Matthew 13:3-8 3 Then he told them many things in parables, saying: A farmer went out to sow his seed. 4 As he was scattering the seed, some fell along the path, and the birds came and ate it up. 5 Some fell on rocky places, where it did not have much soil. It sprang up quickly, because the soil was shallow. 6 But when the sun came up, the plants were scorched, and they withered because they had no root. 7 Other seed fell among thorns, which grew up and choked the plants. 8 Still other seed fell on good soil, where it produced a cropa hundred, sixty or thirty times what was sown. (Holy Bible, New International Version, 2011)
SCRIPT OF THE STORY:
What will be said What actions I will be doing Hmm I wonder what this story will be about? Have box in front of me closed- stroking the lid. Carefully open the box- keeping it hidden.
Lay out each item slowly and silently in this order: 1. The field 2. The path 3. The rocks (with picture of healthy and withered plants underneath- hidden) 4. The thorns (with a picture of the plants being choked by the thorns underneath- hidden) 5. Good soil 6. Birds (keep farmer and four final pictures of healthy crops in the box)
I wonder if the person had a name? I wonder who the person could really be?
Take farmer out of box and present him to the class PAUSE
As he was scattering the seed, some fell along the path, Take seeds out of box and scatter along the path
and the birds came and ate it up
I wonder who the birds really are? Move birds towards path and mimic them eating the seeds by covering the seeds with the birds PAUSE
Some fell on rocky places, where it did not have much soil.
Scatter seeds along rocks It sprang up quickly, because the soil was shallow.
Move picture of growing grass from under the rocks and hold there for a moment But when the sun came up, Use hand in a circular motion over the field to represent sun (children can use their imagination)
the plants were scorched, and they withered because they had no root.
I wonder if the farmer was happy about the plants being scorched?
Move picture of scorched and wilted grass from under the rocks and hold there for a moment PAUSE
Other seed fell among thorns, Scatter seeds among thorns
which grew up and choked the plants.
I wonder what the person was doing when the little seeds were choked by the thorns?
Move picture of plants being choked by thorns and hold it there for a second PAUSE
Still other seed fell on good soil, Scatter seeds among good soil
where it produced a crop
Take out first picture of healthy crops and lay this on good soil
a hundred,
Take out second picture of healthy crops and lay this on good soil
5 JUSTIFICATION: As stated by the Catholic Education Office Melbourne (CEOM) in [the Melbourne] curriculum the main style utilised for initially telling the story is reective, using concrete or visual material (p.8, 2008). The reason I have incorporated concrete and visual materials in my storytelling process is because students tend to learn through the senses as well as through the mind through movement, sight, sound, smell, feeling and touch (CEOM, 2008, p.11). By using concrete materials I am providing the students with visual stimulants that will help them with trying to make sense of and with understanding these biblical stories (CEOM, p.11).
All of the materials I have used to tell this parable through The Good Shepherd Experience are either made out of felt, wood or laminated paper. The reason I have chosen these particular materials is because according to the CEOM (2008) the concrete materials should be simple and sturdy and of good quality (p. 11) as they need to be manageable for the children to use and play with after the story.
I have used a wooden 3D doll to represent the farmer in this story. I have kept the farmer in my story faceless, wearing only simple clothes made from felt. The reason I have left the farmer quite unspecific with little detailing is because as Madges (1996) explains, God is represented in numerous ways to many different people- in this story he is a farmer (p.4). I wanted to let the students view the wooden man as whoever their imagination leads them to imagine him as being. They may wonder whether the farmer is God, they may not. I didnt want to add too much detailing to this material as I wanted the wondering from the students to be left open. Most of the materials have been developed this way because if the materials are too detailed they can sometimes take students attention away from the story and also obstruct the students from utilising their imagination (CEOM, 2008, p.11).
FOCUS AREA 3.4: This section shows that I have selected resources that engage students in their learning. Tanya Valencic S00122203
6 While developing my script I had originally included a picture of a sun as it was something I was going to visually represent. However after further exploration I decided to purposely leave it out as I wanted the children to be able to use their imagination in the storytelling process. Hyde and Rymarz (2008) explain that through play, children develop their imagination and relationships with othersIt may provide them with opportunities to transcend (p. 57). Although this was in relation to Godly Play, this relationship through play can still exist through the storytelling experienced in The Good Shepherd Experience.
While I was working on the script I tried to really focus on what Berryman (2009) said about contemplative silence; contemplative silence celebrates the wholeness of the relationship with God, which is more than language can articulate (p.22). Taking this into account I tried to make sure there were definite pauses in specific places throughout my script to enable the students time to contemplate. Generally I placed these silences after each sentence to allow the students to think about why the seeds had been eaten or why the plants had died. The CEOM (2008) also agree with Berryman and believe that these silences assist the imagination as the children observe what is happening. It allows time for feeling the story. Without feeling, it is harder for the students to really make a personal connection (CEOM, 2008).
I included wonderings at the start, end and throughout the storytelling process because it allows students to wonder together about what the parable might really be (Berryman, 1991, p.45). It also models for students how to wonder, which enables them to engage creatively with the Christian language while they are wondering (Berryman, 2009,p. 22).
FOCUS AREA 3.5: This section demonstrates that I have knowledge and understanding of verbal and non- verbal communication strategies to support student engagement. FOCUS AREA 3.3: This section shows that I used a teaching strategy allowing students to think about their wonderings. Tanya Valencic S00122203
Berryman, J. W. (1991). Godly Play: A Way of Religious Education. Retrieved from http://dlibrary.acu.edu.au.ezproxy2.acu.edu.au/ereserve/copyright/d ocuments/Berryman10298.pdf.
Berryman, J.W. (2009). Teaching Godly play: How to mentor the spiritual development of children. Retrieved from http://dlibrary.acu.edu.au.ezproxy1.acu.edu.au/ereserve/copyright/d ocuments/Berryman10302.pdf.
Catholic Education Office, Melbourne. (2008). Coming to Know, Worship and Love. Retrieved from http://resource.fraynework.com.au/_uploads/rspga//PrimaryCurriculu m/kwl_level1_4_bookmarks.pdf.
Holy Bible, New International version. (2011). Matthew 13:3-8. Retrieved from http://www.biblegateway.com/passage/?search=Matthew%2013:3- 8,19-23;%20Luke%208:5-15.
Hyde, B., & Rymarz, R. (2008). First steps in religious education. Ballan, VIC: Connor Court Publishing.
Madges, W. (1996). Who is God? RTJ, November/December, 4-7. Retrieved from http://dlibrary.acu.edu.au.ezproxy1.acu.edu.au/ereserve/copyright/d ocuments/Madges10125.pdf.