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INDEX A
Mo s t Subtle Card Fo rc e 'jr.'-

Th e

Tr i p l e

My s t e r y

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Ca l l

It

Wh a t

You

L ik e

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Ge n u in e

B ill

and

C ig arette

My s t e r y

How To
Ro u t i ne

Be

Ma g i c i a n

It

Ta k e

It

Ag a i n

Poker

Pr e s t id ig it a t io n

Mis e r s

Dr e a m

w it h

Patter

Ma g i c i a n s

Ha n d y

Ac c e s s o r y

Th e r e

You

Ar e !

C opy righted

1935

The State Library cf Victoria A L M A C O N JU R IN G C O L L E C T IO N

A MOST SUBTLE CARD FORCE

Le w is C. Du f f .

Fo r AND AS ONE

f o r c e

that

r e q u ir e s

a b s o l u t e l y

no

s k il l

THAT

IS BY

SURE-FIRE Mr , DUFF.

HIGHLY

RECOMMEND

T HIS

ONE

OUTLINED

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c a r d

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the of pack

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of is

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12
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GENUINE B I L L AND CIGARETTE MYSTERY.

To m m y Tu c k e r ,

In
f e c t

t h is

method

of

p e r f o r m in g

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known

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-5-

POCKET ONE OF

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A IT

card

is

s e l e c t e d

s h u f f l e d

in t o

the

HELD

BY

PERFORMER POCKET. THE

AND

THE

OTHER

HALF

PLACED IS HERE SO

SPECTATOR S THAT BY

VOLUNTEER FIN GERS

ASSISTANT HE

RUBBING THAT W ILL DOES

TOGETHER IN THE I

W ILL ET NOT

SE N SIT IZE SELECTED THAT IT,

THEM CARD

UPON JUMP JUST

REACH ING INTO THAT H IS BUT

POCK W ILL HE

THE

HAND, AT

SWEAR

THE

CARD

LEAST

PRODUCES

Me t h o d : -

Af t e r

deck

is

s h u f f l e d

the

. performer

-7-

NOTES
the to pack any

THE .

SECOND Th i s
is

CARD
most

(SAY
e a s il y

THE

A.

OF
by

DIAMONDS)
f a n n in g the

FROM
pack

t o p show is

done

no

d u p l ic a t e to a

c a r d s

are

c o n t a in e d who is onto told the of

t h e r e in to

Th e
off

handed

s p e c t a t o r over

d e a l

number

(preferably
c a rd s and

t e n

t a b l e

Th i s
next and to r e

r e v e r s e s to the

the b o t t o m that the

b r in g s

the takes it

D iam onds
packet

Th e
fo r

p e r f o r m e r h is w h ic h

t h is is

e x p l a in s v e r if y v e r s e s top

p u r p o s e he d o e s

n e c e s s a r y once m ore

number

--t h i s CARD
is

THE .

PACKET

BRIN GIN G

THE

NOTED

2ND
by

FROM

T HE

a g a i n

THE REAL
TO
c o u n t in g

PURPOSE
AN
has of

OF

T H IS
to do

a pparen t

FREE
n e s s to

HANDLING , Th e ,

CREATE

IM PRESSION

OF

HAPHAZARD i t

n o t h in g

w it h are

except dealt

m i s l e a d

Th e

packet

counted

c a r d s

now

INTO CARD

TWO ON

HEAPS,

ONE OF

AT THE

TIME. SECOND

THIS

BRINGS

THE

NOTED

THE

BOTTOM

PACKET.

Th e OND, THAT

SPECTATOR ASKED IS TO

IS

ASKED THE AND

"WHICH BOTTOM HE IS

HEAP", CARD, ASKED

IF IF TO

THE THE

SEC FIRST THE

HE- I S ONE

NOTE AWAY

TAKEN OF THE

NOTE

BO TT OM, C A R D

REMAINING

PACKET,

Th e TOGETHER. LACKING WITH HIM A

CARDS Th e WAND HE THE THE CUT is

AFTER

THIS

FORCE,

ARE

NOW AND T AKE

a ll

SHUFFLED THAT CARDS ALLOWS THE PO THE TOP.

