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The science of sound, including its production, propagation and effects The objective study of the physical behavior of sound in an enclosed space
Sound
A wave motion consisting of a series of condensations and rarefactions in an elastic medium produced by a vibrating body
Infrasonic/Subsonic
frequencies below the audible range
Ultrasonic/Supersonic
frequencies above the audible range
Velocity of Sound
Solids
Velocity of Sound
Liquids
Velocity of Sound
Gases
Where: k = specific heat ratio = hsp/hsv hsp = specific heat at constant pressure hsv = specific heat at constant volume p = gas pressure, dynes/cm2 d = density, g/cm3
Velocity of Sounds
Dry Air/Air (for TC 20 0C)
Velocity of Sounds
Dry Air/Air (for TC 20 0C)
Velocity of Sounds
Notes
Sounds travel more slowly in gases than in liquids, and more slowly in liquids than in solids. Sounds travels slower with an increased altitude (elevation if you are on solid earth), primarily as a result and humidity changes.
Flutter
Brought about by a series of reflections between two parallel surfaces resulting to prolongation of sound Creates listening fatigue
Interference
Reflection caused by two parallel surfaces, producing standing waves
PHON
Phon is the unit of loudness level when:
The standard pure tone is produced by a sensibly plane sinusoidal progressive sound wave coming from directly in front of the observer and having the frequency of 1kHz The sound pressure level in the free progressive wave is expressed in dB above 2 x 10-5 N/m2
SONE
Sone is the unit of loudness of an individual listener. Phon = 40 + 10 log2 sone
Sound Levels
Sound Pressure (P) and Sound Pressure Level (SPL)
Sound Pressure
The alternating component of the pressure at a particular point in a sound field Expressed in N/m2 or Pa
Sound Levels
Sound Pressure Level
Equal to 20 times the logarithm to the base 10 of the ratio of the RMS sound pressure to the reference sound pressure
Where: P = rms sound pressure Po = reference sound pressure Po = 2 x 10-5 N/m2 or Pa or 2 x 10-4 dynes/cm2 Po = 0.0002 bar or 2.089 lb/ft2
SPL = 20log(P+N)
Where: PN = rms sound pressure expressed in any of pressure in dB N = SPL constant corresponding to the unit at which sound pressure is expressed
SPL Constants
Unit of Sound Pressure Microbar Pascal lb/ft2 SPL Constant Designation (N) bar N/m2 psf 74 94 127.6
Sound Levels
Sound Intensity (I) and Sound Intensity Level (SIL) Sound Intensity
Defined as the acoustic power per unit area The basic units are W/m2 or W/cm2 The average rate of transmission of sound energy through a cross-sectional area of 1 m2 at right angles to a particular direction.
Sound Levels
Sound Levels
Sound Levels
For sound produced at ground level
Sound Levels
Sound Intensity
I = 2 / d v
Where: d density of the medium (kg/m3) v velocity of sound in medium (m/sec) rms pressure in Pa (N/m2)
Sound Levels
Sound Intensity in Air
I = 2 / 410
Where: dv 410 ray/sec rms pressure in Pa (N/m2)
Sound Levels
Sound Intensity Level
Sound Levels
Sound Power (W) and Sound Power Level (PWL) Sound Power (W)
The total energy radiated per unit time.
Sound Levels
Sound Power Level (PWL)
Room Acoustics
Room Acoustics
Concerned with the behavior of sound within an enclosed space with a view to obtaining the optimum acoustic effect on the occupants
Room Acoustics
Room Acoustics
Requirements
Adequate amount of sound must reach all parts of the room. Even distribution of sound Noise must be reduced to an acceptable level. Optimum Reverberation time, RT60
Reverberation
Reverberation
Tendency for the sound to persist over a definite period of time after it has been produced originally and stopped at the source.
Reverberation
Reverberation
Reverberation
Reverberation Time, RT60
Time taken for the density of sound energy in the room to drop to 1 millionth (60dB) below of its initial value
TYPES OF ROOM
LIVE ROOM - Little absorption (RT60 > 1 sec) DEAD ROOM - Large absorption (RT60 < 1 sec) ANECHOIC ROOM - 100% absorption (free field conditions)
Room Acoustics
Coefficient of absorption,
Ratio of incident sound and absorbed sound Efficiency of sound absorption
Room Acoustics
Coefficient of Absorption
Room Acoustics
Coefficient of Absorption
Microphone
An acoustic device classified as a transducer which converts sound waves into their corresponding electrical impulses
Transducer
A device which when actuated by energy in one transmission system, supplies energy in the same form or in another form, to a second transmission system
Classification of Microphones
A. General Categories
1. Passive (Generator Type) Microphone
Does not require external power source
Classification of Microphones
B. According to Impedance
1. High Impedance
Greater than 1000 ohms
2. Low Impedance
1000 ohms and below
Classification of Microphones
C. According to Method of Coupling
Pressure Type - Actuated by the pressure of sound waves against the diaphragm.
Classification of Microphones
C. According to Method of Coupling
Velocity Type
- actuated by
velocity of sound waves
Classification of Microphones
C. According to Method of Coupling
Contact Type
Classification of Microphones
D. According to Elements Used 1. Dynamic
Uses the principle of electromagnetic induction Electromagnetic moving coil microphone A medium-priced instrument of high sensitivity
Classification of Microphones
Classification of Microphones
2. Ribbon
Velocity microphone Ribbon moves as if it is a part of the air that experiences rarefactions and condensations
Classification of Microphones
Classification of Microphones
3. Capacitor
Condenser type or electrostatic microphone
Classification of Microphones
4. Carbon
Uses principle of variable resistance
Classification of Microphones
5. Crystal
Uses principle of piezoelectric effect
Classification of Microphones
6. Magnetic
Operated on the magnetic reluctance due to the movable core
Classification of Microphones
E. According to directional Characteristics Unidirectional
Classification of Microphones
E. According to directional Characteristics Bidirectional
Classification of Microphones
E. According to directional Characteristics Omnidirectional
Classification of Microphones
E. According to directional Characteristics Cardioid
Characteristics of Microphone
1. Frequency Response
Frequency over which the microphone will operate normally Magnetic Crystal Condenser Carbon : : : : 60 10 50 10 50 15 200 3 000Hz 000Hz 000Hz 000Hz
Characteristics of Microphone
2. Sensitivity
Ability that would be covered by the microphone
3. Dynamic Range
Range of sound intensity that would be covered by the microphone
Types of Loudspeakers
Direct Radiator Type
Those in which the vibrating surface (diaphragm) radiates sound directly into the air
Types of Loudspeakers
Dynamic or Moving Coil Loudspeaker
Types of Loudspeakers
Electrostatic Loudspeaker
Operates on the same principle as a condenser microphone
Types of Loudspeakers
Horn Type
Those in which a horn is interposed between the diaphragm and the air Used for efficient coupling of sound into the air Types:
Conical Horn Parabolic Horn Exponential Horn Hyperbolic Horn
Types of Loudspeakers
To cover the entire range of audible frequencies, the following speakers are used:
Types of Loudspeakers
Woofer for low frequencies
Types of Loudspeakers
Tweeter for high frequencies
Types of Loudspeakers
Midrange for normal range
Types of Loudspeakers
Subwoofer for very low frequencies
DIVIDING NETWORK
Loudspeaker Phasing
When more than one speaker is used:
Phasing must be uniform Polarities and voice coils are in phase such that the cone of all the speakers move inwards at the same instant.