2007

CHC 10101 HNRS: Seminar 1 @ CCNY

Professor Drabik
Adventures in NYC
Class & Culture
2
Table of Table of Contents Contents
Introduction Introduction .. 4 .. 4
In A Classroom, In A Classroom, Far, Far Away Far, Far Away . . 5 5
The Faces of the The Faces of the Arts in NYC Arts in NYC .. 6 .. 6
Se Se Voul Dallare Voul Dallare . 8 . 8
Our Beloved New York Our Beloved New York . 11 . 11
The Pilgrimage The Pilgrimage .. 13 .. 13
Union Square: Politics, Protest, Starbucks.. 21 Union Square: Politics, Protest, Starbucks.. 21
Reading Between the Street Lines Reading Between the Street Lines .. .. 29 29
The Brooklyn Bridge The Brooklyn Bridge 37 37
Thr Through the Looking Glass ough the Looking Glass 45 45
The Curtain Call The Curtain Call .. 84 .. 84
Words of Gratitude Words of Gratitude .. 85 .. 85
Sources Sources 86 86
Macaulay Honors Theater
3
Introduction: Art in New York City
Arts in New York City surprised me
tremendously. I thought that it would have been a boring
lecture class that monotonously told us that we were
special because we were in the Honors College. This class
helped me to sync with the culture of this vivid city that I
have been eluded from all this time. As a full time student,
I dont really find the time to go anywhere or to research
any plays. There are some events that have been boring
and some things that I cannot get out of my head. The
nature of art is something cannot be explained but rather
experienced. The power and the pleasure that consists in
these events can vary. It can break or make our
expectations true. Above it all the true nature comes
gleaming through when you realize that it is art.
The realization that New York City is a piece of
art that houses so many forms of art was our lesson to be
learned. It was a hard, yet thrilling lesson. We, as students
and somewhat uncultured New Yorkers, had to trust in
our teacher and in ourselves to allow us to be open to art.
In the end, the step of a dancer, the cries of an actor, the F
sharp note hit my an opera singer, and the abstract
painting of an orange square, all expanded our definition
of art, especially the art in our city.
--Samema Sarowar and Barbara Beacom
4
In a classroom far, far
away
There were 20 students who braved
the jungle of New York City. This is
their story
5

