Skinner American & European Paintings & Prints Auction 2470

SKINNER
American & European Paintings & Prints

Sale 2470 September 11, 2009 Boston
American & European Paintings & Prints
SPECIALISTS IN CHARGE
Robin S. R. Starr Laura Conover Kathy Wong

Department Director 508.970.3258 508.970.3297
Pro Tem
American & European Paintings & Prints Department - 508.970.3206

General Inquiries: paintings@skinnerinc.com
AUCTION 2470
Friday, September 11, 2009

Prints & Photography at 12 noon
Paintings & Sculpture at 4 p.m.
63 Park Plaza
Boston, Massachusetts
PREVIEW
Wednesday, September 9, 2009 12 to 5 p.m.

Thursday, September 10, 2009 12 to 7 p.m.
Friday, September 11, 2009 9 to 10:30 a.m.
ABSENTEE BIDDING
Tel: 617.874.4318
Fax: 617.350.5429
View lots and bid online: www.skinnerinc.com
Illustrated catalogue #2470 available for $35 by mail, $42 overseas
COVER : 779; FRONTISPIECE : 789 ; BACK COVER : 767

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TABLE OF CONTENTS
1 Auction & Specialist Information
2 Web Site & Online Bidding
4 Event Announcement
7 Prints & Photography - Lots 1-227
89 Paintings & Sculpture - Lots 301-846
314 Glossary of Terms
315 Artist Index
320 Conditions of Sale
321 Absentee Bid Form
322 Company Directors & Specialty Departments
323 Administrative Staff & Client Services
324 Map & Driving Directions
325 Parking & Accomodations
326 Dining
327 Catalogue Subscription Form
Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 320 of this catalogue
for the full terms and conditions governing your purchase.
Copyright © Skinner, Inc. 2009

All rights reserved
SKINNER presents a
Fine Art Gallery Walk
Presented by Robin Starr, Director Pro Tem
of Skinner’s Paintings Department
Thursday, September 10, 2009
5:30 p.m. Reception/6:00 p.m. Gallery Walk
63 Park Plaza
Boston, MA
R.S.V.P. 617.350.5400
Reservations are Limited
Gallery Walk held in conjunction with a preview of Skinner’s

September 11th auction of American & European Paintings & Prints
Session I
Prints & Photography
Lots 1-227
to be sold Friday, September 11th, 2009 at 12 noon

Certno.XXX-XXX-000
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1.
GENTSE KONSTRUKTIEVE KUNST/A Portfolio of Six
Works
Jan van den Abbeel (Belgian, b. 1943), Piet Beckaert

(Belgian, 1939-2000); Hugo de Clercq (Belgian, b. 1930);
Amédée Cortier (Belgian, 1921-1976); Willy Plompen
(Belgian, b. 1942); and Yves de Smet (Belgian, b. 1946),
1972, edition of 150. Each signed in pencil or ink on the reverse,
most numbered “53/150” in pencil or ink on the reverse. Color
screenprints on paper, image/sheet sizes 19 1/2 x 19 3/4 in.
(49.4 x 50.0 cm), presented in the original folder.
Condition: Minor handling marks and/or creases.
Provenance: Property of the Fogg Art Museum, Harvard Art

Museum, sold to benefit the acquisition fund.
$300-500
2.
Louis Abel-Truchet (French, 1857-1918)
La quadrille, 1890. Signed in the matrix. Color lithograph on

paper, image size 20 1/4 x 28 1/4 in. (51.4 x 71.7 cm), framed.
Condition: Not examined out of frame.
$600-800
3.
Clinton Adams (American, b. 1918)
Interior, 1953, edition of 10. Signed and dated “Clinton Adams

‘53” in pencil l.r., numbered “1/10” in pencil l.l., dry stamp l.l.
Lithograph on paper, image size 9 3/4 x 13 7/8 in. (24.7 x 35.2
cm), framed.
Condition: Toning, several pale fox marks and stains, unpressed
crease to image c.r., not examined out of frame.
$200-300
3
4.
Ivan Le Lorraine Albright (American, 1897-1983)
Fleeting Time Thou Hast Left Me Old, 1945, edition of 250,

published by American Associated Artists (Grayson, 11). Signed
“Ivan Le Lorraine Albright” in pencil l.r., titled in pencil l.l.,
identified on an AAA label on the reverse. Lithograph on paper,
image size 13 3/4 x 9 1/2 in. (34.8 x 24.0 cm), framed.
$600-800
5.
Alison Cann-Clift, called Ali (American, b. 1949)
Blue and White, 1986, edition of 70. Signed and dated “Ali
‘86” in pencil l.r., titled and numbered “...8/70” in pencil l.l.
Color screenprint on paper, image size 32 x 24 in. (81.3 x 60.8
cm), framed.
Provenance: Purchased at Pucker Gallery, Boston.

$400-600
6.
Alison Cann-Clift, called Ali (American, b. 1949)
Center Tent, 1986, edition of 70. Signed and dated “Ali ‘86” in
4
pencil l.r., titled and numbered “...8/70” in pencil l.l. Color
screenprint on paper, image size 31 3/4 x 32 in. (80.5 x 81.3
cm), framed.
Provenance: Purchased at Pucker Gallery, Boston.

$400-600
5
7 8
7. 8.
Richard Anuszkiewicz (American, b. 1930) Richard Anuszkiewicz (American, b. 1930)
Triangulated Green, 1977-1978, edition of 50, printed by Triangulated Orange, 1977-1978, edition of 50, printed by
Editions Lassiter-Meisel, New York. Signed, numbered, and Editions Lassiter-Meisel, New York. Signed, numbered, and
dated “ANUSZKIEWICZ 17/50 1977” in pencil (within the dated “ANUSZKIEWICZ 17/50 1977” in pencil (within the
image) l.r., stamped “© RICHARD ANUSZKIEWICZ” and image) l.r., stamped “© RICHARD ANUSZKIEWICZ” and
“ELM” (the printer’s monogram) on the reverse, inscribed “24” “ELM” (the printer’s monogram) on the reverse, inscribed “23”
on the reverse. Color screenprint on paper mounted onto board, on the reverse. Color screenprint on paper mounted onto board,
image/support size 84 x 48 in. (213.4 x 121.3 cm), unframed. image/support size 84 x 48 in. (213.4 x 121.3 cm), unframed.
Condition: Surface grime and rubs. Condition: Surface grime and rubs, retouched damage u.r.
$400-600 $300-500
9.
John Taylor Arms (American, 1887-1953)
Rouen, 1925, edition of 150 (Fletcher, 162). Signed and dated

“John Taylor Arms - 1925” in pencil l.r., identified on a label
from Doll & Richards, Inc., Boston, on the reverse. Etching on
paper, plate size 8 1/4 x 8 in. (20.8 x 20.3 cm), framed.
Condition: Toning, not examined out of frame.
$200-300
9
11
10 10.
Lot of Two Animal Prints:
Helen Baker (American, 20th Century), Seahorse Parade, color

monotype; American School, 20th Century, Penguins, color
etching with aquatint and roulette. The former signed in pencil,
the latter unsigned. Image sizes to 10 x 16 in. (25.4 x 40.5 cm),
framed.
Condition: Toning to Seahorse, not examined out of frame;
margins to Penguins over 1 1/2 inches and with mat burn.
$200-250
11.
Will Barnet (American, b. 1911)
Cat and Canary, 1971, aside from the edition of 225 (Cole,
145). Signed “Will Barnet” in pencil l.r., titled in pencil l.l.,
inscribed “artist’s proof” in pencil l.c. Color lithograph on paper,
Condition: Margins 3 1/2 inches or more, foxing, subtle
rippling, not examined out of frame.
$300-500
12.
Leonard Baskin (American, 1922-2000)
Man of Peace, 1952 (Fern & O’Sullivan, 180). Signed “Baskin”

in pencil l.r., titled in pencil l.l. Woodcut on paper, image size 60
x 30 3/4 in. (152.4 x 78.0 cm), framed.
Condition: Rippling, unpressed crease to upper margin, subtle
toning, not examined out of frame.
$1,000-1,500
12
13
13.
Lot of Four Works: Two Blind Men, c. 1952/53 (Fern &

O’Sullivan, 215); The Owl That Calls Upon the Night Speaks the
Unbeliever’s Fright, 1959, reproduced version of 1961 (Fern &
O’Sullivan, 375); Death Among the Thistles, 1959 (Fern & 14
O’Sullivan, 379); and Pomegranate - New Year’s Greeting, 1960
(Fern & O’Sullivan, 410). Blind and Thistles signed in pencil l.r.
Woodcuts and wood engravings on paper, image sizes to 6 x 8 in.
(15.2 x 20.3 cm), framed.
Condition: Mat burn, subtle toning, Blind with foxing, not
examined out of frames.
N.B. The lot is accompanied by the pamphlet Leonard Baskin: 14.

Ten Woodcuts, (The Gehenna Press: Northampton, Leonard Baskin (American, 1922-2000)
Massachusetts), 1961.
$400-600 Saturn, 1970 (Fern & O’Sullivan, 577). Signed “Baskin” in
pencil l.r., titled in pencil l.l., titled, initialed, and dated in the
block. Woodcut in red and black on fine paper, image size 71
1/2 x 37 1/2 in. (181.6 x 95.2 cm), unmatted, unframed.
Condition: Rippling, unpressed creases, subtle toning.
$1,000-1,500
15.
Lot of Three Etchings: Iris for Lisa, 1970, edition of 130 (Fern
& O’Sullivan, 584); Shakespeare from TITUS ANDRONICUS,
1970, edition of 200 (Fern & O’Sullivan, 594); and Lessons in
Far Future, 1978, edition of 125 (Fern & O’Sullivan, 671).
Each signed “Baskin” in pencil l.r. and numbered in pencil l.l.
Plate sizes to 17 3/4 x 11 3/4 in. (45.0 x 29.7 cm), framed.
Condition: Not examined out of frames.
$500-700
15
16
16. 18.
Romare Bearden (American, 1911-1988) Frank Weston Benson (American, 1862-1951)
The Return of Ulysses, 1976, edition of 30. Numbered, signed, Brown Pelican, 1915, published state, edition of 50 (Paff, 48).
and dated “25/30 Romare Bearden 9/76” in pencil l.r., titled in Signed “FrankWBenson.” in pencil l.l., numbered “25/50” in
pencil l.l. Color screenprint on paper, image size 18 3/4 x 22 pencil l.r., initialed in the plate. Etching on Shogun paper with
1/2 in. (47.5 x 57.0 cm), framed. partial watermark, plate size 7 7/8 x 5 7/8 in. (20.0 x 15.0 cm),
Condition: Not examined out of frame. matted, unframed.
$2,000-3,000 Condition: Margins 1 1/2 inches or more, subtle toning.
$700-900
17.
Cecil Crosley Bell (American, 1906-1970)
Lot of Two Prints: Shoe Shine, 1933, and Trolley Car, 1933,
both probably later editions. Both signed and dated “Cecil C.
Bell ‘33” in pencil l.r. and inscribed “...2nd” in pencil l.l.
Etchings on cream paper, plate sizes approximately 8 x 5 3/4 in.
(20.3 x 14.5 cm), unmatted, unframed.
Condition: Margins over 2 inches with deckled edges.
$200-300
17 18
20
19
19. 21.
Frank Weston Benson (American, 1862-1951) Thomas Hart Benton (American, 1889-1975)
Flying Ducks, 1919, published state of 235 (Paff, 160). Signed Arkansas Evening, alternatively titled Nebraska Evening, 1941,
“FrankWBenson.” in pencil l.l., initialed and dated in the plate. edition of 250, published by Associated American Artists (Fath,
Etching on paper, plate size 8 7/8 x 6 7/8 in. (22.4 x 17.4 cm), 45). Signed “Benton” in pencil l.r. and in the matrix, identified
framed. on an AAA label on the reverse. Lithograph on paper, image size
Condition: Subtle toning, not examined out of frame. 10 x 13 1/8 in. (25.4 x 33.2 cm), framed.
$500-700 Condition: Not examined out of frame.
$1,000-1,500
20.
Frank Weston Benson (American, 1862-1951)
November Moon, 1931, published state, edition of 150 (Paff,

316). Signed “FrankWBenson.” in pencil l.l. Etching and
aquatint on paper, plate size 10 x 8 in. (25.5 x 20.5 cm), framed.
Condition: Margins over 1/4 inch, subtle rippling, not examined
out of frame.
$800-1,200
21
22.
Thomas Hart Benton (American, 1889-1975)
Nebraska Evening, alternatively titled Arkansas Evening, 1941,

edition of 250, published by Associated American Artists (Fath,
45). Signed “Benton” in pencil l.r. and in the matrix, identified
on an AAA label on the reverse. Lithograph on paper, image size
10 x 13 1/8 in. (25.5 x 33.2 cm), framed.
Condition: Foxing, not examined out of frame.
$700-900
22
23.
Gateside Conversation, 1946, edition of 250, published by

Associated American Artists (Fath, 69). Signed “Benton” in
pencil l.r. and in the matrix. Lithograph on paper, image size 9
7/8 x 13 7/8 in. (25.0 x 35.2 cm), framed.
Condition: Subtle toning, not examined out of frame.
$800-1,200
23
24.
Prayer Meeting, 1949, edition of 300 (Fath, 73). Signed

“Benton” l.r., signed and inscribed in the matrix. Lithograph on
paper, image size 9 x 12 1/4 in. (22.8 x 31.0 cm), unmatted,
unframed.
Condition: Tape residue/staining to upper edge (both recto and
verso).
$2,000-2,500
24
25
25. 27.
Thomas Hart Benton (American, 1889-1975) Jolan Gross Bettelheim (Czechoslovakian/American, 1900-
1972)
Photographing the Bull, 1950, edition of 500 (Fath, 75). Signed
“Thomas H. Benton” l.r., signed in the matrix, inscribed Fascism, c. 1940. Signed “J-GROSS B.” in the matrix.
“#78/500” in pencil l.l. Lithograph on paper, image size 11 7/8 Lithograph on paper, image size 13 x 10 in. (33.0 x 25.4 cm),
x 16 in. (30.0 x 40.5 cm), unmatted, unframed. framed.
Condition: Margins over 1 1/2 inches with deckled edges. Condition: Not examined out of frame.
$2,000-2,500 $300-500
26.
Carol Thayer Berry (American, 1886-1978)
Hillside Farm - Maine (No. 2), 1960, edition of up to 100

(Dearborn, 78). Signed “Carroll Thayer Berry” in pencil l.r.,
signed in the block, titled in pencil l.l. Wood engraving on paper,
Condition: Subtle mat burn and toning, not examined out of
frame.
$300-500
26 27
28 29
28.
Natvar Bhavsar (Indian, b. 1934)
Blue Accent, 1967, edition of 20. Numbered, dated, and signed

“1/20 1967 NATVAR BHAVSAR” in pencil l.r. and u.l.,
identified on a label from Obelisk Gallery, Boston, on the reverse.
Color screenprint on paper, image size 10 x 10 in. (25.4 x 25.4
cm), framed.
Condition: Subtle toning and rippling, not examined out of
frame.
$300-500
29.
Natvar Bhavsar (Indian, b. 1934)
Untitled, 1967. Inscribed, dated, and signed “artist’s proof.

1967 NATVAR BHAVSAR” in pencil l.r. Color screenprint on
frame.
$400-600
30.
Bernard Buffet (French, 1928-1999)
The Clown with the Green Background, 1960, edition of 175

(Mourlot, 24). Signed “Bernard Buffet” in pencil l.r., numbered
“86/175” in pencil l.l. Color lithograph on paper, image size 26
1/4 x 20 1/4 in. (66.5 x 51.3 cm), framed.
$1,000-1,500
30
31 32
31. 32.
After Bernard Buffet (French, 1928-1999) Félix Hilaire Buhot (French, 1847-1898)
Bread and Wine, from the poster edition of 2000, published by La Petite Marine - Souvenir de Medway, 1879, probably the
Sorlier (Mourlot, 63). Signed “Bernard Buffet” in pencil l.r., third state of six (Bourcard & Goodfriend, 153).
signed, dated, and with publisher in the matrix. Color lithograph Monogrammed, dated, and inscribed in the plate, identified on a
on paper, image size 22 1/4 x 17 in. (56.5 x 43.2 cm), framed. label from Frederick Keppel & Co., Inc., New York, on the
Condition: Margins over 1 1/2 inches, not examined out of reverse. Etching on paper, plate size 6 3/8 x 8 1/2 in. (16.0 x
frame. 21.5 cm), framed.
$700-900 Condition: Margins 1/4 inch or more, subtle toning, not
examined out of frame.
$400-600
33.
Alexander Calder (American, 1898-1976)
Untitled (Stabile), edition of 90. Signed “Calder” in pencil l.r.,

numbered “8/90” in pencil l.l. Color lithograph on paper, image
size 14 1/2 x 18 1/2 in. (36.7 x 47.0 cm), framed.
Condition: Deckled edges to three sides, subtle staining near
upper edge, not examined out of frame.
$400-600
33
34 35
34. 35.
Alexander Calder (American, 1898-1976) Alexander Calder (American, 1898-1976)
Untitled (Helix), edition of 125. Signed “Calder” in pencil l.r., Lot of Two Works: La Croix sur le soleil, edition of 90; and
numbered “112/125” in pencil l.l. Color lithograph on paper, Untitled, edition of 100. Both signed “Calder” in pencil l.r. and
image size 25 x 18 1/2 in. (63.4 x 46.9 cm), framed. numbered in pencil l.l., the former identified on a label from the
Condition: Deckled edges to two sides, subtle toning, not Galerie Moderne at Brentano’s, New York, on the reverse. Color
examined out of frame. lithographs on paper, image sizes to 21 1/2 x 28 in. (54.5 x 71.0
$500-700 cm), framed.
Condition: Unobtrusive toning, fading (almost exclusively to
Croix), not examined out of frames.
$500-700
36.
Alexander Calder (American, 1898-1976)
Untitled (Yellow Spiral). Signed “Calder” in pencil l.r.,

inscribed “EA” in pencil l.l. Color lithograph on paper,
image/sheet size 26 x 39 in. (66.0 x 98.8 cm), framed.
Condition: Unobtrusive toning, subtle rippling, not examined
out of frame.
$400-600
36
37
37.
Jacques Callot (French, 1592-1635)
Lot of Two Scenes: Les troupes en marche, and Attaque des forts
avancés de Bone from LA VIE DE FERDINAND Ier DE
MÉDICIS, c. 1619, probably impressions before letters (Lieure,
153 & 159). Both inscribed beneath the image. Engravings on
paper, plate sizes 8 7/8 x 11 3/4 in. (22.5 x 29.8 cm), one
framed, both matted.
Condition: Laid down, narrow margins, unobtrusive soiling.
$400-600
38.
Eugène Carrière (French, 1849-1906)
Lot of Two Portraits: Méditation, 1893, published by Ed

Sagot, Paris, with dry stamp l.l. (Delteil, 14); and Maternité
(petite planche), 1896 (Delteil, 23). Both signed “...Eugène
Carrière” in the matrix and with collector’s stamp “SPB” l.r.
Lithographs on paper (latter on chine collé), image sizes to 9 1/2
x 5 7/8 in. (24.1 x 14.8 cm), matted, unframed.
Condition: Margins over 3 inches, subtle toning to former.
$300-500
38
39
39.
Marc Chagall (Russian/French, 1887-1985)
Green Tree with Lovers, 1980, edition of 50 (Mourlot, 959).

Signed “Marc Chagall” in pencil l.r., inscribed “H.C.” in pencil
l.l. Color lithograph on Arches paper with watermark, image size
19 3/4 x 15 in. (50.2 x 38.1 cm), framed.
Condition: Deckled edges to two sides, not examined out of
frame.
$3,000-5,000
40.
Samuel V. Chamberlain (American, 1895-1975)
Valley of the Var, second state (Chamberlain & Kingsland, 132).

Signed “Samuel Chamberlain” in pencil l.r., inscribed “Second
State II/II” in pencil in the artist’s hand l.l. Etching on paper,
plate size 10 7/8 x 13 1/8 in. (27.5 x 33.2 cm), matted,
unframed.
Condition: Margins approximately 1 inch, subtle toning.
Provenance: Through the family of the artist.

$200-250
40
41.
A Chateau Farm Near Siena, c. 1925 (Chamberlain &

Kingsland, 159). Signed “Samuel Chamberlain” in pencil l.r.
Etching on paper, plate size 5 5/8 x 8 7/8 in. (14.2 x 22.4 cm),
matted, unframed.
Condition: Margins approximately 2 inches with two deckled
edges, subtle toning, annotations to lower margin.

$150-200
41
42.
Lot of Two Impressions of The Fortress Carmona, c. 1925

(Chamberlain & Kingsland, 165 or 166). Unsigned, one
inscribed “early proof” in pencil l.l. Etchings on paper, plate sizes
3 1/2 x 4 5/8 in. (8.8 x 11.5 cm), in a common mat, unframed.
Condition: Margins over 2 inches with most edges deckled,
subtle toning, annotations to lower margins.

$200-250
42
43
44
43. 44.
Samuel V. Chamberlain (American, 1895-1975) Samuel V. Chamberlain (American, 1895-1975)
The Market Place, Vernon, probably proof impression number Farm Vista, Le Plessis - Luzarches, 1930, edition of
three (Chamberlain & Kingsland, 167). Unsigned, annotated in approximately 20 (Chamberlain & Kingsland, 191). Unsigned.
the lower margin and on the mat. Etching on paper, plate size 9 Etching on paper, plate size 8 1/8 x 7 in. (20.5 x 17.7 cm),
1/2 x 13 3/8 in. (24.0 x 33.8 cm), matted, unframed. matted, unframed.
Condition: Margins over 1/2 inch with several unpressed creases, Condition: Margins over 1 inch, with crease to u.l. corner.
subtle toning.
Provenance: Through the family of the artist. $200-250
$200-250
45.
New England Hill Town, proof impression (Chamberlain &

Kingsland, 199). Signed “Samuel Chamberlain” in pencil l.r.,
inscribed “fifth state I/III” in pencil l.l. Etching on paper, plate
size 10 1/8 x 13 1/8 in. (25.5 x 33.3 cm), matted, unframed.
Condition: Margins 3/4 inches or more, subtle toning.
N.B. This work exists only as proofs; an edition was never

published.
$200-250
45
46 47
46. 47.
Samuel V. Chamberlain (American, 1895-1975) Samuel V. Chamberlain (American, 1895-1975)
Harkness Memorial Tower, 1933, edition of 125 (Chamberlain & The Harvard Yard, Cambridge, c. 1940, proof impression
Kingsland, 231). Signed “Samuel Chamberlain” in pencil l.r., before the edition of 1500 (Chamberlain & Kingsland, 259).
inscribed “Ed. 125” in pencil l.l. Etching on paper, plate size 13 Inscribed “first State II/III” in pencil in the artist’s hand l.l.
5/8 x 10 1/8 in. (34.5 x 25.6 cm), matted, unframed. Etching on paper, plate size 6 3/4 x 4 1/2 in. (17.0 x 11.3 cm),
Condition: Margins 3/4 inches or more with deckled edges, matted, unframed.
subtle toning, annotations to lower margin. Condition: Margins over 1 inch, subtle toning.
Provenance: Through the family of the artist. Provenance: Through the family of the artist.
$200-250 $150-200
48.
Summer Shadows, alternatively titled The King Hooper Mansion,

1940, edition of 300 (Chamberlain & Kingsland, 275). Signed
“Samuel Chamberlain” in pencil l.r., inscribed “Ed. 300” in
pencil l.l. Etching on paper, plate size 8 1/2 x 11 in. (21.5 x
27.8 cm), framed.
N.B. The view depicts a square in Marblehead, Massachusetts.

$200-300
48
49
51
49. 51.
Continental School, 20th Century Jack Davis Coughlin (American, b. 1932)
Nineteen Images from FROM THE WILD WEST IN Dream of a Hyena, edition of 50. Signed “Jack Coughlin” in
AMERICA, A Suite of Twenty Works. Each signed “A.J.Alex” pencil l.r., numbered and titled “5/50...” in pencil l.l. Etching
in pencil l.r., identified on the cover. Etchings with drypoint on paper, plate size 19 3/4 x 15 1/2 in. (50.0 x 39.4 cm),
(several in color) on paper, plate sizes to 6 x 4 1/4 in. (15.1 x shrink-wrapped.
10.6 cm), in the original hand-bound book (cover detached). Condition: Not examined out of wrap.
Condition: Laid down, subtle toning or soiling.
$800-1,200 N.B. This print earned Coughlin first prize for printmaking at
the 60th Annual Exhibit for the Connecticut Academy of Fine
Arts, held at the Wadsworth Atheneum in Hartford, Connecticut,
50. in 1970.
John Edward Costigan (American, 1888-1972) $250-300
April. Signed “J.E. Costigan N.A.” in pencil l.r., titled in pencil

l.l. Etching on paper, plate size 9 7/8 x 9 7/8 in. (25.0 x 25.0 52.
cm), framed. John Steuart Curry (American, 1897-1946)
frame. Summer Afternoon, 1939, edition of 250, published by
$200-250 Associated American Artists (Czestochowski, C-36). Signed
“John Steuart Curry” in pencil l.r., initialed within the matrix,
identified on an AAA label on the reverse. Lithograph on paper,
image size 10 x 14 in. (25.4 x 35.5 cm), framed.
Condition: Mat burn, not examined out of frame.
$1,000-1,500
52
50
52A.
Salvador Dalí (Spanish, 1904-1989)
Fleuve d’abondance from POEMES DE MAO TSE-TUNG,

1967, from the edition of 95 (Lopsinger & Michler, 213).
Signed “Dali” in pencil l.r., Dali dry stamp l.r., numbered
“72/95” in pencil l.l. Heliogravure and drypoint with coloring
on Japan paper, plate size 9 3/8 x 7 3/8 in. (23.8 x 18.8 cm),
framed.
Condition: Not examined out of frame
$300-500
52A
52B.
Salvador Dalí (Spanish, 1904-1989)
50 Secrets of Magic Craftsmanship/Book with an Original

Drawing, 1948, published by New York: The Dial Press,
translated by Haakon M. Chevalier, numbered 6 of 49 copies,
containing a signed sepia watercolor drawing depicting classical
figures before a European town dated 1948, the limitations page
later inscribed by Dalí dated 1952, half vellum, pictorial boards
and slipcase, folio.
Condition: Minor soiling, slipcase with minor wear and soiling
and cracks to upper edge.
$7,000-9,000
52B
53
53. 54.
After Edgar Degas (French, 1834-1917) Adolf Arthur Dehn (American, 1895-1968)
Avant la course, 1910. Signed in the matrix. Color lithograph Haitian Night, 1961, edition of 200 plus proofs (Lumsdaine &
on paper, sight size 18 3/4 x 22 in. (47.5 x 55.7 cm), framed. O’Sullivan, 553.ii). Signed “Adolf Dehn” in pencil l.r., numbered
Condition: Toning, rippling, not examined out of frame. “79/210” in pencil l.l. Lithograph in black and tan on paper,
Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Condition: Subtle toning, not examined out of frame.
Grasso, Essex, Connecticut. $400-600
$3,000-5,000
54
55 56
55. 56.
Morgan Dennis (American, 1892-1960) Lot of Two Dog Prints:
Lot of Three Views: The Four Courts - Dublin, 1923; The Morgan Dennis (American, 1892-1960), The Pup, 1926,
Sailmender; and Summer Afternoon. Each signed “MORGAN second plate; and Diana Thorne (American, b. 1895), Waiting.
DENNIS” in pencil l.r. and titled in pencil or in the plate. Both signed in pencil l.r. Etchings on paper, plate sizes to 6 x 8
Etchings on paper, plate sizes to 7 x 5 5/8 in. (17.6 x 14.2 cm), in. (15.2 x 20.3 cm), framed.
framed. Condition: Subtle toning, not examined out of frames.
Condition: Pale foxing, subtle toning, not examined out of $300-500
frames.
$400-600
57.
Morgan Dennis (American, 1892-1960)
Lot of Two Dog Scenes: A Bone of Contention and The

Contented Companion. Both signed “MORGAN DENNIS” in
pencil l.r. Etchings on paper, plate sizes approximately 3 1/2 x 5
in. (8.8 x 12.5 cm), framed.
Condition: Unobtrusive toning (more so to Companion), not
examined out of frames.
$250-350
57
58
58.
Werner Drewes (German/American, 1899-1985)
59
Reflections, 1960, from the second edition of 160, published by
Associated American Artists (Jentsch, III.197). Signed “Drewes”
in pencil l.r., inscribed “No. 63” in pencil l.l., label from AAA on
the reverse. Woodcut in blue and black on paper, image size 11
1/4 x 20 7/8 in. (28.5 x 52.8 cm), framed.
Condition: Subtle toning, mat burn, pale pin-point fox marks, 59.
rippling, not examined out of frame. Jean Dubuffet (French, 1901-1985)
$400-600
Le vent et l’eau, from LES PHENOMENES X: EAUX,
PIERRES, SABLE, 1959, total edition of 35 (Webel, 565).
Signed and dated “J. Dubuffet 59” in pencil l.r., titled in pencil
l.c., numbered “6/10” in pencil l.l. Lithograph on Japan paper,
N.B. The lot is accompanied by a copy of Daniel Cordier’s book

The Drawings of Jean Dubuffet (George Braziller; New York,
1960).
$250-350
60.
Romain de Tirtoff, called Erté (Russian, 1892-1990)
The Duel, 1981, edition of 300 (Lee, 202). Signed “Erté” in

pencil l.r., numbered “155/300” in pencil l.l. Color screenprint
on paper, image size 24 3/4 x 17 3/4 in. (62.7 x 45.0 cm),
framed.
$200-300
60
61 62
61.
Oriental Tale, 1982, from a proof edition of 125. Signed “Erté”

in pencil l.r., numbered “CII/CXXV” in pencil l.l. Color
screenprint on paper, image size 23 5/8 x 17 3/4 in. (59.9 x
45.0 cm), framed.
$800-1,200
62.
Stolen Kisses, 1982, edition of 300. Signed “Erté” in pencil l.r.,

numbered “105/300” in pencil l.l. Color screenprint on cream
$1,000-1,500
63.
Sloth from THE SEVEN DEADLY SINS, 1983, from a proof

edition of 90. Signed “Erté” in pencil l.r., numbered “V/XC” in
pencil l.l. Color screenprint on paper, image size 19 1/4 x 14
5/8 in. (49.0 x 37.0 cm), framed.
$800-1,200
63
65
64
64.
Helen of Troy, 1987, edition of 300. Signed “Erté” in pencil l.r.,

numbered “16/300” in pencil l.l. Color screenprint on black
$1,200-1,800
65.
Aaron Fink (American, b. 1955)
Cup, 1983. Signed and dated “Aaron Fink ‘83...” in pencil l.r.,
identified on a label from The Alpha Gallery, Boston, on the
reverse. Hand-colored woodcut on paper, image size 23 1/2 x
31 1/2 in. (59.5 x 80.0 cm), framed.
$300-500
66.
Eliza Draper Gardiner (American, 1871-1955)
Fishing off the Dock, edition of 50. Signed and numbered

“Eliza D. Gardiner 23/50” in pencil l.r. Color woodcut on
paper, image size 10 7/8 x 8 in. (27.5 x 20.3 cm), framed.
frame.
$800-1,200
66
67
68
67.
Eliza Draper Gardiner (American, 1871-1955)
On the Boat, edition of 50. Signed and numbered “Eliza D.

Gardiner 42/50” in pencil l.r., titled in pencil l.c. Color woodcut 68.
on gray paper, image size 10 1/2 x 12 1/2 in. (26.5 x 31.7 cm), Gerald Drexler Garston (American, 1925-1994)
framed.
Condition: Margins 1/2 inch or more, subtle toning, several pale Burning Bright. Signed “Garston” in pencil l.r., inscribed
fox marks, not examined out of frame. “AP/II” in pencil l.l., identified on a label from Pucker/Safrai
$1,000-1,500 Gallery, Boston, on the reverse. Color screenprint on paper,
Condition: Margin 1/2 inch or more, subtle rippling, not
$400-600
69.
Ignaz Marcel Gaugengigl (American, 1855-1932)
Self-Portrait of Artist, c. 1909 (R.ORG IMG, 23). Signed

“I.M. Gaugengigl” in pencil l.r., monogrammed within the plate.
Drypoint on paper, plate size 11 1/4 x 7 3/4 in. (28.5 x 19.6
cm), framed.
Condition: Unobtrusive toning and mat burn, subtle rippling,
not examined out of frame.
$200-300
69
70.
Michiel Gloeckner (American, 1915-1989)
Lot of Two Untitled Works, 1974. Both signed and dated

“Michiel Gloeckner 1974” in pencil l.r. and numbered in pencil
l.l. Color lithographs on paper, image sizes to 26 5/8 x 19 5/8
in. (67.5 x 49.8 cm), shrink-wrapped.
Condition: Not examined out of wrap.
$500-700
71.
George Ehrenfried Grosz (German/American, 1893-1959)
Feierabend (L’angelus à Munich) from GOTT MIT UNS, 1920-

21, edition of 125 (Dückers, M III, 3). Signed and dated
“GROSZ 1920” in pencil l.r., titled and identified in the matrix.
Photo-lithograph on paper, image size 16 x 11 7/8 in. (40.5 x
30.0 cm), unmatted, unframed.
Condition: Margins 1 inch or more with deckled right edge,
soiling, nicks to margins, creasing, annotations to lower margin
and the reverse.
70 $200-400
72.
Richard Haas (American, b. 1936)
Grand Central Station, 1973. Signed “Richard Haas” in pencil

l.r., titled in pencil l.l., inscribed “AP 2” in pencil l.c. Etching on
cream paper, plate size 14 3/4 x 19 3/4 in. (37.4 x 50.2 cm),
framed.
Condition: Several pale fox marks, not examined out of frame.
$200-250
71 72
73
73. 75.
Sir Francis Seymour Haden (British, 1818-1910) Ellen Day Hale (American, 1855-1940)
Mytton Hall, 1859, fourth state of five (Schneiderman, 19). Willow Whistle, 1888-89. Signed “Ellen Day Hale” in pencil l.r.,
Signed “Seymour Haden” in pencil l.l., signed and dated in the Signed, identified, and dated within the plate. Etching on paper,
plate, identified on a label from M. Knoedler & Co., Inc., New plate size 15 1/2 x 8 1/2 in. (39.3 x 21.5 cm), framed.
York, on the reverse. Etching on paper, plate size 4 7/8 x 10 Condition: Toning, crease l.c. (almost exclusively to the margin),
3/8 in. (12.3 x 26.3 cm), framed. not examined out of frame.
Condition: Margins 1/4 inch or more, unobtrusive toning, not $600-800
$600-800
74.
Sir Francis Seymour Haden (British, 1818-1910)
Grayling Fishing, c. 1897 (Schneiderman, 227 ii/v). Signed

“Seymour Haden” in pencil l.r. Mezzotint with drypoint on
paper, plate size 7 1/2 x 12 in. (19.0 x 30.5 cm), matted,
unframed.
Condition: Margins 2 inches or more, pale mat burn,
tape/residue to upper edge.
$700-900
74
75
76
76. 77.
Frederick Childe Hassam (American, 1859-1935) Stanley William Hayter (British, 1901-1988)
Easthampton, 1917 (Cortissoz, 134). Monogrammed and Masques, alternatively titled Masques sur une plage, 1937, edition
inscribed “CH imp” in pencil l.r., monogrammed, inscribed, and of 30 (Black & Moorhead, 107). Signed “SWHayter” in pencil
dated in the plate, identified on a label from Frederick Keppel & l.r., titled in pencil l.c., numbered “13/30” in pencil l.l.
Co., Inc., New York, on the reverse. Etching on paper, plate size Engraving with etching on paper, plate size 4 1/8 x 7 7/8 in.
7 1/2 x 11 1/2 in. (19.0 x 29.0 cm), framed. (10.4 x 20.0 cm), framed.
Condition: Subtle toning, not examined out of frame. Condition: Toning, several fox marks, not examined out of
$2,000-3,000 frame.
$400-600
77
78.
Ludwig Hohlwein (German, 1874-1949)
Direct China Cotton Importers Wonalancet Company Nashua

NH, 1909. Identified in the matrix. Color lithographic poster
on paper, sheet size 32 1/2 x 23 1/4 in. (82.4 x 59.0 cm),
shrink-wrapped.
Condition: Subtle toning, minor handling creases, creases and
minute nicks to corners, not examined out of wrap.
$3,000-4,000
78
79.
Lester George Hornby (American, 1882-1956)
A Montrouge, Propriétaire et Chien, 1909, edition of 24 (Falk,

52). Signed “L.G. Hornby” in pencil l.r., signed and titled within
the plate, dedicated and signed “A most humble appreciation of
generous courtesy extended to me by the Yorick Club. L.G.
Hornby June 1910” in ink on the mat. Etching on paper, plate
size 10 x 7 in. (25.4 x 17.7 cm), framed.
$200-250
79
80.
Alfred Heber Hutty (American, 1877-1954)
The Old Stand of Trees. Signed “Alfred Hutty...” in pencil l.r.

Etching on paper, plate size 9 x 15 in. (22.8 x 38.1 cm), framed.
Provenance: Sold to benefit the Bennington Museum, Vermont.

$300-500
80
81.
Louis Icart (French, 1888-1950)
La robe de chine, 1926 (Holland et al., 276). Signed “Louis

Icart” in pencil l.r., numbered “6/394” in pencil l.l., dated in
publication text within the plate, artist’s dry stamp l.l. Color
etching and aquatint with stencil coloring on paper, plate size 15
1/4 x 18 3/8 in. (38.5 x 46.5 cm), framed.
Condition: Toning, mat burn, not examined out of frame.
$500-700
81
82.
La dame aux camelias, 1927 (Holland et al., 321). Signed

“Louis Icart” in pencil l.r., dated in publication text within the
plate. Color etching and aquatint with stencil coloring on paper,
oval format, plate size 16 3/4 x 21 in. (42.5 x 53.2 cm), framed.
Condition: Toning, breaks along plate mark, not examined out
of frame.
$600-800
82
83.
Conchita, 1929 (Holland et al., 361). Signed “Louis Icart” in

pencil l.r., dated in the publication text within the plate, artist’s
dry stamp l.l., numbered “183/500” in pencil l.l. etching with
aquatint and stencil coloring on paper, plate size 21 1/8 x 14
1/8 in. (53.5 x 35.8 cm), framed.
Condition: Toning, minute abrasions to image l.r., not examined
out of frame.
$300-500
84.
Robert Indiana (American, b. 1928)
LOVE, 1967, edition of 2,275 plus proofs (Sheehan, 39).

Unsigned, stamped “© 1967 by ROBERT INDIANA” in blue on
the reverse. Color screenprint on paper, image/sheet size 34 x
34 in. (86.2 x 86.2 cm), framed.
Condition: Small area of soiling l.c., not examined out of frame.
$1,000-1,500
85.
Eli Jacobi (Russian/American, 1898-1984)
83
Bathers by a Pool. Monogrammed in the block. Woodcut on
thin paper, image size 10 1/8 x 8 1/4 in. (25.5 x 21.0 cm),
framed.
Condition: Toning, margins approximately 1/2 inch, brown
paper tape hinges to top edge.
$200-250
85
84
86 87
86.
Bertha Evelyn Clausen Jaques (American, 1863-1941)
Japanese Pine. Signed “Bertha E. Jaques” in pencil l.r., titled in

pencil l.l. Etching with coloring on paper, plate size 9 7/8 x 7
7/8 in. (25.0 x 20.0 cm), framed.
Condition: Subtle toning and mat burn, not examined out of
frame.
$200-300
87.
Jasper Johns (American, b. 1930)
Cup 2 Picasso, 1973, from the larger edition published for XXe
Siecle. Signed and dated in the matrix. Color offset lithograph
matted, unframed.
Condition: Margins approximately 1/2 inch.
$200-300
88.
Jasper Johns (American, b. 1930)
Lot of Two Works: Silver Cicada, 1982, and Summer, c. 1991.

Both unsigned. Offset lithographs on paper, image sizes
approximately 9 x 7 in. (22.8 x 17.7 cm), matted, unframed.
Condition: Hinged along upper edge.
$400-600
88
89 90
89.
Lester F. Johnson (American, b. 1919)
The Scene, 1979, edition of 175. Signed and dated “Lester

Johnson 79” in pencil l.r., numbered “138/175” in pencil l.l.
Color screenprint on paper, image size 30 x 23 1/8 in. (76.2 x
58.7 cm), framed.
$300-500
90.
Max Kaus (German, 1891-1977)
Sinnendes Mädchen, c. 1923, edition of 8 (Moeller, 57). Signed

“MKaus...” in pencil (within the image) l.l., numbered “3 - 8” in
pencil l.r. Lithograph in black and tan on paper, image size 16
3/4 x 18 7/8 in. (42.5 x 47.8 cm), framed.
Condition: Foxing, toning, subtle fading, unobtrusive rippling,
$300-500
91.
John Melville Kelly (American, 1879-1962)
Lot of Two Hawaiian Figure Studies: Kaipo Hawaii and

Sahpan Fisherman, Hawaii. Both signed “John Kelly” in pencil
l.r., signed in the plate, and titled in pencil l.l. Etchings on paper,
plate sizes to 10 x 8 in. (25.4 x 20.3 cm), framed.
Condition: Unobtrusive mat burn, not examined out of frames.
91
$800-1,200
92
93
92. 93.
Harald Kihle (Norwegian, 1905-1997) Robert Kipniss (American, b. 1931)
A Passing Shower, 1952. Signed and dated “Harald Kihle rito Opening Road, 1985, edition of 120 plus proofs. Signed
1952.” in pencil l.l., titled or inscribed “(Fricksemplar) Fra “Kipniss” in pencil l.r., numbered “12/120” in pencil l.l.,
Telemarken.” in pencil l.l. Color lithograph on paper, image size identified in information affixed to the reverse. Color lithograph
18 5/8 x 21 3/4 in. (47.2 x 55.2 cm), framed. on paper, image size 13 1/2 x 10 in. (34.2 x 25.4 cm), framed.
Condition: Unobtrusive toning and soiling, not examined out of Condition: Not examined out of frame.
frame. $300-500
$400-600
94.
Robert Kipniss (American, b. 1931)
Two Trees and Balustrade, edition of 120. Signed “Kipniss” in

pencil l.r., numbered “74/120” in pencil l.l. Color lithograph on
wove paper, image size 19 x 11 in. (48.2 x 27.8 cm), matted,
unframed.
Condition: Margins approximately 2 inches.
$250-350
94
95
95. 97.
Marguerite Kirmse (American, 1885-1954) Gene (Alice Geneva Glasier) Kloss (American, 1903-1996)
Lot of Two Prints: A Straight Flush and Tiny Tim. Both Pueblo Dancer. Signed “Gene Kloss” in pencil l.r., inscribed and
signed “Marguerite Kirmse” in pencil l.r. and titled in pencil l.l., titled “Artist’s Proof...” in pencil l.l. Drypoint on paper, plate
Flush identified on a label from Arthur H. Harlow & Co., New size 8 x 5 3/4 in. (20.3 x 14.5 cm), matted, unframed.
York, on the reverse. Etchings on paper, plate sizes to 2 x 6 in. Condition: Margins 2 inches or more.
(5.0 x 15.2 cm), framed. $400-600
Condition: Foxing, toning, not examined out of frames.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman)

Grasso, Essex, Connecticut.
$400-600
96.
Marguerite Kirmse (American, 1885-1954)
Point! Signed “Marguerite Kirmse” in pencil l.r., titled in pencil

l.l., initialed within the plate. Etching on paper, plate size 7 5/8
x 9 5/8 in. (19.3 x 24.4 cm), framed.
$300-500
96
97
99
98
98. 99.
Gene (Alice Geneva Glasier) Kloss (American, 1903-1996) Gan Kolski (Polish/American, 1899-1932)
All Souls’ Day Pilgrimage. Signed “Gene Kloss” in pencil l.r., Head. Signed “Gan Kolski” in pencil l.r., monogrammed in the
numbered and titled “42/50...” in pencil l.l. Etching and block, titled in pencil l.l. Woodcut on paper, image size 8 x 5
drypoint on paper, plate size 12 x 9 in. (30.4 x 22.7 cm), matted, 7/8 in. (20.3 x 14.8 cm), framed.
unframed. Condition: Unobtrusive toning, not examined out of frame.
Condition: Margins 2 inches or more.
$700-900 N.B. Although the artist worked primarily in New York, Kolski
created a number of woodcuts depicting Provincetown,
Massachusetts.
$150-200
100.
Irving G. Lehman (American, 1900-1982)
Figure in Landscape. Initialed in the block. Woodcut on paper,

Condition: Margins over 1 inch with ink and soiling, rippling.
$300-500
100
101
101.
Clare Veronica Hope Leighton (Anglo/American, 1901-
1988)
Landing, from the LUMBER CAMP SERIES, 1931, edition of

130 (BPL, 195). Unsigned. Wood engraving on paper, image
size 8 1/4 x 12 3/8 in. (20.8 x 31.4 cm), unmatted, unframed.
Condition: Margins over 1 1/2 inches.
Provenance: Through printer Harold McGrath.

