KV6

KV1
624

ENTRY TITLE

WORK TITLE OR NICKNAME

KEY #
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SHORT DESCRIPTION FROM K6

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AD 6
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626a

Cadenzas E!n"an"e %% #$Lead%Ins$& '( Ke)*(a+d C(n,e+'! Pa+' I % M(za+'-s O.n C(n,e+'! %%

626aI

%%

%%

%%

64 Cadenzas (/ M(za+'-s '( 0!s (.n K)*d %% C(n,e+'(s1 !n,!2!'s3 In K6 +e4a+5s and 6(,a'!(ns "!7en 8nde+ KV n84*e+ (/ C(n,e+'( ea,0 *e6(n"s '( Printed b !rtaria in 1"#1 as $r%I and !ndr& in 1"#4 as $r%12%

626aI/1 624/1

Cadenza to KV 175 1st Mvmt (version a)

--

--

'o o) C 1er Cen 51 t,e o-ti

626aI/2 --

Cadenza to KV 175 1st Mvmt (version b)

--

--

--

7,i Cad (ette be)

626aI/2 624/2

Cadenza to KV 175 2nd -Mvmt (version a) Cadenza to KV 175 2nd -Mvmt (version b)

--

Printed b !rtaria in 1"#1 as $r%II and !ndre in 1"#4 as $r%12% 7,is Cadenza /it, .2 and .25 be(o/ are t,ree Cadenzas )or KV 175 Mozart sent to ,is sister in (etter o) 8ebr5ar 150 17"2--and /ritten s,ort( be)ore t,is ('o())-M*b 1+7"/7+)% Co1 in 4eo1o(d Mozart;s ,and in <t% Peters <a(zb5r6% Co1 in 4eo1o(d Mozart;s ,and in <t% Peters <a(zb5r6% Co1 in 4eo1o(d Mozart;s ,and in <t% Peters <a(zb5r6% !5to6ra1, on same 1a6e as .11 be(o/3 a(so -ontains t,ro56, bass notations o) t5tti to Con-erto%

'o b)0 --

626aI/4 --

--

626aI/5 --

Cadenza to KV 22" 1st Mvmt

--

:b

--

Pro ('o

626aI/6 --

Cadenza to KV 22" 2nd -Mvmt Cadenza to KV 22" 2rd -Mvmt Cadenza to KV 246 1st Mvmt (version a) --

--

(<e

626aI/7 --

:b

--

(<e

626aI/" --

--

'ri di(e 15r 177 Per

1a1 end .11 Cadenza to KV 246 1st Mvmt (version b) -C -!5to6ra1, on same 1a6e as .12 be(o/%

626aI/+ --

8ro te-, )or 1+7 Con 1a1 <a( 1++

626aI/1# --

Cadenza to KV 246 1st Mvmt (version -)

--

--

!5to6ra1, on same 1a6e as .14 be(o/%

Mo on t,is st5d 177 see

626aI/11 --

Cadenza to KV 246 2nd -Mvmt (version a) Cadenza to KV 246 2nd -Mvmt (version b) Cadenza to KV 246 2nd -Mvmt (version -)

--

!5to6ra1, on same 1a6e as ." above%

(<e

626aI/12 --

--

--

(<e

626aI/12 --

--

?n a5to6ra1, 1a6e /it, 2 in-i1its o) @a dn < m1,onies (!n, !5+)%

'ri 415 @a M*b

626aI/14 --

Cadenza to KV 246 2nd -Mvmt (version d) Cadenza to KV 271 1st Mvmt (version a) --

--

!5to6ra1, on same 1a6e as .1# above%

(<e

626aI/15 624/2

Ab

--

!5to6ra1, on same 1a6e as .17 be(o/3 iss5ed b Com !ndr& in 1"#4 as $r%22% 1er M*b

626aI/16 --

Cadenza to KV 271 1st Mvmt (version b)

--

Ab

--

!5to6ra1, on same 1a6e as .1" be(o/0 t,e t/o Co1 Cadenzas to KV 1#7 (see be(o/ KV 626aII/! and dat :)0 and )ra6ment !n, C15%11% M*b

626aI/17 624/4

Cadenza to KV 271 2nd -Mvmt (version a)

--

!5to6ra1, on same 1a6e as .15 above3 iss5ed b Com !ndr& in 1"#4 as $r%24% 1er M*b (<ee .16 above%)

626aI/1" --

Cadenza to KV 271 2nd -Mvmt (version b)

--

Co1 dat

M*b 1st Ain6an6 to KV 271 2rd Mvmt (version a) 2nd Ain6an6 to KV 271 2rd Mvmt (version a) 1st Ain6an6 to KV 271 2rd Mvmt (version b) -Ab -!5to6ra1, on same 1a6e as .2# be(o/%

626aI/1+ 624/5

<t t,5

626aI/2# 624/5

--

Ab

--

!5to6ra1, on same 1a6e as .1+ above%

(<e

626aI/21 --

--

Ab

--

!5to6ra1, on same 1a6e as .22 be(o/3 on 8ebr5ar 150 17"20 Mozart sent t,ese t/o (a(so .22) (ead-ins to ,is sister in <a(zb5r6%

7,e Mo 17" 1+7

626aI/22 --

2nd Ain6an6 to KV 271 2rd Mvmt (version b) Cadenza to KV 265/216a 1st Mvmt

--

Ab

--

!5to6ra1, on same 1a6e as .21 above%

(<e

626aI/22 --

--

Ab

--

!5to6ra1, in <t% Peters <a(zb5r6 ,as on( Mozart;s 1st 1iano 1art3 anot,er a5to6ra1, in <t% Peters ,as 1st 1iano 1art in 4eo1o(d;s ,and and 2nd Piano 1art in 'o()6an6;s%

