Professional Documents
Culture Documents
of
Hamlet's Mystery
Translated from the
German
of
Karl
By
Werder
)
Elizabeth Wilder
With Introduction by W.
J.
Rolfe
heart of
my
mystery!"
G.
P.
Putnam's Sons
York and London
1907
New
COPYRIGHT, 1907 BY
ELIZABETH WILDER*
is
published under
arrangement with
edition,
the
publishers
of the
original
&
Co., of Berlin.
iffocfc
KARL WERDER
ill
UNIVERSITY
of
V4irroH\>^
PREFATORY NOTE.
THIS translation has largely grown from the interest excited in this country and abroad
by the extracts from Werder's Lectures on Hamlet in Dr. Furness's admirable edition of
the play.
The
of
Berlin,
included
extended
quotations
and
upon various German theories of Hamlet; but as most of this matter had no
discussions
it
Werder's presentation of
only so
as
it
his
own
theory, with
much
For
this rea-
son the
was wholly
my
W.
J. Rolie,
vi
Prefatory Note
my
student
this
work
possible,
and
My
selhoeft
and Rolfe, of the University of Pennsylvania, for kindly counsel and encouragement.
E.
W.
UNIVERSITY
Introduction
BY W.
J.
ROLFE
THE Hamlet problem has been well called " the Sphinx of modern literature." Its deep
mystery baffles us, but we return to it again and again in the vain hope of solving it. Some
" a one has said that
man ought,
perhaps, to
change his opinion concerning this drama once every decade during the first forty years of
existence;
it
While studying it for more than forty years I may have modified my own opinion in some
measure oftener than that; but since I became
acquainted with the Werder theory I have been
Introduction
made
to solve
theory that
woman
key to
"
line,
the character
is
to be found in the
He 's
fat
but
in
in the
man
himself, not in
what he has to
early
do.
The
critics
influence
of these
and eminent
the
is
first
problem
well
by Professor Hiram
Shakespeare (Bos-
Corson
in his Introduction to
ton, 1889).
He
says:
"
am
The former theory was set forth by Mr. Edward P. Vining in The Mystery of Hamlet (Philadelphia, 1881) and the latter in the Popular Science Monthly (May, The Impediment of Adipose 1860) in an article entitled a Celebrated Case "the case being that of Hamlet.
1
;
* '
critic Loening also (as quoted by Tolman) "thinks that the evidence points to an internal fatness, fatness of the heart and he believes that this physical
;
The German
Introduction
Goethe, by the substantially similar theories they advanced in regard to the man Hamlet, contributed
sound criticism of the play than any other critics Their dicta were generally or any other cause.
accepted as quite final; and
student
many
a Shakespeare
now
living,
may
and had not a glimmer of suspicion that in the main they might be wide of the mark."
Goethe's famous criticism, which appeared in
Wilhelm
Meister's
Lehrjahre
in
1795,
but
which attracted no special attention in England until Carlyle's translation was published in
1824, need not be quoted in full here.
of
it is
The
gist
"
To me
pict a great
performance
In
this
composed throughout. Here is an oak-tree planted in a costly vase, which should have received into
its
the vase
noble,
shivered to pieces.
beautiful, pure,
Introduction
burden which
every duty
impossible
is
is
it
off;
holy to him,
The
required of him,
on
Shakespeare
in the
Hamlet
"
He
says:
Man
is
constantly
maintained
between
the
impressions
from outward objects and the inward operations of the intellect: for if there be an overbalance
in the contemplative faculty,
man
thereby becomes
the creature of mere meditation, and loses his natural power of action.
... In Hamlet
this
bal-
ance
is
very perceptions, instantly passing through the medium of his contemplations, ac-
and
his
Hence we
and a proportionate
Introduction
/
upon
it,
with
qualities.
This
der which
moment:
Hamlet
but he vacillates from sensibility, and procrastinates from thought, and loses the power of action\
in the energy of resolve.
.
He
mistakes the ^
action
is
was thought by some critics that Coleridge was indebted to A. W. Schlegel, whose Lectures
It
but
"
to
an assertion of
'
my
is
in these words:
That
German
'
!
Collier,
who, in
Introduction to Hamlet
(1843), declares
Introduction
The whole
is
the relations
power
it:
'
of
acting;
as
Hamlet himself
ex-
presses
And
And
With
and moment,
awry,
'
And
lose the
name of
of
actioh.
He
acts
the
part
merely by them unwelcome truths and rallying them with the most caustic wit. But in the reso-
amine into
his
supposed
loss of reason
telling
lutions
too apparent:
and Hercules.
He
for
necessity to artifice
natural
inclination
crooked ways;
he
is
Introduction
are often mere pretexts to cover his
:
want of de-
which have
'
And
The
earliest
posite theory
one,
and, to
my
wholly due to
first
J. L. Klein, propounded by ^
**^t* "-*
*-
Mod-
**"**''*'**
enspiegel in 1846.
first
am
(1877), to which I
ing extracts:
"
is
am
The
secret guilt.
its
Over
fratricide, with
which history
here in this
introduces
horrors,
there
rests
drama a heavier and more impenetrable veil than There the blood of a
murdered without any witness of the deed,
brother, in sleep, far
Here the
stolen
Introduction
.
.
For
no
this
deed of blood
ear.
no
human
is
eye,
its
human
The
murders discovery. This The murdered globe of earth has rolled over it. man is the grave of the murder. O horrible, O
is
murder
that
it
'
'
!
Over the
first
fratricide
This
no blood
murdered brother, dispatched without a trace, has ' to cry woe over him, except his blood
' !
....
known
to
Him
The
who
son has no other certainty of the unwitnessed murder than the suspicion generated by his ardent
filial love,
'
my
prophetic soul
no other power of proving it but that which results from the strength of his strong, horror-struck
understanding, highly and philosophically cultivated by reflection and education; no other
testi-
mony
penetrated by his
upon
Introduction
derer than the clear insight of his
9 own
soul.
ance
is
impossible,
for
its
it
aim
hovers
Vengein an
it-
ideal sphere.
self,
It falters,
and
it
must do
it
sure basis,
lacks
before
God and
The
The nature of
the
crime has,
as
it
to
deed of blood,
are
it is
shattered to pieces,
soundless,
silent
it
its
wings
has
broken.
The
deed
dumb.
The
horrible!
must thus be
His power
wrought upon the pure blood of the father, works on in the son, and corrodes the sinews of his
resolution.
in the
Ghost
is
not this
the son?
io
'
Introduction
the cue to passion/ which must spur
word,
him
on
to take public vengeance upon a crime which no one suspects but himself? No! if Hamlet is not to be pronounced by all the world to be what
No!
if
he
is
not to appear
Denmark, with
and nobles
' '
Ghost
which he undertakes
!
to punish, a parri-
cide
No
if
In the
to
be sought.
is
The
assassination,
for
which there
mind,
the
is
The
quality of
Hamlet and
come
not
from
an
idle
fondness
for
"
It is the only
one of
all
dies in
lies outside
Introduction
its
1 1
sphere.
illustra-
As
insight into
human
history,
it
was incumbent on
all
him
in
dogma above
doubt
a case in which
all
the
earth o'erwhelm
them
to
men's eyes/
is
import.
By
The
this
fundamental idea
it is
Hamlet
to be
explained.
clear.
This
tragic action
Hamlet's ap[Dialektik].
parent action
is
a prodigious logic
a stormy struggle
moment
real
at
its
utmost tension;
and
the
this
is
the
action,
the
movement
critics
in
tragedy, but
Introduction
digger, and
action
is
dispatching business.
else is personified
than
consciousness,' which is unable to act, even were it run through with a spit [gespiesst]."
In the introduction to
my
revised
is
edition
curious
Werder theory of Hamlet's character was anticipated in an article on Romeo and Juliet, by
George Fletcher, which appeared
in the
WestIt
was
first
noticed
it
while editing
Romeo and
ness,
Juliet.
It
and
mentioned by
Corson (in
his Introduction
to Shakespeare),
is
found in Klein's
article,"
in
a para-
Introduction
13
He
which I
evil practices
of earth, the
to
perplex and to
Where every god did seem to set his seal, To give the world assurance of a man/
out against
Fortune,'
'
bears
it
rageous
and
yet,
And
up
cannot the
critics
of this
Shakespearian masterpiece
and
that
Schlegel,
its
and
'
Coleridge
notwithstanding
hero
is
rible
has a preternatural embarrassment of the most horkind superadded find any adequate source of
his calamities but in
'
as the
his
'
morbid
'
'
disproportion of his
own
character
his
'
excess
'
de-
ficiency
We may
ere long
find occasion to
of
'
inauspicious
so
continually recurring
as well
grounded as that
14
Introduction
and im-
and
'
will,
with sympathy
to dare,'
the
hand
no
than
'
and
all
harmoniously
combined into
However he
might have developed the conception of the character and the situation here expressed, it
is
" source of Hamlet's preternatural embarrass" was not subjective but objective a ment " " in which outrageous Fortune fight against " " no less than " the he had the hand to dare
will to do,"
might
be.
Hamlet at the University in Berlin during the winter term of 1859-1860 and again
lectures on
Introduction
in that of
in 1875,
1871-1872.
The
is
fully accepted
by Furness and by Corson, as by not a few of the recent commentators and critics. Hudson, who in the first edition of Shakespeare s Life,
9
(1872) had taken the ground that insanity was the real explanation " in of the character Ham-
Art
and Characters
that,
plain terms,
let
is
partial
and
paroxysms of wildness and fury alternating with intervals of serenity and composure," adopts the Klein-Werder theory in
occasional,
1882.
his views of
in the course
acquainted with Werder's discussion of the subject through Furness's edition of the play.
:
He
me
still,
Introduction
feeling that
its
contents
either in this
country or in England, to refute this theory. Professor Alfred H. Tolman, in his Views About
re-
drama that has been put forward in recent While he does not accept it he admits years'?'
the
that one of
its
advantages
is
" also that is at once adequately motived ; " exalts and ennobles our conception of Hamcharacter."
let's
He
all
The
now
Prince
claims
whom we
also
love
and
pity
our
unqualified
admiration.
As
is ill-fated,
he stands forth
spot, or wrinkle, or
any such
Fate,
"
the
Introduction
and the progress of the action are " and the critic feels this so intensely tragic
situation
;
deeply that he
peare might have written this Hamlet also." " But, after all, he decides that he must renounce
Werder and
works." " And why ? Werder does not give the natural interpretation to the first commission of
all his
'
'
But, as
Klein and
Werder
a case
of
this, in
like this,
re-
venge.
As Werder says
in a
the
King before
the proof
is
adduced would
the
murder of justice!" Verily, in Hamlet's own words, this would be " hire and salary, not
revenge."
is
unexampled
Introduction
fills
his mind.
After explain-
ing what seems to him to be the real situation when Hamlet discovers the King at prayer, Werder says:
'
Hamlet,
no!
it
is
But the
says
it
instead/
method.
of
'
He
is
own view
effort to
he makes
little
prove that
made
it
and why and how it " says " what it would be superfluous for Hamlet to say; and our " It must critic adds in the same paragraph be admitted, though, that the words of the hero
:
In other words, they will not believe what Ham" the state of the let says when case," as they
see
it,
On
"
Tolman remarks :
a
conventional
Dramatic
largely
Introduction
19
...
is
If
we can
ex-
plain
away
that
pose
speaker
systematically
human powers."
re-
Then he proceeds to declare that the sults which Hamlet says he has in view
in
King
namely, to satisfy
and to surare
King
"Both
are pre-
and he has
little
hope of
any open confession from the King." That " the state of the is, case," from the writer's
point of view, shows that Hamlet
lies
about his
j
purpose
in getting
up
the play.
He
;
does
it,
as
we are
the
told, because
King by means of
is
apart from
2<f
Introduction
only other point worthy of notice that
The
our
critic
is
"There
which asks us to believe that Goethe and Coleridge misunderstood the play completely, and
that they have been followed in their error
x
by
He
admits that
"a
adds that
"Werder
'
:
nises that a
upon
That
the most
of
its
existence.'
'
prehends Werder's meaning. As I understand it, he merely expresses his surprise that the critics have been so slow to discern what seems
to
him to be the simplest and most satisfactory solution of the Hamlet problem.
Goethe and Coleridge, as Corson suggests,
first critics
of
Introduction
plausible,
and were generally accepted, partly on that account and partly because of the re-
comments on the
description ascribing " an " overbalance in the contemplative faculty on account of which he " became the creature of
play and did not review them later; and Cole" an admirable ridge, as Corson remarks, gave " of himself in to Hamlet
power of
was not so very long, however, before these views about Hamlet began to be questioned.
It
Ziegler
suggested
doubts
concerning
some
1845,
Klein
attacked
them vigorously
expression to the
in
1846, Werder
gave
full
new theory
in 1859,
and was
Furness, pre-
eminent
among
first
was the
if
to
make
it
known
in this country,
it
has since
22
Introduction
scholars
Professor Tolman frankly " The admits this fact, but says popularity of
and
critics.
me
to be parallel to
These
ures
and self-consistent than the very Scriptwhich suggested them and which they " " reScriptures sought to explain." If the
now
No
doubt there
many who, my have " often wished " that they might see their
Hamlet
in this
may
yet
dawn upon
The only other noteworthy attempt to refute Werder's views that I have seen is in Profes-
Introduction
sor A. C. Bradley
in his
5
23
He
objects
first,
begin-
any external
diffi-
"
culty
;
and he asks
"
That
the
not external
is
the assumption of
is
the critic.
That
it is
external
clearly implied
and strength and means to do it." The difficulty is not in himself, but in what he is
required to do.
ways assumes that he can obey the Ghost," and that he " asserts " it in the passage just quoted. He " can " do it, but he must not do it until
the external difficulties are removed.
1
"
Thirdly,
Why
does
Shakespeare
exhibit
King?
Why
easily
Hamlet,
whom
24
Introduction
have done the same thing, if that was the plan " The petty revolt stirred up he preferred? by Laertes was a minor incident in Shakespeare's plot,
is
significance.