$300-500
102.
1988)
Bread Line, New York, 1932, edition of 100 (BPL, 198).

Unsigned, inscribed “P” in pencil l.l. Wood engraving on paper,
image size 11 3/4 x 7 7/8 in. (29.7 x 20.0 cm), unmatted,
unframed.

$300-500
102
103.
1988)
Apple Picking: September, from THE FARMER’S YEAR, 1933,

published edition of 60 (BPL, 209). Unsigned. Wood engraving
on paper, image size 8 5/8 x 11 in. (21.8 x 27.8 cm), unmatted,
unframed.

$300-500
103
104.
1988)
Haymaking: June, from THE FARMER’S YEAR, 1933,

on paper, image size 8 x 9 7/8 in. (20.2 x 25.0 cm), unmatted,
unframed.

$300-500
104
105.
1988)
Stooking: August, from THE FARMER’S YEAR, 1933,

published edition of 60 (BPL, 213). Unsigned, inscribed “P” in
pencil l.l. Wood engraving on paper, image size 8 x 10 5/8 in.

$300-500
105
106.
1988)
Sheepshearing: May, from THE FARMER’S YEAR, 1933,

on paper, image size 8 x 10 3/8 in. (20.3 x 26.3 cm), unmatted,
unframed.

$300-500
106
107.
1988)
The Fat Stock Market: December, from THE FARMER’S YEAR,

1933, published edition of 60 (BPL, 217). Unsigned, inscribed
“P” in pencil l.l. Wood engraving on paper, image size 7 7/8 x
10 1/8 in. (20.0 x 25.6 cm), unmatted, unframed.

$300-500
107
108.
1988)
Plowing: November, from THE FARMER’S YEAR, 1933,

unmatted, unframed.

$300-500
108
111
109
109. 111.
John Lennon (British, 1940-1980) Tod Lindenmuth (American, 1885-1976)
John and Yoko with Bananas, edition of 300. Dry stamp The Net Menders. Signed “Tod Lindenmuth” in pencil l.r., titled
signature with chop l.r., printer and/or publisher’s dry stamps l.r., in pencil l.l. Woodcut on paper, image size 10 1/8 x 9 in. (25.5
numbered “213/300 edition” in pencil l.l. Color screenprint on x 22.7 cm), framed.
paper, image size 22 x 17 1/2 in. (55.7 x 44.4 cm), framed. Condition: Margins 1 1/2 inches or more with two deckled
Condition: Not examined out of frame. edges, unobtrusive soiling, nicks and/or creases to edges, not
$1,000-1,500 examined out of frame.
$250-300
110.
Roy Lichtenstein (American, 1923-1997)
Lot of Two Impressions of the Triptych As I Opened Fire...,

1966 (Corlett, app. 5). Unsigned, identified in the matrix and on
the reverse. Offset color lithographs on paper, each sheet
measures 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), unmatted,
unframed.
Condition: Minor handling marks and creases.
$1,200-1,800
110
114
112
114.
Elyse Ashe Lord (British, 1900-1971)
112. Lot of Two Images of Women: Waiting, edition of 100; and

Philip Little (American, 1857-1942) Cymbals, edition of 100. Both signed “Elyse Lord-” in pencil
l.r., numbered in pencil l.l., and identified on a label from W.
Harbor View, Possibly Salem, Massachusetts, 1927. Signed Russell Button Gallery, Chicago, on the reverse. Etchings with
and dated “Philip Little 1927” in pencil l.r., signed and dated in stencil coloring on paper, plate sizes to 8 1/2 x 12 in. (21.5 x
the plate. Etching and drypoint on paper, plate size 7 7/8 x 9 30.4 cm), framed.
7/8 in. (20.0 x 25.0 cm), framed. Condition: Subtle toning, not examined out of frames.
Condition: Not examined out of frame. $600-800
$200-250
115.
Elyse Ashe Lord (British, 1900-1971)
Lot of Three Images of a Dancer: Li-Si Dancer, trial proof;

113. Before the Dance, edition of 85; and After the Dance, edition of
Elyse Ashe Lord (British, 1900-1971) 85. Each signed “Elyse Lord-” in pencil l.r., numbered or
inscribed in pencil l.l., and identified on a label from Arthur
Immortals, edition of 75. Signed “Elyse Lord-” in pencil l.r., Ackermann & Son, Inc., London, New York, and Chicago, on
numbered “24/75” in pencil l.l. Etching with stencil coloring on the reverse. Etchings with stencil coloring on paper, plate sizes to
paper, plate size 17 x 21 3/4 in. (43.2 x 55.1 cm), framed. 10 3/8 x 8 1/2 in. (26.3 x 21.5 cm), framed.
Condition: Subtle toning, not examined out of frame. Condition: Subtle toning, not examined out of frames.
$400-600 $600-800
113 115
117
116
116. 117.
Bertha Boynton Lum (American, 1869-1954) Bertha Boynton Lum (American, 1869-1954)
Butterfly Dance, 1922 (Gravalos & Pulin, 66). Signed and Promenade of the Marionettes, 1927 (Gravalos & Pulin, 92B).
inscribed “Bertha Lum copyright 1929 by” in pencil (within the Signed and inscribed “copyright by Bertha Lum” in pencil
image) l.c., identified (as Incense on a label from the Schwartz (within the image) l.c., identified on a label from the Schwartz
Galleries, Inc., New York, on the reverse. Raised line hand- Galleries, Inc., New York, on the reverse. Raised line hand-
colored woodcut on paper, image size 14 3/4 x 10 1/4 in. (37.3 colored woodcut on paper, image size 17 1/4 x 23 1/4 in. (43.7
x 26.0 cm), framed. x 59.0 cm), framed.
Condition: Subtle toning, not examined out of frame. Condition: Subtle toning, not examined out of frame.
$300-500 $300-500
118.
Bertha Boynton Lum (American, 1869-1954)
Elephant Procession at Angkor Wat/A Triptych, 1930 (Gravalos

& Pulin, 95). Unsigned. Raised line hand-colored woodcut on
paper, total sight size 19 1/4 x 48 in. (49.0 x 121.5 cm), framed.
$500-700
118
119 120
119. 120.
Bertha Boynton Lum (American, 1869-1954) Bertha Boynton Lum (American, 1869-1954)
Spinning Goddess, 1930-36 (Gravalos & Pulin, 98). Signed and Incense, 1932 (Gravalos & Pulin, 144). Signed and inscribed
dated “Bertha Lum ‘34” in pencil (within the image) l.c., “Bertha Lum copyright 1929 by” in pencil (within the image)
identified on a label from the Schwartz Galleries, Inc., New York, l.c., identified (as Butterfly Dance on a label from the Schwartz
on the reverse. Color woodcut on paper, image size 19 1/4 x 13 Galleries, Inc., New York, on the reverse. Raised line hand-
1/2 in. (48.9 x 34.2 cm), framed. colored woodcut on paper, image size 14 3/4 x 10 3/4 in. (37.3
Condition: Subtle toning, not examined out of frame. x 27.2 cm), framed.
$500-700 Condition: Subtle toning, not examined out of frame.
$300-500
121.
Aristide Maillol (French, 1861-1944)
Lot of Two Figural Works: Le sommeil sous les arbres,

alternatively titled Faucheuse endormie, 1943 (Guerin, 208); and
Reclining Nude in a Landscape. Both numbered “38/100” in
pencil l.l. and stamped with artist’s monogram l.l. Woodcuts (the
former in red) on paper, image sizes to 3 3/4 x 5 1/2 in. (9.5 x
13.8 cm), framed.
Condition: Margins over 1 1/2 inches with all but the left edges
deckled, subtle rippling, not examined out of frames.
$300-500
121
123
122
122.
John Marin (American, 1872-1953)
Ponte Ghetto, Venezia, 1907, edition of approximately 30

(Zigrosser, 69). Signed “John Marin” in pencil l.r., signed and
dated in the plate, titled in the plate. Etching on paper, plate size
9 1/4 x 7 3/8 in. (23.5 x 18.8 cm), framed.
$400-600
123.
Marino Marini (Italian, 1901-1980)
Chevaux et cavaliers 4, 1972 (Guastalla & Schulz-Hoffman,

L107). Signed “MARINO” in pencil l.r., inscribed “EC.” in
pencil l.l. Color lithograph on paper, image size 15 x 20 in. (38.2
x 50.7 cm), framed.
$200-300
124.
Marino Marini (Italian, 1901-1980)
Le sacre du printemps, 1973, edition of 3000 plus proofs,

published by XXe SIÈCLE (Guastalla & Schulz-Hoffman, LR).
Bears signature “MARINO” in pencil l.r. Color lithograph on
paper, image size 12 1/2 x 9 3/4 in., framed.
$400-600
124
125.
John Stockton De Martelly (American, 1903-1980)
Economic Discussion, 1936, edition probably of 200 (North, 17).

Signed “John S. De Martelly” in pencil l.r., identified in an
inscription and information on the reverse. Lithograph on paper,
$250-350
126.
Henri Matisse (French, 1869-1954)
Le repos du modèle, 1922, second state, edition of 575 (Duthuit,

416). Signed in the matrix, dry stamp “GALERIE DES
PEINTRES GRAVEURS PARIS” l.r. Lithograph on chine,
image size 8 3/4 x 11 3/4 in. (22.2 x 29.8 cm), matted,
unframed.
Condition: Margins over 1 inch with deckled edges, several fox
marks, subtle staining just into image l.c.
$1,500-2,000
125
126
127
127.
Nu couché, jambe repliée (Étude de jambes), 1925, edition of 50

(Duthuit-Matisse, 461). Numbered and signed “22/50 Henri -
Matisse” in pencil u.r. Lithograph on paper, image size 10 1/4 x
18 3/4 in. (25.8 x 47.5 cm), framed.
$3,000-5,000
128.
Etudes pour Saint Dominique, 1950-51, edition of 200

(Duthuit, 658). Signed and numbered “125/200 H. Matisse” in
pencil l.r. Lithograph on chine appliqué, image size 7 1/2 x 6
3/8 in. (19.0 x 16.2 cm), unmatted, unframed.
Condition: Two deckled edges to supporting sheet, toning
(especially to margins), glue/residue to edges on the reverse.
$1,500-2,000
128
130
129
129. 130.
Valerie Maynard (American, b. 1937) Leo John Meissner (American, 1895-1977)
Lot of Two Images: Strange Fruit and Artist Trying to Get It Adam, edition of 50. Signed “Leo Meissner” in pencil l.r., titled
All Done. Both signed “Valerie Maynard...” in pencil l.r., titled in pencil l.l., numbered “36/50” in pencil l.c., monogrammed in
in pencil l.l., and inscribed “AP” in pencil l.l. Woodcuts on paper, the block. Wood engraving on paper, image size 9 7/8 x 7 7/8
image size 12 x 9 in. (30.4 x 22.8 cm), framed. in. (25.0 x 20.0 cm), framed.
Condition: Not examined out of frames. Condition: Subtle rippling, several pale fox marks, not examined
$300-500 out of frame.
$300-500
130A.
Charles Meryon (French, 1821-1868)
Lot of Two Works: La morgue, 1854, fourth state of seven

(Schneiderman, 42); and Le Ministère de la Marine, 1865,
(Schneiderman, 94). Both identified within the plates. Etchings
on paper, plate sizes to 9 x 8 in. (22.4 x 19.7 cm), unmatted,
unframed.
Condition: Unobtrusive toning, Morgue laid down, trimmed just
into image, and with staining, Ministère with staining to upper
margin.
$400-600
130A
131
131. 132.
Joan Miró (Spanish, 1893-1983) Henry Moore (British, 1898-1986)
Image from SUITE: LA BAGUE D’AURORE, 1957, from the Picture Book, 1967, edition of 50 (Cramer et al., 91). Signed
hand-colored edition of 12 (Dupin, 132). Signed “Miró.” in “Moore” in pencil l.r., numbered “45/50” in pencil l.l. Etching
pencil l.r., numbered “III/XII” in pencil l.r., label from the Far on paper, plate size 3 7/8 x 5 1/8 in. (10.0 x 12.8 cm), matted,
Gallery, New York, on the reverse. Aquatint in black with unframed.
drawing by the artist on Rives paper with watermark, plate size 4 Condition: Margins over 2 1/2 inches with all but the upper
1/2 x 5 1/2 in. (11.4 x 14.0 cm), framed. edge deckled.
Condition: Mat burn, staining from backing and transfer, deckled $400-600
left and lower edges, lower margin folded over 4 3/4 inches
beneath the plate mark.

$3,000-5,000
132
133
134
133.
Henry Moore (British, 1898-1986)
Resting Girl from NUDES, 1974, edition of 50, printed by

Curwen Prints Ltd., London (Cramer, 405). Signed “Moore” in
pencil l.r., numbered “35/50” in pencil l.l. Lithograph in tan
and brown on paper, image size 6 1/8 x 6 3/4 in. (15.5 x 17.0
cm), framed.
Condition: Margins 1 inch or more, not examined out of frame.
$800-1,200
134.
Thomas Sidney Moran (American, 1837-1926)
A Tower in Cortez - Mexico, 1883 (Morand & Friese, 44).

Signed “T. Moran.” in pencil l.r., signed, dated, and titled within
the plate. Etching with drypoint and roulette printed in umber
on paper, plate size 12 x 9 3/4 in. (30.5 x 24.7 cm), framed.
$300-400
135.
Robert Motherwell (American, 1915-1991)
Tricolor, 1973, published in XXe SIECLE, volume XL, number

40, June 1973 (Terenzio, appendix 24). Initialed and dated
“RM/73” in the matrix. Offset lithograph in red, black, and blue
on wove paper, sheet size 14 1/2 x 10 5/8 in. (36.8 x 27.0 cm),
unmatted, unframed.
Condition: Minor handling creases.
$300-500
135
136.
Robert Motherwell (American, 1915-1991)
Gypsy Curse, 1983, edition of 98, separate from the edition for
the book El Negro, published by Tyler Graphics (Terenzio, 286).
Signed and numbered “Motherwell 88/98” in pencil l.r.,
publisher’s dry stamp l.r. Lithograph on red chine collé, image
Condition: Deckled edges.
$400-600
137.
Louise Nevelson (American, 1899-1988)
Untitled, 1984, edition of 105. Signed and dated “nevelson -

84” in pencil l.r., numbered “33/105” in pencil l.l., “gg” dry
stamp l.r. Color screenprint with lithography on paper, image size
34 x 24 in. (86.2 x 60.9 cm), framed.
Condition: Margins over 2 inches, subtle rippling, not examined
out of frame.
$400-600
138.
José Clemente Orozco (Mexican, 1883-1949)
136 La Familia, alternatively titled Three Generations, 1926, edition

of 100 (Hopkins, 4). Signed “José Clemente Orozco” in pencil
l.r., identified on a label from E. Weyhe, Inc., New York, on the
reverse. Lithograph on paper, image size 10 1/4 x 14 3/4 in.
(26.0 x 37.4 cm), framed.
Condition: Margins 1/2 inch or more, rippling, subtle toning,
$300-500
137 138
140
139
139.
Mimmo Paladino (Italian, b. 1948)
Tra gli ulivi, 1984, edition of 35, published by Editions

Schellmann, Munich. Signed and dated “M. Paladino 84” in
pencil l.r., numbered “10/35” in pencil l.l., artist’s dry stamp l.c.
Color etching with aquatint and drypoint on paper, sheet size 52
1/4 x 38 in. (132.5 x 96.5 cm), framed.
Condition: Deckled edges, gentle rippling, not examined out of
frame.
$1,500-2,500
140.
Margaret Jordan Patterson (American, 1867-1950)
Zinnias and Marigolds, edition of 100 (Bakker, 104). Signed

“Margaret Patterson” in pencil (twice - once within the image)
l.r., titled in pencil l.c., numbered “no 45/100” in pencil l.l.
Color woodcut on paper, image size 10 1/4 x 7 1/2 in. (26.0 x
19.0 cm), framed.
Condition: Unobtrusive toning to sheet, not examined out of
frame.
$700-900
141.
Edward Penfield (American, 1866-1925)
Harper’s May, 1897. Signed and identified within the matrix.

Color lithographic poster on paper, sight size 18 1/8 x 13 in.
(46.0 x 33.0 cm), framed.
$300-500
141
143
142
142.
Joseph Pennell (American, 1860-1926)
Lot of Two City Views: St. Dunstan’s, Fleet Street, 1903,

edition probably of 50 (Wuerth, 269); and Upper Fifth Ave,
1904, edition probably of 50 (Wuerth, 323). Both signed
“JPennell...” in pencil l.c. Etchings on paper, plate size 11 1/2 x
8 in. (29.2 x 20.2 cm), framed.
Condition: Unobtrusive toning, mat burn, not examined out of
frames.
$600-800
143.
Thames From Richmond Hill, 1903, edition probably of 50

(Wuerth, 276). Signed “JoPennell” in pencil l.c. Etching on
paper, plate size 8 3/4 x 11 in. (22.2 x 27.8 cm), matted,
unframed.
Condition: Margins approximately 1 inch with deckled lower
edge, annotations to lower margin, mat burn.
$200-250
144.
The Foreign Office, 1904, edition probably of 25 (Wuerth, 297).

Signed “JPennell imp” in pencil l.c., identified on a label from
Frederick Keppel & Co., New York, on the reverse. Etching on
paper, plate size 11 x 8 1/2 in. (27.8 x 21.5 cm), framed.
$400-600
144
145
145. 147.
Joseph Pennell (American, 1860-1926) Pablo Picasso (Spanish, 1881-1973)
Old and New Mills, 1910, edition probably of 50 (Wuerth, 602). Sculpteur, modele et sculpture assise, plate 40 from LA SUITE
Signed “JPennell imp” in pencil l.c., signed and dated in the VOLLARD, 1933 (Bloch, 146). Signed “Picasso” in pencil l.r.
plate, identified on a label from Frederick Keppel & Co., New Etching and drypoint on laid paper with Picasso and figural
York, on the reverse. Etching on paper, plate size 9 1/2 x 12 watermarks, plate size 12 1/2 x 7 1/4 in. (31.6 x 18.3 cm),
5/8 in. (24.0 x 32.0 cm), framed. unmatted, unframed.
Condition: Mat burn, subtle toning, not examined out of frame. Condition: Margins over 1 3/4 inches with deckled edges,
$300-400 annotations to lower margin.
$3,000-5,000
146.
The City In 1915, 1915, edition probably of 75 (Wuerth, 679).

Signed “JosPennell” in pencil l.c., inscribed “Trial” in pencil l.l.
Etching on paper, plate size 8 3/8 x 11 in. (21.2 x 27.8 cm),
matted, unframed.
Condition: Unobtrusive mat burn, not examined out of frame.
$300-500
146
147
148
148. 149.
Pablo Picasso (Spanish, 1881-1973) Pablo Picasso (Spanish, 1881-1973)
Sueño y mentira de Franco (Planche II), 1937, total edition of Petite nue assis au miroir, 1947, edition of 50 (Bloch, 451).
1,000 (Cramer, 28). Stamped signature l.r., numbered Signed “Picasso” in pencil l.r., numbered “38/50” in pencil l.l.,
“494/850” in pencil l.l., dated and identified within the plate, dated within the matrix, stamp from R. Dogana, Rome, on the
identified in text affixed to the reverse. Etching and aquatint on reverse. Lithograph on cream Arches paper with partial
paper, plate size 12 3/8 x 16 5/8 in. (31.4 x 42.1 cm), framed. watermark, image size 12 3/8 x 19 1/8 in. (31.3 x 48.8 cm),
Condition: Not examined out of frame. unmatted, unframed.
$3,000-4,000 Condition: Deckled edges to all but the upper edge, edges and
margins with minor nicks and creases, minor soiling to image,
annotations and hinging residue (with minor thinned spots) to
the reverse.
$4,000-6,000
149
151
150
150. 151.
Pablo Picasso (Spanish, 1881-1973) Pablo Picasso (Spanish, 1881-1973)
Lot of Two Portraits: L’Age de soleil, pour Roby, 1950 (Bloch Dessins d’un demi-siècle, 1956, edition for the cover of the
680) and After Picasso, Visage de femme, c. 1950. Both signed catalogue for L’exposition 1956 de Berggruen & Cie (Bloch,
in the plate, the latter signed or inscribed “Picasso” in pencil l.r. 792). Signed in the matrix. Color lithograph on paper, sheet size
Etchings on cream paper, plate sizes approximately 9 1/4 x 7 in. 8 5/8 x 9 1/4 in. (21.8 x 23.5 cm), matted, unframed.
(23.3 x 17.7 cm), unmatted, unframed. Condition: Two vertical central creases, very subtle toning.
Condition: Margins over 1 3/4 inches with deckled edges, $400-600
hinges to verso of latter.
$600-800
152.
Pablo Picasso (Spanish, 1881-1973)
La Pique I, 1959, edition of 50 (Bloch, 898). Signed “Picasso”

in pencil l.r., numbered “33/50” in pencil l.l., dated within the
matrix. Lithograph on cream Arches paper with watermark,
image size 17 x 22 in. (43.2 x 55.8 cm), unmatted, unframed.
Condition: Deckled edges with minor nicks, tear to left edge
(less than 1/2 inch), subtle toning, hinging residue to the reverse.
$3,000-5,000
152
154
153
153.
After Pablo Picasso (Spanish, 1881-1973)
Tête de femme, 1946. Unsigned, dated “29 Juin 46” u.l.,

numbered or inscribed “17/58” in yellow pencil l.r. Color offset
lithograph on paper, image size 9 x 6 in. (22.8 x 15.2 cm),
framed.
$1,000-1,500
154.
Scott Prior (American, b. 1949)
Hadley Landscape, 1984. Signed and dated “Scott Prior 1984”

in pencil l.r., titled in pencil l.l., identified on a label from the
Alpha Gallery, Boston, on the reverse. Color monotype on paper,
plate size 8 3/4 x 8 in. (22.0 x 20.3 cm), framed.
Condition: Subtle rippling, not examined out of frame.
$700-900
155.
Mel Ramos (American, b. 1935)
Phantom Lady, 1963. Signed “Mel Ramos” in pencil l.r.,

numbered “HC 9/20” in pencil l.l., copyright, printer, and
publisher noted within the matrix. Color screenprint on paper,
sheet/image size 37 x 30 in. (94.0 x 76.2 cm), unmatted,
unframed.
Condition: Minor handling marks and creases.
$300-500
155
157
156
156.
Mel Ramos (American, b. 1935)
Camilla, 1963, edition of 161. Signed “Mel Ramos” in pencil

l.r., numbered “80/161” in pencil l.l., copyright, printer, and
publisher noted in the matrix l.l. Color screenprint on paper,
image size 37 x 32 in. (94.0 x 81.3 cm), unmatted, unframed.
Condition: Wide margins, unobtrusive handling marks and
creases.
$300-500
157.
Doel Reed (American, 1895-1985)
Rest, 1941, edition of 25, published by Associated American

Artists (Cohen & Rogers, 43). Signed “Doel Reed” in pencil l.r.,
identified on an AAA label on the reverse. Aquatint and etching
on paper, plate size 9 x 15 in. (22.6 x 38.0 cm), framed.
Condition: Mat burn, subtle toning, not examined out of frame.
$700-900
158.
James Rizzi (American, b. 1950)
Baseball Like it Ought to Be, 1987, edition of 250. Signed,

titled, numbered, and dated “RIZZI...51/250 87” in pencil
beneath the image. Color screenprint with three-dimensional
collage, image size 12 x 9 in. (30.4 x 22.8 cm), framed.
$200-400
158
161
159
159. 161.
James Rizzi (American, b. 1950) James Rizzi (American, b. 1950)
Sidewalk Cafe, 1987, edition of 175. Signed, titled, numbered, People, 1988, edition of 250. Signed, titled, numbered, and
and dated “James RIZZI...14/175 1987” in pencil beneath the dated “James RIZZI...101/250 1988” in pencil beneath the
image. Color screenprint with three-dimensional collage, image image. Color screenprint with three-dimensional collage, image
size 8 1/2 x 12 1/8 in. (21.5 x 30.5 cm), framed. size 16 x 26 in. (40.5 x 66.0 cm), framed.
Condition: Not examined out of frame. Condition: Not examined out of frame.
$300-500 $300-500
160.
Running Thru America, 1987, edition of 175. Signed, titled,

numbered, and dated “James RIZZI...92/175 87” in pencil
beneath the image. Color screenprint with three-dimensional
collage, image size 5 1/2 x 19 3/4 in. (14.0 x 50.2 cm), framed.
$300-500
160
162 163
162. 163.
James Rizzi (American, b. 1950) James Rizzi (American, b. 1950)
Women Who Work Out, 1989, edition of 350. Signed, titled, Which Way Is Up, 1989, edition of 350. Signed “RIZZI” in
numbered, and dated “RIZZI...12/350 89” in pencil beneath the pencil l.l., numbered “171/350” in pencil l.r., titled and dated
image. Color screenprint with three-dimensional collage, image within the matrix. Color screenprint with three-dimensional
size 20 3/4 x 14 3/4 in. (52.7 x 37.4 cm), framed. collage, image size 11 7/8 x 7 1/2 in. (30.0 x 19.0 cm), framed.
Condition: Not examined out of frame. Condition: Not examined out of frame.
$300-500 $200-400
164.
It Ain’t Over Till It’s Over, 1992, edition of 350. Signed

“RIZZI” in pencil l.l., numbered “32/350” in pencil l.r., titled
and dated within the matrix. Color screenprint with three-
dimensional collage, image size 8 1/2 x 9 in. (21.5 x 22.8 cm),
framed.
$200-400
164
165
165. 167.
James Rosenquist (American, b. 1933) Georges Rouault (French, 1871-1958)
Bottomless House, 1976, edition of 41 (Glenn, 99). Signed and Ne sommes-vous pas forçats? from MISERERE, published 1948,
dated “Rosenquist 1976” in pencil l.r., numbered and titled edition of 425 plus proofs (Wofsy, 113). Signed and dated
“23/41...” in pencil l.l., dry stamp l.c. Etching and aquatint in “...1926” in the plate. Etching and aquatint on laid paper with
red with hand-coloring on paper, plate size 6 x 12 in. (15.2 x “Arches” and “Ambrose Vollard” watermarks, plate size 23 1/4 x
30.4 cm), framed. 17 1/4 in. (59.0 x 43.7 cm), unmatted, unframed, presented in
Condition: Margins over 2 1/2 inches with deckled edges, subtle its original folder.
rippling, not examined out of frame. Condition: Margins approximately 1 inch with deckled edges,
$700-900 subtle toning.
$400-600
166.
Georges Rouault (French, 1871-1958)
Suaire, c. 1925 (cf. Wofsy, 82). Signed in the matrix. Color

photo-lithograph on paper, image size 23 1/4 x 17 3/4 in. (59.0
x 45.0 cm), framed.
Condition: Margins approximately 1 inch, toning, scattered mold
growth.

$1,000-2,000
166 167
168 169
168. 169.
Georges Rouault (French, 1871-1958) Georges Rouault (French, 1871-1958)
Et Veronique au tendre lin, pass encore sur le chemin..., from Mon doux pays, où êtes-vous? from MISERERE, published 1948,
MISERERE, published 1948, edition of 425 plus proofs (Wofsy, edition of 425 plus proofs (Wofsy, 151). Signed and dated
140). Initialed and dated “...1922” in the plate. Etching and “...1927” in the plate. Etching and aquatint on laid paper with
aquatint on paper, plate size 17 x 16 1/2 in. (43.0 x 41.7 cm), “Arches” and “Ambrose Vollard” watermarks, plate size 16 3/4 x
framed. 23 3/4 in. (42.5 x 60.3 cm), unmatted, unframed, presented in
Condition: Toning, rippling, not examined out of frame. its original folder.
Condition: Margins approximately 1 inch with deckled edges,
Provenance: Estate of Anna Eleanor Roosevelt (née Braman) subtle toning.
Grasso, Essex, Connecticut. $400-600
$1,000-2,000
170.
Christ prenant congé da sa mère from PASSION, published in

1939 by Vollard (Wofsy, 341). Initialed and dated “...1936” in
the plate. Etching and aquatint on laid paper with partial
watermark, plate size 12 3/8 x 8 3/8 in. (31.4 x 21.3 cm),
matted, unframed.
Condition: Margins over 2 1/4 inches with deckled edges to
three sides, unobtrusive toning, pale scattered fox marks.
$500-700
170
171.
Les Disciples from PASSION, published in 1939 by Vollard

(Wofsy, 352). Initialed and dated “...1936” in the plate. Etching
and aquatint on laid paper with partial watermark, plate size 12 x
8 5/8 in. (30.4 x 21.8 cm), matted, unframed.
Condition: Margins over 2 1/4 inches with deckled edges to
three sides, unobtrusive toning, pale scattered fox marks.
$500-700
172.
Margery Austen Ryerson (American, 1886-1989)
Seated Child. Signed “Margery Ryerson” in pencil l.r., identified

in information affixed to the reverse. Color etching on paper,
plate size 6 x 4 in. (15.2 x 10.1 cm), framed.
$300-500
171
173.
Kiyoshi Saito (Japanese, 1907-1992)
Plowing. Signed “Kiyoshi Saito” in ink and with chop (within

the image) l.l. Color woodcut on paper, sight size 9 7/8 x 15 in.
(25.0 x 37.8 cm), framed.
$200-300
172 173
174
174.
Ferdinand Schmutzer (Austrian, 1870-1928) 175
Violinist from the Joachim Quartet, c. 1904. Signed “F.

Schmutzer” in pencil l.r. Etching on paper, plate size 8 1/2 x 8
7/8 in. (21.5 x 22.5 cm), unframed, mat accompanies the lot.
Condition: Margins over 1 1/2 inches, subtle toning, several pin-
point fox marks. 176.
$200-300 Karl Schrag (American, 1912-1995)
Lot of Two Views: Storm at Sea and Trees and Wind,

175. probably from the BY THE SEA Portfolio, 1965-1966, both
Fritz Scholder (Native American, 1937-2005) from proof editions of 12. Both signed “Karl Schrag” in pencil
l.r. and numbered “Artist’s Proof 5/12” in pencil l.l. Etchings
War Cry, edition of 100. Signed “Scholder” in pencil l.r., with aquatint on paper, plate sizes 4 x 6 in. (10.2 x 15.2 cm),
numbered “77.100” in pencil l.l. Color lithograph on paper, framed.
image/sheet size 34 x 22 1/4 in. (86.3 x 56.4 cm), shrink- Condition: Margins over 4 inches, not examined out of frames.
wrapped.
Condition: Not examined out of wrap. Provenance: Through the family of the artist.
$300-500 $300-500
176
179
177
177. 179.
Junichiro Sekino (Japanese, 1914-1988) Lot of Two Images Relating to Paul Signac:
Girl with Birds. Signed “Jun. Sekino” in pencil l.r., chop mark Joseph Victor Roux Champion (French, 1871-1953),
l.c. Color woodcut on paper, image size 13 3/4 x 9 1/8 in. Portrait of Paul Signac; and Paul Signac (French, 1863-
(34.8 x 23.1 cm), framed. 1935), Paris: Le Pont des Arts avec remorqueurs, c. 1927,
Condition: Not examined out of frame. possibly a later impression (Kornfeld & Wick, 24). Both signed
$300-500 in the plate. Etchings with aquatint on paper, plate sizes
approximately 7 1/2 x 5 in. (19.0 x 12.5 cm), matted, unframed.
Condition: Margins 2 inches or more with most edges deckled,
178. foxing, unobtrusive toning.
Junichiro Sekino (Japanese, 1914-1988) $500-700
Lot of Three Portraits: Gentleman Seated and Seated Lady,
two impressions; each an edition of 20. Each signed “Junichiro 180.
Sekino” in pencil l.r., numbered in pencil l.l., and with seal and Tavik Frantisek Simon (Czech, 1877-1942)
stamped “Z. SEKINO” within the image. Color woodcuts on
paper, image sizes approximately 23 1/2 x 18 3/4 in. (59.5 x Lot of Two Views of Paris: Barges on the Seine in Winter and
47.5 cm), unmatted, unframed. Notre Dame Sous la Niege, 1909. Each signed “T.F. Simon...” in
Condition: Margins 1 inch or more, handling marks and creases, pencil l.r., the latter monogrammed and dated in the plate and
subtle water damage. identified on a label from Albert Roullier, Chicago, on the
$600-800 reverse. Color etchings with aquatint on paper, plate sizes to 14 x
15 1/2 in. (35.5 x 39.4 cm), framed.
Condition: Unobtrusive toning, not examined out of frames.
$600-800
178 180
181 182
181. 182.
Tavik Frantisek Simon (Czech, 1877-1942) Yngve Edward Soderberg (American, 1896-1971)
Lot of Three Views of Paris: Petit Pont en Hiver, Paris, Quai The Weather Rail. Signed “Yngve Edward Soderberg” in pencil
Voltaire, and Chiffoniers Sous le Pont Neuf, 1922. Each signed l.r., identified on a label on the reverse. Etching on paper, plate
“T.F. Simon” in pencil l.r. and inscribed and/or titled in pencil l.l. size 7 x 8 3/4 in. (17.7 x 22.2 cm), framed.
Color etchings with aquatint on paper, plate sizes to 13 x 15 in. Condition: Toning, not examined out of frame.
(33.0 x 38.0 cm), framed. $200-250
Condition: Subtle toning, not examined out of frames.
Provenance: The property of Samuel E. Codman, Charles G.

Loring House, Prides Crossing, Massachusetts.
$400-600
183.
Joseph Constantine Stadler, engraver (British, 18th/19th
Century), After Philipp Reinagle (British, 1749-1833)
Large Flowering Sensitive Plant from Thornton’s TEMPLE OF

FLORA, 1799. Identified within the plate. Color etching with
aquatint on paper, plate size 18 1/2 x 14 in. (46.8 x 35.5 cm),
framed.
Condition: Unobtrusive toning, break to paper along plate mark
(primarily along the right side), pale fox marks, not examined out
of frame.
$300-350
183
184
186
185 (detail) 187
184. 186.
Frank Stella (American, b. 1936) Carol Summers (American, b. 1925)
Sidi Ifni, 1973, edition of 90 plus proofs (Axsom, 91a). Navarro Ridge, 1973, proof outside of the edition of 75
Inscribed, signed, and dated “P.P. II F. Stella ‘73” in pencil l.r. (Summers et al., 112). Signed “Carol Summers” in pencil within
Color lithograph on paper, image size 19 x 19 in. (48.2 x 48.2 the image c.r., titled and inscribed “AP...” in pencil within the
cm), framed. image c.l. Color woodcut on paper, image/sheet size 48 3/4 x
Condition: Margins 1 inch or more, minor creases to very edges, 37 in. (123.7 x 94.0 cm), unmatted, unframed.
not examined out of frame. Condition: Minor handling marks and creases, nicks and creases
$1,500-2,500 to edges.
$500-700
185. 187.
David Sullivan (American, b. 1941) Carol Summers (American, b. 1925)
Musgrove/Andover, Massachusetts/A Five-Panel Suite. Lot of Three Landscapes: Esperanza, 1978, artist’s proof
Signed “David Sullivan” in pencil on the right panel, titled in outside of the edition of 100 (Summers et al., 149); Primitive
pencil on the left panel. Color screenprints on paper, sight sizes Landscape, 1983, artist’s proof outside of the edition of 50
to 40 x 24 in. (101.5 x 60.7 cm), each panel framed individually. (Summers et al., 181); and Gulf Stream, edition of 100. Each
Condition: Not examined out of frames. signed “Carol Summers” in pencil within the image and titled and
$800-1,200 numbered or inscribed in pencil within the image. Color
woodcuts on paper, image/sheet sizes approximately 30 x 30 in.
Condition: Minor handling marks and creases, nicks to edges,
scattered fox marks (primarily to Primitive).
$1,000-1,500
188.
Carol Summers (American, b. 1925)
Family Portrait by the Sea, 1981, edition of 100 (Summers et al.,

172). Signed, titled, and numbered “6/100...Carol Summers” in
pencil within the image u.c. Color woodcut on paper,
image/sheet size 36 1/2 x 37 1/4 in. (92.5 x 95.7 cm),
unmatted, unframed.
Condition: Minor handling marks and creases, nicks and creases
to edges, thin spots from previous hinging to verso at edges.
$300-500
189.
Sunset at Sea, edition of 75. Signed “Carol Summers” in pencil

within the image u.r., titled and numbered “9/75...” in pencil
within the image u.l. Color woodcut on paper, image/sheet size
36 x 49 in. (91.4 x 124.5 cm), unmatted, unframed.
to edges (the latter primarily to corners), hinging/residue on the
reverse.
$500-700
188
190.
Storm Over Mt. Meru, edition of 75. Signed “Carol Summers”

in pencil within the image l.r., titled and numbered “33/75...” in
pencil within the image l.l. Color woodcut on paper,
image/sheet size 37 1/4 x 47 3/4 in. (94.4 x 121.2 cm),
unmatted, unframed.
to edges.
$400-600
191.
Spirit of Trees, edition of 75. Signed “Carol Summers” in pencil

within the image l.r., titled and numbered “11/75...” in pencil
within the image l.l. Color woodcut on paper, image/sheet size
37 1/2 x 48 in. (95.2 x 121.8 cm), unmatted, unframed.
189 to edges.
$600-800
190 191
192.
Henri de Toulouse-Lautrec (French, 1864-1901)
Portrait de Monsieur X, 1898, possibly a posthumous

impression (Adriani, 248). Monogrammed in the plate.
Drypoint on paper with “...LBN Voiron” watermark, plate
size 6 5/8 x 4 1/8 in. (16.6 x 10.5 cm), matted, unframed.
Condition: Margins 1 3/4 inches or more with a deckled
upper edge.
$250-300
192
193.
Jane Avril, 1899, third state of three (Adriani, 354).

Monogrammed, dated, and titled in the matrix, identified on
a label from Far Gallery, New York, on the reverse. Color
lithographic poster on paper, sheet size 22 x 14 7/8 in. (55.8
x 37.7 cm), framed.
Condition: Toning, repair to corner l.r. (plus to minute nicks
and tears to edges), handling creases, rippling, backed with
chine or similar.

$50,000-70,000
193
194
194. 195.
Victor Vasarely (French/Hungarian, 1908-1997) Victor Vasarely (French/Hungarian, 1908-1997)
Per Mutations, 1968, edition of 150. Signed “Vasarely” in pencil Untitled, edition of 250. Signed “Vasarely-” in pencil l.r.,
l.r., numbered “55/150” in pencil l.l., identified on a label from numbered “142/250” in pencil l.l. Color screenprint on paper,
Retina Gallery, Boston, on the reverse. Color screenprint on image size 26 x 25 3/4 in. (65.7 x 65.3 cm), framed.
paper, image size 23 1/2 x 23 1/2 in. (59.5 x 59.5 cm), framed. Condition: Subtle rippling, not examined out of frame.
Condition: Subtle toning, not examined out of frame. $600-800
$500-700
195
196
196.
Andy Warhol (American, 1928-1987)
African Elephant from ENDANGERED SPECIES, 1983,

total edition of 150 plus proofs (Feldman & Schellmann,
II.293). Numbered and signed “II/X AndyWarhol” in
pencil l.r., dry stamp l.l. Color screenprint on paperboard,
sheet size 38 x 38 in. (96.4 x 96.4 cm), framed.
$20,000-30,000
197.
Giant Panda from ENDANGERED

SPECIES, 1983, total edition of 150 plus
proofs (Feldman & Schellmann, II.295).
Numbered and signed “II/X AndyWarhol” in
pencil l.l., dry stamp l.l. Color screenprint on
paperboard, sheet size 38 x 38 in. (96.4 x
96.4 cm), framed.
Condition: Minute creases to very tips of
corners and l.l. and l.r., not examined out of
frame.
$15,000-25,000
197
198.
Bighorn Ram from ENDANGERED

SPECIES, 1983, total edition of 150 plus
proofs (Feldman & Schellmann, II.302).
Numbered and signed “II/X AndyWarhol” in
pencil l.c., dry stamp l.l. Color screenprint on
paperboard, sheet size 38 x 38 in. (96.4 x
96.4 cm), framed.
Condition: Minor creases to corners u.l. and
l.l., hinges broken, not examined out of frame.
$15,000-25,000
198
200
199
199.
After Andy Warhol (American, 1928-1987)
Lot of Two Posters: Vom Surrealismus Bis Zur Pop-Art...

Wurtt Kunstveren, Stuttgart, 1970, and Andy Warhol Galerie
Kammer, Hamburg, 1982. Both signed “Andy Warhol” in ink
within the image. Color lithographic posters on paper,
image/sheet sizes 33 x 23 1/4 in. (83.7 x 59.0 cm), unmatted,
unframed.
Condition: Unobtrusive surface rubs.
$400-600
200.
ANDY WARHOL Colorado State University..., 1981. Signed

“Andy Warhol” in ink within the image. Color offset lithographic
poster on paper, sheet size 35 x 25 in. (88.8 x 63.5 cm),
unmatted, unframed.
Condition: Subtle surface rubs, minor handling creases.
$500-700
201.
Williams College Museum of Art, 1986. Signed “Andy Warhol”

in silver marker within the image l.l. Color offset lithographic
poster on paper, image/sheet size 34 x 34 in. (86.2 x 86.2 cm),
unmatted, unframed.
Condition: Minor handling marks and creases, subtle surface
201 rubs.
$800-1,200
202.
Andy Warhol (American, 1928-1987) and Keith Haring
(American, 1958-1990)
20th Montreux Jazz Festival July 3rd - 19th 86, 1986. Signed
“K. Haring...” in silver marker within the image. Color
screenprint on paper, image/sheet size 39 1/2 x 27 in. (100.3 x
68.5 cm), unmatted, unframed.
Condition: Subtle surface rubs, minor handling creases.
$500-700
203.
Stow Wengenroth (American, 1906-1978)
Black Weather, 1932, edition of 53 (Stuckey, 25). Signed “Stow

Wengenroth” in pencil l.r., identified on a label from The
National Arts Club on the reverse. Lithograph on paper, image
size 6 1/2 x 14 in. (16.4 x 35.5 cm), framed.
N.B. The view depicts Eastport, Maine.