'o Per 17" Mo ('o

626aI/24 --

Cadenza to KV 265/216a 2rd Mvmt

--

Ab

--

(<ee .22 above)3 a -o1 in Kremsier Monaster o) 'o entire Con-erto ,as t,is movement;s Cadenza in a Per s(i6,t( s,ortened version /ritten b Mozart% $ov Cad ver Printed b !rtaria in 1"#1 as $r%III and !ndr& in 1"#4 as $r%14% !5to6ra1, in <t% Peters in <a(zb5r6%

626aI/25 624/6

Cadenza to KV 2"2 2rd -Mvmt (version a) Cadenza to KV 2"2 2rd -Mvmt (version b)

--

'o b)0

626aI/26 --

--

7,i Cad in (e be)

626aI/27 624/7

Cadenza to KV 414/2"51 1st Mvmt (version a) Cadenza to KV 414/2"51 1st Mvmt (version b)

--

--

!5to6ra1, on same 1a6e as .22 be(o/3 iss5ed b <t !ndr& in 1"#4 as $r%1% see

626aI/2" 624/"

--

--

!5to6ra1, on same 1a6e as .21 be(o/3 iss5ed b Pro !ndr& in 1"#4 as $r%2% Con M*b

626aI/2+ 624/11

Ain6an6 to KV 414/2"51 -2nd Mvmt (version a)

--

!5to6ra1, on same 1a6e as ..22 .24 be(o/ and <t severa( s=et-,es to 1st movement o) KV 4""3 see iss5ed b !ndr& in 1"#4 as $r%5%

626aI/2# --

Ain6an6 to KV 414/2"51 -2nd Mvmt (version b)

--

--

!5t Con time ('o

626aI/21 624/+

Cadenza to KV 414/2"51 2nd Mvmt (version a) Cadenza to KV 414/2"51 2nd Mvmt (version b)

--

--

!5to6ra1, on same 1a6e as .2" above3 iss5ed b Pro !ndr& in 1"#4 as $r%2% Con M*b !5to6ra1, on same 1a6e as .2+ above and .24 be(o/ and severa( s=et-,es to 1st movement o) KV 4""3 iss5ed b !ndr& in 1"#4 as $r%4%

626aI/22 --

--

--

<=e ori6 Desom Con 1+7

626aI/22 624/1#

Cadenza to KV 414/2"51 2nd Mvmt (<=et-, o) 626aI/22) Cadenza to KV 414/2"51 2rd Mvmt (version a) Cadenza to KV 414/2"51 2rd Mvmt (version b)

--

--

5 meas5re s=et-, )or .22 above3 on same 1a6e as .27 above%

<5r 1+7

626aI/24 624/12

--

--

!5to6ra1, on same 1a6e as .2+ and .22 above <t and severa( s=et-,es to 1st movement o) KV 4""3 see iss5ed b !ndr& in1"#4 as $r%6% ?n a5to6ra1, 1a6e /it, .26 be(o/3 iss5ed b !ndr& in 1"#4 as $r%7%

626aI/25 624/12

--

--

Pro Con M*b

626aI/26 624/14

Ain6an6 to KV 414/2"51 -2rd Mvmt

--

?n a5to6ra1, 1a6e /it, .25 above3 iss5ed b !ndr& in 1"#4 as $r%"%

Pro Con M*b

626aI/27 --

Cadenza to KV 412/2"7a 1st Mvmt

--

--

Co1 in 4eo1o(d Mozart;s ,and in <t% Peters in <a(zb5r6%

7,e -on d5r i) no

626aI/2" --

Cadenza to KV 412/2"7a 2nd Mvmt Cadenza to KV 415/2"7b 1st Mvmt

--

:b

--

Co1 in 4eo1o(d Mozart;s ,and in <t% Peters in <a(zb5r6% Co1 in 5n=no/n -o1 ist ,and--/it, tem1o indi-ations b 4eo1o(d Mozart-- in <t% Peters <a(zb5r63 iss5ed b !rtaria in 1"#1 as $r%IV and !ndr& in 1"#4 as $r%+% (<ee remar=s to .2+ above)3 iss5ed b !rtaria in 1"#1 as $r%V and !ndr& in 1"#4 as $r%1#%

(<e

626aI/2+ 624/15

--

--

7,e -on d5r i) no

626aI/4# 624/16

Cadenza to KV 415/2"7b 2nd Mvmt

--

:b

--

(<e

626aI/41 624/17

Cadenza to KV 415/2"7b 2rd Mvmt Cadenza to KV 44+ 1st Mvmt Cadenza to KV 45# 1st Mvmt Ain6an6 to KV 45# 2rd Mvmt

--

--

(<ee remar=s to .2+ above)3 iss5ed b !rtaria in 1"#1 as $r%VI and !ndr& in 1"#4 as $r%11% Iss5ed b !ndr& in 1"#4 as $r%22%

(<e

626aI/42 624/1"

--

Ab

--

Pro 8eb

626aI/42 624/1+

--

:b

--

Iss5ed b !ndr& in 1"#4 as $r%2+%

Pro 150

626aI/44 624/21

--

:b

--

Iss5ed b !ndr& in 1"#4 as $r%21%

Pro 150

626aI/45 624/2#

Cadenza to KV 45# 2rd -Mvmt Cadenza to KV 451 1st Mvmt --

:b

--

Iss5ed b !ndr& in 1"#4 as $r%2#%

Pro 150

626aI/46 624/22

Ab

--

K1 ori6ina(( 1(a-ed as Cadenza to 1st movement @an o) KV 5273 iss5ed b !rtaria in 1"#1 as $r%CIV and $M !ndr& in 1"#4 as .273 -o1 o) Cadenza is in 4eo1o(d Mozart;s ,and% Iss5ed b !rtaria in 1"#1 as $r%CV and !ndr& in 1"#4 as $r%2"3 a(so on t,is -o1 o) 4eo1o(d Mozart is t,e ornamentation o) meas5res 56-62 o) t,e 2nd movement (K2D626a/II M) o) t,is Con-erto t,at 'o()6an6 sent to $anner( on *5ne +0 17"4% Iss5ed b !ndr& in 1"#4 as $r%15%

