sd tone chart

Magnet APH-1 / Alnico II Pro SH-55 / Seth Lover ModelTM SHPG-1 / Pearly GatesTM SH-1 / 59 ModelTM SH-3 / Stag MagTM SH-2 / Jazz ModelTM SH-10 / Full Shred SH-12 / George Lynch Screamin DemonTM SH-13 / DimebuckerTM SH-14 / Custom FiveTM SH-4 / JB ModelTM SH-5 / Duncan CustomTM SH-6 / Duncan DistortionTM SH-8 / InvaderTM SH-11 / Custom CustomTM PATB-1 / Original Parallel AxisTM PATB-2 / Distortion Parallel AxisTM PATB-3 / Blues Saraceno Parallel AxisTM ModelTM PA-STK1N / Parallel AxisTM Single Coil Stack LW-CH1 / LivewireTM Classic Humbucker LW-HMET / LivewireTM Metal Humbucker
TM

SEYMOUR DUN C AN

key
Resonant Peak Neck Bridge EQ Bass/Mid/Treb Cable

high or moderate

hum cancelling high output players pick TO NE TH AT S E TS YOU A PA RT USER OUTPUT

players pick or pro

single coil or hum-cancelling

moderate output TYPE

single coil

high output moderate output

pro shop players pick

pro shop

single coil hum cancelling

D.C. Resistance Neck Bridge

single coil moderate output Output/User/Type Description

hum cancelling players pick

SEYMOUR DUNCAN HUMBUCKERS & TREMBUCKERSTM

Alnico II Bar Alnico II Bar Alnico II Bar Alnico V Bar Alnico II Rods Alnico V Bar Alnico V Bar Alnico V Bar Ceramic Bar Alnico V Bar Alnico V Bar Ceramic Bar Ceramic Bar Ceramic Bar Alnico II Bar Alnico V Bar Ceramic Bar Alnico V Bar Ceramic Bar Alnico II Bar Alnico V Bar Alnico V Bar Ceramic Bar Alnico V Bar 7 .60k 7 .20k 7 .30k 7 .43k 7 .72k 7 .40k 7 .85k 8.10k 8.35k 8.13k 16.20k 7 .90k 14.60k 10.00k 16.25k 14.4k 16.40k 14.10k 16.60k 16.80k 14.40k 15.70k 21.30k 9.80k 7 .10KHz 8.14KHz 7 .50KHz 6.80KHz 8.00KHz 8.00KHz 6.70KHz 5.90KHz 6.50KHz 6.00KHz 6.50KHz 7 .00KHz 5.50KHz 7 .00KHz 5.10KHz 5.40KHz 5.50KHz 6.00KHz 5.50KHz 5.00KHz 5.20KHz 4.50KHz 3.90KHz 6.00KHz 7/4/8 6/4/8 6/5/9 6/3/8 4/3/6 5/3/9 4/4/8 5/4/9 6/5/8 6/3/8 5/6/8 7/6/9 5/8/9 7/8/4 3/7/7 5/4/7 5/6/7 6/3/6 5/2/9 5/4/9 7/9/5 5/4/6 5/6/6 7/5/6 Four Con. 1-Con Braid Shield Four Con. 1-Con Braid Shield Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Two Con. Shielded Two Con. Shielded 1-Con Braid Shield Four Con. Four Con.

12.70k 7 .20k 7 .50k 6.80k

6.50KHz 8.00KHz 6.90KHz

6.40KHz 10.50KHz 7 .50KHz 1.20KHz 7 .00KHz 9.00KHz 7 .00KHz

single coil pro shop hum cancelling players pick The ultimate vintage blues humbucker Seymours tribute to the father of the humbucker warm and smooooth Texas tone with top end sizzle hum cancelling pro shop playersgoing pick back to 1959 and buying a new P Imagine .A.F . Built to be split and sound like a single-coil should Clear and articulate the consumate neck humbucker players pick pro shopto give tonal control in high-gain situations Designed Great cabinet thunk on the low end screamin harmonics on the high end Searing, crushing metal tone that was Dimebags legacy pro shop Optimum balance of warmth, punch, power and clarity Singing and mid-range perfect the pickup that started it all P .A.F . on steroids loud and proud Aggressive harmonics low end chunk Think interplanetary tonal invasion by hostile forces Smooth bottom end very aggressive top end Modern hi-fi sound exceptional sustain Huge sound with great top end definition Big P .A.F . sound for vibrato-equipped guitars Classic single coil sound with benefits of Stack and Parallel Axis designs Hi-fi balanced tone Bone crushing distortion - ear plugs advised

