DUEL WITH THE DEVIL

Written by Neal Morse, Roine Stolt, Pete Trewavas and Mike Portnoy

MELODIC PARTS and CHORD VOICINGS

Melodic parts of the work are notated in tablature. Keyboard parts have been arranged for
guitar. Some guitar parts are transcribed as performed while others are re-arrangements of
multiple parts for solo rendition. Chord suggestions variously depict the recorded guitar
parts, emulate the keyboard voicings or else imitate the ensemble sound. The separate
reference chart is still required for structure detail.
A NOTE ABOUT TRANSPOSING
The recordings sound one semitone lower than the keys depicted in these charts. Guitars and
Keyboards are transposed to B - thus C=B A=Ab etc. On "Live In Europe" Neal can clearly be
seen playing a Bb-pedal note in the introduction but it sounds as an A-note. On "Building The
Bridge" Neal's run-through at Dark Horse Studios is played in Bb-minor (preceded by Roine's
theme in Db). However, the final recording must have been played in A-minor because the Piano
is tuned to concert pitch. Similarly, his Hammond and Rhodes overdubs were played a semitone
lower. Neal evidently has little difficulty in re-learning these parts for the live shows.
For a guitar transcription it turns out that the Piano part along with the Cello Duet are
more easily played in the key of A-minor hence a separate arrangement has been prepared to
suit the guitar in standard tuning. Adding a capo at Fret-1 will allow that arrangement to
be integrated with the remaining material.
In the meantime the following two pages serve the transposed guitar.
PRELUDE:
Gb/Ab
Ab
Gb
Ab
Bbm
Db/Ab
Go
cello-1
4/4
1 + 2 + 3 + 4 +
1 + 2 + 3 + 4 +
1 + 2 + 3 + 4 +
1 + 2 + 3 + 4 +
E|-----------------|-----------------|-----------------|-----------------|
B|-----------------|-----------------|-------------4-6-|-----------------|
G|-----3-----3-5-6-|-3==============-|-3-5-6-3-5-6-----|-6==============-|
D|-4-6---4-6-------|-----------------|-----------------|-----------------|
cello-2
|
|
|
|
G|-----------------|-----------------|-----------------|---------------1-|
D|-----------------|-----------------|-----------------|-----------1-3---|
A|-1======---------|-----1-----1-3-4-|-1======---------|-----1-3-4-------|
E|---------4======-|-2-4---2-4-------|---------4======-|-3-4-------------|
Bbm
Ab
Db
Gb
Gb
Db/F
Bbsus4 Bbm
1 + 2 + 3 + 4 +
1 + 2 + 3 + 4 +
1 + 2 + 3 + 4 +
1 + 2 + 3 + 4 +
E|-6-4-------------|---4-------------|-----------------|-----------------|
B|-----7-6-4======-|-6-----6---------|-----------------|-----------------|
G|-----------------|-----6---3======-|-----3-----3-5-6-|-3==============-|
D|-----------------|-----------------|-4-6---4-6-------|-----------------|
|
|
|
|
G|-3======-6-5-3-1-|-----------------|-----------------|-----------------|
D|-----------------|-3==-------------|-----------------|-1======---------|
A|-----------------|-----4==---------|-----1------.4==-|---------4======-|
E|-----------------|---------2======-|-2-4---2-1==-----|-----------------|
CHORDS:
Gb/Bb Ab Gb Bbm Db/Ab Go Db Db/F Bbsus4
E|---6----4---2----6-----4--------1----1------6--|
B|---7----4---2----6-----6----2---2----2------6--|
G|---6----5---3----6-----6----3---1----1------8--|
D|---8----6---4----8-----6----5---3----3------8--|
A|---9----6---4----8--------------4----4------8--|
E|---6----4---2----6-----4----3--------1------6--|
RIFF:
Four note motive in two parts:
1 + 2 +
1 + 2 +
E|-----------------------|
B|-6---------------------|
G|---6---8------5-6-5----|
D|-----6--------------8--|
A|-----------------------|
E|-----------------------|

=== sustained note

Consecutive notes
should not ring on
together

. cello is octave
lower

These notes are played in varying octaves with multiple embellishments.

Examples below show how the two figures can be incorporated into the chords.
Note that the Riff begins on Beat-3 and the following chord is syncopated.
7/8 bar includes 'bagpipe' Bbm-turn figure discussed later.

Bbm
F7/Bb
Bb5
Ab
Eb
F7/Bb may sound more
4/4
7/8
authentic with 5th(C)
1 2 3 + 4 +
1 2 3 4
1 2 3 + 4 +
1 + 2 e + a 3 e + a 4 e
and no F thus Ao/Bb
E|-6-----6-------|---------|-------4-----3-|-------------------------|
E|-----|
B|-6-----6-----6-|---------|-------4-----4-|-------------------------|
B|--4--|
G|-6-----6-6---8-|---------|-------5-6-5-3-|-------------------------|
G|--5--|
D|-8-----8---8-7-|---------|-8-----6-----5-|-------------------------|
D|--7--|
A|-8-----8-----8-|---------|-8-----------6-|---------8---6-----------|
A|-----|
E|-6-----6-----6-|---------|-6-----4-------|-----6-9---9-----9-8---9-|
E|--6--|
1 2 3 + 4 + 5 + 6 + 7 + <- 8ths count
RIFF-GROOVE:
Shortened form with Riff beginning on Beat-1
Bbm
Ab
Ab/Bb Gb
Bbm
F7/A
Ab
Eb
6/4
1 + 2 + 3 4 5 6
1 + 2 + 3 4 5 6
1 + 2 + 3 4 5 6
1 + 2 + 3 4 5 6
E|-6-----4-------------|-4-----2-------------|-6-------------------|-4-----3-------------|
B|-6-----4-------------|-4-----2-------------|-6-----6-------------|-4-----4-------------|
G|-6-6---5-------------|-5-6-5-3-------------|-6-6---8-------------|-5-6-5-3-------------|
D|-8---8-6-------------|-6-----4-------------|-8---8-7-------------|-6-----5-------------|
A|-8-------------------|---------------------|-8-----8-------------|-------6-------------|
E|-6-----4-------------|-6-----2-------------|-6-----5-------------|-4-------------------|
CHORDS:
Bbm Ab/Bb Gb/Bb Bbsus2 Eb Bb5 F7/Bb Ab Eb/Bb Gb F7/A F Go/F G/F Ab Eb7b9
E|--6-----4------6-------1----3---------------4-----3----2---------1---3-----3---4-----6--|
B|--6-----4------7-------1----4---------6-----4-----4----2----6----1---2-----3---4-----5--|
G|--6-----5------6-------3----3---------8-----5-----3----3----8----2---3-----4---5-----6--|
D|--8-----6------8-------3----5----8----7-----6-----5----4----7----3---3-----3---6-----5--|
A|--8------------9-------1----6----8----8----------------4----8------------------6-----6--|
E|--6-----6------6-----------------6----6-----4-----6----2----5------------------4--------|
LINK-A:
synth
Ab-lick
F
4/4
1 e + a 2 e + a 3 e + a 4 e + a
1
E|-8-4-----------------------------|---B|-----4---------------------------|---G|-------5-------5-----------------|---D|---------6-------6---------------|---A|-----------6-3-----6-3---6-3-----|---E|-----------------------4-----4-3-|-1-octave lower