PERFORMER IT GAN IS

TAKES

THEM TO

REMARKS A FEW

NECESSARY THE

WHICH TO FAN OF ARE packet out,

IMBUE FACE

SAME

POWER. AND OF

THIS NOTE

CARDS

T OWARD

HIM

SITION CARDS T his back

SELECTED ABOVE placed card

CARD

( ? ) A . THE

DIAMONDS-CARD ON

LEAVING in the

FORCED

V olu nte e r m ight be

Asst,
if the

pocket from

The
are IN IT,

o the r fanned.

(w h ich

anywhere

10
THE AS

to

30
IS

The

perform er AS THE AN

asks

chosen MAKES KNOW HIS H IS

CARD

APPARENTLY BEL I EVE THAT CARD. THE THEN THE

AFTERTHOT,

THIS
NOT TO HAND

AUDIENCE YET, THE

PERFORMER IS

DOES

SPECTATOR QUICKLY CARD YOU

TOLD H IS

RUB IN

FINGERS POCKET TOP THE

TOGETHER AND TAKE

THRUST H IS GO THE

FIRST

FIN G ERS RIGHT

T O U C H - -THE HOME AND DO THE

CARD, TRICK

' ' NOW MY FOR

FRIEND,

CAN OF

THE

AMUSEMENT

FOLKS

SAYS

PERFORMER,

If CIAN HE

HE

DOES IN RUB

NOT

PRODUCE AND

THE

PROPER IT

CARD

THE

M A GI THAT IS

REACHES N OT

HIM SELF H I Si

PRODUCES PROPERLY.
-

CLAIM IN G

DID

FIN GERS
-

(T H IS

EFFECT

OLD, THRU ING (OR

BUT
THE THE

THE METHOD
PACK IS BAD IM PRESSION THE

I S NEW. Do
M A G Ic , IT IT IS THE NOT THAT.

not

THINK

THE

LOOKING ON USE THE KNOW LEAV HALF EX THE

RESTS

WHOLLY TO

NECESSARY PACK KNOW TO

WHATEVER

NUMBER)

OF

F IN IS H YOU

PERIMENT.

The

AUDIENCE

DOES

THAT

C A R D ................. REMEMBER

THAT. ROUTINE IT,

J ames

Ta y l o r

E f f e c t :BY DIFFERENT AND BY

Th e

p e r f o r m e r

has

t hree

c a r d s

s e l e c t e d

MEMBERS

OF INTO

THE THE

AUDIENCE. PACK. PACK THEN THE IS

THESE FIRST THEN

ARE CARD

RE IS TO THE

TURNED NAMED THE

SHUFFLED

THOUGHT

READ ING.

Th e

HANDED THAT

SECOND BE

SPECTATOR. TOSSED TO

PERFORMER HIM AND OF

REQUESTS THAT HE THE

CARDS THAT THE

STATES PACK. HE

W ILL

CATCH OF HAS

SELECTED CARDS THE DROP

CARD TO

OUT THE

THE

As

BALANCE HE

FLOOR

SHOWS IS

THAT THEN

CAUGHT OVER AND AND

SELECTED ON

'CARD.

A
IN

NEWSPAPER AFTER H IS

SPREAD

THE

CARDS A IT

THE

FLOOR.

BEING HE

BLINDFOLDED STOOPS IT THE UP DOWN THE

HAVING JABS

K N IFE

PLACED THE IS

HAND,

THROUGH CARD

PAPER.

On

LIFT IN G ON

THIRD OF THE

SELECTED KN IFE.

