. Lacan opens a 4-days meeting with his
South American pupils. He declares his famous « It is up to you to be Lacanians if you
wish ; I am Freudian. »
This Séminaire about the reverse of psychoanalysis is a kind of turning point in Lacan's
teaching. First, that's the period where he formalizes his famous 4 discourses, writing
and describing in that way 4 modes of social link. Then, the next 3 Séminaires are
centered on developping the ideas of jouissance and non-existence of a sexual rapport
with the help of formal logic.
In this session, Lacan talks about the father's death as a condition of the jouissance for
the subject ; that's what Oedipus myth or Freud's Totem and Taboo do illustrate. The real
father is a structural operator and is the agent of the castration.
An original session in the Séminaire : Lacan introduces and reads to his audience 3
answers he wrote to a belgian journalist (who had originally asked 7 questions). Later,
he recorded for the radio the whole 7 answers, what will become Radiophonie.
note : you can download the "Lacan fonts" for strange things like the "La-crossed" here
http://www.lutecium.org/gaogoa/textes/fonts/FontsLacan.zip
13. Séminaire XX (1972-1973) "Encore" (20 février 1973)
A central (and really beautiful) session in this central Séminaire. Lacan speaks about the
specificity of the feminine jouissance and the mystical jouissance. In the published
version, the chapter is called "Dieu et la jouissance de La Femme" ("God and the
jouissance of The Woman »).
extract : "And why not interpreting a face of the Other, the face of God, like supported
by feminine jouissance".
14. Séminaire XXI (1973-1974) "Les non-dupes errent" (13 novembre 1973)
First session.
The title of this Séminaire is a pun on the title of his Séminaire in 1963 (« Les Noms-
du-Père ») which was stopped after a single session because Lacan had been banned
from the IPA.
In this session, Lacan explains the title and displays his borromean knot as the way to
knot the 3 category registers of human reality : Real, Symbolic, Imaginary.
Text in French
15. Séminaire XXI (1973-1974) "Les non-dupes errent" (20 novembre 1973)
Lacan reads (sometimes in german) and comments on Freud¹s text about the occult.
16. Séminaire XXIV (1976-1977) "L'insu que sait de l'une-bévue s'aile à mourre" (14
décembre 1976)
First session
17. Séminaire XXIV (1976-1977): "L'insu que sait de l'une-bévue s'aile à mourre" (11
janvier 1977)
First session
NOTES
From 1953 to 1980, the Séminaire of the french psychoanalyst Jacques Lacan (1901-
1981) is the laboratory, the work-in-progress for his « Return to Freud » project. A
return to the real meaning of Freud's discovery, including the recent contributions made
by linguistics (Saussure, Jakobson) and structural anthropology (Lévi-Strauss), and then
through formal logic and topology.
Lacan's Séminaire was a singular place and moment, almost weekly, every year from
november to june. Without any connection with university, it was public and open to
everyone. In the beginning, Lacan reads through again and comments on the works of
Freud for a limited audience made of psychiatrists and psychoanalysts in training. Later,
as Lacan's thought goes more and more original and as his exuberant personnality - His
Style - makes him known beyond the strictly psychoanalytical circles, the Séminaire
becomes a kind of place in vogue where you sometimes wanted to be seen. You could
see lacanian analysts, some patients of these analysts, students, artists or intellectuals
(for example, Philippe Sollers is known for frequenting the Séminaire in the 70's). At
this time, Lacan often complains about the growing size of his audience.
Initially started at the Hôpital Sainte-Anne (Paris, 1953-1963), the Séminaire continues
at the Ecole Nationale Supérieure (Paris, 1964-1969) with the help of Louis Althusser
and Claude Lévi-Strauss when Lacan is banned from the International Psychoanalytic
Association in 1963 (his Séminaire becomes unwelcome at Sainte-Anne). Finally, the
last Séminaires take place in the Faculté de Droit Panthéon (Paris, 1969-1980).
Every year, during the first session, Lacan announces a title, a theme. The early
Séminaires are mostly centered on commenting the main classical psychoanalysis
concepts (the Ego, the transference, the indentification, etc.). Later, themes and titles
became more strictly lacanian (sometimes based on homophonies and puns) as the
concepts and their models (logic or topologic) become really specific and personal.
Very few sessions were previously written up by Lacan, so a stenographer had to
transcribe the whole sessions (http://www.ecole-
lacanienne.net/bibliotheque.php?id=13). However, at the present time, only 12
Séminaires out of 27 have been published. The composition of a text from the
stenographies (or even from the audio material) has always seemed to come up against
the fundamentally oral nature of Lacan's teaching and his totally improvising style. The
first official publications of the Séminaire started in the early 70's, but in such a slowly
rate that many unofficial versions of unpublished Séminaires have immediatly spread
into the psychoanalysts circles.
The first known private audio recordings of the Séminaire seems to date from 1969.
Curiously, despite Lacan's famous verve or grandiloquence and his matchless
improvising oral style, none of the 500 sessions has been cleanly and officially recorded
(neither audio nor video).
-- Guillaume Patin, Editor / Curator