(Guitar Lesson) Daniele Gottardo - Il Tapping

G
(es.1)
1
I4 4
T A B
V V V V V V
6
8 12 15 20 15 12
Capitolo 1 G/D Arpeggi V V V (es.2) V V V (es.3) V V V V V V

G/B
Gm
(es.4)
6
7 10 15 19 15 10
V V V e V V V
6
8 11 15 20 15 11
Gtr I
10 15 19 22 19 15
Gm/B
(es.5)
6
I
T A B
V eV V V eV V
6
6 10 15 18 15 10
1 4
1
Gm/D
1
G+5
1
G
(es.6) V e V V V V V
6
10 15 18 22 18 15
(es.7)
V V gV
6
V V V
(es.8)
V V e V e V V V
6
8 11 14 20 14 11
8 12 16 20 16 12
1 4
1
Em/B
1
G/B
1 4
11
I
T A B
V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V VgV V V V V V V V V V V V V V V V
6 6 6 6 6 6 6 6
15 20 15 12 8 12 15 20 15 12 8 12 15 19 15 12 7 12 15 19 15 12 7 12 15 19 15 10 7 10 15 19 15 10 7 10 14 17 14 10 5 10 14 17 14 10 5 10
(es.9)
1
D/A
H P P P H H H P P P H H H P P P H H H P P P H
1 4 1
C
1 4 1
G/B
1 4 1
1 4 1
D/A
1 4 1
1 4 1
Am
1 4 1
1 4 1
13
I
T A B
V V V V V V V V V V V V V V V V V V V V V V gV V V V V V V V V V V V V V V V V V V V U V V V V V V
6 6 6 6 6 6 6 6
15 20 15 12 8 12 15 20 15 12 8 12 15 19 15 10 7 10 15 19 15 10 7 10 14 17 14 10 5 10 14 17 14 10 5 10 12 17 12 8 5 8 12 17 12 8 5 8 12
H P P P H H H P P P H H H P P P H H H P P P H H
1 4 1
Bm
1 4 1
E
1 4 1
A
1 4 1
1 4 1
1 4 1
1 4 1
1 4 1
Posizione su due corde
ggg 15 I
T A B
(es.10)
VVV
VVV
VV
VV
V VV VV
(es.12)
Trasporto delle triadi
(es.11)
6 9 141814 9 6 7 H HHH P P P
V V V V
VV
VVVVV
VVVV V VVVV VVVV

6 9 141814 9 6 7
VVV V VVVV
9 12172117
5 9 141714 9 5 7 HHH P P P H
1 4 1
1 4 1
7 4 7 12 1612 7 4 4 7 1216 5 5 HH H P P P HHH H H H H P P P H H
10 6 9 1418
H HHH
HHH P
1 4 1
1 4
1 4 1
1 4
1 4
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
I4 4
T A B
(es.13) V V V V V V
6
Gtr I
Cmaj7
eV V V V (es.14) V V
6
8 12 15 18 15 12
C7
Quadriadi su una corda
eV V V V (es.15) e V V
6
8 11 15 18 15 11
Cm7
Cm7 5
(es.16) eV
eV eV V V
6
8 12 15 19 15 12
8 11 14 18 14 11
H H P 1 4 1
1 Cm/maj7
H P 4 1
H H H 1 4 1
1 Gmaj7/D
H 4
H 1
C (es.17)
V V eV eV V V
6
8 11 14 17 14 11
V V eV V V V
6
8 11 15 19 15 11
(es.18)
Cmaj7
V V V V V V V V V V V V V gV V V V V V V V V V V
6 6 6 6
8 12 15 19 15 12 8 12 15 19 15 14 12 14 15 19 15 14 12 14 15 19 15 10
(es.19)
I
T A B
H H H P P 1 4 1
H H H P 1 4 1
H H H P 1 4 1
P H H H P 1 4 1
P H H H P 1 4 1
P H H H P P 1 4 1
Bm7
11
I
T A B
V V gV V V V V VgV V V V V V V V V V V V V V V V V V V V V V V V V V V V V V VgV V V V V V V V V
6 6 6 6 6 6 6 6
7 10 14 17 14 10 7 10 14 17 14 10 7 10 12 16 12 10 7 10 12 16 12 8 5 8 12 15 12 8 5 8 12 15 12 8 5 8 10 14 10 8 5 8 10 14 10 8
E7/B
Am7
D7/A
H H H P P P H H H P P P H H H P P P H H H P P 1 4 1 1 4 1 1 4 1 1 4 1
H H H P P P H H H P P P H H H P P P H H H P P 1 4 1 1 4 1 1 4 1 1 4 1
Gmaj7
13
I
T A B
gV V VVV VVVVV VVW