It
absurd to suppose that Hamlet could have ac" much more " in any complished his task easily
such way.
better than to attempt it. " Hamlet did not plan the playFourthly,
He knew
He
accord-
ing to his
himself by
own account,
in order to convince
Hamlet takes
it
for
" occulted granted that if the King betrays his " in such a manner that he and Horatio guilt
can see
it,
it.
In the preceding
sitting at a play
Have by
Been struck
will
speak
Introduction
25
These criminals " proclaimed " their guilt to the audience but Hamlet's experiment has been
;
It satisfies
him and
the
King
is
appear not to have seen anything suspicious in his behaviour, or they may have supposed that
it
illness,
talks,
or shows
King
public justice;
'
lie
sword
or
his
'
arm/
And
this
is
so
just as
much
event.
Denmark with
it
the
this
was before
When
'
Now
'
he says,
Now am
arm?'"
Hamlet
talks of using his
fit time to accomplish it " until he can bring the King to pub-
justice."
26
Introduction
is
now
clear that
the
King has
perhaps he
may
But Ho-
ratio,
his confidant,
must
blow.
still
refrain
decisive
He
Yes, you
may now do
the
King
will
nor to
!
"
say
:
Enough
is
What
wanted
but rather
still
Hard
as
it
is
you must
do
it
on the King!" These are all the points that Dr. Bradley attempts to make against Werder, and I treat
them very
The
English
critic himself
adds:
Introduction
"
let
to
when Ham-
was
'
how he
his
own
freedom.
And
assuredly, also, he
vengeance should not be misconstrued, and would never have been conhis act of
tent to leave a
wounded name
'
behind him.
His
may add
own explanation
of Hamlet's inaction is that he was the victim of " melancholy, not dejection, nor yet insan-
" though it is very probable that he was not far from insanity." He adds
ity,"
:
"
even
determine
its
species,
see
am
grateful to
him
spirits;
and
many
would understand
it
an ac-
If
we
word
'
disease
'
loosely,
let's
condition
may
HamNo
if
Even
28
Introduction
remained for
This theory
is
and
able
ability
and ingenuity.
No
student
of
fail to find
though
he
may
it
To my
it,
as to all the
and
it
me
may, however, be considered the least objectionable of those which assume that Hamlet
is
difficulties.
As Dr. Bradany
may
be held without
Shakespeare
exhibi-
must prevent us
from being
Introduction
Certainly there seem to be such inconsistencies
29
instance.
The testimony of
makes him
thirty.
The man
't
king Hamlet overcame Fortinbras," which he further says was " the very day that young Hamlet was born." Again, Yorick's skull has " three and lain in the earth twenty years," and Yorick used to bear the boy Hamlet on his
back when, we may suppose, he was seven years old. This seems mathematically definite; but,
on the other hand, we
find
accumulated evidence
Perhaps we
can lay no stress on the fact that he has just come from " school " that from the univeris,
sity
for critics
tell
us
That may
be,
but the
in
30
Introduction
more marked
later
is
even
to the
4):
"
to him.
And
tween
Much
Can
this
refer to
man
of thirty?
No
you
afterwards
"
:
Nay,
"
;
then, I
is,
'11
set those to
'11
that
will
"I
report you to
It is
worthy of note that, in the speech just before " " the this Why, how now, Hamlet ? quarto " of has "
1603
fers to
calls
How now, boy ? Horatio rehim as " young Hamlet," and the Ghost him " noble youth " and alludes to his
blood."
"
young
Introduction
31
The King
Guildenstern as
"
And
so
neighboured
to
his
youth
and
haviour" ;
that
is,
young companions of
in
this
young
fellow.
fencing, which Claudius calls " a very riband in the cap of youth," points He is, moreover, of in the same direction.
His interest
is
studying
Hamlet
at Wittenberg,
and the
much beyond
twenty.
How
the
digger's reckoning?
accidental
slips
arithmetic
to
which
Shakespeare was prone; and the added reference to Yorick's age indicates that it was intended to be a definite statement of Hamlet's
32
age.
Introduction
Perhaps we may, with many
critics, ac-
'
I look
on
as certain that
reflection,
life,
knowledge of
necessarily
was
thirty
him then, but not his age when Laertes and Polonius warned Ophelia against his youthful fancy for
her, etc.
sistent
The two
this
on
main point
Mp
him
as about twenty-five.
and particularly
if
he had done
it
with a
view to publication
the play as
we
find
it,
ex-
Introduction
plaining
its
it
33
inconsistencies
problems
involves
do
theory seems to
me
factory.
It
is
by
made
in the story
on which
it
in the character
of the hero.
He took
directly or
either
subject
through the earlier lost play on the from the old mythical history of Denincidents in the early part of the
mark.
The
modification.
is
murdered openly at a banquet by his brother, and no ghost is needed to expose the
father
crime.
The
He
who, as he
is
father's death.
He
34
his
Introduction
own
life,
is
but
justifies
His subsequent exking. periences have no connection with the play and
need not be recounted here.
people, and
made
changes the
and tone of
it
completely.
He
transfers
the scene
tury, and modifies the character of his hero acThe original Hamlet was a man of cordingly.
his race
and of
his age.
duty of revenge were those of the ancient Norsemen, as simple as they were savage. Claudius, in talking with Laertes, expresses them con" should have no bounds." This
:
cisely
earlier
his
way
at once
and
clearly.
He
kills his
fers.
As he
says:
"
is
a just reward
thou comest in
hell,
thy brother
it
was
his son
Introduction
35
may
rest
among
quit
his
.
me
me
to
f
pursue
my own
relative]
and in the next sentence the historian tells us that Hamlet, in what he had done, was " hardy,
courageous, and worthy of eternal commendation."
He goes on to cite the example of David, "a holy and just king, and of nature simple, " courageous, and debonair," who, when he died,
charged
his son
"
of all his actions," would not have done " if God himself had not inspired that this
desire of vengeance within his heart."
God
The
garding
ligation
this
of
as
identical
with the
and practice. Now this original Hamlet is just the man that so many excellent critics would have
ancient
Hebrew
36
Introduction
it
is
not the
man
no Norse
his
He
it
has that old Norse blood in his veins, and " " prompted the impulse to sweep to his refirst
venge when he
uncle's guilt
;
upon the real nature of the task laid upon him by the " injunction of the Ghost, it gives him pause."
"
Revenge
my
murder
Kill the
murderer "
!
seems at
first
So most of the
have understood
it,
and
so,
as I have
said, Hamlet appears to have understood it when the fact of the murder was first mentioned
but the details had not been given. After he has heard these, and the Ghost has gone with the parting admonition, " Remember me " he
!
egins to realise
He
seen
cannot
tell
Hence the oath of secrecy which he exacts from them, emphasised by the
and heard.
Introduction
hint he gives them as they leave
situation "
is
most serious:
is
The time
out of joint
set
O
it
Most
taken
significant words,
little
though the
!
critics
have
note of them
They
is
certainly sug-
a peculiarly com-
and perplexing
more
in-
That must
now
that he
from a rational and philosophical point of view, nor from Shakespeare's point of view as a
dramatic
artist.
This
is
Bradley calls it, and he wonders why Shake" conceals it from us so I carefully." speare
think Shakespeare would have wondered that
fail to see
that
The
38
situation
Introduction
proclaims
it,
the poet's
conception
it,
of
Hamlet's
character
necessitates
the
it.
Jl
proper to state that, though I have assisted Miss Wilder in the final revision of her manuscript for the press, and also in reading the proofs of the book, I did not think it necessary to compare her careful translation with the German original. I may add that while I believe, as I have said above, that Werder's theory "substantially plucks out the heart of Hamlet's mystery," I have my doubts whether
he is entirely correct in his interpretation of sundry minor parts of the play which there was no reason for
specifying either in the introduction or here.
W.
J.
E.
at fault on
man he
was,
He
himself
his
is
the obstacle; he
procrastinates
from
it
For my own
this conclusion.
must
flatly dissent
first
from
would
Let me ask,
of
all,
most unanimously demand that he should have done? Can Hamlet, or can he not, so act? It
is
I maintain
42
The Heart
of
The
facts
of the
very
abso-
it; so
prohibition, even
when
and dramatic,
would decide
human judgment,
critics
differently.
The
have been
lost sight
Here
is
What
short
sible.
do the
of Hamlet? That
He
"
is
draw out
but rather his dagger not 5' " Death to to cry Adieu, remember me, but " the murderer He should go to the King at once and slay him. He can do this the first
his tablets,
!
it
hour; the opportunity is always at hand, nothing is easier than to take advantage of it.
But what
say the
is
Then,
critics,
he
is
to
call
m
Hamlet's Mystery
43
people together, justify his deed to them, and
take possession of the throne.
And how
^deed?
is
Hamlet
By
telling
what
ghost had
imply a very strange idea of Hamlet's pubof the Danish nobility and people before
whom
he
must
defend
himself?
Is
it
Would they
evi-
The
critics
have assumed
by birth the supreme judge in the and the legitimate heir to the throne, country whom a usurper had deprived of his rights. Is
there any proof of these assertions?
Certainly
none
in Shakespeare.
no word of complaint of having suffered any such wrong. And if such a wrong had existed,
if there
had been a usurpation, Hamlet would certainly have spoken of it, or if he had been
silent
referred to
Might not
cause?
At
44
first
The Heart of
scene,
when the
cance of the appearance of the Ghost was discussed, surely no fact bearing
upon
is
it
would
*
!
There
been taken against the Prince; indeed the opposite state of affairs
is
clearly indicated.
How
it
is
Hamlet
He
can do
King with
is
the
That
clearly
too
much
to
demand of Hamlet.
It
is
degrading
to the intelligence of the Danish people to suppose, for one instant, that they would have believed the story.
Professor Werder at this point, misled by the German word Erbin, explains at some length that none of Ham1
rights to the throne were usurped. He asserts that the Queen was the legitimate heiress and successor to the crown, and that the most Hamlet could hope for would have been his election as co-regent. If Professor Werder had looked into the matter, he would have found that Steevens, a hundred years earlier, had called attention to the fact that Denmark was an elective monarchy. Justice Blacks tone also disposed of the idea that Claudlet's
ius
was a
usurper.
Hamlet's Mystery
It has been said that Horatio, Marcellus,
45
and
Bernardo could, by their testimony, have helped him in this matter. It is true that they had
seen the Ghost
but
no one except Hamlet had heard one word of what the Ghost had said to him. All that they
themselves heard was a voice from underground
swear
upon the
Hamlet
by
this
means
"
say,
is
very doubtful.
the
They
will
naturally
Hamlet,
only interested
*
party,
is
if
he
kills
the
no
And would
46
murder
crime?
as their
The Heart
of
The people would hardly acknowledge king a notorious regicide who could
They would
be roused to fury against
throne.
him from the very fact that he thought them foolish enough to believe his story. He would
appear to them base
baser
still
The
Hamlet understands
cares for his
his
own
position
and
than the
task.
own reputation very much better critics who have thus taken him to
King immediately,
what the
only to prove
him a
fool.
The Ghost
He
calls
upon
his
leaves
no such haste, and " time and place to his son. Howsoever
evince.
is
He
Hamlet's Mystery
thou pursuest
this act
47
He
does
satisfied.
have done.
that,
Do
not forget.
This visitation
Is but to
appear as a threatening, angry form in armour, as the critics suppose, but in his home dress.
" Hamlet, according to our Kreyssig says idea, should have dealt with the King without
:
'
very
first
King
is
a mur-
derer.
this fact,
but the
To
the
audience
all
48
The Heart
of
is
What would
Denmark
is
Hamlet's obhim, as
If
Denmark condemns
it
is
must, because
in the
eyes of that world he must appear as a cowardly and clumsy liar and villain, then his dramatic honour and reason, and his personal honour as a
Danish prince, are lost for ever, even though Horatio should believe in him with ten times the
fervour he shows.
That an impeachment of the King would be as injudicious as his instantaneous murder goes
without saying.
be the same.
The
result to
Hamlet would
But
King
still
more fabulous.
What
task?
is
Hamlet
to do?
What
is
his actual
It
is
Hamlet's Mystery
49
That
is
first,
As
and justice can come to light only from one mouth, that of the crowned criminal, and if he
or some one connected with him does not speak,
That
is
Herein
is
lie
tragedy.
This
The
crime
secret
is
flows its
pity.
This
humanly natural fact has never been 1 And yet perceived for more than a century.
single
the fact
is
so convincing that
it
when
it
has once
been comprehended
clear.
Why
did
Hamlet delay
if the
task could be
" Before my time two Levinstein and critics, Klein, especially the latter, have taken views similar to my own. Of these views, how-
ever, I knew nothing they were brought to my notice only during the delivery of the third course of my lectures on Hamlet."
;
50
as
easily
!
The Heart
of
critics
accomplished as the
is
insist?
Alas
<
It
so difficult that it
is
ble.
Shakespeare himself
it
lets
understands
to be so.
of confessing.
Even
if
Hamlet should
strike
sassination.
To
is
an ab-
His view of the play was largely that of a young man, expressed when directly under
surdity.
inclination
nor
leisure
to
study Shakespeare
carefully.
of
my
declaration
is
by no
as an
results for
Hamlet
mands of the
critics,
such
Hamlet's Mystery
portunity by a bold dagger-thrust, the direct result would have surely been that no one would
its
intentions
would have been frustrated, and the true punishment, which should be memorable through the
ages, would be rendered impossible.
For no
i
punishment can be real and effective unless the offender be condemned by the unanimous verdict of his world.
The
The paternal
spirit asked
Hamlet, as
venge his murder and not allow the kingly bed in which his own child was born to be stained
with infamy, not to allow injustice to triumph
"If thou
Revenge
Then he
"
and continues:
If thou hast nature in thee, bear
it
out;
52
The Heart
of
let
Against
thy
mother
aught;
her
to
heaven
that in her
her.
bosom lodge,
at
King from
the throne.
Only
the injured Husband and father speaks from out the armoured figure.
meaning and had assassinated the King before he had unmasked him, he would really save
rather than destroy him.