Name: Barbara Beacom
Major: Chemical Eng.
Life is a road under construction.
Name: Mary Perez
Major: English
I was born in Michigan, I knit
scarves and I would like to
write a book someday.
Name: Norma Perez-Hernandez
Major: English/Theater.
Theres a moment you know
Name: Evan Leung
Major: Chemistry
I have a wit of corn.
Name: Roberth Mendoza
Major: Biomedical Eng.
I am brown.
Name: Farah Ahmad
Major: Architecture
I love traveling (anywhere-
since I cant stay in one
place).
Name: Samema Sarowar
Major: Biochemistry/History.
My favorite movie of all time is
American Psycho.
Name: Ceena Chandrabos
Major: Biochemistry.
I have a habit of losing
things; I lost my heart to this
class.
Name:David Engelman.
Major: Psychology.
I am cultured. Yeah!
Name: Jacky Ng
Major: Graphics Design.
Maximum nerd.
The Faces of The
Arts in New York
City.
6
Name: Emily Tabolt
Major: Civil Eng.
I am Emily Tabolt, and I am
emotionally involved with the
world.
Name: Ramona Rahimian
Major: Chemical Eng.
I am certain of nothing but the
Holiness of the Heart's affections
and the Truth of the Imagination
-Keats
Name: Ruby Cheng
Major: Biology
I like animals a lot, and my
childhood dream was to
become a veterinarian or
zoo curator
Name: Priya Puliyampet
Major: Psychology
I am a tall iced mocha.
Name: Zareen Tasneem
Major: Electrical Eng.
I have an addiction to
Asian dramas. I cant help
it.
Name: Shalini Kishan
Major: Mechanical Eng.
I enjoyed and learned a
lot from this seminar.
Name: William Schaefer.
Major: Architecture
Name: Wei Pan
Major: Electrical Eng.
No way! Yes, Wei!
Name: John Ettikkalayil
Major: Biomedical Eng.
I am the computer junky of
this class. (My laptops
name is Betsy.)
Name: Stephen Ma
Major: Chemical Eng.
Dream job: supreme
commander of the world.
7
The class had many first impressions of the opera. We all
went to the Lincoln Center dressed up as a group. Some
significant memories of that night were of the grandeur and
beauty of the ballroom and set. The space was close to
perfect. It was technologically advanced, there were
amazing actors/singers and musicians comfortable chairs,
and beautiful scenery. Everyone (almost) had dressed up
and it was interesting seeing our friends in a different
perspective.There was also a feeling of involvement, of
belonging. We were part of the audience and part of the
performance. Because we went as a group we were able
to talk to our classmates afterwards till dawn about what
we saw and its interpretation. Each one of us had our own
favorite part of the opera and we were able to share it with
the class through our discussions.
Se Voul Dallare: The Metropolitan Operas Le Nozze di Figaro
8
9
10
Our Beloved
Our Beloved Our Beloved
New York
New York New York
the aesthetic coherence of this
particular place? Or does its
special beauty or vitality win
your heart? In fact, what is this
place like: Old or new?
Attractive or depressing? Scary
in its anonymous force?
Positively assertive? Ugly or
beautiful? How would you
define its landscape? The
human presence? And how
would you describe its impact
on you? Your vision of this
place?
The NY ambiance: architecture,
monuments, people, the moving
crowd, traffic, unexpectedly quiet
moments, and colors. Listen to the
voices around, the screeching of
breaks, the gusts of wind. Perhaps
you feel a clash of the present
against the past? Or, to the
contrary, does the present seem to
flow in a surprising harmony with
the past? Perhaps you are struck
by a lack of charm or of
11
12
The
Pilgrimage
John Ettikkalayil
Shalini Kishan
Evan Leung
Stephen Ma
Zareen Tasneem
13
! As we gazed up at this towering building on Broadway and Wall Street that was once
the tallest building in New York City, we instantly recognized the Gothic Revival architecture.
Given the Gothic Revivalist features, the element suggested a sense of survival, not only in the
Gothic style, but in the meaning of the institution itself with respect to this city. In this setting,
Trinity Church was out of place when compared with the other important buildings and sites in
its vicinity, such as the New York Stock Exchange, a colossal structure, almost extending
without bound, that had a more neoclassical architecture. We were in the financial district and
many of the buildings that were present were geared toward business. Trinity Church breaks
this material outlook on life, giving workers that travel to the financial district the opportunities
to lay their burdens and troubles to rest. In a sense, the fact that it is situated in this locale
preserves the spirituality of New York. It survives despite the institutions built around it.
Usually during the weekday rush hour and the hustle and bustle of New York City life,
this church will seem even more out of place, but we happened to experience Trinity Church
during the weekend. The financial district was nearly deserted, especially near the New York
Stock Exchange, but the Trinity Church seemed to stir with life.
! As we gazed up at this towering building on Broadway and Wall Street that was once
the tallest building in New York City, we instantly recognized the Gothic Revival architecture.
Given the Gothic Revivalist features, the element suggested a sense of survival, not only in the
Gothic style, but in the meaning of the institution itself with respect to this city. In this setting,
Trinity Church was out of place when compared with the other important buildings and sites in
its vicinity, such as the New York Stock Exchange, a colossal structure, almost extending
without bound, that had a more neoclassical architecture. We were in the financial district and
many of the buildings that were present were geared toward business. Trinity Church breaks
this material outlook on life, giving workers that travel to the financial district the opportunities
to lay their burdens and troubles to rest. In a sense, the fact that it is situated in this locale
preserves the spirituality of New York. It survives despite the institutions built around it.
Usually during the weekday rush hour and the hustle and bustle of New York City life,
this church will seem even more out of place, but we happened to experience Trinity Church
during the weekend. The financial district was nearly deserted, especially near the New York
Stock Exchange, but the Trinity Church seemed to stir with life.
Spirituality
She that is out of place
Breaks this cycle of work.
Once the tallest of them all,
She that is out of place.
14
Ground Zero
Think Back. Move
Forward.
We peeked through the holes of the green mesh like
curious children yearning to see something they are
not supposed to see. We gazed at the barren
landscape that was once the Twin Towers, a symbol
of international unity and prosperity.
15
Plaza Art:
Double-Check
The Red Cube
Joie de Vivre
(Liberty Street/Liberty Plaza)
Plaza Art:
Plaza Art: Plaza Art:
Double-Check
Double-Check Double-Check
The Red Cube
The Red Cube The Red Cube
Joie de Vivre
Joie de Vivre Joie de Vivre
(Liberty Street/Liberty Plaza)
(Liberty Street/Liberty Plaza) (Liberty Street/Liberty Plaza)
Joie De Vivre by Mark di Suvero
Seventy-feet of red--bold red--
that extends to the endless
blue--boundless blue.
Look we did, holding our heads
up
Appalled by the present and
its presence at Zuccotti Park
(once Liberty Park Plaza), since
June 2006,
But where only meters away is
the past of September 2001.
The Game of Life features
twists, but no need to be afraid
of the serpentine.
Embody the fortitude of the
steel and keep your chin up.
But, still, enjoy the game.
Bustling people in their
suits
Rushing to get to work
To catch that train
To attend that meeting
I decide to sit down and
"double-check"
Sculpted in 1982 by J. Seward Johnson,
Double-Check depicts a business man
with his briefcase, sitting in Liberty Plaza
across from where the Twin Towers once
stood. After surviving the 9/11 attack, the
statue became a symbol of those who lost
their lives on September 11 as well as the
perseverance of New Yorkers.
16
This was my first time ever visiting the financial
district. Before, I may have passed through it, but on
this particular day, I was able to experience this very
special site. I never visited the World Trade Center
before or after the attack, but now I was able to, and
give my prayers to those that have lost their lives. I
was still surprised to see that the removal of debris
wasnt fully completed, even though 6 years has
passed since that fateful day.
Another startling discovery I made during my so-called
pilgrimage to the financial district was that there were
many different artworks, particularly sculptures, in the
public areas. My favorite was double check, which is a
sculpture of a businessman double-checking his
suitcase making sure he has everything. This single
statue is a monument to the financial district, a
distinct representation of life in this part of the city.
My friends and I gathered around this statue and
started to look at this man intently, wondering about
his job, his family, and his existence.
We can walk by a street many times but yet miss
out on the endless allusions made by the jewels
that adorn our home, New York City. In a city
that is known for its insomnia, adversity, and
haste, New Yorkers hardly get time to stop,
think, and wonder. On the first day of snowfall on
a Sunday morning in 2007, five young scholars
set off to do exactly that. Discover, analyze, and
learn. This site was one of my top choices
because it was one of the least likely spots I
would head out to on my own. The best thing
about the experience was that it was our tour.
We planned everything out ourselves and lead
our own way, even though there were times
when we got completely lost. It was all part of the
experience, of course. We raised questions,
proposed answers, and finally deduced
conclusions based on our observations. This
process was definitely more didactic and
memorable than a tour guide spewing out
monotonous facts at us.
I chose to be part of the
Broadway group because I found
it the most unfamiliar area out of
all the given groups. Regularly,
it!s not an area I would normally
visit because I always imagined it
as a very stuffy, busy business
district. Ironically, I happened to
go and explore on a snowy
Sunday, when all was quiet and
empty. My most memorable
moment from this adventure was
visiting Trinity Church because it
was an unprecedented event for
me. Before this project, I had
never been inside a church. I
never had any reason to consider
going inside, even if it was just
out of curiosity. However, I!m glad
to have visited Trinity Church. It
gave me an awe-stricken feeling
to be inside a historical landmark
that has survived 350 years. I
think I will revisit Broadway on a
sunny weekday afternoon in the
summer. I imagine it to be the
Broadway I had envisioned
before, a place I wouldn!t gone to
enjoy the sites as much due to
the crowds. The visit would make
a fascinating juxtaposition of the
area.
17
Initially, Broadway-Cortlandt St.-Wall St. struck me
as the grayest part of New York. I know it as the
financial sector of New York that has a church
situated in the middle of it all, near the infamous
Ground Zero (Ground Zero being the one part that is
most gray and unattractive as well as the scariest for
me to extract meaning). In spite of the negativity,
though, I knew, in my heart that I did not give this
area of New York enough of a chance--a chance to
impact me. Hence, visiting it was a risk on my part.
In the middle of all this, revisiting Ground Zero with
friends with whom I can discuss led to this
fascination about how we still have a long way to
go to rebuild this site, but at the same time, if you
examine the surrounding plaza art, progress is clearly
made. Now, I see ground zero as a collective part of
NY, not just a separate location.
Also, Trinity Place Restaurant on Cedar Street
between Trinity Place and Broadway was a
delicious treat--bank-vault turned banquet. It is
a New York City secret, for sure. So shh.
When I decided to go to the Financial District, I had my
eyes solely on Ground Zero. As a child, my dad used to
take my sisters and me to his office in the Twin Towers
all the time. Once I even went to the top. Because that
was the only part of downtown Manhattan that I knew, I
felt compelled to see Ground Zero with my own eyes.
Where two massive towers once stood, there was
nothing but mud and construction vehicles. I was
shocked to see how much had changed in the area but,
at the same time, nothing at all. Everyone still moved
about their day as if nothing had happened (with the
exception of tourists, of course). I discovered soon after
that there was more than just Ground Zero in that area.
Wandering through just a few blocks, I found interesting
architecture and sculptures. I couldn't help but be
amazed by the history of some of these places such as
the Trinity Church and the Restaurant on Trinity Place
with a huge vault. And of course, the big bull was an
added bonus.
18
19
20
Union Square:
Politics, Protest and
Starbucks.
Jacky Ng, Priya Puliyampet, David Engelman, Ruby Cheng, Ramona Rahimian.
(Cover Design by Jacky Ng)
21
Bound by Streets,
14
th
Street to the south, 17
th
Street
to the north, Union Square East
to the right, Union Square West
to the left.
And inside these boundaries is the
limitless Union Square Park, a
small patch of green in the
concrete kingdom that is New
York City. This is a place of
calm, and a place of upheaval.
We invite you to explore with us
this place, this place of Politics,
Protest, and Starbucks
welcome to UNION SQUARE
Our Protests!
As part of our experience at Union Square, our group decided to do our own
protest. It was met with mixed results - some people understood, yet
others were perplexed by this sudden and impromptu protest against a
certain excessive chemical.
22
Protests at Union Sq.
Since the mid-late 1800s, Union Square has been known as a place
where people gather, make a scene and protest. Its a home to activists of
all backgrounds and causes, and more often than not, someone will be
demonstrating. From political issues to environmental issues to work
issues, this place has been a place for the upset, the angry and even the
ridiculous to speak out against issues, right or wrong.
From left to right: (Top) Bush Protest [Village Voice], Iraq War Protest [NY
Mag], Iraq War Protest [NY Mag] (Bottom) Bloomberg Film Regulation
Protest [Eyebeam ReBlog], May 2006 Immigrant Rally [Gothamist]
23
There are four monuments located strategically in Union
Square Park. Each monument has a reason for being
placed in this park due to the parks unique history of being
the location for active social reform. The four monuments
are: George Washington, Marquis de Lafayette, Mohandas
K. Gandhi and Abraham Lincoln.
George Washington is the
probably the most impressive
sculpture in the park and is
placed at the entrance.
Washington is riding a horse with
a leg raised which means that
the rider was wounded in battle
while fighting for a cause.
Washington fought for America,
for us.
Marquis De Lafayette, like Washington
helped America achieve her
independence. He assisted us in our
war for independence and was
arrested in France afterward for doing
so. If it were not for him would there be
demonstrations today?
Mahatma Gandhi is probably the most
symbolic of all the sculptures. Gandhi is
known for non-violent civil disobedience
which is exactly the theme of the park.
Gandhi can be looked upon as an idol,
a person who was able to achieve
through means that demonstrators in
the park attempt to emulate.
Abraham Lincolns sculpture is
both symbolic to the park and to
New York in general. He was the
one who not only united the
country in chaos, but also started
the movement of equality for all. If
it were not for him, minority groups
would not have rights today and
protests for change would not be
possible.
As you walk around the park and see the protestors, you look up at these sculptures and they
seem to be encouraging them, pushing them to go on despite all obstacles. These leaders have set
the foundations for bringing change and are in the right spot in the park.
Monuments
24
very enjoyable, because you are doing two things at the same time: strolling in the park, getting
fresh air into your lungs, and doing last-minute shopping for your mother, father, or your annoying
little sister. Roaming around, from booth to booth, is a little expedition: from warm, cozy knit scarf
to adorable handmade dolls, these booths are like boutiques, selling items that you may not find in
another store. Even if you are not going for a shopping spree, you can just walk around, discover
interesting items, and feel the happy holiday atmosphere around you.
Holiday Market
has become a part of
my life. It is the meeting
place for New Yorkers
and tourists alike.
Everything from goat
cheese to cranberry-
horseradish adorn the
tables of the impromptu
bazaar. Like the leaves
of the trees, the market
transforms through the
course of the year.
Spring brings tulips and
daisies while winter
brings mistletoe and
wreaths. The bustling of
the Square brings life to
a city ruled by concrete.
Farmer!s Market
Every Christmas, the
Holiday Market is held at
the Union Square.
Surrounding the park are
these colorful tents with
red and yellow stripes,
which take away some of
the spotlights of the
protests going on at the
Union Square. These
booths have become
perfect places for holiday
shopping, especially for
New Yorkers who are so
used to shopping indoors.
Shopping in the open air,
surrounded by trees is
Piping hot apple cider infused with cloves and cinnamon fills the crisp fall air. It has been twelve
years since the first Union Square Farmers Market graced the square. Ever since then this market
25
Opinions
David Engelman:
To me, Union Square has a certain
centrality when it comes to New
York City. And I dont just mean
central in terms of location. Times
Square is the center of New York in
terms of the glitzy, entertainment
aspect of the city. But Union
Square, on the other hand, is the
center of New York when it comes
to politics, individualism, and self-
expression. And its because these
ideas are so central to what New
York represents, that makes, in my
opinion, Union Square to be one of
the most important areas of the city.
And just because it doesnt have
lots of pretty, flashing lights doesnt
undermine this importance.
Priya Puliyampet:
Union Square is a second
home to me. I spent most of
my high school years lounging
around the Barnes and Nobels
Caf on 17th Street and
Broadway. This Square is both
a site of summer picnics and
winter Christmas shopping.
The Holiday Market completely
changes the scenery and
announces the end of the year.
I love Union Square. This is
like no other part of New York
City. As a square, it brings
people together. Union Square
has the charm of a downtown
venue, as it is not as
commercialized as Midtown,
but, the streets are not as
confusing as they may be in
the village. On that note, Union
Square is accessible to tourists