DISCLOSED,

IMPALED

POINT

Me t h o d
f e c t

and

r o u t in e

:-

It
ABLE TO AND

is

n e c e s s a r y

in

t h is

e f

THAT YOU

YOU

SHOULD BRING A

BE

TO THE TO

FORCE TOP

TWO OF

CARDS. WITH

ALSO THE

THAT

CAN

CARD PASS

PACK IT

ORDINARY GIVING THEN FROM

you

TWO-HANDED PACK OFF A

RETAIN THE

THERE

WHILE AND

THE AN

SHUFFLE. MANNER THE

FORCE HAVE

FIR ST

CARD

IN

HAND OF
card

THE

SECOND AND

CARD LAST

DRAWN CARD
a

ANY
f o r c e

PORTION . Each

PACK.
to

Th e
a

THIRD

g o in g

d if f e r e n t

sp e c t a t o r

LIT TLE TURNED PACK,

top in

DISTANCE AND Th e WITH

sec o n d p a s s

APART. A F EW
card

HAVE T H E
CUTS
is the

FIRST

FORCED MIX

CARD IT IN
to

RE THE
the

OR

SHUFFLE
and

r e p l a c e d t h ir d

brought c ard

v ia

the

Ha v e A

and

l a s t

p l a c e d

AND

BY

MEANS UP

OF BUT

FALSE

SHUFFLE THE

GIVE

THE

PACK ON TOP

THE AT

USUAL THE

M IXIN G

KEEPING

SECOND

CARD

F IN IS H ,

Af t e r YOU STATE

a p p a r e n t l y

h a v in g

t h oro u g h ly

m ix e d

the

c a r d s

TO

THE

FIR ST

SPECTATOR

THAT

YOU

W ILL

TRY

AND

-9-

OBTAIN CARE WANT AN H IS AND RED WILL T WO , It IS

THE

NA ME

OF

H IS YOU

CARD

MENTALLY. IN I

WI TH

LITTLE "I GE T

AND YOU

SHOWMANSHIP TO THINK FROM H IS OF

CONTINUE CARD AND

THIS W ILL

MANNER. TRY AND

YOUR

IM PRESSION HAND OVER

YOUR AS

THOUGHTS." THOUGH CLEAR HE

PERFORMER WERE

PASSES

EYES

CONCENTRATING CARD WA S Now A I

REMARKS, CARD, TRY YES AND

" ITS IT GET

GETTING WA S THE A

NOW, Is

YOUR

HEART. OF

THAT

RIGHT? ARE

NUMBER SIX, Am

SPOTS.

THERE NO,

ONE,

THREE, THE

FOUR, OF

FIV E,

SEVEN, I

E I G --- ,

SEVEN. YO U ,"

SEVEN

HEARTS.

CORRECT?

THANK

For THE PACK

THE IN

SECOND YOUR

CARD

YOU

PALM

THE

TOP

CARD TO

FROM SOME

RIGHT "I AND

HAND

AND LIKE

P A S S ' THE TO TO IN HAVE TOSS

PACK YOU THE

SPECTATOR SHUFFLE ME AND

SAYIN G , PACK

WOULD THEN

FIRST , PACK TO

THE I

SECONDLY RIGHT ABOUT ARE AT

W ILL THE AND,

T RY

TO

REACH STAND CARDS SLAP

AND

CATCH FROM

YOUR THE T HE

CARD

FROM

PA CK ." AS WITH CARDS THE THE A

FOUR

FEET

SPECTATOR HANDS THE

TOSSED, SAME

BRING

TOGETHER THE SHOW OF

THE TO

TIME

H ITTIN G

PACK. AND

W ILL

FALL

THE

FLOOR.

OPEN

THE

HANDS NOW
I F

SELECTED THE IN CARDS THIS UP,

CARD IN A

(PREVIOUSLY PILE WITH OF

PALMED). FOOT.

SORT THE

RAKE CARD, BE

YOUR

THIRD TO OF

CASE

THE IT

"TEN

DIAMONDS , MIX IT WITH WITH

A

HAPPENS THE THE REST

FACE

TURN THESE IS

OVER

AND ARE

THE
T h e

CARDS. PAPER

CARDS

COVERED

NEWSPAPER,
O F

PREPARED IS JUST

AS

FOLLOWS; TO THE

DU

PLICATE WITH A A

T HE

THIRD OF

CARD

FASTENED ENOUGH AND DOWN THE TO

PAPER Use IS AND

TINY SIZE

SPECK SHEET IT

GLUE.

HOLD THE

IT. CARD

GOOD

OF UP. OVER PLACE

NEWSPAPER
N o W

AFTER BY

ATTACHED, SPREAD IT ON THE THE AND

FOLD

KNEEL

THE

CARDS AND

PAPER PAPER.

THEM. THE

T A K E

KNIFE

PLACE OF THE

BLINDFOLD

ALONGSIDE

KNIFE

SAY

TO

THE

SPECTATORS.