6 6
3 7 10 14 10 7 3 7 10 14 10 7 3
Am7
(es.20)
VVVVVVV V V V V V VVVV VV VVVV V V V V V VVVVV

10 13 17 20 17 13 10 13 7 10 14 17 14 10 7 10 14 17
H H H H P P P H
Trasporto delle quadriadi
14 17 14 10 7 10
H P P P H
H H H P P P H H H P P P
1 4 1
1 4 1 Dmaj7
12 15 12 8 5 8 12 15 H H H P P P H H H P P P H H H 1 4 1 1 4 1 4 1 1 4
1 4 1
1 4 1
(es.21)
16
I VVVV
T A B
12 15 12 8 1 4 1
V gV V V V g V V V gV V V V gV V gV VVVVVV g V V gV V V gV V gV V gV V V V V V
10 14 17 21 17 14 10 7 11 14 18 14 11 7 5 9 12 16 12 9 5 12 16 1 4 1 1 4 1 4 1 1 4 1 4 1 1 4 1 1 4 1 11 14 18 14 18 14 11 7 11 12 16 12 9
(es.22) V V V V V V V V V V V V V 4 V 1 I4
7 7
Gtr I
Cmaj7
Quadriadi su due ottave
C7
(es.23)
V V eV V V V V V e V V V V V V
7 7
8 12 15 18 15 12 8 9 12 15
H 1 H H H H 4 1 P P P 1
T A B
8 12 15 19 15 12 8 10
H
9 12 16
H H 2 H H H P 1 4 1 P P
16 12 9
P P
10
H
15 12 9
P P
Cm7
I
T A B
V eV V V V e V V eV V V V V eV V
7 7
8 11 15 18 15 11 8 15 12 8
H H 1 H P 4 1 P P P P
(es.24)
Cm7 5
eV eV V V V e V V eV V V V V eV eV
7 7
8 11 14 18 14 11 8 15 11 8
H H H 1 4 1 P P 1 P P P
(es.25)
10
H
8 12 15
H H 1
10
H
8 11 15
H 1 H
1 F
(es.26)
eVeV V I
T A B
10
H
eV V V V V V VeV V
7
8 11 14 17 14 11 8
VeV V V V V V V V V V V V V V V e V V V eV V VVV d VV V V V V V V V V VeV VeV V

7 10 13 16 13 10 7 7 10 13 16 13 10 7 8 11 14 17 H H H H H H P P P 1 4 1 4 1 9 7 10 13 16 9 7 10 13 16 13 10 16 13
P P 4 1
(es.27)
8 11 14
H H 1 H H H P P P 1 4 1 1
14 11 8
P P
10 7
P
H H H H 1 4
H H H P P P H H H H P P 1 4 1 1 4 1 4 1
17 14 11 P P
V VVV V eV V V V (es.28) (es.29) V V V V VVV V VV VV V eV V V V V V VVV 11 VVV eV I VVVV V V V V

T A B
8 12 15 19 15 12 8 10 8 12 15 19 H H H H 1 4 Cm7 9 12 16
H H H H H P P P
Cmaj7
Quadriadi su 3 ottave V
C7
8 12 15 18 15 12 8 16 12 9 10 10 9 12 15 15
P
12 9
P
10
H
1 4 1
19 15 12 P P H P P 4 1
8 12 15 18 H H H H H H P P P H H H 1 4 1 1 4 1 1
18 15 12 P P
4 1
13
I
T A B
eV V eV V V V V V e V eV V V e V V eV V
8 11 15 18 15 11 8 10 8 11 15 18 H H H H 1 4 8 12 15
H H H H H P P P
(es.30)
V V V V V V
12 8
P P
15
10
H
18 15 11 P P
4 1
4 1
VVV VVV V V V V VVV VV V VVV VVV V V V VVV 9 V V V 1 VVV V I8 V V V V V VV VV

