Exposure Sheets

Production: & Son Scenes: 1 - 7

Production Scene Set #

1 2 3 4 5 6 7 8 9 10 11 12

& Son 1 Flashback

Est. Time Camera Shot

OTS/POV Face to Face Face to Face Low Angle OTS Face to Face Face to Face Low Angle fg ECU ECU Wide Low Angle OTS

Second
43

Frames
1075

Action
Barn sits at table watching Gladys singing [Still] Barn giving Gladys Flowers [Still] Barn and Gladys Wed/ Vicar stands between [Still] Barn hold Gladys outside the funeral parlour [Still] Barn painting wall while pregnant Gladys watches Gladys presents a new easal to Barn Barn presents painting of easal to Gladys Barn and Gladys sit in the office and watch Benji grow and dance Family prep for portrait Family pose for portrait EXT Parlour while it rains Barn and Benji stand at Gladys' gave

Approx. Frame Range

175 62.5 62.5 62.5 62.5 62.5 62.5 175 75 50 100 125

Approx. Secs
7 2.5 2.5 2.5 2.5 2.5 2.5 7 3 2 4 5

Camera Movement
Pan Out Still Zoom in Faces Zoom out Track l to r Time laps Time laps Time laps Still Still Still Zoom out

Song Song Song Song Song Song Song

Dial/SFX

Camera

Scene Title Final Frame Range

Notes.

Song Song : Old camera flash Song dies out replaced by rain Cont rain

Production Scene Set #

13 14 15 16 17 18 19 20 21 22 23 24 25 26

& Son 2 Ext & Int Graveyard

Second Est. Time Camera Shot

ECU Establishing Shoulder-to-Shoulder CU Establishing OTS CU CU ECU to Wide ECU Wide Wide OTS Mid CU Establishing 57

Frames
1425

Action
& Son logo on side of coach as it moves Barn and Benji sit side by side on coach as it drives along EXT Graveyard towards SL Barn turns to Benji and looks concered Barn Looking Concerned Coach pulls up to the Graveyard gate Barn and Benji watch over a funeral. Guests are SL as the coffin is being lowered SR. The Vicar reads surmon over coffin. Pall-bearers lower coffin Vicar reads surmon Guest watch on as the widow cries. Widow lowers herself to sit down Widows bum lowers to a chair with a whoopie cushion on The guest are shocked at the noise and the widow embarrised, a little girl gigles Little girl giggles then turns to look at Benji Barn reaches out in shock then turns to look at Benji who is looking cheeky. Benji pulls out a horn and honks it The coach rushes off quickly towards SR

Approx. Frame Range

225 150 75 75 125 75 75 50 125 50 100 75 125 100

Approx. Secs
9 6 3 3 5 3 3 2 5 2 4 3 5 4

Camera Movement
Zoom out Tracking Coach Motion Coach Motion Tracking Zoom in then still Still Still Zoom out to Still Still Still Still Pan from Barn down the Benji Tracking

Dial/SFX
Rain : Coach on floor Rain : Coach on floor Rain : Coach on floor Rain : Coach on floor Rain : Coach on floor

Transition
Cut Cut Cut Cut Zoom through gate to INT Graveyard

Camera

Scene Title Final Frame Range

Notes.

Rain : Widow whailing : Cut surmon Rain : Widow whailing : Cut surmon Rain : Widow whailing : Cut surmon Rain : Widow whailing : Cut surmon Flatulance Gasp Rain Honk Song Cut Cut Cut Zoom out of scene back the EXT Graveyard Cross Fade

Production Scene Set #

27 28 29 30 31 32 33 34 35 36 37 38 39 40

& Son 3 Ext & Int Palour

Est. Time Camera Shot

Establishing CU Wide CU MCU MCU to Birdseye MCU Wide CU MCU ECU MCU Wide Establishing

Second
70

Frames
1750

Action
Coach drives along (from SL) EXT Parlour street and stops outside the Funeral Parlour The Funeral Parlour Sign and window Barnabas is working at his desk while Benji cleans a brass horse Barnabas working at his desk Benji is cleaning then looks towards his dad when he recognises the song Barn is now drawing a bird Barn looks over to his wife's chair Barn looks over to his wife's chair Benji sees him Benji looks at what his father sees (the chair) and looks sad before looking back to his father and giving him a sad smile Barn looks back down at his drawing and strokes it before reaching to the draw He slides the drawing into the draw then closes it and then turns off the radio Benji looks hurt then returns to cleaning Barnabas is working at his desk while Benji cleans a brass horse EXT Parlour - the horse and carrige sets off SL as the sun rotates round. The set moves off SR

Approx. Frame Range

75 75 150 50 100 275 100 50 200 175 150 75 75 200

Approx. Secs
3 3 6 2 4 11 4 2 8 7 6 3 3 8

Camera Movement
Tracking Still Still Still Still Cam tilts into Birdeye Still Still Still Still Pan up with hand Still Still Tracking

Dial/SFX
Song : Horse and Cart Song Song (radio filter) : Pencil Scratching Song (radio filter) : Pencil Scratching Song (radio filter) : Pencil Scratching Song (radio filter) : Pencil Scratching Song (radio filter) Song (radio filter) Song (radio filter) Song (radio filter) Song (cuts off with action) Pencil Scratching Pencil Scratching Horse and Cart : Song (very quite)

Transition
Cut Houses fades revealing INT Palour Cut Cut Cut Cut Cut Cut Cut Cut Cut Cut EXT Palour fades in Set exits SR

Camera

Scene Title

Final Frame Range

Notes.