He
King
time the
Instead of being
That
his
Hamlet's Mystery
53
would cause an impenetrable veil to fall between the light of truth and the eyes of the world. Hamlet, as the one to whom alone the truth can
ever be known, would turn that truth to false-
hood
if
he thus caused
it
He
accomplice in the
sole accuser
and
What Hamlet
is
has most
These two
his task.
Now
enjoined to punish
pen to him than that the King should suddenly Jusdie unexposed and thus escape his deserts.
tice
to oblivion.
them
own
life.
killed the
King and
54
Hamlet's Mystery
own
life
him upon the throne after he had murdered the King; would revenge in the true
as to place
^o
a tragical re-
crown nor
but
his first
duty to
kill
the
King;
murderer now
appears in the eyes of the world, and to satisfy the Danes of the righteousness of his action.
That
is
Hamlet's task>>
n
LET
Hamlet
us
now examine
The
closes
over
It
it,
the silence
of death hides
forever.
can never be
brought to light by an accuser, avenger, or judge. One brother has murdered another in
this
was not only the assassin's brother but also his sovereign; and the murderer has sought the widow of his victim in marriage. This woman
56
The Heart
of
many years, and one son had been born to them who was now thirty years old. This woman is
Hamlet's mother; this murderer of his father
mother (though he is blameless in the eyes of the world) is Hamlet's uncle and stepfather; and he now wears the crown
his
and seducer of
Hamlet's king.
This
is
man
It
is
placed.
impossible to conceive of
true that at
first
utterly comfortless.
He
whom
he cherished
love
and reverence.
Moreover,
lives
;
for,
by her own
will,
by her own
month, or ere those shoes were old with which she followed " to the grave the corpse of
a
little
the
Hamlet's Mystery
"
and upon whom she herself had hung " As if increase of appetite had grown
By what
Hamlet
it
fed on."
By
sacred
him towards
father,
who appealed
to all
He
his
was now
left
wholly alone.
As long
as
now
man
and that even while she wept with seeming grief over the new-made grave, she was prefather
;
Hamlet
Losing life, but
in his heart
her.
was almost
own
58
worse to endure.
grief, "
The Heart
of
in
Would
had met
my
't
Or
Frailty, thy
name
is
woman!
O God
He
the
Tils
v*
acted so disgracefully
his
filial
He must
feel de-
graded as long as he lives, must always be ashamed to know he is the son of such a mother,
to think after they have lived together all these
an act!
bitterness is
natural
deli-
The wolife-
man
The Ghost,
Hamlet's Mystery
"
59
^
Ay, that incestuous, that adulterate beast,
With
witchcraft
of
his
wit,
with
traitorous
gifts,
O
So
gifts, that
won
to his
shameful lust
The
will of
my
Hamlet, what a falling off was there! From me, whose love was of that dignity
That
1
it
made
What
Ghost
is
the criminal
He
any
"""
of these things.
And
in
for Hamlet!
Need
I tell
what he
feels
Need
I attempt to
wounded feeling? Can anything be written that could add to what Shakespeare himself has
given us, before whose vivid colouring every
other attempt at portrayal must pale!
60
The Heart
of
In the third act, in the only scene in which the son, although he has long known of his
mother's
sin,
it,
his expresis
the more
intense
it
repressed.
Have you eyes ? Could you on this fair mountain leave to feed, And batten on this moor? Ha! have you eyes?
"
You cannot call it love, for at your age The hey-day in the blood is tame, it 's humble,
And
Would
from
is
this to this?
shame where
thy blush ?
Rebellious hell,
To
flaming youth
let virtue
fire."
be as wax,
And
melt in her
own
And
"
of easiness
Hamlet's Mystery
61
shall I
When
"
"What
I bid
do? "
bitter irony:
by no means, that
you do.
call
you
his
mouse;
And let him, for a pair of reechy kisses, Or paddling in your neck with his damn'd Make you to ravel all this matter out."
That
is
fingers,
Hamlet's feeling!
Here we
see
what
These words,
which
when
from
ting,
more
cut-
more
effective.
He
feels
would
it
is
a son who
his
frightfully
plain
words to
mother.
Her
sensual passion
is
62
inner
life.
The Heart
This
is
of
The
Ghost laments
"
Virtue, as
it:
it
Though lewdness
So
lust,
in a shape of heaven,
though
Will sate
And prey on
Thrice does
the
garbage."
Ghost
is
repeat
this
charge
Hamar-
address to her.
is
The burden of
his
raignment of her
unholy
lust.
He
would fain
The
him by
his mother's
conduct shows
;
itself also
is
it.
It
as
it
were, a pre-
The
feel-
him
is
she has
by the court
Hamlet's Mystery
rageous
is
63
found
it.
in
it,
been given to
For
let
proach
is
arise
from
any jealousy
it is
Ghost or of Hamlet;
manifestation of royal
sidered all the facts,
will.
con-
There is which events form only the shell. no hint that any political motive urged the mother to form the new alliance. No Ham!
let
We
see, indeed,
this
him
so incomprehensible
his very soul,
and
which
makes
his
mourning
so
The
haste of
weakness.
From
64
The Heart
of
He
he
is
had stood
all
his life
Now
dragged from the side of his mother by a man from whom hn fooli- us tranced ill mind and
heart
by a man who is the very opposite of his own ""^fatEer, and whom he has ever regarded
;
1
wite antipathy. This man now stands between himself and his mother, b
father,
and he
is
and hopeless, one who has lost all he once possessed by death and by the deliberate
an
alien, alone
What
s^he
And
yet she
is still
his
her with the old-time love but little diminished, " O that this as his sigh reveals, too, too solid " and his emotion in speaking flesh would melt
!
his father
Can
Hamlet's Mystery
from
his heart
65
He
has loved her for thirty years, and she has ever been tender to him, always so gentle and unselfish
yearned to believe that her second marriage was only the result of deplorable weakness and lack
of self-control.
What must
his feelings
And
off.
We
all
What have
tongue
Hamlet answers:
"
Such an act
From
And
As
5
makes marriage-vows
O, such a deed
66
As from
The Heart
of
and sweet religion makes A rhapsody of words Heaven's face doth glow, Yea, this solidity and compound mass,
!
The very
With
doom,
is
Lay
my
madness speaks;
and
within,
Repent what
's
what
is
to
come
And do not spread the compost on the weeds, To make them ranker. Forgive me this my virtue;
For in the fatness of these pursy times Virtue itself of vice must pardon beg,
Yea, curb and woo for leave to do him good."
Forgive me this my vir(which some critics have regarded as boastful) he means not his own virtue but rather
When Hamlet
" tue
"
says
Harriet's Mystery
67
O
"
my
heart in twain."
And
O, throw away the worser part of it, And live the purer with the other half.
to be kind."
HamThe
kingly
facts,
stepfather
these
threefold
terrible
crowding upon
his outer
It is indeed a
soul,
his sensi-
tive
remote
it!
68
The Heart
of
from
mere
courtier;
his misery,
this Prince,
who has
and
in a court
which
if
is
hypocrisy.
possible
Even
Hamlet were
this
condition
personally,
must
be disgusting to him.
We
Denmark
of the hero-
had been so victorious and feared by all outside the realm. He had conquered the Norwegians
and the Polacks, and England pays him
tribute,
by means of ambassadors
indulges in preparations
and diplomacy!
He
Young
now was
the
be-
Denmark and
how the process of this change or of indeed "out be came to joint," things
About
Hamlet's Mystery
69
anything of the earlier career of the present king we have no knowledge. Naturally the
how such a change could possibly have occurred. Did the elder Hamlet alone
question arises
it
disap-
Where
are the
the
his
commands ?
Was
rallied
the
his
elder
sole
leader
who
Was
the present
How
of his
Or did the hero-king, during the last years life, when all nations respected him, no
all his
great
ele-
come to the fore during this period of Did the younger brother show tranquillity?
selves,
new
state of affairs,
winning the people to his side, as he won the Queen herself, until he was certain that by making one master-stroke he could surely obtain the
crown?
70
The Heart
all
of
To
these
us no answer.
is
and he makes us
is
of things
nature
At
One of
the crime.
When
know
an iniquity of
the
King has
certainly gives us
life
and char-
to that end.
Hamlet's Mystery
Besides, a
71
kingdom and
X.
society
may appear
own
glori-
ous personality.
With
at
first in
his
departure
the
is
virtually a command.
Why
does
King
How
strong he must
whose former
blotted out, as
it
were,
existence,
which his uncle gives tone, and which in every way is a continual jar to his feelings, annoying
as
much
as
it
him for
72
The Heart
of
is silence,
nothing but
"
Or
had not
!
fix'd
His canon
cannot
"
self-slaughter
fail to excite
full-
The
entire soliloquy
critics,
is
in the
same
vein.
The
first
Garve
certainly weakened through grief and wrath, and an uncontrollable melancholy has settled
upon him.
this.
In his
first
him is ample proof of an unsettled reason makes a man Only hate himself, the world, and life."
suicide which possesses
Hamlet's Mystery
of affairs
73
It
is
feeling.
Hamlet's
ductions,
taken.
thoughts,
too
sweeping
is
in
its
de-
too
illogically
Herr Hebler
nature
is
writes
clearly
shown
which
he expresses his pain and indignation, not only about the recent marriage, but also about the
evil tendencies
Hamlet
degradation, but he
He
6
fails
to
display the
happy mingling of
in
blood
Horatio."
Hamlet
in Horatio,
assigns
but not for the reason the critic " because he was in such great namely,
it
need of
himself."
From
the beginning to
is
no trace of
this
wholly a sup-
74
The Heart
of
out of
it,
thought.
Yet the
Too
be
long?
In what way?
That must
first
For
this brief
"
We
do not ask whether his feelings have been the same during the entire month or not. We must
take Hamlet's mind as we find
it
at this moment.
Even
we are learning something about him that the soliloquy discloses to us, that moment
while
is
already past.
we
" might consider whether Hamlet did tarry too long in this state," or if these reflections had
just occurred to him.
But he has
scarcely
when
parition
and
his
Who
thinks
now
Hamlet's Mystery
sequences
it
75
is
disappears.
The
soliloquy
the
and wretchedness of
What
occurs later
What
does the
Thaw, and
dew!
fix'd
Or
had not
God!
God!
How
Seem
weary,
to
stale, flat,
and unprofitable
!
me
all
fie! 't is
nature
Possess
it
merely.
That
!
it
But two months dead nay, not so much, not two So excellent a king; that was, to this,
;
Hyperion to a satyr so loving to my mother That he might not beteem the winds of heaven
Visit her face too roughly.
Heaven and
earth!
Must
him
76
As
if increase
it
The Heart
of
By what
Let
r
me not woman
't
Frailty, thy
name
is
little
why
O God
longer
married with
my
My
more
like
my
father
Than
Within a month?
salt of
Had
She married.
O
it
to post
!
to incestuous sheets
But break
my
heart, for I
must hold
my
tongue."
What Hamlet
says here
is
The
re-
him; he
this
burden at
this
moment
in just
real import.
Does
it
Hamlet's Mystery
vestige of the usual explanation ?
his
first
77
To show
secret
that
feeling
and
his
first
utterance were
The
torment
but, nevertheless,
what
there,
in
and
spirit.
!
He
but he feels
it
The atmosphere
from the person of the murderer; the shuddering sense of the Ghost hovering near, all
that awaits him at the very door,
all
that his
him; the
all
ter-
and as Future
his
all
that
is
that
is
in
Mm I
That
^Inwardly he rages
something
will,
something
78
The Heart
And
of
is
must come!
terrible
!
"It
is
not, nor
it
But break
my
my
tongue."
The
rest
" The
silence."
How
healthy
!
Shakespeare
also
normal
in his con-
What Hamlet
he
lets
at
first
only dimly
first
feels,
is
what
that
us forebode in the
secret
scene,
an
unholy
awaits
us,
preparing
us
thoroughly for the train of thought in this We can and we ought to undersoliloquy.
stand the truth in
it
Hamlet himself does not yet understand, but which exists in him as a torture. The poet has
not left us in doubt.
He
of the
first
quy;
very
reason more
moment, seemingly
Hamlet's Mystery
fighting
79
but only in-
against
the
darkness,
lets
wardly.
What
the poet
pearance of the ghostly parent and in the amazement of the soldiers, he lets us hear, at
this point, in the tortured, lonely unrest of the
son,
who appears
Now
comes the
clear-burning
is
suspicion.
From
this
point Hamlet
call
play; the
While Hamlet
pressed in
is
in the
the
soliloquy,
that
his
in-
and
stantly what has until now been slumbering within him awakes for the first time; it seems
to spring
up within him
and
distinct in
form, because
it
had already
existed as formless
That which
8o
feeling
Hamlet's Mystery
now
the
offensive,
:
higher
and breaks
into
words
"
All
is
not well,
I doubt
His
feeling
becomes
Like
sharp
its
him with
rise,
Though
all
eyes."
his
father's
mouth the
;
his presentiment
was true
with
one stroke
all is
clear to
him; he
But
the light
m
I
the
learns
secret,
that
his
own
feelings
had
prophesied correctly.
What
is
Hamlet's
first
"
That
is
just,
a direct consequence
of
suggested to
him the
aim of the crime and really was In truth the crime it.
weakness,
"
taking-off
just.
artistically
The command
6
of the Ghost
Si
is,
however, that
82
the son
is
The Heart
to
of
" contrive " nothing against the " he " taints his mind ; mother, nothing that
is
to
"
leave her to heaven
in her
bosom lodge
The
is,
from
her.
He
was and
and
of the woman.
Hamlet continues:
"
villain, villain,
:
smiling
damned
villain
"
!
and then
"My
Prof.
tables
meet
it is
I set
it
down
villain."
Hebler
writes
"
:
The
hero
contents
to.
He
I
must ask
if
it
proper
it
and attribute
to
Hamlet's Myste
Hamlet?
83
And
and form
in the poetical
and that they are really of an objective nature? Above all, that they are the ideas of
text
finds himself
asking
his
if
early,
villain
inclined to
censure his
These words, on the contrary, are a notification of the poet, but with a view to the fundamental point of his work as I understand
it,
can do
first,
he
lets
him do what he
first
can,
King on paper.