1 HAVE MAKE AND IT

COVERED HARD

THE I

CARDS W ILL

WITH

NEWSPAPER M Y S E LF . DOWN THE OF A

AND Do

TO SO THE

DOUBLY

BLINDFOLD CAN SEE

ARRANGE OF

BLINDFOLD NOSE. KN IFE. SIX INCH THE IF I

SO

YOU

ALONG

SIDES YOU WITH TO

YOUR THE A

GROPE THIS

AROUND SH OULD
Y O U

OVER BE NOW

PAPER DAGGER "I BY CARD AM

UNTIL TYPE GOING

FIN D

ABOUT

BLADE. THIRD AM

SAY, CARD THE

N O W

T R Y . AND THE ON

LOCATE PAPER. THE

SELECTED

STABBING W ILL BE

THROUGH IMPALED TATOR

SUCCESSFUL K N IF E . W ILL

POINT THE

OF

THE

ASK

THE

SPEC ONE TO

TO

NA ME

CARD.
-

THIS

ALLOW

EVERY

10-

RECOGNIZE BY HAVING

THE TO A

CARD ASK

AND

YOU

W ILL

NOT TO

SPO IL ID EN T IFY THE

THE

CLIM AX CARD BY

THE

SPECTATOR SHOWMANSHIP

THE

LATER.

PUT

LIT TLE AS THE

INTO TO

STABBING THE TO

SEARCHING NOW JAB

AROUND

THOUGH PAPER.

TRYING

LOCATE SPOT

CARD. JAB IS

THROUGH BY YOU TURN A IR A

THE
OR CARD.

EXACT

ID EN T IFIED NOTED THE WHEN

PARAGRAPH ATTACH IT UP THE BY A

ADVERTISEMENT AFTER YOU

PREVIOUSLY STAB THROUGH THE TO PA

PAPER,

SW EEPING FORCE ON THE

GESTURE THE PAPER

WITH DO WN

K N IFE, THE PER ONTO

The
THEN

PRESSURE THE

W ILL CARD

HANDLE IS

LEAVING TORN OF

EXTREME THE

PO IN T. CARD

FROM THE

THE

KN IFE

SHOWING

STUCK

THE

BLADE

KN IFE.

TAKE IT AGAIN
Le s t e r
Ef f e c t ; THE A

Wa t t s

deck

of

c a r d s

is

t h oro u g h ly

s h u f f l e d

by

PERFORMER HAS THE

AND NOTED

FANNED H IS

FOR

SELECTION. IT IS

AFTER TO

THE THE THE

SPECTATOR DECK DECK THEN CARDS OF THE WHILE

CARD, IS

RETURNED

PERFORMER TO

SHUFFLING. TO BE CUT.

IMMEDIATELY THE

IS-OFFERED GIVES THE

SPECTATOR A CUTS

PERFORMER THE HALF TOP

DECK He

DOVETAIL THE DECK,

SHUFFLE

M IXIN G ONE THE CARD.

THOROUGHLY. CARDS AND, LO TO

OFFERING TAKES

THE

SPECTATOR, IT

SPECTATOR IS THE

CARD,

AND

BEHOLD!.

SELECTED

Se c r e t :
er

One
THE

narrow

c a r d

is

r e q u i r e d

Th e THE

p e r f o r m

SHUFFLES ON

DECK

THOROUGHLY, THEN Th e THE

K EEPING

NARROW THE IS RE THE

CARD

THEBOTT OM , TO

AND

FANS,

REQUESTING THE CARD IS

SPECTATOR FREELY Q U IRED, CARD IS

SELECT A -

CARD. IN

C H O IC E OF DECK. NOT

GIVEN SINCE - NOR

ANY CARD

No

FORCE

THE CARES.

PERFORMER

DOES

KNOW

WH A T

Wh i l e
form er

the

sp e c t a t o r

is

n o t in g

the

c a r d

the

p e r

COMMENCES TOP THE OF LEFT

THE THE

H lN D U DECK

SHUFFLE, IN

LETTING HAND

CARDS ONTO TO IS

DROP THE IN RE

FROM PALM SERT

THE OF H IS TO

HELD

RIGHT THE

HAND,

He
HE

TELLS W ISHES.