and novel to locals. Union
Square is my New York.
26
Ruby Cheng: Hey ho, hey ho, Dihydrogen
monoxides got to go! Hey ho, hey ho, Dihydrogen
monoxides got to go Hearing these words
coming out from my mouth, I could not believe that I
was actually protesting, chanting and walking
around with a sign that saidStop Polluting Our
World with Dihydrogen Monoxide at Union Square,
9:30 in the morning. However awkward I felt at the
moment, it was still very interesting to see how
people responded to usthe first-time protesters:
some passed by shaking their heads as a sign of
disapproval or despise, some nodded to show us
that they supported what we were doing, even
though they might not seem to have the full picture
of what cause we were really promoting, and
someto my surprisecame up to us to find out
more about what we were promoting. Yet, most
people just stared at us for a few seconds, then
moved on to other things: getting a morning cup of
coffee or catching the train, and just walked past us
silently. It made me feel a little sad each time a
person walked by, without even sensing our
presence no matter how loud we chanted without
the use of amplifiers, and how much vigor and
passion we tried to put in. Excited as we were in the
beginning, thinking about how much attention we
might be getting, we did not realize that we need a
bigger voice. Otherwise, the issue will remain
unheard, and that is the most important thing we
learned from our first protest. In fact, there will be
second, or even third protest, if we want to get the
message across. This failed protest is just a
beginning; our zeal to shape our futures through the
voice we make is already growing, and will continue
to bloom.
Ramona Rahimian: Underneath Union
Square is the 14 Street Subway station.
People use the station to protest and to
demonstrate different things. One
demonstration that has been recently
prominent is Dianetics. This cult of
scientology stand in the station with signs
like Free Stress Test I went over to
them and asked them what their purpose
was. They attached me to a machine and
claimed that it could read stress. Then
they asked me personal questions and I
became uncomfortable and left. Union
Square is so prominent that cults like this
stand in the subway and try to influence
people. The park can be used for good
and bad, it depends on the viewer to
interpret it and accept what is truth and
reject what is false.
Jacky Ng: Overall I felt that Union Square had a very
bustling, busy sort of feel to it. Although it was quiet for
what it was on the day that we visited, the farmers market
and holiday market offered up plenty of attractions for both
tourists and locals alike. As for protesting and rallying, a
cold winter morning deterred many of the regulars from
making a scene, although there were a few protestors by
the Whole Foods market. It was disappointing that we
didnt get to take part in one of the legendary rallies that
often happen there but it was a good experience to have
seen a place with such historical significance as a part of
NYC.
27
28
Reading Between the Street Lines
Cross-town - 42nd Street Journey
Barbara Beacom
Norma Perez-Hernandez
Wei Pan
Farah Ahmad
Ceena Chandrabos
29
30
31
The train defies even our worst expectations. The train defies even our worst expectations.
Screeching along at a snail Screeching along at a snail s pace s pace
it lags behind the slowest pedestrian, it lags behind the slowest pedestrian,
approaching the Times Square Station approaching the Times Square Station
with few minutes to spare. with few minutes to spare.
Walking. Fast. Walking. Fast.
Getting past the marquees and flashing lights, Getting past the marquees and flashing lights,
leaving the West for a glimpse of leaving the West for a glimpse of
Eastern sun. Eastern sun.
The pond is full of skaters. The pond is full of skaters.
Still there Still there s space for us. s space for us.
Smiling and laughing: Smiling and laughing:
Costumed Elmo, fuzzy red, Costumed Elmo, fuzzy red,
Hot chocolate, rich and warm, Hot chocolate, rich and warm,
Street vendors, and metal cart Street vendors, and metal cart
Awe for the lions, Awe for the lions,
Love for its local library, Love for its local library,
its flags waving across the streets its flags waving across the streets. .
I thought I had 42nd Street pat down. It was only until I was actually there that I realized it is a
different each time, like a live performance, and rich enough in details to notice something new with
each concentrated gaze, like a work of art. - Ceena
Getting to walk around 42nd Street was aesthetically and architecturally beautiful. The Grace
building, in addition to the sloping structure across from Bryant Park were the highlights of my
day. - Farah
32
Visiting another museum, Visiting another museum,
an unexpected aesthetic. an unexpected aesthetic.
Photojournalism and propaganda Photojournalism and propaganda
Bring the human out of history Bring the human out of history s shadow. s shadow.
Grand Central Grand Central s ceiling is the sky s ceiling is the sky
The constellation a backdrop for The constellation a backdrop for
more stars and spotlights. more stars and spotlights.
Marble and gilded clocks, Marble and gilded clocks,
Rich eateries and engraved signs. Rich eateries and engraved signs.
Whispering into corners, Whispering into corners,
we hear ourselves. we hear ourselves.
Exploring the sidewalks Exploring the sidewalks
Losing the exact avenue Losing the exact avenue
We found our way, We found our way,
Reading between the street lines Reading between the street lines. .
-Norma -Norma
The trip on 42ed Street was a pretty fun adventure, or a treasure hunt to be exact. We never
expected to have found the Oyster bar and the Whispering Wall here. It was this place that
inspired me to build something that will also be as grand and lasting. - Wei
The rows of books are like the rows. They are orbs. Not because light glows or books are
meant to enlighten, but because they are sparks of magic. - Barbara
33
Reading Between the Street Signs
Famous buildings and tourist attractions fill New York. However, what makes New
York really special is that you can wonder around any street and find a treasure. There is
no such thing as getting lost in New York because you will always find something
interesting.
The essence of New York is not only the crowds or smell of the subway rising through
the ground, but the idea that you can feel New York from anywhere. The intense rush, yet
solid foundation of New York supports through every block. The tall buildings extend not
only our necks, but also our hopes. The trees of New York root us to the city. The friendly
New Yorkers (especially the ones that help us take these pictures) swarm New York
streets. New York is not only about the famous places it houses, but what lies between the
street signs.
Grand Central Station
The People,
Wait the many people, the mass, the
crowd
Hits
Much like a dream
Confirmed by the stagnant constellations
Above
With flashing lights hovering over us
The murmur of the others
Reach a hungry tourist? ear.
Passageways
Narrow and expand
To lead us to the unknown
Does this wall really whisper?
Try it.
Does the Oyster Bar serve oysters?
Read it.
The center of the world.
The various people
Some foreigners,
Some
locals
Look upon the walls and each other in
amazement
As I get pushed by for standing
Too still
In this fast dream.
-Barbara Beacom
This is actually my second
encounter with Elmo. First time I saw her I
was on the way to ICP with Steven and John.
If I had tilt my head a little I would have seen
the skaters in the Bryant Park; if I turn my
head a little I would have seen the lions in
front of New York Library. But to my
ignorance i just had a little chuckle at the
Elmo from across the street. The picture
shows the five of us and Elmo on the corner
of the city. But just around the corner, we see
the arts and beauty of New York.
Wei Pan
34
42
nd
Street in New York City is like a box of
chocolates: you just never know which one
you are going to get. For me, it was just so
unexpected to find an atmosphere of
serenity, as it was at Bryant Park. It is a
9.6 acres rectangle plot of open space in
Midtown Manhattan. As you enter in you
see the patio umbrella scattered, while
bare trees enclose the park. The body that
once was a pond has frozen into ice solid
enough for many to enjoy ice-skating.
Standing as a background to the pond, you
still see the pervasive sky scraping
buildings that keep you in line with the
fact that you are still in New York City.
The atmosphere at Bryant Park
was welcoming. The ice skating rink, and
the clear sky gave the place a winter fresh
color. The music beckoned you toward the
pond, where many are enjoying themselves
ice-skating. An overall sense of joviality
was predominant throughout the site. Even
the people seemed to reflect that
exuberance in their welcoming attitude, as
well as their actions.
-Ceena Chandrabos
Even as we were trying to capture a part of New York City as art,
the art of New York City did not fail to find us. When we
encountered the International Center of Photography, it didnt take
long for us to whip out our cultural passports and visit the
institution. The visit was somewhat short-lived, but the amazing
fact was that we could still find art around the city, even when
werent looking for it. The Algonquin hotel, famous for the
literary greats who sat in its round table, the guitarist playing in
Grand Central, and subway ads for Martin Puryear and Richard
Prince were all in front of us, constant reminders of 42nd streets
added aesthetic.
-Norma Perez-Hernandez
Stepping onto 42nd Street with the
bitter cold biting our faces, we
bundled up for what we expected to
be a regular library. Were we wrong!
The lions, followed by Greek-like
arches greeted us upon our arrival.
Stepping into the modern version of
Hogwarts as one of us stated almost
immediately (upon entering one of the
various white marble corridors
adorned with tastefully decorated
lighting and artwork), we couldnt
prevent ourselves from drawing our
eyes to every inch of the architecture.
One room, in particular, contained
structured desks & lamps that make
you want to work. The smooth warm
brown counters, heavy-set
chandeliers, and the low, yet calming
murmuring of the crowds were all
very welcoming. It was no wonder
that we grabbed some chairs
immediately and felt transformed into
the beauty of another world.
-Farah Ahmad
35
36
The Brooklyn Bridge
Billy Schaefer,
Mary Perez,
Roberth Mendoza,
Samema Sarowar,
and Emily Tabolt
37
The History of the Brooklyn Bridge
Built in 1883, the Brooklyn Bridge is one of the oldest and still longest
suspension bridges in the United States of America. Its cultural significance has
remained relevant since the day it was completed. Situated across the East River
between the Financial District of Manhattan and the borough of Brooklyn,
overlooking New York Harbor, one can only imagine what the bridge has seen in
its age.
Subject of
countless film and
television scenes,
songs and artwork
and also a main
thoroughfare for
traffic in New York
City, the bridge has
come to be one of
the top symbols for
the city. During the
9/11 terrorist attacks,
the bridge became a
main evacuation
route and point of
reflection, as the
towers were the
primary focus of the
view from the bridge.
The South Street
Seaport, a former main
hub of trade into the city,
has been under the
38
Brooklyn Bridge since its construction. The much newer Verrazano-
Narrows bridge connecting Brooklyn and Staten Island is in the
background, also a suspension bridge but with a much newer design.
Composition
The Brooklyn Bridge was designed in 1867 by Architect John Augustus Roebling and
completed in 1883. In terms of blunt statistics, the bridge is 272 feet above water and
6016 feet long. This suspension bridge is highly grandiose with large buttressed
towers composed entirely of granite. Connecting these towers, are two pairs of
cables, providing the tension necessary to keep the bridge standing. Each of these
four cables is 15.75 inches in diameter and 3578.5 feet in length, containing 5434
wires at a total of 3515 miles of wire per cable. At any given time, the bridge is
capable of supporting 12,000 tons of weight.
The iconic steel bracing that
supports the bridge also
frames the views and reminds
us of our place suspended
high over the East River. It
also allows the bridge to stand,
something people never
thought possible. In 2003,
terrorists were discovered
plotting to cut through the
wires in an attempt to destroy
the bridge. 39
Significance
The Brooklyn Bridge
became a shining
beacon into the
future of technology.
Never before had
people thought that
a structure such as
the Brooklyn Bridge
could ever exist.
Many find solace in
walking the
Bridge, not just for the
spectacular views, but
despite the tourists and
angry cyclists it is a place
of quiet and reflection
within the bustle of the
city. Not always a positive
thing, as it has been the
site of over one hundred
suicides.
Since its creation it has infiltrated our culture through various
mediums such as movies, writing, and even popular video
games. The Brooklyn Bridge offered a myriad of inspiration for
engineers, architects, writers, and ordinary passersby, which has
continued to this present day.
40
Tourism
Being perhaps the most famous bridge in the world and an icon of New
York City in all types of media, the bridge of course attracts thousands of
tourists. Walking along the bridge, one can!t help notice the varying
languages and accents being spoken. Much to the annoyance of the
locals, from Manhattan to Brooklyn, one will most likely need to duck and
dodge scores of photo shoots from tourists in I <3 NY t-shirts and
couples.
Having views of many of New York!s focal points, such as
the Midtown skyline, Financial District, Statue of Liberty and
Governor's Island makes the bridge itself one of the most
popular tourist destinations.
41
Walking the Brooklyn Bridge was not a new thing to me. It had been a
placed where I had walked for school trips and just for my own
enjoyment. However, walking on the Brooklyn Bridge creates a different
experience for me each time. Sometimes I walked over to the Brooklyn
side just so I could walk back down to the well-known, Brooklyn Ice
Cream Factory. Another time it was to just relax and commune with
friends. It was also different when I went to the Brooklyn Bridge again for
this class. My experience involved more about noticing the bridge I
walked upon, how tightly and thick the wires were that supported it and
kept it upright. I noticed the wooden planks lined across at my feet and
the metal grating extending outwards. Another part of my experience was
noticing what you could view from the Bridge such as areas of South
Street Seaport, the Empire State Building, and even great sunsets. The
Brooklyn Bridge seemed to be a package deal all wrapped in one
structure. -Mary Perez
There is a sheer and profound
elegance to the Brooklyn Bridge. I
have always been able to see a
glimmer of this in pictures and in
postcards, but never before had I
experienced it for myself. As soon as
I stepped into its entrance, I felt like I
was breaking some cosmic rule that
says people don!t walk on bridges. I
felt suspended over water in a way
that I had never felt inside the
confines of an automobile. Out there
on the Brooklyn Bridge, I felt free. It
was glorious. I walked across and
every step seemed more exciting. I
could see other bridges, the shadows
of the buildings crowding one
another, the way the water kissed the
rim of Manhattan, of Brooklyn. This
stoic connection between these two
historically rooted places is so
powerful, especially when instead of
simply using and abusing the
convenience of the Bridge, you are
able to simply stand in the middle
and feel the gravity pull you toward
both sides of the East River. The
Brooklyn Bridge is so much more
than a pretty overpass for travel, it is
a symbol of New York City, it is a
place for reflection, and it is a
watchtower for seeing Manhattan as
a work of art. -Emily Tabolt
Reflections
The tall metal beams smile upon Brooklyn. As the clock nears
6 O! clock, I realize that the sunrise is just among the clouds.
I look back at High St. and make my way to the wooden
planks of the famous bridge. The Brooklyn Bridge stands tall
in the pink and orange of the sunrise. It is clumsily hidden by
the mist of the morning. The bicycle route is heavy with
traffic. Do the people in NYC not sleep? It is six and people
are acting as thought it!s the middle of the day. The sun rises
and lights up scene. The flag furiously blows on a pole in the
center of the bridge. I am in the middle of the bridge looking
toward the water and seeing myself separated from both
Manhattan and Brooklyn. I!m in a place where I can call best
of both worlds. I stare towards the horizon and see the
Manhattan Bridge, but I do not feel the same attachment as I
feel towards this one. The Brooklyn Bridge sets up a romantic
mood whereas other bridges are there just for good views.
Each step I take towards Chambers St. is a step away from
home and a step towards the future.
-Samema Sarowar
To me, the Brooklyn Bridge has always been a preservation of the old in New York City. The old
bricks over the old water clearly stand out amongst the newer architecture of glass and steel in
downtown Manhattan. It has been a permanent figure amongst all the ongoing change of the city.
-Billy Schaefer
42
Upon entering the bridge I was slapped in the face. It
was cold and windy. I had never walked across the
Brooklyn Bridge and what I expected to see was beauty
and something that would control my emotions to its
deepest levels. I was betrayed, disappointed, my
expectations were proven wrong. I had lost my hope of
being taken off my feet by the enticing beauty that I
thought that the bridge had to offer. What I saw were rusty
wires concrete and metal. No magic, no beauty, no
greatness.
Perhaps the splendor of the Brooklyn Bridge is hidden in
the dark, a mystery for some to find and others, like me, to
never see. A wonder of many shades, a dream of many
lights. A bridge whose power is hidden behind darkness
and can only be found under the light of the stars.
-Roberth Mendoza
43
44
When you review the semester this way: What are the most
memorable event(s)? What comes to the fore as the most
beautiful or enjoyable? What was the most challenging task?
What's the most valuable aspect of this whole experience?
What would you like to take with you for your further college,
even life journey? Or what would you like to pass on to
others about your visits/ writings/ discussions?
-Professor Drabik
45
My CHC
Experience
My CHC
Experience
John Ettikkalayil
John Ettikkalayil
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B
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B
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Harris
11
Arts in New York City
2007