$800-1,200
204.
Stow Wengenroth (American, 1906-1978)
Wharf at Wellfleet, 1938, edition of 135 (Stuckey, 73). Signed

“Stow Wengenroth” in pencil l.r. Lithograph on paper, image
202 size 7 5/8 x 13 1/8 in. (19.3 x 33.2 cm), framed.
$200-300
203
204
205
205. 207.
Stow Wengenroth (American, 1906-1978) James Abbott McNeill Whistler (American, 1834-1903)
Spring on Pleasant Street, 1958, edition of 40 (Stuckey, 250). Bibi Lalouette, 1859, second state of two (Kennedy, 51). Signed
Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/40” in and dated in the plate, identified on a label from Frederick Keppel
pencil l.l. Lithograph on paper, image size 11 3/4 x 15 7/8 in. & Co., Inc., New York, on the reverse. Etching on paper, plate
(29.8 x 40.3 cm), framed. size 9 x 6 in. (22.8 x 15.2 cm), framed.
Condition: Toning, not examined out of frame. Condition: Subtle toning, not examined out of frame.
$2,000-3,000
N.B. The view depicts a house in Kennebunkport, Maine.
$200-300
208.
James Abbott McNeill Whistler (American, 1834-1903)
206.
James Abbott McNeill Whistler (American, 1834-1903) La robe rouge, 1894, second state of two, published in The
Studio, 1895 (Spink, Stratis & Tedeschi, 107). Butterfly
La Vieille aux Loques, third state of three, possibly a later monogram within the matrix, dry stamp from The Studio l.l.,
impression (Kennedy, 21). Unsigned, identified on a label from identified in an inscription on the reverse. Lithograph on paper,
Frederick Keppel & Co., Inc., New York, on the reverse. Etching image size 7 1/2 x 6 1/8 in. (19.0 x 15.5 cm), framed.
on paper, plate size 8 1/4 x 5 5/8 in. (21.0 x 14.0 cm), framed. Condition: Subtle toning, not examined out of frame.
Condition: Margins 1/4 inch or more, not examined out of $1,000-1,500
frame.
$400-600
206 207 208

209 210
209. 210.
Henry E. Winzenreid (American, 1892-1971) Grant Wood (American, 1891-1942)
Field Work. Signed “Henry E. Winzenreid” in pencil l.r., Approaching Storm, 1940, edition of 250, published by
numbered “1/20” in pencil l.l., stamped “Henry Winzenreid Associated American Artists (Czestochowski, W-17). Signed
(Estate)” l.r. Lithograph on paper, image size 9 3/4 x 11 7/8 in. “Grant Wood” in pencil l.r., identified on an AAA label on the
(24.5 x 30.0 cm), matted. reverse. Lithograph on paper, image size 11 3/4 x 8 7/8 in.
Condition: Margins 1 inch or more, subtle toning. (29.8 x 22.5 cm), framed.
$200-250 Condition: Mat burn, not examined out of frame.
$3,000-5,000
211.
Jack Youngerman (American, b. 1926)
Untitled Yellow, 1966, edition of 90. Initialed and dated “JY

66” in pencil (within the image) l.r., numbered “45/90” in pencil
(within the image) l.l., identified on a label from Obelisk Gallery,
Boston, on the reverse. Color lithograph on paper, image/sheet
$300-500
211
Photography
212.
Pierre Choumoff (Russian/French, 1872-1936) and Charles
Berthelomier (French, 19th/20th Century)
Seven Photographs of Auguste Rodin Sculptures. Five

stamped “...Choumoff...5, Faubourg St-Jacques, PARIS” on the
reverse, one stamped “Ch. BERTHELOMIER/15, Rue du
Delta/PARIS” on the reverse, sheet sizes to 9 3/8 x 7 1/8 in.
(23.8 x 18.1 cm), unframed.
Condition: Toning, scattered soiling/staining, mild nicks/wear
to edges.
.
Provenance: Through the estate of the American painter, Antonio

Cirino (American, 1889-1983).
N.B. Auguste Rodin believed photography was integral to the

dissemination of his work. During his lifetime, photographs of
Rodin’s sculptures were used to supplement exhibitions of his
sculptures by providing the viewer with images of works that were
not on display. They were also sold commercially in albums and
212 used to illustrate articles on Rodin’s work. Rodin worked with a
variety of photographers, each offering “his own vision, thus
renewing and enriching the artist’s view of his sculptures.”
Eugene Duret collaborated with Rodin from 1896 until 1903,
followed by Jacques-Ernest Bulloz and several others. Pierre
Choumoff was the last photographer to collaborate with Rodin,
and after the Rodin’s death in 1917 Choumoff became the first
photographer for the Musee Rodin.1
1. http://www.musee-rodin.fr/images/cult.pdf/press_english.pdf, p. 19.
$300-500
213.
Harold Eugene Edgerton (American, 1903-1990)
Broken Glass of Milk. Signed “HAROLD EDGERTON” in

pencil on the reverse. Gelatin silver print, image size 8 3/4 x 11
213 7/8 in. (22.2 x 30.1 cm), unframed, matted.
Condition: Good.
$1,500-2,000
214.
Harold Eugene Edgerton (American, 1903-1990
Gussie Moran. Unsigned, stamped “H.E. EDGERTON, M.I.T.

4-405, CAMBRIDGE - MASS.” on the reverse, titled on the
reverse. Gelatin silver print, image size 7 5/8 x10 in. (19.4 x
25.4 cm), unframed.
Condition: Good.
Provenance: Directly from the artist to the family of the present

owner.
$1,000-1,500
214
215
216
215. 216.
Harold Eugene Edgerton (American, 1903-1990) Harold Eugene Edgerton (American, 1903-1990)
Sprinkler, signed “HAROLD EDGERTON” in pencil on the Lot of Two Tennis Images. One signed “HAROLD
reverse. Gelatin silver print, image size 8 x 12 in. (20.3 x 30.5 EDGERTON” in ink on the reverse, one signed and dated
cm), unframed, matted. “Regards HAROLD EDGERTON 1979” in pencil and stamped
Condition: Good. “H.E. EDGERTON, M.I.T. 4-405, CAMBRIDGE - MASS” on
$1,000-1,500 the reverse. Gelatin silver prints, image sizes to 7 5/8 x 10 in.
Condition: Minor handling creases.
Provenance: Directly from the artist to the family of the present

owner.
$2,000-3,000
217.
Fritz Henle (German, 1909-1993)
Magens Bay, St. Thomas seen from Mountain Top. Titled and
signed “...by Fritz Henle” on mount verso, printed signature on
photo paper attached. Gelatin silver print, mounted, image size
15 1/2 x 19 3/4 in. (39.4 x 50.2 cm), unframed, matted.
Condition: Very minor wear/creases to corners.
$300-500
217
218.
Lotte Jacobi (American, 1896-1990)
Albert Einstein/A 100th Anniversary Portfolio of 25 Images,

1979, published by Lotte Jacobi, Deering, New Hampshire. Title
page of the portfolio dedicated, signed and dated “To Gordon
and Clara for their 40th anniversary with good wishes, Lotte, Aug
26th,” each image signed “Lotte Jacobi” in the matrix l.r. or u.r.
Photogravures on paper, 5 x 7 in. (12.7 x 17.8 cm), presented in
original cover.
Condition: Subtle toning, very mild wear to corners.
N.B. This lot also includes eight photographic postcards each

signed and inscribed by Lotte Jacobi. “In addition to the public
holdings of her work, private collectors benefited from her
practice of making original, signed photographic postcards of her
work. She used these prints as an expression of friendship and
was perhaps inspired by the Stieglitz use of postcard prints for his
series of cloud pictures, the Equivalents.”1
1. Jacobi, Lotte and Peter A. Moriarty, Lotte Jacobi: Photographs (Jaffrey, New
Hampshire: David R. Godine, 2003), p. 74.
218 $300-500
219.
John S. Johnston (British/American, born c. 1839-1899)
Lot of Five Yachting Images: Mischief, Pilgrim, Ariel and

Lasca, Ventura, and Half-Raters in Trial Race. Unsigned,
sailing vessels inscribed l.c., Pilgrim inscribed “COPYRIGHT
1893, BY J.S. JOHNSTON, N.Y.” l.r., Half-Raters inscribed
“COPYRIGHT 1896, BY J.S. JOHNSTON, N.Y.” l.r.. Albumen
prints on paper, approximate sizes 6 1/2 x 8 1/4 in. (16.5 x 21.0
cm), unframed.
Condition: Minor wear/nicks to edges, handling creases, toning,
mild rippling.
$700-900
219
220.
John S. Johnston (British/American, born c. 1839-1899)
Lot of Five Yachting Images: Volunteer and Defender,

Defender, Merlin, Norota, and Asthore. Unsigned, sailing vessels
inscribed l.c., the former two inscribed “COPYRIGHT 1895, BY
J.S. JOHNSTON, N.Y.” l.r., Merlin inscribed “WINNING
GOBLET CUP RACE, 1890” l.r. Albumen prints on paper,
approximate sizes 6 1/2 x 8 1/4 in. (16.5 x 21.0 cm), unframed.
Condition: Minor wear/nicks to edges, toning, mild rippling.
$800-1,200
220
221 223
221. 223.
John S. Johnston (British/American, born c. 1839-1899) B.A. King (Canadian/American, b. 1934)
Lot of Five Yachting Images: Columbia & Shamrock, The Great Oak, 1978, edition of 100. Signed “B.A. King” in
Shamrock, Valkyrie III, Cicada, and Robin Hood. Unsigned, pencil on the mount verso. Gelatin silver print, image size 7 1/4
sailing vessels inscribed l.c., Columbia & Shamrock and Shamrock x 9 1/2 in. (18.4 x 24.1 cm), unframed, mounted.
inscribed “COPYRIGHT 1899, BY J.S. JOHNSTON, N.Y.” l.r., Condition: Rippling l.c.
Cicada inscribed “COPYRIGHT 1898, BY J.S. JOHNSTON,
N.Y.” l.r.. Albumen prints on paper, approximate sizes 6 1/2 x 8 N.B. This work was commissioned by the Worcester Art Museum
1/4 in. (16.5 x 21.0 cm), unframed. in 1978.
Condition: Minor wear/nicks to edges, toning, mild rippling. $200-300
Literature: The views of Cicada presented here (image no. 628)

was published in Rudder magazine, August 1898, p. 292.
$700-900
222. 224.
John S. Johnston (British/American, born c. 1839-1899) Aaron Siskind (American, 1903-1991)
Lot of Five Yachting Images: Mayflower, Bedouin, Madrine, Chicago 56. Signed “Aaron Siskind” in pencil on the reverse.
and two images of Glencairn. Unsigned, sailing vessels inscribed Gelatin silver print, image size 14 x 17 1/2 in. (35.6 x 44.5 cm),
l.c., Mayflower inscribed “J.S.J.” l.r., both images of Glencairn unframed, matted.
inscribed “COPYRIGHT 1896, BY J.S. JOHNSTON, N.Y.” l.r. Condition: Good.
Albumen prints on paper, approximate sizes 6 1/2 x 8 1/4 in. $1,000-1,500
Condition: Minor wear/nicks to edges, Mayflower with small
crease u.l., toning, mild rippling.
Literature: One of the views of Glencairn presented here (image

no. 402) was published in Forest and Stream magazine, July 25,
1896, p. 76.
$700-900
222 224
225
225.
Michael A. Smith (American, b. 1942)
Toledo. Signed “Michael A. Smith” in pencil on the mount l.r.,

dated “1980” in pencil on the mount l.l., titled and dated on the
back of the mount. Gelatin silver print, mounted, 7 1/2 x 19
1/2 in. (19.1 x 49.5 cm), framed.
Condition: Good.
$200-250
226.
Doug and Mike Starn (American, b. 1961)
Attracted to Light- K, 1996-2001, edition of 25. Signed “Doug

Starn” and “Mark Starn” in pencil on the reverse, numbered
“24/25” in pencil on the reverse. Toned silver print on Thai
226 Mulberry paper, sheet size 10 x 10 in. (25.4 x 25.4 cm),
unframed, unmatted.
Condition: Deckled edges, tape to corners verso.
$700-900
227.
William Wegman (American, b. 1943)
Image from Bird Dog Suite, 1990. Signed and dated “William
Wegman 1990” l.r., inscribed and numbered “Colorized Series
8/16” l.l. Photolithograph on paper/board, image size 19 3/4 x
19 3/4 in. (50.2 x 50.2 cm), framed.
Condition: Toning, broad rippling, not examined out of frame.
N.B. Wegman completed a black and white version of the Bird

Dog Suite in an edition of 50.
$1,200-1,800
227
Session II
Paintings & Sculpture
Lots 301-846
to be sold Friday, September 11th, 2009 at 4 p.m.

301.
After Pier Francesco Fiorentino (Italian, 1444-1497)
The Mystic Marriage of Saint Catherine

Label and wax seals on the reverse.
Tempera with oil, gold, and tooling on panel, lunette form, 20 x
13 1/2 in. (50.9 x 34.2 cm), with an applied molding.
Condition: Losses to surface and molding (primarily near lower
edge), retouch, bloom, cracks and insect damage to panel,
craquelure.
$2,000-3,000
301
302.
Manner of Sebastiano Mazzoni (Italian, c. 1611-1678)
Deposition
Unsigned, inscribed “Veronese” and Lorenzo Lotto” in later
hands on the reverse.
Oil on panel, 9 1/8 x 7 3/8 in. (23.0 x 18.5 cm), framed.
Condition: Subtle curve to panel, retouch, fine craquelure.
$2,000-3,000
302
303 304
303. 304.
Manner of Sir Joshua Reynolds (British, 1723-1792) Manner of Melchior de Hondecoeter (Dutch, 1636-1695)
Portrait of Sir Joshua Reynolds Birds in a Landscape

Unsigned. Unsigned.
Oil on canvas, 31 1/2 x 25 in. (80.0 x 63.5 cm), framed. Oil on canvas, 12 x 14 in. (30.5 x 35.6 cm), framed.
Condition: Lined, retouch and varnish inconsistencies Condition: Pinhole puncture c.l., minor scattered retouch,
throughout, craquelure, surface grime. craquelure, surface grime.
$1,800-2,200
N.B. This composition is related to several self-portraits executed
by the master.
$300-500 305.
Continental School, 17th Century Style
Lot of Two Portraits of Gentlemen

Unsigned.
Oil on canvas, sizes approximately 14 1/2 x 12 in. (26.8 x 30.5
cm), framed.
Condition: Lined, retouch, craquelure.
$1,200-1,800
305
307
306
307.
Adriaen de Grÿef (Flemish, 1657-1715)
Still Life with Game and Fruit

Signed “A Grÿef f” l.r.
Oil on canvas, 25 3/4 x 32 3/4 in. (65.4 x 83.2 cm), framed.
306. Condition: Lined, retouch, surface grime, craquelure.
After Gabriel Metsu (Dutch, 1629-1667) $4,000-6,000
The Game Seller

Unsigned. 308.
Oil on canvas, 17 3/4 x 13 3/4 in. (45.1 x 34.9 cm), framed. School of David Teniers II (Flemish, 1610-1690)
Condition: Lined, retouch, varnish inconsistencies.
$1,000-2,000 The Tric Trac Players
Signed or inscribed “D. TENIERS...” l.l., identified on a label
from the Dayton Art Institute affixed to the backing.
Oil on canvas, 18 x 26 1/2 in. (45.7 x 67.3 cm), framed.
Condition: Lined, retouch, varnish inconsistencies, craquelure,
surface grime.
$2,000-4,000
308
309 310
309.
Charlotte Hay (Swedish, b. 1798)
Mother’s Careful Advice

Signed and dated “Carlte Hay nee Militz fecit, Janvier 1840” l.l.,
identified on a period label affixed to the reverse.
Oil on panel, 16 x 21 in. (40.6 x 53.3 cm), framed.
Condition: Retouch, varnish inconsistencies, craquelure.
$2,000-3,000
310.
Albert Ernest Carrier-Belleuse (French, 1824-1887)
Molière
Signed “Carrier.” in the cast on the reverse l.l., titled on the
plinth.
Bronze with light brown patina, approximately 10 x 5 x 5 in.
(25.4 x 12.7 x 12.7 cm), mounted to a stone plinth.
Condition: Surface dust/grime, loose washer beneath plinth.
$3,000-5,000
311.
Moritz Stifter (Austrian, 1857-1905)
Profile of a Young Lady

Signed and dated “M. Stifter/1889” u.r., identified on a
presentation plaque.
Condition: Minor retouch, fine craquelure, subtle varnish
inconsistencies.
$2,500-3,500
311
312 312A
312.
Adolphe Alexandre Lesrel (French, 1839-1929)
The Huntsman
Signed and dated “A. A. LESREL 1904” l.r., a partial label
affixed to the reverse.
Condition: Minor nicks/losses to edges, scattered craquelure.
Provenance: A New England institution.

$5,000-7,000
312A.
Christian Meyer Ross (Norwegian, 1843-1904)
Portrait of a Lady
Signed or inscribed “Fra....C M Ross...68 Capole Case Roma, C
M Ross” on a period label affixed to the reverse.
Oil on canvas, 30 1/4 x 22 in. (76.8 x 55.9 cm), framed.
Condition: Laid down onto Masonite, bloom, craquelure, surface
grime.
$800-1,200
313.
Lajos Kolozsvary (Hungarian, 1871-1937)
The Antiques Dealer

Signed “L Kolozsvary” l.l.
Condition: Scattered retouch, fine craquelure.
$1,000-2,000
313
314.
Cuthbert Edmund Swan (British, 1870-1931)
Lion Cubs
Signed and dated “C.E. SWAN 1905” l.r., a label from Doll &
Richards, Boston, affixed to the reverse.
Watercolor on paper/board, 9 x 14 in. (22.9 x 35.6 cm), framed.
$600-800
314
315.
Georges Gardet (French, 1863-1939)
Lion et Lionne
Signed “G. GARDET” on the base l.c., marked “SIOT
DECAUVILLE, Fondeur, Paris” on the base.
Bronze with a brown patina, height 14 1/4 in. (36.2 cm).
Condition: Wear, oxidation, surface grime.
Provenance: Descended within the families of William Walters

(1819-1894) and/or George Harold Edgell (1887-1954).
$3,000-5,000
315
316.
Attributed to Gustave Doré (French, 1832-1883)
Caricatures/A Group of Head Studies

Signed or inscribed “G. Doré” in ink l.l.
Ink and watercolor on paper, sheet size 8 1/8 x 10 in. (20.6 x
25.4 cm), framed.
Condition: Tears/losses to the margins, subtle rippling, subtle
acid burn, toning, glue residue on the reverse.
$500-700
316
317.
François Flameng (French, 1856-1923)
Le Grenadier
Signed “FRANCOIS - FLAMENG” l.r.
Condition: Scattered retouch, varnish inconsistencies.

$10,000-15,000
317
317A.
Philippe Louis Parizeau (French, 1740-1801)
Portrait of a Man
Signed and dated “Ph L Parizeau 1775” l.r., inscribed “Bought
by J Lafowteur 1829.” on the backing.
Red chalk on paper, sheet size 17 1/4 x 14 in. (43.8 x 35.6 cm),
unframed.
Condition: Laid down, strips of blue paper (losses) adhered to
edges, toning, foxing, staining, creases, losses.
$400-600
317A
318
318. 319.
Willem Stad (Dutch, 1873-1959) Frans Schikkinger (Dutch, 1838-1902)
Lot of Two Works: De Vijgendam... and Het Rotterdammer... The Doelensluis, with the Hotel Het Rondeel to the Left and the
The former signed “W Stad” l.r., identified on labels affixed to Engelse Huizen and The Munt Tower and the Hotel De Munt
the reverse. on the Schapenplein Beyond
Watercolor and ink on paper, sight sizes to 10 3/4 x 15 in. (27.3 Signed and inscribed “Frans J Schikkinger/nach J. Cats./1901”
x 38.1 cm), framed. l.l.
Condition: Subtle toning, minor scattered foxing, not examined Ink and wash on paper, sight size 14 1/4 x 21 in. (36.2 x 53.3
out of frames. cm), framed.
$1,400-1,800 Condition: Not examined out of frame.
Provenance: Sotheby’s Amsterdam, November 8, 2000, lot 218.

$400-600
319
320
320. 321.
Frans Schikkinger (Dutch, 1838-1902) Frans Schikkinger (Dutch, 1838-1902)
The Binnen-Amstel with the Munt Tower and the Engelse Lot of Two Views: De Nieuwe Brug Met Het Paalhuis, Bjj
Huizen Winter... [The New Bridge with the Pile House in Winter]
Signed “Frans J. Schikkinger” l.l. and Achter ‘t Stadhuis... [Behind Town Hall...]
Watercolor, ink and graphite on paper, sight size 13 x 20 1/2 in. Each signed “Frans Schikkinger...” within the composition l.l. or
(33.0 x 52.1 cm), framed. l.r., identified on labels affixed to the reverse.
Condition: Not examined out of frame. Watercolor with ink on paper, sight sizes to 15 x 20 1/4 in. (38.1
x 51.4 cm), framed.
Provenance: Sotheby’s Amsterdam, November 8, 2000, lot 211. Condition: Foxing, toning, not examined out of frames.
$400-600 $800-1,200
321
322
322. 323.
Frans Schikkinger (Dutch, 1838-1902) Gustave Mascart (French, 1834-1914)
View of the House of Three Canals at the Confluence of the Promenade Along the Canal
Oudezijds Voorburgwal, Oudezijds Achterburgwal and Signed “G. Mascart” l.r.
Grimburgwal, Amsterdam Oil on canvas, 25 3/4 x 36 in. (65.4 x 91.4 cm), framed.
Signed and inscribed “Frans J Schikkinger... J. Cats 1793” l.r., Condition: Surface grime, craquelure, retouch, lined.
identified on a label on the reverse. $300-500
Ink and wash on paper, sight size 15 x 21 in. (38.1 x 53.3 cm),
framed.
Provenance: Sotheby’s Amsterdam, November 8, 2000, lot 220.

$400-600
323
323A.
Dutch School, 20th Century
View of the Oudezijks Kapel

Unsigned, identified on a label on the reverse.
Watercolor and ink on paper, sight size 9 1/2 x 13 1/2 in. (24.1
x 34.3 cm), framed.
$800-1,200
323A
323B.
Willem Stad (Dutch, 1873-1959)
View of the Binnenamstel with the Hoogesluis

Watercolor on paper, sight size 9 3/4 x 14 in. (24.8 x 35.6 cm),
framed.
$600-800
323B
323C.
Dutch School, 20th Century
View of the Singel Canal in Winter, with Skaters by the

Luthersche Oude Kerk on the Spui
Watercolor and ink on paper, sight size 8 5/8 x 13 in. (21.9 x
33.0 cm), framed.
Condition: Not examined out of the frame.
$800-1,200
323C
324
324. 325.
Charles Collins (British, 1851-1921) Charles Henry Turner (American, 1848-1908)
The Camel Ride Market at Stathagen

Signed “CCollins RBA” l.r., identified on a label affixed to the Signed and titled “...C.H. Turner-” l.l., stamped “Estate
reverse. of/Charles Henry Turner//1848-1908” with a partial exhibition
Watercolor with gouache on paper/board, sight size 8 3/4 x 10 label from the Boston Art Club on the stretcher.
3/4 in. (22.2 x 27.3 cm), framed. Oil on canvas, 34 x 42 in. (86.4 x 106.7 cm), framed.
Condition: Toning, not examined out of frame. Condition: Patch reinforcement, craquelure, retouch.
$400-600 $800-1,200
325
326.
Attributed to Jozef Israels (Dutch, 1824-1911)
Homewards
Signed “Jozef Israels” l.l., identified on a period label from
French Gallery, London, affixed to the reverse.
Oil on panel, 11 x 7 3/4 in. (27.9 x 19.7 cm), framed.
Condition: Retouch, varnish inconsistencies, scattered
craquelure.

$4,000-6,000
326
327.
William F. Ashburner (British, fl. 1900-1932)
Gathering Flowers in the Garden

Signed “Wm F. ASHBURNER” l.r., identified on a presentation
plaque.
Watercolor and graphite on paper, 19 1/2 x 10 5/8 in. (49.5 x
27.0 cm), framed.
Condition: Subtle acid burn, toning, not examined out of frame.
$1,000-2,000
327
327A.
Gerhard Peter Franz Vilhelm Munthe (Norwegian, 1849-
1929)
In the Cabin
Signed and dated “G Munthe 73” l.r.
Oil on canvas mounted onto board, 16 x 12 1/4 in. (40.6 x 31.1
cm), unframed.
Condition: Surface rubs, light scattered surface abrasions, wear to
edges/corners, varnish inconsistencies, scattered retouch,
craquelure with separating, surface grime.
$400-600
327A
327B.
Continental School, 19th Century
Coach Driving Through a Winter Landscape at Dusk

Signed, dated and inscribed “C. Kehn/96/Nürnberg” l.r.
Condition: Lined, retouch, tears.
$400-600
327B
328
328. 329.
Continental School, 19th Century François-Auguste Ravier (French, 1814-1895)
Lake Geneva and the Chateau de Chillon Woodland View

Signed “A George-” l.l., identified in an inscription on the Stamped “F A Ravier” l.r.
reverse. Oil on canvas, 12 1/4 x 16 in. (31.1 x 40.6 cm), framed.
Oil on canvas, 30 x 43 1/2 in. (76.2 x 110.4 cm), framed. Condition: Lined, tape to tacking edge, area of flaking and loss
Condition: Lined, retouch, surface grime, craquelure. l.r., minor scattered retouch, surface grime.
$800-1,200 $1,500-2,000
329
330.
Joan Roig y Soler (Spanish, 1852-1909)
The Shady Street/An Italian View

Signed and inscribed “Roig y Soler/Atella” l.r.
Condition: Surface grime, puncture to u.r. quadrant.
$3,000-5,000
330A.
School of Thomas Gainsborough (British, 1727-1788)
Headed Home
Unsigned.
Ink, charcoal, watercolor, and gouache on paper/board, sight size
18 1/4 x 26 1/2 in. (46.3 x 67.2 cm), framed.
Condition: Toning, rippling, not examined out of frame.
$800-1,200
330
330A
331
331. 332.
Attributed to Marinus Adrianus Koekkoek (Dutch, 1807- Jean Charles Cazin (French, 1841-1901)
1870)
Landscape with Figures by a Tree and Cart
Cleve on the Rhine Signed “J.C. Cazin” l.r.
Signed “MA Koekkoek” l.r., identified on a presentation plaque. Oil on panel, 16 3/4 x 21 5/8 in. (42.5 x 54.9 cm), framed.
Oil on panel, 6 3/4 x 8 3/4 in. (17.2 x 22.2 cm), framed. Condition: Pigment fluorescence.
Condition: Very mild varnish inconsistencies, fine craquelure, $2,000-3,000
surface grime.
Provenance. A New England institution.

$2,500-3,500
332
333
333. 334.
Henry Enrico Coleman (Italian, 1846-1911) Attributed to Lawrence Carmichael Earle (American, 1845-
1921)
Bullock Cart Conveying Stone from a Quarry
Signed and inscribed “HE· Coleman· Roma·” l.r. The Wood Carver’s Little Apprentices
Watercolor and graphite on paper, 15 1/2 x 28 1/2 in. (39.4 x Unsigned.
72.4 cm), framed. Oil on canvas, 12 1/2 x 10 1/2 in. (30.5 x 26.6 cm), framed.
Condition: Not examined out of frame. Condition: Lined, retouch, fine craquelure, bloom/surface grime
$4,000-6,000 u.r., light scattered surface abrasions.
$600-800
335.
R. Maghelli (Italian, 19th/20th Century)
Working the Fields

Signed “R. Maghelli” l.r.
Watercolor, ink wash, and whiting on paper/board, sight size 13
3/4 x 20 3/4 in. (34.9 x 52.7 cm), framed.
Condition: Toning, scattered foxing/staining, not examined out
of frame.
$1,200-1,800
335
334
336
336.
Aloysius C. O’Kelly (Irish/American, 1853-1926)
A Breton Pilgrimage
Signed “A. O’KELLY” l.l., with a label from Ben Kabatznick,
Brookline, Massachusetts, on the stretcher.
Condition: Surface grime.
$8,000-12,000
337.
Francesco Pausas y Coll (Spanish, 1877-1944)
Father and Child

Signed “F. Pausas” l.r.
Condition: Craquelure, subtle canvas deformations.
$3,000-5,000
337
338 339
338.
Nazzarreno Cipriani (Italian, 1843-1923)
The Gypsies’ Refreshment

Signed and inscribed “N. Cipriani. Roma.” l.r.
Watercolor on paper, 21 1/2 x 16 in. (54.6 x 40.6 cm), framed.
Condition: Toning, light soiling/surface grime, not examined
out of frame.
$1,000-1,500
339.
Addison Thomas Millar (American, 1860-1913)
Portrait of a Spanish Craftsman

Signed and inscribed “A.T. MILLAR, MADRID” u.r.
Oil on canvas mounted onto board, 16 x 13 in. (40.6 x 33.0 cm),
framed.
Condition: Scattered retouch, varnish inconsistencies, surface
grime.
$800-1,200
340.
Saverio Xavier della Gatta (Italian, fl. circa 1777-1829)
Della Fraola
Signed and dated “Xavr Gatta 1800” l.r., titled l.c.
Gouache on paper, 9 1/2 x 7 1/4 in. (24.0 x 18.3 cm), framed.
Condition: Flaking, creases and abrasions with losses, toning.
$300-500
340
341
341.
Raffaele Resio (Italian, 1854-1927)
Serenade on the Balcony

Signed “R. RESIO.” l.l., Rome panel stamp on the reverse.
Oil on panel, 9 1/4 x 14 in. (23.4 x 35.5 cm), framed.
Condition: Minor scattered retouch, subtle surface grime, fine
craquelure.
$2,000-3,000
342.
Victor Schivert (Romanian, 1863-1926)
A Good Story
Signed and inscribed “V. Schivert MN” c.l., inscribed “MAX
GAISSER” on the reverse.
Condition: Retouch, varnish inconsistencies, scattered
craquelure, mild surface grime.
$2,000-3,000
342
344
343
343.
Herbert Dalziel (British, 1858-1941)
Still Life with White Roses

Signed and dated “HERBERT DALZIEL ‘86” l.l., identified on
fragmentary label on the reverse.
Condition: Subtle surface grime and varnish inconsistencies.
$300-500
344.
August Laux (American, 1847-1921)
Cat and Playful Kittens

Signed “A Laux” l.r.
Oil on canvas, 18 x 22 in. (45.7 x 55.9 cm), framed.
Condition: Tape to tacking edges, light retouch, mild surface
grime.
$1,500-2,500
345.
Paul De Longpre (French/American, 1855-1911)
Bouquet of Chrysanthemums
Signed, inscribed, and dated “Paul de Longpre. Los Angeles.
1908” l.l.
Watercolor on paper/board, sight size 28 x 20 in. (71.1 x 50.8
cm), framed.
$2,000-3,000
345
346
346. 348.
Aurora Gilardelli (Italian, 19th Century) Attributed to Karl Christian Aubel (German, 1796-1880)
A Basket of Flowers Bouquet of Flowers

Signed and inscribed “Aurora...Gilardelli, Milano” l.l., identified Unsigned, inscribed “...Aubel...” on the reverse.
on a label affixed to the reverse. Oil on canvas, 26 x 22 3/4 in. (66.0 x 57.8 cm), unframed.
Oil on canvas, 19 x 31 in. (48.3 x 78.7 cm), framed. Condition: Relined, retouch, minute scattered losses, surface
Condition: Lined, tape to tacking edge, retouch. rubs, craquelure.
$600-800 $1,500-2,000
347.
Clemence Nielssen (German, 1850-1911)
Un Coin de Bonheur/A Portrait of a Mother Tabby Cat and

Calico Kittens
Signed and titled “...Clemence Nielssen” u.l.
Condition: Craquelure, surface grime, retouch, patch
reinforcement.
$3,000-5,000
347
348
349
349.
Robert Watson (British, 1865-1916)
Flock of Sheep on a Hillside

Signed and dated “R. Watson 1901” l.r.
Condition: Mounted onto panel, scattered losses, retouch,
craquelure, surface rubs, surface grime.
$4,000-6,000
350.
Henry Garland (British, 1834-1913)
Highland Cattle
350 Signed and dated “H. GARLAND 1889” l.l.
Condition: Surface rubs, scattered retouch, varnish
inconsistencies, lifting, fine craquelure.
$1,000-2,000
350A.
Attributed to John Frederick Herring, Jr. (British, 1815-
1907)
Horses Watering by the River Bend

Unsigned.
Condition: Lined, tape to tacking edge, retouch, craquelure,
surface grime.
$1,000-1,500
350A
351
351. 352.
School of Constant Troyon (French, 1810-1865) Henry Charles Bryant (British, 1812-1890)
Cows in a Landscape Barnyard with Cows and Turkeys

Unsigned. Signed “H.C. Bryant” l.l.
Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed. Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.
Condition: Mounted onto board, scattered retouch, mild varnish Condition: Lined, retouch.
inconsistencies, scattered abrasions, minor nicks/wear to edges, $3,000-5,000
tear to l.l. edge, craquelure, surface grime.
$400-600
352
355
353
353. 355.
Friedrich Gauermann (Austrian, 1807-1862) Léon Joseph Florentin Bonnat (French, 1833-1922)
Boy at the River Bank Young Girl at Rest

Signed “F. Gauermann” on the reverse. Signed “L. Bonnat” l.r., canvas stencil on the reverse.
Oil on board, 3 1/2 x 4 1/4 in. (8.9 x 10.8 cm), framed. Oil on canvas, 9 3/4 x 13 in. (24.8 x 33.0 cm), framed.
Condition: Retouch, varnish inconsistencies, surface grime. Condition: Retouch, varnish inconsistencies, scattered
$800-1,200 craquelure, surface grime.
$1,500-2,000
354.
Johan Nicolaas van Lokhorst (Dutch, 1837-1929)
In the Pasture
Signed and dated “Jan. v. Lokhorst 1872” l.l., artist identified in
an inscription on the stretcher.
Condition: Lined, retouch, varnish inconsistencies, craquelure.
$3,000-5,000
354
357
356.
356
Daniel Sherrin (British, 1868-1940)
The Evening Tour

Signed “D. Sherrin” l.l., a label from Findlay Galleries Inc.,
Chicago, affixed to the reverse, identified on a label (see below)
Condition: Scattered retouch, surface grime.
N.B. A label on the reverse indicates that this work was exhibited
as one of a pair of paintings, the other titled A Surrey Common.
$800-1,200
357.
Emile Charles Lambinet (French, 1815-1877)
Figures and Punts at a Quiet Landing

Signed “Emile Lambinet” l.r.
Condition: Cradle to the reverse, retouch, varnish
inconsistencies, craquelure.
$1,000-1,500
358.
Adam Knight (British, fl. 1881-1931)
Portrait of a Girl by a Wooded Path

Signed and dated “Adam Knight-/1885” l.r., with a W.A. Smith,
Nottingham, canvas stencil on the reverse.
Oil on canvas, 38 1/4 x 25 1/4 in. (87.2 x 64.1 cm), unframed.
Condition: Retouch, craquelure, surface grime, patch
reinforcement.
$2,000-3,000
358
360
359
359.
George Harvey (British/American, 1800-1878)
The Parish Church of St. John the Baptist, Wickhamford,

Worcestershire, England
Signed “G. Harvey” l.l., inscribed “Wickhamford Church,
Worcestershire/(contains Washington coat of arms)/”Penelope”
buried under the pavement by alter [sic]” in pen on the reverse.
Watercolor on paper, sheet size 13 7/8 x 10 in. (35.2 x 25.4 cm),
unframed.
Condition: Subtle toning.
$700-900
360.
Ernest Procter (British, 1886-1935)
Civilian Evacuation Section, alternatively titled A Battlefield in

France
Signed and dated “Ernest Procter 18” l.r., inscribed on two
period labels (one in the artist’s hand) affixed to the backing.
Watercolor on paper, sheet size 5 x 8 in. (12.7 x 20.3 cm),
framed.
$300-500
361.
Rustom Vicaji (British, fl. 1918-1927)
On the Ramparts, Montreuil, France

Signed “R.Vicaji” l.l., titled in an inscription on the stretcher.
Oil on canvas, 19 1/4 x 15 3/4 in., framed.
Condition: Surface grime, craquelure.
361 $800-1,200
362
364
362. 364.
Stuart William Lloyd (British, 1875-1929) Carl Maria Nicolaus Hummel (German, 1821-1907)
View of the Durham Cathedral from Across the River Wear Winding Road
Signed and dated “Stuart Lloyd 1902” l.r. Signed “C. Hummel” l.r.
Watercolor with gouache on paper mounted onto board, 11 3/4 Watercolor on paper/board, sight size 12 x 17 in. (30.5 x 43.2
x 25 7/8 in. (29.8 x 65.8 cm), unframed. cm), framed.
Condition: Toning, loss u.r. Condition: Toning, not examined out of frame.
$600-800 $500-700
363.
James Edwin Meadows (British, 1828-1888)
Landscape with Children Gathering Wheat

Signed and dated “Jas. E. Meadows: 1859.” l.l.
Condition: Scattered flaking/losses, craquelure, retouch, lined.
$8,000-12,000
363
365
365. 366.
Hendrik Savry (Dutch, 1823-1907) William Currie (British, 19th/20th Century)
Ships at Harbor Lot of Two Marine Scenes

Signed “Savry” l.l. Each signed and dated “Wm Currie 1874” l.r. (one signed again
Oil on canvas, 18 1/4 x 25 5/8 in. (45.7 x 65.1 cm), framed. l.l.).
Condition: Tape-reinforced tear, minor surface grime. Oil on paper/board, sight sizes 11 x 17 3/4 in. (27.9 x 45.1
cm), framed.
Provenance: Christie’s East, Nineteenth Century Art, October 5, Condition: Surface grime, not examined out of frames.
1999, sale 8273, lot 135. $1,800-2,200
$2,000-4,000
366
367
367. 368.
Georges Jean Marie Haquette (French, 1854-1906) British/Dutch School, 19th Century
Fisherman in a Dory off the White Cliffs Marine Scene

Signed “G- HAQUETTE” l.l. Unsigned.
Oil on canvas, 24 x 32 in. (61.0 x 81.3 cm), framed. Oil on canvas, 8 x 16 in. (20.3 x 40.6 cm), in a frame with a
Condition: Surface grime, tear, craquelure. Tilden-Thurber label affixed to the reverse.
$1,500-2,500 Condition: Lined, surface grime.
$800-1,200
368
369.
Attributed to Nelson Augustus Moore (American, 1924-
1902)
Along the Hudson

Signed or inscribed “NA Moore” in pencil l.r.
Graphite on paper, sight size 9 1/4 x 15 1/4 in. (23.5 x 38.7
cm), framed.
Condition: Tape hinged to backing mat.
$800-1,200
369
370.
Hartwell Leon Woodcock (American, 1853-1929)
Crashing Surf
Signed and dated “Hart L Woodcock. 1901 -” l.l.
Watercolor with graphite underdrawing on paper/board, sight
size 13 x 19 in. (33.0 x 48.3 cm), framed.
Condition: Mild toning, not examined out of frame.
$600-800
370
371.
George M. Hathaway (American, 1852-1903)
Coastal View, Probably Portland, Maine

Signed “G.M. Hathaway” l.l.
Oil on academy board, 6 x 10 1/4 in. (15.2 x 26.0 cm). framed.
Condition: Mild pigment fluorescence, surface grime.
$250-350
371
372
372.
William Trost Richards (American, 1833-1905)
Summer Clouds
Signed “Wm. T. Richards.” l.l., purportedly titled, probably in a later hand, on the reverse.
Watercolor on paper, sight size 33 3/4 x 24 in. (85.7 x 61.0 cm), framed.
Condition: Toning, tear u.r., not examined out of frame.
Provenance: Private collection, Cambridge, Massachusetts.
N.B. William Trost Richards began working in watercolors by 1860 and frequently worked in that medium throughout the
1860s and 70s, at which time watercolor as a medium was experiencing a revival in American art. During this period,
Richards also began to shift his subject matter away from highly detailed landscapes (often done in oil) that reflected the
influence of the Pre-Raphaelites and John Ruskin, toward marine and coastal views. “Richards’s intensive work in
watercolor coincided with a new stylistic direction for the artist and an emerging fascination with shoreline subjects that he
would indulge regularly for the rest of his career.”1 He traveled throughout the northeast, studying the crashing surf of the
coastal waters. In 1874, Richards bought a home in Newport and frequently painted the surrounding waters of
Narragansett Bay. “Watercolor proved an ideal medium for expressing his preoccupation with surf and the moist, hazy
atmosphere of the summer shore.”2 Although he did not totally abandon the highly detailed and technically precise
renderings of his environment seen in his earlier landscape compositions, the medium of watercolor lent “a broad, airy
quality” to his work.3
1. MacAdam, Barbara J., Hood Museum of Art et al., Marks of Distinction: 200 Years of American Drawings and Watercolors from the Hood Museum
of Art, March 29–May 29, 2005 (Hanover, New Hampshire: Hood Museum of Art, Dartmouth College) 2005, p. 96.
2. Ibid.
3. Ibid.
$8,000-12,000
373
373. 374.
American School, 19th Century Frederick Tordoff (American, b. 1939)
The Merrimac Sinking the Cumberland, March 8th, 1862 Shipping in Boston Harbor
Unsigned, with a label from Kennedy Galleries, Inc., New York Inscribed and signed “BOSTON HARBOR, F. TORDOFF” on
on the reverse. the reverse, signed “FREDERICK TORDOFF” on the reverse,
Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed. titled on a label in the artist’s hand on the reverse.
Condition: Craquelure, surface grime, retouch. Oil on panel, 9 x 12 in. (22.9 x 30.5 cm), framed.
Condition: Mild surface grime.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman) $300-500
$4,000-6,000
374
375
375. 375A.
Clement Drew (American, 1806-1889) Richard K. Loud (American, b. 1942)
Ship in Stormy Seas The Yacht Race

Signed or inscribed and dated “C. DREW 1885” on the reverse. Signed “RKLOUD” l.l.
Condition: Craquelure, surface grime. Condition: Good.
$1,000-1,500 $4,000-6,000
375A
376
376. 377.
Derek George Montague Gardner (British, 1914-2007) Robert F. Lie (American, 1899-1980)
Burford, Third Rate, 70 Guns. Built at Deptford 1722. Porto The Dreadnought/A Three-Masted Medium Clipper Ship
Bello 1739, Cartagena 1741, La Guayra 1743. Signed, dated and inscribed “LiE -64 NY” l.l.
Signed “Derek G.M. GARDNER” l.l., titled on the mat l.c. Oil on canvas with paper collage, 18 1/4 x 24 1/4 in. (46.4 x
Watercolor with whiting on paper/board, sight size 10 x 14 1/2 61.6 cm), framed.
in. (25.4 x 36.8 cm), framed. Condition: Surface grime, subtle canvas deformations,
Condition: Toning/mat burn, not examined out of frame. craquelure, subtle varnish inconsistencies.
$800-1,200 $2,500-3,500
377
378
378.
Jack Lorimer Gray (American, 1927-1981)
Heavy Weather on Crossing to France, alternatively titled John

Paul Jones’ “Ranger”
Signed “Jack L. Gray” l.l., titled in pencil, stamped, and with a
label from Kennedy Galleries, Inc., New York, on the stretcher
bars.
Condition: Surface grime, minor craquelure, varnish
inconsistencies.