SPECTATOR THE CARD

CARD THE

WHENEVER DECK,

WHEN THE

TURNED ING
in

PERFORMER FROM H indu TO

-

STOPS H IS

SHUFFLE, ONTO THE

PLAC P ILE
c a r d s

THE
h i s

REM AINING
l e f t

CARDS
the

RIGHT

S in ce OF THE

s h u f f l e

t r a n s f e r s

FROM

THE

TOP

DECK

THE

OTHER

HAND,

THE

NARROW

11-

CARD SOON OF

IS AS

ST ILL THE CARDS

RETAINED

ON

THE IS

BOTTOM

OF

THE THE

PACK.

As
THE

SPECTATORS ARE TOP SLAPPED OF THE

CARD DOWN

RETURNED, IT, THUS

BALANCE

THE

ON

PLACING

NARROW

CARD

ON

SELECTED

CARD,

Spectator PERFORMER, TA I L KEEP A

then

cuts

the

deck

and

g iv e s

it

back

to

GOOD FROM

DOVETAIL SIDE CARD

is

SHUFFLE

NEXT TOP

FOLLOWS. BEING YOU

DoVETO

SHUFFLE THE .

INSTEAD IN
no

OF HALF
of

SURE

SELECTED Th e n
there

TOP
fe a r

WH E N

DOVETAIL
card and

s h u f f l e

the

narrow

THE THEN THE

SELECTED LOCATES SIDE OF

CARD THE THE IT

BECOMING CARD

SEPARATED. BY RUNNING THE CUT TO

Th e H IS

PERFORMER T H U MB AT DECK DOWN THAT HAP

NARROW DECK, SEEM

SEPARATES AS IF HE

CARDS THE THE OF

POINT,

MAKING AND THE

JUST HALF

HAZARDLY, WHO TAKES IS

OFFERS TOP

THE

LOWER AND , SAME

SPECTATOR, THE

CARD. AT THE

WONDER CARD HE

WONDERS,

V ICTIM IN THE

LOOKING

FREELY

SELECTED

BEG INNING.

POKER P R E S T ID IG IT A T IO N
To m m y Tu c k e r

Ef f e c t : DECK
T h e

Th e

four

a ces

are

pl a c e d

on

deck

and

the

IS

THEN ARE

GIVEN then

THOROUGHLY in a

SHUFFLING, s u rp ris in g

CUTS, m anner.

ETC,

CARDS

lo c a te d

Me t h o d : THE A BILIT Y OF

Th e TO

only

r e q u ir e m e n t s

a re

good

c a r d s

anc

"WEAVE DECK

OR

OTHERWISE SO THAT

SHUFFLE ENDS

THE W ILL

TWC IN NEW

HALVES TERLACE CARDS,

THE

TOGETHER THIS IS

THE

PERFECTLY. BUT, NEARLY

NOT WITH

DIFFICU LT A NEW DECK.

WITH

IM POSSIBLE

Af t e r UNDERCUT ON TOP

the

a ces

are

shown

and

p l a c e d

on

t o p

you

ABOUT

QUARTER THE

OF

THE

DECK

WHICH THE

IS

PLACED I NTO THIS SEV BUT,

COVERING AND OF ON YOU THE

ACES.

NeXT

DIVIDE AT THE

DECK

HALVES

"WEAVE CARDS

THE M HAS I

TOGETHER ALREADY W ILL

ENDS.

As
IN

"W EAVING ERAL W ILL W ILL THE BOOKS REFER

BEEN GO

EX PLAINED INTO

MAGIC TO

NOT

DETAILS I

JEAN

Hu G A R D S

BOOKS

WHICH

BELIEVE

EXPLAIN SHUFFLE, CARD

PROCESS AT

THOROUGHLY. THE AS CENTER IT

BEFORE OF DECK BE.

COMPLETING, AND A SEE IF, OUT If

GLANCE IS

EVERY OF

INTERLACED OR HIGHER
-

SH OULD MAKE NO

CARD

PLACE

LOWER

W ILL

DIFFERENCE.

12

CARDS THEM STEP. FEW

ARE AND YOU

N OT

INTERLACED THEM IT ONCE

AT

CENTER

TO

SUIT IS THE

YOU,

BREAK

"WEAVE W ILL

MORE. TO

T H IS

IMPORTANT AFTER A

FIN D

EASY

CHECK

THIS

STEP

T RIA LS.

F in is h " r i f f l i n g ''

your

s h u f f l e

by

h o l d in g

c a r d s

in

hands

and

THEM

AS

IN

FANCY

BRIDGE SHUFFLES.