This
is
a symbolic
to under-
These words jotted down are the expression of that which is, at the outset, possible and impossible to
84
The Heart
of
but objectively, not only to Hamlet himself but what is of itself possible and impossible, under
existing conditions.
At
first,
out to himself
"
"
beyond
this
Upon
it,
single
man, who
is
to take
his
task.
is
a formidable antagonist
the
manner
in
it,
the
way
by which he has acquired his strong position; and the King is a man who after having once
secured a position will maintain
itf*t
To Hamlet who
a characteristic of Shakespeare
Hamlet's Mystery
85
is
character he depicts.
tracted, according to
Hamlet
idea,
is
more
dis-
my
by
the communi-
moment
no proof of
all
O
O,
earth
fie!
what
else
And
And
Hold, hold,
my
you,
heart ;
my
sinews,
stiffly
grow not
instant old,
But bear me
up.
Remember
thee!
distracted globe.
Remember
thee!
my memory
fond records,
all
forms,
pressures past,
And
thy commandment
all
my
brain,
yes,
by heaven!
O most pernicious woman! O villain, villain, smiling, damned villain! My tables, meet it is I set it down,
86
The Heart
of
That one may smile, and smile, and be a villain; At least I 'm sure it may be so in Denmark.
So, uncle, there you are."
Is that raving?
There
is
but no raving.
Hamlet's instantaneous but assured feelings
are expressed in these words and also by this
action.
His impotence,
his pain,
and
his
agony
to this
drive
him to
King and
condemnation of him.
impulsively performed.
It
is
an out-
ward
protest, which,
a de-
literally
writes
down
these words?
He
King with
his
dagger as he would like to do. There is nothing more than this, only such a mark, which means,
" There you are, uncle." Hamlet says indeed " Meet it is I set it down," but it does not mean
that he actually writes
it
;
that
is
not consistent
Hamlet's Mystery
with his mood nor with the situation.
87
Further-
genius.
We
critics
have been most interested, the resolu" tion of Hamlet to put an antic disposition
on."
As far back
as the time of
Johnson
it
:
Johnson says
He would by such an extraordinary condition draw the eyes of the King and Queen continually upon him, and on account of their evil consciences
frighten them with terrible forebodings.
the Prince would give
sible to destroy his full
Besides,
up,
country."
This decision
idea that
is
Hamlet
according to the
of resolution
arises,
naturally confirms.
can
Garve denies
88
it
The Heart
it
of
and declares
and truth."
fact
is, it
amounts to the condition of lunacy, and therefore Hamlet has all the strength and
all
and palsies
:
his activ-
ity."
assumed lunacy only upon old Polonius, and this shows great art in the poet. When Hamlet
assumed lunacy, he talks in a strange manner, it is true, but not at all witlessly, but rather, on the contrary, more reasonhis
makes use of
ably.
To
other
critics this
a proof of Hamlet's
weakness
it is
man-
ner in which Hamlet naturally becomes tragic. " that " The writes von
supposition,"
Friesen,
he
is
untragical
we try
Hamlet's Mystery
89
who
threatens to
fearful
Hebler comes
The
make
it
impossible for
none.
him
to sliow respect
where he has
He
is
and
the discovery of their treachery, he could not show the f orgaer submksiveness or even courtesy, and,
as a sane-.person, not betray to
He
comes
Ghost
'
he
is
at first truly
somewhat
'
out of joint
and
'
dis-
tracted globe.'
He
his
marked
instantly
secret
naturalness
that
it
to
perceiving
will
What
behaviour/ he asks
himself,
my
that
head, as1
sume
at
before
my
'
relatives,
is,
until
It is
go
The Heart
of
mask
serves to
make
from
their faces."
correct but
it is
only incidental.
The
As soon
tells
as
Ghost
all
human power.
him;
his
be achieved,
is
by
with scarcely a
glimmering hope of success, he is so sagacious and artful; all this forms a condition of
things so dark and dread, a dilemma of so terrible
involved in
to break through
it
alone,
by
his
own unaided
strength,
is
Hamlet's Mystery
91
may
well cost
him the
loss
of his understanding.
In truth,
if the situation is
wholly placed within the power of a single person or any exertion or sacrifice that he personally can
employ? Shakespeare has considered the task and therefore gives his hero this feel-
may
tries
consider
him a weakling and a shuffler, who to deceive himself and us in order to con-
ceal his
This, too,
is
and dilemma;
this natural
immediate feeling is the inmost impulse to his " purpose of putting an antic disposition on."
is
the
first
original
mo-
Hamlet's action
is
laid
it
"^ what
is
enough
all
does destroy
all
in
him
already destroyed by
92
The Heart
of
own
part, he
task,
is
placed
to
fulfil his
how
shall he ever
again be
happy?
demon of
last thing
menacing the
unshattered
which
is
left to
him
his
mind because
;
wholly
but give expression to this his condition; and this, too, out of the inmost core of his nature
and out of the strength and fineness of his That from which he actually understanding.
suffers, the truth of his position,
he manifests
he
may
and
feel
The
sim-
strikes
them; they do not grasp his inner being, the suffering of the shattered spirit, the agony and
conflict of the free,
strong mind.
And
this is
Hamlet's Mystery
93
The behaviour
t may chance
his friends,
service to him.
that
its
that prompts
enables
it
him at
least to
what
is
diverts at-
his trouble,
from
be-
his secret,
its safety.
To
that would be of
role.
Besides,
by
he
show
respect
for
those
whom
94
The Heart
of
is
despises.
if he jPossibly also,
supposed to
be crazy, ne can, under this cover, should any favourable opportunity occur, make use of
it
man play a
;
more
active
in case of failure,
a new attack.
This also
self
may
ble fate
may
as
occur!
is
But
it
is
not such an
in
his
inducement
thoughts.
at
let
first
certainly
included
No
Ham-
have one.
He
is
does
directly
what he must, takes the step which before him, does what is actually at
it
hand, does
what he
in his situation
must
feel is to
be done,
and what he must recognise as most advantageous to his cause; and therefore, in thus acting,
his
thought must be that it will lead him the most surely through the darkness of his task.
Hamlet's Mystery
95
He
As we have
is
said, the
also the
most
that,
for
his
cause.
To
foresee
when he pretends to be insane, others will so regard him, and to desire that they should do
so,
seems to him to
amount
to the
same thing.
is
Therefore to this
degree, which
madman.
But,
because
it
is
essentially
Tils
mind,
still
free,
it
it
because
his
and
is
entirely
made known
The
in his
96
The Heart
of
But
as
we
see
him at
He
presented himself
appearance he has altered nothing. The dramatic continuity ought not to be broken and
thereby destroyed.
We
outsiders
his
know that
letters
and
Hamlet has
As
How
loosely
it
how
transparent
true face.
He
is
The mask
For
useful to him.
it
comes through the play within the play! the King knows that the madness was no real madness.
From
He
Hamlet's Mystery
Hamlet's behaviour
97
even before
"
" puts on
"What
More than
him
it
should be
put
"
same idea as Hamlet's own " put on." After the King listens his suspicion becomes
and after the play he understands from what knowledge and to what end the
certainty,
Hamlet knows very well, at the point which he has then reached, that the old method is
worn
out.
But,
first, his
mother
to be enlightened
This
is
husband,
this
is
the
which
lies
nearest to him,
much
nearer than
kill-
But
this, in fact,
seems to have
observation
That Shakespeare
lets this
action be intro-
98
The Heart
of
Ham-
by the
ing
all
forward,
it
is
scene so powerfully with the stamp of that unparalleled art which characterises the play
and
makes
it
whole action.
**"*
Now
Hamlet
all.
Polonius.
He must now
submit to
cut
off,
the old
both the
to con-
King and
the Prince;
it suits
the
King
and so to get
than before and without taking any pains to dissemble, because he himself has committed a
murder.
Hamlet's Mystery
It
99
may
only so far as
reveal themselves.
fact, always on their
The
side.
real
feigning
all
is,
in
They
pretend to
The
ever
his
much
mask.
it is
soon cast
his mother, he
dissimulates no more/l
an
am
punish'd
With
sore distraction."
How
full of
it
meaning
It
is
is
this sentence!
I shall
refer to
again.
Hamlet
feigns.
His character
adequately
that purpose;
is
his
dissimulation
is
the
excellently
endowed
ioo
The Heart
of
and above
nature."
all
They
real insanity
and just
The same
less violent
by the
combined with the wish to avoid disclosing it. For that reason, he does not need to be positively foolish in order that his friends should not
feel
Let us glance at the scene and endeavour to see what it naturally means.
"
So, uncle, there you are
It
is
Now
to
my
word.
'Adieu, adieu!
remember me.'
I have
sworn
't.
Hamlet's Mystery
Marcellus. llus.
o.
")
101
\-
Wm
[
it
!
^ lord >
: Within]' 'Lord Camlet
!
Marcellus.
Horatio.
[Within]
Hamlet. So be
my
lord!
[He
cellus.]
Mar-
How
is 't,
my
noble lord ?
Horatio.
What
news,
my
lord?
Hamlet.
wonderful!
[Not
them on,
Good my
Not
lord, tell
it.
Hamlet.
Horatio.
I,
No; you
will reveal
it.
my
lord,
by heaven.
Marcellus.
Nor
I,
my
lord.
Hamlet.
How
man
But you
'11
be secret ?
)
Marcellus.
Horatio.
Ay
>
Hamlet.
all
Denmark
102
Bat, he
fs'ian
The Heart
arrant knave.
of
Horatio:,
my
lord,
come
To
tell
us this.
Hamlet.
Why,
that
right:
you are
i'
the right;
all,
And
I hold
part:
For every man has business and desire, Such as it is, and for mine own poor part,
Look you,
'11
go pray.
are
Horatio. These
but
wild
and whirling
words,
my
lord.
There
's
no offence,
my
lord.
is,
And much
here,
It is
offence too.
[He would
Touching
like to tell
this
vision
let
me
is
tell
you;
know what
you may.
between us,
as
Hamlet's Mystery
As you
Give
are friends, scholars, and soldiers,
request.
103
me one poor
Horatio.
What
is
my
lord?
we
will.
f
)
My
lord,
we
will not.
Hamlet.
Horatio.
My
lord, not
Marcellus.
Nor
I,
my
lord, in faith.
Hamlet. Upon
Marcellus*
already.
my
sword.
We
have
sworn,
my
lord,
Hamlet. Indeed, upon my sword, indeed. Ghost [Beneath'] Swear. Hamlet. Ah, ha, boy
there, true-penny?
!
Come on
Propose the oath, my lord. Hamlet. Never to speak of this that you have
seen.
Swear by
my
sword.
iO4
The Heart
Ghost. [Beneath']
of
Swear.
Hamlet. Hie
ground.
et ubique ? then
we
'11
shift our
Come
hither, gentlemen,
And
my
sword,
Never
Swear by
my
sword.
Hamlet. Well
said, old
i*
A
f
worthy pioner!
friends.
-Once
[Hamlet here has the feeling that the Ghost will never more leave him, that from this moment, wherever he
is,
Horatio.
this is
won-
drous strange!
Hamlet.
And
it
welcome.
Than
But come;
Here, as before, never, so help you mercy,
How
Hamlet's Mystery
As
I
105
To put an
That
me, never
shall,
if
Or If we
'
list to
speak/ or
'
There be, an
if
they
might/
Or such ambiguous giving-out, to note That you know aught of me: this not
So grace and mercy
Swear.
Ghost.
at
to do,
[Beneath]
Rest,
Swear.
perturbed
spirit!
Hamlet.
rest,
So,
gentlemen,
With
all
my
love I do
commend me
as
to you;
is
And what
so poor a
man
Hamlet
May
God
gether ;
And
still
lips, I
pray.
The time
That ever
out of joint;
O
it
cursed spite,
right!
was born
let
's
to set
Nay, come,
go together.
is
[Exeunt."
Where
in this
scene
106
The Heart
of
"
The
For even
in
Hamlet
"
is
" role
of lunacy
something that
to be assumed
Yet the
not hesitate to declare that " Hamlet makes the first attempt at his role
critic does
on them."
Surely
it
whom he trusted, saying that he will become so And what imaginable aim could he
!
is,
above
all,
For
desire to produce in
them a
to
Ham-
is,
therefore, that
Hamlet's Mystery
his friends should consider
107
what he
desires.
If he represented himself as
But
his condi-
any one
in flagrcvnti.
IV
AFTER
the words
their
"
my
tables," etc.,
and explaining
and Hamlet's
re-
contains some-
thing which
is
worthy
of attention, because it
critics
have gone to
The time
is
out of joint;
O
it
cursed spite
"
right!
to set
of these words.
less
than that
Denmark
affairs are in
state.
Individu-
me who
this
am and must
unholy task
if
whom
better would
it
have been
the person
When
Hamlet's Mystery
and the situation are expressed
whole import
is
109
way, the
in this
Hamlet
it
must
and he speaks of
fail
in
these words,
and he cannot
to gain our
sympathy.
There
is
any other interpretation. Hamlet's great necessity and the cause of his misery give to this
expression
its
Most
Ham-
dissimulation.
"
He
has
a natural
tendency
to
crooked ways."
like
made a man
cries
out to him:
And
thy rest
"
?
Was
rest
it
like
.^
10
The Heart
craftily in the service
1
of
move
of his purpose.
sity is
He must
Therefore
critic af-
firms,
when
!
"
About,
my
" brain
"
is
his only
weapon.
We
[
I environment in mind.
%**
it
represents,
politically
morally and
sunk into an abnormal condition of degradaThe expression, " There is something tion.
Denmark," comes from simple Marcellus, but we see that not only
"
something
a
is
corrupt.
When
upon and reigns with the consent of all the realm, the state is in decadence; society, from the
man
Claudius
sits
the throne
Hamlet's Mystery
highest to the lowest ranks,
condition.
is
in
a depraved
is
in
polluted; t*4
poison,
dissolute
treachery,
hood and
sensuality.