626aI/47 624/22

Cadenza to KV 451 2rd -Mvmt

Ab

--

@an $M Cad Ma (ette Mo

626aI/4" 624/22

Cadenza to KV 452 1st Mvmt (version a) Cadenza to KV 452 1st Mvmt (version b)

--

--

Pro 120

626aI/4+ 624/22

--

--

Iss5ed b !rtaria in 1"#1 as $r%IC and !ndr& in 1"#4 as $r%16%

:ad )a5 me not be)

626aI/5# 624/24

Cadenza to KV 452 2nd -Mvmt (version b) Cadenza to KV 452 2nd -Mvmt (version a)

--

Iss5ed b !ndr& in 1"#4 as $r%17%

Pro 120

626aI/51 624/25

--

Iss5ed b !rtaria in 1"#1 as $r%C and !ndr& in 1"#4 as $r%1"%

:ad )a5 me not be)

626aI/52 --

Cadenza to KV 456 1st Mvmt (version a)

--

:b

--

Co1 )o5nd in Mos-o/ /it, .55 and .56 be(o/ in Cad 5n=no/n -o1 ist;s ,and3 is an eE1anded and /it,

a(tered version o) .52 be(o/%

7"4 sam 1+6 o) a 8eb ('o

626aI/52 624/26

Cadenza to KV 456 1st Mvmt (version b) Cadenza to KV 456 1st Mvmt (version -) Ain6an6 to KV 456 2rd Mvmt

--

:b

--

Iss5ed b !rtaria in 1"#1 as $r%CI and !ndr& in 1"#4 as $r%1+%

<t ('o

626aI/54 624/27

--

:b

--

Iss5ed b !rtaria in 1"#1 as $r%CVIII and !ndr& in Pro 1"#4 as $r%24% 2#0 Co1 )o5nd in Mos-o/ /it, .52 above and .56 be(o/ in 5n=no/n ,and%

626aI/55 --

--

:b

--

(<e <=o st (

626aI/56 --

Cadenza to KV 456 2rd -Mvmt (version b) Cadenza to KV 456 2rd -Mvmt (version a)

:b

--

Co1 )o5nd in Mos-o/ /it, .52 and .55 above in (<e 5n=no/n ,and% !5to6ra1, on 1a6e /it, .5" and .5+ be(o/3 iss5ed b !rtaria in 1"#1 as $r%VII and !ndr& in 1"#4 as $r%21% Iss5ed b !rtaria in 1"#1 as $r%CIII and !ndr& in 1"#4 as $r%25%

626aI/57 624/2"

:b

--

Pro 2#0

626aI/5" 624/2+

Cadenza to KV 45+ 1st Mvmt

--

--

'o 110 Cor ('o

626aI/5+ --

Ain6an6 to KV 45+ 2rd Mvmt

--

--

!5to6ra1, on 1a6e /it, .57 above and .5+ be(o/% !5to6ra1, on 1a6e /it, .57 and .5" above3 iss5ed b !rtaria in 1"#1 as $r%CII and !ndr& in 1"#4 as $r%26%

(<e

626aI/6# 624/2#

Cadenza to KV 45+ 2rd -Mvmt

--

(<e

626aI/61 624/21

Cadenza to KV 4"" 1st Mvmt Cadenza to KV 5+5 1st Mvmt

--

--

'ritten dire-t( into a5to6ra1, o) Con-erto3 iss5ed -b !ndr& in 1"#4 as $r%25% Iss5ed b !rtaria in 1"#1 as $r%CVI and !ndr& in 1"#4 as $r%22%

626aI/62 624/24

--

:b

--

Cad 50 1 ('o

626aI/62 624/25

Ain6an6 to KV 5+5 2rd Mvmt

--

:b

--

Iss5ed b !rtaria in 1"#1 as $r%CVII and !ndr& in !5t 1"#4 as $r%223 a5t,enti-it do5bted on st (istiMo 6ro5nds% .62

626aI/64 624/26

Cadenza to KV 5+5 2rd -Mvmt Pa+' II % C(n,e+'! *) O'0e+s %%

:b

--

Iss5ed b !rtaria in 1"#1 as $r%CVIII and !ndr& in (<e 1"#4 as $r%24% %% %%

626aII

%%

%%

626aII/! --

Cadenza to KV 1#7/1 1st -Mvmt b *C :a-,

--

?n same man5s-ri1t 1a6es /it, Cadenzas KV !626aII/: and Cadenzas versions b) o) KV 271 and $an )ra6ment !n, C15%11% 1a1 4eo (7 (<ee KV 626aII/!%)

626aII/: --

Cadenza to KV 1#7/1 2nd Mvmt b *C :a-, Cadenza to K#4# 1st Mvmt b 4 @ona5er

--

--

<ee

626aII/C --

--

--

!5to6ra1, ,eaded Fto t,e )irst mvmt o) Pasti6ioHsi-I Con-erto in DF3 -o1 b 4eo1o(d Mozart a(so eEists% Cadenza /ritten on ba-= o) s=et-, to .6 o) FJaKdeF%

@an (P(a )rom

626aII/D --

Cadenza to ?1 2/4 1st Mvmt b *< <-,roeter

--

--

Gee <-, Cad 177

626aII/A --

Cadenzas to Con-erto o) -Mn=no/n Com1oser

--

@eaded b Constanze F: '%!% MozartF0 b5t0 as Ma man5s-ri1t is neit,er in 'o()6an6 or 4eo1o(d and Mozart;s ,and0 /as moved to !n, C15%11 in KV6% -on to * ?n( in-i1it is =no/n%