P C: MS 95 2 7 M :9 5

MINI-HUMBUCKERS
SM-1 / Vintage SM-2 / Custom SM-3 / SeymourizedTM

6.54k 8.52k 6.29k

7 .57k 16.41k 11.60k

6.00KHz 4.00KHz 4.80KHz

Classic Firebird sound Aggressive upper mids great for slide Fuller and smoother take on the original

SEYMOUR DUNCAN P-90 SOAPBARS

SP90-1 / Vintage P-90 Soapbar SP90-2 / Hot P-90 Soapbar SP90-3 / Custom P-90 Soapbar STK-P1 / P-90 Stack SPH90-1 / Phat Cat Alnico V Bar Small Ceramic Large Ceramic Alnico V Bar Alnico II Bar Magnet

8.22k 11.86k 12.00k 10.68k 7 .98k

9.35k 14.90k 14.61k 15.84k 8.49k

4.30KHz 5.10KHz 4.50KHz 3.10KHz* 6.30KHz

3.80KHz 4.70KHz 3.50KHz 3.00KHz* 6.05KHz

5/5/7 6/6/5 6/5/6 5/6/6 6/5/7

Single Con. Single Con. Single Con. Four Con. Single Con. Cable Single Con. Cloth Single Con. Cloth Single Con. Cloth Single Con. Cloth Single Con. PVC Single Con. PVC Single Con. PVC Single Con. PVC Single Con. PVC Single Con. Cloth Single Con. Cloth Two Con. Shielded Single Con. Cloth Cable Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. Four Con. 3-Con. Shielded Four Con. Two Con. Shielded Two Con. Shielded

Sweet & smooth 50s soapbar tone Pronounced upper mids plenty of cut Big, Punchy, Fun. Great P-90 tone no hum Real deal P-90 tone for humbucker equipped guitars Description

P C: MS 95 26 M 85 :9 /L 7 iv Y: e w 9 K: ire 2 s,

Te le

D.C. Resistance Tapped Full 6.40k 6.40k 6.50k 6.60k 16.40k 13.30k 14.80k 13.00k 12.90k 6.70k 6.90k 4.30k 8.27k

Resonant Peak Tapped Full

EQ Bass/Mid/Treb 5/4/7 5/4/7 5/3/9 5/3/9 4/7/5 5/4/6 5/4/6 5/4/7 5/4/7 5/5/6 5/5/6 6/4/8 5/5/7

Output/Type/User

SEYMOUR DUNCAN PICKUPS FOR STRAT TRUE SINGLE COILS

APS-1 / Alnico II ProTM Staggered APS-2 / Alnico II ProTM Flat SSL -1 / Vintage Staggered SSL -2 / Vintage Flat SSL -3 / Hot SSL -4 / Quarter-PoundTM Flat SSL -7 / Quarter-PoundTM Staggered SSL -6 / Custom Flat SSL -5 / Custom Staggered SSL52-1 / Five-Two TM SSL52-1b / Five-Two Custom Bridge SLS-1 / Lipstick Tube for Strat APST -1 / Twang BangerTM Alnico II Rods Alnico II Rods Alnico V Rods Alnico V Rods Alnico V Rods .25 Alnico V Rods .25 Alnico V Rods Alnico V Rods Alnico V Rods Alnico II & V Rods Alnico II & V Rods Alnico VI Bar Alnico II Rods Magnet SHR-1 / Hot RailsTM SCR-1 / Cool RailsTM SVR-1 / Vintage RailsTM SDBR-1 / DuckbuckersTM SJBJ-1 / JB Jr.TM SLSD-1 / Lil Screamin DemonTM SL59-1 / Little 59TM STK-S4 / Stack Plus STK-S2 / Hot StackTM LW-CS1 / LivewireTM Classic LW-HS1 / LivewireTM Hot Ceramic Bar Ceramic Bar Ceramic Bar Ceramic Bar Ceramic Bar Ceramic Bar Ceramic Bar Alnico V Rods Ceramic Bar Alnico II Rods Alnico II Rods 9.00KHz 9.00KHz 10.00KHz 9.00KHz 4.40KHz 4.80KHz 4.80KHz 4.90KHz 4.90KHz 8.20KHz 7 .90KHz 9.40KHz 5.60KHz