Gtr I
Cmaj7
Esempio con le quadriadi su 3 ottave (es.31)
T A B
8 12 15 19 15 12 8 10 8 12 15 19 H H H H 1 4 C7 9 12 16
H H H H H P P P
8 12 15 19 15 12 8 16 12 9 10 10 8 12 15 19 H H H H 9 12 16
H H H H H P P P
16
P
12 9
P
10
H
1 4 1
19 15 12 P P H P P 4 1
19 15 12 P P
V V eV V V V V V V eV V V V V V V e V e V VVV VVV VV VV V V 3 e V V e V VVV I VVV VV VVV

T A B
8 12 15 18 15 12 8 10 8 12 15 18 H H H H 1 4 Fmaj9/C 9 12 15
H H H H H P P P
8 12 15 18 15 12 8 15 12 9
P P
10
H
10 18 15 12 P P 8 12 15 18 H H H H
9 12 15
H H H H H P P P
15
P
12 9
P
10
H
18 15 12 P P
1 4 1
4 1
VVVVV VVVVV V V V V VVV V VV VVV VVV V V V VVV 5 V V V I VVV VV VVV V

T A B
8 12 13 17 13 12 8 10 9 12 14
H H H H H P P P
8 12 13 17 13 12 8 14 12 9
P P
10
H
10 17 13 12 P P 8 12 13 17 H H H H
9 12 14
H H H H H P P P
14
P
12 9
P
10
H
V eV V V V V eV V V V V V V V VVV V VV V eV V eV V V V V V VVV 7 VVV eV I V V V eV V V V V

T A B
8 12 13 16 13 12 8 10 8 12 13 16 H H H H 1 4 9 12 13
H H H H H P P P
8 12 13 17 H H H H 1 4 Fm/maj7/C
17 13 12 P P
1 4 1
4 1
8 12 13 16 13 12 8 13 12 9
P P
10 16 13 12 H P P
10 8 12 13 16 H H H H
9 12 13
H H H H H P P P
13
P
12 9
P
10
H
16 13 12 P P
1 Cadd2
1 4 1
I
T A B
V V V V V V V V V V V V V V V V
15 17 12 9
P
Posizione per C add2 ,hammer on mano destra (es.32)
4 1
V V V V V V V V
9 12 17
H H
22 20 15 12
15
12 15 20
12
H H 3
15 10 7 H H P 4
7 10 15 H H 4 1
12
H
Amadd2
I
Gtr I
V V (es.33) VVVV V
19 17 12 8
VVV
VVVVVVV
9
V VVV
VV
Fmaj13+11
VVV
VVV V V VV
Fmaj9 + C maj9 V (es.34)
V VVV VVV VV
10 12 9
P
T A B
12
14 9 5
P P 3 1
I
T A B
9 12 14 17 8 12 14 17 H H H 1 4
H H H 1 4 H H H P 1 4 1 P
H H 1 3 Bm7 5 9
``
12 7 3 3 7 12 5 P H H P H H H H 1 4 4 1
5 9 14
12
8 12 17 9 12 16 19
8 12 15 19 15 12 8
fraseggio con arpeggi sovrapposti (es.35)
H H H H H 3 1 1
10 12 9
P
8 12 15 19 H H H H H H H H H P P P H 1 4 1 4 1 4 1 Cmaj9
10
12 H H
8 12 13 17 13 12 8 12
15 19 15 12 8
10
9 12
H
VVV VVVVV VV VV VVVVV V V V V V V VV V V VVV V V VV V V V V VVV V V V 6 VVV I V

T A B
8 12 15 19 15 12 8 12 17 20 17 12 8 16 19
H 1 4 H H H P P P H H H P P P 1 4 1 1 4 1
P H H H P P 1 4 1 Dm7
12 8 12 15 19 H P H H H 1 4
10
8 12 17 20 12 9
P
17 12 8 12 15 19 15 12 8
10
9 12 17 19
P P P H H H P P P 1 4 1
10
12 9
P
V V V V V V V V V V V V V V V V 9 I
T A B
9 12 16 19 15 19 H 1 4
H H H 1 4 H H H P 1 4 1 P P H H H 1 4
12 8 12 17 20 H P H H H H H H H H H 1 4 1 3 1 4 1
10
H
12 8 12 P H
V V V V V V V V
10 12 9
P
8 12 15 19 15 12 8 12 13 17
13 12 8
10
H
12 H
(es.36)
1
I4 4
T A B
V V V V V V V V V V
C ionico
5 5
8 10 12 13 15 17 15 13 12 10
Capitolo 2 Scale V (es.37) V V V V V V V V V

