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Schultz and Tokeley-Parry to hide the stolen nature of the antiquities, said the U.S. Attorneys Office. A Fine Head And George According to evidence at the trial, Schultz tried to sell an antiquity he procured from Tokeley-Parry, a head of the 18th-dynasty pharaoh Amenhotep III, to a possible museum buyer for $2.5 million, describing it as the finest ancient Egyptian object on the market and eventually selling it for $1.2 million. Another object that trial evidence showed Schultz obtained from Tokeley-Parry, nicknamed George, was a sixth-dynasty limestone-striding figure, which Schultz tried to sell for $825,000. A U.S. Criminal Charge, Based On A Foreign Law Schultz had sought to dismiss the indictment, asking the court to rule that antiquities could not be considered stolen merely because an Egyptian law declares them to be state property. But the federal district court for the Southern District of New York disagreed, sending the case to trial on Jan. 28. The decision was seen as a major victory for supporters of national patrimony laws, which are enacted by foreign nations seeking to control the illicit trade in antiquities dug up from their soil. The case attracted wide attention. Dealings in foreign antiquities subject to foreign patrimony laws had resulted in criminal punishment outside of New York, but it was not known whether the case here would reach the same result. In seeking to dismiss the indictment, Schultz was supported in a friend-of-the-court brief filed by dealer groups, including Christies, the Art Dealers Association of America and the National Association of Dealers in Ancient, Oriental and Primitive Art. In an opposing court brief, the Archaeological Institute of America and other groups supported the indictment. The Inscrutable Second Circuit Schultzs appeal will place before the U.S. Court of Appeals for the Second Circuit the question of whether a foreign patrimony law can make an object stolen for purposes of bringing a criminal charge under the NSPA. Recently, the Second Circuit deftly dodged a similar question, offering only a few bare hints of its thinking, which lawyers scrambled to decipher. Like an oracle that can barely be urged to mutter, it will now be prodded to speak to this question again. 2002 The Art Newspaper