8.80k 6.90k 7 .00k 6.60k

5.30KHz 5.50KHz 5.50KHz 6.00KHz 6.00KHz

P C: MS 2 12 mid-range smooth distortion Vintage tone with pronounced Mmodern Same great tone with 35 string balance 28 bright, Vintage Strat quack: angular distortion /Sstring Like SSL -1 but with modern balance t Y Mucho output mucho tone :9 ev 2 eB Big note similar to P-90 K: a Vintage tone times twenty 0 ile Beefed up Strat tone SRV-tone for folks who play with .009s y = Best of both worlds bright, springy bottom, smooth top

P C : MS 0 M :

The Five-Two with more output for the bridge position Bright jangly tone with an ultra hip look Big-time twang injection for your Strat Description

D.C. Resistance Neck Bridge 10.80k 9.40k 2.31k** 2.60k** 9.60k 9.72k 9.86k 9.62k 13.20k 16.90k 10.30k 2.67k** 3.00k** 16.09k 13.35k 11.78k 10.36k 20.60k

Resonant Peak Neck Bridge 4.80KHz, 5.20KHz 8.50KHz 7 .20KHz 5.00KHz 4.60KHz 5.80KHz 5.70KHz 6.50KHz 8.50KHz 8.50KHz 3.50KHz 4.00KHz 7 .80KHz 6.80KHz 3.60KHz 4.50KHz 4.60KHz 5.20KHz 6.00KHz 8.50KHz 8.50KHz

EQ Bass/Mid/Treb 5/7/4 5/4/5 6/3/9 5/3/9 4/6/5 6/4/6 6/5/7 5/4/8 4/5/6 7/2/9 5/8/6

Output/Type/User

SEYMOUR DUNCAN PICKUPS FOR STRAT SINGLE COIL-SIZED HUMBUCKERS

High output humbucker in a single coil size Smooth, bluesy and big great for neck Classic Strat tone and quiet Great vintage tone without the hum JB humbucker in a single coil size Screamin Demon humbucker in a single coil size 59 humbucker in a single coil size Pat. pending technology keeps the classic tone but kills the hum Overwound Strat sound without hum Studio quiet, hi-fi Strat tone with great dynamics Aggressive sound with plenty of cut

P C: MS 5 5 41 M 8/ :4 R e 2 fe Y: r e 58 n K: ce = 3

*In series ** In parallel ***Both coils middle 9.75KOhms / 5.45 KHz

P C: MS 0 15 M 8 : 6 /E 0 d Y: it 94 K

Resistance SEYMOUR DUND.C. C AN Magnet Tapped Full

Resonant Peak Tapped Full

EQ Bass/Mid/Treb

Cable

Output/User/Type

TO N E T H AT S E TS YOU A PA RT
Description

SEYMOUR DUNCAN PICKUPS FOR TELE

STL -1B / Vintage for Broadcaster Lead STL -1 / Vintage 54, Lead STR-1 / Vintage Rhythm STL -2 / Hot Lead STR-2 / Hot Rhythm STL -3 / Quarter-PoundTM Lead STR-3 / Quarter-PoundTM Rhythm APTL -1 / Alnico II ProTM Lead APTR-1 / Alnico II ProTM Rhythm APTL -3JD / Jerry Donahue ModelTM Lead STL52-1 / Five-TwoTM Lead STR52-1 / Five-TwoTM Rhythm STK-T1N / Vintage Stack Rhythm STK-T3B / Vintage Stack Lead STK-T2B / Hot StackTM ST59-1B / Little 59TM STHR-1B / Hot RailsTM Alnico V Rods Alnico V Rods Alnico V Rods Alnico V Rods Alnico V Rods .25 Alnico V Rods Alnico V Rods Alnico II Rods Alnico II Rods Alnico II Rods Alnico 11 & V Alnico 11 & V Alnico V Rods Alnico V Rods Alnico V Bar Ceramic Bar Ceramic Bar Magnet 7 .60k 7 .20k 7 .30k 7 .40k 15.60k 9.70k 8.00k 17 .38k 6.60k 11.80k 6.20k 8.10k 7 .80k 7 .50k 7 .90k 7 .90k* 15.88k 9.00k* 18.00k 10.70k*21.40k 17 .00k 14.80k D.C. Resistance Neck Bridge 8.20KHz 6.10KHz 8.30KHz 8.50KHz 9.00KHz 8.00KHz 5.00KHz 8.00KHz 3.50KHz 6.00KHz 8.50KHz 8.00KHz 6.63KHz 5.70KHz 10.00KHz 7 .30KHz 7 .50KHz 6.00KHz 3.40KHz 2.50KHz 3/7/8 3/6/9 5/3/4 5/6/5 6/4/5 7/5/7 8/5/5 5/2/5 6/3/4 5/5/7 5/4/7 6/4/4 6/4/6 6/4/4 5/6/6 6/6/5 5/9/4 EQ Bass/Mid/Treb Single Con. Single Con. Single Con. Single Con. Single Con. Single Con. Single Con. Single Con. Single Con. Single Con. Single Con. Single Con. Four Con. Four Con. Four Con. Four Con. Four Con. Cable Cloth Cloth Cloth PVC PVC PVC PVC Cloth Cloth Cloth Cloth Cloth