There
is
no incentive for
an honest, worthy
man
like
Horatio.
mi-
asma
lies
change
in
"
One
evil
person can
dif-
create.
and
all
who
it.
plenty to do
for in
Denmark
indeed
much
To
energetic
young hero
is
sured future,
incorrect.
By no means
is
ii2
close of
The Heart
of
III.
It
is
im-
possible to foresee
will be.
The
seriousness
of
the
very
much
greater in Hamlet.
has certainly the promise of " than the " a more peaceful setting to right
Fortinbras
Prince.
He
finds, so to speak,
a clear
field
be-
own
The
cur-
my
for-
tune."
this
But Hamlet must punish a crime; for " " must reason Hamlet pray go pray
this feeling of his situation he
from
breaks out
"The
time
is
out of joint;
O
it
That ever
was born
to set
ity
and
utilizes it
Hamlet's Mystery
for his end, for he must, for his
I x
own
conviction,
however strong
his suspicions
may
be, have
an
witness
of
flesh
suspicions.
^
!
However trustworthy the ghost of his father " An may seem, to Hamlet he is only a ghost. Yes for the ghost honest ghost," he says.
had only communicated to him that of which he himself had felt the presentiment and which
his
still
own
had suggested to him. But doubts must creep in and give room for the
feeling
design
and
if
it
would
it.
How
can any
Would
not
man
him
as he need
than
his
On
is
shown by
which he
The Heart
of
he did
He
The
devil hath
power
To assume
Out of
my
weakness and
my
melancholy
and by
will,
this
Out of
my
weakness and
my
melancholy,
spirits,
As he
is
Abuses me
damn me/'
Ought
an expression of
tration of his
an
illus-
weak
will?
What
a frightful
The
real
meaning
is
that
all
he knows
what a ghost has told him. The ghost is no mere vision to Hamlet, no outward reflection of
the punishin
ment of
his murderer.
whom
Hamlet's Mystery
at the
1 1 5
his
command from
underground; Hamlet, however, alone knows his communication and the individual testimony
remains locked within his own soul.
Hamlet
from the
No
one could
No, the
everywhere in the
drama,
in the actual.
from
living
person.
From whom
the
traitor
then?
himself
From
against
the
enemy,
from
whom Hamlet
must have
ance, he
this
ought to punish the traitor. According to the law of tragedy, Hamlet can obtain this evidence
only from the criminal; otherwise
really exist.
it
does not_-,x
As
I have said,
Hamlet chooses
by the
represents the
of Ihe footlights, as
were
this, if
he com-
n6
How much
problem
is
is
The Heart
of
hereby gained!
The
first indis-
knows
his
way.
And
is
that
the point
upon
which
all
depends
sitting at a
play
Have by
Been struck
malefactions."
And
on the spot!
Herein
is
the
of the
decides.
Let us consider
tion of which
I cannot accept.
O, what a rogue and peasant slave am I Is it not monstrous that this player here,
!
But
in a fiction, in a
dream of passion,
Could
own
conceit
all his
visage wann'd,
Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting
Hamlet's Mystery
With forms
to his conceit?
1 1
and
all for
nothing!
For Hecuba!
What
's
Hecuba
to him, or he to
Hecuba,
What would
Had
That
have?
He
tears
the general ear with horrid speech, the guilty and appal the free,
Confound the ignorant, and amaze indeed The very faculties of eyes and ears.
Yet
I,
dull
and muddy-mettled
rascal, peak,
my
cause,
And can
Upon whose
Am
my
a coward?
Who
me
villain? breaks
pate across?
in
Plucks off
my
it
my
face?
i*
me
the
lie
the
As deep
as the lungs?
who
does
me
this?
Ha!
'Swounds, I should take
it;
for
it
cannot be
But
am
n8
To make
I should
The Heart
of
have fatted
all
With
Remorseless,
villain
!
treacherous,
kindless
vengeance!
Why, what an
That
I,
ass
am
I?
This
is
most brave,
Prompted
Must,
my
hell,
like a
whore, unpack
my
And
very drab,
scullion!
't!
Fie upon
foh!
About,
my
brain!
I have
heard
sitting at a
play
Have by
Been struck
malef actions ;
'11
have these
Play something like the murther of my father Before mine uncle; I '11 observe his looks;
1
I
'11
tent
him
know my
course.
The
spirit that I
have seen
Hamlet's Mystery
19
May
To assume
Out of
my
weakness and
my
I
'11
melancholy,
spirits,
As he
is
Abuses me
damn me.
;
have grounds
*s
More
the play
the thing
Wherein
Does
this
now
Has he bungled about the whole business? Have people no appreciation of a situation so
intolerable that
It
he assails himself?
Have they no
sense of a
it
canin
not reach
its
object, turns
its
against
itself,
order to vent
action
Is it
rascal?
ardice, incapacity,
what he
is..?
He
aTungupon whose
a defeat has been
prop-
life
made
20 That
is
The Heart
of
to
t>oint.
If he
had chosen
to
And
movingly
Had
for passion,
can
itr is
act.
him
no play, but
and he must
suffer
^rreck because he can furnish no proof of thg \r reality. He must be silent an of" only work indirectly; he can only look on
wait.
And when
calls
he says:
"Am Who
me
villain? breaks
a coward?
my
it
pate across?
in
Plucks off
my
my
face?
i'
me
the
lie
the
As deep Ha!
)
as to the lungs?
who does me
"
it
this?
Hamlet's Mysteiy
121
what enrages Hamlet is that he must appear to be what he says, that he must seem to be
guilty of such weakness from the very necessity of his task, on account of the duty that the per-
formance of
it
entails.
That he has
this inall
let
And when
For
it
he says:
cannot be
I am pigeon-liver 'd and lack gall To make oppression bitter, or ere this
But
I should
have fatted
all
With
Remorseless,
villain!"
treacherous,
kindless
this
also
is
impulse, the
He
is
is
so
To
smite
down
own
life
by the blow,
122
of fulfilling
it,
The Heart
of
the easiest
first,
His
will
the
his
blood
fibre
is
boil;
every
in the fear
and reverence of
What
he
rails
enduring
With
lecherous,
he
reaches
the
climax of revolt; his nature breaks out in the " " He is so bound that he cry, vengeance
!
cannot
to do,
"
stir
and cannot
strike as he
would
:
like
and he
cries, in deepest
agony
is
Why, what an
That
I,
ass
am
This
most brave,
Hamlet's Mystery
Prompted
to
123
hell,
my
my
And
a very drab,
scullion!"
still
be doubtful
"
Must,
like
a whore, unpack
my
heart with
words,"
And
must
't,
the passage
the seal
upon
it;
and
it is
weapons
"
About,
my
brain
"
!
And
is
then comes
the
closing
passage, which
the understanding of
"
have heard
That guilty
Have by
124
Been struck
The Heart
of
'11
have these
Play something
murder of
my
father,
tent
him
to the quick; if
he but blench,
have seen
know my
course.
The
spirit that I
May
Out of
my
is
weakness and
my
I
melancholy
As he
have grounds
's
More
the play
the thing
Wherein
This soliloquy
let
not a complaint of
Hamre-
from
it
He
would not be
Hamlet's Mystery
125
which he
is
For
we
There
is
nothing in
made that
the
mode
of expression
There
is
Ought we
in the
let
beginning of the play, and that Hamcannot vanquish him by a dagger- thrust ?
this explicitly?
;
He
lets
Hamlet
it is
it
is
If
other way,
Shakespeare had explained the plan in any how could Horatio, who was the
tell
Prince's confidant,
tion of the play
us anything?
The
ac-
is
THE
The
action ad-
And
days of quiet
"
in
soliloquy:
etc.
To
be or not to be/'
known
as thoroughly as
>est doubt of
is
His question
C\
*
with myself? or wherefore do I shrink from it when I could do it now? " Hamlet does not con126
127
direct de-
termination.
The
the continuation
The fundamental
Should
it
this:
If
it
it is
were nobler
is
"
motive that impels us to suicide might be indeed effective and prudent, though not praise-
worthy and courageous but rather cowardly." In this explanation Hebler concurs. " Self" murder," he says, engages Hamlet's thought
as analogous to his imposed task,
and Hamlet
omit acting
ardly
doubt"^
criticism
rests
This
that
on
the
supposition
Hamlet may
and
hesitation.
128
If,
The Heart
of
is
under-
appear
passage in the
"
first
soliloquy:
Or
had not
fix'd
self -slaughter ;
"
more
fully.
By
no means
this true.
It
Imogen
Cymbelme:
"
There
is
a prohibition so divine
That cravens
my weak
hand."
subject
is
of the
manner.
The
pain-
unburdens
it
such a burden
and why should one carry it Yes,, truly, but of what nature
that
is
and of what
the sec-
Hamlet's Mystery
129
We
knowing why
us a question of a perhaps.
We
the cradle
and grave of our meditation and research. This ban which necessitates our waiting, letting
things take their course, suggests the question
whether
it is nobler without directly questionabout death " to take up arms " against ing
it
here; because
we
do not know but on the other side of the grave something ^still worse may be in store for us ;
the thus-far and no-farther of
tion, the darkness out of which
human
it
specula-
springs and
to-be or
from which
it
shrinks back,
its
own "
That
is
does not
with existence
it is
9
itself,
shrouded.
130
The Heart
of
it
appropriate
soliloquy
is
that
the
climax
word
of
the
"
But that the dread of something after death, The undiscover'd country from whose bourn
bear those
ills
we have
others that
we know
not of?
all."
No!
Conscience
is,
is
The
soliloquy
is
flection
alone
operates
and
it
alone
decides.
The immediate
"
and therefore Shakespeare used the word conscience. The sense, the weight and consideration
above
all
the thing in
Hamlet's Mystery
whether the remedy
that
is,
131
is
suicide
not
burden of
evil,
Hamlet
us to a
really comprehend.
That
is
command and
Hamlet respects God'scommandL we know already. How much more does he now
when the holy obligation and
have
fallen
office
How
of a judge
gives
upon
himself!
It
more
it
so
much
the
more
inviolable.
He
else.
He
would be nobler
the contrary,
his duty,
is
to take
On
is this:
132
unalterable
;
The Heart
of
in
this
reflec-
says Hamlet,
all
we
are
cowards
Hamlet says
his
this
The
soliloquy
not doctrinal ;
it is
we
but
somewhat
quieter,
One
forgets
how
much
so true,
because
it is
so necessary for
him; because he
cannot do what he ought to do and would like " cowto do, on that account he calls himself
ard."
It
is
so tormenting to
science urges
Therefore he
is
man which
his highest
Hamlet's Mystery
33
ural,
but
all
which
that
the
soul
seeks
and
who
knows
What
tellectual
power by means of
his action
and by
his suffering
and the misery which pulsate more violently again in him towards the
spite of the impatience
words.
It
is
!
nothing
else
That
all
Hamits
that
same
And needy nothing trinim'd in jollity, And purest faith unhappily forsworn, And gilded honour shamefully misplac'd,
134
The Heart
of
And maiden virtue rudely strumpeted, And right perfection wrongfully disgraced, And strength by limping sway disabled, And art made tongue-tied by authority, And folly doctor-like controlling skill, And simple truth miscall'd simplicity, And captive good attending captain ill;
Tir'd with all these,
be
gone,
Save
my
love alone/'
That
is
we hear
mouth of Hamlet.
own
existence, so reflection
prises
of
These
to
art.
Hamlet's Mystery
"
135
And
" " Shakespeare writes native and that certainly " " means innate." The special idea inborn,"
here
is
bolises the
thought,
is
burdened to a
afterwards to
it
reflecso, if
tion, to consciousness^;
and
ought to be
man
will
spirit's
For there
man
is
pale
image?
There-
fore
Hamlet says:
after
"
death
puzzles
the
will."
Yes, indeed!
The
will
"
not the " of thought, the light of the mind, pale cast
is
136
The Heart
of
like to
make a quick
hue,"
The
words
"
native
which
agree
directly
meaning
of
the
soliloquy.
"
And
With
moment
And
lose the
name
of action/'
spoken
action,
of.
We
of
full
"
pith
and moment,"
its
not
may
play proves.
and
gave
so tragic
it.
Hamlet's Mystery
After the scene with Ophelia, the King
137
sees
of sending
assents,
and with
It shall
be
so.
VI
his experiment,
and
will also
testi-
mony. ment of
He
obtains
guilt,
the
own moral
if
friend; but
nothing further
added to
it,
concerned.
the traitor
The
almost be-
from the
possibility of betraying
and the
He
King and
call.
They
have
all noticed,
more or
138
Hamlet's Mystery
139
meaning of the play and the impression and the effect on the King.
is,
how much
of these im-
make
of them?
The
have taken no offence at the real one and therefore can take none at the ideal representation of
the same.
They
is
and
revolt,
no mention of adultery in the layL the mother is to be spared. In the pantomime which precedes the representation, the
poisoner
first
There
plots the
murder
man, and
ing,
"
Hamlet expressly
shall see
the audience,
You
is
discovered!
Mur-
a cunningly contrived
The mur-
140
derer
is
The Heart
of
snake; and
King
starts
What ought
Can any
one of the company ascribe the King's behaviour and his flight to any other cause than
Polonius cries
'er the play.'*
is
the dis-
pleasure of the
revolt.
The
company
will
pranks
have been too broad to bear with," and what " the uildenstern says to Hamlet, King is in
his
retirement marvellous distempered," and " not from drink " but rather " with choler."
will
They
may
be more
or less suspected.
/would be
/
crime or an
impropriety which
sjiould not
be encouraged.
We
how
little
hold
Hamlet has on
Hamlet's Mystery
his world.
141
in the judicial
Not one
this
demonstration
crown.
They have
all
between
mother
and
son.
Rosencranz
and
Prince to England. Hebler finds fault with Hamlet " for having allowed the King to run " has virtually away." The King, he says,
confessed and
Hamlet might
in
strike at
him
af-
Why
does not
Hamlet
is
words what
to
from
his
behaviour?