Now
LUCKY FORM

STATING

TO

SPECTATORS WHICH RUN YOU

THAT

YOU NOT THE

W ILL BE

FIN D TO

YOUR PER THE

CARD THIS OF

WIT HOUT FEAT,

WOULD

ABLE

YOU

THROUGH LUCKY ACES.

CARDS BUT,

UNDER IN

PRETENSE ITY YOU

p o i n t

LOOKING LOOKING THE

are

FOR FOR ACE

T HIS THE AND

CARD, AFTER

REAL THEM THIS

YOU RUN ,

ARE BY

LOCATING PACK AT .

LAST
run

SEPARATE
to top

THE

Ca rd s

from

bottom

f a c e s

u p

Place AND THENAS HALF

the

NEXTc a r d
IS IN IS

beyon d

the

ace

on

the

t a ble

ATTENTION WHICH TURN

are

ON

THIS

CARD,

CASUALLY

PLACE IN

BOTTOM LEFT Th e

RIGHT DECK
the

HAND FACE
top

BENEATH DOWN ON

PACKET LEFT

HAND
four

AND
a ces

WHOLE
now at

HAND.
an

of

the

pack

w it h

INDIFFERENT

CARD

BETWEEN

EACH

ACE.

De a l
and

two

p i l e s

of

four

c a r d s

each

from

the

pack

ACES
in

W ILL
the

BE

IN ,

LEFT

HAND

HEAP
ace

AND

THE

INDIFFERENT
and by r u b

c a rd s b in g

o t h e r

Fo r c e PACK

the

pa ck et

LUCKY CHANGE

CARD OF

ON

AND

THEN THE

ON

THE

ACES

CAUSES

THE IN

THE HEAP.

ACES

LEAVING

DECK

AND

APPEARING

THE

FORCED

T h e

top

ace

can

be IF

key

card, IS

marked, YOUR AFTER OWN

s lic k e d , PROPER AND

OR TY

OTHERWISE AND YOU

PREPARED, CAN THUS

THE

DECK

SIMPLY CARD .

CUT

THE M

SHUFFLE

ELIM INATE

THE

"LUCKY

M I S E R S DREAM
J ames

D,
o f

Ta y l o r

I n

.my

p re s e n ta tio n , unprepared in the

the

fo llo w in g bucket and can

r o u tin e , is be the

use used at ing

sm a ll by

bucket, sand I

T his

type

c h ild re n ten cent h a lf

p ile s use
S e t

procured p alm on the

the

sto re . d o lla r

a ls o s iz e .

about the

f if t e e n bucket

co in s ,

- 13-

TABLE
p a i l

TO

YOUR
a

LEFT
r e a l

AND
h alf

PLACE
d o lla r

THE
in

COINS
the

BACK

OF

THE

Place

r ig h t

t r o u s e r s

POCKET.

In THE

STARTING, As

REQUEST HE

THE TO

ASSISTANCE THE STAGE

OF ASK

BOY H IS

FROM NAME, THEN

AUDIENCE.

COMES AND

INTRODUCE PROCEED

YOURSELF, THE

SHAKE

HANDS

WITH

HIM.

WITH

FOLLOWING

PATTER.

(P-PERFORMER.

B-BOY.)

P - "Johnny,

d id

you

ever it

do

m a g ic

t r ic k

?
patter

B -"N o ."
as

(Or
YOU

'Y e s ,

d o e s n

m a t t e r

c o n t in u e

G IV E N ,) EVER HELP A M AGICIAN DO A MAGIC TRICK?

P - "D lD

B -"N o .
P-"WELL, ABLE PIE C E
p a t t e r

BEFORE T ALK TO

YOU THE

CAN

BE

M AGICIAN ,

YOU EVER

MUST SPEAK

BE A

TO IN .

AUDIENCE. BOY SAYS,

DlD
ASK

YOU

SCHOOL?

(If
.

"N o ,"
HIM

CONTINUE IF SAY If HE IN WHAT

t r y

WITH SAY FOR TO TO

If
THE IT LET

he

s a y s

"Ye s . , then He W ILL

HE HE

CAN HAS

IT

FOR

AUDIENCE. OR REFUSE, AND

PROBABLY

GOTTEN SAY TEST IT

THEN THEN DO

CONTINUE.