More nasal Broadcaster sound Classic 50s Tele sound Smooth and warm A bolder, more aggressive sound than the STL -1 Balances great with STL -2 Great classic rock tone Balances great with STL -3 Vintage output with more warmth Creamy and smooth Punchy and exceptionally well-balanced Alnico V on the low strings for more brightness and twang and... Alnico II on the high strings to smooth out the tone Perfect rhythm match for STK-T3b Classic Tele looks and tone with no hum Overwound sound with no hum P .A.F . tone with a twang-injection Make your Tele rock! Description

Resonant Peak Neck Bridge

Output/User/Type

SEYMOUR DUNCAN PICKUPS FOR JAGUAR, JAZZMASTER & DANOLECTRO

SJAG-1 / Vintage for Jaguar SJAG-2 / Hot for Jaguar SJAG-3 / Quarter-PoundTM for Jaguar SJM-1 / Vintage for Jazzmaster SJM-2 / Hot for Jazzmaster SJM-3 / Quarter-PoundTM for Jazzmaster SLD-1 / Lipstick Tube for Danolectro Alnico V Rods Alnico V Rods .25 Alnico V Rods Alnico V Rods Alnico V Rods .25 Alnico Rods Alnico VI Bar 6.50k 11.50k 11.74k 7 .75k 10.95k 11.85k 6.80k 12.31k 13.96k 8.40k 14.11k 12.97k 4.30k 10.20KHz 5.10KHz 4.80KHz 9.00KHz 6.50KHz 5.20KHz 10.00KHz 4.50KHz 4.00KHz 8.81KHz 5.21KHz 5.00KHz 9.40KHz 5/3/9 7/6/6 8/5/7 4/6/6 8/4/5 9/5/6 6/4/8 Single Con. Cloth Single Con. PVC Single Con. PVC Single Con. Cloth Single Con. PVC Single Con. PVC Two Con. Shielded

P C: MS 95 2 7 M :9 5

Classic 60s Jaguar tone Enhanced mid-range boost Warmer, fuller, bigger Ventures tone Warm and jazzy Bright and punchy with a harder edge Lively, bright and jangly

BASSLINES ACTIVE & PASSIVE SOAPBARS

ASB-5, -6 / 5-String Phase I , 6-String Phase I ASB2-5, -6 / 5-String Phase II , 6-String Phase II SSB-4, -5 / Passive Soapbars Ceramic Bar APB-2 / Lightnin RodsTM for P-Bass AJJ-2 / Lightnin RodsTM for Jazz Bass APB-1 / Pro-ActiveTM for P-Bass AJJ-1 / Pro-ActiveTM for Jazz Bass SJB-1 / Vintage SJB-2 / Hot SJB-3 / Quarter-PoundTM STK-J1 / Classic Stack STK-J2 / Hot Stack 67/70 & 70/74 / 5-String Passive Single Coils AJB-5 / Active 5-String SJB-5 / 5-String Stack SPB-1 / Vintage for P-bass SPB-2 / Hot for P-bass SPB-3 / Quarter-PoundTM for P-Bass SCPB-1 / Vintage for single coil P-Bass SCPB-2 / Hot for single coil P-Bass SCPB-3 / Quarter-PoundTM for s/c P-Bass SRB-1N / Rplcmt. for Rickenbacker Bass SRB-1B / Rplcmt. for Rickenbacker Bass SMB-4D / 4-String Rplcmt. for Music Man SMB-4A / 4-Str. Alnico Rplcmt. for Music Man SMB-5D / 5-Str. Rplcmt. for Music Man SMB-5A / 5-Str. Alnico Rplcmt. for Music Man AJB-2ASB / Pickup, Preamp System, 4-, 5-Str. ASB-2ASB / Pickup, Preamp System, 6-Str. *Each coil **In parallel Alnico V Rods Alnico V Rods Ceramic Bar Ceramic Bar Alnico V Rods Alnico V Rods .25 Alnico V Alnico V Rods Alnico V Rods Alnico V Rods Ceramic Bar Ceramic Bar Alnico V Rods Alnico V Rods .25 Alnico V Alnico V Rods Alnico V Rods .25 Alnico V Rods Ceramic Bar Alnico V Ceramic Bar Alnico II Rods Ceramic Bar Alnico II Rods Ceramic Bar Ceramic Bar 9.20K 9.50K 15.02K 16.60K 13.90K 14.61K 11.60K 20.50K 17 .80K 25.20K 7 .80K 8.20K 13.0K 8.00K 11.37K 20.11K 11.60K 22.40K 12.50K 7 .98K 14.14K 11.81K 9.0K 8.30K 2.60K* 4.18K* 2.90K* 5.01K* 11.00KHz 8.00KHz 9.40KHz** 9.90KHz** 7 .80KHz** 8.35KHz** 8.20KHz 8.00KHz 6.80KHz 7 .10KHz 6.30k 7 .30k 7 .00KHz 6.50KHz 9.20KHz 6.80KHz 6.80KHz 4.22KHz 4.22KHz 5.10KHz 4.50KHz 4.30KHz 8.00KHz 6.90KHz 4.80KHz 4.90KHz 5.10KHz 6.80KHz 5.50KHz 8.10KHz 8/4/7 8/4/7 6/4/7 6/4/7 6/4/7 6/4/9 7/4/9 6/4/6 4/6/4 7/3/6 7/5/6 6/6/6 6/8/7 6/5/8 7/5/7 5/4/5 5/6/5 7/4/6 5/7/7 5/5/8 6/8/8 4/4/7 6/4/7 7/8/6 8/8/5 7/8/6 8/8/5 6/5/7 8/4/7 Two Con. Two Con. Two Con. Two Two Two Two Con. Con. Con. Con.