Eb7b9-lick
F
4/4
1 e + a 2 e + a 3 e + a 4 e + a
1
E|---------------------------5-6-7-|-8--B|---------------5-8-5---5-8-------|----G|-6-5-------5-6-------8.----------|----D|-----6-5-6-----------------------|----A|---------------------------------|----E|---------------------------------|----. LIVE Eb-note is Db (Fret-6)

ROINE'S-THEME:
Neal's piano track originally opened the song with this theme leading into the arpeggio riff
but it was replaced by a transposed arrangement of the strings prelude from "Stranger In Your
Soul". The theme is reprised in different keys and over varying harmonic progressions with a
shorter complimentary theme. Those later sections are all in 6/8 time where the three-note
groups are clearly even eighths, however when played in 4/4 the rhythm is closer to a rhumba
pattern (3+3+2-sixteenths) than quarter-note triplets.
Aside from all of the variation there is some confusion over the written melody. During
overdubbing sessions Neal rang Roine to confirm the pick-up into the second phrase.
Guitar tracks included scalar steps

G A Bb C

or

minor-third skips

G Bb A

While the 'skips' appeared to be favoured by Roine and the other declared a "scratch track"
the final mix alternates between the two. However, on "Live In Europe" Roine plays the 'steps'
in all cases except the two repeats in Part IV. The early mix on Portnoy's instructional DVD
"Chaos In Motion" also features the 'steps' melody.

TAB shows actual pitches but Roine bends and slides into many notes.
F
Gm7b5
F/A
Bb
Bbm
Eb7
4/4
1 2 3 +a4 +
1 2 3 +a4 +
1 2 3 +a4 +
1 2 3 +a4 +
1 2 + 3 4
E|---------------|---------------|---------------|---------------|--------------|
B|-13----11-10---|----------11-10|-13----11-10---|-------11-10---|--------------|
G|-------------12|-10----12------|-------------10|-------------10|--------10-12-|
D|---------------|---------------|---------------|-12------------|-11---13------|
F/A
Gm7b5/Bb
F/C
Bb/D
Bbm/Db Eb7
Am-turn
4/4
1 2 3 +a4 +
1 2 3 + 4 +
1 2 3 +a4 +
1 2 3 +a4 +
1 2 + 3
4
1
E|---------------|---------------|---------------|---------------|----------------|----B|---------------|---------------|---------------|-------11-10---|----------------|----G|-14----12-10---|-----------1012|-14----1210----|-------------10|--------10--12--|-14-D|-------------10|-11------13----|-------------10|-12------------|-11---13--------|----harmony
|
|
|
|
|
1 2 3 +a4 + | 1 2 3 +a4 + | 1 2 3 + 4e+ | 1 2 3 +a4 + | 1 2
3 + 4e+ |
E|---------------|---------------|------------13-|---------------|-13-----1315-18-|-17-B|-13----11-10---|----------10-11|-13------13----|-11----11-13-15|----------------|----G|-------------12|-10----12------|---------------|---------------|----------------|----D|---------------|---------------|---------------|---------------|----------------|----CHORDS:
Optional:
Alternatives:
F Gm7b5 F/A Bb Bbm Eb7 Gm7b5/Bb F/C Bb/D Bbm/Db Gm7b5 F/A Bb Bbm Eb7
E|-1----6-----5---6----6----6------6-------8----10-----9-------1-----1---1----1----3--|
B|-1----6-----6---6----6----8------6-------10---11-----11------2-----1---3----2----2--|
G|-2----6-----5---7----6----6------6-------10---10-----10------3-----2---3----3----3--|
D|-3----5-----7---8----8----8------5-------10---12-----11------3-----3---3----3----1--|
A|-3----------8---8----8----6--------------8-------------------------0---1----1-------|
E|-1----3-----5---6----6-----------6-------8----10-----9-------3----------------------|
BAGPIPES:
Mike Portnoy referred to this section as 'bagpipes' during rehearsals.
The lick can be broken into parts of four notes over 2 beats and 3 beats.
2 beat part is an arpeggio

3 beat part is a turn

or

1 + 2 +
1 + 2 + 3 +
E|---------|
E|-------------|
B|-----5---|
B|-3-----------|
G|-2-5---5-|
G|-----5-4---5-|
D|---------|
D|-------------|
1 3 5 3 <---scale degree--->
4
3 2
3

step up the scale

1 + 2 + 3 +
E|-------2---3-|
B|-3---5-------|
G|-------------|
D|-------------|
4
5 6
7

The step part has two variations skipping a degree.

skip to 2nd-note
1 + 2 + 3 +
E|-----2-3---5-|
B|-3-----------|
G|-------------|
D|-------------|
4
6 7
8
The
2
2
2

complete lick
beat arpeggio
beat arpeggio
beat arpeggio

skip to 3rd-note
1 + 2 + 3 +
E|-------3---5-|
B|-3---5-------|
G|-------------|
D|-------------|
4
5 7
8 <---scale degree
lasts 5+5+8 beats in a combination of
+ 3 beat turn
+ 3 beat step
+ 3 beat turn + 3 beat step

TAB and chord-chart are labelled with abbreviations of the above:

Am- representing the arpeggio based on the root (A) with quality (minor)
then either of the words turn step skip2 or skip3