W ISHES ORDER I ,

HIM

CO N T IN U E.) AS I DO .) AND

"WELL SAY

YOU

OUT.

W lLL
of

YOU

S A Y .
w o n

(Regard less
y o u

answ er

c o n t in u e

"Y ou

w il l

?"

B-"Yes, P - "S tand SAY ONE THIS HAND

i s n up s t r a ig h t

Th r o w IN

out

your

c h e s t

(As BACK

you

PLACE ON t H IS
your

ONE

HAND

THE AND ts

MIDDLE FORCE
your

OF

H IS H IS . 1

AND

SHOULDER
c h e s t

OUT

STOMACH.) (Po in t
at

"T hat

He r e

c h e s t

CH EST .)

"Al l r e a d y . , (As You

NOW,
you sa y have

REPEAT
t h is to

AFTER
pound

ME,
on

'L A D IES
hand to get

AND
w ith him

g e n t l e m e n your f i s t

your boy

may

prom pt

the

s t a r t e d

, ) "La d ie s
to and

B-(Re p e a t s) P-"l
am

Ge n t le m e n ,
m y s e l f

about i t

p l a c e

B-(Repeats P - " IN THE

) OF-

HANDS
it

B-(Repeats P -" a - B-(Repeats

i t

P-"PRE S T ID I GATOR. " GET A GOOD LAUGH.

(THE

BOY IT

W ILL FOR

HAVE HIM

TROUBLE UNTIL HE

HERE SAYS

AND IT,

REPEAT

- 14-

or

t r ie s

t o .)
it

T h e n

c o n tin u e ,

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are

g o in g

to-"

B-(Repeat s

P - " s im u l t a n e o u s l y -"
( B o y

w ill
in
i t

stu m b le
the
)

here.
o f

Its

good

fo r

la u g h .)

P-"perform
B - ( R
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art

P - " l e g e r d e m a in . " (B oy GOOD

P - " T
h

w il l

have

t r o u b le

here

and

get

LAUGH,)
a t i s

very I AM

good SURE YOUR

Johnny, THE FIRST IS OF

and THING

now YOU

th a t

you

are

a TO

M AGICIAN , KNO W TO IS

WOULD I

LIKE AM

WHERE

SALARY WAY THIS

COMING

FROM.

GOING

SHOW ' Y OU FOR

THE IT.

BEST WI L L

GETTING FULL

MONEY BE

WITHOUT TO

WORKING START?

PA IL

ENOUGH

Th e YOU THE THE TURALY

e n o u g h

BOY THE IN

SH OULD TABLE THE

BE AND

STANDING AS YOU

AT

YOUR

LEFT, HIM

BETWEEN TO GET IN NABE

AND P A IL,

REACH

BEHIND GET

RIGHT

HAND,

SECRETLY COIN S
W

THE BE

COINS HELD FULL

in

L E F T . THE AT . THE Han d GET you THE

HAND SIDE.
h im
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WITH YOU

THE

SHOULD T HIS
your
D o

SA Y ."
and

ILL
put

PA IL
hand

the

p a i l

your

POCKET MOVE. PA IL THE NOT

AND If

THE use

REAL a

HALF

DOLLAR. p a il, THE

NOT as

HURRY get

THIS the AT DO H IS

m e ch an ic al DO COIN SO

you H AND If

FROM SAME FEEL

TABLE, GET THE

WITH

LEFT

AND YOU IN

TIME THE

FROM PA IL

YOUR WOULD OF

POCKET. BE IT.

MECHANICAL SHOW HIM THE

SAFE

HANDS,

MERELY

IN SID E

T a k e

the

p a i l from IS

the

boy- w ith PALMED. THE BE

your PLACE

r ig h t THE

hand, PA IL IN IT

REAL THE DOWN FOR

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B y

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LEFTHAND. OVER THE

INVERTING YOU W ILL

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AND SET

PLACING THE

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DROPPING,

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you

have

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is

to

reach

in t o

the

a ir

and

THE

PARTICLES

OF

SILVER YOU

FLOATING IN SO THE THE

AB OU T A IR

AND

THEM TO

TOGETH ER. YOUR REALLY FINGER HAVE

( A s

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BRING

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AUDIENCE THAT. AND SEE SE

YOU

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A L L R IG H T , HIM TO

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IT.