626aII/8 --

Cadenza to ?1 2/6 1st Mvmt b *< <-,roeter

--

Ab

--

In * Mo 4eo 626

626aII/9 --

Cadenza to ?1 2/6 2nd -Mvmt b *< <-,roeter Cadenza to ?1 2/1 1st Mvmt b *< <-,roeter FMber6an6F H>I --

:b

--

?n( in-i1it is =no/n%

<ee

626aII/@ --

--

?n( in-i1it is =no/n%

<ee

626aII/I --

--

--

P(a-ed b K6 in !n,an6 C se-tion as C15%11%

!5t s,o and 1ro

626aII/K --

Cadenzas to 2nd mvmt b I von :ee-=e

--

--

!5to6ra1, ,eaded Fz5m !ndante von :ee-=eF3 on Pro 1a6e -ontainin6 KV 16"a and KV 626bII/C3 a -o1 177

a(so eEists in 4eo1o(d Mozart;s ,and on ot,er side o) -o1 o) Cadenza to KV 4#0 (see KV 626aII/C)3 5n=no/n /,at -on-erto o) :ee-=e it /as intended )or% 7/o Cadenzas Hto Mn=no/n Con-ertoI -D --

626aII/4 --

2 5nidenti)ied Cadenzas so(d at a5-tion in 1+160 7,i not,in6 e(se =no/n3 1ossib( identi-a( to 1a6e /it, Mo Cadenzas KV626aII/C and KV626aII/K% 626 8es Dis-5ssed in K6 5nder Con-erto KV 451% --

626aII/M --

?rnamentation to KV 4510 2nd Mvmt Cadenza to Mn=no/n Con-erto 2nd Mvmt

--

--

626aII/$ --

--

--

!5to6ra1, dis-overed in Mi(an on same man5s-ri1t 1a6e as KV 626aII/?3 ,eaded FCadenza ImaF%

$o ?1

626aII/? --

Cadenza to 5n=no/n Con-erto 1st Mvmt S5e',0es and F+a"4en's 4 <=et-, Pa6es

--

--

<ee KV 626aII/$3 ,eaded FCadenza IidaF3 1er,a1s $o -onne-ted /it, 2nd mvmt o) KV 1#7/2% ?1 %% %%

626*

%%

%%

%%

%%

626b/1

--

--

5n=n --

?n 2 sides -om1(ete( /ritten on0 1robab( -1reserved and -ited in main 1art o) -ata(o65e0 b5t not estab(is,ed3 a5to6ra1, (o-ation not =no/n% Contains 4 dra)ts0 in-(5din6 one to an ?vert5re0 one )or @n 1arts3 dra)t to be6innin6 o) a 8565e 1oints to 17"2 datin63 ,as a5t,enti-it remar= o) !(o s 85-,s3 a5to6ra1, in 1rivate 1ossession in Paris%

626b/2

--

<=et-, Pa6e

--

var

--

Kon 17" are ?ve 1ar -om 856 F:o Can me

626b/2

--

<=et-, Pa6e

--

5n=n --

85-,s /rote t,is is a -om1osition st5d )or )ema(e 2 a st5dent3 Mozart /rote 1st Vn 1art and st5dent to6 added 2 a--om1an in6 1arts 1(5s bass3 a5to6ra1, @an (o-ation 5n=no/n% Mo

626b/4

--

F!((e(5PaF

--

5n=n --

85(( 4-1art voi-e s-ore3 t,e 1ie-e -an not be Pos identi)ied /it, an =no/n !((e(5Pa0 (a5to6ra1, (ost)% <to <-, Contents 5n=no/n0 b5t 1robab( identi-a( to

626b/5

--

FM5siL5eF

--

5n=n --

7,i

a5to6ra1, o) M5si- to Pantomime KV 416d in ma Paris :ib( Conserv de M5siL5e3 a5to6ra1, (o-ation t,a not =no/n% FM5siL5eF -5n=n -Contents 5n=no/n3 a5to6ra1, (o-ation 5n=no/n%

626b/6

$ot !((e be6 Ari-

626b/7

--

Pezzo di m5si-aF

--

C(>) --

Is in 4eo1o(d Mozart;s ,and and ,as not,in6 to do -/it, 'o()6an63 a5to6ra1, in Paris Conserv% De M5siL5e% Most (i=e( identi-a( /it, -adenzas )o5nd in 8(oren-e (isted in KV 2+2e3 a5to6ra1, (o-ation 5n=no/n%

626b/"

--

FVoi-e Cadenzas /it, 7eEtF

--

5n=n --

I) -o t,e <-,

626b/+

--

FCadenzaF

--

5n=n --

8or a <o1rano !ria3 s5re( identi-a( /it, KV 2+2e3 -a5to6ra1, (o-ation 5n=no/n%

626b/1# --

QMan5s-ri1tI

--

5n=n --

?n 1a6e addressed to 4eo1o(d Mozart3 1ossib( Pro one o) PrN(5dien )or $anner(>3 a5to6ra1, (o-ation (Ko 5n=no/n% !5to6ra1, (o-ation 5n=no/n%

626b/11 --

FC,anson ave- m5siL5eF --

5n=n --

P(a 45is Ge1

626b/12 --

F4ar6oF0 FC,or5sF

--

5n=n --

!5to6ra1, (o-ation 5n=no/n%

!5t ,an a(t, Mo (7 s-o sedes 5na be(o 177

626b/12 --

FFM5si-F R F:e6innin6 o) -a 8565eF

5n=n --

!5to6ra1, (o-ation 5n=no/n%

:e6 des (P(a

626b/14 --

F<=et-,es to a 2-1art 8565e R -o5nter1oint s=et-,esF

--

5n=n --

Probab( identi-a( /it, KV 275, and KV 417:/63 a5to6ra1, (o-ation 5n=no/n%

!5t 1a1 d5r Vie

$is KV 856 s,o F2" meas5res )rom (ar6e -m5si- 1ie-eF 5n=n -9iven b Mozart;s sister to C(arinetist @* :Nrmann3 a5to6ra1, (o-ation 5n=no/n%