EXAMPLE:
From Chord chart
5/8
|Cm-turn
|Cm-step

4
8/8
|Cm-turnskip2

From TAB detail

5/8
8/8
1 + 2 + 3 + 4 + 5 +
1 + 2 + 3 + 4 + 5 +
1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 +
E|---------------------|---------------5---6-|-------------------------5-6---8-|
B|-----8---6-----------|-----8---6---8-------|-----8---6-----------6-----------|
G|-5-8---8-----8-7---8-|-5-8---8-------------|-5-8---8-----8-7---8-------------|
Cmturn
Cmstep
Cmturn
skip2
This motif recurs in varying combinations transposed to different keys. The part is split
across the instruments - organ and bass alternately carrying the melody, hitting syncopated
accents, guitar joining in unison, and finally two keys at once.
The minor-turn pattern is also used as an answering phrase to the RIFF. These always begin on
the second quarter-note creating a bar of 7/8. Two reprise phrases include the skip pattern.
Additionally, the minor-turn pattern is transformed to D-major and played over different chords
in varied time signatures with altered rhythms.
EXAMPLE from LINK-3:
6/8
1
2 + 3 + 4
5 + 6 +
E|-----2-5---2-3---2-----2-|
B|-3-----------------5-----|
1
3 5
3 4
3 2
3 <---scale degree
Dturn
D-Pedal
organ
5/8
8/8
1 + 2 + 3 + 4 + 5 +
1 + 2 + 3 + 4 + 5 +
1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 +
E|---------------------|---------------2---3-|---------------------------2---3-|
B|-----5---3-----------|-----5---3---5-------|-----5---3-----------3---5-------|
G|-2-5---5-----5-4---5-|-2-5---5-------------|-2-5---5-----5-4---5-------------|
Amturn
Amstep
Amturn
step
F-Pedal
organ
5/8
8/8
1 + 2 + 3 + 4 + 5 +
1 + 2 + 3 + 4 + 5 +
1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 +
E|---------------------|---------------5---6-|---------------------------5---6-|
B|-----8---6-----------|-----8---6---8-------|-----8---6-----------6---8-------|
G|-5-8---8-----8-7---8-|-5-8---8-------------|-5-8---8-----8-7---8-------------|
Cmturn
Cmstep
Cmturn
step
Bass-Melody Organ-Accents
organ
5/8
8/8
1 + 2 + 3 + 4 + 5 +
1 + 2 + 3 + 4 + 5 +
1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 +
E|---15--14------------|---15--14------------|---15--14----------15------14----|
B|-----------15--------|---------------------|-----------15------------------15|
guitar
|
|
|
E|---------------------|-------------------7-|---------------------------7---10|
B|---------7-----------|---------7---8-10----|---------7-----------7---10------|
G|-------------9-7---9-|---------------------|-------------9-7---9-------------|
bass
|
|
|
G|---------------------|---------------11--12|-------------------------1112--14|
D|---10141012--109---10|---10141012--14------|---10141012--109---1012----------|
A|-12------------------|-12------------------|-12------------------------------|
E|---------------------|---------------------|---------------------------------|
Amturn
Amstep
Amturn
skip2

Bass/Drums-Accents
5
organ
5/8
8/8
2/8
1 + 2 + 3 + 4 + 5 +
1 + 2 + 3 + 4 + 5 +
1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 +
1 2
E|---------------------|---------------5---6-|-------------------------5-6---8-| |-------|
B|-----8---6-----------|-----8---6---8-------|-----8---6-----------6-----------|:|-------|
G|-5-8---8-----8-7---8-|-5-8---8-------------|-5-8---8-----8-7---8-------------| |-------|
bass
|
|
| |
X |
G|---15--14------------|---15--14------------|---15--14----------15-----*14--*-| |-------|
D|-----------15--------|---------------------|-----------15--------------------|:|-------|
A|---------------------|---------------------|---------------------------------|:|-------|
E|---------------------|---------------------|---------------------------------|:|-------|
Cmturn
Cmstep
Cmturn
skip2
* 2nd time last
note is on 8+
Unison
organ
5/8
8/8
1 + 2 + 3 + 4 + 5 +
1 + 2 + 3 + 4 + 5 +
1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 +
E|---------------------|---------------3---4-|---------------------------4---6-|
B|-----6---4-----------|-----6---4---6-------|-----6---4-----------4---6-------|
G|-3-6---6-----6-5---6-|-3-6---6-------------|-3-6---6-----6-5---6-------------|
guitar-2
|
|
|
G|---------------------|-------------------1-|---------------------------1---3-|
D|-----3---1-----------|-----3---1---3-5-----|-----3---1-----------1---3-------|
A|-1-4---4-----4-3---4-|-1-4---4-------------|-1-4---4-----4-3---4-------------|
E|---------------------|---------------------|---------------------------------|
guitar
|
|
|
| Db
Eb
Db
| Db
Eb
Ab
| Db
Eb
Db
Eb
Ab
|
E|-4-------6-----4-----|-4-------6-----8-----|-4-------6-----4-----6-----8-----|
B|-6-------8-----6-----|-6-------8-----10----|-6-------8-----6-----8-----10----|
G|-6-------8-----6-----|-6-------8-----8-----|-6-------8-----6-----8-----8-----|
bass
|
|
|
G|---------------------|---------------------|---------------------------------|
D|---------------------|---------------5---6-|---------------------------6---8-|
A|---4-8-4-6---4-3---4-|---4-8-4-6---8-------|---4-8-4-6---4-3---4-6---8-------|
E|-6-------------------|-6-------------------|-6-------------------------------|
Bbmturn
Bbmstep
Bbmturn
skip3
Polytonal
organ
5/8
8/8
1 + 2 + 3 + 4 + 5 +
1 + 2 + 3 + 4 + 5 +
1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 +
E|-------13--11--15----|-------13--11--8-----|-------13--11--15--1311--1113--16|
B|-11131413--11--13----|-11131413--11--8-----|-11131413--11--13--139---1113--16| <-Beats 6-7-8
G|-------15--13--15----|-------15--13--10----|-------15--13--15--1510--1012--15| <-octave low
guitar
|
|
|
| Gb
Ab
Gb
| Gb
Ab
Db
| Gb
Ab
Gb
Ab
Db
|
E|-9-------11----9-----|-9-------11----13----|-9-------11----9-----11----13----|
B|-11------13----11----|-11------13----14----|-11------13----11----13----14----|
G|-11------13----11----|-11------13----13----|-11------13----11----13----13----|
simplified organ
|
|
|
E|-------6---4---8-----|-------6---4---1-----|-------6---4---8---6-4---6-8---11|
B|-------6---4---8-----|-------6---4---1-----|-------6---4---8---6-4---6-8---11|
G|-3-5-6---------------|-3-5-6---------------|-3-5-6---------------------------|
guitar-2 (as before)
bass
Bbmturn
Bbmstep
Bbmturn
skip3
RIFF-REPRISE:
Bbm
F7/Bb
Ab/Bb Eb/Bb
4/4
7/8
4/4
10/8
1 2 3 + 4 +
1 + 2 e + a 3 e + a 4 e
1 2 3 + 4 +
1 + 2 e + a 3 e + a 4 e + a 5 e + a
E|-6---6-------|-------------------------|-----4-----3-|-------------------------------------|
B|-6---6-----6-|-------------------------|-----4-----4-|-------------------------------------|
G|-6---6-6---8-|-------------------------|-----5-6-5-3-|-------------------------------1---3-|
D|-8---8---8-7-|-------------------------|-----6-----5-|---------3---1-----------1---3-------|
A|-8---8-----8-|---------8---6-----------|-------------|-----1-4---4-----4-3---4-------------|
E|-6---6-----6-|-----6-9---9-----9-8---9-|-----6-----6-|-------------------------------------|
Bbmturn
Bbmturn
skip3
8ths count -> 1 2 3 + 4 + 5 + 6 + 7 +
1 2 3 + 4 + 5 + 6 + 7 + 8 + 9 + 10+