5 5
(es.38) V V
E frigio
V V V V V V V V
5 5
Gtr I
D dorico
10 12 13 15 17 19 17 15 13 12
12 13 15 17 19 20 19 17 15 13
H H 1 2
H 4
P 2
P 1
H H 1 2
H 3
H 2
P 1
H H 1 2
H 3
H H 2 1
I
T A B
Fraseggio su C esatonale (es.39) eV V V V V g g V V V V V V V e VgV V V V VVVV V VV gV VgVgV e V V V V V V V V V V V V V V V V V V V V 6

6 6 6 6
11
P
8 10 12 14 16 18 16 14 12 10 8
11 9 11 13 15 17 19 17 15 13 11 9
9 11 13 15 17 19 17 15 13 11 9
H H H H H P P P P P 1 2 4 2 1
12 10 12 14 16 18 20 18 16 14 12 10 12
P H H H H H P P P P P H 1 2 4 2 1
H H H H H P P P P P 1 2 4 2 1
P H H H H H P P P P P 1 2 4 2 1
I
T A B
VgV V V V V V V V V V V e V V V VVVVV V VgVgV

6 6 6 6
9 111315171917151311 9 11
HHHHH P P P P P H 1 2 42 1
Sequenza dei pattern su una corda in A eolio (es.40)
VVVVV VVVVV VVVVVVVVVVVVVVVV V V V V V V

5 7 8 1012131210 8 7 5 1213151312 10 8 7 13151715131210 8 1517191715
9 111315171917151311 9 11
HHHHH P P P P P H 1 2 4 2 1
HHHHH P P P P P HHH P P 1 2 3 2 1 1 2 4 2 1
P P P HHH P P P P P HHH P P 1 2 4 2 1 1 2 3 2 1
9
13 12 10 13 15 17 15 13 12 10 8 12 13 15 13 12
I
T A B
13 12 10 17 19 20 19 17 15 13 12 15 17 19 17 15
P P H H H P 1 2 3 2 P 1 P P P H H H P P 1 2 4 2 1 P P P H H H P 1 2 4 2 1 P P P P H H H 1 2 4 2 1 P P
11
I
T A B
VVVVVVVVVV
10 8 7 10 12 13 12 10 8 7
P P H H H P P P P 1 2 3 2 1
Sequenza scalare in A eolio (es.41)

1
I
T A B
VVVV VVVVVVVVVVVVVVVV V V V V V V V V V V V V VVVVVVV VVVVV VVVV

5 7 8 10 12 13 12 10 8 7 5 7 8 10 12 13 15 13 12 10 8 7 8 10 H H H H H P P P P P sl. H H H H H P P P P P H H 1 2 3 2 1 1 2 4 2 1 7 8 10 12 14 15 14 12 10 8 7 8 10 12 14 15 17 15 14 12 10 8 10 12 H H H H H P P P P P sl. H H H H H P P P P P H H 1 2 3 2 1
1 2 4 2 U V V 1 V V V V V V V V V V V V V V V V V V V V V V V V 4 I V V \\\\\\\\\\\\\\\\\\
T A B
12 13 15 17 18 20 9 10 12 14 15 17 15 14 12 10 9 10 12 14 15 17 19
H H H H H P P P P
12 13 15 17 19 20
VVV V V e 5 Ie V V V V
T A B
10 12 15 17
1 G 2 min 4 (es.42) 2 1 Pentatonica di VVV
1 2 4 2 V Blues di G 1 min V V V V 1 2 4 Pentatonica V 3 V V V V (es.43) V V V g V fV V V V VVV V V V V V V V V VgV V V V fV V 10 13 15 18 15 13 17 15 12 10 10 12 15 17 18 10 18 17 15 12 10
sl.
10 13 15 18 15 13 10
VVVV VVV V VVVV V V V V g V V V V f V V VVV VVV VV e V VgV V V V V 7 e V V f V VV V I V VV