I
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B
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o
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46
What I Have Experienced
47
-- Shalini
Kishan
Arts in
NYC --
Seminar
1
48
In a matter of four months we have somehow managed to transform
from nervous college freshmen to curious cultured New Yorkers. From being a
tedious obligation, CHC became a hub for an exchange of ideas and feelings a
place where we shared our delights and disappointments, and where we received
guidance to acquire a meaningful experience from our outings. Having visited some
of the most prominent institutions in New York City like Brooklyn Academy of
Music, the Eugene ONeill Theater, La MaMa, Metropolitan Opera, New York City
Opera, the Guggenheim, and the Metropolitan Museum, each one of us can say that
we have been exposed to some of the most savory ingredients that contribute to the
flavor of New York City.
One analysis upon another, we were constantly challenged to think, question, reflect,
and conclude. There were shows, like Hotel Cassiopeia, that seemed impossible to
perceive but once we collectively discussed and expressed our opinions, the
formidable mysteries of the performance unraveled slowly. We discovered the
significance of expression through performance dance, acting, music; and that of
expression through visual representation. We investigated the ways in which these
forms impacted us in the way that they did. We began to closely observe and
appreciate our surroundings during the performance. Every detail of the show or
exhibition was now noteworthy because it contributed to the power of our
experience.
We now had the ability to elucidate issues that would otherwise perplex us, for
example the difference between words and pictures. Our distinct responses revealed
the importance of each form. We found out how determined we really were
whenever we formed a circle in class, our discussions always suggested reflective
insight and we were able to achieve a lot by working together.
Lastly, we valued team work even more than we ever did. Not so much work, it
was more like connect. What could be better than being with friends while
exploring one of the greatest cities in the world? The course was our instrument to
learn more about each other while learning about the city. This class was something
we all had in common and therefore, was a slice of our lives that united us all
together. After such an experience, one can only be encouraged to look forward to
future seminars that will enhance our understanding of the metropolis that still has a
lot of domain to be covered.
In a matter of four months we have somehow managed to transform In a matter of four months we have somehow managed to transform
from nervous college freshmen to curious from nervous college freshmen to curious cultured cultured New Yorkers. From being a New Yorkers. From being a
tedious obligation, CHC became a hub for an exchange of ideas and feelings tedious obligation, CHC became a hub for an exchange of ideas and feelings a a
place where we shared our delights and disappointments, and where we received place where we shared our delights and disappointments, and where we received
guidance to acquire a meaningful experience from our outings. Having visited some guidance to acquire a meaningful experience from our outings. Having visited some
of the most prominent institutions in New York City like Brooklyn Academy of of the most prominent institutions in New York City like Brooklyn Academy of
Music, the Eugene O Music, the Eugene O Neill Theater, La MaMa, Metropolitan Opera, New York City Neill Theater, La MaMa, Metropolitan Opera, New York City
Opera, the Guggenheim, and the Metropolitan Museum, each one of us can say that Opera, the Guggenheim, and the Metropolitan Museum, each one of us can say that
we have been exposed to some of the most savory ingredients that contribute to the we have been exposed to some of the most savory ingredients that contribute to the
flavor of New York City. flavor of New York City.
One analysis upon another, we were constantly challenged to think, question, reflect, One analysis upon another, we were constantly challenged to think, question, reflect,
and conclude. There were shows, like Hotel Cassiopeia, that seemed impossible to and conclude. There were shows, like Hotel Cassiopeia, that seemed impossible to
perceive but once we collectively discussed and expressed our opinions, the perceive but once we collectively discussed and expressed our opinions, the
formidable mysteries of the performance unraveled slowly. We discovered the formidable mysteries of the performance unraveled slowly. We discovered the
significance of expression through performance significance of expression through performance dance, acting, music; and that of dance, acting, music; and that of
expression through visual representation. We investigated the ways in which these expression through visual representation. We investigated the ways in which these
forms impacted us in the way that they did. We began to closely observe and forms impacted us in the way that they did. We began to closely observe and
appreciate our surroundings during the performance. Every detail of the show or appreciate our surroundings during the performance. Every detail of the show or
exhibition was now noteworthy because it contributed to the power of our exhibition was now noteworthy because it contributed to the power of our
experience. experience.
We now had the ability to elucidate issues that would otherwise perplex us, for We now had the ability to elucidate issues that would otherwise perplex us, for
example the difference between words and pictures. Our distinct responses revealed example the difference between words and pictures. Our distinct responses revealed
the importance of each form. We found out how determined we really were the importance of each form. We found out how determined we really were
whenever we formed a circle in class, our discussions always suggested reflective whenever we formed a circle in class, our discussions always suggested reflective
insight and we were able to achieve a lot by working together. insight and we were able to achieve a lot by working together.
Lastly, we valued team work even more than we ever did. Not so much Lastly, we valued team work even more than we ever did. Not so much work work , it , it
was more like was more like connect connect . What could be better than being with friends while . What could be better than being with friends while
exploring one of the greatest cities in the world? The course was our instrument to exploring one of the greatest cities in the world? The course was our instrument to
learn more about each other while learning about the city. This class was something learn more about each other while learning about the city. This class was something
we all had in common and therefore, was a slice of our lives that united us all we all had in common and therefore, was a slice of our lives that united us all
together. After such an experience, one can only be encouraged to look forward to together. After such an experience, one can only be encouraged to look forward to
future seminars that will enhance our understanding of the metropolis that still has a future seminars that will enhance our understanding of the metropolis that still has a
lot of domain to be covered. lot of domain to be covered.
49
The fluidity of the instrument [violin] made me fall
in love with it, especially during the piece, Land of
Gloom, Land of Mists, when the violinists played
decrescendos that moved me to feel the tenderness
and the darkness of the song.
-- In retrospect of Tchaikovsky
Avery Fischer Hall
We spent our time admiring the beauty of some
sculptures, scratching our heads at others, debating
among ourselves about the meanings of certain pieces,
talking to other visitors about the art, and having a good
time while we were at it.
- In retrospect of Martin Puryear at MOMA
Because the theater was so
small, there was a greater
intimacy between the actors
and the audience.
- In retrospect of Flags at 59E59
The more I explore the arts, the more I come to realize
that you have to give yourself a chance to give the artist
a chance.
- In retrospect of the ICP
The ballerinas were not just people fluttering in tutus; instead, they
were highlighting the power of the human body by reaching for its
limits. I was swept away not only by the elegance of ballet, but also by
what it indicated about the capabilities of humans.
- In retrospect of American Ballet Theater at City Center
50
Cherish this city
left you by default
include it in your daydreams
there are still secrets in the streets
even I have not discovered.
- Audre Lorde
A Trip on Staten Island Ferry
Cherish this city
left you by default
include it in your daydreams
there are still secrets in the streets
even I have not discovered.
- Audre Lorde
A Trip on Staten Island Ferry
Le Prix
Painted cedar loses its nature, but gains its artifice.
The abstract of wood has nothing concrete,
Only a bizarre form
Seemingly defying gravity.
An endless chain of suspense suspends my disbelief,
But, what was the Prize?
Someone answers, Your disbelief is the prize.
Ah.
I gave myself a chance to give Martin Puryear one.
Its beauty, I saw.
The most challenging task turned out to be the most
enjoyable.
Understanding was not possible
Without others beside me
Adoring the sculpture with me
Articulating what seemed impossible to articulate
Pouring our hearts into what we could say.
Bring your prejudgments
Let them be shattered
Fear of the unknown offers the most promising prizes.
There are prizes worth discovering.
51
Professor Drabik ! Billy Schaefer ! Barbara Beacom ! Ceena Chandrabos