Eo7
7/8
1 + 2 e + a 3 e + a 4 e
G|-------6-9-6-8---6-5---6-|
D|-----8-------------------|
Bboturn

6
Bass plays the minor-turn figure with a flattened
fifth under the diminished seventh chord.

LINK-B:
F
Go
G
G7aug guitar voicing omits 7th
4/4
(let ring)
1 +a2e+a3 + 4e+
1 +a2e+a3 + 4e+
1 +a2e+a3 + 4e+
1 2 3 4
1
E|-----------------|-----------------|-----------------|-------------|-7---|
B|-1---------------|-2---------------|-3---------------|----------8--|-----| > = accent
G|-2->>->->>->->>--|-3->>->->>->->>--|-4->>->->>->->>--|----4-/8-----|-----| / = slide
D|-3---------------|-5---------------|-5---------------|-5-----------|-----|
CHORDS:
Ab/Gb Eo7 Eb Cbmaj7 Fbmaj7#11 Db6(9) Bbo7 F Go/F G/F G7aug
E|--------3---6-----6--------6--------6-------6----1---3-----3-----3---|
B|--1-----2---4-----4--------4--------6-(4)---5----1---2-----3-----4---|
G|--1-----3---0-----4--------4--------6-------6----2---3-----4-----4---|
D|--1-----2---5-----4--------6--------6-------5----3---3-----3-----3---|
A|------------6-----6-(2)-------------4--------------------------------|
E|--2------------------------0----------------6--------------------3---|

Enharmonics
Cb = B
Fb = E
(2) bass-note

I. MOTHERLESS CHILDREN
LINK:
Gsus2-lick
Gm7-lick (LIVE)
4/4
1 e + a 2 e + a 3 4
1 e + a 2 e + a 3 4
E|-----------------------|-----------------------|
B|-----------------------|---------3---5-6-------|
G|-3-2---3-5---3-2-------|-5-3---5---------------|
D|-----------------------|-----------------------|

Several of Mike's fills in these links

accent the second 16th of the beat
creating confusion of the down-beat.
3 e + a 4 e + a
>
> >
> >
Corresponding parts on the instructional
performance are much less ambiguous.

LINK-LONG:
Gsus2-lick
Eb/G-lick
4/4
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
E|---------------------------------|---------------3---------------3-|
B|---------------------------------|---------3---6---------------3---|
G|-3-2---3-5---3-2-----5-3-2-3-2---|-5-3---5-------------5-2-3-5-----|
D|-------------------5-----------5-|-------------------5-------------|
C/G-lick
F/G-lick
4/4
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
E|---------------------------------|---------------5---------------5-|
B|---------------------------------|---------6---8---------------5---|
G|-7-5---7-8---7-5-----5-3-2-3-2---|-7-5---5-------------5-2-3-5-----|
D|-------------------5-----------5-|-------------------5-------------|

bold figures depict

second-synth-part

second-part sounds
an octave higher
minor-third Eb-note
played over C-major

CHORDS:
Cm D/C Eb/Bb Gm Fm7 Do Cadd2 G5 Gsus2 Cm D/C Eb/Bb Gm7 Eb/G C/G F/G
E|-3----2-----3----3----1---1-----0----3-----3----3----2-----3-----3----3-----3----5--|
B|-4----3-----4----3----4---3-----3----3-----3----4----3-----4-----6----4-----5----6--|
G|-5----5-----3----3----1---1-----0----0-----2----5----2-----3-----3----3-----5----5--|
D|-----------------5----3---0----------0-----0----5----4-----5-----3----5-----5----5--|
A| Keyboard voicings -------------3---------------3.---3.----------5------------------|
E|-------------------------------------3-----3---------------6.----3------------------|
CHORDS:
Alternatives:
Abmaj7 Bb Bb/Eb F Bb/G Csus4 C Abmaj7/C Bb/C Csus4 C Abmaj7/C Bb/C
E|---3-----1-----1----1---1------3----3----3--------6------8----8-----8-------6--|
B|---4-----3-----3----1---3------6----5----4--------3------8----8-----9-------6--|
G|---5-----3-----3----2---3------5----5----5--------3------10---9-----8-------7--|
D|---------------1.---3---0------5----5----6--------3------10---10----10------8--|
A|---------1.--------------------3----3----3--------3-----------------11---------|
E|---4.-------------------3--------------------------------8----8-----8-------8--|
Recorded guitar part omits notes indicated by the dot.