Why
does
affair to
end unsuccessfully?
"
But
pantomimic confession.
ratio the King's action
guilt,
a direct proof of
Let
142
The Heart
of
it
succeeded.
What would
The
then be attained?
Nothing!
mistake originates in his im" " patience for the duty-impelled stroke ; but
critic's
if it fell
as hastily
it,
to have
and unwisely as he would like the single duty about which the
Prince
is
instead of being
"
Now
And
Would quake
Thorough judges of human nature, who have no confidence in Hamlet and do not believe that
he will bring anything to a conclusion, forget
that he
may
Hamlet
is
yet
man
spirit
enough to control
himself.
Then he goes to his mother, and on his way Hamlet finds the King at prayer the King
who
here, for the first time,
Hamlet's Mystery
fession before us that he
is
143
So far have
the play.
Hamlet and the poet brought him by means of Here is progress in the role of the
King, and from the negative side in the play. There is a depth or power of invention here
which has not
its
parallel, the
wisdom
is
in the
rhythm
if
of the development.
It
this which,
may
me most
deeply. The tempo of the onward movement in the play, how measured is its step the course
!
it
takes,
At
this
moment Hamlet
finds the
King
alone,
unarmed and unprotected. He draws his dagger, for after what he has learned from the
play he dares to
does not do
it.
kill
him he
;
wills to
do
it
and
And we know
his
that this
if
is well.
He
the
would defeat
purpose
he now made
first
King dumb
attack upon him by means of the play had succeeded in wresting from him at least the pantomime of a confession. Will it be replied, " No
!
144
for
self
The Heart
from
this time the
;
of
King will protect himwith good reason now that he has learned
inside
and
what he
is
He
discov-
ered.
As he knows
from the vengeance that threatens him. Hamlet knows this, and must be prepared for it
and trust to
This
is
the
if
And
it
even
for the
advancement of
Hamlet
dares
not
be
the
one
through whose action it comes to naught. This would be the result if he struck at the King now. He can never by his own testimony alone
accomplish his task
if
dumb
for ever.
Hamlet's Mystery
Hamlet
to us.
himself, it
!
145
is
No
But
for him.
He
King
to die at thi^
moment when he
able to
until
tion.
is
him that the stroke should be delayed he can be made to fall past hope of salvaIs
it
moment when
favourable
the
King
for
is
praying
is
not the
moment
him to die?
subtle
Is it a re-
finement of Hamlet's
theorising about
*
Are the
1
critics
How
Shakespeare had no idea of making Hamlet appear in not killing the King when at prayer; and the critics are clearly wrong in regarding the reason Hamlet gives as a mere excuse for delay. Shakespeare simply expresses the current belief of the time, that a sinner who dies while repenting is absolved from his guilt and his soul is saved. Many illustrations of this might be
weak
cited
suffice here.
edy,
One must from contemporaneous literature. In Beaumont and Fletcher's Maid's Tragthe heroine, when killing the King to avenge her
!
unprepared thy fears upon thee That make thy sins look double And so send thee (By my revenge I will) to look those torments Prepared for such black souls." [Translator.]
!
146
does the
The Heart
King
"
fall
of
at last?
He
so falls that
leni-
we
ent,
would be
hire
and
con-
demned.
He
then his fit, nor while drunk, asleep, or gaming fate would have been all too easy, but he falls
in fact
when
him so utterly beyond all hope of salvation that even from the threatening words of Hamlet,
terrible
as
should,
when he
strophe.
as
The
little
Hamlet
himself, has
result.
The King
falls in
first,
moment when
Rather
he
is
Hamlet
in this
falls,
moment
vation he
so that his
" as
as
hell
whereto
of
it
goes."
Thus
the poet
fulfils
the words
Hamlet.
Hamlet's Mystery
147
his
way
of dealing jusit
And
must not be
forgotten that
it
is
King
to this end.
his misses,
He
by
his hits
and by
by
the killing of Polonius. These things so work " that this physic but prolongs the sickly
days
Then he
stroke, as he must,
and putting
it
wholly out
mother
is
now
infinitely
pressing duty.
As
to striking the
King down
than now.
How
him for sparing the praying King? He cannot calculate upon what shall happen before he
goes or whether he can make use of the results
of this journey for the accomplishment of his
know that he
148
would
kill
The Heart
of
Furious and frantic he rushes in wildly to He hears the cry behind the taphis mother.
estry,
away by
and
in
was begotten, where the worst personal ^jtP S^1 dishonour had been inflicted upon him, here where the whole air is full of it here the voice
-
is
and therefore
he has heard)
believes that it
calls
the
King whom
up
all his
by means
of the play, he
is
'
carried
away
his
sword
through the
tapestry.
is
error indeed!
his
For
there
*^ing-point
\
moment
Hamlet's Mystery
ing of the whole.
149
The
first,
is
qua
non that guards the treasure, which can be exhumed only with the help and by the power of
the second. Only with this second point do
we
plot.
To
to understand Hamlet.
is
Something new
this
error
is
Hamlet
all
we have
to speak.
That
Hamlet stabs at the tapestry is no proof forsooth that he was a coward and would not have
risked the act face to face with the
it is
enemy;
passion.
hit
ance and
150
The Heart
of
last.
He
What
has
he accomplished?
He
V And
become a criminal!
!
Thus
the error
punishes "
the
itself
if
King before, which would have been no crime, he would have saved himself from this
That was
his error
and for
is
punished by this
Not
For then
Now
there
lies
upon
had he
,
killed the
King he would,
indeed, have
Hamlet's Mystery
so perilous
is
151
kept
in the
course which
prescribed, because
he has
its
opportunity.
He
is
cause.
Therefore the
is
opinion
"
which
Gervinus
expresses
false:
The
reverse of this
is
If anything could
had been the King whom he had stabbed, what would he not have
If instead of Polonius
it
What
blow
disgraceful,
would
he
have
re a.
152
The Heart
of
More
v
must he
feel
fered himself
by a
own
And
so
the killing of
Polonius
*"
is
And
so
quietly to be sent to
sively
England;
lost the
still
more pas-
He
has
by a blunder almost
Hamlet's Mystery
into the hands of his opponent.
153
He must
lies
be-
The
guilt of bloodshed
upon him,
which
his madness,
now become
so transparent,
ing harm,
tie
is
in the
power
of the King.
He
to be got rid of
all
by
cunning.
after
" must
now be
game
to be followed.
His brain
may
him with underground snares, and he must seek on his part to dig a fathom deeper.
On
to
his
way
is
to carry
him
England he meets the army of young Fortinbras, and at the sight of that untrammelled
freedom of motion Hamlet's
soul, tortured
by
murmuring.
happy
man
is
man
54
The Heart
must
be,
of
would wish to be
his
dis-
God!
in
That
is
Hamlet's
and
last
soliloquy
"
How
And
Be
all occasions
do inform against
!
me
a man,
spur
my
dull revenge
What
is
Sure,
He
that
made
Looking before and after, gave us not That capability and godlike reason
To
Of
fust in us unus'd.
Now, whether
it
be
wisdom
And
do not know
's
Why
This thing
to
do/
feith I
means
To do
't.
Examples gross
this
as earth exhort
me
Witness
army Led by a delicate and tender prince, Whose spirit with divine ambition pufFd
Hamlet's Mystery
Makes mouths
at the invisible event,
is
155
Exposing what
To
Even
for an egg-shell.
Rightly to be great
But greatly
When
honour
at
the
stake.
How
stand
then,
kill'd,
a mother stain'd,
my
reason and
while to
my
blood,
I see
And
my
shame
fame
Go
Whereon
Which
is
To
O, from
My
"
!
revolting at his
which he
;
what he must
it,
Ms
voice,
because
he
is
its
victim,
and therefore
his
156
bitterness rings
himself.
The Heart of
out against
all
it
as if against
"
How
me "
to
is
yes, indeed,
"
inform," for
Tie is
obliged
if
there
God
in heaven!
"And spur my
dull revenge
his
"
yes,
"
spur,"
him
the
situation
which
he
calls
"
does not
of his
it in
the service
revenge.
Thus
far
it
seems to have
been of no use.
And
formed.
for that,
Hamlet has power and means indeed and he himself expressly states here
means."
The
physical!
He
can
down
He
Why
not then?
Leave to ob-
Stand
disgraced
Fortinbras
and
his
soldiers?
Why
Hamlet's Mystery
plained
spirit,
157
thought,
revenge,
the
so
bitterly,
scorn
the
his
act
against their
task,
drown
is
in blood
and with
it
himself?
what the soliloquy says. Hamlet himself thinks and must think that he could
do what he ought and would
like to
That
do!
And
King
inherent in
it.
And
its
yet
it
complished, and
The opis
so
discouraged
he
scorns
his
own
true
:
thoughts
do not know
's
Why
yet I
it
live to
say'
This thing
to
do/
"
must come to pass, and Hamlet lives indeed to say it and to bring it about. And
Surely
yet he seems to live on forgetful of
it,
and now
158
The Heart
of
his
means
X
\
like?
is
He
would
like
so difficult
and
The
instinct
of his
and that
instinct respects
and therefore
This
is
respect.
the
tragic
element in
it,
hence
its
interest
and
significance.
Hamlet
is
weary under
his burden.
Now,
when he
of
is shipped off to England, the charge murder resting on him through his own fault,
comparing
is
who
the
now comes
fear
now
at this
moment
arates
and
his revenge
own
fault
now comes
to
ever
standing
endur-
become impossible.
Hamlet's Mystery
159
This horrible dread weighs down his soul. Would it not be better to strike the blow at
once and ruin his cause, sacrifice
traitor to
it, it,
become a
than
still
to
go on hoping and
all,
because
all
impossible ?
TSe
himself to
ap-
pearances has already in part rendered it so by his bungling and because no help comes to
How, considering
is
the char-
unapproachable, not
how he
is
how
it
shrieks in his
ear and
how
it
from the cowardly complaining temper which has been ascribed to him. The horrible doubt
has for
feels for
its
and which turns doubt into despair, the doubt whether he shall throw all the dictates of reason to the winds.
this soliloquy
This
is
the
demon that
rules
it is
the
relieves
And
towards
demon and
en-
already ripening
it
is
accomplishment, already
as
good as
either
fulfilled
without
or
its
being suspected
by Hamlet
by
us.
and through
his
error.
VII
soliloquy
which has been unnoticed by the critics, and which should be taken into account that is,
the meaning of the contrast between Fortin-
in
Fortinbras
when
it is
too late.
That
this
was
only calls the military expedition and trick of fame " but says of it
"
"
fantasy
This
is
the imposthume of
161
peace,
:J
162
The Heart
of
Why
That
the
man
:
dies."
if all
signifies
had to
Hamlet had, the warlike brawl would be ignored in the seriousness of a great and sacred task.
Fortinbras and his expedition do not impress
Hamlet
duty
is
at
all,
to think of.
he makes an
how to estimate it at its proper value. Hamlet knows that " truly to be great " means
well
when honour
is
Fortinbras
fails to have.
Now
we
learn
follows
Hamlet,
as
in
from
his
communication to Horatio
in the
Hamlet's Mystery
when we
left
163
his
him,
sleepless
in
cabin,
is
tormented in regard to his all-too-correct suspicion of the royal document of which Rosen-
He
He
sees therein,
warrant.
He
sembles the
first
has his father's seal), with the earnest conjuration to the English
King
not detected.
We
all
know how
is
felt
I would like to
in
critics
Hamit
place.
He had
On
his
life
hangs
on earth.
And now
64
is
The Heart
of
he
As soon
as
let-
head
falls!
it,
lowed to deliver
one.
That
is
unquestionably clear.
Hamwhat
let allows
them to
" I
!
might
an ass
in truth
am
But
it
is
have written something which would endanger neither himself nor them. Does he know or
can he find out from them, so that he can rely
upon
of
their word,
how
far
in
the King's
purpose
What
if
of
what he might write? What if the King England should become suspicious and
from Denmark,
which case he would
to death?
learn that
No, there
difficulty, there
this
which he takes.
Hamlet's Mystery
in the whole destiny of
cisely the point again
165
!
Hamlet
That
is
pre-
correct
understanding
the
play.
T
Rosen-
cranz
and
Guildenstern
or
himself
is
These
two
or that which to
Hamlet
of far greater
is
most
moment
must
is
He
sacrifice
Rosencranz and
He must
do
made aware
what turn
affairs
Even
its
consequence an embassy to
It
instructions.
might happen,
and
their
confessions
contained
it
anywould
come
We may
we
choose,
how
coldly
and
unfeel-
66
The Heart
of
How,
it
instead
as some-
The
critics
outdo
In the
sacrifice of
we
of
'
find Hamlet's
evil natures
'
greatest guilt.
Hamlet speaks
of death?
By
Hamlet
he must commit
a crime, for not otherwise could he, according to " the laws of dramatic art, be worthy of death
!
of Shakespeare
It
must not
would de-
grade
it.
Even an
inferior poet
would scarcely
fulfil his
just,
and Hamlet
is
right to view
it
in that
They
serve
their guilt.
But
is
this guilt
worthy of death?
that.
It
is
necessary
to
discuss
In
such
service
they incurred.
There
is
no doubt
in the
minds
Hamlet's Mystery
167
is
much
it is
The
Hamlet
as a
It
upon them
to render the
King
own
willingness
to
Their inclination
for the
is
and
King against
Whoever undertakes
to
England must
The
business
is
It has
conflict has
been originated.
If Rosencranz
68
The Heart
of
this into account,
the
fault
of
their
shortsightedness
or
thoughtlessness.
careless
They
their
because
and
views
are
this.
King.
Because of the
littleness
of their nais
their
is
by
Hamlet;
he
is
really
only
an
instrument.
subjects are
reigns, his
not foresee.
overlooked because
the ground on which
is itself
all
concerned
and move
destruction.
When
That
the haz-
man
in
should
them.
These
are
things
which
is
Hamlet's Mystery
169
so great an expounder of law, the Divine Law, and he holds to it as no second poet has ever
done.
Rosencranz and Guildenstern perish justly because they serve the murderer against Hamlet,
who
and
is
tice,
God.