626b/15 --

Des a/a )ra6

626b/16 --

FProbab(e s=et-, to an ?r-,estra( or C,amber M5si- Pie-e F22 meas5res /it, (atin teEt R 22 /it, 9erman teEtF

--

--

Des-ribed as bein6 a 2/4 !((e6ro3 a5to6ra1, (o-ation 5n=no/n%

Pro (Ko

626b/17 --

--

5n=n --

!5to6ra1, (o-ation 5n=no/n%

P(a Can <-,

626b/1" --

F?ne o) t,e )irst --om1ositions o) MozartF

5n=n --

FHCad>IenzenF /ritten in 511er -orner3 a5to6ra1, P,o (o-ation 5n=no/n% 8ed )rom teEt 1er <-, 4isted in main se-tion o) K6 5nder KV 527d% --

626b/1+ --

Parts to an !ria o) CPA -:a-, 2nd @orn 1art to a Mass --

5n=n --

626b/2# --

5n=n --

!5to6ra1, (o-ation 5n=no/n%

!5t 1ar <-,

626b/21 --

FPie-e de m5siL5e a5to6ra1,eF

--

5n=n --

8ra6ment )or <0 Vn0 8(0 ?b0 R V-3 a5to6ra1, (o-ation 5n=no/n%

!5t 21 o) ) 25 !ria 1++ --

626b/22 --

F8ra6ment to a D5et in It(aian0 to a Ps(am o) David /it, :assF FMotivi di 7arante((F

--

5n=n --

Probab( a -o1 3 a5to6ra1, (o-ation 5n=no/n%

626b/22 --

--

5n=n -5n=n --

4isted in !n,an6 C se-tion o) K6 as !n, C2+%4#% -@ad been (isted in K2 a)ter remar=s to !n, -1#+6/223 (isted in !n,an6 C se-tion o) K6 as !n, C11%16%

626b/24 --

F8ra6ment o) ?r-,estra( -)5(( s-oreF

626b/25 --

Credo )/4 Voi-es R strin6s

--

5n=n0 -:b0 Ab

15 meas5res3 be6innin6 /it, /ords Fin remissionem 1e--ator5mF3 on reverse side0 2 s,ort K bd 1ie-es in :b R Ab0 in ,and o) 4eo1o(d Mozart3 )rom <a(zb5r6 time3 -o1 in :er(in <tate 4ibrar %

!5t Cre Ma 1ie,an (Ko

626b/26 !#24

D5et )/2 <o1ranos

--

5n=n --

27 meas5res on teEt FI-, nenne di-,0 o,n; es z5 !5t /issenF3 (isted b $issen in ,is Mozart bio6ra1, 3 1os a5to6ra1, (o-ation 5n=no/n% a-Con o) m $ai F!(e nen 8ra sedat !5to6ra1, in <1o=ane0 'as,in6ton M<!3 27 meas5res%

626b/27 --

8565e )/Ke board

--

--

!5t 'a t,e dat 1++ and 1er 1+"

626b/2" --

:a((o 9avotte o) C' 9(5-=

--

--

!5to6ra1, in 1rivate 1ossession in $V3 16 meas5res /it, 'inds and 7im1ani added b Mozart3 s5re( be(on6ed to arran6ement0 in 4eo1o(d Mozart;s ,and0 o) dan-es and !rias )rom 9(5-=;s FParis 5nd @e(enaF3 !n, C17%123 -arried t,e n5mber "0 and no do5bt ori6inated )rom 1772% 4isted b $issen in ,is Mozart bio6ra1, 3 " meas5res3 ?tto *a,n (isted =e as !3 a5to6ra1, (o-ation 5n=no/n%

Mn= 'o me res 75

626b/2+ !#7#

!da6io )/S5artet )/<trin6s

--

--

--

626b/2# !#"4

S5artet )/<trin6s

--

--

4isted b $issen in ,is Mozart bio6ra1, as -,avin6 74 meas5res0 and on( t,e )irst 1art is -om1(ete3 1robab( identi-a( /it, KV 515-0 /,i-, ,as a11roEimate( t,e same n5mber o) meas5res0 (72)0 b5t in a% Mentioned in K2 and K2 in remar=s to !n, 1#+3 a5to6ra1, in Mozarte5m3 -ontains17-meas5re 41art -anoni- st5d in 90 and a 1# meas5res be6innin6 a )565e in d3 are on reverse side o) 1a6e /it, )ra6ment o) 1(anned )ina(e to M5si-a(

626b/21 --

Canoni- <t5dies R 8565e :e6innin6s

--

9 -and d

Pa1 and 1++

*o=e KV 522a% <=et-, -8 -!5to6ra1, in Mozarte5m0 -ontains s=et-,es to K bd /or=s3 @ess 1res5med it /as a s=et-, to S5artet )/?b R <t KV 26"b%

626b/22 --

Pa6 me voi-on b M )rom 1++

626b/22 --

<=et-,

--

:b

--

!5to6ra1, in Mozarte5m3 is -ontin5ation o) KV 626b/223 s=et-, to 7erzett KV 4"#b

?n s=e 1++

626b/24 --

<=et-,

--

--

!5to6ra1, in Paris :ib( Conserv M5siL5e3 -ontains be6innin6 o) overt5re to an o1era b5))a%

Pa6 me 64 s=e in-a me s=e s=e Ma re6 ser ovv 'a Kon and 177

626b/25 --

<=et-,

--

--

!5to6ra1, in Paris :ib( Conserv M5siL5e3 on same man5s-ri1t 1a6e as overt5re to same o1era b5))a as KV 626b/243 at be6innin6 o) s=et-, F:5))o aria% Gitorne((F is /ritten%