BASSLINES ACTIVE PICKUPS FOR 4-STRING JAZZ BASS & P-BASS

5.03KHz 3.20KHz 4.90KHz 3.80KHz 3.90KHz 7 .00KHz 5.50KHz 4.90KHz 4.90KHz 11.60KHz 7 .14KHz 10.20KHz 6.00KHz 4.30KHz 4.50KHz

P C: MS 95 26 M 85 :9 /L 7 iv Hi-fidelity sound with a smooth, broad response Y: e w Similar to Phase 1s, but slightly harder attack with more punch 9 K: ire 2 s,

el Keeps the feel and airspace of a vintage P-Bass, with faster response e Keeps the feel and airspace of a 62, with faster response Modern tone for a P-Bass and no brittleness A broad tonal response for a Jazz Bass but without the brittleness
Authentic repros in C sound S and appearance Heavier mid-range :emphasis 2 12 that works great for rock M harder Similar to Hot but with 35 attack and frequency response :2 of Captures the sound & feel the originals but without the hum / thicker sounding 8 Similar to Classic Stack but S

BASSLINES PASSIVE PICKUPS FOR 4-STRING JAZZ BASS

Single Con. Cloth Single Con. PVC Single Con. PVC Four Con. Four Con. Two Con. Shielded Two Con. Shielded Two Con. Single Single Single Single Single Single Four Four Four Four Four Four Con. Con. Con. Con. Con. Con. Cloth PVC PVC Cloth PVC PVC

PM

BASSLINES PICKUPS FOR 5-STRING JAZZ BASS BASSLINES PASSIVE PICKUPS FOR P-BASS

Y: te 92 v e K: Ba of a 62, but for 5-string. Captures the tone, feel and articulation 0 ilresponse Blade-type, higher output, with strong ey Blade-type, flat response system, best used = with Tone Circuits
Warm and woody and vintage correct Boosted mids for a rockin vibe Expands the versatility of a single pickup P-Bass PM C: S The real deal. Like going back home 55 41 Enhanced mids. Rocks! Really expands the versatility of a single pickup bass M 8

P C : MS 0 M :

TM

BASSLINES PICKUPS FOR RICKENBACKER & MUSIC MAN BASS

Con. Con. Con. Con. Con. Con.

Traditional, powerful, punchy tone with enhanced highs High Mid-70s warmth with punch Enhanced highs make harmonics pop Same size as ASB-6 Phase I

:4 /Re 2 fe Y: re The neck is fuller and rounder than original 58 n Bridge pickup is hotter, fatter and punchier than original Traditional, powerful, punchy tone with enhanced highs K: ce = Mid-70s warmth with punch 3

BASSLINES STEVE BAILEY FUNDAMENTAL FRETLESS (ACTIVE PICKUPS)

Two Con. Two Con.

P C : MS 0 15 M 8 :6 /E 0 d Y: it 94 K