II. WALK AWAY

D-figure
D
Dsus2
D
Dsus2 Dsus4
7/8
>
>
>
>
>
>
>
>
>
>
> > >
<- accents
1 + 2 + 3 + 4 + 5 + 6 + 7 +
1 + 2 + 3 + 4 + 5 + 6 + 7 +
<- 8ths strum
E|-14--------------12----------|-14--------------12----15----|
B|-15--------------15----------|-15--------------15----15----|
G|-14--------------14----------|-14--------------14----14----| Daniel Gildenlow
D|-0---------------0-----------|-0---------------0-----0-----| omits sus4 LIVE
bell-synth
simulation with harmonics
|
1 + 2 + 3 + 4 + 5 + 6 + 7 + | 1 + 2 + 3 + 4 + 5 + 6 + 7 + |
E|---------14------------------|----<12>------<12>--------<12>
B|-15--17------1517------15--17|--------<7>------------------| <x> = natural harmonic
G|-------------------14--------|<7>---------<7>-------<7>----|
D|-----------------------------|------------------<7>--------|
CHORDS:
12-string capo-7th
Guitar-1 LIVE
Ensemble simulation
D Gmaj7/B Cmaj7 G
D G/B Csus2 G/B
D Gmaj7/B Cmaj9#11 Gmaj7 Bb/D C/D
E|-10----7-------7----7---|-2------------------|-2-----2--------2--------2--|--1-----0---|
B|-7-----7-------8----8---|-3---3-----3-----3--|-3-----3--------3--------3--|--3-----1---|
G|-7-----7-------9----7---|-2---0-----0-----0--|-2-----0--------4--------4--|--3-----0---|
D|-7-----9-------10---9---|-0---0-----------0--|-0-----0--------2--------0--|--0-----0---|
A|-9-----10-----------10--|-----2-----3-----2--|-------2--------3-----------|------------|
E|-10----7----------------|--------------------|-------------------------3--|------------|
G Cmaj7/E Fmaj7 C <- transposed fingering
Vocal melody, synth and guitar outline Dadd9 while 12-string part playing simultaneously
creates dense voicings without becoming muddy. LIVE performance is simpler with 12-string
part replaced by 6-string playing triads D G/B Csus2 G/B.
LINK-1:
Bb/D
C/D
D
Bb/D
C/D
bell-synth
7/8
1 2 3 4 5
6 + 7 +
1 2 + 3 4 5 6 7
1 + 2 3 4 5
6 + 7 +
E|-17----------15--13------|-----------------------|-17-----------15--13------|
B|-------------------17--13|-15--------------------|--------------------17--13|
guitar
|
|
|
E|-------------------------|-----------------------|--------------------------|
B|-------------------------|--------10-8--7--------|--------------------------|
G|-------------------------|------7----------9--7--|---7----------5-----------|
D|-------------------------|-----------------------|-9------------------7---5-|
ensemble simulation
E|-5-----------3-----------|-2------5--3--2--------|-5------------3-----------|
B|-3-----------5---6-5-----|-3----3----------5--3--|-3------------5---6-5-----|
G|-3-----------5---------5-|-2---------------------|-3------------5---------5-|
D|-0-----------0-----------|-0---------------------|-0------------0-----------|
synth part adds maj7 to Bb

guitar overdub clashes B-natural

LINK-2:
wood-synth
7/8
1
2
3 + 4 + 5 + 6 + 7 +
1
2
3 + 4 + 5 + 6 + 7 +
1
2
3 + 4 + 5 + 6 + 7 +
1
E|-----------2-5-2-3---2-----2-|-----------2-5-2-3---2-----2-|-----------2-5-2-3---2-----2-|--B|---------3-------------5-----|-3-------3-------------5-----|-3-------3-------------5-----|-3|
Dturn
|
Dturn
|
Dturn
|
guitar
|
|
|
| D
A/D
| G/D
A/D
| G/D
A/D
| D
| >
>
>
| >
>
>
| >
>
>
| >
bass
|
|
|
G|-23------23----21------21----|-19------19----21------21----|-19------19----18------18----|-19
D|-----24------------23--------|-----21------------23--------|-----21------------19--------|-19
A|-----------------------------|-----------------------------|-----------------------------|--E|-----------------------------|-----------------------------|-----------------------------|--pedals D-note on Beat-2
LIVE Pete plays lower A-figure in sixth bar and pedals on Beat-1

LINK-3:
synth
6/8
1
2 + 3 + 4
5 + 6 +
E|-----2-5---2-3---2-----2-|
B|-3-----------------5-----|
Dturn

CHORDS:
Alternatives:
C G/B Fsus2 Cadd9 D A/D G/D Dsus4 G Fadd9 D/C D/B Dsus4/Bb D D/C D/B Dsus4/Bb
E|-0---3-----1------3----2---0----3-----3----3----3-----2----2-----3--------------------------|
B|-1---3-----1------3----3---2----0-----3----0----1-----3----3-----3-------7---7----7-----8---|
G|-0---0-----0------0----2---2----0-----2----0----2-----2----2-----2-------7---7----7-----7---|
D|-2---0-----3------2----0---0----0-----0----0----3------------------------7---7----7-----7---|
A|-3---2-----3------3-----------------------------------3----2-----1-------5------------------|
E|-----------1-------------------------------3----1----------------------------8----7-----6---|
FRANTIC-BIT:
D5
G5
F5
5/8
1
2 + 3 + 4
5
1 2 3 4 5
1 2 3 4
G|-7-------------------|-----------|-------D|-7-----5---3-5---3---|-- O / --|-- O /
A|-5-----5---3-5---3---|-/
--|-/
E|-------3-----3---1---|-- / O --|-- / O

D5
6/8
5
1 2 3 4 5 6
--|-7-----------|
--|-7-----------|
--|-5-----------|
--|-------------|

E5
A5
G5
E5
5/8
6/8
1
2 + 3 + 4
5
1 2 3 4 5
1 2 3 4 5
1 2 3 4 5 6
G|-9-------------------|-----------|-----------|-9-----------|
D|-9-----7---5-7---5---|-- O / --|-- O / --|-9-----------|
A|-7-----7---5-7---5---|-/
--|-/
--|-7-----------|
E|-------5-----5---3---|-- / O --|-- / O --|-------------|
CHORDS:
D5 G5 F5 E5 A5 C
G/B F Csus4 Dadd9
E|---------------------8----7---8----8------0--|
B|---------------------8----8---10---8------3--|
G|-7-----------9-------9----7---10---10-----2--|
D|-7---5---3---9---7---10---9---10---10-----4--|
A|-5---5---3---7---7---10---10--8----10-----5--|
E|-----3---1-------5---8----7--------8---------|
III. SILENCE OF THE NIGHT
INTERLUDE:
Note that the F#m-chord always has a duration of seven eighths - after the time signature
changes to 4/4 the G-chord anticipates the down-beat.
Two fills can be played within the strummed chords. Sax-figure recalls the guitar riff from
the introduction with a sequence and another harmony variation.
RIFF:
sax-figure
F#m(7)
G
F#m
G
4/4
1 2 3 + 4 +
1
1 2 3 + 4 +
1
E|-2-----0-------|-------|-2-------------|-------|
B|-2-------2---3-|-------|-2-----2-------|-------|
G|-2---------2-4-|-------|-2-------2---4-|-------|
D|-4-----------5-|-------|-4---------4-5-|-------|
A|-4-----------5-|-------|-4-----------5-|-------|
E|-2-----------3-|-------|-2-----------3-|-------|

