The Emergence of Cinematic Time MODERNITY, CONTINGENCY, THE ARCHIVE Mary Ann Doane Cambridge, Nasochsets, and London, England» 2002oh 208 ys ade elo of ars Cae ol Uri io vaya Caer Calo ain Dats "icc men aie an ted bhp recs ania ‘SbcecoTana hppa) SSN DE TACO ph ae ae) For Philand HannahAcknowledgments ‘This book hat changed form several ime sine is inception quite x fw ars ogo. Vhave many people t hack for ther ppt guidance, and en ouragement a various stage a wel for their ater tence Lam grate faltothe John Simon Guggenheim Foundation fo afellowship that allowed te time to thnk through the raison of «projet propor tht ary visle in the Site product Brown Univrity provided reach support and ie ss wel a timulaing let! mea i which est my Wes, My student, with their enthsiasm for ides and thir une ‘rained imaginaions have been an energising and inprtional presen. thank the Engsh Department ofthe Univer of Chicago epi Mi jam Hansen, for invting me a share ny work in progres a Predrc es CrpenerVistng Profesor. am gate forthe animated conestons bd tere an for hell avie and encouragerent rom il ron, ames as, Tom Mitchel and Mark Sandberg. “om Gunning end ah anonymous rade ave the manuscript x rigorous, ci, and insight ending am dxpy indeed to the or hi pe tie rics md wite mgqetons, The rms of « Frinistreeing up here at Browe—Suan Berns, Cristina Crosby, Caraine Dean, Coppa Kaba, Karen Newnan, and Elen Rooney—seud several haps nd offered shileging and provocative ctr aswel a ppt. Ia very patel to my Hardworking rexarch susitatx, Nine nae ed Rabe Coleworty, whose diigence and call math those ofthe oe esoned of scholars and who id wae nabs, ‘An eater version of Chapter 2 was publ in Ctl Igui 22, 0.2 (ater 1986) © 196 by The Unters of Chicago: and in Ende Nghe Cinema and Pychoonabsi, Paral Hines, edited by Janet Bergstrom