T A B
10 13 15 17 18 17 10 12 15 17 18 10 13 15 16 17 H H H H 1 2 3
H H H H 1 2 3 H H H H P P 1 2 3 2 1 P P
10 13 15 17 17 15 13 H H H H H H H H H P P P P P P P P PEnta blues add2 1 +3 arpeggio di G min7 1 3 1 4 1 3 1 (es.44) 3 1
10 13 15 16 17 17 16 15 13 H H H H H H H H H H H P P P P P P P P P P 1 2 3 Penta 1 2 3 1 4 blues 1 3 2 1 3 1 (es.45) maggiore + arpeggio di2G7
15 13 10
11
7 10 13 15 13 10 12 10
P
12
7 10 12 14 15 8 10 12 13 14 H H H H H H H H H H H P P 1 2 3 1 2 3 1 3 1
P
10 7
P
13 H H
10 H H
gggg 4 1 I 4
T A B
Posizione per E ionico (es.46)
V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V
7 8 7 9 11 12 14 16 H H H H H 1 2 4
H
Gtr I
9 11 12 14 16 14 12 11 9
7 14 13 11 9 8 16 14 12 11 9 P P P P 1
9 11 13 14
H H H 1 2 H H H H H 1 2 4 2 P 1 P P P P 2 1
P P 4 2
Posizione per E dorico (es.47)

2
g Ig
T A B
9 10 12 14 7 7
H
V V V V V V V V V V V V V V V V V V
15 17 15 14 12 10 9 16 14 12 11 9 7
P 2 1
9 11 12 14 16
H H H H H 1 2 4 H H H H H P 2 1 P P P P
9 10 12 14 16 H H H H 1 2 4
2 4
4 2
P 4
16 14 12 10 9 P P P P
fV verso il basso in A eolio (es.48) V f V V V V V V V V V V V f V V V V V V VPull V V off V V fV V V V fV V V V V V V V V V V V V V V V V f fV VV W 4 6 6 If 6 6

6 6 6 6
T A B
12 13 15 17 19 20 19 17 15 13 12
15 12 13 15 17 18 20 18 17 15 13 12
14
P
10 12 14 16 17 19 17 16 14 12 10
H H H H H P P P P P 1 2 4 2 1
14 10 12 14 15 17 19 17 15 14 12 10
P H H H H H P P P P P 1 2 4 2 1
14
P
12
H H H H H P P P P P 1 2 3 2 1
P H H H H H P P P P P 1 2 4 2 1
V V V V V gg V V V V V V V V 7 I V V V
T A B
10 14 19 17 16 14 10 12 H H P P P P H 4 2 1 11 14 19 17 16 14 11 12
H H P P P P H
Pull off verso l'alto in D ionico (es.49)
11 14 19 18 16 14 11 12
H H P 3 2 1 P P P H
12 15 20 19 17 15 12 14
H H P 2 1
g Ig
T A B
V V V V V V V V W
12 15 21 19 17 15 14 12
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
15
P P 4 2 1
I4 4
T A B
Capitolo 3 Esercizi per la mano desta D7 V V V V V V (es.50) V V V V V V

Gtr I
13 12 2 1 Am7 9
15 12 4
14
13 12 2 1 4
15 12 1 4
15 12 1 3
14
1 3
` Esempio in A frigio (es.51) V V VV V V V V V V V V V V V V V eV V V V V V V V V V V 4 V V V V V V V V V V V V V V I V V V V V V

T A B
14 12 14 12 12 14 12 15 12 14 12 12 14 12 14 12 12 14 12 13 12 14 12 12 14 12 14 12 12 14 12 15 12 14 12 12 14 12 14 12 12 14 12 15 12 14 12 12
3 1 3 2 1 3 1 4 1 3 2 1 Fm
3 1 3 2
1 3 1 2 1 3 2 1
3 1 3 2 1 3 1 4
1 3 2 1
3 1 3 2 1 3 1 4 1 3 2 1
e 8 Ie e e V v
T A B
10 1
10 10 12 10 13 10 10 10 12 10 13 11 10 10 1 3 12 10 4
Esempio in F minore (es.52)
V
13
V
10
V
11
V
10
V
13
V
10
V
14
V
10
V
13
V
10 1 3
V
11
V
10
V
13
V V V
10 12 10
1 3 1 4
1 2 1 Bm7
1 4
4 1 2
1 2
1 4
1 4 1
4 1 2
1 3 1
(es.53) Bmaj9
gggg 11 I g
T A B
V V
9
Capitolo 4 B7 Chordal Tapping Bm7add4 Bmaj7add6+11 V V fV V f V V fV V fV V fV V V V V V V V V V