72 to ! F4;a 8es

626b/26 --

<=et-,

--

--

<=et-, )or <!7: is )rom 17723 stood in -onne-tion !5t /it, -o1ies o) /or=s b Mi-,ae( @a dn R Aber(in0 ent !n, !71-""3 a5to6ra1, (o-ation 5n=no/n% me F<to do5 -o5 do5 -an 177 1+7 <-, !5to6ra1, in $e/berr 4ibrar 0 C,i-a6o3 ,and/ritin6 o) 4eo1o(d Mozart%

626b/27 --

4-1art Pie-e

--

--

@as o) ,

626b/2" --

Co5nter1oint AEer-ise

--

5n=n --

!5to6ra1, in Pra65e Mniversit 4ibrar %

!5t 1rin st5d teEt s=e K5n me eEe 5nid <-,

626b/2+ --

Co5nter1oint AEer-ise

--

5n=n --

!5to6ra1, in :ritis, M5se5m0 in 4eo1o(d Mozart;s Ma ,and% me $ov Mo do/ iden Get !5to6ra1, (o-ation 5n=no/n%

626b/4# --

AEer-ises in Co5nter1oint

--

5n=n --

Kon <to FVe Mo <-,

626b/41 --

8ra6ment o) )5(( s-ore )/Voi-e R ?r-,estra

--

5n=n --

Ainstein be(ieved it be(on6ed to 1(anned 9erman <am o1era KV 416a3 instr5mentation indi-ated to be )or Vn0 8(0 ?b0 V-3 a5to6ra1, (o-ation 5n=no/n% !5to6ra1, in :ritis, M5se5m3 1resented b Constanze to $ove((o% Contains 2 Min5ets and 2 7rios )or 2 Vns and :ass3 a5to6ra1, (o-ation 5n=no/n%

626b/42 --

:ass st5d

--

5n=n --

<am

626b/42 --

QMan5s-ri1tW

--

var

--

Ma inst ,as (Ko

626b/44 --

<=et-, to a Contredan-e -F(e mottetF

:b

--

?n reverse side o) KV 626b/263 $M! be(ieves ori6inated in :o(o6na a5t5mn 17720 /ritin6 a11ears to be (ater%

!5t aC Con Mo -an dat Kon 4ind

626b/45 --

Missa so(emnis

--

--

Consists o) K rie0 9(oria and Credo )or 4 Voi-es <en and ?r-,estra3 in-i1it is )rom 9(eissner -ata(o65e% 1er -ata FCo

be Car 1+7 9(is b5t <-, S5artet )/<trin6s -6 --

626b/46 --

In-i1it o) !((e6ro )rom 9(eissner Cata(o65e0 /,ere !nd it is 6iven ear o) 17"2% o) M In-i1it is )rom 9(eissner Cata(o65e0 /it, ear 17"2%

626b/47 --

Ge-itative R !ria )/<o1rano

--

Ab

--

Co1 )ra6 a,a Pai t,is 1+7

626b/4" --

Ke board AEer-ises

--

--

!5to6ra1, in 4enin6rad3 on )ront 1a6e 6 bra-=eted @an staves /it, 5 meas5res0 and on ba-= 2 bra-=eted 17" staves /it, 5 meas5res% (P(a %% %%

An0 A

%%

C(2!es (/ O'0e+ C(42(se+s W(+5s !n M(za+'-s Hand.+!'!n" K rie o) A Aber(in )/2 Voi-es R :asson -ontin5o

%%

%%

%%

!n, !1 221

--

--

4on6 t,o56,t to be /or= o) Mozart0 P)ann,a5ser )o5nd to be /or= o) Aber(in t,at Mozart ,ad -o1ied3 P(at, 1res5med man5s-ri1t (not avai(ab(e to ,im) b 4eo1o(d Mozart%

Ma 4eo Abe Mo

!b, !2 !#21

4a-rimosa o) A Aber(in )/4 Voi-es0 :ass R ?r6an

--

--

Man5s-ri1t 1a6e ori6ina(( to6et,er /it, t,at /,i-, 8ro -ontains !n, ! 1 and (ater deta-,ed3 P)ann,a5ser der )o5nd to be /or= o) Aber(in t,at Mozart ,ad me -o1ied3 P(at, )o5nd man5s-ri1t to be in 4eo1o(d -o1 Mozart;s ,and% ?n same 1a6e as KV !n, ! 23 see KV !n, ! 2%

!n, !2 (K2 D +2-) GeL5iem(>) von A Aber(in )/4 Voi-es R :asso -ontin5o

--

--

8ro !2

!n, !4 226

@ mn5s o) A Aber(in )/4 *5st5m ded5Eit and F? Voi-es R ?r6an san-teF

--

P)ann,a5ser )o5nd to be /or= o) Aber(in t,at Mozart ,ad -o1ied3 P(at, ass5med man5s-ri1t (not avai(ab(e to ,im) to be in 4eo1o(d Mozart;s ,and0 on same 1a6e as C,5r-, <onata KV 124!%

In A FAE -on 1+5 ,an

!n, !5 K2 D ?sanna o) A Aber(in mentioned )/Voi-es

--

--

Man5s-ri1t 5navai(ab(e0 b5t )rom *a,n;s remar=s !5t in 4eo1o(d Mozart;s ,and3 a(so on (ost man5s-ri1t ?sa

5nder !1#+vi

are teEt )rom FDie <-,5(di6=eit des Arsten 9ebotsF ,an KV 25 and vio(in 1art to Missa brevis KV 61a in )rom 4eo1o(d;s ,and% <-, @ mn o) S 9as1arini )/4 F!doram5s teF Voi-es0 :ass R ?r6an -P(at, stated t,is -o1 (not avai(ab(e to ,im) o) 9as1arini;s motet )rom *a,n;s remar=s to be in 4eo1o(d Mozart;s ,and% :e(ieved -o1 made b Mozart as st5d )or ,is 4itaniae KV 125 be)ore Mar-, 1772 in <a(zb5r63 )rom M @a dn;s 4itaniae K% IV/14 H<,erman M@ 66I%