$20,000-30,000
379.
Walter Lofthouse Dean (American, 1854-1912)
Study of Sailboats off the Coast

Signed and inscribed “W. L. DEAN...” l.l.
Oil on canvas mounted to board, 4 1/8 x 5 1/4 in. (10.4 x 13.3
cm), framed.
Condition: Surface grime, retouch.
Provenance: Private New England collection, by family descent.

$500-700
379
380.
Daniel J. Strain (American, 1847-1925)
Quiet Harbor
Signed “Daniel Strain.” l.l.
Condition: Craquelure, surface grime.
$1,800-2,200
380
381.
Walter Lofthouse Dean (American, 1854-1912)
Pope’s Rock
Signed and dated “W L DEAN/1880” l.l., titled and signed
“...Walter Dean” on a period label affixed to the stretcher.
Condition: Mild surface grime, extremely mild scattered surface
abrasions.
$800-1,200
382
382.
George M. Hathaway (American, 1852-1903)
Lot of Four Coastal Maine Views: Whitehead-Cushing’s

Island, Near Portland, Me., Portland Head Light, Cape
Elizabeth, Trefethen’s Landing, Casco Bay-nr. Portland, and
Breakwater Light, Portland Harbor
Whitehead, Portland, and Trefethen’s signed “G.M. Hathaway”
l.r., Breakwater initialed “G M H” l.r., each with labels from
Matthews Bros. & Co., Toronto, Ontario, on the backing.
Oil on artist board, each 6 x 10 in. (15.2 x 25.4 cm), framed.
$3,000-5,000
383.
Marshall Johnson, Jr. (American, 1850-1921)
383 Fisherman in Tow

Initialed “M.J.” l.r., identified on an exhibition label affixed to
the reverse.
Oil on board, 8 1/8 x 10 in. (20.6 x 25.4 cm), framed.
Condition: Pigment fluorescence, surface grime.
$800-1,200
384.
Stephen Salisbury Tuckerman (American, 1830-1904)
Harbor View, Possibly Boston

Signed “Tuckerman” l.r.
Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), unframed.
Condition: Tape-reinforced tear in the l.l. quadrant, surface
grime, craquelure, minor losses/abrasions.
$500-700
384
385
385. 386.
William Edward Norton (Anglo/American, 1843-1916) Charles George Copeland (American, 1858-1945)
Boston Harbour, Moonlight Haying On the River Bank

Signed “W. E. Norton” l.l., identified on labels affixed to the Signed “Chas. Copeland” l.l.
reverse. Watercolor with whiting on paper/board, sight size 7 1/4 x 26
Oil on panel, 8 x 11 1/2 in. (20.3 x 29.2 cm), framed. in. (18.4 x 66.0 cm), framed.
Condition: Scattered retouch. Condition: Toning, not examined out of frame.
$2,000-2,500 $400-600
386
387
387. 388.
Augustus W. Buhler (American, 1853-1920) Warren W. Sheppard (American, 1858-1937)
Light at Annisquam Moonlit Sea

Signed, inscribed, and dated “-A.W. BUHLER-. -Annisquam- Signed and dated “WARREN. SHEPPARD. 1888” l.r.
1895-” l.l. Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), in a period frame.
Watercolor with whiting on paper/board, 14 3/4 x 21 in. (37.5 x Condition: Retouch, craquelure, mild surface grime.
53.3 cm), framed. $3,000-5,000
$400-600
388
389
389.
Charles Harry Eaton (American, 1850-1901)
Autumn Landscape
Signed and dated “Charlie. H. Eaton 1878.” l.l.
surface grime.
$3,000-5,000
390.
Edward Hill (American, 1843-1923)
Lot of Two Landscapes: Autumn Brook, Possibly the White

Mountains, New Hampshire and Verdant Hills, Possibly
Elephant Head, Crawford Notch, New Hampshire
Brook signed “Edward Hill.” l.r., inscribed “Painted by Edward
Hill/Oregon” on the stretcher, Verdant unsigned, with a label
from Plymouth State College, Department of Art and Art
Galleries, Plymouth, New Hampshire, affixed to the reverse.
Oil on canvas, sizes to 17 1/4 x 13 1/2 in. (43.8 x 34.3 cm),
framed.
Condition: Brook with craquelure, Verdant lined, scattered
retouch.
Exhibitions: Verdant in Edward Hill: A Man of His Time,

Plymouth State College, March 8–April 16, 1985.
$1,500-2,500
390
391
391.
Thomas Hill (American, 1829-1908)
Approaching Storm
Unsigned, identified on a label affixed to the reverse.
Condition: Lined, retouch.
Provenance: The collection of John A. Faul, San Francisco, then by descent to the current owner.
N.B. Thomas Hill moved with his family from England to Taunton, Massachusetts, at the age of fifteen.
By 1847, Hill was in Boston, where he started his painting career before going on to study at the
Pennsylvania Academy of Fine Arts in 1853. For the rest of the decade, he continued to paint images of
New England scenery, in particular New Hampshire’s White Mountains. Hill first traveled to San Francisco
in 1861 and made his first trip to Yosemite a year later. However, his career brought him to Paris in 1967,
where his studied and exhibited at the Paris Universal Exposition (1867). Before returning to California,
where he ultimately settled, Hill stopped again in Boston from 1867 until 1871. The work presented here
most likely dates from that period.
$6,000-8,000
393
392
392. 393.
Benjamin Champney (American, 1817-1907) Daniel François Santry (American, 1858-1915)
View with Artists Sketching in a Forest Grove Hiker in the Autumn Woods
Signed and dated “...Champney ‘73” l.r. Signed “-Santry-” l.r.
Oil on canvas, 28 1/2 x 24 1/2 in. (72.4 x 62.2 cm), framed. Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.
Condition: Minor surface grime. Condition: Reinforcements, retouch, varnish inconsistencies,
$3,000-5,000 surface grime.
$800-1,200
393A.
William Samuel Horton (American, 1865-1936)
Landscape with Stream

Signed “Wm. S. Horton” l.r., a label from Alice & Win Dibble,
Shoreham, Vermont, on the reverse.
Condition: Lined, surface grime, craquelure.

$1,000-1,500
393A
394
394. 395.
Benjamin Champney (American, 1817-1907) American School, 19th Century
The Lone Traveller Rocky Wooded Hillside

Signed “B. Champney” l.l. Signed and dated “A Rossi 86” l.l., inscribed and signed “...A
Oil on canvas, 16 x 24 in. (40.6 x 61.0 cm), framed. Rossi” l.r.
Condition: Lined, retouch, varnish inconsistencies, craquelure. Oil on canvas, 11 1/2 x 19 1/4 in. (29.2 x 48.9 cm), framed.
$2,500-3,500 Condition: Patch reinforcements, tears/losses at edges, surface
grime.
$800-1,200
395
396
396.
Samuel W. Griggs (American, 1827-1898)
Panoramic Landscape with Hay Wagon

Signed “S.W. Griggs” l.r.
Condition: Lined, retouch, surface grime.
$3,000-5,000
397.
American School, 19th Century
View with a Fisherman on a Lake

Signed and dated “F.B. Clayton 1874” l.l.
397 Oil on canvas, 22 x 38 in. (55.9 x 96.5 cm), framed.
Condition: Lined, partially reinforced signature, retouch, varnish
inconsistencies.
$800-1,200
398.
John White Allen Scott (American, 1815-1907)
Haying
Signed and dated “JWA Scott ‘65” l.l., a tag from the Inventory
of American Paintings, National Museum of American Art,
Smithsonian Institution, affixed to the reverse.
surface grime.
$700-900
398
399.
Sylvester Phelps Hodgdon (American, 1830-1906)
Path Along the River

Signed “S.P. Hodgdon” l.r., a period label from J. Eastman
Chase, Boston, affixed to the reverse.
$2,000-3,000
399
400.
Joseph Morviller (American, 1800-1870)
Figures on a River Bank

Signed and dated “J morviller 1863” l.r.
Condition: Scattered retouch, varnish inconsistencies, scattered
surface rubs, craquelure, surface grime.
$1,000-1,500
401.
Jasper Francis Cropsey (American, 1823-1900)
On the Lake
Signed, inscribed, and dated “J F Cropsey xmas 1887” l.r.
Watercolor on paper, sight size 7 1/2 x 14 1/4 in. (19.1 x 36.2
cm), framed.
Condition: Toning, subtle rippling, adhered to supporting mat
(with front mat glued along top).
N.B. This work will be included in a forthcoming catalogue

400 raisonné of Cropsey’s works in watercolor by the Newington-
Cropsey Foundation. We would like to thank the Newington-
Cropsey Foundation for their kind assistance with cataloging this
lot.
$5,000-7,000
401
402.
Henry Ward Ranger (American, 1858-1916)
Landscape near Old Lyme, Connecticut, c. 1899

Artist’s estate stamp l.l.
Oil on academy board, 12 x 16 in. (30.5 x 40.6 cm), framed.
Condition: Retouch, wear to edges, surface grime.
$2,000-4,000
402
403.
George E. Candee (American, 1837-1867)
Connecticut Homestead
Signed and dated “G E Candee 64” l.l., canvas stencil on the
reverse.
Condition: Retouch, mild surface grime.
$3,000-5,000
403
404.
James Rogers Rich (American, 1847-1910)
Spring Landscape
Signed and dated “JAMES ROGERS RICH ‘88” l.l.
Condition: Support slightly warped, surface grime.
$250-350
404
405.
Ross Sterling Turner (American, 1847-1915)
Cambridge House
Initialed (twice) and dated “R.T. May 6th 1885 - R.T.-” l.r.,
identified on a note signed by the artist and other artists affixed
to the reverse.
Watercolor on paper, 10 7/8 x 18 7/8 in. (27.5 x 47.8 cm),
unframed.
Condition: Unobtrusive toning, minor nicks, losses, and tears to
edges.
$500-700
405
406.
Edwin Forsythe Porter (American, 19th/20th Century)
Landscape at Dusk
Signed “Edwin Forsythe Porter” l.l.
Condition: Craquelure, surface grime/abrasions.
$800-1,200
406
407.
James Crawford Thom (American, 1835-1898)
Seated Figure in a Field

Signed and dated “J C Thom 9...” l.r.
cm), framed.
$400-600
407
408.
George William Whitaker (American, 1840-1916)
Our Geneva, R.I.

Signed “G W WHITAKER.” l.r., dated and titled, possibly in the
artist’s hand, along the tacking edge.
Condition: Lined, repairs/retouch, scattered craquelure, surface
grime.
$600-800
408
409.
Alfred S. Mira (American, 1900-1980)
The Lake at Twilight

Signed “A. Mira” l.r.
Oil on canvasboard, 9 x 12 in. (22.9 x 30.5 cm), framed.
$800-1,200
410.
Arthur Quartley (American, 1839-1886)
Sunrise, New Jersey Marsh

Signed and dated “Quartley 74” l.r.
Condition: Lined, retouch, scattered craquelure.
$1,500-2,500
409
410
411
411. 412.
Nelson Augustus Moore (American, 1924-1902) William H. Thwaites (American, fl. 1854-1871)
Path to the Park Gazebo, Katonah Park, New York, 1897 Westmoreland
Monogrammed signature “NAMoore 497” l.l., identified on a Titled and initialed “...W.H.T.” along lower margin on
label from Spanierman Gallery LLC, New York, affixed to the supporting sheet of paper.
backing. Watercolor on paper adhered to a sheet of blue paper, sight size 4
Oil on canvas, 10 x 17 1/4 in. (25.4 x 43.8 cm), framed. 1/8 x 6 1/2 in. (10.5 x 16.5 cm), framed.
Condition: Lined, tape to tacking edge. Condition: Toning.
$1,500-2,500 $300-350
412
413
413.
George Albert Frost (American, 1843-1907)
Sylvan Landscape with Cattle and Farmer

Signed “G A. Frost.” l.r.
Condition: Surface grime, minor scattered losses.
$3,000-5,000
413A.
Joseph Frank Currier (American, 1843-1909)
413A Lot of Three Works: River Landscape with Stand of Trees,

Landscape with Cypress Tree by a Path, and Landscape with
Lone Tree
Stand signed, inscribed, and dated “Currier...81” l.r., conté
crayon on paper; Cypress unsigned, watercolor on paper; Lone
signed and dated “Currier 81” within the matrix l.r., heliogravure.
Sight sizes to 8 1/2 x 12 1/2 in. (21.6 x 31.8 cm), framed.
Provenance: Through the estate of the artist.

$600-800
414.
Scott (Nicholas Winfield) Leighton (American, 1849-1898)
Plowing
Signed and dated “Scott Leighton 71” l.r.
Oil on canvas, 8 x 9 in. (20.3 x 22.9 cm), in a frame with a Lewis
& Son, New York, label affixed to the reverse.
Condition: Retouch, scattered craquelure with lifting.
$1,000-1,500
414
416
415 416.
George William Whitaker (American, 1840-1916)
Hay Wagon on a Bridge

Signed and dated “G. W. WHITAKER 190...” l.l.
415. Oil on canvas, 8 x 10 in. (20.3 x 25.4 cm), framed.
William M. Hart (American, 1823-1894) Condition: Scattered retouch, craquelure, surface grime.
$600-800
Cows in a Woodland Landscape
Signed and dated “Wm HART 1877.8.” l.r.
Oil on canvas, 15 x 12 1/2 in. (38.1 x 31.8 cm), framed. 417.
Condition: Mounted onto Masonite, retouch, varnish Thomas Bigelow Craig (American, 1849-1924)
inconsistencies.
$3,000-5,000 Grazing Cows
Signed “THOS. B. CRAIG” l.l.
Oil on canvas mounted onto board, 19 3/4 x 30 in. (50.2 x 76.2
cm), framed.
Condition: Retouch, varnish inconsistencies, craquelure, surface
grime.
$1,800-2,200
417
418
418.
Thomas Harris Robinson (American, 1834-1888)
Sheep in a Field
Signed “TRobinson” l.l.
Condition: Tear u.c., scattered retouch, craquelure, surface
grime.
$1,800-2,200
418A.
Elizabeth Foote Ferguson (American, 1884-1925)
Cows in a Pasture
Signed “E. Ferguson.” l.l., also signed and dated “-E. Ferguson
1916” in pencil on the reverse.
Oil on artist board, 10 x 12 in. (25.4 x 30.5 cm), framed.
$300-350
418A
419.
Gaylord Sangston Truesdell (American, 1850-1899)
Shepherd with his Flock

Signed and dated “G.S. Truesdell 1896.” l.r., inscribed “W 531
L” on the reverse.
Oil on canvas, 15 x 27 1/2 in. (38.1 x 69.9 cm), within a frame
liner.
Condition: Craquelure, retouch, patch reinforcements, surface
grime, minor losses, subtle canvas deformations.
$700-900
419
420
420.
Arthur Fitzwilliam Tait (Anglo/American, 1819-1905)
Doe and Fawns in a Landscape

Signed “A F Tait” l.r.
Condition: Lined, tape to the tacking edge, slight wear to edges, retouch, signature reinforced, craquelure,
surface grime.
Provenance: By family descent to the present owner.
N.B. Arthur Fitzwilliam Tait was born in Liverpool, but as a child moved to the English countryside near
Lancaster where he first became interested in nature, animals, hunting, and fishing. By the 1840s Tait
relocated to Manchester where he worked at Agnew’s Repository for the Arts, and discovered the work of
Edwin Landseer and John Frederick Herring. Herring’s use of color, in particular, inspired the young artist.
In 1850, Tait, after viewing an exhibition of George Catlin’s paintings of the American West, decided to
move to America. He settled in New York, where he painted views of the surrounding Adirondacks. He
purchased a farm in Westchester County, which offered the opportunity to paint animals in their natural
environment. Tait is best known for these realistic, narrative scenes, often featuring animals and huntsmen,
using rich natural colors.
$30,000-50,000
421.
William McGregor Paxton (American, 1869-1941)
Portrait of a Seated Woman

Signed and dated “Paxton Dec 1933” l.r.
Pencil on Strathmore drawing board, sight size 14 x 11 in. (35.6
x 27.9 cm), framed.
Condition: Toning, soiling, not examined out of frame.
$800-1,200
421
422.
William Edward Norton and Studio (Anglo/American,
1843-1916)
Lot of Three Figure Studies

Each signed or inscribed “W.E. Norton Atelier.” l.l.
Oil on canvas, each 16 x 12 1/4 in. (40.6 x 31.1 cm), framed.
$2,400-3,000
422
422A.
Portrait of Richard Varick

Unsigned, sitter identified in information affixed to the reverse.
Oil on canvas stretched over panel, 30 x 25 in. (76.2 x 63.5 cm),
framed.
Condition: Retouch, varnish inconsistencies, surface abrasions
(predominately beneath the liner), fine craquelure, surface grime.
N.B. Richard Varick was born in 1753 in Hackensack, New

Jersey. He served in the army during the Revolutionary War, first
as the captain of the 1st New York Regiment, then under General
Philip Schuyler and, after, at West Point, where he was aide to
General Benedict Arnold. By the end of the war, Varick served as
George Washington’s private secretary. Varick entered politics
after the war; he worked to standardize the statutes of New York
and then served as Mayor of New York from 1791 until 1801.
Varick was also a philanthropist, and founded the American Bible
Society in 1816.
$1,000-1,500
422A
422B.
Harper Pennington (American, 1854-1920)
Portrait of Officer
Signed and dated “Harper Pennington 1894” l.r.
Oil on canvas mounted onto panel, 40 x 30 in. (101.6 x 76.2
cm), framed in a liner.
Condition: Warping and splits to support, retouch, surface rubs,
bloom, surface grime.
$1,000-1,500
422B
423 423A
423.
Thomas Nast (American, 1840-1902)
Peace and Goodwill Ringing in the Air

Signed “Th: Nast” l.c.
Ink with wash on paperboard, sight size 13 x 10 1/2 in. (33.0 x
26.6 cm), framed.
Condition: Adhered to front and back boards, soiling, surface
grime.
$500-700
423A.
George Henry Hall (American, 1825-1913)
Still Life
Signed and dated “G. H. Hall ‘62” l.c., identified on a label from
Grand Central Art Galleries, New York, affixed to the reverse.
Oil on canvas mounted onto board, 11 1/2 x 10 in. (29.2 x 25.4
cm), framed.
Condition: Scattered retouch, mild varnish inconsistencies,
craquelure.
$700-900
424.
Charles B. Russ (American, 1825-1920)
Town View, Probably a Haverhill, Massachusetts, Landscape

Signed and dated “C.B. Russ 1883” l.r.
Watercolor on paper/board, sight size 13 1/2 x 9 1/2 in. (34.3 x
24.1 cm), framed.
$300-500
424
426
425
425. 426.
Benjamin Franklin Reinhart (American, 1829-1885) Charles Henry Turner (American, 1848-1908)
Playing Among the Daisies Maine Images

Signed and dated “BFReinhart. 1873.” l.l., inscribed “...Reinhart, Unsigned, inscribed “York Harbor. Aug. 81.” l.r.
N. York, Dec. 18 1872.” in the artist’s hand on the reverse. Graphite on paper, 11 x 8 3/4 in. (27.9 x 22.2 cm), framed.
Oil on canvas mounted onto panel, 15 x 12 in. (38.1 x 30.5 cm), Condition: Hinged to back mat at u.r. and u.l. verso, toning,
framed. mild nicks/wear to edges.
Condition: Retouch, craquelure. $200-300
$2,000-4,000
427.
John Clinton Spencer (American, 1861-1919)
Still Life with Basket of Fruit

Signed and dated “-J. C. Spencer 1917-” l.l.
Condition: Patch reinforcement u.l., scattered retouch.
$1,500-2,000
427
428
428. 429.
Emily Harris McGary Selinger (American, 1848-1927) John Haberle (American, 1856-1933)
Chrysanthemums and a Vase Still Life with Pears and Pan

Signed “Emily Selinger” l.l. Signed “Haberle” l.r.
Oil on canvas, 14 1/4 x 20 in. (35.6 x 50.8 cm), framed. Oil on canvas, 11 x 15 3/4 in. (27.9 x 40.0 cm), framed.
Condition: Mild varnish inconsistencies, surface grime. Condition: Lined, retouch, signature partially reinforced.
$400-600 $1,000-1,500
429
430 432
430. 432.
Arnoud Wydeveld (American, 1823-1888) American School, 19th Century
Two Peaches Plums in a Basket

Unsigned, artist inscribed on a label from Questroyal Fine Art Unsigned.
LLC, New York, affixed to the reverse, inscribed “A.W.” on the Oil on board, 13 x 16 1/2 in. (33.0 x 41.9 cm), framed.
reverse. Condition: Wear/losses to edges, minor scattered retouch,
Oil on canvas mounted to board, 5 1/2 x 7 in. (14.0 x 17.8 cm), craquelure, surface grime.
framed. $400-600
Condition: Scattered retouch, water damage to the supporting
board, fine craquelure.
$500-700
431.
Evelyn Almond Withrow (American, 1858-1928)
Blue Flowers
Signed, inscribed, and dated “E. Withrow-. Paris. ‘92” l.r.,
identified on a label from Richard York Gallery, New York, affixed
to the reverse.
Oil on paper/board, sight size 5 1/4 x 15 3/4 in. (13.3 x 40.0
cm), framed.
Condition: Mild scattered surface abrasions, mild surface grime.
$500-700
431
433 434
433. 434.
Attributed to Seth Eastman (American, 1808-1875) Frederic Remington (American, 1861-1909)
Ball Play of the Sioux on the St. Peters River in Winter Seated Man Holding a Walking Stick
Unsigned, identified on a label affixed to the backing. Applied signature “Frederic Remington” in ink l.r., identified on a
Oil on board, 13 x 18 in. (32.5 x 45.5 cm), framed. label on the reverse (see below).
Condition: Curve to support, varnish inconsistencies, surface Pencil on paper, 11 1/4 x 9 in. (28.5 x 22.8 cm), framed.
grime. Condition: Nicks and tears to edges, unobtrusive abrasions,
toning, not examined out of frame.
N.B. The work is nearly identical to Ballplay of the Dakota on the
St. Peters River in Winter of 1848, presently in the collection of Provenance: From the artist to his widow to Dr. Roland J.
the Amon Carter Museum, Fort Worth, Texas. Mulford, then by descent within his family to the present owner.
$2,000-4,000
N.B. This work is a preliminary sketch for Remington’s A Sketch
on the Work from 1890-91, which was published as an illustration
in Julian Ralph’s article, “Dan Dunn’s Outfit” in Harper’s Weekly
(November 1891), p. 890. In this work, Mrs. Remington took a
signature from one of her husband’s canceled checks and applied
it to the unsigned drawing, a common practice after the artist’s
death.
A copy of correspondence from the Buffalo Bill Historical

Center’s Remington Examination Committee discussing the work
accompanies the lot.
$1,000-2,000
435.
Alice Price King (British, fl. 1907-1922)
Lot of Three Chilean Views: Cerro San Francisco Pampa

Terrapaca [sic], El Cerro de Arena, Iquique (The Sand Hill),
and Rocky Coastal View
Each signed “Price King” l.r. or l.r., respectively, two identified on
labels affixed to the backing.
Watercolor on paper, sight sizes to 13 1/4 x 18 3/4 in. (33.7 x
47.6 cm), framed.
$700-900
435
436.
Cyrus Edwin Dallin (American, 1861-1944)
Massasoit, Chief of the Wampanogas, c. 1920

Signed “Dallin ©” and inscribed “Massasoit” within the cast on
the base.
Bronze with dark brown patina, 11 x 2 3/4 x 4 in. (27.9 x 7.0 x
10.2 cm).
Condition: Minor surface dust/grime.
N.B. This sculpture is after the large-scale version created in

1920, which was commissioned by the Improved Order of Red
Men as a monument for the Plymouth Tercentenary.
$7,000-9,000
436
437.
Attributed to Cornelius David Krieghoff (Canadian, 1815-
1872)
Indian Holding Moccasins

Signed “K...hoff” l.l.
Condition: Signature possibly partially reinforced, craquelure,
surface grime.
$2,000-4,000
437
439
438
438.
H.A. Driscole (American, 19th/20th Century)
Small Mouth Bass

Signed “H.A. Driscole” l.l.
Condition: Minor surface grime.
N.B. A copy of an article on Driscole from The American Angler

(May 1919) and picture light accompany the lot.
$1,500-2,000
439.
Edwin Megargee (American, 1883-1958)
Two Pointers
Signed “Edwin Megargee” l.r.
framed.
$1,000-1,500
440.
Alexander Pope (American, 1849-1924)
Hanging Ducks
Signed and dated “ALEXANDER POPE - 03” l.r.
Condition: Lined, scattered retouch, fine craquelure, surface
grime.
440 $2,000-2,500
441
441.
Percival Leonard Rosseau (American, 1859-1937)
Stylish Mack/Portrait of a Pointer in a Landscape

Signed and dated “Rosseau/1933” l.l., titled on the reverse,
identified on a presentation plaque.
Condition: Surface grime, retouch.
N.B. Percival Leonard Rosseau was born in Louisiana and had

worked as a commodities broker, and cattle driver, and cowboy
before moving to Paris at the age of 35 to study at the Academie
Julian. While in Paris he discovered a talent for portraying
animals. Rosseau returned to the U.S. in 1915, and enjoyed a
successful career painting hunting dogs. He set up his studio in
Old Lyme, Connecticut, but frequently traveled to North
Carolina, where Percy Rockefeller set up a studio for him on his
private hunting ground at Overhills Club in Fayetteville.
$30,000-50,000
443
442
443.
Phillip Brown Parsons (American, 1895-1977)
Mallards in Flight, Probably a Duck Stamp Composition

Signed “P.B. PARSONS” l.r.
442. Watercolor and gouache on paper, 5 x 4 in. (12.7 x 10.2 cm),
John Whorf (American, 1903-1959) framed.
Condition: Broad ripple/wave to support, not examined out of
Duck Hunters frame.
Dated and signed “33. John Whorf.” l.r.
Watercolor on paper/board, sight size 24 1/2 x 18 1/2 in. (62.2 Provenance: Through the estate of the artist.
x 47.0 cm), framed. $500-700
$7,000-9,000
444.
Aiden Lassell Ripley (American, 1896-1969)
Mr. + Mrs. Cunningham with Sam Baby on Point at Merry Go

Round, Carver, Massachusetts
Signed “A. Lassell Ripley” by the artist’s estate, identified in
inscriptions on the backing.
Watercolor and graphite on paper, sight size 9 3/4 x 13 3/4 in.
(24.6 x 34.8 cm), framed.
N.B. Born in Wakefield, Massachusetts, the son of a musician

with the Boston Symphony Orchestra, Ripley was an
accomplished musician, however, he chose to establish his career
in art. After serving in the Army during World War I, he
attended the Boston Museum School where he studied with
artists such as Philip Hale and Frank W. Benson. While there, he
was awarded a Paige Traveling Fellowship to study in Europe and
Africa. Upon his return to America, he focused his work on the
New England countryside, as well as scenes of city life and the
railroad. Ripley himself was a committed outdoorsman, hunter,
and active conservationist. He also worked as a portraitist and
muralist and, in 1939, completed a mural for the Lexington Post
Office.
$3,500-5,000
445
445.
Frank Weston Benson (American, 1862-1951)
Canada Geese in the Snow

Signed and dated “F. W. Benson ‘30” l.r.
Watercolor with graphite on paper, sight size 18 1/2 x 23 1/2 in. (47.0 x 59.7 cm), framed.
Condition: Ripping, subtle mat burn.
N.B. A member of “The Ten” and one of the leading American Impressionist artists, Frank
Benson worked in a variety of media, including oil, watercolor, and etching, and produced
portraits, landscapes, sporting scenes, and still lifes. Born in Salem, Massachusetts, Benson first
studied at Boston’s Museum School before traveling to Paris, where he enrolled at the Academie
Julian. After returning to the U.S. in 1885, he taught at Boston’s Museum School and enjoyed a
successful career, gaining membership to the Society of American Artists and winning many
awards, including the Hallgarten Prize at the National Academy in New York. At this time Benson
was best known for his graceful plein-air oil portraits which incorporated elements of French
Impressionism. However, as American artistic tastes began to change in the 1910s Benson’s focus
began to shift too, towards landscapes and sporting subjects. Always an avid outdoorsman, it was
at this time that he began depicting views of New England and Canada, and abandoned oil paint
in favor of watercolors and etchings.
$30,000-50,000
446.
Attributed to Gladys Thayer Reasoner (American, 1886-
1945)
Desert View
Unsigned, artist’s name inscribed on the stretcher.
$500-700
446
447.
Edward Willis Redfield (American, 1869-1965)
Summer Scene
Signed and dated “E Willis Redfield 40” l.r.
Condition: Retouch and varnish inconsistencies, craquelure.
Literature: Fletcher, J.M.W., Edward Willis Redfield 1869-1965,

An American Impressionist: His Paintings and the Man Behind the
Palette: (Lahaska, Pennsylvania: JMWF Pub., 1996), p. 105
(illus.).
N.B. This work will be included in Dr. Tom Folk’s forthcoming

catalogue raisonné on the artist.
$4,000-6,000
447
448.
John L. O’Hagan (American, 1889-1932)
Desert Landscape/A View of Southern California

Signed “J L O’Hagan” l.r.
$400-600
448
449
449. 450.
Xiang Zhang (Chinese/American, b. 1954) Attributed to Arthur J. Hammond (American, 1875-1947)
The Cattle Drive Sonora Desert View with Saguaro Cactus/An Arizona
Signed “XIANG ZHANG ©” l.r. Landscape
Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed. Signed or inscribed “A.J. HAMMOND” l.l.
Condition: Small loss and craquelure to u.c. Oil on artist board, 10 7/8 x 13 7/8 in. (27.6 x 35.2 cm),
$7,000-9,000 framed.
Condition: Surface grime/abrasions.
$700-900
450
451
452
451. 452.
Willi (Wilhelm) Lorenz (German, 1901-1981) Olive Rush (American, 1873-1966)
Lion at Rest Three Deer Three Aspens

Signed “Willi Lorenz.” l.r. Signed “Olive Rush” l.l., signed, inscribed, and titled “Olive
Oil on canvas, 23 x 39 in. (58.4 x 99.1 cm), framed. Rush...22...” on the backing.
Condition: Craquelure, subtle retouch. Watercolor and ink wash on paper/board, sight size 21 x 14 1/2
in. (53.3 x 36.8 cm), framed.
Provenance: Ex-collection of the Catskill Game Farm, Catskill, Condition: Subtle toning, not examined out of frame.
New York. $300-500
$1,200-1,800
452A.
Jean Jacques Pfister (American, 1878-1949)
High Mountain Landscape, Possibly the Rocky Mountains,

Lander’s Peak
Signed “Jean J. Pfister” l.r., inscribed “Property of F.
RAEGEBEHN...” on the reverse.
Condition: Craquelure, pigment fluorescence.
$1,500-2,500
452A
452B
452B.
Kathryn Woodman Leighton (American, 1875-1952)
The High Scierras [sic] near Mammoth, Lake George in the

Foreground
Signed “K. Leighton” l.l., titled on a label affixed to the reverse.
N.B. This work is possibly Lake George, mentioned in Patricia

Trenton’s Woman Painters of the American West 1890-1945,
which is included “on an artist index card dated June 1925 and
deposited in the California State Library in Sacramento, on which
Leighton lists the titles of her principle works...”1
1. Trenton, p. 279, note 60.

$3,000-5,000
453 453.
Anne Lyman Powers (American, b. 1922)
The Osprey’s Nest on a Daybeam

Signed and dated “POWERS 79 ©” l.l., artist and title inscribed
on the backing.
Gouache on paper/board, sight size 17 1/2 x 23 3/4 in. (44.5 x
60.3 cm), framed.
$500-700
454.
Richard Evans Younger (American, 1928-2008)
Big Horn Sheep, Grandfather Mountain

Signed and dated “© RICHARD EVANS YOUNGER ‘90” l.r.
Condition: Good.
$2,000-2,500
454
456
455
455.
Gino De Colle (Italian, b. 1899)
Venetian Street Scene

Signed and dated “G. de Colle 96” l.r., a label from Robert C.
Vose, Boston, affixed to the backing.
Watercolor on paper/board, sight size 13 1/2 x 8 in. (34.3 x
20.3 cm), framed.
Condition: Toning, subtle fading.

$800-1,200
456.
Virgilio Ripari (Italian, 1843-1902)
View Along the Grand Canal, Venice

Signed “Ripari” l.r.
Condition: Retouch, minor surface grime.
$3,000-5,000
457.
Isabel (Belle) M. Ross (American, 19th/20th Century)
Santa Maria della Salute from the Guidecca Venice, c. 1910

Signed “B. Ross” l.r. and identified on a presentation plaque and
on a label affixed to the stretcher bar.
$2,000-3,000
457
458.
Walter F. Lansil (American, 1846-1925)
Repose/A View of Venetian Sailboats

Signed “Walter F. Lansil” l.l., titled, signed, and indistinctly dated
“...Walter F. Lansil...” on the reverse.
Condition: Scattered surface abrasions, mild surface grime.
$1,000-1,500
458
459.
J. Pavlikevitch (Russian, 19th/20th Century)
Constantinople Street
Indistinctly inscribed and signed “...J. Pavlikevitch...” l.l.
framed.
Condition: Toning, mild scattered staining/foxing, not examined
out of frame.
$200-250
459
460.
Leopold Ziller (German, 19th Century)
View Along the Bosphorus

Signed “Ziller” l.l.
Condition: Several small patch reinforcements, retouched, surface
grime, craquelure.
$800-1,200
460
462
461.
Henry Roderick Newman (American, 1833-1918)
Queen Nefertiti, c. 1896-1899

Signed “HR Newman” l.r., and inscribed “...The figure to the
right of the door of the Temple of Abu Simbel near the 2nd
Cataract...Fuller/22 Feby 1945” in pencil on the reverse, with a
label from Alexander Reeves Fine Art, Richmond, Virginia, on the
paper backing.
461
Watercolor on linen-backed paper, 18 x 9 3/4 in. (45.7 x 24.8
cm), framed.
Condition: Trimmed sheet, cloth tape hinged, small restored tear
u.l.
$3,000-5,000
462.
Attributed to Hughson Hawley (American, 1850-1936)
Interior of an Egyptian Revival Hall

Monogram signed and dated “HHawley 30” l.r.
Gouache on paper, sight size 11 3/4 x 23 1/2 in. (29.8 x 59.7
cm), framed.
Condition: Partially reinforced signature, not examined out of
frame.
$800-1,200
463.
Albert Herter (American, 1871-1950)
Mohamed Ben Hadge Abdeslam Djedidi/A Tunisian Portrait, c.

1925
Bears signature “...ALBERT HERTER” l.l., identified on a
presentation plaque, inscribed “Mohamet” and with a stamp from
Lucien Lefebvre Foinet, Paris, on the stretcher.

$800-1,200
463
464.
Charles Zacharie Landelle (French, 1812-1908)
Jeune Fille Orientale

Signed “Landelle” l.l., partial canvas stencil on the reverse.
Condition: Minor scattered losses, retouch, varnish
inconsistencies, craquelure with lifting, mild surface grime.
$5,000-7,000
464
465.
Charles Bourdon (French, 19th Century)
Venetian Belle
Signed “Ch. Bourdon” l.r., identified on a presentation plaque.
Oil on canvas, 30 x 20 in. (76.2 x 50.8 cm), in a shadowbox
frame.
$3,000-5,000
465
466.
Leota Williams Loop (American, 1893-1961)
Beech Woods
Signed “Leota-Williams-Loop-” l.l., inscribed and titled “#588...”
on the stretcher bars.
$2,000-4,000
466
467.
John C. Terelak (American, b. 1942)
Autumn Birches
Signed and dated “J C TERELAK © 77” l.r.
Oil on Masonite, 20 x 30 in. (50.8 x 76.2 cm), framed.
Condition: Varnish inconsistencies.
$2,000-4,000
467
468.
Louis F. Mueller (American, 1886-1958)
Hillside Farm with Haystacks

Signed “Louis Mueller.” l.r.
Oil on board, 21 1/2 x 31 1/4 in. (54.6 x 79.4 cm), framed.
Condition: Retouch, varnish inconsistencies.
$600-800
468
469 470
469. 470.
Ernest David Roth (American, 1879-1964) William Mouncey (Scottish, 1852-1901)
Green and Gold On the Banks of the River

Signed “E.D. Roth” l.r., title depicted on a photograph affixed to Signed “W. Mouncey” l.l., inscribed “I, Joan Mouncey, eldest
the reverse. daughter of the late William Mouncey of Kirkcudbright, Scotland,
Oil on canvas, 24 1/4 x 20 in. (61.6 x 50.8 cm), framed. know that this picture was the work of the said William
Condition: Craquelure, lined. Mouncey/dated May 22nd 1911...” on the reverse.
$1,500-2,500 Oil on canvas, 20 1/4 x 24 1/4 in. (51.4 x 61.6 cm), framed.
Condition: Craquelure.
$2,000-4,000
471.
Ralph Davison Miller (American, 1858-1945)
Brother Oaks
Incised signature “Ralph Davison Miller” l.r., titled on the
reverse.
Condition: Craquelure, minor surface grime.
$1,500-2,500
471
472.
Antonio Cirino (American, 1889-1983)
Late Day in Autumn

Signed “A. CIRINO” l.r.
Condition: Retouch, craquelure.
Provenance: Through the artist’s estate.

$3,000-5,000
473.
Cecil Chichester (American, 1891-1963)
Autumn Landscape
Signed “Cecil Chichester” l.r., a partial gallery label affixed to the
reverse.
Condition: Slight bowing to the support, scattered retouch.
$400-600
472
474.
Bernard Corey (American, 1914-2000)
Auburn
Signed “BERNARD COREY” l.r., also signed and titled
“BERNARD COREY...” on the reverse.
Oil on canvas mounted to board, 8 3/4 x 13 in. (22.2 x 33.0
cm), unframed.
$700-900
474A.
Beatrice J. Humphreys Jackson (American, b. 1905)
Hathaways Farm
Signed “B. Jackson” l.l., identified on a period label from Grand
Central Art Galleries, New York, and a partial label from C.W.
Kraushaar Art Galleries affixed to the reverse.
$300-500
473
474 474A
475.
Robert Shaw Wesson (American, 1902-1967)
Cambridge Valley Brook

Signed “Robert Wesson” l.r., also signed and titled “...Robert
Wesson” on the reverse.
Condition: Abrasion/loss l.l., varnish inconsistencies.
$1,500-2,000
475
476.
Annabelle E. Williams (American, 20th Century)
October Sunlight
Signed “Annabelle E. Williams” l.r., titled and signed
“...Annabelle E. Williams” on the reverse.
Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), in a frame signed
“ANNABELLE E. WILLIAMS FRAME.” u.c.
Condition: Good.
$800-1,200
476
477.
Anders Daniel Johansen (Danish, 1882-1967)
Autumn Trees Nestled within the Hills

Signed “ANDERS D. JOHANSEN” l.l.
Oil on artist board, 8 x 11 in. (20.3 x 27.9 cm), framed.
Condition: Minor abrasions along liner.
$200-300
477
478
479
478. 479.
Charles Gordon Harris (American, 1891-1963) Frank Townsend Hutchens (American, 1869-1937)
Autumn Hills River Reflections

Signed “C. GORDON HARRIS” l.r. Signed “F.T. HUTCHENS” in ink l.r.
Oil on artist board, 9 3/4 x 12 in. (24.8 x 30.5 cm), framed. Oil on canvas, 20 x 14 in. (50.8 x 35.6 cm), framed.
Condition: Surface grime. Condition: Surface grime, subtle varnish inconsistencies.
$300-350 $2,000-4,000
480.
Joseph Eliot Enneking (American, 1881-1942)
Autumn Trees
Signed or inscribed “J. E. Enneking” in pencil on the reverse.
Condition: Flaking/losses l.c., retouch, extremely fine
craquelure, mild surface grime.
$600-800
480
481.
Louis H. Richardson (American, 1853-1923)
Autumn View with Stream

Signed and dated “LHRICHARDSON 1911” l.r.
Condition: Scattered retouch, signature partially reinforced,
surface grime.
$1,000-1,500
482.
David Cunningham Lithgow (American, 1868-1958)
Woods Behind David Lithgow’s Cottage in the Adirondacks, 1922

Unsigned, inscribed, and titled “Painted by David Lithgow...” on
the stretchers.
$500-700
481
483.
Mariquita Gill (American, 1861-1915)
Lakeview in Autumn
Signed “Mariquita Gill” l.l., inscribed indistinctly on the stretcher.
Condition: Surface grime, retouch, craquelure.
$1,000-1,500
483
482
484.
The Lullaby of the Leaves, alternatively titled Obliging Autumn

Signed “A. CIRINO” l.r., titled on the stretcher bars.
Condition: Losses along tacking margin, craquelure, pigment
fluorescence.

