Professional Documents
Culture Documents
1589-1598
Rhythm
The bridge creates a strong sense of rhythm with the repetition of certain elements. These include the arches, the triangular-section abutments with pyramidal tops , the upturned triangular form on the bridge side above each abutment, and the small ornamentation on the bridge wall above each keystone.
Rhythm
Even small details, such as the drain opening coming out of the bridge side, and the small ornamentation on the bridge wall, both positioned exactly above the keystone of each arch, adds to the sense of rhythm.
Weight
The upturned triangular designs on the bridge sides above each abutment counter the general form of the bridge, and give it a much lighter feel. These elements also counter the straight lines found in most of the bridges design with their accentuated curved sides.
Place
The bridge fits well in its environment, using colours and styles which match the designs of the walls either side of the river. It also matches well with the floor however, it must be remembered that this bridge was designed to traverse a river and not a solid floor.
Extension
The bridge currently accommodates six lanes of traffic, which is far more than it would have done when it was designed. To achieve this, an extension of the bridge was required.
Extension
Under the arches, it can be seen that the colour and age of the material changes. This is where the original bridge ends, and the more recent extension begins. One faade of the bridge was removed and retained, and then replaced on the external face after the widening of the arches.
Extension
Here you can see the original faade of the bridge, which has been stuck onto the more modern extension of the arches, giving a mismatch of colour and texture in some parts of the design.
1604
Classical Form
The bridge has a classic gothic style. The arches are relatively wide
and shallow, and are raised high on triangular buttresses, designed to better break the water and reduce damage. The themes are simple and ornamentation is much reduced compared to the Puente del Real.
Rhythm
The bridge has a similar rhythm to the Puente del Real, but a much simpler one. It is emphasised by the arches, triangular buttresses, and repeated post elements in the balustrade.
Redevelopment
The only redevelopment carried out on the bridge in modern times is the addition of a surfaced, two-lane road. The balustrades have remained, however, and allow the bridge to retain its simple gothic rhythm.
1986-1989
PUENTE 9 DE OCTUBRE
New Materials
The use of new, much stronger materials like steel and concrete means that far less structural material is now required. The form of the bridge therefore appears much more lightweight.
Structural Form
The new lightweight structure means that forms are now more directly linked to the forces involved, and the structural scheme of the bridge is instantly more apparent. The design of the bridge seems very much linked to its purpose.
Rhythm
The rhythm created by the slender steel columns and triangular concrete buttresses harks back to that created by simple arches in the bridges of old. However, there are now many more of these elements, and their form is much smaller and less directly linked with the bridges form.
Arched Forms
Arches are used in the ribbing of the structure on the underside of the concrete deck. This alludes back to the designs of bridges in the past, but in this instance the arches are used for support along the width of the bridge and not lengthways along its span.
Rhythm
New materials and forms allow much more intricate forms and rhythms to be created by elements that previously had to be simple, such as a balustrade walls. These are now full of tiny steel forms, giving a much more complex and repetitive rhythm that was ever seen in bridges before.
Separated Spans
One final way in which this bridge varies so much from the design of old style bridges is the way in which the two spans are totally separated, allowing the formation of a new architectural space in the centre, which can be enjoyed from below.
1991-1995
Asymmetry
The bridge straight away forfeits the sense of symmetry found in almost all bridges, firstly by having only one main arch on one side, and secondly by leaning this arch quite substantially out of the vertical plane. This straight away provides a strong focal point.
Simple Elements
The focal point created by the arch is not distracted from greatly when passing over the top of the bridge, as the other elements used are all very simple, and the cream white colours used give a sense of union to these elements.
Riverbed Location
Unlike the contrast with the building behind, the bridge fits very well into its location in the riverbed. The riverbed area below the bridge was designed in the same project to fit with the bridge, with a smooth grey floor and angular concrete elements which work with and accentuate some of the features of the bridge above.
Holistic Design
The whole area underneath and around the bridge has been designed using the same colours, lines, and schemes. Even the metro station underneath the riverbed there, Alameda, has entrances that fit well with the design of the bridge. The windows down into the station in the floor of the Turia are also shaped to repeat and accentuate the styles of the bridge above.
Old-Style Features
Some elements of the bridge hark back to older bridges on the Turia. The triangular buttresses remind the viewer of those used in the much older Puente del Real and Puente de San Jos. Despite the fact that this triangular form is used to break up the water, no water was ever planned to flow beneath this bridge it is simply a small fusion of new with old.