!n, !1# 227

Ma 4eo

!n, !11 !22+

Pi6n5s )5t5rae 6(oriae o) -M @a dn )/4 Voi-es R ?r-,estra

--

?n Mo !5t 176 Cat

!n, !12 !24#

Pi6n5s )5t5rae 6(oriae o) -M @a dn )/4 Voi-es R ?r-,estra

--

Mozart -o1ied t,is 1ortion o) 4itaniae de venerabi(i Pa1 sa-ramento K%IV/12 H<,erman M@ 22"I )rom /,i @a dn;s man5s-ri1t or a -o1 % <a( mo 4ita (<, Mozart as=ed )or t,e tres s5nt /ritten in ,is o/n ,and in a (etter )rom Vienna on Mar-, 120 17"2 and re-eived it da s (ater3 1ortion o) M @a dn;s ?))ertori5m 1ro 8esto << 7rinitatis K%IIa/4# H<,erman M@ 1"2I% In b5nd(e /it, -o1ies !n, !71-""0 on( one in 'o()6an6;s ,and3 @a dn;s ori6ina( ,ad an or6an 1re(5de K%III/21 H<,erman M@ 72I%

!n, !12 K2 D 7res s5nt o) M @a dn )/4 -mentioned Voi-es0 strin6s R ?r6an 5nder !n,1#+vi

--

Pa1 o) 1 ?))e <a( 1++

!n, !14 K2 D !ve Maria o) M @a dn mentioned )/4 Voi-es R strin6s 5nder !n,1#+vi0 $r%14

--

--

:ot -on <a( 1++ ret5 (7

!n, !15 K2 D 4a5da <ion o) M @a dn -mentioned 5nder !n,1#+vi <tabat mater o) -Mar-,ese A 4i6nivi((e )/2 Voi-es

--

--

Mozart as=ed ,is )at,er in a (etter o) Mar-, 120 17"2 )or a -o1 o) Mi-,ae( @a dn;s 4a5da <ion K%IIa/42 H<,erman M@ 215I%

@a in < Cat

!n, !17 !22"

--

Probab( -o1ied b Mozart in !1ri( 177# in 8(oren-e or Gome3 Mozart -o1ied m5si- to $r%10 $r%20 $r%40 $r%"0 $r%110 $r%140 $r%240 $r%260 $r%2# o) t,e <tabat mater3 teEt on( to $r%2 and be6innin6 o) $r%2% P(at, s,o/ed in 4eo1o(d Mozart;s ,and%

Mo a11 5se and !5-

!n, !1" (K2) !n, 1#+iE

At in terra o) 4 Mozart

--

--

Is 1 be(i 1+7 Mo

!n, !1+ (K2) C5m san-to s1irit5 o) 4 mentioned Mozart 5nder !n, 1#+iE Psa(m o) Car( 9eor6 Ge5tter

--

--

P(at, s,o/ed in 4eo1o(d Mozart;s ,and%

Is 1 be(i 1+7 Mo

!n, !22 +2

FDe 1ro)5ndis -(amavi ad C te DomineF

--

4on6 t,o56,t to be /or= o) Mozart0 P)ann,a5ser )o5nd to be a -ontin5o red5-tion o) /or= o) Ge5tter%

Pa1 Pra $M (P)a

!n, !22 !#22

Psa(m o) Car( 9eor6 Ge5tter

FMemento Domine DavidF

--

P)ann,a5ser estab(is,ed a -o1 (s=et-, st5d ) o) Mo Ge5tter;s /or=% 127 (P)a b M -on < m doe 5n= (Ko

!n, !2# (K2) !n, 1#+E

Canon o) *o,ann P,i((i1 -Kirnber6er

--

Mozart;s so(5tion o) Kirnber6er -anon0 /,i-, Mo ori6ina(( ,ad teEt F'ir irren a((e samtF0 1a6e a(so <-, -ontains eEer-ises and t/o )5rt,er notations o) Canon in 8-maPor%

!n, !21 227

2-1art Canon o) 'i((iam HF? /5nder s-,Xn ist : rd 9ottes ArdeFI

--

7eEt(ess -anon 1rinted b :R@ /it, teEt F? ?ri6 /5nder s-,Xn ist 9ottes ArdeF in ?e5vres3 -anon a5t =no/n in An6(and /it, teEt F$on nobis0 Domine0 non nobisF attrib5ted to : rd and 1rinted 1rior to Mozart;s (i)etime%

!n, !22 K2a D !n, 4-1art Canon o) Padre 1#+iia 9: Martini

HFPsa((ite Domino Psa((ite 8 Domino in -it,era;I

--

Canon )rom Martini;s F<toria de((a m5si-aF3 Mozart @an -o1ied /it,o5t teEt and reso(ved3 Mozart;s -o1 (P(a a11eared to ori6inate )rom *5( or !56 17## in :o(o6na or (ater3 on same 1a6e /it, 4-1art Canon ! !22%

!n, !22 K2a D !n, 4-1art Canon o) Padre 1#+iia 9: Martini

HFCantem5s DominoO 6(oriose enim ma6ni)i-at5s estFI

--

Canon )rom Martini;s F<toria de((a m5si-aF3 Mozart @an -o1ied /it,o5t teEt and reso(ved3 Mozart;s -o1 (P(a a11eared to ori6inate )rom *5( or !56 17## in :o(o6na or (ater3 on same 1a6e /it, 4-1art Canon ! !22% Man5s-ri1t (in 1en-i() dates )rom sometime a)ter 177#0 i) t,e ,and/ritin6 is t,at o) Mozart3 it is not o5t o) t,e L5estion Mozart ,ad be65n to -o1 o5t a -om1osition o) an o(der -om1oser%