E
m
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y

T
a
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t

!

E
v
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L
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!

J
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!

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T
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!


D
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E
n
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l
m
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!

F
a
r
a
h

A
h
m
a
d
Mary Perez ! Norma Perez-Hernandez ! Priya Puliyampet ! Ruby Cheng

R
a
m
o
n
a

R
a
h
i
m
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n

!

R
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!

J
o
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E
t
t
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k
a
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a
y
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MY FAVES
Performances and Exhibits
[American Soldier Landing
On Omaha Beach]
Not only is the blurring
effective in conveying the
battlefield experience, it!s even
more amazing that Capa had
the courage to charge up the
beach with the soldiers.
As I watched Hotel Cassiopeia, I
was completely lost. The plot
made no sense to me. All I pulled
from this was that all of it was part
of his imagination. However, I
found something inspiring in Hotel
Cassiopeia. To this day I still
dont know what it was that I found
so hopeful.
The Great Figure
While we only spent about 30
minutes on this piece, I found it
particularly interesting. For one, I
actually interpreted it right the first
time. With his use of color and
shapes, I saw the firetruck quickly
rushing toward me from afar.
!
!
!
S
te
p
h
e
n
M
a
T
h
e

S
u
p
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m
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C
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52
In Other News.
This term I did a lot of dancing for some
reason. From ballet to !god-knows-what-
I-was-trying-to-do", these little activities
were more of an aerobic exercise than a
dance. I learned the most important
thing ever:
I SHOULD NEVER EVER DANCE
AGAIN!!!!!
BAM and Juniors
Professor Drabik ! Billy Schaefer ! Barbara Beacom ! Ceena Chandrabos

R
a
m
o
n
a

R
a
h
i
m
i
a
n

!

R
o
b
e
r
t
h

M
e
n
d
o
z
a

!

S
a
m
e
m
a

S
a
r
o
w
a
r

!

S
h
a
l
i
n
i

K
i
s
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a
n

!

J
o
h
n

E
t
t
i
k
k
a
l
a
y
i
l

E
m
i
l
y

T
a
b
o
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t

!

E
v
a
n

L
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!

J
a
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k
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N
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!

W
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P
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n

!

Z
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T
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m

!

D
a
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E
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l
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F
a
r
a
h

A
h
m
a
d
Mary Perez ! Norma Perez-Hernandez ! Priya Puliyampet ! Ruby Cheng
Now I have nothing
against Juniors, but I
have never seen that
much sugar in one slice
of cheesecake ever. As
if the Cheesecake
wasnt enough sugar,
they went on and added
a whole coating of
chocolate. If there
were ever a time to use
Heart Attack in a
Box, this would be the
time. On a lighter note,
It was some good Stuff.
Supreme
Commander
Ladies and Gentlemen. From now on I will be
known as the Supreme Commander as the
picture to the left says. Just Ignore the
Eisenhower part. And I have no idea what
Zareen and Evan are doing.
53
I think my dream assignment for
this course would be if I could
travel around the city, taking
pictures of the different arts of
New York City. Give me a
month with no classes. Give me
an unlimited Metrocard. Give
me free admission to the
different arts available in New
York. I can guarantee that I
would come back with hundreds
of pictures of all the different
cultural institutions and exhibits
I had been to and, of course,
filled with the exhilaration of
having been somewhere new.
It would be very disappointing if
for a well-anticipated and unique
course such as this we were to
spend more time in a classroom
learning about an exhibit or,
even worse, writing thousand
word papers on a particular art
movement. The city itself should
be our classroom. Now, that I
think about it, I really hope there
arent thousand word research
papers for this course. It would
really deflate the fun
Excerpts from the
Excerpts from the
Observational Papers
Observational Papers
of
of
Zareen Tasneem
Zareen Tasneem
54
I felt that four versions of the Berio piece were too much, becoming repetitive.
Only two versions wouldve been sufficient I noticed that some audience
members had binoculars, indicating that they were experienced goers. The soloist
finally came out for the Beethoven piece. Most of her parts were scales and trills,
and her body movement, while playing, seemed as if she was about to burst out
in dance. She moved along with her bow movements. There was an emphasis put
on the strings, with the winds and such more in the background. During the
orchestras forte parts, the soloist exited. The crowd continuously applauded for
about 5 minutes after the Beethoven piece.
Look to the
Look to the
FUTURE
FUTURE
At first glance from afar, you think that its a series of hills with men in
dresses scattered about. However, I realized that this was just an illusion. Its
actually just one side of a hill, with only one person throughout all the
photographs. Each photo has the person descending the hill at a new
position, on each side. After pondering on the pictures, I realize now that
half the photos were reversed or flipped to create that symmetrical feel. Its
an interesting technique used by Searle, playing with the audience perception
of what is the reality of what theyre seeing.
This was my first time seeing professional tango live My seat was in the
side balcony, about midway. I had a good view of the stage, with a few blind
spots. Even though I took Spanish as a second language, I couldnt follow
what the singers were singing. I only understood a few words since I couldnt
keep up with the rapid Spanish, missing the meaning of the songs. The solo
violin part was good, very well played.
55