9 7 7 9 1 2 3 10 7 1 8 9 2 3 Gmaj9/B 10 11 7 7 1 2 9 9 4 B maj7add6 1 12 8 7 2 3 9 9 10
8 7 9 1 2
11
(es.54)
16
A7add4
C6add9
g Ig
T A B
V
5
V V V V
6 10 10 12
fV
8
V
9
V V V
10 10 12
W V
7 1
V V V V
7 10 3 2 10 12
eV
6
V
7
V V V
10 10 12
1 3
1 3 2
1 3 2
esempio a due voci a base di hammer on su D eolio (es.55)

Dm C Dm B
Ie 4 4
T A B
SX
V V
V V
W
7
Gtr IGtr I
10 10 8
9 10
10 6
Ie 4 4
T A B
DX
V V V
13 12 14 1
V V V V V
13 12 15 12 13
Gtr I
13 12 1 2
14 3 1
15 12 4 1
13 12 2 4
15
2 3
1 2
Cadd9
Esempio su arpeggi lati a base ` di hammer on (es.56)`

C9add4 B 6add2
B add6
3 Ie 4
T A B
V V W
10 12
VV V V V
15
VV
V WVV
10 10 12
VV V V VV V
11 13 11
VV
l W
VVV
VV V V V
15
VV
l W
VVVVV V VV V
11 13 11
9 12
13
13
12 9
12
9 10
10 9
12
1 3
1 2 4 2 1
8 1 3
10
10
12
7 12
13
13
12 9
12
10
10
12
7 10
10 9
12
10
1 2 4 2 1
g3 7 I 4
T A B
A7+11
Movimento all'unisone delle due mani su A lidio dominante (es.57)
SX
V gV V V gV V V V V V V V
3 4 5 3 6 3 4 5 3 6 3 6
V gV V V V V V V V V V V
5 6 7 5 7 5 6 7 5 7 5 7
g3 I 4
T A B
V V V gV V gV V V V V V V
DX
11 1 12 13 11 1 14 11 2 12 13 11 4 14 11 4 14
V V V gV V gV V V V V V V
11 12 13 11 14 11 12 13 11 14 11 14
2 3
4 1
3 1
I4 4
DX
T A B
G7
Movimento all'unisono armonizzato (es. 58)