$3,000-5,000
484
485.
George Glenn Newell (American, 1870-1947)
Landscape with Cattle

Signed and dated “G Glenn Newell 1931” l.l., identified on a
$3,000-5,000
485
486.
James Goodwin McManus (American, 1882-1958)
Lot of Two Landscapes: The Hatt Farm House at Salem

Connecticut and Captain Jim’s Meadow
Salem signed and dated “James Goodwin McManus 1953” l.l.,
identified in the artist’s hand on the reverse, Meadow signed
“James Goodwin McManus” l.r., identified on a partial label from
the Lyme Art Association, Old Lyme, Connecticut, affixed to the
reverse.
$325-500
486
487
487. 488.
Antonio Cirino (American, 1889-1983) Antonio Cirino (American, 1889-1983)
Old Livery Stable New England, Autumn, 1932

Signed “A. CIRINO” l.r., identified on a label from the Signed “ACIRINO” l.l., also signed “ACIRINO” on the
Salmagundi Club, New York, on the reverse. stretcher, identified on labels on the reverse.
Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), unframed. Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.
Condition: Losses along tacking margin, craquelure, minor Condition: Craquelure, retouch, pigment fluorescence.
surface grime.
Provenance: Through the artist’s estate. $3,000-5,000
$3,000-5,000
488
489
489. 490.
William Lester Stevens (American, 1888-1969) Ethel M. Lomasney (American, 1887-1959)
Winter Field Blue Valley

Signed “W. LESTER STEVENS N.A.” l.c., titled in the artist’s Signed “Ethel Lomasney.” l.r., identified on a presentation
hand on the reverse. plaque.
Oil on canvas mounted to Masonite, 24 x 48 in. (61.0 x 121.9 Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.
cm), framed. Condition: Subtle varnish inconsistencies, pigment fluorescence.
Condition: Varnish inconsistencies, surface grime, partially $400-600
reinforced signature.
$7,000-9,000
490
491
491. 492.
Carl Wuermer (American, 1900-1982) Stowell B. Sherman (American, b. 1886)
December Afternoon Winter Shadows

Signed “Carl Wuermer” l.r., identified on a period label affixed to Signed “STOWELL SHERMAN” l.r., identified on an exhibition
the backing. label from South County Art Association affixed to the stretcher.
Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed. Oil on canvas, 26 1/4 x 30 in. (66.7 x 76.2 cm), framed.
Condition: Surface grime, minor surface abrasions. Condition: Fine scattered craquelure, surface grime.
$10,000-15,000 $800-1,200
492
493.
Gene (Charles Eugene) Klebe (American, b. 1907)
Maine Harbor in Winter

Signed “Gene Klebe AWS” l.r.
Watercolor on paper/board, sight size 17 x 26 1/2 in. (43.2 x
67.3 cm), framed.
$400-600
493
493A.
Ernest David Roth (American, 1879-1964)
Winter Landscape with Houses

Signed “E.D. Roth” l.l.
$800-1,200
493A
494.
Boris Ivanovich Gorbunov (Russian, b. 1922)
Blue Snow
Initialed and dated “G49” l.r., inscribed and stamped “B.
Gorbunov. 1949...USSR City of Podolsk
Cardboard...Dimensions...” and titled in Cyrillic on the reverse.
Oil on paper/board, 11 x 14 in. (27.9 x 35.6 cm), framed.
Condition: Losses and flaking u.r., trimmed board.
Provenance: Private New England collection.

$200-300
494
495.
Thomas Andrew Nicholas (American, b. 1934)
Along the River, Vermont

Signed “-TOM NICHOLAS- N.A.” l.r. identified on labels
Condition: Good.
$3,500-5,500
495
496.
Marian Williams Steele (American, 1912-2001)
Winter at Annisquam
Signed “Marian Williams Steele” l.l. and on the reverse.
Oil on board, 24 x 36 in. (61.0 x 91.4 cm), framed.
Condition: Pigment fluorescence, surface grime.
$1,200-1,800
496
496A.
Elisabeth Roberta “Betty” Galbraith-Cornell (Canadian, b.
1916/17)
“Spring Melting” - The Glen

Signed “B. Galbraith-Cornell” l.r.
Oil on Masonite, 12 3/4 x 26 in. (32.4 x 66.0 cm), framed.
$300-500
496A
497
497. 498.
Ellen Day Hale (American, 1855-1940) Arthur Bowen Davies (American, 1862-1928)
Almond Blossoms Houses Beyond the Trees

Signed and dated “E.D. Hale/ 91” in pencil l.l. Unsigned.
Pastel on paper, sight size 11 1/2 x 19 3/8 in. (29.2 x 49.2 cm), Oil on panel, 5 3/8 x 9 3/8 in. (13.7 x 23.8 cm), framed.
framed. Condition: Minor splits to edges, losses/wear to edges, surface
Condition: Tack holes to margins, pentimento l.l. grime.
$2,000-4,000 $400-600
498
499
499. 500A.
Eric L. (Frederic) Pape (American, 1870-1938) Dana Ripley Pond (American, 1881-1962)
View of an Egyptian Farm Scene from Family House

Signed, dated, and inscribed “·PAPE· 91·/·EGYPT·” l.r., stamped Signed “Dana Pond.” l.l., titled and inscribed “...10 Cambridge
“ESTATE OF Eric Pape 1870-1938” on the backing. Street, Winchester, Mass. Given to his Brother Shepard + His
Oil on canvas, 11 x 13 1/2 in. (27.9 x 34.3 cm), framed. Wife June T. Pond” on the reverse.
Condition: Lined, retouch. Oil on canvas, 30 1/4 x 24 in. (76.2 x 61.0 cm), framed.
Provenance: Through the estate of the artist.
$2,500-3,500 Provenance: Through the family of the artist.
$1,000-1,500
500.
Helen M. Goodwin (American, 1865-1955)
California Landscape
Initialed “H.M.G.” l.r., a label from Pasadena Artists’ Supply
affixed to the frame.
$400-600
500 500A
501
501. 503.
Isabelle H. Ferry (American, 1865-1937) American School, 20th Century
Garden Steps Garden View

Unsigned, artist’s estate stamp on the reverse. Unsigned, partial oil on canvas figure study of a male nude on the
Oil on canvas mounted onto board, 12 x 16 in. (30.5 x 40.6 cm), reverse.
framed. Oil on canvas mounted onto board, 19 x 13 1/2 in. (48.3 x 34.3
Condition: Pigment fluorescence, mild surface grime. cm), unframed.
$600-800 Condition: Mild surface grime, losses, tears and adhesive residue
to the reverse.
$300-500
502.
Freda Churchwell MacAdam (American, 1907-1998)
White Columns
Signed “FREDA MACADAM” l.r., signed, titled, and inscribed
“FREDA MACADAM...Virginia 1935” on the reverse, inscribed
“Rehoboth Annual Show” on the reverse.
Condition: Retouch.
$400-600
502 503
504.
Anthony Thieme (American, 1888-1954)
Southern Doorway
Signed “A. Thieme” l.r., titled and inscribed “Southern
Doorway...290/500” in the artist’s hand on the reverse,
identified on a label from the Boston Art Club affixed to
the reverse.
Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed
(under glass).
Condition: Pigment fluorescence, area of lifting l.r.
$4,000-6,000
504
505.
Abbott Fuller Graves (American, 1859-1936)
Portrait of a Young Breton Girl in a Summer Garden

Signed “-Abbott Graves-” l.l.
Condition: Craquelure, scattered retouch.
$15,000-20,000
505
506.
Waldo Peirce (American, 1884-1970)
A Walk in the Park

Dated, dedicated, and signed “15 feb 53 All the best, for Sally &
Peter...Waldo Peirce.” l.l., indistinctly inscribed, signed, and dated
“...W Peirce ‘53” l.r.
Watercolor, ink, and pencil on paper/board, sight size 10 3/4 x
15 1/2 in. (27.3 x 38.1 cm), framed.
Condition: Toning, creases, staining, not examined out of frame.
$300-500
506
507.
Virginia Cuthbert (American, 1908-2001)
Spring Landscape
Signed “Virginia Cuthbert” l.l., titled and signed or inscribed
“...VIRGINIA CUTHBERT ELLIOTT” on the stretcher.
Condition: Minor surface grime/abrasions.
$800-1,200
507
508.
Everett Lloyd Bryant (American, 1864-1945)
Lot of Two Works: Path Along the River and A Studio Still
Life with Flowers and Sculpture
Each signed “E L Bryant” l.l. or l.r.
Oil on canvas, sizes to 26 x 32 in. (66.0 x 81.3 cm), unframed,
unstretched.
Condition: Creases, scattered abrasions with losses, surface
grime.
$200-300
508
509
509. 510.
William Johnson Bixbee (American, 1850-1921) Frank Swift Chase (American, 1886-1958)
Along the Charles River, Perkins School Bare Trees

Signed “Bixbee” l.l., identified on a label affixed the reverse. Signed “FS CHASE” l.r., information regarding the artist affixed
Oil on canvas, 14 1/4 x 20 in. (36.2 x 50.8 cm), framed. to the reverse.
Condition: Craquelure, pigment fluorescence. Oil on paper mounted onto board, 8 1/8 x 10 1/8 in. (20.6 x
25.7 cm), framed.
Exhibitions: Artists of the Boston Art Club, 1854-1950, Fuller Condition: Craquelure.
Museum of Art, July 3–September 19, 1993, exh. no. 5. $2,500-3,500
$2,000-3,000
510
511 513
511. 513.
Joseph Randolph Brown (American, 1861-1953) Katherine Adams Lovell (American, 1877-1965)
Marsh View in Spring Waterfall, Ogunquit, Maine

Signed and dated “J. Randolph Brown 1937” l.l. Signed “K. LOVELL” l.l., also identified, titled, and inscribed
Oil on artist board, 16 x 20 in. (40.6 x 50.8 cm), framed. “...K. Lovell/Brooklyn 26...” on the reverse.
Condition: Retouch, surface grime. Oil on canvasboard, 18 x 22 in. (45.7 x 55.9 cm), framed.
$1,000-1,500 Condition: Retouch, pigment fluorescence, surface grime, subtle
bowing to board.
$800-1,200
512.
Low Tide
Unsigned, artist’s estate stamp on the reverse.
Watercolor and gouache on paper, sight size 8 x 17 1/4 in. (20.3
x 43.8 cm), framed.
Condition: Tear l.r., not examined out of frame.
$400-600
512
513A
513A. 514.
Wolf Kahn (American, b. 1927) Henry W. Rice (American, 1854-1922)
Barn in Summer, 1971-2 Shoreside Cottage

Signed “W. Kahn” l.r., signed, dated, and titled “Wolf Kahn Unsigned.
1972...” and identified on a label from Parker Street 470, Boston, Watercolor on paper, sight size 13 3/4 x 19 3/4 in. (35.2 x 50
on the stretcher. cm), framed.
Oil on canvas, 50 x 50 in. (127.0 x 12.7.0 cm), framed. Condition: Tears, foxing, not examined out of frame.
Condition: Fine craquelure. $600-800
$12,000-18,000
514
515.
Eugene Henry Bischoff (American, 1880-1954)
Franconia Notch/A New Hampshire View

Signed and dated “E.H. Bischoff 1936” l.r., identified on a

$300-500
515
516.
Bernard Corey (American, 1914-2000)
Trees in the Woods

Signed “BERNARD COREY” l.r., identified on labels, including
one from the artist’s estate, affixed to the reverse.
Watercolor with ink on paper/board, sight size 9 1/2 x 13 1/2
in. (24.1 x 34.3 cm), framed.
$500-700
516
517.
David Bareford (American, b. 1947)
Spring Run-Off, Belfast, Maine

Signed “David Bareford” l.l., identified on a label from Quester
Gallery, Stonington, Connecticut, on the reverse.
Oil on canvas mounted to board, 11 x 14 in. (27.9 x 35.6 cm),
framed.
Condition: Good.
$1,000-1,500
517
518
518. 519.
Charles Warren Eaton (American, 1857-1937) Ernest Lawson (Canadian/American, 1873-1939)
The Heart of New England Along the Riverbank

Signed and dated “CHAS. WARREN EATON - 1905” l.l., titled, Signed “E. L...” l.r.
signed, and dated “...Chas. Warren Eaton. 1905.” on the reverse. Oil on canvas mounted to artist board, 12 x 14 3/4 in. (30.5 x
Oil on canvas, 30 1/4 x 36 in. (76.8 x 91.4 cm), framed. 37.5 cm), framed.
Condition: Scattered retouch, scattered craquelure, mild surface Condition: Surface grime, retouch.
grime.
$10,000-15,000 Provenance: William Doyle Galleries, American Paintings,
October 21, 1987, lot 133; private collection, Montecito,
California; private New England collection.
$8,000-12,000
519
520.
Carl Gordon Cutler (American, 1873-1945)
Umbrella Pine
Signed “Carl G Cutler” l.l., titled in a later hand on the backing.
Watercolor with charcoal on paper/board, sight size 16 3/4 x 24
1/2 in. (42.5 x 61.6 cm), framed.
$800-1,200
520
521.
Stone Piles
Signed “Carl G Cutler” l.r., titled in a later hand on the backing.
1/4 in. (43.8 x 61.6 cm), framed.
$800-1,200
521
522.
View Across Eggen Moy in Beach

Signed “Carl G Cutler” l.l., titled in a later hand on the backing.
3/4 in. (44.5 x 60.3 cm), framed.
$800-1,200
522
523.
Forgotten Quarry
1/2 in. (49.5 x 62.2 cm), framed.
$700-900
523
524.
Walker Pond
Signed “Carl G Cutler” l.c., titled in a later hand on the backing.
1/2 in. (47.6 x 62.2 cm), framed.
$800-1,200
524
525.
After the Rain

Watercolor with charcoal on paper/board, sight size 17 x 24 3/4
in. (43.2 x 62.9 cm), framed.
$700-900
525
526.
Elizabeth Galbraith Jewell (American, 1874-1956)
Hampton Marshes, Hampton, New Hampshire

Signed “E.G. Jewell” l.r., artist and title inscribed, probably in the
artist’s hand, on the reverse, artist’s estate stamp on the reverse.
Condition: Scattered retouch, surface grime.
$600-800
526
527.
Theodore Frederick Hussa (American, 1909-1939)
Grey Barns
Signed and dated “Hussa ‘39” l.r., titled on a presentation
plaque, inscribed and titled “Bennington Museum + Art
Gallery...Hussa” on a period label affixed to the reverse.
Condition: Minor retouch, mild surface grime.

$200-250
527
528.
MacIvor Reddie (American, 1864-1931)
Ploughing the Fields

Signed “MacIvor Reddie” l.r.
Condition: Minor surface losses u.l., surface grime.
$2,200-2,800
528
529 531
529. 531.
Mabel May Woodward (American, 1877-1945) Harold Broadfield Warren (American, 1859-1934)
The Hills of New England, Autumn Landscape with Distant Mountains

Signed “M. Woodward” l.r. Signed “H.B. WARREN” l.l.
Oil on Masonite, 10 x 13 in. (25.4 x 33.0 cm), framed. Watercolor on paper/board, sight size 9 x 12 in. (22.9 x 30.5
Condition: Good. cm), framed.
$800-1,200 Condition: Toning, scattered foxing, not examined out of frame.
$200-300
530.
Paul Starrett Sample (American, 1896-1974)
Island Pond Meadows

Signed “PAUL SAMPLE” l.l., titled and inscribed, possibly by the
artist, copyright stamped and identified on labels on the reverse.
Condition: Surface grime, minor abrasions along frame liner.
$7,000-9,000
530
532
532. 534.
Hayley Lever (American, 1876-1958) Morris Hall Pancoast (American, 1877-1963)
Moore’s Farm, Kensington, Connecticut A Warm Day in January

Signed “Hayley Lever” l.r., titled and dated “...1935” in pencil on Signed “Morris Hall Pancoast” l.r., identified on a label from the
the reverse. Salmagundi Club (see below) affixed to the reverse.
Oil on Masonite, 24 x 36 in. (61.0 x 91.4 cm), framed. Oil on board, 14 x 13 3/4 in. (35.6 x 34.9 cm), framed.
Condition: Minor surface grime. Condition: Surface grime.
$3,000-5,000
Exhibitions: Annual Exhibition and Auction Sale of Pictures,
Salmagundi Club, no 86.
533. $800-1,200
Dexter B. Dawes (American, b. 1872)
Green House at Bridge Tower

Signed “D.B. DAWES” l.l., titled on the reverse, identified on a
label affixed to the backing.
Gouache, charcoal, and graphite on paper, sight size 12 1/2 x 15
1/4 in. (31.8 x 38.7 cm), framed.
Condition: Paper strip backed along bottom margin, glued at
center to cardboard.
$300-350
533 534
535.
Minna Walker Smith (American, b. 1883)
Road Up the Mountain, Probably a View of Crawford

Notch, New Hampshire
Signed and dated “Minna Walker Smith ‘46” l.l.
Watercolor on paper, sight size 10 x 14 in. (25.4 x 35.6 cm),
framed.
$500-700
535
536.
Dexter B. Dawes (American, b. 1872)
The White House, Piermont/A New Hampshire View

Signed “D.B. DAWES” l.r., titled in pencil on the reverse.
Gouache, charcoal, and graphite on paper, sheet size 11 5/8 x 14
1/2 in. (29.5 x 36.8 cm), framed.
Condition: Paper strip backed along bottom margin.
$300-500
536
537.
Richard LaBarre Goodwin (American, 1840-1910)
Port View with Railroad Trestle Bridge

Signed “R. LaBarre Goodwin” l.l.
Watercolor on paper, sheet size 5 3/4 x 8 3/4 in. (14.6 x 22.2
cm), unframed.
Condition: Toning, paper backed, acid burn, tape hinged to
backing mat.
$500-700
537
538.
New England Harbor View

Signed “A. CIRINO” l.r.
Oil on Masonite, 10 x 12 in. (25.4 x 30.5 cm), unframed.
Condition: Minor surface grime, pigment fluorescence.

$1,000-1,500
538
539.
Attributed to MacIvor Reddie (American, 1864-1931)
Lobster Dories/A Cohasset View

Unsigned, artist identified in two later inscriptions on the reverse.
Condition: Mild scattered retouch, mild surface grime.
$600-800
539
540.
Arthur Sarnoff (American, 1912-2000)
House and Dock, Peggy’s Cove

Signed “Arthur Sarnoff” l.l.
Ink and gouache on paper, sight size 15 1/2 x 19 1/2 in. (39.4 x
49.5 cm), framed.
$800-1,200
540
541
541. 542.
Antonio Cirino (American, 1889-1983) Bernard Corey (American, 1914-2000)
Fishermen on the Coast The Dry-Docked Boat

Signed “A CIRINO” l.l. Signed “BERNARD COREY” l.r. and on the reverse.
Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), unframed. Oil on Masonite, 8 x 12 in. (20.3 x 30.5 cm), framed.
Condition: Craquelure, minor surface grime. Condition: Retouch and/or pigment fluorescence.
$700-900
$4,000-6,000
542
543.
Francis Isabel Neill (American, b. 1871)
Maine Coast in Summer

Signed “Francis Isabel Neill” l.l., a stamp from Trisdonn Gallery,
Ltd., New York, on the reverse.
Oil on canvas mounted to board, 19 1/2 x 23 1/2 in. (49.5 x
59.6 cm), framed.
Condition: Craquelure, minor retouch, minor losses.
$800-1,200
543
544.
Franz Arthur Bischoff (American, 1864-1929)
Crashing Waves/A Southern California View

Signed “Franz A. Bischoff” l.l.
cm), framed.
Condition: Masking taped to beveled mat, subtle toning, subtle
acid burn, old glue residue on the reverse.
$2,000-4,000
544
545.
Helen Lincoln Sorenson (American, c. 1870-1929)
Coastal View
Signed “Helen L. Sorenson” l.r., information affixed to the
reverse (see below).
Condition: Canvas deformations, scattered craquelure, mild
surface grime.
N.B. According to the information affixed to the reverse, this

work was possibly exhibited at Vose Galleries of Boston under the
title Rocks & Surf at Ogunquit, Maine.
$600-800
545
546
546. 547.
Emile Albert Gruppé (American, 1896-1978) Cecil Crosley Bell (American, 1906-1970)
Fishermen on the Coast Ambrose Light House

Signed “Emile A. Gruppé” l.r. Signed “C. BELL” l.r., identified on a label affixed to the reverse,
Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed. a label from Associated American Artists affixed to the reverse.
Condition: Craquelure, subtle varnish inconsistencies. Watercolor and gouache with pencil on a partial envelope, sight
$6,000-8,000 size 6 3/4 x 11 1/2 in. (17.2 x 29.2 cm), framed.
Condition: Toning, broad rippling, not examined out of frame.
$500-700
547
548.
John Michael Buckley (American, 1891-1958)
Moonlit
Signed “JM Buckley” l.r., titled, signed, dated, and inscribed
“W.P.A. Fed. Art Project...J.M. Buckley/ 1939...” on the reverse.
Condition: Craquelure, surface grime, puncture l.c.
$800-1,200
548
549.
James Milton Sessions (American, 1882-1962)
The Fish Cannery

Signed “SESSIONS” l.r., titled and initialed “...JMS” on the
reverse.
Watercolor with graphite on paperboard, sight size 13 3/4 x 17
1/2 in. (34.9 x 44.5 cm), framed.
Condition: Taped to the front mat verso, mat burn.
$1,000-1,500
549
550.
Cape Ann Harbor View

Signed “ACIRINO” within the composition c.r.
Condition: Subtle surface grime and craquelure, retouch and/or
pigment fluorescence.

$4,000-6,000
550
551
551.
Mabel May Woodward (American, 1877-1945)
Harbor
Stamped “M. Woodward” l.r.
framed.
Condition: Pinholes at corners, mild surface grime.
$1,000-1,500
552.
Emile Albert Gruppé (American, 1896-1978)
Harbor View
Signed “Emile A. Gruppé“ l.r.
framed.
Condition: Retouch, mild surface grime.
$3,000-5,000
552
553.
Robert Tolman (American, b. 1886)
Seascape
Signed “Robert Tolman” l.r.
Oil on panel, 18 x 21 3/4 in. (45.7 x 55.2 cm), framed.
Condition: Mounted onto board, wear to edges, scattered
craquelure, surface grime.
$400-600
553
554.
Robert S. Bacon (American, 20th Century)
View of a Lighthouse
Signed and dated “R.S. Bacon ‘49” l.c., signature pentimento l.r.
$600-800
554
555.
William Holland Drury (American, 1888-1960)
Rhode Island Coastal View

Signed “W.H. DRURY” l.l., artist identified on information
framed.
$500-700
555
556.
Harland A. Riker (American, 20th Century)
November Seas
Signed and dated “Harland A. Riker/11 50” l.r., titled on a label
on the stretcher.
$400-600
556
557.
Don Stone (American, b. 1929)
Surf and Fog

Signed “Don Stone N.A.” l.r., identified and titled, possibly in a
later hand, on the backing.
Condition: Good.
$800-1,200
557
558.
George Forest Payne (American, 20th Century)
Crashing Surf
Signed “GEO F PAYNE” l.l., inscribed on the reverse.
Condition: Wear/losses to edges, slight bowing to support,
scattered retouch, varnish inconsistencies, scattered craquelure,
minor scattered losses, mild surface grime.
$400-600
558
559
559. 560.
John Whorf (American, 1903-1959) Hayley Lever (American, 1876-1958)
Mediterranean Port Yachting Centre

Signed “John Whorf.” l.r., identified on an exhibition label (see Signed “Hayley Lever” l.r., also titled, signed, inscribed, and
below) affixed to the backing. dated “...Haley Lever/Larchmont N.Y./Aug. 1947” with a label
Watercolor on paper, sight size 15 x 21 in. (38.1 x 53.3 cm), and stamp from the Clayton-Liberatore Art Gallery,
framed. Bridgehampton, New York, on the reverse.
Condition: Very subtle toning, not examined out of frame. Oil on board, 13 3/4 x 18 in. (34.9 x 45.7 cm), framed.
Condition: Minor surface grime, craquelure, scattered retouch.
Exhibitions: 9th International Exhibition of Watercolor $4,000-6,000
Paintings, The Art Institute of Chicago, 1929, no. 303
$7,000-9,000
560
561
561.
Anthony Thieme (American, 1888-1954)
Bahama Industry
Signed (incised) “A. Thieme” l.r., titled in the artist’s hand on the reverse, identified on a period
label from Grand Central Art Galleries, New York, affixed to the reverse.
Condition: Scattered craquelure (and very slight canvas deformation along stretcher bar), surface
grime.
N.B. Anthony Thieme, best known for his Impressionistic plein-air coastal views and seascapes,
was born in Rotterdam, Holland, but came to the U.S. as a young artist, setting up a studio in
Cape Ann, Massachusetts. Although Thieme was attracted to the colorful surroundings and
sparkling waters of Rockport and Gloucester, he continued to travel throughout his career. He
spent the winter months in St. Augustine, Florida (where he set up a studio in 1947) but also
traveled to Mexico, Guatemala, and the Bahamas. He was “seeking new challenges to capture on
canvas”1 and his paintings reflected the warm sunlight, vibrant colors, rich textures, and varied
cultures of these places.
1. Curtis, Judith A., Anthony Thieme 1888-1954, (Rockport, Massachusetts: Rockport Art Association, 1999), p. 12.
$15,000-25,000
562.
John Whorf (American, 1903-1959)
Derelict
Signed “John Whorf” in pen twice l.r., titled in an inscription on
the reverse.
Watercolor on paper, sheet size 22 1/4 x 28 in. (56.5 x 71.1 cm),
framed.
Condition: Masking and gum paper taped to window mat,
trimmed sheet, toning.
$2,000-3,000
562
563.
Anton Otto Fischer (American, 1882-1962)
Out of the Fog

Signed and dated “1940/ANTON OTTO FISCHER” l.r.,
identified on a presentation plaque.
$1,500-2,000
563
564.
Anton Otto Fischer (American, 1882-1962)
USS Brazley in Convoy

Signed “Anton Otto Fischer” l.l.
Condition: Lined, craquelure, retouch.
$2,000-3,000
564
565
565. 566.
Henry McDaniel (American, 1906-2008) Charles Wellington Furlong (American, 1874-1967)
Canoers on the Bay Yahgans in a Beech-log Canoe

Signed “Henry McDaniel” l.r. Signed and dated “Charles W Furlong 09” l.l.
Watercolor on paper, sight size 11 1/4 x 15 1/2 in. (28.6 x 39.4 Oil on canvas, 24 x 16 in. (61.0 x 40.6 cm), framed.
cm), framed. Condition: Patch reinforcement, retouch, signature reinforced.
$500-700 Literature: Charles Wellington Furlong, F.R.G.S., “The
Southernmost People of the World,” Harper’s New Monthly
Magazine, June 1909, no. 709, p. 128 (illus.).
N.B. Charles Wellington Furlong, the son of artist Atherton B.

Furlong, was born in Cambridge, Massachusetts, and began his
artistic career at the Massachusetts Normal Art School. Furlong
continued his studies at the École des Beaux Arts in France, and
later became the head of the art department at Cornell University.
Furlong’s success, however, extended beyond his career as an
artist. He was an explorer, scientist, and author. Furlong, funded
by Harper’s magazine, traveled to Tierra del Fuego in 1907-08
where he mapped the region and collected data and ethnological
artifacts.1 This work appeared as an illustration for an article
authored by Furlong titled “The Southernmost People of the
World.” In it he writes, “So the Yahgan constructs his canoe of a
heavy beech log and seeks the paths of least resistance …often
venturing into the broad reaches of the sounds and the very
oceans in search of stranded whales, seals, sea-otters, birds, and
fish...”2
The lot is accompanied by a copy of the 1909 issue of Harper’s

Monthly magazine featuring “The Southernmost People of the
World.”
1. University of Oregon Libraries, Historic Photograph Collections: The

Pendleton Group, Charles W. Furlong photographs
(http://libweb.uoregon.edu/speccoll/photo/Pendleton/ffurlong.html)
2. Harper’s Monthly, June 1909, no. 709, p. 126.

$1,500-2,000
566
567.
Marion P. Howard (American, 1883-1953)
Rocky Coastal View

Signed “M. Howard” l.r.
Condition: Canvas deformations, craquelure, retouch, losses,
abrasions.
$1,500-2,000
567
567A.
Jacob Dutweiler Wagner (American, 1852-1898)
Coastal View
Signed “J. Wagner” l.r., a period label from Bigelow & Jordan,
Boston, affixed to the reverse.
Watercolor on paper/board, sight size 9 1/2 x 13 1/2 in. (24.1 x
34.3 cm), framed.
Condition: Toning, subtle fading, not examined out of frame.
$300-500
567A
568.
Charles Chase Emerson (American, 1874-1922)
Off Magnolia
Signed “Chase Emerson” l.r., identified on a label from Vose
Galleries of Boston affixed to the reverse, title inscribed on the
reverse.
Condition: Scattered retouch, craquelure.
$2,500-3,500
568
569
569. 570.
Charles Herbert Woodbury (American, 1864-1940) Philip Little (American, 1857-1942)
Spindrift Coastal View/Possibly Swampscott, Massachusetts

Signed “Charles H Woodbury” l.r., identified on an exhibition Signed “PHILIP LITTLE” l.l., stamped “PHILIP LITTLE,
label from Springvine High School and a partial period label from SALEM MASS” on the reverse.
the Museum of Fine Arts, Boston, affixed to the reverse. Oil on canvas, 25 x 30 1/4 in. (63.5 x 76.8 cm), framed.
Oil on canvas, 20 x 27 in. (50.8 x 68.6 cm), in a frame signed Condition: Surface grime.
“19...22, Thulin, 955” l.c. $800-1,200
Condition: Oil paint on the reverse.
$8,000-12,000
570
571
571. 572.
Robert Remsen Vickrey (American, b. 1926) Robert Remsen Vickrey (American, b. 1926)
The Vigil Low Tide, 1985

Signed “Robert Vickrey” l.l., identified on a partial label from Signed “Robert Vickrey” l.l., identified on a label from The
The Harmon Gallery, Naples, Florida, and a label from the Harmon Gallery, Naples, Florida, affixed to the backing.
Roanoke Museum of Fine Arts, Roanoke, Virginia, attached to Egg tempera on fiberboard, 15 1/2 x 23 1/2 in. (39.4 x 59.7
the backing. cm), framed.
Egg tempera on fiberboard, 15 1/2 x 24 in. (39.4 x 61.0 cm), Condition: Good.
framed. $4,000-6,000
Condition: Minor surface abrasions.
Exhibitions: Robert Vickrey, Roanoke Museum of Fine Arts, July

5–August 26, 1984; Images of Robert Vickrey, Midwest Museum
of American Art, Elkhart, Indiana, September 7–October 6,
1984.
$4,000-6,000
572
573
573.
Robert Remsen Vickrey (American, b. 1926)
Sea View, 1984-85

Signed “Robert Vickrey” l.r., identified on a label from The
Harmon Gallery, Naples, Florida, on the reverse.
Egg tempera on Masonite, 17 x 22 in. (43.2 x 55.9 cm), framed.
Condition: Minor surface abrasions along frame liner.
$4,000-6,000
574.
Bernard V. Carpenter (American, 1872-1936)
Nantucket Houses
Unsigned.
framed.
$200-300
574
575.
George Oberteuffer (American, 1878-1940)
Coastal Landscape/Probably Boothbay Harbor, Maine

Signed “Oberteuffer” l.r.
Watercolor on Arches paper, sheet size 15 x 22 5/8 in. (38.1 x
57.5 cm), framed.
Condition: Tape hinged to window mat, deckled edges, subtle
mat burn.
$800-1,200
575
576.
James King Bonnar (American, 1883-1961)
Road to the Beach

Signed “JAMES K BONNAR” l.l.
Watercolor with gouache on paper/board, image size 6 7/8 x 8
7/8 in. (17.5 x 22.6 cm), framed.
$400-600
577.
Charlotte Harrington Scott (American, 1905-1963)
Christopher Wren Church, Provincetown

Signed and dated “Charlotte Scott ‘33” l.r., titled on the reverse.
cm), framed.
Condition: Subtle toning, mild rippling, not examined out of
frame.
$400-600
577
578.
Julius Lars Hoftrup (American, 1874-1954)
Monterey Coast, California

Signed “LARS HOFTRUP” l.r., dedicated and signed “TO
NORMAN MY DELIGHTFUL FRIEND From Lars Hoftrup”
on the reverse.
Oil on canvas mounted onto board, 8 3/4 x 10 1/2 in. (22.2 x
26.6 cm), framed.
Condition: Bowing to supporting board, canvas lifting off of
supporting board, surface grime.
$400-600
578
579.
Olga Itasca Sears (American, 1906-1990)
Pigeon Cove/A Massachusetts View

Signed “O. Sears” l.l., titled and dated, possibly in the artist’s
hand, “...Summer 1953” on the reverse.
Oil on canvasboard, 13 3/4 x 17 3/4 in. (34.9 x 45.1 cm),
framed.
$800-1,200
579
581.
Robertson Kirtland Mygatt (American, 1862-1919)
Spring Days
Signed and dated “Robertson K Mygatt 1916” l.l., titled and
identified with labels from the Salmagundi Club and Folman
Gallery, Bronxville, New York, on the reverse.
Literature: Alexander W. Katlan, The Salmagundi Club Painting

Exhibition Records 1889 to 1939, Alexander Katlan Conservator,
580 Inc.: New York, 2008, pp. 56, 62, 341-2.
Exhibitions: Salmagundi Club Special Exhibition for the Benefit

of the New Club House Fund, April 4-April 14, 1917, entry no.
154.
$1,500-2,500
580. 582.
Attributed to Charles Muller (German/American, 19th Russian School, 20th Century
Century)
Forest Glade
Woodland Stream Monogram initialed in Cyrillic l.r.
Signed “C Muller” l.l. Oil on paper/board, 10 x 8 in. (25.4 x 20.3 cm), framed.
Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed. Condition: Trimmed board, minor surface grime.
Condition: Retouch, craquelure, surface grime.
$800-1,200 Provenance: Private New England collection.
$200-400
581
582
583
584
583. 584.
Clarence Clark Rosenkranz (American, 1871-1959) Russian School, 20th Century
Early Autumn Birch Grove

Signed and dated “C.C. Rosenkranz 1920” l.r. Monogram signed in Cyrillic l.r., titled, inscribed, and signed
Oil on canvas, 21 1/4 x 29 in. (54.0 x 73.6 cm), unframed. “A...Po...ov” in Cyrillic on the reverse.
Condition: Restretched and possibly trimmed, craquelure with Oil on artist board, 18 x 14 in. (45.7 x 35.6 cm), framed.
lifting and separating, scattered retouch, scattered losses Condition: Minor surface grime.
(predominately at the edges), surface grime.
$600-800 Provenance: Private New England collection.
$300-500
585.
Wayne Beam Morrell (American, b. 1923)
The River Alde Near Aldeburgh/A Suffolk, England,

Landscape
Signed “WAYNE MORRELL” l.r., inscribed and identified on the
reverse.
$1,500-2,500
585
588
586
586. 588.
Aiden Lassell Ripley (American, 1896-1969) Igor Vladimirovich Pchelnikov (Russian, b. 1931)
The Bell, alternatively titled Red Tiled Rooftop River Landscape

Unsigned, artist’s estate stamp on the reverse, identified on a label Signed and dated “I. PCH. 1952” in Cyrillic l.r.
from Alfred J. Walker Fine Art, Boston, affixed to the reverse. Oil on paper/board, 7 3/16 x 9 in. (18.3 x 22.9 cm), framed.
Watercolor on paper, sight size 11 1/2 x 9 in. (29.2 x 22.9 cm), Condition: Mounted to cardstock.
framed.
Condition: Subtle toning, not examined out of frame. Provenance: Private New England collection.
$600-800 $300-500
587. 588A.
Andre Gisson (French, 1921-2003) Maxim Bugzester (American, 1910-1978)
French Countryside View Street View with Figure

Signed “GiSSON” l.r. Signed “M. BUGZESTER” l.r.
Oil on canvas, 9 x 12 in. (22.9 x 30.5 cm), framed. Oil on Masonite, 14 x 11 in. (35.6 x 27.9 cm), framed.
Condition: Minor surface grime. Condition: Subtle varnish inconsistencies.
$800-1,200 $1,000-1,500
587
588A
589.
Joseph Paul Louis Berges (French, 1878-1956)
Landscape Study
Unsigned, stamped “EXPOSITION JOSEPH BERGES,
DECEMBRE 1984” on the reverse, information on the artist
$400-600
589
590.
Russian School, 20th Century
Russian Field
Signed and titled “Mironova...E. Mironova...” in Cyrillic on the
reverse.
Oil on paper/board, 11 1/4 x 18 in. (28.6 x 45.7 cm), framed.
Condition: Craquelure, minor surface grime.

$200-400
590
591.
Joseph Henry Boston (American, 1860-1954)
River Vista
Signed “JOSEPH H. BOSTON.” l.l., identified on a presentation
plaque.
Oil on canvas, 25 1/4 x 30 in. (64.1 x 76.2 cm), framed within a
shadow box.
Condition: Not examined out of shadow box.

$1,000-1,500
591
592 593
592. 593.
Albert Worcester (American, 1878-1935) Eleanor Parke Custis (American, 1897-1983)
Almond Trees/A Balearic Island, Spain, Landscape Leaving the Mosque

Signed and dated “Worcester ‘35” l.r., identified on the reverse. Signed “ELEANOR PARKE CUSTIS-” l.r.
Oil on canvas, 20 1/8 x 26 1/8 in. (51.1 x 66.4 cm), framed. Gouache and charcoal on paper/board, sight size 21 1/2 x 17
Condition: Retouch, pigment fluorescence, minor surface grime, 1/4 in. (54.6 x 43.8 cm), framed.
craquelure. Condition: Subtle toning, subtle rippling, not examined out of
$2,000-3,000 frame.
$1,000-1,500
594.
Arthur Bowen Davies (American, 1862-1928)
View of Toledo
Signed “A.B. Davies” l.l.
Watercolor, charcoal and gouache on paper, sight size 12 x 8 1/2
in. (30.5 x 21.6 cm), framed.
$300-500
594
595.
Lillian Mathilde Genth (American, 1876-1953)
Tarifa
Signed “L. Genth” l.r. and “Genth” l.l., identified on a
Condition: Loss in l.r. quadrant, minor surface grime, retouch,
N.B. Tarifa is in Spain’s southern-most province of Cadiz.

$2,000-3,000
595
596.
Robert Remsen Vickrey (American, b. 1926)
The Red Window

Signed “Robert Vickrey” l.r., identified on a label from Harmon-
Meek Gallery, Naples, Florida, on the reverse.
Egg tempera on fiberboard, 11 1/2 x 16 1/2 in. (29.2 x 41.9
cm), framed.
Condition: Good.
$3,000-5,000
596
597.
Ernest David Roth (American, 1879-1964)
Segovia, Spain
Signed “E.D.Roth” l.r., titled and signed “...E.D. Roth” on the
reverse, a partial label from the Mattatuck Historical Society
identifying this work as a sketch for a larger painting affixed to
the reverse.
Condition: Extremely mild surface grime.
$800-1,200
597
598
598. 600.
Lucien Adrion (French, 1889-1953) Konstantin Alexeevitch Korovin (Russian, 1861-1939)
Day at the Races Study of a Café in Paris

Signed “Adrion” l.l., with a canvas stencil from Lucien Lefebvre Signed in Cyrillic “K...K...” l.r.
Foinet, Paris, on the reverse. Gouache and watercolor on paper, sheet size 12 7/8 x 11 1/8 in.
Oil on canvas, 19 3/4 x 28 3/4 in. (50.2 x 73.0 cm), framed. (32.7 x 28.3 cm), framed.
Condition: Surface grime, minor patch reinforcement and Condition: Good.
retouch to u.r. quadrant. $5,000-7,000
$7,000-9,000
599.
Andre Gisson (French, 1921-2003)
Paris View, Probably La Place Vendôme

Signed “ANDRE GiSSON” l.r.
$800-1,200
599 600
601.
Robert Henri (American, 1865-1929)
Au Bois de Vincennes (At the Forest Vincennes)

Signed and dated “Robert Henri 1899” l.r., identified on a label
from Vose Galleries of Boston and a partial exhibition label (see
below) affixed to the reverse.
Oil on canvas mounted on board, 28 x 24 in. (71.1 x 61.0 cm),
framed.
Condition: Retouch, varnish inconsistencies, craquelure.
Exhibitions: The Eight: A New Spirit in American Art, The

Danforth Museum, Framingham, Massachusetts, October 26,
1986–January 4, 1987.
N.B. An Ohio native, Robert Henri moved to New York and

then New Jersey before beginning his artistic studies at the
Pennsylvania Academy of Fine Arts in Philadelphia in 1886. In
1888, Henri, like many young artists at the time, ventured to
Paris to attend the Academie Julian and Ecole des Beaux Arts.
While in France, Henri studied with such artists as Jean Leon
Gerome and Leon Bonnat. He also traveled extensively and was
exposed to the Impressionist movement and artistic styles that
broke with the academic tradition. Henri returned to the U.S. in
1891, later becoming a prominent teacher and leading member of
The Eight (later called the Ash Can School).
$10,000-15,000
601
602.
Continental School, 20th Century
View of Notre Dame and Book Stalls Along the Seine

Signed “Haefflinger” l.r.
$500-700
602
603 605A
603. 605.
Pierre Thibault (French, 20th Century) Anthony Klitz (Irish, 1917-2000)
City View with Cathedral Figures Along a Promenade

Signed “PIERRE THIBAULT” l.r. Signed “KLITZ” l.r.
Oil on canvasboard, 18 x 21 1/4 in. (45.7 x 54.0 cm), framed. Oil on burlap, 15 x 30 in. (38.1 x 76.2 cm), framed.
Condition: Scattered retouch, subtle surface grime. Condition: Surface grime.
$400-600 $800-1,200
604. 605A.
Igor Vladimirovich Pchelnikov (Russian, b. 1931) Willem Welters (Continental, 1881-1972)
Black Sea Shore Rocky Coastline

Initialed and dated “I. PCH.1953” in Cyrillic l.r., signed, titled, Signed “W. Welters” l.l., a label from N.M. Vose Gallery,
and dated “Igor Pchelnikov...1953” on the reverse. Providence, affixed to the reverse.
Oil on artist board, 13 3/4 x 9 1/2 in. (34.9 x 24.1 cm), framed. Oil on board, 11 x 14 1/4 in. (27.9 x 36.2 cm), framed.
Condition: Creases/tears to the u.r. and l.l. quadrants. Condition: Scattered surface losses, pigment fluorescence.
$300-500
$200-400
605
604
608
606
606. 608.
American School, 20th Century Andre Gisson (French, 1921-2003)
Vue du Quai Paris View, La Place Du Châtelet

Signed and dated “Selden ‘59” l.r. Signed “GiSSON” l.l.
Oil on Masonite, 36 x 36 in. (91.4 x 91.4 cm), framed. Oil on canvas, 9 x 12 in. (22.9 x 30.5 cm), framed.
Condition: Surface grime, craquelure. Condition: Minor surface grime.
$800-1,200
$400-600
607.
Konstantin Alexeevitch Korovin (Russian, 1861-1939)
Harbor View
Signed in Cyrillic and dated “K...K...191...” l.r.
Gouache on paper/board, sheet size 12 x 14 1/2 in. (30.5 x 36.8
cm), framed.
Condition: Subtle creases.
$5,000-7,000
607
610
609
609.
Edward Bright Bruce (American, 1879-1943)
The Pear Tree

Signed “Edward Brice” l.r., a letter from the artist discussing the
work, dated 1928, is affixed to the reverse.
Condition: Cradle to the reverse, mild retouch and varnish
inconsistencies.
$800-1,200
610.
Nelly Littlehale Murphy (American, 1867-1941)
Morrow Swimming Pool

Unsigned, titled l.l.
Watercolor with graphite on paperboard, 5 x 7 in. (12.7 x 17.8
cm), unframed.
Condition: Toning, small tear u.l.
Provenance: John F. Enser (American, 1898-1962), then gifted

to the current owner circa 1950.
N.B. A letter from Hermann Dudley Murphy to John F. Enser,

written from Calle Dwight Morrow, which mentions Nelly
Murphy’s watercolors, accompanies the lot.
$250-350
611.
Frank Carson (American, 1881-1968)
Into the Garden

Signed “Frank Carson” l.r.
Watercolor with graphite on paper/board, sight size 23 x 18 in.
611 (58.4 x 45.7 cm), framed.
$500-700
612 613
612.
Alfred James Daplyn (Australian, 1844-1926)
Farmyard in Normandy
Signed “A. J. Daplyn” l.r., identified on a label affixed to the
stretcher.
Condition: Retouch, surface grime.
$1,200-1,800
613.
An Italian View
Watercolor and gouache on paper, sight size 13 1/2 x 10 1/4 in.
(34.3 x 26.0 cm), framed.
Condition: Toning, staining, creases, not examined out of frame.
$400-600
614.
Michele Cascella (Italian, 1892-1989)
Piccola Pianta in Fiore [Little Blossoming Tree], 1970

Signed “M. Cascella” l.r., identified on a label from Galerie Juarez
Inc., Los Angeles and Palm Beach, on the reverse.
N.B. The work is no. 70-79/219 in the Archivio Generale

dell’Opera di Michele Cascella, compiled by Galleria Torcular,
Milan, and a photo-certificate accompanies the lot.
$6,000-8,000
614
616
615
615.
City View at Night

Signed “C KIENZLE KURTZ” l.r.
cm), framed.
Condition: Taped to backing mat, glue residue to the reverse.
$300-500
616.
Olga Itasca Sears (American, 1906-1990)
Rooftops, Winter
Condition: Bowing to support, mild surface grime.
$800-1,200
617.
Lester David Boronda (American, 1886-1953)
The Townhouse
Signed “Lester D Boronda 47” l.r.
$300-500
617
618
618. 620.
Lester David Boronda (American, 1886-1953) Clara Fargo Thomas (American, 1891-1970)
City Street Metropolis

Signed “Lester Boronda” l.r. Unsigned, stamped “ESTATE OF/CLARA FARGO
Oil on board, 8 x 10 in. (20.3 x 25.4 cm), framed. THOMAS...” on the reverse.
Condition: Mild surface grime. Oil on vellum mounted to Masonite, 26 1/4 x 22 in. (66.7 x
$300-500 55.9 cm), framed.
Condition: Subtle rippling to sheet, tacks to margins.
$1,000-1,500
619.
Inna Garsoian (American, 1896-1984)
Rooftops
Signed “I. Garsoian” l.l.
Provenance: Gift from the artist; by family descent to the present

owner.
$1,000-1,500
619
620
621
621. 622.
Jack Lorimer Gray (American, 1927-1981) Paul Cornoyer (American, 1864-1923)
Lot of Two New York City Views of the Brooklyn and Rainy Day, New York City
Manhattan Bridges Incised signature “PAUL CORNOYER” l.r.
One initialed “J.L.G-” l.l., the other unsigned, both with labels Oil on panel, 6 x 8 in. (15.2 x 20.3 cm), framed.
from F.A.R. Gallery, New York, on the backing. Condition: Minor surface grime.
Watercolor, ink, and graphite on paper, sight sizes to 7 x 11 1/2
in. (17.8 x 29.2 cm), each framed. Provenance: Private New England collection, by family descent.
Condition: Not examined out of frames. $1,200-1,800

$1,500-2,500
622
623
623.
Paul Cornoyer (American, 1864-1923)
New England Street View, Possibly Cape Ann

Signed “PAUL CORNOYER” beneath frame l.l.
Oil on panel, 5 x 6 5/8 in. (12.7 x 16.8 cm), in a frame signed
“19...23, Carrig-Rohane Shop, RCQ N.M. Vose, Boston #3592”
on ther reverse.
Provenance: Private New England collection, by family descent.