Production Scene Set #

41

& Son 4 Ext & Int Church

Est. Time Camera Shot

Establishing

Second
50

Frames
1250

Action
Coach enters SR to EXT Church and stops outside gates. The church rotates to left side panel which lifts up revealing the service inside. Benji and Barn stand at the back of the church while a funeral sevice takes place. Benji looks over to Barn then back away again. Funeral guests watch the service Funeral guests wearing hats watch the service The funeral guest's hats start flying off their heads A bored old lady is watching then a hat lands on her head which she enjoys Barnabas run over to some hats and starts collecting them up. He then stops to look over at Benji who is holding a catapult behind his back EXT Church - The side panel returns and the chuch rotates round to the other side.

Approx. Frame Range

200

Approx. Secs
8

Camera Movement
Tracking

Dial/SFX
Horse and Cart

Transition
Zoom in to next shot

Camera

Scene Title

Final Frame Range

Notes.

42 43 44 45 46 47 48

200 100 125 175 75 200 175

8 4 5 7 3 8 7

Shoulder-to-Shoulder Wide ECU Wide CU Shoulder-to-Shoulder to Wide Establishing

Still Still Montage Still Still Pan down to Catapult Still

Vicar Surmon Vicar Surmon Vicar Surmon

Cut Cut Cut

Vicar Surmon : Whoosh Cut Whoosh Disrupted crowd Cut Zoom out to EXT Church continue shot in next scene

Production Scene Set #

49

& Son 5 Ext & Int Church

Est. Time Camera Shot

Establishing

Second
44

Frames
1100

Action
The church rotates to the right side panel as the sun rotates 360. The right panel lifts up revealing a funeral service. Benji and his father are standing at the back. Benji and Barn are standing at the back of the church. Barn is leering over Benji, accusingly Benji shakes his head innocently Barn standing over Benji. Benji uses his foot to hide a tin labeled frogs behind him. A frog then crocks and hops off SL The vicar reads his surmon while Benji and Barn watch over from the back of the church Barn is watching when he hears frog crocking and starts turning his head to see where the noise is coming from. He the realises. Benji is hopping around Barns legs. The attendees are reacting to the frog invasion EXT Church - The church rotates to the tower section

Approx. Frame Range

100

Approx. Secs
4

Camera Movement
Still to Zoom

Dial/SFX
Song (quite)

Transition
Zoom in

Camera

Scene Title

Final Frame Range

Notes.

50 51 52 53

100 50 200 225

4 2 8 9

OTS CU OTS MCU to Shoulder-toShoulder

Still Still Pan down to pull back Zoom out

Song (quite) : Surmon Song (quite) : Surmon

Cut Cut

Song (quite) : Surmon : Cut Frog Crock Song (quite) : Surmon Cut

54

350

14

CU to Wide

Still to Zoom out to Zoom out Still

Song (quite) : Frog Song Song (quite)

Cont

55

75

Establishing

Cont to next scene

Production Scene Set #

56

& Son 6 Ext & Int Church

Est. Time Camera Shot

Wide

Second
48

Frames
1200

Action
The church tower slides to SL revealing the funeral guests stand next to a coffin. Barn and Benji stand behind them watching Benji is sad for the guest. He starts to dance across the church when he bumps into a candlestick that falls over Benji chase after the falling candlesticks that fall in procession The last candlestick falls over, landing on the portrait on the deceased which then leers over as if to fall on the coffin The guests watch in horror The Vicar looks appalled Barn looks horrified then angry as he turns to Benji standing next to him

Approx. Frame Range

225

Approx. Secs
9

Camera Movement
Zoom in

Dial/SFX
Song (quite) Song (Music gets louder for the dance then cuts out apon action) Candlestick Crash Clunk : Creek Horror Shock -

Transition
Cut

Camera

Scene Title

Final Frame Range

Notes.

57

525

21

MCU High angle fly on the wall MCU CU CU CU to Wide

Still to Tracking

Cut

58 59 60 61 62

75 125 50 50 150

3 5 2 2 6

Still Still Still Still Still to Zoom out

Cut Cut Cut Cut Crossfade

Production Scene Set #

63 64 65 66 67 68 69 70 71 72 73 74 75 76

& Son 7 INT & EXT Palour

Est. Time Camera Shot

Wide MCU CU CU CU Wide CU CU CU Wide CU CU Wide Wide

Second
73

Frames
1825

Action
Barn is holding Benji's prank toys while Benji watching in shame. Barn starts throwing the toys away. Benji reached to his mothers chair Benji lowers his hand slowly The Mother's chair Benji stares at the chair while holding his bowtie. He then deflates. Barn holds his hand out and Benji passes over his catapult Barn is holding the catapult in both hands as he goes to snap it in two but stop upon hearing Benji sob Benji is sobbing Barn looks to his wifes chair and realises what he's doing then makes a decision and smiles Barn passes the Catapult back to Benji who hesitates before taking it back Benji looks up at his father puzzled EXT Parlour - Benji is looking up ecstatic at something his fathers hand comes in and ruffles his hair Barn and Benji are standing next to eachother smiling up at something Barn and Benji are standing outside their new shop the Wonder Emporium. Barn is holding a paintbrush and Benji his Catapult

Approx. Frame Range

75 50 100 75 100 75 125 75 550 100 100 150 75 175

Approx. Secs
3 2 4 3 4 3 5 3 22 4 4 6 3 7

Camera Movement
Still Still Still Still Still Still Still Still Still Still Still Still Still Still

Dial/SFX
Throwing : Thud Inhale : Sad Exhale

Transition
Cut

Camera

Scene Title

Final Frame Range

Notes.
Barn and Benji should be in identical positions to shot 62

Cut Cut Cut Cut Cut

Angry Strain : Sob Sob

Cut Cut Cut

"Huh?" Song kicks in Song Song Song

Cut Crossfade Cut Cut Fade out Reverse Shot of the previous shot