5 5 5 5
V V V V V V V V V V V V V V V V V V V V
Gtr I
3
H
5
H
3
H
5
H
7
P
5
P
7
P
3
H
5
H
3
H
5
H
7
P
5
P
7
P
I4 4
SX
T A B
V V V V V V V V V V V V V V V V V V V V
5
Gtr I
9 10 12
H H 1 2 4
9 10 12 10 9
H H P 1 2 4 2 P 1
12 10 9 10 12
P 1 H H
9 10 12 10 9
H H P P
12 10
P
Em7
I
T A B
VV VV V V V VgV V V V V V V V V V V VV V
7 12 8 15 8 12 7 14 7 11 9 14 9 12 7 14 7 P H P H P H P 14 1 3 1 4 1 3 7 8 7 9 7
ESempio con armonici e pull off (es. 59) Fmaj7
VV VV V V V VgV V V V V V VV V
VVVVV V V V V V V V V V V V V V V VV V
VVVVV V V V V V VVVV V V V
(7)12 (8) 15 8 12 (7) 14 7 11 (9) 14 9 12 (7) 14 7 P H P H P H P
8 12 8 (8)12 10 151013 10 (10) 151013 9 16 9 14 9 (9) 16 9 14 10 171014 10 (10) 171014 8 17 8 8 (8) 17 8 P H P H P H P P H P H P H P 1 4 1 4 14 1 4
V V V V V V V V V V V V V 8 V I V V V
T A B
5 10 6 13 6 10 5 12 5 7 5 P H P 1 4 1 3 1 Am7 9
H 4
Dm7
V V V V V
5 6 5 7 5
V V V V V V V V V V V V V V V V V
(5) 10 (6) 13 6 10 (5) 12 5 (7) (5) P H P 9
H
12 5 10
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12 5 10
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5 5 5 5
10 13 6 10 12 5
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10 13 6 10 12 5
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A Intro
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P = 127
Preludio in Fa minore
V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V
P.M.
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T A B
V V V V V V V V V V V V V V V V V V V V V V V V V V V V
Gtr I P.M.
Daniele Gottardo
3 3
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Song Title - Artist
Page 2 of 5
e 11 Ie e e
T A B
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V V V eV V V V V V fV V V V V V V V
16 16 15 14 13
fV V V u M MO 19 21 21
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20 16 20 18
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18 21 18
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17
sl.
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fV V V V eV V V V V eV fV eV V V fV V V eV eV fV V fV eV V V V V V fV V f V V
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13 12 15 12 13 14 13 12 13 10 11 12 11 10
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13 12 10 12 11 9 10
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8 12 11 10 8 10 9 8 7
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T A B
V fV V fV eV V fV eV eV fV eV V V V V V V 3
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8 5 6 7 6 5 7 6 4 7 6 4 8
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Song Title - Artist
Page 3 of 5
eV V V V V V V V V V V V V V V V eV V V V V V V V V V V V eee V 17 V e I V eV
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T A B
10 11 15 11 10 6 8
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10 7 10 12 15 12 10 7
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9 13 14 18 14 13 9
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9 13 9 13 16 20 16 13 9 13 16 20 16 13 9 21 (21) 10 11 15 17
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13 13 13 11 16 18 20 18 16 11 15 16 15 13 16 14 16 18 16 14 17 15 17 18 17 15 18 17 11 15 H
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18 20 18 15 17 18 15 17 16 18
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Song Title - Artist
Page 4 of 5
V V V V V V V V V V
24
e Ie e e
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18 20
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16 14 H P
V V V V V V V V V V V V V V V V V V V V V V V V V V V V V e k e V V 27 V Ie e
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15 17 20 22 15 13 15 18 20 22 P H H HTHT
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28
e Ie e e
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20 22 20 18 15 22 (22)
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Song Title - Artist
Page 5 of 5
33
V V eee V V e V V V I V V V V V V V V V V V V V V V V V V V V V
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11 9 13 16 20 H HTHT H T 10 13 17 20 17 13 10
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Preludio in Re minore Daniele Gottardo P = 180 ` Dm7 C/D B maj7 Am7 _ _ _ _ V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V

Gtr I
17 22 17 15 10
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15 10 15 17 22 17 15 10
P H HTHT P T P P
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17 22 17 15 10
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12 15 17 19 20 19 12 14 17 19 20 8 12 15 17 18 19 sl. H H T H T H T
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20 22 20 17 13
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Dm11
Page 2 of 3
12
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13 15 16 15 13 11 8 9 8 9 13 16 13 9 8 10
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Song Title - Artist
Page 3 of 3
VV V V V e e fV V V 26 e I
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10 13 15 9 12 13 15 17
H H H H H H
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17 22 17 15 10 13 15 10 15 17 22 17 15 10
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(14) (12)

(Guitar Lesson) Daniele Gottardo - Il Tapping

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(Guitar Lesson) Daniele Gottardo - Il Tapping

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G

Capitolo 1 G/D Arpeggi V V V (es.2) V V V (es.3) V V V V V V

Posizione su due corde

Trasporto delle triadi

VVVV V VVVV VVVV

7 4 7 12 1612 7 4 4 7 1216 5 5 HH H P P P HHH H H H H P P P H H

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Quadriadi su una corda

gV V VVV VVVVV VVW

VVVVVVV V V V V V VVVV VV VVVV V V V V V VVVVV

Trasporto delle quadriadi

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Quadriadi su due ottave

VeV V V V V V V V V V V V V V V e V V V eV V VVV d VV V V V V V V V V VeV VeV V

V VVV V eV V V V (es.28) (es.29) V V V V VVV V VV VV V eV V V V V V VVV 11 VVV eV I VVVV V V V V

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VVV VVV V V V V VVV VV V VVV VVV V V V VVV 9 V V V 1 VVV V I8 V V V V V VV VV