$1,200-1,800
624.
Arthur Clifton Goodwin (American, 1864-1929)
Philadelphia City Hall at Night

Signed and inscribed “A C Goodwin...” l.l.
Pastel on board, sight size 23 x 18 in. (58.4 x 45.7 cm), framed.
Condition: Small tear l.l., not examined out of frame.
$4,000-6,000
624
625
626
625. 626.
Hazel (Mrs. William C.) Finck (American, 1894-1977) Flaville G. Kyle (American, fl. 1930-1940s)
Main Street, Essex, 1937 Game Today at 3 PM/A View of Fenway Park
Signed “h. finck” l.r., identified on a label affixed to the reverse. Signed “Kyle” l.l., titled incised l.r.
Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed. Oil on board, 10 x 8 1/8 in. (25.4 x 21.0 cm), framed.
Condition: Surface grime. Condition: Wear to corners, possibly trimmed along right edge,
$3,000-5,000 mild surface grime.
$500-700
627.
Mary Callahan (American, 20th/21st Century)
The Duck House/A View of the Boston Public Garden

Signed “Mary Callahan” l.r., titled and dated “...(Swa)May 2005”
in the artist’s hand on the backing, signed “Mary Callahan C.M.”
on the backing.
Watercolor on paper/board, sight size 16 x 20 in. (40.6 x 50.8
cm), framed.
$400-600
627
628
629
628. 629.
Alice Marion Sutton Bacon (American, b. 1907) Marie (Bruner) Haines Burt (American, 1881-1979)
Along the Charles Fountain Park

Signed “Alice Bacon” l.l. Signed “Marie Haines Burt” l.l., identified on a label on the
Watercolor with graphite on paper/board, sight size 15 1/4 x 19 reverse.
1/2 in. (38.7 x 49.5 cm), framed. Oil on artist board, 30 x 22 in. (76.2 x 55.9 cm), framed.
Condition: Mat burn, toning, scattered staining, not examined Condition: Minor surface grime.
out of frame.
$400-600 Provenance: Sold to benefit the Bennington Museum, Vermont.
$200-250
630.
Thomas Adrian Fransioli (American, 1906-1997)
Late Afternoon Light/A View of the South End, Boston

Initialed and dated “T.F., 1947” l.r., figure study in oil on the
reverse.
Condition: Subtle surface grime.
$1,000-1,500
630
633
632.
Karl Eugene Fortess (American, 1907-1993)
Old Apple Tree

Signed “K. Fortess” l.l., titled and signed “...K.E. Fortess” in
pencil with a New York State WPA Art Program presentation
plaque on the stretcher.
631 Condition: Surface grime, craquelure, flaking, losses, retouch,
$300-500
631. 633.
Gary Ernest Smith (American, b. 1942) Marston Dean Hodgin (American, 1903-2003)
Potato Season February Business
Signed “GARY ERNEST SMITH ©” l.r., also signed, titled, and Signed “Marston Hodgin” l.r., titled, inscribed, and signed
inscribed “...GARY E. SMITH/© COPYRIGHT RETAINED” “...Oxford, Ohio/Marston Hodgin” with a label from the
on the stretcher. Ogunquit Art Center on the reverse.
Oil on canvas, 40 x 30 in. (101.6 x 76.2 cm), framed. Oil on canvas, 22 1/4 x 36 in. (56.5 x 91.4 cm), framed.
Condition: Retouch. Condition: Craquelure, canvas deformations, surface grime.
N.B. Utah artist Gary Ernest Smith is best known for his heroic Provenance: Acquired from the son of the artist.
regionalist style, drawing on everyday scenes of the agricultural $1,000-1,500
Northwest. The present work shares a spirit with Jean-Francois
Millet’s The Angelus, in its humble and pious tone. The potato
picker’s anonymous face is soft and ageless, in contrast to the hard 634.
lines of his hands, pick, and crate. His relaxed, upright posture Jon S. Legere (American, 1944-1996)
belies the hours he has just spent kneeling, bending, and
squatting in the early morning, expressing endurance and New England Landscape with Church on a Hill
resiliency. The work is at once a dignified portrait of a man and Signed and dated “JON S. LEGERE-63-” within the composition
his livelihood, and a valorization of a simpler way of life. l.l., identified on a label affixed to the backing.
$5,000-7,000 Watercolor on paper, sight size 13 1/4 x 20 3/4 in. (33.7 x 52.7
cm), framed.
$400-600
632
634
635 636
635. 636.
Marie (Bruner) Haines Burt (American, 1881-1979) Robert M. Rucker (American, 1932-2001)
House in the Hills Lot of Two Southern Homestead Views

Signed “MARIE HAINES BURT” l.l., identified on labels on the One signed “Rucker” l.l., the other signed “Robert Rucker” l.l.
reverse. Watercolor on paper, sight sizes to 7 3/8 x 10 in. (18.7 x 25.4
Oil on canvas, 29 1/4 x 24 in. (74.3 x 61.0 cm), framed. cm), framed.
Condition: Surface grime, canvas deformations. Condition: Not examined out of frames.
$400-600
$200-250
637.
Marie (Bruner) Haines Burt (American, 1881-1979)
Fig Tree in the Garden

Signed “MARIE HAINES BURT” l.r., titled on a label affixed to
the reverse.
Oil on artist board, 29 x 25 1/2 in. (73.7 x 64.8 cm), framed.
Condition: Subtle bowing to board, surface grime.

$200-250
637
638
639
638.
Jessie Burns Parke (American, 1889-1964)
Portrait of a Woman in Profile

Signed or inscribed on a period label from the School of the
Museum of Fine Arts, Boston, affixed to the l.r.
Oil on canvas, 21 x 17 in. (53.3 x 43.2 cm), unframed,
unstretched.
Condition: Scattered abrasions/losses, retouch, varnish
inconsistencies, craquelure, surface grime.
$300-350
639.
Edward Francis McCartan (American, 1879-1947)
Adrian
Signed “E. McCARTAN” l.r.
Bronze relief with golden brown patina, 8 3/4 x 5 1/4 in. (22.2
x 13.3 cm), framed.
Condition: Scattered surface abrasions, inconsistencies to patina,
surface grime.
$300-500
640.
Harrington Mann (Scottish/American, 1865-1937)
Portrait of Amelia Herrick Pond

Signed and dated “HARRINGTON MANN 1916” l.l.
640 $1,500-2,000
641.
Eric L. (Frederic) Pape (American, 1870-1938)
Profile Portrait of Alice Monroe Pape

Signed and dated “.FREDERIC. L. M. PAPE. 92” within the cast
l.l., stamped “ESTATE OF Eric Pape 1870-1938” on the
backing.
Bronze bas-relief, approximately 10 x 8 x 1 in. (25.4 x 20.3 x 2.5
cm), in a shadow box frame.
Literature: “Frederick [sic] L. M. Pape The California Artist is

Here,” San Francisco Chronicle, Sunday, September 10, 1893
(illus.).
Exhibitions: Les Deux Grandes Eres, Société Nationale des

Beaux-Arts, Salon de Champs-de-Mars, 1893.
$3,500-5,500
641
642. 643.
Eric L. (Frederic) Pape (American, 1870-1938) American School, 20th Century
Portrait of Natalie Harris Hammond Freda De Knoop

Unsigned, stamped “ESTATE OF Eric Pape 1870-1938” on the Monogrammed “DP...BC” l.r.
backing. Bronze relief plaque with brown patina, 10 1/2 x 7 1/2 in. (26.6
Oil on canvas, 21 1/2 x 17 1/4 in. (54.6 x 43.8 cm), framed. x 19.1 cm).
Condition: Lined, retouch, surface grime. Condition: Light scattered surface abrasions.
$400-600
$4,000-6,000
642 643
644
645
644.
Fanny Marc (French, 19th/20th Century)
The Expulsion of Adam and Eve from the Garden of Eden

Signed, dated, and inscribed “Fanny Marc 1906 3me ébauche”
within the cast on the base.
Bronze with dark brown patina, 12 x 6 x 7 1/2 in. (30.5 x 15.2 x
19.1 cm).
Condition: Minor surface dust/grime.
$1,000-1,500
645.
Dana Ripley Pond (American, 1881-1962)
Portrait of Shepard Pond, the Artist’s Brother, in Hunting

Dress
Signed and dated “Dana R. Pond...” l.r.
Condition: Patch reinforcement, craquelure, surface grime.

$3,000-5,000
646.
Madeleine Fish Park (American, 1891-1960)
Torch Glitter
Signed and dated “MADELEINE PARK 1931” l.r. and titled l.c.
646 Bronze with a brown patina, height 10 3/4 in., on a wooden
base.
Condition: Surface grime to the interstices, felt adhered to the
underside of the base.
$800-1,200
648
647
647.
Harper Pennington (American, 1855-1920)
Portrait of a Young Man, Nude

Monogrammed, dated and dedicated “...1903, to Ogden
Codman-” l.l.
Pastel on paperboard, sight size 17 x 9 1/2 in. (43.2 x 24.1 cm),
framed.

$800-1,200
648.
Adolphe Yvon (French, 1817-1893)
Portrait of a Man, Possibly a Napoleonic Emissary

Signed “Ad. Yvon” c.r., with a label from the Museum of Fine
Arts, Boston, affixed to the reverse.
Oil on oval board, 5 3/4 x 4 1/4 in. (14.6 x 10.8 cm), framed.
Condition: Minor abrasions beneath frame liner.
Provenance: Mr. Lyman Delano (1883-1944), chairman of

Atlantic Coast Lines and first cousin of President Franklin Delano
Roosevelt; descended within the families of William Walters
(1819-1894), and/or George Harold Edgell (1887-1954).
$1,500-2,000
649.
Raffaello Romanelli (Italian, 1856-1928)
Portrait of a Man
Signed and inscribed “Raffaello Romanelli” and “Fond. G.
Vignali Firenze” within the cast on the base.
649 Bronze with dark brown patina, 22 x 7 x 7 in. (55.9 x 17.8 x
17.8 cm).
Condition: Surface dust/grime, plaster filled.
$800-1,200
650
651
650.
Portrait of a Woman 651.

Signed and dated “Dana Pond 1913” l.r. John A. Ruthven (American, b. 1924)
Condition: Surface grime. Indian Summer
Signed “John A. Ruthven” in pencil l.r., identified on a label from
Provenance: Through the family of the artist. Closson’s Art Gallery, Cincinnati, and with a label from
$1,000-1,500 Thompson House Gallery, Georgetown, Ohio, on the backing.
Watercolor and graphite on paper, sight size 11 3/4 x 5 in. (29.8
x 12.7 cm), framed.
$1,500-2,500
652.
George Frederick Kaber (American, 1860-c. 1945)
Miss Kaber/Possibly Nellie Robie Kaber, the Artist’s Wife

Signed “Frederick Kaber” l.l., identified on a label affixed to the
reverse.
Oil on artist board, 21 1/2 x 17 in. (54.6 x 43.2 cm), framed.

$300-500
652
653.
Francis Coates Jones (American, 1857-1932)
At the Garden Fountain

Signed “FRANCIS C. JONES” twice l.r.
Condition: Restretched, puncture (u.l. quadrant with tape
reinforced on the reverse), light retouch/varnish inconsistencies,
Provenance: A private New Jersey collection.
N.B. Francis Coates Jones was born in Baltimore, but received

the majority of his artistic training abroad. He first traveled to
the artist’s colony in Pont-Aven, Brittany, along with his brother
and fellow artist, Hugh Bolton Jones. In 1877 Francis enrolled
in the École des Beaux Arts in Paris, eventually studying with
Adolphe Bouguereau and Jules Joseph Lefebvre. He spent several
years traveling and painting throughout France and Europe.
Jones returned to the U.S., where he worked as an illustrator and
taught at the National Academy of Design. Best known for
figurative works and genre scenes, Jones’ highly detailed and
naturalistic compositions incorporate elements of both
Impressionism and his French Academic training.
$10,000-15,000
654.
Marion Louise Pooke (American, 1883-1975)
Profile Portrait of a Woman in Black

Signed or inscribed “Marion L. Pooke” on a period label from
the Museum of Fine Arts, Boston, affixed to the front of the
653 canvas l.r.
Condition: Scattered retouch and varnish inconsistencies,
craquelure.
$1,000-1,800
655.
Frederick B. Williams (American, 1871-1956)
The Swing
Signed “-FredK Ballard Williams-” l.r., identified on a
$2,000-4,000
654 655
656 657
656.
Portrait of a Woman in Blue

Signed or inscribed “M L Pooke” on the reverse.
Condition: Scattered retouch, craquelure.
$1,000-1,800
657.
Florence Julia Bach (American, 1887-1978)
Still Life with Roses

Unsigned.
Condition: Cracks to panel, loss l.c., retouch, varnish
inconsistencies, surface grime.
Provenance: From the artist to the family of the present owner.

$800-1,200
658.
Portrait of a Woman
Signed or inscribed “M. POOKE” in pencil on the reverse.
Condition: Craquelure, retouch.
$400-600
658
659
660
659. 660.
Douglas Volk (American, 1856-1935) Augustus Saint-Gaudens (American, 1848-1907)
Portrait of a Young Lady, Purportedly the Artist’s Daughter Commemorative Medal of the Cornish Celebration June 23,
Signed “Douglas Volk” l.r. 1905
Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed. Unsigned, inscribed “[Names of Participants] AMOR VINCIT
Condition: Retouch, craquelure, patch reinforcement. [on altar] ...IN AFFECTIONATE REMEMBRANCE OF THE
$800-1,200 CELEBRATION OF JUNE XXIII. MCMV AUGUSTA AND
AUGUSTUS SAINT GAUDENS...” within the cast l.c., stamped
“ESTATE OF Eric Pape 1870-1938” on the backing.
Silvered bronze, approx. 3 1/8 x 1 3/4 in. (7.9 x 4.4 cm), in a
presentation frame.
Provenance: Through the estate of Eric Pape.
N.B. This medal is after a plaque occasioned by the “Masque of

the Golden Bowl” held at Cornish, New Hampshire, to celebrate
the twentieth anniversary of Saint-Gaudens’ founding of the
Cornish art colony. The Masque was held on the summer solstice
of 1905 at Saint-Gaudens’ estate of Aspet, and was written by
playwright Louis Evans Shipman. There were over seventy
participants, including Eric Pape, Maxfield Parrish (his masks
decorate the trees in the medal), Kenyon Cox, and Percy
MacKaye. As part of the festivities, Saint-Gaudens was honored
with a golden cup.
$700-900
661.
Leon Karp (American, 1903-1951)
Peonies in a Glass
Signed “Leon Karp” l.r.
Condition: Surface grime, craquelure, pigment fluorescence.
$600-800
661
662.
Edith Widing Yaffee (American, 1895-1961)
Portrait of a Woman
Signed, inscribed, and dated “Edith L. Widing...1915” l.r.
Graphite on board, 9 1/2 x 6 1/2 in. (24.1 x 16.5 cm), framed.
Condition: Staining, toning.

$300-500
662
663.
George Frederick Kaber (American, 1860-c. 1945)
Portrait of a Reclining Woman Amid Roses

Signed “Frederick Kaber” l.l.
Gouache on paper/board, sight size 20 x 14 7/8 in. (50.8 x 37.8
cm), framed.

$300-500
663
664
664. 665.
George Frederick Kaber (American, 1860-c. 1945) William P. Bodwell (American, 1852-1940)
Lot of Four Genre and Allegorical Scenes Lot of Two Illustrations: Manhattan Bay Oyster and
Two signed “G.F. Kaber” l.r., one signed “G.F. KABER” l.l. Chophouse and Capture of the Java by the Constitution
Watercolor and graphite on paper, sight sizes to 27 3/4 x 21 1/4 Oyster and Chophouse monogrammed, signed, and dated “WPB
in. (70.5 x 54.0 cm), framed. WmP... Bodwell-1894” l.l., ink on paper mounted onto board,
Condition: Staining, subtle rippling, not examined out of frames. Capture monogrammed, signed, and dated “WPB Wm P Bodwell
- 1897” l.l., ink, wash, and whiting on board, both inscribed in
Provenance: Through the family of the artist. the margins, 11 1/2 x 15 in. (29.2 x 38.1 cm), unframed.
$500-700 Condition: Toning, soiling, Capture with staining and foxing.
$400-600
665
666
666.
667
Portrait of a Woman
Unsigned, inscribed in a later hand on the frame.
Oil on canvas mounted onto board, oval format 12 x 10 in. (30.5
x 25.4 cm), framed.
Condition: Scattered retouch, minute losses at edges, surface 667.
grime. Hermon Atkins MacNeil (American, 1866-1947)
$300-500
Survival of the Fittest
Signed, dated, and titled “© H.A. MacNeil 27...” within the cast
on the base.
Plaster maquette, 36 1/2 x 8 1/2 x 16 in. (92.7 x 21.6 x 40.6
cm).
Condition: Loss to figure’s right arm, surface grime, scattered
losses to base.
$300-500
668.
Christine S. Bredin (American, 1860-1934)
Lady with a Pink

Signed “CSBredin” l.r.
Condition: Small puncture u.l., retouch, varnish inconsistencies,
$700-900
668
669
669.
Woman Reading/A Portrait of the Artist’s Wife, Lynn

Tolman
Signed, titled, and inscribed “...from R. Tolman/ Vinalhaven,
Maine” on the reverse.
Oil and graphite on canvasboard, 18 x 24 in. (45.7 x 61.0 cm),
framed.
Condition: Subtle bowing to board.
Provenance: Gifted from the artist, private collection; then by

descent to the present owner.
$800-1,000
670.
Aristide Maillol (French, 1861-1944)
Baigneuse debout à la draperie

Initialed, numbered and foundry stamped “M 6/6...·Alexis
Rudier·/·Fondeur·Paris” in the cast on the base.
Bronze with brown patina, approximately 12 x 4 1/4 x 3 1/2 in.
(30.5 x 10.8 x 8.9 cm).
Condition: Minor surface dust.

$20,000-40,000
670
671 672
671.
Joseph Lindon Smith (American, 1863-1950)
Lot of Two Portraits: Breton Boy, c. 1885, and Portrait of a

Boy in Profile
Each unsigned.
Oil on canvas, sizes to 14 5/8 x 11 5/8 in. (37.1 x 29.5 cm),
framed.
Condition: Craquelure, pigment fluorescence.
Exhibitions: Artists of the Boston Art Club, 1854-1950, Fuller

Museum of Art, July 3 to September 19, 1993.
$1,500-2,500
672.
Italian School, 20th Century
La Bambina Russa, c. 1935

Unsigned, attribution and title “Zago, Enrichetta/Asolo (Treviso)
1887-1976...” on a label affixed to the reverse.

$300-500
673.
Balinese Girl
Unsigned, titled and inscribed “...by Dana Pond who lived in Bali
in 1930s- June T. Pond” on the stretchers.
673
$600-800
675
674.
Janet D. Wheeler (American, 1866-1945)
Seated Girl in White

Signed and dated “JANET WHEELER 1901” l.r.
Oil on canvas mounted to panel, 26 1/4 x 16 in. (66.7 x 40.6
674 cm), framed.
Condition: Retouch, varnish inconsistencies.
$2,000-4,000
675.
Kate Greenaway (British, 1846-1901)
Portrait of Three Girls with Bouquets

Initialed and dated “KG. Dec 1890.” in pencil l.l.
Graphite and watercolor on paper, sheet size 5 9/16 x 7 1/8 in.
(14.1 x 18.1 cm), framed.
Condition: Toning, tape hinged to backing mat.
$200-300
676.
Eva Dora Cowdery (American, 19th/20th Century)
Portrait of Shepard Pond at Age 3

Signed “EVA D. COWDERY” l.r., titled in an inscription on the
backing.
Pastel on paper, sight size 26 1/2 x 21 1/2 in. (67.3 x 54.6 cm),
framed.
Provenance: Through the family of the artist Dana Ripley Pond

(American, 1881-1962).
$500-700
676
677.
Amy Jones (American, 1899-1968)
Still Life with Flowers

Signed and dated “Amy Jones ‘30” l.r., information regarding the
artist affixed to the backing.
Condition: Scattered retouch, fine scattered craquelure.
$800-1,200
677
678.
Frederic Luce (French, 1896-1974)
Une Corbeille des Fruits

Signed “frederic luce” l.l., Paris canvas stencil on the stretcher.
Condition: Losses, surface grime, staining to the reverse,
$600-800
678
679.
Katherine Allmond Hulbert (American, 1859-1937)
Still Life with Mountain Laurel

Signed “K. Allmond Hulbert” l.r.
Condition: Abrasion u.r., scattered craquelure, surface grime.
$400-600
679
681
680
680.
Charles Henry Miller (American, 1842-1922)
Still Life with Flowers

Initialed and dated “C.H.M / Sept. 2nd 1889” l.r.
$400-600
681.
Carle John Blenner (American, 1862-1952)
Mixed Glads and Asters

Signed “Carle J. Blenner” u.r., inscribed and titled “#271...by
CARLE J. BLENNER...” on the reverse.
Oil on canvas, 25 x 30 1/4 in. (63.5 x 76.8 cm), in a Newcomb-
Macklin frame.
Condition: Light retouch, craquelure, surface grime.
$4,000-6,000
682.
Maude Drein Bryant (American, 1880-1946)
Vermillion, Blue and Gold

Signed and dated “Maude Drein 1915-” l.r., identified on period
labels affixed to the reverse.
Condition: Puncture l.r. quadrant, mild surface grime.
Exhibitions: This may be the work exhibited at the Pennsylvania

Academy of Fine Arts, Annual Exhibition, 1916, under the title
Vermillion, Rose and Blue (no. 269).
$1,500-2,000
682
683
683. 684.
Gino Emilio Cesara Conti (American, 1900-1983) Louis Frederick Berneker (American, 1876-1937)
OH-SLUMBERING-SOUL-ARISETH-FEELETH-NOT-THY- Dancing Nymphs

MATE-WHO-FAITHFUL-ONTO-DEATH-CAMEST-TO- Signed “LOUIS F. BERNEKER A.N.A” l.r.
REDEEM-THEE Oil on canvas, 40 x 50 in. (101.6 x 127 cm), framed.
Signed and dated “GINO E. CONTI Anno MCMXXVI” l.l., also Condition: Surface grime, craquelure.
signed and inscribed “Gino E. Conti/50 Rue rue Vercingetorix $4,000-6,000
Paris France” on the reverse and “Painting Mrs. Giguere” on the
stretchers.
Condition: Canvas deformations, losses.
$1,500-2,000
684
685
685.
Aubrey Beardsley (British, 1872-1898)
Chapter Heading from Le Morte Darthur, 1892

Unsigned.
Pen, brush, and India ink over graphite on paper, sheet size 3 3/8 x 2 3/4 in. (8.3 x 7.0 cm), sandwiched between two sheets of
Plexiglas.
Condition: Subtle soiling/surface grime, not examined out of Plexiglas.
Provenance: Collection of Mark Samuels Lasner, Delaware, then to a private East Coast collection.
Exhibitions: Beautiful Decadence, The Museum of Fine Arts, Gifu, Japan (as well as other venues), April 3–May 10, 1998, no. 11
(illus.).
Literature: Gillon Jr., Edmund V., Beardsley’s Illustrations for La Morte Darthur (New York; Dover Publications, Inc., 1972) pp. 80,
154; Malory, Sir Thomas, The Birth, Life, and Acts of King Arthur, of His Noble Knights of the Round Table, Their Marvelous Enquests
and Adventures, The Achieving of the San Greal, and in the End, Le Morte Darthur with the Dolourous Death and Departing Out of This
World of Them All, (London: J.M. Dent, 1893-1894).
N.B. London publisher J.M. Dent approached Aubrey Beardsley in 1892 to illustrate an edition of Sir Thomas Malory’s Le Morte
Darthur. Beardsley, at age 20, was an unknown insurance office clerk. Dent first came across his work through photographer Frederick
H. Evans, who owned the book shop Jones & Evans, frequented by Beardsley. Beardsley was paid 250 pounds for his work for Le Morte
Darthur, which would be issued in twelve separate parts, and he produced a total of approximately 585 illustrations for the book. A
very productive period for Beardsley, during this time he also was working on his illustrations for Salomé and The Yellow Book. Le Morte
Darthur is not only “a superb example of the illustrated book, but it is also the work that launched the ‘Beardsley look’ which was to
change the appearance of the fin de siècle and influence succeeding generations...”1
1. Gillon Jr., Edmund V., Bearsley's Illustrations for Le Morte Darthur (New York: Dover Publications Inc., 1972, Publishers Note, pp. v-vi.
$15,000-20,000
686.
Andre Dunoyer de Segonzac (French, 1884-1974)
Etude pour le Georgiques de “Virgile”

Signed and inscribed “...A. Dunoyer de Segonzac” l.c.
Ink on paper, sheet size 7 1/4 x 5 in. (18.4 x 12.7 cm), framed.
Condition: Acid burn to four corners from tape verso, not
Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New

York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso,
Essex, Connecticut.
Literature: [Collection Daniel Sickles] Bibliothèque d’un

Amateur, Très Beaux Livres Illustrés Modernes Dans d’Importantes
Reliures dont 53 Signées de Pierre Legrain, Exemplaires uniques
dont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie,
Paris: Musée Galliéra, 21 May 1963 (no. 265); Kraus, H.P., The
Illustrated Book, Catalogue 108, no. 138.
N.B. The work was one of eight original drawings included in a

presentation copy of Souvenirs d’un marchand de tableaux by
Ambroise Vollard, published by Éditions Albin Michel in 1937,
which was pen inscribed and gifted to his chauffeur Marcel Z.
Méraud (see lot 777 for two letters in the Archives Matisse from
Méraud regarding the circumstances of Vollard’s gift).
$2,000-4,000
686
687.
Ker-Xavier Roussel (French, 1867-1944)
Portrait of Vaslav Nijinsky

Initialed and inscribed “K.X.R./étude pour l’Apres midi/d’un
Faune” l.l.
Graphite on paper, sheet size 6 7/8 x 4 7/8 in., framed.
Condition: Paper backed, tape hinged, minor acid burn, minor
handling creases.

Essex, Connecticut.

Illustrated Book, Catalogue 108, no. 138, 1964.
N.B. See lot 686.

$300-500
687
688.
Emile Bernard (French, 1868-1941)
Portrait of a Seated Nude

Signed “Emile Bernard” l.r.
Ink wash and graphite on paper, sheet size 8 1/4 x 5 1/8 in.
(21.0 x 13.0 cm), framed.
Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus,

New York; Estate of Anna Eleanor Roosevelt (née Braman)

Amateur, Très Beaux Livres Illustrés Modernes Dans
d’Importantes Reliures dont 53 Signées de Pierre Legrain,
Exemplaires uniques dont Les Fleurs du Mal Illustrées par
Rouault, Deuxieme partie, Paris: Musée Galliéra, 21 May
1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue
108, no. 138, 1964.
N.B. See lot 686.

$1,500-3,000
688
689.
L’Amazone/An Illustration for Chasseur de Chevelures

Monogram signed “TL” l.r., inscribed “...Amazone...” in
pencil on the reverse, identified on a label affixed to the
backing.
Ink on paper, sight size 14 1/4 x 9 1/8 in. (36.2 x 23.2 cm),
framed.
Condition: Cloth taped to backing mat, masking tape
residue along top margin, fold along left edge.

Literature: Catalogue des Tableaux modernes, aquarelles,

pastels, dessins, lithographies... composant la collection
Alexandre Natanson, Hotel Drouot, Salles Nos. 9 et 10
Reunies, May 16, 1929, no. 39; Tristan Bernard, “Chasseur
de Chevelures,” Revue Blanche, no. 32, June 1894 (illus.).
$20,000-40,000
689
691
690 690.
Robert Henri (American, 1865-1929)
Portrait of a Woman
Unsigned, stamped “RH” l.r., stamped “Estate of ROBERT
HENRI, Hirschl & Adler, NYC” and inscribed “APG: 11070D”
in pencil u.l. verso, stamped “Harbor Gallery...New York...” on
the backing.
Charcoal on notebook paper, sight size 9 x 7 in. (22.9 x 17.8
cm), framed.
Condition: Hinged to supporting mat, toning, scattered foxing,
$400-600
691.
Georgi Alexandrovich Lapchine (Russian, 1885-1951)
Still Life with Fruit and Wine Jug

Signed “G. Lapchine” l.l.
Oil on panel, 14 1/2 x 17 in. (36.8 x 43.2 cm), framed.

$2,000-3,000
692.
Conger A. Metcalf (American, 1914-1998)
A Portrait of Pan
Signed “Metcalf” in pencil l.r.
Graphite and conté crayon on paper, sight size 17 1/4 x 13 in.
(43.8 x 33.0 cm), framed.
N.B. A hardbound, dedicated, and inscribed copy of the book

Conger Metcalf: A Retrospective, published by The Boston
692 Athenaeum, accompanies the lot.
$400-600
693 694
693. 694.
John Whorf (American, 1903-1959) Charles R. Knapp (American, fl. circa 1929-1930)
By the Docks Church Procession, Czechoslovakia

Signed “John Whorf.” l.r. Signed and dated “C.R. Knapp 1936” l.r., inscribed “Presented to
Watercolor on paper, sheet size 19 x 22 3/4 in. (48.3 x 55.9 cm), Robert C. Vose March 1938 by Charles R Knapp Boston Mass”
framed. in a period hand, and identified in an inscription in a later hand
Condition: Taped to front mat at top edge verso, toning, mild on a label affixed to the reverse.
scattered foxing. Watercolor, ink and gouache on paper/board, sight size 11 x 8
$1,500-2,000 1/2 in. (27.9 x 21.6 cm), framed.
$400-600
694A.
George Ehrenfried Grosz (German, 1893-1959)
Nude, c. 1929
Signed “Grosz” l.l., identified on a lable from Greer Gallery, Inc.,
New York, on the reverse.
Watercolor and ink on paper, sheet size 18 7/8 x 16 in. (47.9 x
40.6 cm), framed.
Condition: Masking tape hinged to beveled mat.
N.B. We wish to thank Ralph Jentsch who has kindly confirmed

the authenticity of the lot. The work will be included in Ralph
Jentsch’s forthcoming catalogue raisonné of the artist.
$5,000-7,000
694A
695.
Yamada Baske (Japanese/American, 1871-1934)
Woman in the Garden

Signed “...Baske” with Japanese character l.r.
Watercolor with gouache on paper/board, sight size 17 1/4 x 11
1/4 in. (43.8 x 28.6 cm), framed.
$500-700
695
696.
Carved Wood Picture Frame

Unsigned, a period label from J.H. Miller Co., Inc., Springfield,
Massachusetts, affixed to the reverse.
Giltwood, outside dimensions 40 3/4 x 35 1/2 in. (103.5 x 90.2
cm), inside dimensions 29 1/2 x 24 1/4 in. (74.9 x 61.6 cm).
Condition: Minor nicks/losses, scattered craquelure, surface
grime.
$400-600
696
697
697.
Ernest W. Longfellow (American, 1845-1921)
Shobo Temple, Tokyo, Japan

Signed and dated “Ernest Longfellow ‘03” l.r., identified on a
Condition: Lined.
$8,000-10,000
698.
Grant Tyson Reynard (American, 1887-1967)
The Dark Shawl

Signed “Reynard” l.r., a partial Salmagundi Club label affixed to
the reverse.
Condition: Retouch, craquelure, surface grime.
$250-350
699.
Woman Painting/A Portrait of the Artist’s Wife, Lynn

Tolman
Unsigned, identified on a label affixed to the stretcher.
Provenance: Gift from the artist to a private collection; then by

descent to the present owner.
$700-900
698
699
700.
Attributed to Georges d’Espagnat (French, 1870-1950)
Reading the Paper

Unsigned.
Oil on canvas mounted onto board, 11 x 8 1/4 in. (27.9 x 21.0
cm), framed.
$1,000-1,500
700
701.
Louis Kronberg (American, 1872-1965)
Mlle. Mireille
Signed “LOUIS KRONBERG-” l.l. and initialed “L✡K.” l.r.,
identified on labels including the Museum of Modern Art, New
York, and Lucien Lefebvre-Foinet, Paris, and stamped “The
Chinese Women’s Relief Association of New York...” on the
reverse.
Pastel on paper mounted to canvas, 24 x 18 1/4 in. (61.0 x 46.4
cm), framed.
$1,200-1,800
701
702
702.
René-Xavier Prinet (French, 1861-1946)
704
L’Elephant
Signed “R.X. Prinet” l.l., identified on a label from Galeries 704.
Georges Petit, Paris, and with a Blanchet, Paris, stencil on the Gifford Beal (American, 1879-1956)
reverse.
Oil on panel, 12 11/16 x 16 1/8 in. (32.2 x 40.9 cm), framed. Interior View, Purportedly William Merritt Chase’s Tenth
Condition: Surface grime. Street Studio
Unsigned.
Provenance: Sold to benefit the Bennington Museum, Vermont. Oil on canvas, 20 x 14 in. (50.8 x 35.6 cm), framed.
$300-500 Condition: Craquelure, varnish inconsistencies.
Provenance: Through the estate of the artist, by family descent to

703. a granddaughter.
George Augusta (American, 20th Century) $1,500-2,500
Man Reading
Signed “Augusta” l.r. 704A.
Oil on board, 27 1/2 x 16 in. (69.8 x 40.6 cm), framed. Richard Maguet (French, c. 1896-1944)
Condition: Surface abrasions (predominately along the left side),
surface grime. Interieur
$300-500 Signed “Maguet” l.r., signed, titled, and dated “Richard
Maguet...1931” on the reverse.
$300-500
703 704A
705
705. 706.
Arthur Clifton Goodwin (American, 1864-1929) Marguerite Stuber Pearson (American, 1898-1978)
Night at the Theater Tone Poem

Signed “A.C. GOODWIN” l.l. Signed “MARGUERITE S. PEARSON” l.r., identified on a
Oil on canvas, 20 1/4 x 26 in. (51.4 x 66.0 cm), framed. partial exhibition label affixed to the reverse, a copy of a letter
Condition: Lined, craquelure, surface grime. dated 1962 from the artist, discussing the work, affixed to the
$2,500-3,500 reverse.
Condition: Scattered retouch, varnish inconsistencies, mild
surface grime.
$3,000-5,000
706
707
708
707.
Sigmund Joseph Menkes (Polish/American, 1896-1986)
Figures on a Bed
Signed “Menkes” l.r.
Felt pen and oil on paper, sight size 13 1/2 x 16 1/4 in. (34.3 x
41.3 cm), framed (without glass).
$300-500
708.
Russian School, 20th Century
Leisure
Signed “I. Kulik” in Cyrillic l.r., titled, dated and inscribed “...’90
canvas, oil” in Cyrillic on the reverse.
$400-600
709.
French/American School, 20th Century
Figure Study
Initialed “JAC” l.r.
Ink and wash on paper, sheet size 12 x 4 1/2 in. (30.5 x 11.4
cm), framed.
$300-500
709
711
710
710. 711.
Jessica Rice (American, b. 1941) Isabel Bishop (American, 1902-1988)
Figures at the Beach Two Figure Studies: Nude and Seated Man
Signed and dated “Jessica Rice 90” l.l. and “© Jessica Rice 89” Signed “Isabel Bishop” l.r. and l.l., respectively, Nude titled and
on the reverse. dated “...1950” on the reverse, Man titled, signed, and inscribed
Oil on canvas, 22 x 20 in. (55.9 x 50.8 cm), framed. “...-’A’ by I/Bishop...c. 1932” on the reverse.
Condition: Good. Ink on paper/board, sight sizes to 6 1/8 x 4 3/8 in. (15.5 x
$600-800 11.1 cm), framed.
Condition: Scattered staining, not examined out of frames.
$400-600
712.
Patrick M. Webb (American, 20th/21st Century)
Bathers on the Beach

Signed “P. WEBB” l.l.
Condition: Surface grime, minor abrasions.
$1,000-1,500
712
713
714
713.
Frank H. Redelius (American, 20th Century)
Remembrance of Flanders
Signed “F.H. REDELIUS” within the composition c.l., figure
study on the reverse, identified on a period label from Grand
Central Art Galleries, Inc., New York, affixed to the reverse.
Condition: Repair u.r. with additional scattered retouch, fine
craquelure, wear/losses to edges, surface grime.
$600-800
714.
Harold F. Lindergreen (American, 1902-1988)
Floral Study
Signed “HAROLD F. LINDERGREEN” l.l., monogrammed and
dated “...37” l.r.
Gouache on paper/board, sight size 14 x 8 3/4 in. (35.6 x 22.2
cm), framed.
Condition: Mild scattered surface abrasions, not examined out of
frame.
$300-600
715.
Sherlock Holmes Trompe L’oeil

Indistinctly signed l.r.
Oil with collage on board, 19 x 9 1/2 in. (48.3 x 24.1 cm),
framed.
715 Condition: Mild surface grime.
$400-600
716
716. 717.
Robert Remsen Vickrey (American, b. 1926) Robert Remsen Vickrey (American, b. 1926)
Poppies, 1991 As the World Turns

Signed “Robert Vickrey” l.l., identified on a label from Harmon- Signed “Robert Vickrey” l.r., identified on a label from Harmon-
Meek Gallery, Naples, Florida, on the reverse. Meek Gallery, Naples, Florida, on the reverse.
Egg tempera on fiberboard, 12 x 18 1/4 in. (30.5 x 46.4 cm), Oil on fiberboard, 12 3/4 x 16 1/2 in. (32.4 x 41.9 cm),
framed. framed.
Condition: Good. Condition: Good.
$4,000-6,000 $4,000-6,000
717
718
719
718. 719.
William Sommer (American, 1867-1949) Kay Mollison (American, b. 1896)
June with Strudel/A Portrait of the Artist’s Granddaughter Gentleman Cat Portrait
and Her Dog Signed “Kay Mollison” l.r.
Signed “William Sommer” in pencil l.l., inscribed “William Oil on canvas, 30 1/2 x 25 in. (77.5 x 63.5 cm), framed.
Sommer...his granddaughter...” on the backing. Condition: Retouch, varnish inconsistencies, scattered
Watercolor and graphite on paper, sight size 20 1/2 x 28 in. flaking/losses, surface grime.
(52.1 x 71.1 cm), framed.
Condition: Subtle foxing, not examined out of frame. N.B. Mollison was married to artist Harry Russell Ballinger
(American, 1892-1993).
Provenance: Ex-collection of Henry Francis, former curator at $400-600
the Cleveland Museum of Art, then by descent.
$2,200-2,800
720.
Seated Boy
Signed “Metcalf” in pencil l.r., identified on a label from Swetzoff
Gallery, Boston, on the reverse.
Watercolor and graphite on paper, 17 x 12 in. (43.2 x 30.5 cm),
framed.
$500-700
720
722
721
721. 722.
American School, 20th Century John Wesley Carroll (American, 1892-1959)
The Sad Clown Portrait of a Cat

Unsigned. Signed and dated “John Carroll 33” l.r.
Condition: Small puncture l.c. (reinforced with tape on the Condition: Canvas deformations, surface grime, minor varnish
reverse), scattered retouch, mild varnish inconsistencies, surface inconsistencies.
grime.
$300-500 Provenance: Estate of Anna Eleanor Roosevelt (née Braman)
$1,000-2,000
723.
Ernest Fiene (American, 1894-1965)
White Clown
Signed “E. Fiene” l.r., artist and title inscribed on the stretcher.
Condition: Minor scattered losses, surface grime.
$400-600
723
724
725
724. 725.
Guy Arnoux (French, 1886-1951) Ludwig Bemelmans (American, 1898-1962)
Regiment du Dauphin Portrait of a Man

Signed “GUY ARNOUX” l.l. Signed “Bemelmans” l.r., three figural studies on the reverse, a
Ink and watercolor on paper/board, sight size 11 x 13 1/2 in. label from Kulicke & Chambers, Inc., New York, on the backing.
(27.9 x 34.3 cm), framed. Graphite and wash on paper, sheet size 9 x 6 in. (22.9 x 15.2
Condition: Toning, not examined out of frame. cm), framed.
$500-700 Condition: Subtle handling creases.