!n, !5# K2 D !n, Instr5menta( movement -222)/2 so(o Vio(ins R ?r-,estra

--

Ma be6 <in 1+6 sett (Ma sim

-om Mo 177 < m1,on o) K8 !be( -Ab -Mozart;s -o1 o) !be( < m1,on ?1%7/6 made in -4ondon in 17643 Mozart s5bstit5ted t/o C(arinets )or 2 ?boes3 ear( t,o56,t to be a5t,enti- Mozart and n5mbered < m1,on .2 in !M! <eries "% Co1 o) be6innin6 o) )ina(e o) @a dn;s < m1,on P%42 H<,erman 2"7I3 /it,o5t =no/in6 man5s-ri1t o) Mozart;s 5nab(e to state i) )rom ear(ier <a(zb5r6 time or d5rin6 17"2 visit3 <% <e-,ter 1rovided /it, introd5-tion and added 252 meas5res to Mozart;s (45 meas5re) be6innin6 in a 4-,and arran6ement o) /or=% Mozart -om1osed ne/ introd5-tion ;!da6io maestoso; KV 425a and -o1ied o5t remainder o) )irst movement o) M @a dn < m1,on in 9 P%16 H<,erman 224I )or same -on-ert in 4inz t,at < m1,on KV 425 /as 1er)ormed in ear( $ov 17"2% Antire s m1,on 0 /it, !da6io maestoso0 15b(is,ed in !M! as < m1,on .27% Mozart Potted do/n o1enin6 meas5res to 2 8ranz @a dn s m1,onies ($r%75 in D0 $r%47 in 90 $r%62 in D) and anot,er to an 5n=no/n s m1,on in C0 on ba-= o) 1a6e /it, -adenza to !ndante o) a Piano Con-erto3 asso-iated /it, (etter o) Ma 150 17"4 in /,i-, Mozart /rites ,e o/ned @a dn;s (ast t,ree s m1,onies% Mozart made t/o -o1ies o) 8565e0 one )or 1iano (22 mm%) anot,er )or strin6 L5artet (4+ mm%)3 8rober6er;s -om1osition ori6ina(( 1rinted in 165# as FP,antasiaF%

!n, !51 #1"

!n, !52 2+1

8ina(e o) a < m1,on (8565e) o) M @a dn

--

--

Mo 5se 4inz 1er 1+" (<,

!n, !52 444

< m1,on o) M @a dn

--

27

?n( rem on( 4inz (Ja s m H<,

!n, !5+ K2 D 2"7d 4 In-i1its o) < m1,on Movements

--

var

--

Ge) to M not eE1 me (Ja b M

!n, !6# !2+2

4-1art 8565e o) ** 8rober6er

--

--

Pia ver som ,an Pre 1++ Mo (P(a

!n, !61/62

K2 D 154a 2 <ma(( 8565es (Versetten) )/Piano (or ?r6an)

--

9R Ab

--

Pie-es ver ($o <566estions)0 1er,a1s -o1ies o) /or=s o) o(der <a(zb5r6 -om1osers (M5))at or Aber(in>)3 bot, /or=s on same 1a6e%

@an )rom 1+" Mo no/ t,e

!n, !65 K2 D

!da6io )/K(avier(>)

--

--

Mozart;s man5s-ri1t dates )rom bet/een 1772 and !5t

!2#6a

1774/753 (i=e( t,e ornamented version o) an !da6io o) 5n=no/n ori6in%

Jas doe inte ,a() 1(a !(a

!n, !71 K2 D !n, C,5r-, 'or= o) M 1#+vi @a dn

FIn te Domine s1eraviF

--

7+ 1a6es /it, 152 /ritten on sides o) vario5s -,5r-, /or=s o) M @a dn and Aber(in a(( in 4eo1o(d Mozart;s ,and (/it, eE-e1tion o) $r%14-see KV !n, !14)%94"

4eo (<1+7 720 M@

!n, !72 K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

FMissaF

--

(<ee !n, !71%)

4ist (1+ <a(

!n, !72 K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

FMissaF

--

(<ee !n, !71%)

4ist (1+ <a(

!n, !74 K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

FMissaF

--

(<ee !n, !71%)

4ist (1+ <a( --

!n, !75 K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

FGe-essit 1astorF

--

(<ee !n, !71%)

!n, !76 K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

F7enebraeF

--

(<ee !n, !71%)

--

!n, !77 K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

9rad5a(e 1ro Domini-a in Pa(mis F7en5isti man5mF

--

(<ee !n, !71%)

'ri dat <o-

!n, !7" K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

?))ertori5m Ab FIm1ro1eri5m eE1e-tavitF

--

(<ee !n, !71%)

'ri dat <o-

!n, !7+ K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

Comm5nio FPater0 PaterF -

--

(<ee !n, !71%)

'ri dat <o-

!n, !"# K2 D !n, C,5r-, 'or= o) M 1#+vi @a dn

F7enebraeF

Ab

--

(<ee !n, !71%)

'ri (<, --

!n, !"1 K2 D !n, C,5r-, 'or= o) A

Motett FIn nomine *es5F 6

--

(<ee !n, !71%)

1#+vi

Aber(in FC,rist5s )a-t5s est 1ro nobisF FDomin5s *es5sF 6 -(<ee !n, !71%) --

!n, !"2 K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

!n, !"2 K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

--

(<ee !n, !71%)

--

!n, !"4 K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

F:enediEisti DomineF

--

(<ee !n, !71%)

--

!n, !"5 K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

FDeEtera DomineF

:b

--

(<ee !n, !71%)

--

!n, !"6 K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

FC5m <an-to <1irit5F

--

(<ee !n, !71%)

8ro Abe 7ra

!n, !"7 K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

FK rieF

--

(<ee !n, !71%)

8ro Abe 7ra

!n, !"" K2 D !n, C,5r-, 'or= o) A 1#+vi Aber(in

FC5m <an-to <1irit5F

--

(<ee !n, !71%)

8ro Abe 7ra