New York: My Joy, My Calm,

My Awake
Ruby Cheng
56

! The Way I See It # 101

My Joy, My Calm, My Awake
Look at those incandescent lights on Broadway, the way they shine make you
think that they have never been dim. Or have they?
Listen to the opera singer; can you feel the depth of her voice? Doesn!t it
sound like to you that she is pouring her entire spirit, every drop of energy,
strength and power into it?
Feel the movement of the tango dancers; is your heart fluttering with the rising
passion? When they glide, do you feel like you, too, have become a lovebird
breaking out a cage?
When it comes to appreciating arts, we need to think of it as drinking tea. If you
take a sip after a tea bag have only been put into the water for half a minute, of
course you will not be able to taste anything.
On the other hand, if you let the tea bag sit in the cup for a couple of minutes,
you will smell the aroma after awhile. In New York, there are various kinds of
arts, just like tea bags of different flavors, all we need to do is to give our time
to experience each element, and maybe we will find one that we like.
Through exploring the city of New York, I have already found my joy, my calm,
and my awake.
~ Ruby Cheng
57
My Acculturation
by David Engelman
An opera? A
ballet?? Art
museums???
NOOO!!!!!
Once upon a time, I
looked at the cultural
offerings of New York
City with fear and
uncertainty. I did not
take advantage of the
abundance of venues
housing the performing
and visual arts. And
when at first
confronted with such
opportunities, I often
responded with
apathy, boredom, and
even disgust. But that
was all going to
change.
Below, photo of me and my uncultured friends
hanging out at a seedy bar in Jerusalem.
58
Wow, ya know
maybe getting
into culture isnt
so bad.
After experiencing
numerous plays, an
opera, a ballet, and
several museums, I
have learned how to
take advantage of New
Yorks endless array of
cultural offerings. I no
longer stiffen at the
idea of trying
something new, and
taking a risk. I can
now proudly call myself
cultured, and hope to
continue on my journey
through the Arts in New
York City.
Me and my cultured
friends hanging out at
New Yorks famed
Lincoln Center. Quite
a difference from the
first picture, eh?
59
Experience Experience
Over the months, Ive become a lot more familiar with the layout of the
city. Because of traveling so much to go see all these events, I know the
topography a little better than I used to, and I finally got to see what Ive
been missing out on for years. Things Ive been taking for granted like
opera, theater, museums All things that most other people cant even
begin to dream of, its gathered in one place thats been under my nose
for so long.
Its easier to navigate the city now, and in a way, Ill never be bored as
long as theres a show somewhere. The ferry isnt going to stop me from
getting off Staten Island and to Manhattan - I learned how to overcome
the effects of the epic journey long ago during the trips for the seminar.
Over the months, Ive become a lot more familiar with the layout of the
city. Because of traveling so much to go see all these events, I know the
topography a little better than I used to, and I finally got to see what Ive
been missing out on for years. Things Ive been taking for granted like
opera, theater, museums All things that most other people cant even
begin to dream of, its gathered in one place thats been under my nose
for so long.
Its easier to navigate the city now, and in a way, Ill never be bored as
long as theres a show somewhere. The ferry isnt going to stop me from
getting off Staten Island and to Manhattan - I learned how to overcome
the effects of the epic journey long ago during the trips for the seminar.
CHC 10101 Reflections by Jacky Ng
60
Friendship Friendship
Throughout the course of this class, not only have I learned the
cultural value of New York City, the events and assignments
have allowed me to get to know my peers a little more. I had
started this semester without really knowing anyone - gradually,
my interactions with everyone grew more natural. Making
friends was a bit easier, especially with experiences that we
could all share and most importantly, complain about (who
would forget that horrid seating at City Center?). In a way, New
York brought us all closer together.
Throughout the course of this class, not only have I learned the
cultural value of New York City, the events and assignments
have allowed me to get to know my peers a little more. I had
started this semester without really knowing anyone - gradually,
my interactions with everyone grew more natural. Making
friends was a bit easier, especially with experiences that we
could all share and most importantly, complain about (who
would forget that horrid seating at City Center?). In a way, New
York brought us all closer together.
CHC 10101 Reflections by Jacky Ng
Unfortunately, for this picture some people were camera shy.
61
Performing Arts in New York City.
The first semester of college is meant to be a
time to explore. For many, it means discovering a new
city. However, in my case, it has come to be a time to
rediscover my home- my New York.
I learned that Broadway was not the end of
theater. I learned that tickets did not have to be
expensive to enjoy a show. I learned that I was not
limited to Hollywood and American Idol in my choice
of entertainment.
- Priya Puliyampet
62
63
Visual Arts in New York City.
Art is not limited to the artist. Never
would I have believed that I could actually find
pleasure in the visual arts. I felt far removed
from the art museums and galleries. I decided
that I would never like paintings, sculptures
and collages without ever thinking twice about
visiting an exhibit. Moreover, I never would
have believed that modern art can actually be
enjoyable. Through this course, I was proven
wrong again.
Ramona Rahimian
My Experience with
with with
the the

Arts
Arts
In
64
Our Arts in New York class this semester with
Professor Drabik was really something. We explored new
frontiers in New York City and went on a journey of
discovering ourselves and our classmates as we attended
dances, concerts, performances, operas and museums.
Our Arts in New York class this semester with Professor
Drabik was really something. We explored new frontiers in New
York City and went on a journey of discovering ourselves and our
classmates as we attended dances, concerts, performances, operas
and museums. My two favorite memories are of Galileo at NYU
and Martin Puryears sculpture at the MoMA.
I enjoyed Galileo a lot and was
able to analyze it to extract what
the director was trying to show.
The rich text communicated the
challenges of reform to the
audience and the passionate,
youthful actors brought life to the
stage for a splendid, thought
provoking production.
Martin Puryears intriguing
sculpture grabbed my
attention and held it one
place. His work was baffling
and professional at the same
time, which made me really
think about the messages he
was trying to give us.
65
Forgetting the Flaws Forgetting the Flaws
It It s too noisy here, s too noisy here,
The wind makes you tear, The wind makes you tear,
You can You can t cross streets for fear, t cross streets for fear,
And maps aren And maps aren t near. t near.
Darn those car-filled Darn those car-filled roads, roads,
Always carrying a load, Always carrying a load,
Even the slang is a code- Even the slang is a code-
You You re re gonna gonna explode! explode!
Millions of people and more, Millions of people and more,
All craving for jobs galore. All craving for jobs galore.
Walking past they Walking past they ll ignore, ll ignore,
Just like Just like kickin kickin you out the door. you out the door.
It It s all a big blur s all a big blur
Nothing else Nothing else seems to seems to occur. occur.
But there But there s something I know for sure- s something I know for sure-
This is what I prefer. This is what I prefer.
Arts in NYC
Arts in NYC -- -- Farah Farah Ahmad Ahmad
I I ve learned the subway ve learned the subway
Learned it my way Learned it my way
And as I make my way And as I make my way
Through, through this blue and gray Through, through this blue and gray
Pounding my boots on the hard floor Pounding my boots on the hard floor
--Hearing and feeling those thirty temps-- --Hearing and feeling those thirty temps--
The buildings, they loom up slowly, The buildings, they loom up slowly,
And then BAM! Their heights hit you. And then BAM! Their heights hit you.
And then you realize the feeling.. And then you realize the feeling..
It It s just the beauty of it all s just the beauty of it all
Of the city that never sleeps. Of the city that never sleeps.
The irony of it all-- The irony of it all-- BAM! BAM!
First Broadway-- First Broadway-- Moving artfully Moving artfully
My innocence! My innocence! Quick and graceful Quick and graceful
& there I received my awakening. & there I received my awakening. & I leaned in closer & I leaned in closer
Confusion, shock, repelled, awed. Confusion, shock, repelled, awed. Learning, aloof, laughing, cheering. Learning, aloof, laughing, cheering.
Applause; Applause; Puryear Puryear the professional the professional
Curtains open, Curtains open, Wood, and rawhide galore! Wood, and rawhide galore!
Cue the silence. Cue the silence. The ladder vanished me The ladder vanished me
& I knew it was Show time! & I knew it was Show time! & I was close to & I was close to those heights those heights
Singing, drama, tired, attracted. Singing, drama, tired, attracted. Expanded, creative,interpretative, erudite Expanded, creative,interpretative, erudite

A box, a frame, a bike. A box, a frame, a bike. 42nd Street. 42nd Street.
What What s going on? s going on? Mixed-up station, old books, cozy green, war pix, Mixed-up station, old books, cozy green, war pix,
Bubbles, cake, old film. Bubbles, cake, old film. Starbucks, Elmo, whispers, frostbite. Starbucks, Elmo, whispers, frostbite.
& I became annoyed. & I became annoyed. & so we were reading between those lines. & so we were reading between those lines.
Puzzled, puzzled, puzzled, advancing. Puzzled, puzzled, puzzled, advancing. Adventurous, amusing, acute, all-knowing Adventurous, amusing, acute, all-knowing
66
Arts in NYC- It
Arts in NYC- It

