Commissinne della$ffinscfrer Rundfunk Kln, della Fundao calouseculbenkian, Lbboa, e dela socbt del euartetto di Maiano.

Pcrlormance instnrc.tions
The instrument must be tuned in the following

way:

TE=F -_-"

It should be noted that it is clearly indicated in the score which G$'s must be played as an open string. All other G$'s may be fingered according to their context. No attempt has been made to transpose any part of the core. The written pitches are those which are to be heard, and therelore the player must find a suitable fingering wherever the third (G) string is employed.

Where the music is notated on two staves the player is to produce a percussive sound which follows the contours and rhythms of the lower stave, played by four fingers of the right hand on the body of the instrument.The best area somewhere on the belly - will be determined by experimenting where it is possible to produce four ditferentiated sounds (derived from ceremonial Kandyan drumming from Sri Lanka) which range from high to to*. During these sections the upper stave notates the simultaneous left hand finger percussion.

Spielanwci3ungen
Das lnstrument ist in folgenderWeise zu stimmen:

]F ___7-

Es ist genau angeben, welche Tne Gis auf der leen Saite zu spielen sind. Alle anderen Tne Gis knnen ihrem Kontext gemB gegritfen werden Es lieg keine transponierende }lotation \lor, die angebenen Tonhhen entsprechen dem realen Klang. Wo die drttte Saite (die G-Saite) benud wird, muss der Spieler daher selbst die passenden Fingerctze linden.
An jenen Stellen, wo die Musik auf zrei Z|crl ndiert ist, sof der Srbr einen perkussiven Klang erzeugen, der den onhhen und Rtrythmen der unbn Zefe erfsgitf. Hbrtroa sdrd er mit vbr Fingem der recten Had auf den Korpus des lnstrumentes. Db am bsfien ge.ignt Sle zn lGrpus sol der Spbbi selbst finden, wobei es moglich sein soll, vier verscfiiedere Todrherr wr hoclr t H, at orangpn. Oirse fecnnik ist dem zeremoniellen Kandyan-Trommeln auf Sti lat*a nactremnnrglfrJrrsrd descr pqen ist in der oberen Zeile ein simultan zu

erfolgendes Schlagpn mit den Rrgcrn

r ffii lH nrdt

lnstnrzioni
Lo strumento der

esero

dbd

.'E

ts4 DoYe la mli:e il I t I tb l E l r FEuo sefrendo le direzioni pn i d i c tl re , 5 tc tD rrlnrilo La zona meliore f 9 ry dovr esF rfE - tnirl (derivati dai tamburi i b atf J rb r- h kanlari nl t l#D I f pt i ffgcwna srperk re si trwa lapaun*rribpb-ttntff. -.
la terza

Nella partira rdhl---frpossmo esl rst o ttrasposta Lc lrob cn i

@dr

rzrl otd e n.Tr.ri gli altri sot diesis d, {I b ffi. hn p.rb dela partitura stata tb E f 5fn tr crnque rnga usata {, f t

scrttta per Rohan de Saram

Sequenza XIV
per violoncello (2002)
c = 92 ca.

accordatura, sempre

Luciano Berio
(1

e25-2003)

mormorando e flessibile

ptzz. m.d.

;-

+--1

tr o-

DIZZ.

**)
olzz. +-] '

ptzz.

>

*----r *-_---_r

+--_________.1

-____

o=120
= \lllpT

pizz

r--l-r

;- , 3--1

pizz.
*---1

pizz
:>

+ sempre

rall.

-l-

Pt!'* -- pizz'*-r

ord. (stop +)
T-----..-.]

prende l'arco +
o

*E

przz.

3:::::1;

) = gZ(ma sempre molto instabile)

pizz. arco

ord. V

arco tasto
V

tJf" ppp

nt----rtasto-r

vib.

arco

:>

molto r ib.
pont.

p!

,!f

ppp
tasto s.v.

"tford. vib.
tasto
s.v.

uf.ppp
tl

-r

-PgP

S.V.
V

p
arco

=>FryP
S.V.