$800-1,200
726.
Maurice Day (American, 1892-1983)
Wake Up It’s Christmas!

Signed “MAURICE DAY” l.r.
Charcoal, crayon, watercolor and gouache on paper, sight size 8
1/2 x 7 in. (21.6 x 17.8 cm), framed.
Condition: Mat burn, toning, tape c.l., not examined out of
frame.
N.B. This image was used for the Ranger Rick Christmas Card
Assortment published by the National Wildlife Federation,
copyright 1967. A copy of the printed Christmas card
accompanies the lot.
$300-500
726
728
727
727. 728.
Ludwig Bemelmans (American, 1898-1962) Walt Disney Studios (American, 20th Century)
The Doctor Doc from Snow White and the Seven Dwarfs, 1937
Signed “Bemelmans” l.l., a label from Kennedy Galleries, Inc., Identified on a label affixed to the reverse.
New York, affixed to the backing. Gouache on celluloid over a wood-grained background, sight size
Ink and watercolor on paper, sight size 6 5/8 x 4 3/8 in. (16.8 x 7 1/4 x 6 7/8 in. (18.4 x 17.5 cm), framed.
11.1 cm), framed. Condition: Not examined out of frame.
Condition: Toning, mat burn, acid burn from tape verso to u.l. $600-800
and u.r. corners, not examined out of frame.

$800-1,200
729.
Portrait of a Young Schoolboy

Signed “Metcalf” in pencil l.r.
Gouache, watercolor, and ink on canvas mounted to Masonite, 15
x 18 in. (38.1 x 45.7 cm), framed.
$500-700
729
730
731
730. 731.
Raymond Breinin (American, 1910-2000) Conger A. Metcalf (American, 1914-1998)
Table Top Still Life with Fruit Portrait of a Young Girl

Signed and dated “Breinin 36” l.l., information regarding the Signed “Metcalf” in pencil l.r.
artist affixed to the reverse. Graphite and conté crayon on paper, sight size 10 1/4 x 7 1/4
Gouache on paper/board, sight size 15 1/2 x 27 in. (39.4 x 68.6 in. (25.4 x 18.4 cm), framed.
cm), framed. Condition: Not examined out of frame.
Condition: Scattered bloom, not examined out of frame. $500-700
$500-700
732.
Bertram Hartman (American, 1882-1960)
Still Life with Sunflowers and Fruit

Signed and dated “Bertram Hartman Nov. 1946” l.r.
Watercolor on paper, sight size 20 3/4 x 29 in. (52.7 x 73.7 cm),
framed.
$400-600
732
734
733
733.
Rifka Angel (American, 1899-1986)
Bouquet of Flowers
Signed and dated “Rifka Angel 1964” l.r., identified on a label
Oil and encaustic on panel, 15 1/2 x 10 in. (39.4 x 25.4 cm),
framed.
Condition: Splits to panels, scattered losses, craquelure, surface
grime.
$400-600
734.
Portrait of a Boy with Cherries

Signed “Metcalf” u.l.
Gouache, watercolor, and ink on paper, sight size 23 1/4 x 17
1/4 in. (59.1 x 43.8 cm), framed.
$300-500
735.
Paul Strisik (American, 1918-1998)
Bouquet of Black Eyed Susans

Signed “P. STRISIK” l.l.
Condition: Varnish inconsistencies.
$1,000-1,500
735
736
736. 737.
(Samuel) Marshall Frantz (American, b. 1890) (Samuel) Marshall Frantz (American, b. 1890)
A Surprising Announcement Windy Day by the Beach

Signed “Frantz” l.r Signed “Frantz” l.r.
Ink and gouache on illustration board, 13 1/4 x 14 1/2 in. (33.7 Watercolor and gouache on paper/board, sight size 8 1/2 x 11
x 36.8 cm), framed. 1/4 in. (21.6 x 28.6 cm), framed.
Condition: Toning, soiling/residue (predominately l.r and l.l. Condition: Toning, not examined out of frame.
corners), not examined out of frame. $300-500
$400-600
737
738
738. 739.
Paul Rouwette (Dutch, b. 1955) Anton Otto Fischer (American, 1882-1962)
Young Couple on a Grassy Knoll The Boarding Party/Possibly an Illustration for a Jack
Signed “Paul Rouwette” l.l. London Tale
Oil on canvas, 31 1/2 x 39 in. (80.0 x 99.1 cm), unframed. Signed and dated “1930/ ANTON OTTO FISCHER” l.r.
Condition: Good. Oil on canvas, 26 x 36 in. (66.0 x 91.4 cm), framed.
$800-1,200 Condition: Retouch, minor losses, patch reinforcements.
$3,000-5,000
739
740.
Sarah Supplee (American, 1941-1997)
Ryder Sky (Route 2 to Fitchburg, Massachusetts)

Signed and dated “Sarah Supplee 1976” in graphite l.l., identified
on the reverse.
Pastel on paper, sight size 32 1/2 x 21 3/4 in. (82.6 x 55.2 cm),
framed.
$1,500-2,500
740
741.
New York, Route 28, North of Utica with Cloudbank

Signed and dated “SUPPLEE 1975” l.l., also identified, titled,
and inscribed “Sarah Supplee...June, 1975,” probably in the
artist’s hand, on the stretcher bars.
Condition: Good.
N.B. Sarah Supplee was born in Maryland, but worked

extensively in Massachusetts. Known as Sally by her friends, she
was married to Fred Faudie.An exhibition catalogue for Sarah
Supplee: Recent Work in Oil and Pastel, November 4–30, 1989,
Tatistcheff & Company, Inc., New York, accompanies the lot.
$6,000-8,000
741
742
742.
Route 93, New Hampshire

Signed and dated “SARAH SUPPLEE 1978” l.r.
Condition: Good.
$6,000-8,000
743 744
743. 744.
Moses Soyer (American, 1899-1974) Charlot Bowman (American, 20th Century)
Nude Front View Mother and Child

Signed “M Soyer” u.r., identified on a label from ACA Galleries, Signed “CHARLOT·BOWMAN” l.l., with a stamp from H.H.
Inc., New York, on the reverse. Sullivan Inc., Rochester, New York, on the reverse.
Oil on canvas, 16 x 12 in. (40.6 x 30.5 cm), framed. Oil on canvasboard, 20 x 16 in. (50./8 x 40.6 cm), framed.
Condition: Minor surface grime. Condition: Surface grime/abrasions.
$800-1,200 $800-1,200
745.
Harold Knight (American, 20th Century)
Healing Waters
Signed “Harold Knight” l.l., titled, signed and inscribed on the
reverse.
framed.
$800-1,200
745
746
747
746. 747.
Elsie Caron Ives (American, 1864-1915) Rico Lebrun (American, 1900-1964)
Still Life with Fruit and Decanter Portrait of a Veiled Female Figure
Signed “Elise [sic] Ives” u.l. Unsigned.
Oil on canvas, 16 x 18 in. (40.6 x 45.7 cm), unframed. Ink and conté crayon on paper, sheet size 25 3/8 x 19 in. (64.5 x
Condition: Mounted onto Masonite, tears/abrasions, surface 48.3 cm), framed.
rubs, damage to tacking edges, retouch, scattered craquelure, Condition: Mounted to paperboard.
surface grime.
$200-300 Provenance: Gift from the artist; by family descent to the present
owner.
$300-500
748.
Irina Igorevna Lavrova (Russian, 1931-1999)
Flowers
Signed and dated “1949 I. Lavrova” in Cyrillic l.r., also signed,
titled, and dated “Irina Lavrova....K.M. [Karton. Maslo
(cardboard, oil)] 1949” in Cyrillic on the reverse.
Oil on artist board, 13 1/4 x 16 1/2 in. (33.7 x 41.9 cm),
framed.
Condition: Creases/tears and pinholes to the u.r. and l.r.
quadrants.

$300-500
748
749
749. 750.
Gary Ernest Smith (American, b. 1942) Norman Millet Thomas (American, b. 1915)
Cornfield in Snow The Sculptor’s Studio

Signed “GARY ERNEST SMITH ©” l.r., titled, signed and Unsigned, inscribed “Painted by Norman Thomas/ Certified by
inscribed “...Gary E. Smith/© OPYRIGHT [sic] RETAINED” sisister [sic]-in-law Marie Thomas” on the stretcher.
on the stretcher. Oil on Masonite, 48 x 30 1/4 in. (121.9 x 76.8 cm), unframed.
Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed. Condition: Surface grime/abrasions, tack holes to the margins.
Condition: Mild surface grime, subtle pigment fluorescence. $600-800
$2,000-4,000
751.
Henry A. (Hank) Walker (American, 1919-1995)
Two Hunters
Signed “HANK WALKER” l.r.
Condition: Good.
N.B. An artist biography and the photograph on which this

composition is based accompanies the lot.
$800-1,200
751
750
752
752.
Cecil Crosley Bell (American, 1906-1970)
Lot of Nine Drawings: Including Figural Studies, Factory

Scene, and Possible Studies for Team at Auction
Many stamped “Cecil C. Bell” l.r., some initialed, signed or 753
inscribed.
Charcoal, watercolor and ink on paper, approximate sheet sizes to
9 x 12 in. (22.9 x 30.5 cm), unframed.
Condition: Toning, tears, some with tape at edges.
$800-1,200
753. 754.
Julian Edwin Levi (American, 1900-1982) George Manuel Aarons (American, 1896-1980)
Dock Worker/A Maquette Probably for a WPA Mural Lot of Two Maquettes for a Large Scale Installation
Signed and dated “JULIAN LEVY 1938” l.l., titled and One signed and dated “Georg...Aarons/1964” l.l., the other
identified, probably in a later hand, on the reverse. unsigned.
Egg tempera and graphite on fiberboard, 15 3/8 x 9 3/8 in. Carved plaster bas-reliefs, sizes to 11 x 22 3/4 x 5 3/4 in. (27.9
(39.1 x 23.8 cm), framed. x 57.8 x 14.6 cm).
Condition: Surface grime. Condition: Small chips and losses, surface grime.
$700-900 $1,200-1,800
754
755
755. 756.
George Rodrigue (American, b. 1944) George Rodrigue (American, b. 1944)
The Secret of the Hollow, alternatively titled The Secret of Pirate Prayer Under the Oaks
Lafitte’s Gold Signed “Rodrigue” l.l. and “© Rodrigue” on the reverse, titled
Signed and dated “Rodrigue 74” l.l., also signed and inscribed “© and inscribed “#7520...” and stamped from George Rodrigue
G. Rodrigue...” on the reverse, signed or inscribed and titled Gallery, Lafayette, Louisiana, on the stretcher bars.
“#7422 George Rodrigue ©...” on the stretcher bar. Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.
Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed. Condition: Good.
Condition: Good.
Provenance: Purchased at Arvest Galleries, Inc., Boston, 1975.
Literature: Rodrigue, George, The Cajuns of George Rodrigue,
Literature: Rodrigue, George, The Cajuns of George Rodrigue, Birmingham: Oxmoor House, 1976, p. 22 (illus.).
Birmingham: Oxmoor House, 1976, pp. 18-19 (illus.); George
Rodrigue: Cajun Artist, Lafayette: Rodrigue Gallery & Studio, N.B. An autographed copy of Rodrigue [The Newspaper and
1975, p. 17 (illus.). Magazine Articles of Louisiana’s International Folklore Artist],
Lafayette: George Rodrigue Gallery & Studio, 1975, and an
N.B. The alternative title was issued by Oxmoor House for
autographed poster accompany the lot.
publication. A copy of George Rodrigue: Cajun Artist, and a
$15,000-20,000
photocopy of a letter from the artist accompany the lot.
$20,000-30,000
756
757
757.
George Rodrigue (American, b. 1944)
Cajun Farmer’s Daughters, alternatively titled The Daughters of

Francis Robert
Signed “Rodrigue” l.l. and “© Rodrigue” on the reverse, titled
and numbered “...#7525” and with stamps from the George
Rodrigue Gallery, Lafayette, Louisiana, on the stretcher bars.
Condition: Good.
Literature: Rodrigue, George. The Cajuns of George Rodriguez,

Birmingham: Oxmoor House, Inc., 1976, p. 40 (illus.).
N.B. The alternative title was issued by Oxmoor House for

publication. A copy of the book from the limited Louisiana
edition (#2239/8000) and a photocopy of a letter from the artist
accompany the lot.
$20,000-30,000
758
758. 759.
Miguel Covarrubias (Mexican, 1904-1957) Balinese School, 19th/20th Century
Tropical Landscape At the River

Signed “COVARRUBIAS” l.r., a label from Forty-Seventh Street Signed and inscribed “KT. MANGGI – BALI.” l.r., stamped on
Gallery, New York, affixed to the reverse. the reverse.
Gouache, watercolor and ink on paper/board, 10 1/2 x 13 3/4 Watercolor and gouache on paper, sight size 12 1/2 x 8 1/2 in.
in. (26.7 x 34.9 cm), framed. (31.8 x 21.6 cm), framed.
Condition: Glued to window mat. Condition: Taped along bottom edge to front mat, tear u.l.,
$2,000-4,000 rippling, light creases, soiling/staining.
$400-600
760.
Clementine Hunter (American, 1886-1988)
Church Procession
Monogram initialed “CH” l.r.
Oil on Masonite, 11 1/2 x 15 1/2 in. (29.2 x 39.4 cm),
unframed.
Condition: Craquelure, minor losses at center, nail holes in the
u.r. and u.l. quadrants.
$300-500
760
761
761.
Audrey May Hatfield (American, fl. 1984-present)
762
Indigenous Figures Receiving Nourishment from a Cow
Signed and dated “Audrey Hatfield 1991” l.r.
Pastel on paper, sheet size 15 x 22 1/2 in. (38.1 x 57.2 cm), 763.
framed. William Sommer (American, 1867-1949)
$400-600 The Purple Goat
Signed and dated “William Sommer. 1942” l.r., identified on a
label affixed to the backing.
762. Ink and watercolor on paper, sight size 11 3/4 x 17 in. (29.8 x
Jay Thurston Robinson (American, b. 1915) 43.2 cm), in a Prendergast-style frame.
Jungle Clearing, alternatively titled Village Clearing/An Image
Based on the Bakuba Tribe of the Bulape Group, Kasai Provenance: Ex-collection of Henry Francis, former curator at
District, Belgian Congo the Cleveland Museum of Art, then by descent.
Signed “Jay Robinson” l.l., identified in inscriptions on the
reverse. Exhibitions: The William Sommer Memorial Exhibition:
Mixed media relief on panel, 18 x 11 3/4 in. (45.7 x 29.8 cm), Catalogue of an Exhibition of Works by William Sommer,
framed. Cleveland Museum of Art, November 1–December 10, 1950, no.
Condition: Surface grime. 179.
$400-600 $2,500-3,500
763
764.
Miguel Covarrubias (Mexican, 1904-1957)
Retrato de Mujer Tehuana

Signed and dedicated “For Sam with
apologies/COVARRUBIAS” l.r.
Gouache and watercolor on paper/board, sight size 14 1/4 x 10
1/2 in. (36.2 x 26.7 cm), framed.
Condition: Cloth tape hinged to backing mat, tack holes.
$2,000-3,000
765.
Margaret D. H. Keane (American, b. 1927)
Lot of Two Figural Studies

Each signed and dated “© MDH Keane 1968” l.l. or l.r.
Charcoal on paper, sight sizes to 4 1/2 x 5 1/2 in. (11.4 x 14.0
cm), framed.
Condition: Subtle toning, mild foxing/staining, not examined
out of frames.
$300-500
766.
Hiker
764 Signed “Myriam Pistor” l.r.
Watercolor on paper/board, sight size 11 1/4 x 6 in. (28.6 x
15.2 cm), framed.
Condition: Toning, mat burn, not examined out of frame.
$300-500
765
766
767
767.
Diego Rivera (Mexican, 1886-1957)
Vendedora de Pozole
Signed and dated “Diego Rivera 38” l.r.
Ink and watercolor on Japan paper, sheet size 15 x 10 3/4 in.
(31.1 x 27.3 cm), framed.
Condition: Mounted to linen-covered mat, tack holes to corners.
Provenance: Gift of the artist to Frida Kahlo de Rivera, Mexico

City; Private collection, Los Angeles, California; Private
collection, Florida, 1984.
Literature: Diego Rivera Acuarelas [1935-1945] - Colección

Frieda [sic] Kahlo, text by Dr. Samuel Ramos, Mexico, Editorial
Atlante, S.A., 1948, Plate 18 (illus.).
N.B. This work appears to be a finished composition based on

the drawing in the collection of Rafael Coronel, which is
illustrated in Diego Rivera: Catalogo General de Obra de
Caballete, no. 1194.
$40,000-80,000
768.
Henry Schwartz (American, 1927-2009)
After the Flood, alternatively titled The Crossing

Signed and dated “Henry Schwartz 1961” u.l., titled, dated and
signed “...1961 Henry Schwartz” on the reverse, identified on a
period label from Boris Mirski Gallery, Boston, affixed to the
reverse.
Oil on canvas (and frame liner), 28 3/4 x 26 1/2 in. (73.0 x
67.3 cm), framed.
Condition: Loss u.r., pigment fluorescence, surface grime.
$400-600
769.
768 Maurice de Vlaminck (French, 1876-1958)
Village Street View

Signed “Vlaminck” in pen l.r.
Ink and graphite on paper, sheet size 5 1/8 x 8 1/8 in. (13.0 x
20.6 cm), framed.
Condition: Subtle toning, acid burn from tape hinges at four
corners verso.

Essex, Connecticut.


769 Ambroise Vollard, published by Éditions Albin Michel in 1937,
$2,000-4,000
770.
Florence Henri (Swiss, 1893-1982)
View of a Dutch Landscape

Signed and dated “Florence Henri 1956” in pen l.r.
Gouache on paper, sight size 14 x 17 1/2 in. (35.6 x 44.5 cm),
framed.
Condition: Subtle acid burn, not examined out of frame.
$800-1,200
770
771
771. 772.
Giorgio De Chirico (Italian, 1888-1978) Diego Rivera (Mexican, 1886-1957)
Untitled Landscape with Petrified Boat and Figures [The Skyline, Florence, Italy
Dioscuri], c. 1925 and Untitled Portrait of Gala Dali, c. 1924- Signed and dated “Diego Rivera. 21” in pencil l.r.
25/A Double-sided Work Graphite on paper, sheet size 8 3/8 x 10 5/8 in. (21.3 x 27.0
Landscape signed “G. de Chirico” in pencil l.r., Portrait signed cm), unframed.
and inscribed “Le retour a une suite...G. de Chirico” l.r. and Condition: Acid burn to l.l. quadrant, tear to u.l. and l.l.
inscribed “Madame Gala Dali” in a later hand l.c. quadrants, glued to backing sheet at corners.
Graphite on paper, sight size 12 x 9 in. (30.5 x 22.9 cm), framed.
Condition: Subtle foxing, pinhole u.c. Provenance: Collection of Caroline Johnston (née Ramsay)
Chandler of Wilmington, Delaware (b. 1893-?), by family descent
Provenance: From the Hillman Family Collection by descent to to private collection, Maine. Caroline Ramsay Chandler was the
Alex Hillman; private collection c. 1990s. eldest daughter of William Gouverneur Ramsay, a civil engineer
and vice president of E.I. du Pont de Nemours & Company. She
Literature: Emily Braun, Manet to Matissse: The Hillman Family was a student of the Woodstock Art Colony, an artist in
Collection, Seattle: University of Washington Press, 1994, pp. 54- watercolors and oils, as well as an art collector. She traveled to
57, (illus.). Mexico in the 1930s, and is believed by her family to have
acquired art on this trip, including the present work.
N.B. In Emily Braun’s analysis of the landscape composition of $8,000-12,000
the present work, she notes that the two figures depicted in the
foreground may allude to the twin sons of Zeus Castro and
Polydeuces—also known as the Dioscuri—but may also represent
the artist and his brother, Alberto Savinio.1 Supporting this
interpretation, Braun cites the depiction of eyes in the lower left,
which commonly represented for De Chirico “the visionary
powers of the artist” or “the omnipotence of the gods.”2 Of the
portrait composition on the reverse, Braun contextualizes the
work within the Parisian surrealist circle of Paul Eluard, Gala
Dali’s first husband. She notes that Eluard was a patron of De
Chirico circa 1923, and that De Chirico associated with the
couple through 1926.3
1. Emily Braun, Manet to Matisse: The Hillman Family Collection, Seattle:

University of Washington Press, 1994, p. 54.
2. Ibid., 54.
3. Ibid., 55.
$15,000-25,000
772
773.
Paul Delvaux (Belgian, 1897-1994)
Portrait of Two Women Embracing

Signed and dated “P. DELVAUX/1945” in pencil l.r., watermark
c.l.
Graphite and ink on Antique de Luxe laid paper, sheet size 8 1/4
x 6 3/4 in. (15.9 x 17.1 cm), framed.
Condition: Slight toning, paper tape hinged to backing mat.
Provenance: Gift from the artist to the present owner, c. 1946.
N.B. The present work is characteristic of Delvaux’s female nude

studies, where he explores the relationship between the idealized
female body and naturalistic representation. The work echoes
Gustave Courbet’s Le Sommeil (1866), but without the
languorous surrender. The alert gaze directed at the viewer and
the ambiguous indoor-outdoor background decontextualizes it
from an academic “odalisque,” and creates a tension over the
propriety of the scene for the spectator.
His works have been said to both “entice and demystify, allowing
the viewer the fullest sensual and emotional satisfaction the visual
773 image can offer, yet alerting him or her to the artificiality, even
absurdity, of the principles that produce such pleasure.”1
1. Scott, David, Paul Delvaux: Surrealizing the Nude, London: Reaktion Books,
1992, p. 13.
$3,000-5,000
774.
La Sainte Face (esquisse), 1921

Unsigned, identified on a label from Hammer Galleries, New
York, on the backing.
Ink wash on paper, sheet size 4 3/4 x 4 in. (12.1 x 10.2 cm),
framed.
Condition: Tape hinged along top edge to backing mat, subtle
rippling.

Literature: Dorival, Bernard and Isabelle Rouault, Rouault

l’Oeuvre Peint, Monte Carlo: Andre Sauret, 1988, no. 864,
774
(illus.).
N.B. We wish to thank Jean-Yves Rouault and Anne-Marie

Agulhon of the Fondation Georges Rouault for their assistance
with cataloguing the lot.
$3,000-5,000
775.
Oja Kodar (Croatian, b. 1941)
Dancing Figures
Monogram initialed and numbered “O.. 1/6.” on the reverse l.r.
Bronze, 14 x 11 x 5 in. (35.6 x 27.9 x 12.7 cm), mounted to a
wooden plinth.
Provenance: Purchased from Rolly-Michaux Gallery, Boston.

$300-500
775
776
776.
Marc Chagall (French/Russian, 1887-1985)
Two Lovers on a Rooster

Signed “Marc Chagall” l.r.
Ink, graphite, and crayon on laid paper, sheet size 7 1/2 x 5 1/8 in. (19.1 x 13.0 cm), framed.
Condition: Paper-backed, taped along margins verso to backing linen-covered mat, acid burn.
Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New York; Estate of Anna Eleanor
Roosevelt (née Braman) Grasso, Essex, Connecticut.
Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très Beaux Livres Illustrés
Modernes Dans d’Importantes Reliures dont 53 Signées de Pierre Legrain, Exemplaires uniques
dont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra, 21 May
1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue 108, no. 138, 1964.
N.B. The work was one of eight original drawings included in a presentation copy of Souvenirs
d’un marchand de tableaux by Ambroise Vollard, published by Éditions Albin Michel in 1937,
which was pen inscribed and gifted to his chauffeur Marcel Z. Méraud (see lot 777 for two
letters in the Archives Matisse from Méraud regarding the circumstances of Vollard’s gift).
$40,000-60,000
777
777.
Tête de Femme, 1942

Inscribed, signed and dated “A Monsieur Marcel Z. Méraud/Cordialement/Henri Matisse 17...42” in pencil l.l.
Ink and graphite on paper, sheet size 8 1/8 x 5 in. (20.6 x 12.7 cm), framed.
Condition: Taped to silk covered mat at four corners verso, acid burn to corners, deckled edges.
Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex,
Connecticut.
Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très Beaux Livres Illustrés Modernes Dans d’Importantes Reliures dont
53 Signées de Pierre Legrain, Exemplaires uniques dont Les Fleurs du Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra,
21 May 1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue 108, no. 138, 1964.
N.B. We wish to thank Wanda de Guebriant of the Archives Matisse for her kind assistance with cataloguing the lot. The work is no.
K296 in the Archives Matisse and a photo-certificate accompanies the lot.
The work was one of eight original drawings included in a presentation copy of Souvenirs d’un marchand de tableaux by Ambroise
Vollard, published by Éditions Albin Michel in 1937, which was pen inscribed and gifted to his chauffeur Marcel Z. Méraud.
In a letter at the Archive Matisse dated February 16, 1942, Méraud shares his enthusiasm for the gift from Vollard, and requests a work
from Matisse to add to the book. He writes: “Mr. Fabiani had to tell you about the book that Mr. Ambroise Vollard dedicated to me;
among other things, it is the first book out of the printing press that Mr. Vollard gave to me, saying, “Marcel, the first is for you!”
Within this book are [works by] Mr. Vollard’s art colleagues and friends-one made me a drawing, another a watercolor, another a
drawing with watercolor, etc. … Would you allow me to ask a remembrance of you? I would be very grateful.” (translated from French)
In a second letter, also at the Archive Matisse dated September 23, 1942, Méraud acknowledges receipt of a drawing and expresses his
pleasure with the work: “I received your magnificent drawing that I quickly put it in my book of the recollections of Mr. Ambroise
Vollard, which is for me, the best souvenir, with the nice dedication of Mr. Vollard and fine drawings by artists that I had the pleasure of
seeing regularly without knowing more intimately, I thank you even more, because your beautiful gesture allows me to enrich my book
with a beautiful memory of a great master.” (translated from French)
$20,000-40,000
778.
No lot.
779
779.
Raoul Dufy (French, 1877-1953)
Grand Orchestre, 1948

Signed “Raoul Dufy” in pencil l.r., inscribed “Expo. Galerie
Motte Geneve/1957 No. 36...” in pencil and with labels on the
reverse, also identified on a label from Hirschl & Adler Galleries,
Inc., New York, on the backing.
Watercolor and ink on paper, sheet size 19 3/4 x 25 3/4 in.
(50.2 x 65.4 cm), framed.
Condition: Taped to beveled mat.

Exhibitions: Exposition Raoul Dufy 1877–1953 Dessins

Gouaches, Galerie Motte, March 15–April 14, 1957, exh. no. 36
(illus.); Raoul Dufy 1877-1953, Hirschl & Adler Galleries, Inc.,
November 3–December 4, 1965, exh. cat. no. 76.
N.B. We are grateful to Fanny Guillon-Laffaille for confirming

the authenticity of this work.
$75,000-125,000
780.
Peter Robert Keil (German, b. 1942)
Lake Wannsee Near Berlin

Signed and dated “Keil 68” l.l., titled, signed and dated “...P
Robert Keil Berlin 68” on the reverse.
Acrylic on Masonite, 22 x 28 in. (55.9 x 71.1 cm), framed (under
glass).
Condition: Minor retouch.
$400-600
780
781.
Jean Liberte (American, 1896-1965)
Farm View in the Evening

Signed “LiBERTE” l.r.
$600-800
782.
Regis de Bouvier De Cachard (French, b. 1929)
Birds at Piazza San Marco, Venice

Signed and dated “BOUVIER de CACHARD 65” l.r.
$500-700
782
783 785
783. 785.
Lawrence Edward Kupferman (American, 1909-1982) Peter Robert Keil (German, b. 1942)
Old Streets, Boston On the Lake Starnberger, Munich

Signed “Kupferman” l.r., inscribed, titled, signed and dated “#17- Signed and dated “Keil 63” l.r., titled, signed, and dated “...P.
46...JANUARY 22, 1946/LAWRENCE KUPFERMAN” on the Robert Keil Berlin 63” on the reverse.
reverse. Acrylic on Masonite, 25 1/2 x 29 3/4 in. (64.8 x 75.6 cm),
Oil on Masonite, 16 1/4 x 23 in. (41.3 x 58.4 cm), framed. framed.
Condition: Surface grime, pigment fluorescence, varnish Condition: Minor surface grime.
inconsistencies. $400-600
$400-600
784.
Peter Busa (American, 1914-1985)
Cottages by a Bay
Incised signature “Busa” l.r.
Oil on Masonite, 8 1/4 x 18 in. (21.0 x 45.7 cm), framed.
Condition: Good.
$700-900
784
786 787
786. 787.
Eugene G. Berman (American, 1899-1972) Oja Kodar (Croatian, b. 1941)
Head of a Satyr with Dark Visage Running Figure

Monogram signed and dated “EB 1942” l.c. Monogram initialed and numbered “1/4...O....” on the reverse
Mixed media (watercolor, ink, and collage) on blue/gray paper, l.r.
sheet size 15 1/8 x 11 7/8 in. (38.4 x 30.2 cm), framed. Bronze with brown-black patina, 10 1/2 x 4 x 3 1/2 in. (26.7 x
Condition: Tape hinged to backing glass, not examined out of 10.2 x 8.9 cm), mounted on a wooden plinth.
frame. Condition: Minor surface grime.
Provenance: Gift from the artist; by family descent to the present Provenance: Purchased from Rolly-Michaux Gallery, Boston,
owner. Massachusetts.
$800-1,200 $300-500
788.
Eugene G. Berman (American, 1899-1972)
Head of a Satyr
Monogram signed and dated “19 EB 42” l.c.
Mixed media (watercolor, ink, and collage) on paper, sheet size
15 1/4 x 12 in. (38.7 x 30.5 cm), framed.
Condition: Tape hinged to backing glass, not examined out of
frame.

owner.
$800-1,200
788
789
789.
Henry Moore (British, 1898-1986)
Studies for Sculpture, 1950

Signed and dated “Moore 50” in ink l.r., identified on labels from
Marlborough Gallery, London, and M. Knoedler & Co., Inc.,
New York, affixed to the backing.
Charcoal, wax crayon, watercolor wash, ink, and gouache on
paper, sheet size 15 3/4 x 11 1/2 in. (40.0 x 29.2 cm), framed.
Condition: Tape hinged to backing mat along left edge, subtle
rippling.

Literature: Ann Garrould (ed.), Henry Moore Complete Drawings

1950-1976 Volume 4, London: Lund Humphries, 2003, pp. 22-
23, AG. 50.50, HMF no. 2611 (illus.).
Exhibitions: Marlborough Fine Art, London, September 1962

(cat. 52).
$30,000-50,000
790 791
790.
Nude in Green
Signed and inscribed “Keil New-York” l.r., titles along top tacking
edge.
Acrylic on cinema-motif silk jacquard fabric, 39 1/2 x 27 1/2 in.
(100.3 x 69.8 cm), unframed.
Condition: Minor surface grime, craquelure, lifting, abrasions.
$400-600
791.
Robert Beauchamp (American, 1923-1995)
Self-Portrait with Yellow Hair

Incised signature and date “Beauchamp 75” l.r.
Condition: Good.

$2,000-3,000
792.
Untitled [Portrait]
Signed and inscribed “Keil New-York” l.l.
Acrylic on cinema-motif silk jacquard fabric, 39 1/2 x 27 1/2 in.
(100.3 x 69.85 cm), unframed.
Condition: Minor surface grime, craquelure, lifting, abrasions.
$500-700
793.
Pavel Tchelitchew (Russian/American, 1898-1957)
Tête de jeune homme

Signed and dated “P. Tchelitchew 31” l.l., titled and inscribed
“...P. Tchelitchew” on the stretcher, stamped
“DOUANES/PARIS/EXHIBITION” on the reverse.

owner.
N.B. We wish to thank Erik La Prade for his kind assistance with
cataloguing the lot.
$15,000-25,000
794.
Manfred Schwartz (American, 1909-1970)
Portrait of a Man with Fruit

Signed and dated “Manfred Schwartz 46” l.l.
Condition: Minor surface grime and canvas deformations.
$2,000-4,000
793
794
795
795. 797.
Howard Mandel (American, 1917-1999) María Jesús de Solà (Spanish, 20th Century)
Les Halles-Autrefois (Pied de Porc) Harlequin

Signed “HOWARD MANDEL” l.r., identified on stamps and Signed and dated “Mª Jesús de Sola IX-LIV” l.r.
labels on the reverse. Oil on canvas, 45 x 28 in. (114.3 x 58.4 cm), framed.
Acrylic on Masonite, 30 x 36 in. (76.2 x 91.4 cm), framed. Condition: Minor surface grime.
Condition: Minor flaking, minor surface grime. $700-900
Exhibitions: Audubon Artists 54th Annual, 1996.

$1,800-2,200
796.
Felix (Varlamishvili) Varla (Georgian/French, 1903-1986)
Les Pecheurs
Signed “Varla” l.l., identified on a partial label from Monede
Gallery, New York, affixed to the reverse.
Condition: Minor surface grime, craquelure, minor losses.
$400-600
796 797
798.
Andre Derain (French, 1880-1954)
The Juggler
Signed “a derain” l.r.
Gouache and graphite on paper, sheet size 8 1/8 x 5 1/8 in.
(20.6 x 13.0 cm), framed.
Condition: Toning, acid burn from tape verso on all four
corners, not examined out of frame.

Essex, Connecticut.


Ambroise Vollard, published by Éditions Albin Michel in 1937,
$2,000-4,000
798
799.
Japanese School, 20th Century
Lot of Two Works: A Mask Engraver and A Bird 800.

Signed “Fujiyama” l.r. and u.r., respectively. Howard Mandel (American, 1917-1999)
Ink and watercolor on mulberry paper, sheet sizes to 15 1/2 x 10
1/2 in. (39.4 x 26.7 cm), unframed. Pure and Simple, 1991
Condition: Glued along right margin to backing cardstock, Signed “HOWARD MANDEL” l.r., identified on stamps and
subtle rippling to sheet. labels on the reverse.
$300-500 Acrylic and graphite on Masonite, 30 x 36 in. (76.2 x 91.4 cm),
framed.
Exhibitions: National Society of Painters in Casein and Acrylic

39th Annual Exhibition, 1992.
$1,800-2,200
799 800
803
801
803A
802
801. 803.
Doris Klein (American, b. 1918) American School, 20th Century
Portrait of a Female Nude The Sunbathers

Signed “Doris Klein” in pen l.r., a partial label from Revel Gallery, Signed “...Kamps” l.r.
New York, on the reverse. Oil on canvas, 28 x 36 in. (71.1 x 91.4 cm), framed.
Oil on canvas, 48 x 37 3/4 in. (121.9 x 95.9 cm), framed. Condition: Surface grime.
Condition: Patch reinforcement, small tear in the u.l. quadrant, $400-600
minor surface grime.
$800-1,200
803A.
802. Cavit Atmaca (Turkish, b. 1933)
Akira Tanaka (Japanese, 1918-1982)
Three Figural Scenes
Four Figures Two signed and dated “C.ATMACA 64” l.r. or l.l., one signed
Signed “Akira · Tanaka” l.l. “C. ATMACA” u.l.
Oil on canvas, 39 1/2 x 29 in. (100.3 x 73.7 cm), framed. Gouache and ink on paper/board, approximate sight sizes to 3
Condition: Good. 3/4 x 6 3/4 in. (9.5 x 17.2 cm), framed.
$2,500-3,500 Condition: Toning, not examined out of frames.
$500-700
804.
Xavier Bueno (Italian, 1915-1979)
Portrait of a Young Girl

Signed “Xavier Bueno” u.l., canvas stamp from Fratelli
Rigacci, Florence, on the reverse.
framed.
Condition: Good.
N.B. A copy of Xavier Bueno by Salvatore Quasimodo, and

Xavier Bueno exhibition pamphlets including Galleria
Santacroce, Florence, and Sagittarius Gallery, New York,
accompany the lot.
$10,000-15,000
805.
J. Sultan Ali (Indian, 1920-1990)
The First Sin

Signed and dated “...SULTAN ALI ‘65” l.l., titled, inscribed,
and identified on a label from Lalit Kala Akademi, New
Delhi, on the reverse.
Oil on canvas, 31 3/4 x 54 1/4 in. (81.0 x 137.0 cm),
framed.
Condition: Surface grime, mildew, craquelure.
Provenance: Purchased from the artist c. 1965; gift to the

present owner.
Exhibitions: Lalit Kala Akademi, National Exhibition of Art,

1965.
804
N.B. J. Sultan Ali was born in Mumbai and studied painting
at the venerable Government School of Arts and Crafts, now
called the Government College of Fine Arts, in the South
Indian city of Chennai. He exhibited in a number of
national and international art exhibitions, including shows at
the Lalit Kala Academy, Venice Biennale, São Paulo Biennial,
and India Triennale New Delhi.
$5,000-7,000
805
806
807
806. 807.
Harold C. Wolcott (American, 1898-1977) Hazel Burnham Slaughter (American, 1888-1979)
Still Life with Fruit and Pitcher Abstract Composition

Signed or inscribed “H.C. WOLCOTT” l.r., inscribed “...H.C. Signed and dated “HAZEL SLAUGHTER 1944-” l.l., inscribed
WOLCOTT/ SOUTHPORT/CONN. -06490-” on the reverse. “HAZEL BURNHAM SLAUGHTER...” in a later hand on the
Oil on canvasboard, 16 x 20 in. (40.6 x 50.8 cm), framed. reverse.
Condition: Good. Oil on canvas mounted to panel, 26 x 19 1/2 in. (66.0 x 49.5
cm), framed.
Provenance: Through the estate of Harold C. Wolcott, Westport, Condition: Surface grime, craquelure.
Connecticut, 1980. $2,000-2,500
$600-800
808.
Josef Scharl (German/American, 1896-1954)
Still Life with Apples

Signed and dated “Jos. Scharl 1943” l.r.
Condition: Craquelure, cupping, scattered losses/abrasions.
$300-500
808
809 810
809. 810.
Antonio Dattorro (American, 1918-2001) Florence Henri (Swiss, 1893-1982)
Fire and Ice Abstract Composition

Signed “Dattorro” l.l., titled on a label affixed to the stretcher, Signed “Florence Henri” l.r.
artist identified on information affixed to the reverse. Gouache on paper, sight size 10 1/8 x 7 3/4 in. (25.7 x 19.7
Oil on canvas, 20 x 14 in. (50.8 x 35.6 cm), framed. cm), framed.
Condition: Pigment fluorescence, scattered losses, craquelure, Condition: Not examined out of frame.
surface grime. $600-800
$300-500
811.
Billy Al Bengston (American, b. 1934)
Untitled, 1979
Identified on labels from Tobey C. Moss Gallery, Los Angeles,
and Thomas Segal Gallery, Boston, on the reverse.
Collage with watercolor on handmade paper, circular format, 14
in. diameter (35.6 cm), framed.
$400-600
811
812
813
812. 813.
Budd Hopkins (American, b. 1931) Tim Rollins + K.O.S. (American, b. 1955)
Black Abstract Study for Amerika, 1988

Signed and dated “Hopkins 65” l.r. Identified on a label from Barbara Krakow Gallery, Boston, on the
Ink on paper, sheet size 9 3/4 x 12 1/2 in. (24.8 x 31.8 cm), reverse.
framed. Watercolor and graphite on typeset sheet, sheet size 7 7/8 x 5
Condition: Not examined out of frame. 1/8 in. (20.0 x 13.0 cm), framed.
$200-300 Condition: Not examined out of frame.
$400-600
814.
John G.F. Von Wicht (American, 1888-1970)
Abstract Composition
Signed “V. Wicht” in pencil l.r.
Oil and mixed media on paper, sight size 16 1/2 x 21 in. (41.9 x
53.3 cm), framed.
Condition: Losses, subtle creases to u.r., not examined out of
frame.
$800-1,200
814
815
815. 816.
Gianni Frassati (Italian, b. 1924) Lucy Stelle Brown L’Engle (American, 1889-1978)
Le Maitre Coordonnateur Collage I

Signed and dated “GIANNI FRASSATI 1960” l.r., also signed Signed and inscribed “Lucy L’Engle/Truro...” on the cardboard
and titled “GIANNI FRASSATI...” on the reverse. backing.
Oil on canvas, 13 1/4 x 16 1/4 in. (33.7 x 41.3 cm), framed. Mixed media collage on paper, sight size 15 x 25 in. (38.1 x 63.5
Condition: Subtle varnish inconsistencies. cm), framed.
$1,500-2,500 Condition: Not examined out of frame.
Provenance: Through the estate of William and Lucy L’Engle,

Massachusetts.
$800-1,200
816
817.
Virginia Berresford (American, 1902-1995)
Fire in the Jungle

Unsigned.
Ink, watercolor, and gouache on paper, 15 1/2 x 11 1/4 in.
(39.4 x 28.6 cm), framed.
Condition: Subtle toning, pale fox marks visible on the reverse.
Provenance: Through the artist.