VERSE:
organ-figure
G*
4/4
1
+
2 e + a 3
+ a 4 e +
E|-3---------2-5-2-3---2-----2-----|
B|-0-------3-------------5-----3---|
G|-0-------------------------------|
D|-0-------------------------------|
A|---------------------------------|
E|-3-------------------------------|
Dturn

CHORDS:
F#m11 F#m7 Gadd2 F#m G G/F D E/D C
G*
E|---0-----0------3-----2---3---3---2---4---0---3--|
B|---0-----2------0-----2---3---0---3---5---1---0--|
G|---2-----2------2-----2---4---0---2---4---0---0--|
D|---2-----4------0-----4---5---0---0---0---2---0--|
A|---------4------------4---5---2-----------3------|
E|---2-----2------3-----2---3---1---------------3--|

IV. YOU'RE NOT ALONE

WACKY-BIT:
A
B/A
A
E
B
7/4
1 + 2 + 3 + 4 + 5 + 6 + 7 +
1 + 2 + 3 + 4 + 5 + 6 + 7 +
E|-------------------------2~~-|-------------4-------2-------|
B|-2-----------4---------------|-5-----2---------------5-4---|
G|-------2-----------4---------|-----------------------------|
D|-----------------------------|-----------------------------|
bass
|
G|-----------------------------|-----------------------------|
D|-----------------------------|-----------------------------|
A|-----------------------------|-------------G7------6-4-----|
E|-5---5---5---5---5---5---5---|-5---5---5---------------7---|

~~ = upper mordent
played as

7 e + a
-2h3p2---

g = appoggiatura
played as

4 e + a
-4h5-----

G = appoggiatura
played as

4 e + a
-5/7-----

h = hammer-on
p = pull-off
/ = slide

A
B/A
A
Esus4
E
A6
7/4
3/4
1 + 2 + 3 + 4 + 5 + 6 + 7 +
1 + 2 + 3 + 4 + 5 + 6 + 7 +
1 + 2 + 3 +
E|-------------------------2~~-|-------------g5------4-2-----|-2~~---------| |
B|-2-----------4---------------|-5-----2-----------------5---|-----5-4-2---|:|
G|-------2-----------4---------|-----------------------------|-------------| |
D|-----------------------------|-----------------------------|-------------| |
bass
|
|
|
G|-----------------------------|-------------G9------8-6-----|-------------|
D|-----------------------------|-------------------------9---|-7---6-4-----| Bass continues
A|-----------------------------|-----------------------------|---------7(4)| (not repeat)
E|-5-------5---5---5---5---5-0-|-5---5---5-------------------|-------------|
7/4
1 + 2 + 3 + 4 + 5 + 6 + 7 +
1 + 2 + 3 + 4 + 5 + 6 + 7 +
G|-----------------------------|-------------G9------8-6-----|
D|-------------------------7---|-------------------------9(6)|
A|-----------------------------|-----------------------------|
E|-5h7-5---5---5---5---5-------|-5---5---5-------------------|
A
B/G#
A/C#
Esus4
E
A6
7/4
3/4
1 + 2 + 3 + 4 + 5 + 6 + 7 +
1 + 2 + 3 + 4 + 5 + 6 + 7 +
1 + 2 + 3 +
G|-----------------------------|-------------G9------8-6-----|-------------|
D|-----------------------------|-------------------------9---|-7---6-4-----|
A|-----------------------------|-4---4---4-------------------|---------7---|
E|-5h7-5---5---5---4---4---4---|-----------------------------|-------------|
LINK: 8th = 8th
A-pattern
3/4
12/8
1 + 2 + 3 +
1 + 2 + 3 +
1 n a 2 n a 3 n a 4 n a
E|-------------|-------------|-5-4---2-----5-4---2-----|
B|-g5--4-2-----|-2~~---------|-----5---5-------5---5---|
G|---------4---|-----4-2-1---|-----------2-----------2-|
D|-------------|-------------|-------------------------|
synth-harmony |
|
E|-5---4-2-----|-2-----------|
B|---------5---|-----5-4-2---|
bass
|
|
G|-------------|-------------|
D|---------7---|-7-----------|
A|-----7-------|-----7-------|
E|-5-----5-----|-------5-5---|
Asus2

A6

Roine's fingering in rehearsal

LIVE is played in 7th-position

The LINK bar introduces a shuffle with eighths grouped in threes. Note that
the eighth duration is the same as before. These are not eighth-triplets over
the previous beat which would result in an increase in tempo.
Rhythm continues as 12/8 plus 2/8 with 6/8 breaks.
The melody places previously syncopated accents on the beat and vice versa.

MODULATION-CROSS-RHYTHM:
D
E/D
D
A
E
14/8
1
2 + 3
4
5 + 6
7 +
1
2 + 3
4
5
6 + 7 + <-count comparison
1 n a 2 n a 3 n a 4 n a 5 n
1 n a 2 n a 3 n a 4 n a 5 n
E|-------------------------7~~-|-------------9-------7-------|
B|-7-----------9---------------|-10----7---------------109---|
G|-------7-----------9---------|-----------------------------|
D|-----------------------------|-----------------------------|
bass
|
|
G|-----------------------------|-----------------------------|
D|-----------------------------|-----------------------------|
A|-g55-5-5---0-g55-5-5---0-5-0-|-g55-5-5---0-g55-5-5---0-5-0-|
E|-----------------------------|-----------------------------|
D
E/D
D
Asus4
E
D6
14/8
6/8
1 n a 2 n a 3 n a 4 n a 5 n
1 n a 2 n a 3 n a 4 n a 5 n
1 n a 2 n a
E|-------------------------7~~-|-------------g10-----9-7-----|-7~~---------| |
B|-7-----------9---------------|-10----7-----------------10--|-----109-7---|:|
G|-------7-----------9---------|-----------------------------|-------------| |
D|-----------------------------|-----------------------------|-------------| |
bass
|
|
|
G|-----------------------------|-----------------------------|-16--1413----|
D|-------------------------7---|-----------------------------|---------16--|
A|-g55-5-5---0-g55-5-5---5---0-|-g55-5-5---0-g55-5-5---------|-------------|
E|-----------------------------|-----------------------2-g44-|-------------|
Repeat bass-line is taken from "Live In Europe" with better 6/8 passages.
LIVE bass
D
E/C#
D/F#
Asus4/D E
D6
14/8
6/8
1 n a 2 n a 3 n a 4 n a 5 n
1 n a 2 n a 3 n a 4 n a 5 n
1 n a 2 n a
G|-------------------------6---|-------------7-------6-5-----|-4-----------|
D|-----------------------------|-------4-----------------7---|-----7-6-4---|
A|-g55-5-5---0-4-4-4-4---4---4-|-----------------------------|-------------|
E|-----------------------------|-2-2-----2-------------------|-------------|
Dsus2
D6
6/8
1 + 2 + 3 +
1 + 2 + 3 +
1 n a 2 n a
1 n a 3 n a
E|-------------|-------------|
B|-g10-9-7-----|-7~~---------|
G|---------9---|-----9-7-6---|
D|-------------|-------------|
synth-harmony |
|
E|-10--9-7-----|-7-----------|
B|---------10--|-----109-7---|
LIVE bass
|
|
G|-------------|-------------|
D|-7----6-4----|-4-----------|
A|----------7--|-----7---5---|
E|-------------|-------5-----|