?-?pp
rV
Pont.S.V.
41
arco

mf
tStos.v.

pont:-1

S.V.

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flaut:-r
-

vib.

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Vlt

'vtb.

vT'p
(vib. sul II)
pgnt.
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f-p
t-laut,

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uT"p

r__

j-_..r
++.-

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f-mf
PPP

pont.

(gliss. tremolo)
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h=

ord.
sempre

ed>PP
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>
III

fp
tt

7rp

e scorrevole

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q.

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pont;

>

arco

flrr.---- ro-'}.

j
:> --------r

.|

pont.

ffio

trrn)

ttf"f>p

"!f
*) slow the bowing and press hard on the string to produce noise

p?

.setnpre

Iry e scevo

c-

tasto

pont.

rf
arco

1f >opp
l-

(vib. sul II)

pont:

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tasto-r
l\

pont.--1

f
'.
tasto
S.V.

gp

"f
o

pont:sptcc.

lt

>

:\

t"1->'
vib.

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tr "tr==-p?p

ff"p

??p
S.V.

P-pgp
g.y.

tasto

pont

'fi.
pont:

)=

fia.ma

sempre flessibile

f tr"f
arco

?ru s.\-.

--sJlz,f
arco

pp

f
r-J __r

poco vib.

vib.

e----;

fasto___-_--_-____--r

.-

ufzJf

PP

JT

#.f
2''O q?
t_

ppp
Luciano Berio Seque nza XIV per violoncello (2002) O Copyright 2002by Universal Edition A.G., Wien
a

Jr

ff"

f-PP
--',e'sa l:: :- -=

?':

f-J

vib.

pont.-1
>

pp

-? -?
? r-5-r
tStO-r
V

pont.-1
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arco

vib.

(vib.)
tasto

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ord.
tasto

,/,'---. -r-

,ffi

t-.i'
r-)

/T\x9 -r

*)

vftp

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ngf

f --..-?

ili

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pont. __, pont. '> OfO, :>
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uf"
pont.____1

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f,

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:>

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tastoT----1

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ord.

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o

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?
pont,

==-

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f-pf
vib.-r

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:>

s.v..--t tastio--'

l--.
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f
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--

pHp

Pont.--l
:
arco -

tasto-r

pont.------ltasto

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t-

==-':

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pont.-1
arco sptcc.

v^

)>

>

l--5____-r arco Przz'

oo

-.p lrV
3 P""t

sffz

rir
o:

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*) the length of the fermatas is onll' sussested

ttTt

JT

gp

f>f

uf"f

ry

?r72,
lCc-\

depone I'arco

:>

/T\*
>

)= fio
+ (sempre)

rf,

Effz

arco

"!/'

"tr

mf r-5
r l^

\.-.

. t:

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-_

prende I'arco

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sf
qg-'

ff2
pont.-1

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I-!o

Uft

V-u rr
l

r-

-i

--r

Fl

(t)>oon

*) strike the hngerboard u'ith the palm of the right

"tr

pont.-r
.f

1\ ^ot

tasto

rui6.

-3

-----r

r-J_--r pizz. v:>:> ^

-1

"Jl
[Str)t

vftf-?
pont--1
t-J--1

P tr"?
r/.d:tasto
Lasto _.]
a

r\\

(ritmico) l'l
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>

t!

f>o
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?

,tr
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tasto

r:IT

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v
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l--

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ll

vl^

h-r
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I

v-V

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o

--?
pont.-1

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>>

"!f

{ plnt.-r

?
(violent and aggr"e ssive ) deporre I'arco

Jf=/T\x8

"?f

r-J-r

(rftmico)

ll

r-3-r
L 1

F\x

JT 1,r.,^ iXxu'21

uT.
pont.-1
prende I'arco

l-J-t
+

t--J-l

V--.' r-J

pont.-1

pont.-1 T v Z-_
tasto
>/

-r

. ' /T\x9 r-J__-__r' ' tastO

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pont.-1

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