$250-300
818.
Donald Hugo Stoltenberg (American, b. 1927)
Healing Boats
Signed and dated “Stoltenberg ‘66” l.l., identified on a label from
Kanegis Gallery, Boston, affixed to the reverse.
Mixed media with gouache on paper/board, sight size 12 1/2 x
9 3/4 in. (31.8 x 24.8 cm), framed.
$300-500
819.
William Johnson L’Engle (American, 1884-1957)
817 Weather Map
Signed and dated “7.5.50/L’ENGLE” l.r.
Gouache, ink, watercolor, and graphite, sight size 18 x 24 1/4 in.
Condition: Not examined out of wrap.
Provenance: Through the estate of William and Lucy L’Engle,

Massachusetts.
$400-600
819
818
820
820.
Leonardo M. Nierman (American, b. 1932)
Untitled [Caverns]
Signed and dated “nierman 67” l.r.
Oil on Masonite, 23 1/2 x 30 5/8 in. (59.7 x 77.8 cm), framed.
Condition: Nails through composition to corners, minor
abrasions along edges.
$2,000-2,500
821.
Leonardo M. Nierman (American, b. 1932)
821 Untitled
Signed and dated “nierman 68” l.l.
Oil on Masonite, 15 3/4 x 23 5/8 in. (40.0 x 60.0 cm), framed.
Condition: Subtle surface abrasions in the u.l. quadrant, minor
surface grime.
$1,500-2,500
822.
Masatoyo Kishi (Japanese/American, b. 1924)
Opus No. 151

Signed, titled, dated, and inscribed “...September 5, 1960/
Kishi...” on the reverse.
$300-500
822
823.
Reba Stewart (American, 1930-1971)
Riverscape
Signed “Reba Stewart” on the stretcher.
Condition: Mild varnish inconsistencies.
Provenance: Through the collection of Genevieve McMillan to

a private New England collection.
N.B. Characterized by her peers and mentors as

“independent,” “a very vivacious person, with a strong sense of
humor,” and having “an intuitive genius in creating beauty…”
Reba Stewart had an energetic artistic output until her tragic
death by malaria at the age of 41.1
At the age of 18, Stewart moved on her own to Boston, where

she attended the New England School of Art and Design in the
evenings. The following year she enrolled full-time at the
School of the Museum of Fine Arts, attending from 1949 to
1955. It was while she was a student at the Museum School
that she met Genevieve McMillan, then the wife of TAC
architect Robert S. McMillan, who would become her lifelong
friend and patron.2 Upon receiving her diploma, Stewart
received a scholarship to study printmaking in Japan for a year.
She received critical acclaim for her Japanese-inspired prints,
which were exhibited at the Swetzoff Gallery and the De
Cordova Museum. She received her B.F.A. and M.F.A. from
Yale University, and held teaching positions at the Museum
School and Maryland Institute College of Art until her passing
in 1971.
1. Pierce, Sally, “Notes on Reba Stewart,” Reba Stewart: A Legacy,

823 Massachusetts College of Art, October 9 to November 20, 2006 (exh. cat.), pp.
8-12.
2. Ibid., 2.
$800-1,200
824.
Ilya Bolotowsky (Russian/American, 1907-1981)
Golden Diamond
Unsigned, titled and dated “...1975” and identified on a label
from Andrew Crispo Gallery, Inc., New York, on the reverse.
Acrylic on canvas, 51 x 51 in. (129.5 x 129.5 cm), unframed.
$1,500-2,500
824
825
825. 826.
Jack Hamilton Bush (Canadian, 1909-1977) Jack Wolfe (American, 1924-2007)
Centre 3 Soft Boeing

Signed, inscribed, and dated “...Jack Bush-Toronto... Jan 1/68” Signed and dated “J. Wolfe ‘64” l.r., also signed, titled, and
in pencil on the reverse, identified on labels from Harcus-Krakow inscribed “Jack Wolfe STOUGHTON MASS USA...” on the
Gallery, Boston, and Janie C. Lee Gallery, Dallas, with a stamp stretchers.
from Andre Emmerich Gallery, New York, on the stretchers. Oil on canvas, 34 x 50 in. (86.4 x 127 cm), framed.
Acrylic polymer on canvas, 31 1/4 x 26 1/2 in. (79.4 x 67.3 Condition: Surface grime.
cm), framed. $600-800
$7,000-9,000
826
827
828
827. 828.
Doug Anderson (American, b. 1954) Erle Loran (American, 1905-1999)
Too Smart The Inner Door

Signed, titled, and dated “DOUG ANDERSON/ 1985...” on the Signed and dated “Loran ‘63” l.r., titled, inscribed and signed
reverse. “...Erle Loran” on the strainer, identified on labels from the San
Oil on canvas, 30 x 46 in. (76.2 x 116.8 cm), unframed. Francisco Museum of Art Rental Gallery and The Arleigh Gallery,
Condition: Surface grime. San Francisco, affixed to the reverse.
$600-800 Oil and acrylic on Arches paper mounted to Masonite, 29 x 22
7/8 in. (73.7 x 58.1 cm), framed.
Condition: Mounting bubble in the u.l. quadrant.
$1,200-1,800
829.
John McNamara (American, b. 1950)
Untitled
Signed and dated “John McNamara 81” on the reverse.
Oil on canvas, 50 x 50 in. (127 x 127 cm), framed.
N.B. A native of Boston, John McNamara is presently a professor

of Art Practice at the University of California, Berkeley. He
received his B.F.A. in Painting in 1971 and his M.F.A. in Painting
in 1977 from the Massachusetts College of Art, and his works are
in university museum collections on the East and West coasts.
$500-700
829
831
830
830.
Carl Liner (Swiss, 1914-1997)
#3
Signed and dated “Liner 70” l.r., identified on a label from Smith
College Museum of Art, Northampton, Massachusetts, affixed to
the reverse.
N.B. Sold for the benefit of the collections of the Smith College
Museum of Art.
$500-700
831.
Pierre Clerk (Canadian, b. 1928)
Painting. July 1955

Unsigned, identified on a label from Margaret Brown Gallery,
Boston, on the reverse.
$600-800
832.
Edward Avedisian (American, b. 1936)
Untitled (Abstract), 1969

Signed and inscribed “Avedisian/Bless its pointed little head” l.c.,
identified on a label from Robert Elkon Gallery, New York, on
the reverse.
Acrylic on paper, sheet size 31 3/8 x 22 1/4 in. (79.7 x 56.5
cm), framed.
Provenance: Through the estate of William S. Paley.

832 $800-1,200
833
833. 834.
Marcella Rodange Comès (American, b. 1905) Georges Spiro (French, 1909-1994)
Still Life with Playing Cards and Giovanni Bellini’s Portrait Vue de la Ville de Cagnes-sur-Mer/A Surreal Landscape
of a Youth Signed “Spiro” l.l., inscribed “A Monsieur Rudolph Schein avec
Signed “Comès” l.r. toute mon amitié/Spiro...17.3.1956” on the reverse.
Oil on panel, 24 x 20 in. (61.0 x 50.8 cm), framed. Oil on canvas, 15 x 18 in. (38.1 x 45.7 cm), framed.
Condition: Craquelure, retouch, subtle varnish inconsistencies. Condition: Minor surface grime, minor retouch.
$600-800 $600-800
834
835
835.
Jules Kirschenbaum (American, 1930-2000)
Conjurer
Monogrammed and dated “19 K 55” l.r., identified on an
exhibition label (see below) and a label from Harry Salpeter
Gallery Inc., New York, affixed to the reverse.
Tempera on Masonite, 40 x 24 1/2 in. (101.5 x 62.2 cm),
framed.
Condition: Minor scattered flaking and losses.
$1,500-2,000
836 837
836.
Pierre Le Tan (French, b. 1950)
Interior View of a Bedroom

Initialed “L.-T.” l.r.
Watercolor and ink on paper, sight size 7 7/8 x 6 3/4 in. (20.0 x
17.2 cm), framed.
$800-1,200
837.
Gayle B. Tate (American, b. 1944)
Hindenburg Explodes, 1996/A Trompe L’oeil Still Life

Signed and dated “g.b.tate...” l.l., initialed within the
composition u.r., and identified on a presentation plaque, and on
a label from Spanierman Gallery, LLC, New York, on the reverse.
Condition: Good.
$800-1,200
838.
Richard Dennison Taylor (American, 1902-1970)
Lot of Two Editorial Cartoons: It’ll come to you after a few

more trips... and Portrait of an Art Student Copying a Master
Trips signed “R.TAYLOR” l.r., titled and inscribed “...Richard
Taylor” on a label affixed to the mat, gouache, ink, and graphite
on illustration board; Portrait signed “R.TAYLOR” l.l. and
signed “Richard Taylor” on the mat l.r., watercolor, ink, and
graphite on paper.
Sight sizes to 9 7/8 x 7 7/8 in. (25.1 x 20.0 cm), unframed.
Condition: Taped to beveled mats.
$500-700
839
840
839. 841.
Harry Aaron Kernoff (Irish, 1900-1974) Mary Good (American, b. 1931)
Darby and Joan, St. Stephen’s Gn Dublin Portrait of Pat, 1981

Signed “KERNOFF” l.l., titled and inscribed “...GO41771” on Unsigned, identified on labels affixed to the reverse.
the reverse, identified on a label from The Vincent Price Charcoal on paper, sheet size approximately 45 x 52 in. (114.3 x
Collection affixed to the backing. 132.1 cm), in a Plexiglas frame.
Oil on artist board, 6 1/16 x 7 15/16 in. (15.4 x 20.2 cm), Condition: Not examined out of frame, sheet is wrapped around
framed. foamcore along top and bottom edges.
Condition: Surface dust/grime, minor abrasions beneath frame
liner, very minor retouch. Provenance: From the collection of the Fuller Museum of Art,
Brockton, Massachusetts.
Provenance: Private New England collection. $400-600
N.B. Harry Kernoff, best known for his sympathetic scenes of

everyday life, was raised in Dublin from the age of fourteen and
remained there until his death. He attended the Metropolitan
School of Art in Dublin in the early 1920s, first taking night
classes and then studying full-time on scholarship. By 1926, he
began exhibiting at the Royal Hibernian Academy and nearly a
decade later, was elected an Academician.
The present work is a portrayal of a couple in St. Stephen’s

Green, a popular central park in Dublin. Kernoff makes their
devotion to each other apparent in such details as their
monogrammed bag, interlocking arms, and tightly-cropped
composition.
$3,000-5,000
840.
Agnes Weinrich (American, 1873-1946)
Tree by the River

Signed “A. Weinrich” in pencil l.r.
Pastel on paper, sheet size 13 7/8 x 9 7/8 in. (35.2 x 25.1 cm),
framed.
Condition: Minor tear in the margin l.r., not examined out of
frame.
$700-900
841
842
842. 843.
Robert R. Bliss (American, 1925-1981) Jon S. Legere (American, 1944-1996)
Sunset & Estuary Dory at Low Tide

Signed and dated “Bliss 65” l.l., titled and signed “...Bliss” on the Signed “Jon S. Legere” l.r.
reverse. Gouache on Masonite, sight size 17 1/2 x 23 in. (44.5 x 58.4
Oil on Masonite, 24 x 32 in. (61.0 x 81.3 cm), framed. cm), framed.
Condition: Surface grime. Condition: Minor surface grime.
$200-300 $400-600
843
844 846
844. 846.
Laura Anderson (American, b. 1943) William Ciccariello (American, b. 1954)
Porch Tribute Chair in Garden

Signed “L. ANDERSON” l.r., also signed and titled “L. Identified on a label from Obelisk Gallery, Boston, affixed to the
ANDERSON...” on the reverse. reverse.
Acrylic on canvas, 30 x 24 in. (76.2 x 61.0 cm), framed. Pastel on paper, sheet size 20 x 15 in. (50.8 x 38.1 cm), framed.
Condition: Good. Condition: Not examined out of frame.
$500-700
Provenance: From the collection of the Fuller Museum of Art,
Brockton, Massachusetts.
$200-300 END OF SALE
845.
Grant Collier (American, 20th/21st Century)
Trees in Griffith Park, Los Angeles, Joshua Tree National

Park, and Pasadena, California/A Triptych
Each signed “Grant Collier” in pen on the reverse.
Oil on canvas, 12 x 8 7/8 in. (30.5 x 22.5 cm), unframed.
Condition: Good.
$700-900
845
Glossary of Terms All items in this catalogue are described according to the following table of
terminology. Please note that all statements in this catalogue as to Authorship,
Period, and Origin, are qualified statements subject to the Conditions of Sale.
Authorship will be described in the following ways:
John Joseph Enneking. - In our judgment, the work is by the artist.
Attributed to John Joseph Enneking. - In our judgment, the work may be

ascribed to the artist on the basis of style, but leaves some question as to actual
authorship.
School of John Joseph Enneking. - In our judgment, a work of an unknown

follower executed in the style of the artist and contemporary in period.
Manner of John Joseph Enneking. - In our judgment, a work executed in
the style of the artist by an unknown hand and probably from a later period.
After John Joseph Enneking. - In our judgment, an intended copy of the

work of the artist.
American School, 19th Century. - In our judgment, the work of an

unknown hand that can only be identified as to period and culture.
Other terms:
Bears Signature. - In our judgment, the signature not of the artist. This term
is generally used separately, or together with a description of the work as
“attributed to,” “school of,” “manner of,” or “after” the artist.
Artist Index
Aarons, George Manuel ..........................................................754 Brown, Joseph Randolph ........................................................511
van den Abbeel, Jan ..................................................................1 Bruce, Edward Bright ............................................................609
Abel-Truchet, Louis ..................................................................2 Bryant, Everett Lloyd ............................................................508
Adams, Clinton ..........................................................................3 Bryant, Henry Charles ............................................................352
Adrion, Lucien ......................................................................598 Bryant, Maude Drein..............................................................682
Albright, Ivan Le Lorraine ..........................................................4 Buckley, John Michael ............................................................548
Ali (Cann-Clift, Alison) ..........................................................5, 6 Bueno, Xavier ........................................................................804
Ali, J. Sultan ..........................................................................805 Buffet, Bernard ..................................................................30, 31
American School, 19th Century ..........373, 395, 397, 422A, 432 Bugzester, Maxim ................................................................588A
American School, 20th Century ......10, 503, 606, 615, 643, 666 Buhler, Augustus W. ..............................................................387
..............................................................696, 715, 721, 766, 803 Buhot, Félix Hilaire ..................................................................32
Anderson, Doug ....................................................................827 Burt, Marie (Bruner) Haines ..................................629, 635, 637
Anderson, Laura ....................................................................844 Busa, Peter ............................................................................784
Angel, Rifka............................................................................733 Bush, Jack Hamilton ..............................................................825
Anuszkiewicz, Richard ............................................................7, 8
Arms, John Taylor ......................................................................9 Calder, Alexander ..............................................................33-36
Arnoux, Guy ..........................................................................724 Callahan, Mary ......................................................................627
Ashburner, William F. ............................................................327 Callot, Jacques ........................................................................37
Atmaca, Cavit ......................................................................803A Candee, George E. ................................................................403
Aubel, Karl Christian (Attributed to) ......................................348 Cann-Clift, Alison, called Ali ..................................................5, 6
Augusta, George ....................................................................703 Carpenter, Bernard V. ............................................................574
Avedisian, Edward ..................................................................832 Carrier-Belleuse, Albert Ernest ..............................................310
Carrière, Eugène ......................................................................38
Bach, Florence Julia ................................................................657 Carroll, John Wesley ..............................................................722
Bacon, Alice Marion Sutton ....................................................628 Carson, Frank ........................................................................611
Bacon, Robert S. ....................................................................554 Cascella, Michele ..................................................................614
Baker, Helen ............................................................................10 Cazin, Jean Charles ................................................................332
Balinese School, 19th/20th Century ......................................759 Chagall, Marc ..................................................................39, 776
Bareford, David ......................................................................517 Chamberlain, Samuel V. ....................................................40-48
Barnet, Will ..............................................................................11 Champion, Joseph Victor Roux ..............................................179
Baske, Yamada ........................................................................695 Champney, Benjamin ......................................................392, 394
Baskin, Leonard ..................................................................12-15 Chase, Frank Swift ..................................................................510
Beal, Gifford ..........................................................................704 Chichester, Cecil ....................................................................473
Bearden, Romare ......................................................................16 Choumoff, Pierre....................................................................212
Beardsley, Aubrey ..................................................................685 Ciccariello, William ................................................................846
Beauchamp, Robert ................................................................791 Cipriani, Nazzarreno ..............................................................338
Beckaert, Piet ............................................................................1 Cirino, Antonio......................472, 484, 487, 488, 538, 541, 550
Bell, Cecil Crosley ....................................................17, 547, 752 de Clercq, Hugo ........................................................................1
Bemelmans, Ludwig ......................................................725, 727 Clerk, Pierre ..........................................................................831
Bengston, Billy Al ..................................................................811 Coleman, Henry Enrico..........................................................333
Benson, Frank Weston ................................................18-20, 445 Collier, Grant ........................................................................845
Benton, Thomas Hart ........................................................21-25 Collins, Charles ......................................................................324
Berges, Joseph Paul Louis ......................................................589 Comès, Marcella Rodange ....................................................833
Berman, Eugene G. ........................................................786, 788 Conti, Gino Emilio Cesara ....................................................683
Bernard, Emile........................................................................688 Continental School, 17th Century Style..................................305
Berneker, Louis Frederick ......................................................684 Continental School, 19th Century................................327B, 328
Berresford, Virginia ................................................................817 Continental School, 20th Century ....................................49, 602
Berry, Carol Thayer ..................................................................26 Copeland, Charles George ......................................................386
Berthelomier, Charles ............................................................212 Corey, Bernard ......................................................474, 516, 542
Bettelheim, Jolan Gross ............................................................27 Cornoyer, Paul ..............................................................622, 623
Bhavsar, Natvar ..................................................................28, 29 Cortier, Amédée ........................................................................1
Bischoff, Eugene Henry..........................................................515 Costigan, John Edward ............................................................50
Bischoff, Franz Arthur ............................................................544 Coughlin, Jack Davis ..............................................................51
Bishop, Isabel ........................................................................711 Covarrubias, Miguel ......................................................758, 764
Bixbee, William Johnson ........................................................509 Cowdery, Eva Dora ..............................................................676
Blenner, Carle John ................................................................681 Craig, Thomas Bigelow ..........................................................417
Bliss, Robert R. ......................................................................842 Cropsey, Jasper Francis ..........................................................401
Bodwell, William P. ................................................................665 Currie, William ......................................................................366
Bolotowsky, Ilya......................................................................824 Currier, Joseph Frank ..........................................................413A
Bonnar, James King ................................................................576 Curry, John Steuart ................................................................52
Bonnat, Léon Joseph Florentin ..............................................355 Custis, Eleanor Parke ..............................................................593
Boronda, Lester David....................................................617, 618 Cuthbert, Virginia ..................................................................507
Boston, Joseph Henry ............................................................591 Cutler, Carl Gordon ........................................................520-525
Bourdon, Charles....................................................................465
Bowman, Charlot ..................................................................744 Dalí, Salvador ..............................................................52A, 52B
Bredin, Christine S. ................................................................668 Dallin, Cyrus Edwin ..............................................................436
Breinin, Raymond ..................................................................730 Dalziel, Herbert ....................................................................343
British/Dutch School, 19th Century ......................................368 Daplyn, Alfred James ............................................................612
Dattorro, Antonio ................................................................809 Goodwin, Arthur Clifton ..............................................624, 705
Davies, Arthur Bowen ..................................................498, 594 Goodwin, Helen M. ..............................................................500
Dawes, Dexter B. ..........................................................533, 536 Goodwin, Richard LaBarre ....................................................537
Day, Maurice ........................................................................726 Gorbunov, Boris Ivanovich ....................................................494
De Cachard, Regis de Bouvier ..............................................782 Graves, Abbott Fuller ............................................................505
De Chirico, Giorgio ..............................................................771 Gray, Jack Lorimer ........................................................378, 621
De Colle, Gino ......................................................................455 Greenaway, Kate ....................................................................675
De Longpre, Paul ..................................................................345 Griggs, Samuel W. ..................................................................396
De Martelly, John Stockton ..................................................125 Grosz, George Ehrenfried ............................................71, 694A
Dean, Walter Lofthouse ................................................379, 381 Gruppé, Emile Albert ....................................................546, 552
Degas, After Edgar ..................................................................53 de Grÿef, Adriaen ..................................................................307
Dehn, Adolf Arthur ................................................................54
Delvaux, Paul ........................................................................773 Haas, Richard ..........................................................................72
Dennis, Morgan ................................................................55-57 Haberle, John ........................................................................429
Derain, Andre ........................................................................798 Haden, Sir Francis Seymour ..............................................73, 74
Walt Disney Studios ................................................................728 Hale, Ellen Day ..............................................................75, 497
Doré, Gustave (Attributed to) ................................................316 Hall, George Henry ............................................................423A
Drew, Clement ......................................................................375 Hammond, Arthur J. (Attributed to) ......................................450
Drewes, Werner ......................................................................58 Haquette, Georges Jean Marie ..............................................367
Driscole, H.A. ......................................................................438 Haring, Keith ........................................................................202
Drury, William Holland ........................................................555 Harris, Charles Gordon ........................................................478
Dubuffet, Jean ........................................................................59 Hart, William M. ..................................................................415
Dufy, Raoul ..........................................................................779 Hartman, Bertram ................................................................732
Dutch School, 20th Century ....................................323A, 323C Harvey, George ....................................................................359
Hassam, Frederick Childe ........................................................76
Earle, Lawrence Carmichael (Attributed to)............................334 Hatfield, Audrey May ............................................................761
Eastman, Seth (Attributed to) ................................................433 Hathaway, George M. ....................................................371, 382
Eaton, Charles Harry ............................................................389 Hawley, Hughson (Attributed to) ..........................................462
Eaton, Charles Warren ..........................................................518 Hay, Charlotte ......................................................................309
Edgerton, Harold Eugene ..............................................213-216 Hayter, Stanley William ..........................................................77
Emerson, Charles Chase ........................................................568 Henle, Fritz ..........................................................................217
L’Engle, Lucy Stelle Brown ..................................................816 Henri, Florence ............................................................770, 810
L’Engle, William Johnson ......................................................819 Henri, Robert ................................................................601, 690
Enneking, Joseph Eliot ..........................................................480 Herring, Jr., John Frederick (Attributed to) ........................350A
Erté (de Tirtoff, Romain) ....................................................60-64 Herter, Albert ........................................................................463
d’Espagnat, Georges (Attributed to) ......................................700 Hill, Edward ..........................................................................390
Hill, Thomas ........................................................................391
Ferguson, Elizabeth Foote ..................................................418A Hodgdon, Sylvester Phelps ....................................................399
Ferry, Isabelle H. ..................................................................501 Hodgin, Marston Dean ........................................................633
Fiene, Ernest ........................................................................723 Hoftrup, Julius Lars ..............................................................578
Finck, Hazel (Mrs. William C.) ..............................................625 Hohlwein, Ludwig ..................................................................78
Fink, Aaron ............................................................................65 de Hondecoeter, Melchior (Manner of) ..................................304
Fiorentino, Pier Francesco (After) ..........................................301 Hopkins, Budd ......................................................................812
Fischer, Anton Otto ..............................................563, 564, 739 Hornby, Lester George ............................................................79
Flameng, François ..................................................................317 Horton, William Samuel ......................................................393A
Fortess, Karl Eugene ..............................................................632 Howard, Marion P. ................................................................567
Fransioli, Thomas Adrian ......................................................630 Hulbert, Katherine Allmond ..................................................679
Frantz, (Samuel) Marshall ..............................................736, 737 Hummel, Carl Maria Nicolaus ..............................................364
Frassati, Gianni ......................................................................815 Hunter, Clementine ..............................................................760
French/American School, 20th Century ................................709 Hussa, Theodore Frederick ....................................................527
Frost, George Albert ..............................................................413 Hutchens, Frank Townsend ..................................................479
Furlong, Charles Wellington ..................................................566 Hutty, Alfred Heber ................................................................80
Gainsborough, Thomas (School of)......................................330A Icart, Louis ........................................................................81-83

Galbraith-Cornell, Elisabeth Roberta “Betty” ......................496A Indiana, Robert ......................................................................84
Gardet, Georges ....................................................................315 Israels, Jozef (Attributed to) ..................................................326
Gardiner, Eliza Draper ......................................................66, 67 Italian School, 20th Century ..................................................672
Gardner, Derek George Montague ........................................376 Ives, Elsie Caron ....................................................................746
Garland, Henry ....................................................................350
Garsoian, Inna ......................................................................619 Jackson, Beatrice J. Humphreys ..........................................474A
Garston, Gerald Drexler ..........................................................68 Jacobi, Eli ................................................................................85
della Gatta, Saverio Xavier ......................................................340 Jacobi, Lotte ..........................................................................218
Gauermann, Friedrich ............................................................353 Japanese School, 20th Century ..............................................799
Gaugengigl, Ignaz Marcel ........................................................69 Jaques, Bertha Evelyn Clausen ................................................86
Genth, Lillian Mathilde ........................................................595 Jewell, Elizabeth Galbraith ....................................................526
Gilardelli, Aurora ..................................................................346 Johansen, Anders Daniel ........................................................477
Gill, Mariquita ......................................................................483 Johns, Jasper ......................................................................87, 88
Gisson, Andre ........................................................587, 599, 608 Johnson, Jr., Marshall ............................................................383
Gloeckner, Michiel ..................................................................70 Johnson, Lester F. ..................................................................89
Good, Mary ..........................................................................841 Johnston, John S. ..........................................................219-222
Jones, Amy ............................................................................677 Luce, Frederic ........................................................................678
Jones, Francis Coates ............................................................653 Lum, Bertha Boynton ....................................................116-120
Kaber, George Frederick ........................................652, 663, 664
Kahn, Wolf ..........................................................................513A MacAdam, Freda Churchwell ................................................502
Karp, Leon ............................................................................661 MacNeil, Hermon Atkins ......................................................667
Kaus, Max ..............................................................................90 Maghelli, R. ..........................................................................335
Keane, Margaret D. H. ..........................................................765 Maguet, Richard ................................................................704A
Keil, Peter Robert ........................................780, 785, 790, 792 Maillol, Aristide ............................................................121, 670
Kelly, John Melville ..................................................................91 Mandel, Howard ..........................................................795, 800
Kernoff, Harry Aaron ............................................................839 Mann, Harrington ................................................................640
Kihle, Harald ..........................................................................92 Marc, Fanny ..........................................................................644
King, Alice Price ....................................................................435 Marin, John ..........................................................................122
King, B.A. ............................................................................223 Marini, Marino ..............................................................123, 124
Kipniss, Robert ..................................................................93, 94 Mascart, Gustave ..................................................................323
Kirmse, Marguerite ............................................................95, 96 Matisse, Henri ........................................................126-128, 777
Kirschenbaum, Jules ..............................................................835 Maynard, Valerie ....................................................................129
Kishi, Masatoyo ....................................................................822 Mazzoni, Sebastiano (Manner of) ..........................................302
Klebe, Gene (Charles Eugene) ..............................................493 McCartan, Edward Francis ....................................................639
Klein, Doris ..........................................................................801 McDaniel, Henry ..................................................................565
Klitz, Anthony ......................................................................605 McManus, James Goodwin ....................................................486
Kloss, Gene (Alice Geneva Glasier) ....................................97, 98 McNamara, John ..................................................................829
Knapp, Charles R. ..................................................................694 Meadows, James Edwin ........................................................363
Knight, Adam ........................................................................358 Megargee, Edwin ..................................................................439
Knight, Harold ......................................................................745 Meissner, Leo John ................................................................130
Kodar, Oja ....................................................................775, 787 Menkes, Sigmund Joseph ......................................................707
Koekkoek, Marinus Adrianus (Attributed to) ..........................331 Meryon, Charles ..................................................................130A
Kolozsvary, Lajos ..................................................................313 Metcalf, Conger A. ................................692, 720, 729, 731, 734
Kolski, Gan ..............................................................................99 Metsu, Gabriel (After) ............................................................306
Korovin, Konstantin Alexeevitch ....................................600, 607 Millar, Addison Thomas ........................................................339
Krieghoff, Cornelius David (Attributed to) ............................437 Miller, Charles Henry ............................................................680
Kronberg, Louis ....................................................................701 Miller, Ralph Davison ............................................................471
Kupferman, Lawrence Edward ..............................................783 Mira, Alfred S. ......................................................................409
Kyle, Flaville G. ....................................................................626 Miró, Joan ............................................................................131
Mollison, Kay ........................................................................719
Lambinet, Emile Charles ........................................................357 Moore, Henry ......................................................132, 133, 789
Landelle, Charles Zacharie ....................................................464 Moore, Nelson Augustus ..............................................369, 411
Lansil, Walter F. ....................................................................458 Moran, Thomas Sidney ..........................................................134
Lapchine, Georgi Alexandrovich ............................................691 Morrell, Wayne Beam ............................................................585
Laux, August ........................................................................344 Morviller, Joseph ..................................................................400
Lavrova, Irina Igorevna ..........................................................748 Motherwell, Robert ......................................................135, 136
Lawson, Ernest ......................................................................519 Mouncey, William ..................................................................470
Le Tan, Pierre ........................................................................836 Mueller, Louis F. ..................................................................468
Lebrun, Rico ........................................................................747 Muller, Charles (Attributed to) ..............................................580
Legere, Jon S. ................................................................634, 843 Munthe, Gerhard Peter Franz Vilhelm ................................327A
Lehman, Irving G. ................................................................100 Murphy, Nelly Littlehale ........................................................610
Leighton, Clare Veronica Hope ......................................101-108 Mygatt, Robertson Kirtland ..................................................581
Leighton, Kathryn Woodman ..............................................452B
Leighton, Scott (Nicholas Winfield) ......................................414 Nast, Thomas ........................................................................423
Lennon, John ........................................................................109 Neill, Francis Isabel ..............................................................543
Lesrel, Adolphe Alexandre ....................................................312 Nevelson, Louise ..................................................................137
Lever, Hayley ................................................................532, 560 Newell, George Glenn ..........................................................485
Levi, Julian Edwin ................................................................753 Newman, Henry Roderick ....................................................461
Liberte, Jean ..........................................................................781 Nicholas, Thomas Andrew ....................................................495
Lichtenstein, Roy ..................................................................110 Nielssen, Clemence ................................................................347
Lie, Robert F. ........................................................................377 Nierman, Leonardo M. ..................................................820, 821
Lindenmuth, Tod ..................................................................111 Norton, William Edward ..............................................385, 422
Lindergreen, Harold F. ..........................................................714
Liner, Carl ............................................................................830 O’Hagan, John L. ................................................................448
Lithgow, David Cunningham ................................................482 O’Kelly, Aloysius C. ..............................................................336
Little, Philip ..................................................................112, 570 Oberteuffer, George ..............................................................575
Lloyd, Stuart William ............................................................362 Orozco, José Clemente ..........................................................138
van Lokhorst, Johan Nicolaas ................................................354
Lomasney, Ethel M. ..............................................................490 Paladino, Mimmo ..................................................................139
Longfellow, Ernest W. ..........................................................697 Pancoast, Morris Hall ............................................................534
Loop, Leota Williams ............................................................466 Pape, Eric L. (Frederic) ........................................499, 641, 642
Loran, Erle ............................................................................828 Parizeau, Philippe Louis ......................................................317A
Lord, Elyse Ashe ............................................................113-115 Park, Madeleine Fish ..............................................................646
Lorenz, Willi (Wilhelm) ........................................................451 Parke, Jessie Burns ................................................................638
Loud, Richard K. ................................................................375A Parsons, Phillip Brown ..........................................................443
Lovell, Katherine Adams ........................................................513 Patterson, Margaret Jordan ....................................140, 512, 613
Pausas y Coll, Francesco ........................................................337 Saint-Gaudens, Augustus ......................................................660
Pavlikevitch, J. ......................................................................459 Saito, Kiyoshi ........................................................................173
Paxton, William McGregor ....................................................421 Sample, Paul Starrett ............................................................530
Payne, George Forest ............................................................558 Santry, Daniel François ..........................................................393
Pchelnikov, Igor Vladimirovich ......................................588, 604 Sarnoff, Arthur ......................................................................540
Pearson, Marguerite Stuber ....................................................706 Savry, Hendrik ......................................................................365
Peirce, Waldo ........................................................................506 Scharl, Josef ..........................................................................808
Penfield, Edward ..................................................................141 Schikkinger, Frans ..........................................................319-322
Pennell, Joseph ..............................................................142-146 Schivert, Victor ......................................................................342
Pennington, Harper ....................................................422B, 647 Schmutzer, Ferdinand ............................................................174
Pfister, Jean Jacques ............................................................452A Scholder, Fritz ......................................................................175
Picasso, Pablo ................................................................147-153 Schrag, Karl ..........................................................................176
Plompen, Willy ..........................................................................1 Schwartz, Henry ....................................................................768
Pond, Dana Ripley ......................................500A, 645, 650, 673 Schwartz, Manfred ................................................................794
Pooke, Marion Louise ..........................................654, 656, 658 Scott, Charlotte Harrington ..................................................577
Pope, Alexander ....................................................................440 Scott, John White Allen ........................................................398
Porter, Edwin Forsythe ..........................................................406 Sears, Olga Itasca ..........................................................579, 616
Powers, Anne Lyman ............................................................453 de Segonzac, Andre Dunoyer ................................................686
Prinet, René-Xavier ................................................................702 Sekino, Junichiro ..........................................................177, 178
Prior, Scott ............................................................................154 Selinger, Emily Harris McGary ..............................................428
Procter, Ernest ......................................................................360 Sessions, James Milton ..........................................................549
Sheppard, Warren W. ............................................................388
Quartley, Arthur ....................................................................410 Sherman, Stowell B. ..............................................................492
Sherrin, Daniel ......................................................................356
Ramos, Mel ..................................................................155, 156 Signac, Paul ..........................................................................179
Ranger, Henry Ward ..............................................................402 Simon, Tavik Frantisek ..................................................180, 181
Ravier, François-Auguste ........................................................329 Siskind, Aaron ......................................................................224
Reasoner, Gladys Thayer (Attributed to) ................................446 Slaughter, Hazel Burnham ....................................................807
Reddie, MacIvor ............................................................528, 539 de Smet, Yves ............................................................................1
Redelius, Frank H. ................................................................713 Smith, Gary Ernest ........................................................631, 749
Redfield, Edward Willis ........................................................447 Smith, Joseph Lindon ............................................................671
Reed, Doel ............................................................................157 Smith, Michael A. ..................................................................225
Reinagle, Philipp (After) ........................................................183 Smith, Minna Walker ............................................................535
Reinhart, Benjamin Franklin ..................................................425 Soderberg, Yngve Edward ......................................................182
Remington, Frederic ..............................................................434 de Solà, María Jesús ..............................................................797
Resio, Raffaele ......................................................................341 Sommer, William ..........................................................718, 763
Reynard, Grant Tyson ............................................................698 Sorenson, Helen Lincoln ......................................................545
Reynolds, Sir Joshua (Manner of) ..........................................303 Soyer, Moses ..........................................................................743
Rice, Henry W. ......................................................................514 Spencer, John Clinton ..........................................................427
Rice, Jessica ..........................................................................710 Spiro, Georges ......................................................................834
Rich, James Rogers ................................................................404 Stad, Willem ................................................................318, 323B
Richards, William Trost ........................................................372 Stadler, Joseph Constantine ..................................................183
Richardson, Louis H. ............................................................481 Starn, Doug and Mike ..........................................................226
Riker, Harland A. ..................................................................556 Steele, Marian Williams ..........................................................496
Ripari, Virgilio ......................................................................456 Stella, Frank ..........................................................................184
Ripley, Aiden Lassell ......................................................444, 586 Stevens, William Lester ..........................................................489
Rivera, Diego ................................................................767, 772 Stewart, Reba ........................................................................823
Rizzi, James ..................................................................158-164 Stifter, Moritz ........................................................................311
Robinson, Jay Thurston ........................................................762 Stoltenberg, Donald Hugo ....................................................818
Robinson, Thomas Harris ......................................................418 Stone, Don ............................................................................557
Rodrigue, George............................................................755-757 Strain, Daniel J. ....................................................................380
Roig y Soler, Joan ..................................................................330 Strisik, Paul ............................................................................735
Rollins, Tim (and K.O.S.) ......................................................813 Sullivan, David ......................................................................185
Romanelli, Raffaello ..............................................................649 Summers, Carol ..............................................................186-191
Rosenkranz, Clarence Clark ..................................................583 Supplee, Sarah ................................................................740-742
Rosenquist, James ..................................................................165 Swan, Cuthbert Edmund ......................................................314
Ross, Christian Meyer ........................................................312A
Ross, Isabel (Belle) M. ..........................................................457 Tait, Arthur Fitzwilliam ........................................................420
Rosseau, Percival Leonard ......................................................441 Tanaka, Akira ........................................................................802
Roth, Ernest David ............................................469, 493A, 597 Tate, Gayle B. ........................................................................837
Rouault, Georges ..................................................166-171, 774 Taylor, Richard Dennison ......................................................838
Roussel, Ker-Xavier ................................................................687 Tchelitchew, Pavel ..................................................................793
Rouwette, Paul ......................................................................738 Teniers II, David (School of) ..................................................308
Rucker, Robert M. ................................................................636 Terelak, John C. ....................................................................467
Rush, Olive ............................................................................452 Thibault, Pierre ....................................................................603
Russ, Charles B. ....................................................................424 Thieme, Anthony ..........................................................504, 561
Russian School, 20th Century ........................582, 584, 590, 708 Thom, James Crawford ..........................................................407
Ruthven, John A. ..................................................................651 Thomas, Clara Fargo ............................................................620
Ryerson, Margery Austen ......................................................172 Thomas, Norman Millet ........................................................750
Thorne, Diana ........................................................................56
Thwaites, William H. ............................................................412
de Tirtoff, Romain, called Erté............................................60-64
Tolman, Robert ......................................................553, 669, 699
Tordoff, Frederick ................................................................374
de Toulouse-Lautrec, Henri ..................................192, 193, 689
Troyon, Constant (School of) ................................................351
Truesdell, Gaylord Sangston ..................................................419
Tuckerman, Stephen Salisbury ..............................................384
Turner, Charles Henry ..................................................325, 426
Turner, Ross Sterling ............................................................405
Varla, Felix (Varlamishvili) ......................................................796

Vasarely, Victor ..............................................................194, 195
Vicaji, Rustom ......................................................................361
Vickrey, Robert Remsen ..........................571-573, 596, 716, 717
de Vlaminck, Maurice ............................................................769
Volk, Douglas ........................................................................659
Von Wicht, John G.F. ............................................................814
Wagner, Jacob Dutweiler ....................................................567A

Walker, Henry A. (Hank) ......................................................751
Warhol, Andy ................................................................196-202
Warren, Harold Broadfield ....................................................531
Watson, Robert ....................................................................349
Webb, Patrick M. ..................................................................712
Wegman, William ..................................................................227
Weinrich, Agnes ....................................................................840
Welters, Willem ..................................................................605A
Wengenroth, Stow ..........................................................203-205
Wesson, Robert Shaw ............................................................475
Wheeler, Janet D. ..................................................................674
Whistler, James Abbott McNeill ....................................206-208
Whitaker, George William ..............................................408, 416
Whorf, John ..................................................442, 559, 562, 693
Williams, Annabelle E. ..........................................................476
Williams, Frederick B. ............................................................655
Winzenreid, Henry E. ............................................................209
Withrow, Evelyn Almond ......................................................431
Wolcott, Harold C. ................................................................806
Wolfe, Jack ............................................................................826
Wood, Grant ..........................................................................210
Woodbury, Charles Herbert ..................................................569
Woodcock, Hartwell Leon ....................................................370
Woodward, Mabel May ..................................................529, 551
Worcester, Albert ..................................................................592
Wuermer, Carl ......................................................................491
Wydeveld, Arnoud ................................................................430
Yaffee, Edith Widing ..............................................................662

Younger, Richard Evans ........................................................454
Youngerman, Jack ..................................................................211
Yvon, Adolphe ......................................................................648
Zhang, Xiang ........................................................................449

Ziller, Leopold ......................................................................460
Skinner, Inc. - Conditions of Sale
1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and
Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed
the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a
lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with
respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of
description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made
at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed
bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot
for sale.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner, Inc. may impose, and the
purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed by the purchaser within
three (3) business days after the date of sale. Skinner, Inc. shall have no liability for any damage to property left on its premises for more than
three (3) days after the date of sale. At the option of Skinner, Inc., the merchandise may be transferred to and stored at a bonded warehouse and
the purchaser agrees to pay all transfer and storage expenses. Skinner, Inc. may impose, and the purchaser agrees to pay, a monthly interest charge
of 1.5% of the purchase price of any lot or item not paid by the purchaser within thirty-five (35) days of the date of sale.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank
authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check
until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the
drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all
items for which it was the highest successful bidder, Skinner, Inc. may exercise all of its rights and remedies under the law including, without
limitation, (a) cancelling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b)
offering at public auction, without reserve, any lot or item for which the purchaser has failed to pay in full the purchase price, holding the
purchaser liable for any deficiency plus all costs of sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such
purchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the
United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that
include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of
licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute
cancellation or delay in payment for the total purchase price of these lots.
9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number.
Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other
qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of
Corporations and Taxation at 100 Cambridge Street in Boston.
10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus
10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on
property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15%
of the final bid over $200,000.
11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person,
through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or
reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The
copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this
catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our
prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or
choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in
connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any
federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or
hereafter have to the venue of any such suit.
320
Absentee Bid Form
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Address check if change in address
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I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as
a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that
my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.
Signature (Required) Date
Lot # Description Bid Price
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Skinner American &amp; European Paintings &amp; Prints Auction 2470

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SKINNER

American & European Paintings & Prints

Robin S. R. Starr Laura Conover Kathy Wong

American & European Paintings & Prints Department - 508.970.3206

Friday, September 11, 2009

Wednesday, September 9, 2009 12 to 5 p.m.

Illustrated catalogue #2470 available for $35 by mail, $42 overseas

COVER : 779; FRONTISPIECE : 789 ; BACK COVER : 767

Preview Online Absentee Bidding/Tracking Lots

1 Auction & Specialist Information

2 Web Site & Online Bidding

7 Prints & Photography - Lots 1-227

89 Paintings & Sculpture - Lots 301-846

314 Glossary of Terms

315 Artist Index

320 Conditions of Sale

321 Absentee Bid Form

322 Company Directors & Specialty Departments

323 Administrative Staff & Client Services

324 Map & Driving Directions

325 Parking & Accomodations

327 Catalogue Subscription Form

Copyright © Skinner, Inc. 2009

Thursday, September 10, 2009

5:30 p.m. Reception/6:00 p.m. Gallery Walk

Gallery Walk held in conjunction with a preview of Skinner’s

to be sold Friday, September 11th, 2009 at 12 noon

IT’S OUR COMMITMENT

5 Almeida Avenue, East Providence, R.I., USA

Jan van den Abbeel (Belgian, b. 1943), Piet Beckaert

Provenance: Property of the Fogg Art Museum, Harvard Art

La quadrille, 1890. Signed in the matrix. Color lithograph on

Interior, 1953, edition of 10. Signed and dated “Clinton Adams

Fleeting Time Thou Hast Left Me Old, 1945, edition of 250,

Provenance: Purchased at Pucker Gallery, Boston.

Provenance: Purchased at Pucker Gallery, Boston.

Rouen, 1925, edition of 150 (Fletcher, 162). Signed and dated

Helen Baker (American, 20th Century), Seahorse Parade, color

Man of Peace, 1952 (Fern & O’Sullivan, 180). Signed “Baskin”

Lot of Four Works: Two Blind Men, c. 1952/53 (Fern &

N.B. The lot is accompanied by the pamphlet Leonard Baskin: 14.

November Moon, 1931, published state, edition of 150 (Paff,

Nebraska Evening, alternatively titled Arkansas Evening, 1941,

Gateside Conversation, 1946, edition of 250, published by

Prayer Meeting, 1949, edition of 300 (Fath, 73). Signed

Hillside Farm - Maine (No. 2), 1960, edition of up to 100

Blue Accent, 1967, edition of 20. Numbered, dated, and signed

Untitled, 1967. Inscribed, dated, and signed “artist’s proof.

The Clown with the Green Background, 1960, edition of 175

Untitled (Stabile), edition of 90. Signed “Calder” in pencil l.r.,

Untitled (Yellow Spiral). Signed “Calder” in pencil l.r.,

Lot of Two Portraits: Méditation, 1893, published by Ed

Green Tree with Lovers, 1980, edition of 50 (Mourlot, 959).

Valley of the Var, second state (Chamberlain & Kingsland, 132).

Provenance: Through the family of the artist.

A Chateau Farm Near Siena, c. 1925 (Chamberlain &

Provenance: Through the family of the artist.

Lot of Two Impressions of The Fortress Carmona, c. 1925

Provenance: Through the family of the artist.

New England Hill Town, proof impression (Chamberlain &

Provenance: Through the family of the artist.

N.B. This work exists only as proofs; an edition was never

Summer Shadows, alternatively titled The King Hooper Mansion,

N.B. The view depicts a square in Marblehead, Massachusetts.

Skinner American & European Paintings & Prints Auction 2470

Skinner American & European Paintings & Prints Auction 2470