melodic accents now

fall on 1,3,5 of 6/8

While this section is entirely melodic the following chords can be used
for strumming along or practising the timing and phrasing.
CHORDS:
A
B
E Esus4 A6 Asus2 D
E
A Asus4 D6 Dsus2
E|-0---2---4----5----2-----0----5---7---9----10---7-----5--|
B|-2---4---5----5----2-----0----7---9---10---10---7-----5--|
G|-2---4---4----4----2-----2----7---9---9----9----7-----7--|
D|---------------------------------------------------------|
A|---------------------------------------------------------|
E|---------------------------------------------------------|

10

SHUFFLE:
D-pattern
12/8
1 n a 2 n a 3 n a 4 n a
E|-------------------------|
B|-3p2---------3p2---------|
G|-----2-4p2-------2-4p2---|
D|-----------0-----------0-|
CHORDS:
D Bm7 Gmaj7 Em9 Fmaj7
E|-----------------------0--|
B|-3---3-----3-----3-----1--|
G|-2---2-----0-----0-----2--|
D|-4---4-----4-----4-----3--|
A|-5---2-----------2-----3--|
E|-----------3-----0-----1--|

Fmaj7-lick
Fmaj7-lick2
12/8
1 n a 2 n a 3 n a 4 n a
1 n a 2 n a 3 n a 4 n a
G|-------------------------|-------------5---7---9---|
D|---------------------2---|-3---5---7---------------|
A|-------------3---5-------|-------------------------|
E|-1---3---5---------------|-------------------------|

LIVE Roine plays D-chord in 5th-position

which omits the low third

Ethereal modulation between two completely unrelated keys.

CHORDS:
Alternatives:
Abmaj7 Abm7 Abm6 Ebmaj7(/G) F7(13) Fm7(9) Fm7b5 Bo7 Bb7 Fm7b5 Bo7 Bb7
E|---3------4-----4-------3---------1-(3)---1-(3)----4-----4----4----1------1----1--|
B|---4------7-----6-------3---------1-(3)---1--------4-----3----3----4------3----3--|
G|---5------4-----4-------3---------2-------1--------4-----4----3----1------1----1--|
D|---6------4-----6-------5---------1-------1--------3-----3----3----3------3----3--|
A|----------6-----6-------6---------3-------3------------------------2------2----1--|
E|---4------4-----4----------(3)----1-------1------------------------1--------------|
ROINE'S-THEME-REPRISE:
TAB shows actual pitches but is not a transcription of the performance.
On "Live In Europe" the two repeats feature the 'skips' pick-up melody.
F
Gm7b5
F/A
Bb
Bbm
Eb7
6/8
1 2 3 4 5 6
1 2 3 4 5 6
1 2 3 4 5 6
1 2 3 4 5 6
1 2 3 4 5 6
E|----------------|----------------|----------------|----------------|----------------|
B|-13----11-10----|----------10-11-|-13----11-10----|-------11-10----|----------------|
G|-------------12-|-10----12-------|-------------10-|-------------10-|----------10-12-|
D|----------------|----------------|----------------|-12-------------|-11----13-------|
D
Cadd9
Ebmaj7/Bb
Gm7b5 Eb7
1 2 3 4 5 6
1 2 3 4 5 6
1 2 3 4 5 6
1 2 3 4 5 6
E|----------------|----------------|----------------|----------------|
B|----------------|----------------|----------------|----------10-11-|
G|-14----12-11-9--|-------9--12-11-|----------------|-10----12-------|
D|----------------|-12-------------|-12----12----13-|----------------|
CHORDS:
Alternatives:
F Gm7b5 F/A Bb Bbm Eb7 D Cadd9 Ebmaj7/Bb F/A Bb Bbm Eb7
E|-1----1-----1---1----1----3---2----0-------3--------5---6----6----6--|
B|-1----2-----1---3----2----2---3----3-------3--------6---6----6----8--|
G|-2----3-----2---3----3----3---2----0-------3--------5---7----6----6--|
D|-3----3-----3---3----3----1---0----2-------1--------7---8----8----8--|
A|-3----------0---1----1-------------3-------1--------8---8----8----6--|
E|-1----3---------------------------------------------5---6----6-------|
BAGPIPES-REPRISE:
MellotronStrings
Bbm
Eb
Fm
Eb Ab
Bbm
Eb
Fm
Eb Ab
5/8
8/8
5/8
8/8
1
1
1
6 7+
1
1
1
6 7+
E|---------|---------|-------------|-9-------|-11------|-13----15-16-|
B|-2-------|-4-------|-6-----8--9--|-11------|-11------|-13----16-16-|
G|-3-------|-3-------|-5-----8--8--|-10------|-12------|-13----15-17-|
D|-3-------|-5-------|-6-----8--10-|---------|---------|-------------|