s Impact on
s Impact on
Me
Me
Arts in NYC has been an overwhelming experience! Getting to make new friends and
sharing the sensations of viewing a professional theatre play, opera, ballet, and more for
the first time have been the thrills Ive thoroughly enjoyed. All those late nights of
viewing performances, the class discussions we had fun chatting about (with much
enthusiasm, might I add), and putting on our own skits have been memories I will always
share. I have taken a great deal of lessons out of this course. There are a few select
values that I appreciate having gotten to learned.
First of all, I can now truly believe I am a cultured person. Finally, Ive been able to
experience what other New Yorkers around me had smiled about for ages! Ive not only
viewed these art performances and exhibitions, but Ive learned to grasp the significance
behind them. Each and every art stroke, dance step, music note, and acting line is never
to be taken for granted!- trying to understand true art can only broaden your mind.
Secondly, Ive gotten myself away from my television set quite a bit. Ive learned to
appreciate more mediums of art. I didnt always understand what I saw, but it was that
struggle to get a hold on something bizarre that was the fun part. It was always
interesting seeing what my classmates came up with, and why. It only helped me
understand that every art form is open for interpretation. I also really appreciate how
genuine the hard work is put in by the dancer, singer, artist, etc. Television is much more
simulated, where as with an art form, one is really expressing what they feel, and thats
what I love about art the most.
Thirdly, I now know my way around New York City, and I now recognize the names of
places and performances! Whenever I open up my copy of the Post or Daily News each
morning, I become familiar with the name of an art exhibition or theatre company
whenever I see a listing of events in the city. Furthermore, I have learned to acquaint
myself around the streets of New York City, just based on the theatres we had been to.
I can proudly state that this class has made me more aware of my surroundings.
Ive expanded my horizons from being around each and everyone of you. Thank you for
listening to my reviews on the arts, for your own intellectual commentaries, for fun
explorations of the city and of ourselves, for discerning reality and illusion, for showing
me the meanings, for poking fun at the M&Ms lady, and for teaching me so many new
aspects of the arts!
67
Barbara Beacom
Personal Response: Arts in New York City
The unknown is now the familiar,
The foreign is now domesticated in my heart.
The pile of playbills and programs cover my desk. They hide
behind my lamps, under my laptop or in between my homework. They
are scattered, so that when I am not looking for them, one will hit
me. Hit me in a good way. A way in which brings me out of reality
and into a world of New York art.
Arts in New York City had accompanied many high
expectations in my mind. Being previously exposed to visual and
performing arts, I thought the class would be a way for me to see
more exhibitions and performances. I needed to explore other types
of art, besides Broadway plays or typical Renaissance paintings. I
expected to be moved. I wanted to be transported into a world of
complex analysis of work that I previously never considered art.
What I received was a deepening understanding of the wide
range of art. The off-off-off Broadway show September 12
th
showed
how art could incorporate a strong political message, even in a small
caf. The Metropolitan Operas Le Nozze Di Figaro presented how
instrumental music, vocal music, and theater could combine to make a
love story even more enchanting. BAMs presentation of Hotel
Cassiopeia made me appreciate the troubles an artist can have in
making art while dealing with life. Hotel Cassiopeia also used various
types of art, including film, dance and theater, to describe a visual
artists life. The events I attended opened my mind to new ideas and
concepts of art. I can now understand why a man standing in one spot
for an hour can be considered dance, or how spray-painting walls can
be visual art.
68
The Curtain Call
Curtain
The Entrance.
Of not the teacher,
But the idea
That we have to step out
As it steps in.
It can invade your space
Or enhance it
It really is your choice
I chose to let the spirit
The cloaked (yet visible) ghost
Of ART
Come though my eyes, ears, fingers, mouth, and heart.
ART has no definition
An orphan among words
ART can be a flick of a wrist,
A splash of paint on a canvas
A photo of bones,
Or a dancer on his toes.
The magnitude
Extended fingers
Point
To her partner!s pointed toes.
The dark blue
Fights
The light red.
The violin
Screams,
Yet sings over the conductor!s wand.
The actor!s tears
Fall
Into our eyes as we pain over their loss.
And me never wanting
The curtain to close
Close
On the journey
Of ART
In my city.
Barbara Beacom
69
A rt and the City were for me one and the same.
R ich in culture, history, tradition and variety,
T umultuous, alluring, wondrous and enigmatic.
S imple, yet complex, serene, yet climatic.
I nudated by the confusion of trains, buses, streets, and avenues, I
N ever had the courage to explore the treasures the city had to offer. Then a
N ew phase of life began, with the entrance into the Honors College, that
E nvisioned the entire city as its campus. My whole perspective changed, a
W orld of unknown was placed at my feet.
Y ay! The first seminar was like a expedition to investigate
O peras, musicals, plays, dances, and modern art, causing the mind to
R each limits never imagined, and learn life lesson books never taught,
K indling feelings of awe, surprise, shock, and perplexity. As
C loude McRay says, the City has bent to my hostile heart to win, caught
me in passion to her pillowy breasts,
I nvoking me to accept challenges, to find beauty in art, and
T hrive to remain open-minded to the incomprehensible, even to New
Y ork Citys implausibility.
-Ceena Chandrabos
70