That
is
did
make
love
to
this
em-
They
J
my
Does by
own
insinuation grow.
is
dangerous when
incensed points
Of mighty
opposites."
critics,
committed such a serious crime that even his " So friend can ask in
reproachful surprise,
Guildenstern
and
Rosencranz
go
to't?"
to the
Ask?
The
interrogation
mark belongs
70
The Heart
and
is
of
not in the original
critics' interpretation
text.
Wherein
express
lies
words
reproachful surprise? " " in the not why, man with which tainly
answers.
Cer-
Ham-
let
consist in
But
Horatio's
He
speaks
seri-
them
in the tone of a
man announcing a
:
" So Guildenstern
fol-
and Rosencranz go to
" lowing with
this
't
Why, man,
employment," gives the clear explanation how it happened that such a fate for them lay
in the
work which they had undertaken. Chance separates Hamlet from his travelling
seizes their ship,
companions: a pirate
Hamlet
when they grapple falls on the enemy's deck, and the pirate brings him back to the Danish
coast in order to get a ransom for him. Rosen-
sail
on to England,
deliver
^^y^as^^
Hamlet's Mystery
1
The
Hamlet
simply
verthis
:
sus Rosencranz
is
Ham-
acter of
be expected.
Hamlet does not corrupt them; what he plots against them he must without question do,
without
choice.
shrinking
and
doubt,
without
and makes
later
when the
away with him. When, however, he made the thrust through the tapestry, Hamlet committed a grave error,
corsair sails
The
destrucalso
he allowed himself to
the
fall,
King
is
sent to
Eng-
172
The Heart
of
therefore, after
his
counter-plotting useless
for
and made
it
impossible
him
to nullify
it,
he himself also
falls.
its
error,
which
own
life.
and
And
why
did
sail
back to
Denmark
had escaped?
To
take him to
England
is
is
journey.
letter
What
without him?
and they certainly would have done so if they Fate could have known what threatened them.
Hamlet's Mystery
73
as well as
him
in
its
They
be-
which the King has entrusted must be delivered by them as ambassadors sent
to a tributary court.
They
travel on because
they do not know what is in the letter; they have no choice, because they are not fully informed concerning the business entrusted to
them.
Had
not perhaps (the King must, at least, have foreseen this possibility) have delivered the letter.
;
'
He
is
'
^1
,.<<vy
possible for
relates
what
to
w*
owing
bound
>\
to
attend.
* **4%
'<5t&>
/
*
//
n a uj ~nn a
h
o*
M
(J
F f~
.
<
JA-T
a, c/ <s
f'A
i sr
Aa*
74
The Heart
of
The
them
England, and because after the Prince them they are still bound to execute escapes the King's commands. To him, therefore, their
to
destruction
is
clearly due.
Polonius
justice has
falls as
life
falls
as these two
fall,
He
by the blun-
Polonius
The King
under orders from the King, IjutJPolpnius acted He was eager to overhear the involuntarily.
terview
from
his
own
interest
in
it.
He
is
the one
supreme
power.
He
naturally
Hamlet's Mystery
"
or confine
75
him where
Your wisdom
Hamlet's words are the epitaph that Shakespeare inscribes over Polonius:
"
Thou wretched,
TPhou find
to
be too busy
is
some danger
"
;
and:
"
Is
Indeed
this counsellor
now most
was
still,
most
secret,
Who
But one must understand and sympathise with the bitterness which Hamlet feels that all
this
he
also
comprehends
the
additional
burden
Still
upon him.
all
wicked ways
who are
diabolical
One must
Hamlet and
76
For
this
same
lord,
do repent; but heaven hath pleas'd it so, To punish me with this and this with me,
That
I will
must be their scourge and minister. bestow him, and will answer well
I
The death
gave him."
this certainly before the world,
Hamlet can do
if his
be
upon him.
And
as he drags
away the corpse his mother tells us that he wept over what had happened. And Hamlet's
tears
mean
so
those of most
men!
\U
r.
VIII
AFTER
Hamlet
more
to which I have
difficult
wards Ophelia.
How
is
that to be regarded?
fashion:
Her
character
is
that
father
warn
her.
Her imagination
and should the convenient goddess Opportunity shake the tree the fruit would quickly fall."
desire,
In
marked
signifi-
78
The Heart
of
cance.
We
know from
occupied.
How
words that
it
the more
At
last
when
all
power over herself is destroyed and the tongue speaks what the heart feels, this tongue becomes her betrayer, and in the innocence of insanity she
gives
utterance
to
her
reminiscences
of
these
songs."
None but
From
critics
have as-
sumed that she has been seduced by Hamlet, ignoring the fact that such language was not
unusual in the Danish court or everywhere in
that age.
Regardless of
all
this,
Tieck and
von Friesen come to the conclusion that Ophelia had been betrayed by the Prince. I cannot
consent to any such view.
I maintain that the
words of Laertes
Hamlet's Mystery
"
179
earth ;
Lay her
i'
the
And from
May
positively refute
it.
own answer
is
"Be
thou chaste as
ice,
What
more
clearly expressed
than
in Goethe's words.
But
what
ant
let,
suffer
All
from the fact already dwelt upon, that no one The seems to understand Hamlet's situation.
bond of honest
It does not
affection binds
in
him
to Ophelia.
in her a
become either
is
him or
power
passion which
of absolute
there
is
no circumstance pointing to that but Hamlet loves the charming maiden warmly and heartily,
ties of
that love
by
his destiny.
i8o
The Heart
of
father spoke
As soon
task imposed upon him there was no possibility that anything else should dominate him, even
it
if
Even
this
make
Ophelia
is
She
is
bound
up
It
is
from Hamlet and shows him an unfriendly She is not naturally his equal. Her spirit.
circle of
She
is
a lovely flower, a
May
mosphere.
Hamlet has appreciated her charm, but now the mouth of the grave opens, the
will eventually
become day
all
and happiness.
What
one might
call in
Hamlet's Mystery
life
81
Hamx
let
joy,
much
less
of love
or the tenderness of
passionate devotion.
mother
fills
1^
The
a warning as well
as a death-warrant to him.
He
has a forebod-
which he stands
is
quaking.
Out of
all
this
dark
of Hamlet's
se-
verity unheard of in the world of tragic creation, and in all respects without a parallel.
He
a favourable
issue.
The
King,
is
and even
in that
he
moned
to revenge,
if it
his
knowing of this criminality which touches him so nearly and which he must keep
fact
of
Only to
82
The Heart
of
Hamlet
disclose
it,
know
and
believe in him.
But
help.
and
from
all
the former
his past
from
to which he alone
individuality,
enjoyed
satisfaction,
becomes
thereby
sup-
which
all
ter,
so pure,
is
if
one judge
is
him merely by
his
utterances, he who
so
may appear
forgetful of
Hamlet's Mystery
183
duty and a coward, and must endure his helplessness as the punishment which is involved in
the difficulty of his task, jf
to
desire to do
signed him.
let
is
By
is
Ham-
Ophelia; she
as
if
nal
him from her weighs more heavily upon him than when Ophelia, at her father's command, unresisting and obedient, breaks with her lover,
returns his letters, entraps him into a conversation of which the direct consequence to
will
him
by the
critics
talk of
" a clever
de-
one."
How
Hamlet
feels
for
Ophelia,
and how
84
The Heart
of
upon him,
of his visit
own report
to her.
When
My
I
lord, I
I
That
feelmg<
"
I never gave
No, not
"
you aught
continues
"
My
And
them
words
of
so
sweet
breath
composed
As made
lost,
the things
more
rich; their
perfume
Take
Rich
mind
There,
my
if
he had broken
the relation, as if she much more than himself had been " denied entrance," and had had her
letters
returned
so that he
is
Hamlet's Mystery
justified in
185
becoming bitter over it: "Ha, ha! " not as if he knew best of all are you honest that she was not, but rather from anger and
!
" I loved he had just as much right to say you not " as she " I was the more deceived." But
his
all
" The
as if it
Hamlet
take
of a continuance of their
may
;
have.
He
dares not
tell
own mother
P
And
Get thee
"
!
to a
nunnery
why
wouldst thou be
a breeder of sinners?
quickly too
To
Hamlet can say nothing better to her under the circumstances. By no clearer expression
can he thrust aside his love while concealing
it
from
her.
86
The Heart
of
Yes, his hand
it
that he
made
Ought Hamlet
is
when he
is
power-
at the terstill
rible turning-point
from fright and despair on account of his error? Hamlet has no words for Ophelia and
his tears flow over the corpse of Polonius?
He
to
Denmark, on
his
way
through the churchyard chance gives him the view of her obsequies, and from the words of
Laertes he learns both facts.
is
Here
his
tongue
burden suddenly falls upon him. His own woe and the miserable fate of the loved one loosen
it.
Not
in
Hamlet's Mystery
insanity should end her days makes
rave.
187
Hamlet
How
upon him!
And when
Hear you,
sir,
What
me
thus?
himself and
brother and
it
sister,
although
it
was
his
arm that
upon them.
That
call
Laertes, on ac-
down upon his accursed head ten times threefold woe even now
suffered unspeakably himself on
it
when he has
account of
this
excess
of
severity
must
What
is
he whose grief
88
The Heart
" "
!
of
This
is I,
He knows
well to what his destiny has brought and what woe do these words express him, " Who is it that They mean, complains and
!
dares complain?
in truth, can-
am
the one
"
!
The
is
that
about
her; the crime that has been committed destroys even her.
Hamlet, however, appears insane, he who knows the truth, and who must
is
called to action;
but Ophelia in her passivity becomes really insane, inasmuch as the effect from the terrible
cause of which she knows nothing
her; the effect
is is
forced upon
is
destroyed.
"And 'I,
That suck'd the honey of his music vows, Now see that noble and most sovereign reason
Hamlet's Mystery
189
That unmatched form and feature of blown youth Blasted with ecstasy. O, woe is me,
To have
"
!
no
effect
upon her ?| During the same night her father is murdered by her lover whom she believes insane; and the only being in the world who is
left to her,
is
far away!
h
even Ophelia.
the cloister??
Now
Ho-
ratio, in
which he
tells his
To
is
"
Why, what
King
"
Does
it
not, thinks
't
thee, stand
He
my
mother,
Popp'd
my
hopes,
190
Thrown
The Heart
out his angle for
of
proper
life,
my
is 't
And
To
To
quit
him with
this
arm ? and
is 't
not to be
damn'd,
let this
In further
How
full of
meaning
is
this
is
And
yet
it
has
It
the continuation of
My
"
And how
It
What
and
"
;
this
answer
is
a significant one.
It
is
To
in
of
Hamlet
common misunderstanding
the
first
him from
moment,
his
truest
friend,
who
is
all
the facts, in
most pressing moment so near the crisis, has no direct answer to give, no assenting yes,
Hamlet's Mystery
no advice to
191
that the
learn that
Horatio's words
mean only
is
this:
"A
decision
no alternative "
no
more than
crisis.
this,
in
spite of the
approaching
What
if
else
"
Yes, and
you now
how
will
The
absolute
proof
is
certainly
lacking.
Horatio's words
He must
critics
which the
advance.
must be
Hamlet
is
aroused, but
very weary.
He
feels the
foreboding of the
that he
is
feels also
it.
ready
92
The Heart
of
all
so truly,
so heartily, so
He
It will
is
mine;
'
And
But
That
a man's life
I
One/
am
to
forgot
myself;
my
cause, I see
The
portraiture of his."
full, clear
To
"
truth
of the matter:
Give
me your
pardon,
as
sir
I 've
But pardon
how
am
With
sore distraction.
What
I have
done
That might your nature, honour, and exception Roughly awake, I here proclaim was madness.
Was
't
Hamlet
wrong
'd
Laertes ?
Never
Hamlet!
If Hamlet from himself be ta'en away,
Hamlet's Mystery
193
And when
he
's
Then Hamlet
does
not;
Hamlet denies
;
it.
Who
does
is
it,
then ?
His madness
is
if
't
be
so,
Hamlet
wrong'd,
His madness
Let
my
me
I
Free
That
And
That
hurt
my
brother."
is
the truth!
The
necessity of Hamlet's
him from
is
the
is
enemy
the
of Laertes,
alone.
It
King who has ruined all, he alone has plotted against all those who have been drawn
into crime
by him.
mask
the
of insanity,
of
exception
to
be
insanity.
And how
moment
How
far he stands
194
The Heart
of
is
pre-
paring to perpetrate
Here we
see the
marked
made
in the action
stirs
and of Hamlet.
Laertes
up a
revolt, and a very threatening one; he overpowers the royal guard; with naked sword he makes his way to the King, whose very life is
at his mercy.
But
in a trice the
King has
sub-
The
practical
man
allows himself
to be controlled
by the criminal
as a wild ani-
It
only requires a few words, the earnestness of a well-formed purpose, and the storm is over and
what had
risen to
mountain height
in Laertes
has subsided.
And what
He
allows himself to be
is
by him
to
secretly
choose,
an
assassin,
in
honest
knightly combat an unblunted blade, because under the veil of honest play he can thus strike
his
Hamlet's Mystery
rapier,
195
and who
is
so that Laertes
may
any personal danger. Laertes yields to this atrocity from lack of judgment and honour, for if he had been endowed with either of these, the
nature of the plan must have given him insight
into the character of its originator;
til
and
if
un-
of the malice
it
and
frighten
away
from
the
tempter.
for
Hamlet
he
He
is
if his
opponent
ably lost!
his
merely scratched he
be inevit-
When
Laertes himself
falls,
what
is
fate?
Most shameful,
"
for he
!
shares the
:
am
with mine
treachery.
196
The Heart
of
dies with
That
is
the pic-
As
Hamlet
will
is
lets the
;
combat
the in-
" It
it
be short
mine "
and
Hamlet's, eternally
England have arrived, who are Hamlet and Laertes already near Elsinore.
sengers from
fight
;
in
ex-
How
cur
tion.
is
How
Hamlet's hand? That is an obscure point. " Have at Laertes says, you now," and then
he wounds Hamlet, and the King gives the " command, Part them, they are incens'd." At " Look to the this point Osric cries Queen " As she swoons Horatio, standing there, ho " calls out: bleed on both sides. How
:
!
by,
They
So
is it,
my
lord."
it
How
Hamlet's Mystery
197
by the rapier of Laertes? From the explanation which we owe to von Friesen (1869) we
know that
hand.