11

RIFF-REPRISE:
Bbm
Eb7/G
Ab/Gb Eo7
4/4
_1.__________
1 2 3 + 4 +
1 2 3 4
1 2 3 + 4 + | 1 2 3 4 |
E|-6-------------|-------------|-------4-----3-|-------------|
B|-6-----6-----4-|-------------|-------4-----2-|-------------|
G|-6-------6---6-|-------------|-------5-6-5-3-|-------------|:
D|-8---------8-5-|-------------|-------4-----2-|-------------|
A|-8-----------6-|-------------|---------------|-------------|
E|-6-----------3-|-------------|---------------|-------------|
_2.__________
| Eo7 Bbm| turn
skip3
turn
skip3
C7aug
synth
|
2/4
6/8
4/4
| 1 + 2 e + a | 1 + 2 + 3 + 4 + 5 + 6 +
1 + 2 + 3 + 4 + 5 + 6 +
1
E|-------------|-------------------4---6-|-------------------4---6-|-8-B|---------6---|-4-----------4---6-------|-4-----------4---6-------|---G|-----3-6---6-|-----6-5---6-------------|-----6-5---6-------------|---bass
|
|
|
G|-------------|-------------------------|-------------------10--15|---D|-------------|-------------------6---8-|-10--8-----8-10--13------|---A|-------4-8-4-|-6---4-3---4-6---8-------|-------11----------------|-15E|-----6-------|-------------------------|-------------------------|---1 + 2 e + a
3 e + a 4 e + a 1 e + a
2 e + a 3 e + a 4 e + a
<-two bars of 4/4
CHORDS:
Bbm Eb7/G Ab/Gb Eo7 C7aug Caug
E|--6------------4-----3----8------0--|
B|--6----4-------4-----2----9------1--|
G|--6----6-------5-----3----9------1--|
D|--8----5-------4-----2----8------2--|
A|--8----6-------------------------3--|
E|--6----3------------------8---------|

C7aug is ensemble harmony

Guitar voicing omits 7th and
plays arpeggio up (LIVE down)

V. ALMOST HOME
REFRAIN-CHOIR:
Csus4
C
4/4
1 + 2 e + a 3 e + a 4 e + a
G|-----------------------------|
D|-------14171415--14----14----|
A|-----15------------17----15--|
E|-----------------------------|
Cturn

LIVE Pete plays the turn figure

(does not appear on studio release)

Note that the choir melody is different from the refrain in Part I.
1
2+
1
2+
1
2+
4+
"Motherless children wandering nowhere look up you're almost home"
1
2+
1
2+
1
2+
4+
"Reaching for water longing to go there flooding in-to your soul"
REFRAIN-PART-I: sung ahead of the beat
1
2+
4+
2+
4+
2+
4+
"Motherless children wandering nowhere feels like there's miles to go"
1
2+
4+
2+
4+
2+
4+
"Reaching for water longing to go there flooding in-to your soul"
Final verse is sung a third higher over the (mostly) same chords.
Guitar adds a low third to the Cadd2 hence the name change to Cadd9.
CHORDS:
Cm D/C Eb/Bb Gm7 Fm6 Do Cadd9 Bb/C Dm/C Do/C Abmaj7/C F/C Csus4 C Abmaj7
E|-3----------------3----1---1-----0-----1-----1-----1-------3-------1-----1----0----3--|
B|-4----7-----8-----6----3---3-----3-----3-----3-----3-------1-------1-----1----1----4--|
G|-5----7-----8-----3----1---1-----0-----3-----2-----1-------1-------2-----0----0----5--|
D|-5----7-----8-----3----3---0-----2-------------------------1-------3-----3----2----6--|
A|-3----------6-----5--------------3-----3-----3-----3-------3-------3-----3----3-------|
E|------8-----6-----3----------------------------------------------------------------4--|

12

ROINE'S-THEME-FINALE:
TAB shows actual pitches but is not a transcription of the performance.
Roine plays the 'steps' pick-up line on "Live In Europe".
While he can clearly be seen beginning on the 3rd-string Fret-12 the theme is presented
here with fingering consistent with the other two keys (F as earlier and Eb).
C
Dm7b5
C/E
F
Fm
Bb7
6/8
1 2 3 4 5 6
1 2 3 4 5 6
1 2 3 4 5 6
1 2 3 4 5 6
1 2 3 4 5 6 +
E|-------------|-------------|-------------|-------------|---------------|
B|-8-----6-5---|---------6-5-|-8-----6-5---|-------6-5---|---------------|
G|-----------7-|-5-----7-----|-----------5-|-----------5-|-----------5-7-|
D|-------------|-------------|-------------|-7-----------|-6-------8-----|

13

A
Gadd9
Bbmaj7/F
Dm7b5
Bb7 .......played ahead of the beat
1 2 3 4 5 6
1 2 3 4 5 6
1 2 3 4 5 6 +
1 2 3 + 4 + 5 + 6 +
E|-------------|-------------|---------------|---------------------|
B|-------------|-------------|---------------|-----------------8-9-|
G|-9-----7-6-4-|-------4-7-6-|---------------|-5-----7-9---10------|
D|-------------|-7-----------|-7-----------8-|---------------------|
Eb
Fm7
Eb/G
Ab
Abm
Db7
1 2 3 4 5 6
1 2 3 4 5 6
1 2 3 4 5 6
1 2 3 4 5 6
1 2 3 4 5 + 6 +
E|-------------|-------------|-------------|-------------|-----------------|
B|-11----9-8---|---------9-8-|-11----9-8---|-------9-8---|-----------------|
G|-----------10|-8-----10----|-----------8-|-----------8-|-----------8---10|
D|-------------|-------------|-------------|-10----------|-9-------11------|
CHORDS:
C Dm7b5 C/E F
Fm Bb7 A Gadd9 Bbmaj7/F Eb Fm7 Eb/G Ab Abm Db7 Db Gb C(#11)
E|-3---1------3---1---1----1---0----3------1-------3----1----3----4----4----4---1---2-----2--|
B|-1---1------1---1---1----3---2----0------3-------4----4----4----4----4----6---2---2-----1--|
G|-0---1------0---2---1----1---2----2------1-------3----1----3----5----4----4---1---3-----0--|
D|-2---0------2---3---3----3---2----0------3-------5----1----5----6----6----6---3---4-----2--|
A|-3----------3---3---3----1---0-----------1-------6----3----6----6----6----4---4---4-----3--|
E|------------0---1---1-------------3------1------------1----3----4----4------------2--------|
ENDING:
C
Ab
Db
Gb
4/4
1e+a2 +a3e+ 4 +
E|-3>->>->>->-->->-|-3-----|-3-----|-1-----|
|
|
|
|
|
B|-----------------|-------|-------|-2-----|
G|-----------------|-------|-3-----|-------|
D|-----------------|-3-----|-------|-------|
A|-3---------------|-------|-------|-------|
E|-----------------|-------|-------|-------|

<-keyboard adds maj7 and #11

<-guitar adds 6ths

C(#11)
After the drum cadenza the final chord is held and a high F# appears.