It

COIN W ILL

BOY

GOOD

LAUGH.)

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it

in FOR

the

b u c k e t. All YOU

( B o y

drops TO DO

i t . ) IS

" I

w ill REACH

DO

THAT

AGAIN

YOU.

HAVE

TO

- 15 -

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THE

A IR TIGHT.

AND It

GRAB IS

HOLD,

YOU

MUST IF YOU

KEEP OPEN

YOUR YOUR

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MAGIC

MONEY,

DISA PPEA R."

(Su it
APPARENTLY PIN G
i t

a c t io n

to

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p a t t e r

in

the

a b o v e

Th e n DROP

DROP FROM

THE

COIN

IN

THE

BUCKET. TELL ,

REALLY BOY

ONE Prompt ,

THE
by in

LEFT

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NOW As
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THE
k e e p

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hand

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your

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let

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a p p a r e n t l y left h a n d

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another c o in f a c e

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the a

Th e
look

sound to of the the

of

the

d r o p p in g and w il l

w il l b r in g

b r in g one of

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b o y s

lau ghs

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c o in s

in to d o e s n t h is

the it

r ig h t

h a n d

,)

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into

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t h r e e t w o

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(C ount
w il l

them

the the r e

.)

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and

one

p a s s into

through the p a i l

b o t t o m t a in a p a s s

(Wh e n
r e a l

you h a lf the

count the

c o in s

the

d o ll a r u n t il bottom o f the

the l a s t p a i l

Asy o u
a c o in

make drop

toward

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FROM REAL COIN PALM,

THE COIN TO

LEFT IN

HAND. THE

At In
THE IN

THE

SA ME W ILL

TIME

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THE REAL OR AP FROM ONE H IS

l ik e

RIGHT.

THIS
THE CASE THE

LEAVE

WORK

W ITH, AS COIN

NEXT MIGHT P A IL, AS

MOVES BE

YOU

EXPOSE, YOU ONE PIC K THEN

THE

COIN A

AND

WH E N DROP

PARENTLY THE FROM LEFT THE .

DROP

REALLY

HAND, BOY S

PRODUCE COLLAR,
the last

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one

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TROUSER
s a y

s l e e v e a

Look, at ,''

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in to fo r

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must the

Look

(As
LET

you

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hold

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head

and

ONE

COIN

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under

CATCHING H IS EAR N O SE .) AND OUT

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ONE

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you

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IN

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ONE

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IM

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Your
t i e

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(Then

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IT THE IN

BUCKET BUT DuMP

THEN

REAL THE

COIN

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ONE

OUT

DROP

PA IL.

THE

HANDS.)
-

16 -

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have THE

alm o st P A IL .) HAVE

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( L e t

the

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BACK THAT GET A A

INTO

SO

THE "I

AUDIENCE BELIEVE NOSE AS

NUMBER FEW

BEEN

PRO D UCED.) OF THE

M O R E . HOLD

(TAKE THE THE

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BOys

WITH YOU

RIGHT

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UNDERNEATH NOSE, EACH NOSE, LET LET

AND, THE

PARENTLY FROM YOU THE

SQUEEZE LEFT

CO IN S THE

HAND,

FOR

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APPARENTLY
A t

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THE IN A

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"Do
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YOU

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NOW WHEN

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TO

THANK HOME THE

YOU

VERY IT
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YOU

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Y O U RSE LF. FOOTLIGHTS THE MONEY, SEE

you

(START STOP

USHER

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OFF

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H IM .)

"JOHNNY, W ILL

YOU

D ID N 'T

ANY

DID ANY

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m in d

through

your

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THROUGH AN

H IS

POCKETS, BOY. I

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TO

THE

AUDIENCE, HE WOULD CO IN

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(WHEN

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IM AGINE

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IN

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LAST THE

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M A G IC IA N 'S "HANDY ACCESORY

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Performers PERFORMS ANY OF THE THE OF A

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- 17-

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Af t e r
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-

18

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- 19 -

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1 -2-3-4-5-6-7-8-9-10-11-12, F - 0 - U - R - O - F - H - E - A - R -T -S. Finis.

Ch
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C. E a s t m a n P, 0 Box 2 4 5
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