The French
Le Tourneur, had,
words,
the
significant
etc.,
changent,"
As soon
is
made
a thrust
and
downward
stroke on the
his left
left
hand he
seizes
the
by a
his
from
When
own
this
of his
rapier
is
opponent, who
overcome.
deprived
98
The Heart
of
With
fighters
is
the usual
combat
is
continued.
The manoeuvre
is
attended
it
was probably well known and might occur in any fencing bout, and any experienced actor would
understand
perfectly
rapiers."
the
stage-direction.
This
explains
Laertes
exchanged
But now another question occurs, which demands explanation what prompts Hamlet to
;
this
manoeuvre?
Because
Tie
feels
that
Tie
is
wounded?
No!
is hit,
wounded.
familiar
and he succeeds
comes to his
Nothing now remains for Laertes to do but to resort to the same manaid.
left
Hamlet's Mystery
199
hand. The King cries out as soon as he sees " Part this, them, they are incens'd." But they
have already changed places, and with Hamlet's " words, Nay, come again," the fourth bout
begins.
As Laertes
is
hit
with a powerful
thrust, the
both
first
it,
Queen falls. Osric perceiving this " Look to the cries, Queen there," and Horatio, " They bleed on hastening to Hamlet, says, " from which Hamlet learns for the sides
time that he
is
wounded!
Disregarding
thought
"How
does the
is
Queen?"
Hearing
villainy
Ho
Treachery
Seek
out
"
!
He
" It
receives
now
is
sinking to the
:
ground
is
here,
Hamman-
difficult
is
astonishing.
When at last he knows all, he breaks out with the " " The Yes, fierce cry, point envenom 'd too!
this
moment
2oo
and from that springs the true, terrible dramatic effect. If Hamlet had felt the wound
immediately after he received
it,
he would have
sprung upon Laertes and wrested the rapier from him. That Hamlet continues the combat
as such
significant words,
beyond doubt that he does not notice the wound, and that he becomes possessed of the
weapon
of Laertes
by the
fighting manoeuvre
of disarming him.
IX
"
is.
THE
Ere
interim
it
is
it
task
seized
participants
at his
from the beginning. " When Goethe says men, contrary to their desire, are dragged into an unforeseen catasside
:
it
brings guilt
in-
What
destiny
is
it
is
well
stated here.
knowledge
of which
is
it
That, however,
side.
looking at
it
of destiny.
to ourselves?
What What
2O2
The Heart
of
does
it
Why
is is
occur?
The
developed by means
All tragedy
it
the fulfilment.
con-
cause
human power
in this case
is
impotent.
It-
has to be accomplished
earthly means;
first
in a natural
way, by
this
happens
so indirectly at
It
is
also in-
avoid
it
and cannot be on
little
his
guard against
because he has as
which
lie
bring to him.
The
made
clear in
is
found, because
we
see from reflection that destiny and the progress " There 's a of the action emanate from God.
The
is filled
Hamlet's Mystery
203
The
is
background, and not as the agency of divine power, not as an impersonal form of
this
providential operation.
characteristics
in
Hamlet,
and
is,
therefore,
terrible, because
it
seems to
in-
It is
awful when
its
power goes
Everything
by the
de-
signing King.
This crime
is
of such a dia-
the murdered
man
to
human which
gives
assistance.
So with
solves his
fully,
Hamlet
and
it
clearly
and
2O4
In what does
very
wonderful
The Heart
of
Something
instance,
in
this
particular
the intervention
enjoins the task.
is
who
nearest means
made use
his desperate
enemy).
The
criminal
is
prompted to do
it
this,
were,
by chances
which become spirit-arms for Hamlet, carrying him forward as by a whirlwind to his goal.
By
is
brought to judgment.
destiny.
Hamlet's Mystery
admired
this
205
Claudius,
so
paltry
;
by nature
and so
self
so small in him-
and so great in deed; so repugnant to us as a person, and so interesting on account of his career and end. Inwardly he is naught; " dull " towards heaven and with no conhell,
he cries out
!
"
O O
wretched state
O
"
!
bosom black
as death !
acknowledgment only comes out of the " all may be well." In this unworthy feeling,
is
utterance he
detestable. It
is
the preliminary
Hamlet:
see,
"
An
This " patience " springs out of that " all may " which his trick has in reserve for yet be well In that he hopes what he calls " well " its aid.
;
is
inordinate desire
him
206
passion.
The Heart He
of
enjoyment; he
to be deprived of
knows prayer and repentance. His knees ought to bend; his words in which he is
his heart
He
aid him.
Not
to
spirit of his
mur-
dered King and brother appear. from out the grave can reach him.
He
trait in the
But
the hordifferent
would on a
;
man
comes him, but he meditates a plot out of it. This is his character, this is the stuff of which
he
is
made.
to appear most imposing
ever
giving
keen
in
advice,
courteously
resolute,
exclusive,
versatile
conversation,
invincible
by
his
position;
his
Hamlet's Mystery
weapon poison,
his screen secrecy
;
207
so tenacious
drunk death
does
by the continuation of the combat and when he has fallen in death, when he himself is stabbed
;
will tell
one more
lie
to
That
is
Corporeally he
is
cer-
and as vunerable as any other King is mortal. But what does that
all.
Nothing at
In
all
that he reis
unassailhis
name,
of
disposition, in his
in the
in
his
gift
hypocrisy, and
Thus
man,
in
what
he appears to be, he
unassailable.
That
Hamlet ought
is
necessary to refute
208
The Heart
of
In what tragedy, I ask, does there occur the assassination of the guilty person without any
evidence of guilt being produced for the truth
of the
concerned?
this evidence
But
the
of
convicting
the
person
is
the
"""'
cardikill
and therefore to
is
the
King before
I
the proof
-
the killing of the guilty person but killing the proof, not the execution of the criminal but the
^M
"''
""""
murder of justice
only means of
This senseless
critics
are so impatient
The
hands
;
own
and
tool
Tie
does
it
own
and device
Hamlet's Mystery
209
hidden.
In Laertes
King
believes he has
who
is
own concerns,
friend
and
in his
who
will deliver
him from
life;
his
own enemy
is
but Laertes
power of
justice.
He
becomes, as
were, the
Hamlet
is
now rendered
inactive,
but the
King
is,
meaning and the plan of the author, namely, the second person in the play. He now
in the
Hamlet
movement comes to a
2io
It
is
The Heart
no
less
of
first,
which un-
and
it
is these two movements of the persons interchanging one with the other which constitute
and concluded
these
in
movements
understanding
nor
This
is
To
look for
it,
as
when
worthlessness,
this
diabolical
wrath, be-
come apparent to the world, then will the action of the concealed divinity be heard in every word
of the play, from the very beginning to the
final
catastrophe.
rapidity of pressing events in the fourth
the
The
act,
end of the
in the
Hamlet's Mystery
fifth,
is
engendered.
This
is
his
impossible, because
it is
and therefore what he did against himself becomes active for good in the hands of those
powers.
it is
Hamlet
is
he
is
his
arm and
still
his patience.
Hamlet
is
done
all
212
The Heart
fill
of
which
him.
It
is
this feeling
which
finds ex-
pression in his meditation upon the skull, in his horribly witty, bitter-sweet talk.
It
is
with
un-
he finds
it
the rhyme:
"
'd to clay,
Might
wind away;
"
!
to his fantastic
in
comments upon the dust of death with his present frame of mind.
stands close to the dark portal.
keeping
himself
He
To
ency in his talk, when in reply to Horatio's remark " It must be known to him from
shortly
England what
" there
"
is
:
the
issue
of
the
business
he says
It will be short
the interim
is
mine ;
'
And
But
That
a man's
I
life 's
One/
am
Hamlet's Mystery
For by the image of
213
my
"
cause I see
The
portraiture of his ;
and afterwards:
"
I shall
win
ill
at the
odds.
not think
it
how
my
heart; but
is
no matter."
And
We
defy augury."
That he
is
over
all
the world.
He
himself prepared, and therefore allows himself to become jocose and to ridicule the
More
"
There
's
sparrow.
If
be now,
it
't
is
not to come;
if it
is
if
it
be not to come,
yet
it
will be
now;
be not now,
Since no
is
't
will
all.
to
Let be."
It
is
under whose spiritual control he stands. Furthermore, the wicked man must destroy
214
himself in his
inclinations,
ticed
The Heart
of
after his
is
own
en-
by
attack.
believes will
bury and
come at
action, his
day through his own own calculation, his own craft, his
malice.
The more
artfully
entangle himself.
his
own
destruction.
What
criminal
by which the
how
surely
and swiftly
attained?
By
to Elsinore,
let
by the pirates meeting with Hamand bringing him back to Denmark, and,
all,
above
by the accident
!
of Polonius's death.
That
let
is
That
gives
Ham-
the victory.
To
by
the
Indian the
their eyes,
Hamlet's Mystery
this accident looks the eyes of the goal,
the
undazzled, without
eternally
firm,
not
an
eyelid
quivering.
because
That
That
is
the death
criminal.
in blind
but
it
also
unmasks
the
King
is
^
*
On
this
is
account Hamlet
fulfilled,
through
By
the death
of Polonius,
Hamlet
stirs
up against himself a
216
The Heart
of
vengeance similar to that which he has to init has no righteous flict, but merely similar
claim to his
life;
and
since, nevertheless,
it
on acassists
it
is
count of
it
him
sists
to
do what he
bound
to do.
And whom he
{
asto
punish avails himself of the error in order to secure himself and destroy Hamlet.
Because
it
just pun#'
Such
is
presented to us.
Hamlet
is
involved in
it
the
strides
This
is
the
import of that
negative
expression.
is
He
ever
And
Hamlet's Mystery
by no means
1
slowly.
The preposterous
desire
idea
from the
silly
that he
the
King
immediately.
of no delay
!
The
fulfil-
ment,
King, come quicker than Hamlet or we could have foreseen. All is accomplished with one
stroke, in overwhelming surprise!
let
Now Ham-
may
strike the
is
he himself
King down, now at last when dying, now he may harken to his
is
flowing! and
it
now
his
seals
and
this last
moment when
I
fallen.
The bloody havoc has been regarded by the critics as useless. Justice and her poet know
better
what blood
is
demanded
in expiation
and
who
is
Even
Death
now
1
the
Consider how short is the space of time from the beginning of the second act only a few days. This fact escapes notice because the text is so rich and deep, the subject so great, Hamlet's task so difficult, and his suffering so intense. It is this inner infinity that makes the process seem long.
2i8
The Heart
of
not for acknow-
lie,
ledgment of the truth; but his own confession is no longer needed. Laertes confesses for him,
the blood of
Now
Rosencranz and Guildenstern, testify against All these victims of his crime now form him.
the chorus to the solo of the Ghost, and
when
tell
Hamlet's story
and to explain
will
produce in all his hearers the conviction which he himself has and which we have, and the
story which the grave told will be an unquestioned truth for the world
lives
no longer a party
in the
When
thus understood
its
foun-
its
harmony of
power
of a refrain:
"
Our
wills
and
fates
do so contrary run
are overthrown ;
"
still
Hamlet's Mystery
and Hamlet's weighty words:
"
219
Our
When
There
teach us
's
"
and while he
"
is
dying:
or less
So
tell
Which have
Tell what!
is
impossible
rest is
he " silence
!
is
dying.
close
"
And
let
me speak
to the yet
unknowing world
so shall
acts,
How
Of Of Of
these things
came about:
you hear
And, in this upshot, purposes mistook Fallen on the inventors' heads. All this can
Truly deliver."
How energetically Hamlet acts in his He puts his cause in motion and the
a goal
lie
passivity!
motion to
alone,
That
220
is
The Heart
!
of
Hamlet's act
And
it is
cal proof
demanded for
seizes
^"^Hamlet
that
|
!
chance
of
the
actors'
else
which everything
their
coming not as
and
making
this
play
this
is
the
life
From
out of
above
all,
and Horatio at
It
is
by that means
pos-
make
heard
by
all.
Everything
else
Hamlet's
the
catastrophe,
and the
Therefore there
Horatio's words:
is
a positive sig-
Hamlet's Mystery
"
221
night, sweet
Now
And
Good
thy rest
"
!
His poet has thus buried him. He has interred no one of his heroes more beautifully, and the
funeral oration for the world comes from the
mouth
of Fortinbras:
"
Bear Hamlet,
For he was
likely,
To have
prov'd most royally; and, for his passage, The soldiers' music and the rites of war
for him."
Speak loudly
That
is
The play
is
]f
not the
f\
full of
he
sets
himself
without
making a
step
at
the
start.
He
by
his
aim and
Nothing but
this service
comes from
He
exists
He
222
The Heart
of
its
assurance and
torment.
That
is
Hamlet's attraction,
It
is
originality.
this
wonderful clair-obscur
its tone.
feast of death.
For only
criminal
who never
it is
by means of
The
guilt.
hero
falls,
cannot
r>
feel
guilty.
It
Ihim;
*
"Hamlet's
clear
from any
;
offence,
but
is
so death
no punishment and no misfortune, but rather a release, a discharge, a deliverance, his well-de-
This play, in
its
Hamlet's Mystery
lin
its
223
gloom.
where our
knowledge
ends,
but
Shakespeare has
made
even this mysterious realm his own, not to explain the unfathomable, but to give us a hu-
man
soul
whom
beyond
this world.
is
foresee.
life,
the acme of
the freedom of
man
on earth, where, pressed upon by sorrow and death, genius and love accomplish their wonders.
Such
ae
our experiences insomuch that they bring to us what we may make out of ourselves and
hides
from
us.
LOAN
This book
is
DEPT.
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due on the
last
RENEWALS ONL
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No. 642-3405
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