Students will learn how to integrate secondary sources.
Students will learn how to write using multimedia.
WRT 205-M260: Critical Research and Inquiry The Prison and the American Imagination Spring 2014, Tuesdays and Thursdays, 12:30-1:50 p.m., Heroy Geology Building 013 Patrick W. Berry, pwberry@syr.edu, office: HBC 235 office phone: 315-443-1912 office hours: Fridays, 1:00-3:00 p.m. and by appointment http://patrickberry.com/wrt205spring2014
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Despite the fact that incarceration touches the lives of so many, the general public has limited knowledge of prisons. Lacking first-hand experience with the prison system, most peoples impressions of these institutions are derived from the images they receive (Cecil and Leitner 184). 1
For your second assignment, you will analyze how a particular prison movie represents prison life. You will prepare a multimedia essay on a blog.
1. You will begin the unit by reading several analyses of media representations of prison as well as reading about Joseph Harriss concept of forwarding. The readings will provide you with some approaches to movie analysis.
2. You will select a movie (approved by me) and watch it in its entirety.
3. You will practice strategies for: 1) establishing the context of the movie; 2) identifying a critical scene and writing about it in a descriptive and analytical way; and 3) incorporating secondary sources.
4. Your multimedia essay, represented on your blog, should be 1,500 words and should include images, video, or other media key to your analysis. Include an MLA Works Cited page.
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Grading criteria:
Your grade for the unit will be based on successful completion of all components of the assignment (critical summaries, movie proposal, drafts, blog setup, and final project). Some questions to ask yourself:
1. Does the essay establish the context of the movie (situating it in its time)? 2. Have images or videos been incorporated effectively? Do they support the analysis? 3. Does the essay offer an accurate description and careful analysis of a particular scene or scenes? Does the analysis illuminate some aspect of prison and the American imagination? 4. Does the essay incorporate at least three secondary sources (not counting the movie), including one new one?