71
The City.
72
During this course, you
get to see something
spectacular.
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On September 13, I saw the play September 12th at the Nuyorican Poets Caf. I had
been to the Nuyorican only once before, for a teen open mic two summers ag
On August 27, I began my first day of classes at City College. Little did I know that all
my preconceptions were going to be tossed out of Harris Hall when my pr
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The Arts.
73
Forced comprehension of the arts
in New York City that enhances
our knowledge of what New York
has to offer.
Appreciating Art
Appreciating Art
Roberth Mendoza
Professor Drabik
CHC 10101
Roberth Mendoza
Professor Drabik
CHC 10101
74
An Opportunity for Fun
and Knowledge.
An Opportunity for Fun
and Knowledge.
! Le nozze di Figaro:
Music that
enchanted us.
Acting that made us
laugh and an
opportunity to get
the best sleep of a
lifetime.
! Hotel Cassiopeia:
Confusion and
excitement that
made us realize that
the mind of an artist
is filled with of
simplistic yet
inspiring thoughts.
A combination of
Forrest Gump and
Moritz.
! Le nozze di Figaro:
Music that
enchanted us.
Acting that made us
laugh and an
opportunity to get
the best sleep of a
lifetime.
! Hotel Cassiopeia:
Confusion and
excitement that
made us realize that
the mind of an artist
is filled with of
simplistic yet
inspiring thoughts.
A combination of
Forrest Gump and
Moritz.
! American
Ballet
Theater: This
changed my
idea of what
ballet was.
We were
shown that
we could
laugh and
see acting
while
dancing was
going on.
Modern and
classical
danced
combined
into one.
! ! American American
Ballet Ballet
Theater: This Theater: This
changed my changed my
idea of what idea of what
ballet was. ballet was.
We were We were
shown that shown that
we could we could
laugh and laugh and
see acting see acting
while while
dancing was dancing was
going on. going on.
Modern and Modern and
classical classical
danced danced
combined combined
into one. into one.
75
Arts in NYC/Semester 1 : Mary Perez
Everything has its humble beginnings, and
for us it was the Honors College trip to
Spring Awakening The Musical. For most of
us we enjoyed the music and the
performance. Little did we know that we
were getting a preview of our honors course
and what would be in store for us.
I remember the first day of class; entering a
relatively small classroom in Harris Hall and
finding out our professor was Professor
Drabik, who was filled with energy from the
start.
From going
to watch
various
shows and
visual
exhibitions
we were able
to explore
the various
kinds of art
held within
New York
City.
All the shows
that we have
went to have
been a
challenge and
a delight at the
same time.
Being assigned
to do these
projects forced
us to go out of
any comfort
zone
we might have
and explore the
arts in a way that
most of us never
have before.
76
I think that one of the things well take from this course is the bond we have
shared as a class, going all together to big performances, venturing with small groups to
different sites, and even going to visit the arts on our own time for fun. This course has
allowed us to respond to the art around us as well as many memories with the class.
We all seem to have gotten something out of the things we have attended. We
refined our acting skills using the script of Spring Awakening. We got a taste of the very
sophisticated Opera, along with its agitated audience members. Many united over the
confusion of Hotel Cassiopeia and the issue of What is real?, and Juniors! We united even
more over the horrible seating during the American
Ballet Theatre performance.
From Davids uncultured, to
Sameemas interesting, and
even to Johns Betsy; this
class has been connected
through the arts. Weve
learned from each other and
discovered many new things
together and all I can say is
that I am proud and happy to
be a part of this class.
Thanks CHC Class of 11.
77
My Arts My Arts
I feel cultured.
- David
American Ballet
MoMa
Playbills!
Electra
BAM - Cheesecake
Opera
September 12
Pasha
Guggenheim
By: Samema Sarowar
78
Our Experience Our Experience
September 15 September 12 (Nuyorican
Poets Caf)
Yea I know, it looks like a place that I
can get raped and killed and no one will
notice. I dont feel that culturally
inclined.
September 17 Julliard School of Music
They were inspirational and the talent
was overwhelming. The violist was
playing with so much fervor that he kept
getting off his seat. The cellist actually
swayed along with her cello while she
continuously tapped her feet. They were
so good that I actually forgot that there
was a piano playing in the background.
September 29 Pasha Dance Company (La
Guardia Community College Theatre)
The first dancer moves in slow motion
and points to the second dancer and then
the second dancer moves into another
completely different position than the
first dancer and points to the third
dancer. The dancers were so elegant. I
felt so moved by them.
October 2 Le Nozze di Figaro
(Metropolitan Opera)
Well I have never been to an opera
before so I did not really know what to
except. I have to say that my vision of
the opera was a fat lady in a puffy dress
singing in a high pitch so that
champagne glass can break. But to my
surprise I have to say that the acting
exceeded my expectations. Because from
experience I can say singers are not good
actors and visa versa. And this is quite
unusual when you have both.
October 4 Ifigena in Aulide (La MaMa)
Although that statement might not be
fully true because I did know this Greek
story from before. I have seen this
reenacted many times from different
angles. But this was truly an original
one. I have to say that I enjoyed it
despite its sudden turns.
October 10 Hotel Cassiopeia (Brooklyn
Academy of Music)
And this time I wont use my caution
words. At first I did not like how that
play ended and that was largely due to
my confusion but now as I write this
comment or interpretation I understand
the reason and the logic behind this
seemingly chaotic play. I think that I like
it more now that I have thought about it
thoroughly.
September 15 September 12 (Nuyorican
Poets Caf)
Yea I know, it looks like a place that I
can get raped and killed and no one will
notice. I dont feel that culturally
inclined.
September 17 Julliard School of Music
They were inspirational and the talent
was overwhelming. The violist was
playing with so much fervor that he kept
getting off his seat. The cellist actually
swayed along with her cello while she
continuously tapped her feet. They were
so good that I actually forgot that there
was a piano playing in the background.
September 29 Pasha Dance Company (La
Guardia Community College Theatre)
The first dancer moves in slow motion
and points to the second dancer and then
the second dancer moves into another
completely different position than the
first dancer and points to the third
dancer. The dancers were so elegant. I
felt so moved by them.
October 2 Le Nozze di Figaro
(Metropolitan Opera)
Well I have never been to an opera
before so I did not really know what to
except. I have to say that my vision of
the opera was a fat lady in a puffy dress
singing in a high pitch so that
champagne glass can break. But to my
surprise I have to say that the acting
exceeded my expectations. Because from
experience I can say singers are not good
actors and visa versa. And this is quite
unusual when you have both.
October 4 Ifigena in Aulide (La MaMa)
Although that statement might not be
fully true because I did know this Greek
story from before. I have seen this
reenacted many times from different
angles. But this was truly an original
one. I have to say that I enjoyed it
despite its sudden turns.
October 10 Hotel Cassiopeia (Brooklyn
Academy of Music)
And this time I wont use my caution
words. At first I did not like how that
play ended and that was largely due to
my confusion but now as I write this
comment or interpretation I understand
the reason and the logic behind this
seemingly chaotic play. I think that I like
it more now that I have thought about it
thoroughly.
October 11 Electra (New York City Center)
It was really intense. I felt Electras pain and sorrow when
she was clutching her brothers ashes. But what really
disturbed me is the last scene when she rejoices over her
dead mothers body. The audience was able to share in
her happiness but for a selfish reason.
October 24 American Ballet Theatre (New York City
Center)
The dancers were amazing. Their bodies were unnatural.
And what we watched on the tape is nothing compared to
what you can experience in real life. The third one was
hands down my favorite. I did not think that ballet can be
funny. But I was once again wrong. It reminded me of a
cartoon. It was like watching Popeye trying to get Olive
Oil. It was amusing and artistic. It was a fantastic way to
end off the evening.
November 7 Kara Walker (Whitney Museum)
The Kara Walker exhibit explored the themes or race and
forbidden sexuality. My Complement, My Enemy, My
Oppressor, My Love was created to leave a lasting
impression on the viewer. Out of all the stunning
replications of the antebellum South, the one that struck
me the most was not a painting but rather a video.
November 21 Richard Prince (Guggenheim Museum)
Well because I was so interested by the groups
presentation, I decided to check it out for myself. I went
on Friday with another class who also had to research the
exhibit in the Guggenheim. Seriously? This exhibit was
like a comedy on paper. The problem was that we had to
walk too much to get a good laugh. I liked it a lot. Im
glad that that group was so persuasive. It was original and
funny. And that is what a viewer truly values.
November 25 Martin Puryear (Museum of Modern Arts)
I have been to the MoMA before but usually for the
paintings and sculptures. I also know about the other
exhibits. Evans group presented on the Martin Puryear,
and this provided me a chance to see that also. I went
straight up to the third floor because I did not want to be
distracted by the more famous artworks that the MoMA
holds in its exhibits.
November 25 Photography, 2007 (Museum of Modern
Arts)
I think that some of the photos that were placed in this
exhibit were not about content but rather the quality. The
images were sharp and clear. Even if the photo itself did
not make any sense to me, it still had impeccable detail
and picture quality.
October 11 Electra (New York City Center)
It was really intense. I felt Electras pain and sorrow when
she was clutching her brothers ashes. But what really
disturbed me is the last scene when she rejoices over her
dead mothers body. The audience was able to share in
her happiness but for a selfish reason.
October 24 American Ballet Theatre (New York City
Center)
The dancers were amazing. Their bodies were unnatural.
And what we watched on the tape is nothing compared to
what you can experience in real life. The third one was
hands down my favorite. I did not think that ballet can be
funny. But I was once again wrong. It reminded me of a
cartoon. It was like watching Popeye trying to get Olive
Oil. It was amusing and artistic. It was a fantastic way to
end off the evening.
November 7 Kara Walker (Whitney Museum)
The Kara Walker exhibit explored the themes or race and
forbidden sexuality. My Complement, My Enemy, My
Oppressor, My Love was created to leave a lasting
impression on the viewer. Out of all the stunning
replications of the antebellum South, the one that struck
me the most was not a painting but rather a video.
November 21 Richard Prince (Guggenheim Museum)
Well because I was so interested by the groups
presentation, I decided to check it out for myself. I went
on Friday with another class who also had to research the
exhibit in the Guggenheim. Seriously? This exhibit was
like a comedy on paper. The problem was that we had to
walk too much to get a good laugh. I liked it a lot. Im
glad that that group was so persuasive. It was original and
funny. And that is what a viewer truly values.
November 25 Martin Puryear (Museum of Modern Arts)
I have been to the MoMA before but usually for the
paintings and sculptures. I also know about the other
exhibits. Evans group presented on the Martin Puryear,
and this provided me a chance to see that also. I went
straight up to the third floor because I did not want to be
distracted by the more famous artworks that the MoMA
holds in its exhibits.
November 25 Photography, 2007 (Museum of Modern
Arts)
I think that some of the photos that were placed in this
exhibit were not about content but rather the quality. The
images were sharp and clear. Even if the photo itself did
not make any sense to me, it still had impeccable detail
and picture quality.
79
The Arts in New York City
taught me above all how
much the city has to offer in
all mediums of art. People
assume of the huge city that
there is no room for someone to
plant musical acorns for
someone to find as a ticket to a
performance, but this photo I
took in Central Park proved
different. The fact thousands
must have walked by these
untouched. To me it is a clear
symbol of how the arts are all
there for us in the city
to find, but most ignore it and it is left for just a small percentage of New Yorkers to discover.
I knew the city had the Met, MoMa, Lincoln Center and the Opera, but what impressed me
most were the smaller institutions and lesser known artists working and being exhibited in the
city that have just as much to say. Something I really took from the class was that the city was
truly ours. (Despite the Cultural Passport saving $10 here and there), we were told about how
to get rush tickets, special student fares that left no excuse for us not to be seeing something
every week.
Unfortunately, time stuck
in the classroom was
inevitable, but we
made the most of this by
discussing past and future
outings, helping us to
better understand what
we were exposed to.
Some brief history and
exercises helped give
context to what we were
talking about.
80
Though we might not have all agreed with some of the performances and exhibitions, I know
we all enjoyed getting out and seeing what the city has to offer. I know that I made several
friends in the class through having shared so many memories in such a short space of time.
The course was a great beginning to both my college years, and my years in New York City,
and I know many things from the class will stay with me as I carry on. I have also heard that
this is easily the most enjoyable CHC seminar, so I am glad I made the best of it.
Not just seeing already
established professional
performances, we were
lucky enough to act and
speak ourselves. For me,
this was tricky, but luckily
it was more important in
how we approached the
challenge and our effort,
not our acting and/or
singing skills. Through this
we were almost forced to
bond as a class, but it
worked for the best and we
can all look back on Evan
as a German mother, or
Farah as a coat hanger.
-Billy Schaefer
81
This Is War!
American Ballet Theatre
Alfred Kinsey: A Love Story
Le Nozze de Figaro
Hotel Casseopeia
Photography 2007
La MaMa
Eugene ONeill Theater
Tango Connection
Christopher Wheeldon Dance Co.
59 E. 59
Miller Theater
Nuyorican Poets Cafe
B.A.M.
Atlantic Theater Company
Family Tree Collective
Firefly Theatre
Gardzienice
Julliard String Quartet
National Theatre of Greece
Pasha Dance Co.
RadioTheatre
Roundabout Theatre Company
SITI Company
American Airlines Theatre
Avery Fisher Hall
La Guardia Community College Theatre
Julliard School of Music
The Metropolitan Opera
Lincoln Center
Public Theater
Skirball Center
Asia Society
Zhang Huan
International Center of Photography
Morgan Library and Museum
MoMa
Passerby Gallery
Whitney Museum
this is my new york
-emily tabolt 82
Earlier in the year, each of us expressed at least one concern about delving
into the arts of New York City. Some feared that they would not be accepted
into the realm of the wealthy and cultured at the opera. Some were scared
that they would try to find the greater meaning in contemporary art and
simply not see the significance. Some, like myself, were afraid of not
knowing where to look for the best theater and the best art of New York City,
off-Broadway and out of the Metropolitan Museum of Art. The idea of
venturing into the unknown and out of a particular place of comfort is
daunting, but not impossible. If I have learned anything in the previous
months, it is that this city is not a place to take for granted. It is not simply a
place to get an education, to work, or to live in but never really experience.
Rather, New York City is a place to absorb oneself, a place that never
closes doors but continually opens windows. In terms of the Arts, Manhattan
especially is filled to the brim with accomplished artists, hopeful performers,
and artistic revolutionaries. But Manhattan is not simply filled with art, but
rather in many ways it is art. This class has opened my eyes to a world
outside my own, a place that I had always imagined existed but never knew
I could have for myself. Now, I am not afraid of the unknown, but rather I
fear living in ignorance to what beauty is all around me but I never before
stopped to appreciate.

83
Curtain Call
Happy New Year From the Cl ass of 2011!
And they lived happily
ever afteryeah right.
The End
84
Words of Gratitude
The Arts of New York City class of 2007 would like
to thank the Macaulay Honors College for providing
us with this course.
Also thanks to Robin, Margie, Lee, and Jo for their
continued support.
To our families, friends and classmates, thank you for
putting up with our detailed projects and late night
shows.
To our tech fellow Lindsey Freer, thank you for
helping us with all our MacBook and project needs.
And last but especially not least: Professor Drabik, we
couldnt do this without you. Thanks for your constant
optimism, exuberance, and joyful spirit.
85
Although the students took a majority of the photography in this booklet,
several of the photos were accessed on the Internet from various web
pages.
The following is a compilation of these resources:
http://www.nytimes.com/slideshow/2007/11/01/arts/1102-PURY_5.html
http://www.artchive.com/artchive/C/cornell/pharmacy.jpg.html
http://www.artchive.com/artchive/C/cornell/hoteledn.jpg.html
http://www.worldmusicinstitute.org/event.php?id=608
http://learn.walkerart.org/karawalker/Main/TechniquesAndMedia?actio
n=dispimg&im=angrysurface_lge.p.jpg
http://www.metmuseum.org/
http://www.guggenheim.org/exhibitions/index.shtml
http://www.nuyorican.org/
http://z.about.com/d/classicalmusic/1/0/v/averyfisherhall.jpg
http://www.theatermania.com/images/theater/000882theater.jpg
http://tang.skidmore.edu/documents/images/h-
n/kara_walker_002_lg.jpg
http://www.vindaugagallery.com/wp-
content/uploads/2007/10/stanislaw_witkiewicz.jpg
http://www.douglemoine.com/wp-content/uploads/foto.jpg
http://www.audiencerewards.com/images/shows/s_modernitycentraleu
rope_exh.jpg
http://www.destination360.com/north-america/us/new-
york/images/s/new-york-city.jpg
http://www.infovisual.info/06/080_en.html
http://thewinger.com/words/wp-
content/images/600/20070520_070515.JPG
http://images.encarta.msn.com/xrefmedia/sharemed/targets/images/ph
o/t039/T039528A.jpg
http://k43.pbase.com/v3/09/268309/1/51199875.22LincolnCntr97a17D
AD0.jpg
http://www.luxury-gadgets.com/images/moma-outside.jpg
86