Esempio con le quadriadi su 3 ottave (es.31)

V V eV V V V V V V eV V V V V V V e V e V VVV VVV VV VV V V 3 e V V e V VVV I VVV VV VVV

VVVVV VVVVV V V V V VVV V VV VVV VVV V V V VVV 5 V V V I VVV VV VVV V

V eV V V V V eV V V V V V V V VVV V VV V eV V eV V V V V V VVV 7 VVV eV I V V V eV V V V V

Posizione per C add2 ,hammer on mano destra (es.32)

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Fmaj9 + C maj9 V (es.34)

fraseggio con arpeggi sovrapposti (es.35)

VVV VVVVV VV VV VVVVV V V V V V V VV V V VVV V V VV V V V V VVV V V V 6 VVV I V

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Capitolo 2 Scale V (es.37) V V V V V V V V V

Fraseggio su C esatonale (es.39) eV V V V V g g V V V V V V V e VgV V V V VVVV V VV gV VgVgV e V V V V V V V V V V V V V V V V V V V V 6

VgV V V V V V V V V V V e V V V VVVVV V VgVgV

Sequenza dei pattern su una corda in A eolio (es.40)

VVVVV VVVVV VVVVVVVVVVVVVVVV V V V V V V

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Sequenza scalare in A eolio (es.41)

VVVV VVVVVVVVVVVVVVVV V V V V V V V V V V V V VVVVVVV VVVVV VVVV

1 G 2 min 4 (es.42) 2 1 Pentatonica di VVV

1 2 4 2 V Blues di G 1 min V V V V 1 2 4 Pentatonica V 3 V V V V (es.43) V V V g V fV V V V VVV V V V V V V V V VgV V V V fV V 10 13 15 18 15 13 17 15 12 10 10 12 15 17 18 10 18 17 15 12 10

VVVV VVV V VVVV V V V V g V V V V f V V VVV VVV VV e V VgV V V V V 7 e V V f V VV V I V VV

10 13 15 17 17 15 13 H H H H H H H H H P P P P P P P P PEnta blues add2 1 +3 arpeggio di G min7 1 3 1 4 1 3 1 (es.44) 3 1

10 13 15 16 17 17 16 15 13 H H H H H H H H H H H P P P P P P P P P P 1 2 3 Penta 1 2 3 1 4 blues 1 3 2 1 3 1 (es.45) maggiore + arpeggio di2G7

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Posizione per E ionico (es.46)

Posizione per E dorico (es.47)

fV verso il basso in A eolio (es.48) V f V V V V V V V V V V V f V V V V V V VPull V V off V V fV V V V fV V V V V V V V V V V V V V V V V f fV VV W 4 6 6 If 6 6

Pull off verso l'alto in D ionico (es.49)

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Capitolo 3 Esercizi per la mano desta D7 V V V V V V (es.50) V V V V V V

` Esempio in A frigio (es.51) V V VV V V V V V V V V V V V V V eV V V V V V V V V V V 4 V V V V V V V V V V V V V V I V V V V V V

Esempio in F minore (es.52)

Capitolo 4 B7 Chordal Tapping Bm7add4 Bmaj7add6+11 V V fV V f V V fV V fV V fV V V V V V V V V V

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esempio a due voci a base di hammer on su D eolio (es.55)

Esempio su arpeggi lati a base ` di hammer on (es.56)`

Movimento all'unisone delle due mani su A lidio dominante (es.57)

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

Movimento all'unisono armonizzato (es. 58)

ESempio con armonici e pull off (es. 59) Fmaj7

(7)12 (8) 15 8 12 (7) 14 7 11 (9) 14 9 12 (7) 14 7 P H P H P H P

8 12 8 (8)12 10 151013 10 (10) 151013 9 16 9 14 9 (9) 16 9 14 10 171014 10 (10) 171014 8 17 8 8 (8) 17 8 P H P H P H P P H P H P H P 1 4 1 4 14 1 4

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

Song Title - Artist

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

Song Title - Artist