Speed Seduction 3 Disc Seven

Speed Seduction 3.
0

Program Transcript:
Disc Seven

Created By
Ross Jeffries
Getting Some

Website:
http://www.speedseduction.biz

The Guru of

For the smart guy who refuses

to resort to bullying, begging,

Copyright 2008, Ross Jeffries. All Rights Reserved.
This transcript may not be duplicated without written permission
buying, bs or booze, in his pursuit of happiness.

from the author.
Disclaimer

This program may contain viewpoints that may be considered controversial by certain
audiences. It is intended as a powerful guide for self-respecting, intelligent men who
are looking to avoid from "real-hate-shun-ships by default" and instead claim the
happiness that they deserve.

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While this transcript contains information, tips, tools, and strategies that are
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Ross: I can give you some sexual metaphor or sexual languaging. I will in a
minute. That will be my next module.

This is one of my metaphors, a dog fight. Have you guys seen the show
Dog Fights? Do you get it here in Britain? Its fantastic. Its my favorite
show. They have dog fights from different eras like World War I. They
recreate it with computer animation thats so realistic. Its fantastic. I love
that show.

Its an interesting metaphor because you have to know the range of your
weapon. You have to have the ability to detect the other guy. You have to
be able to predict, based on what you know, what they can do and where
theyre going to make their turn so you can lead it and be there ahead of
them.

Its one of my metaphors. The other one is sparring but youre not really
hurting the other person. Is anyone willing to be on camera for a minute?
Come here a minute.

I will often do this with women as a game. Its really cool. Stand over here.
Put your forearm out like this. Open your hand and face it that way. Heres
the name of the game, dont resist. Dont ever push against me but dont
lose contact either.

Ill say, Do you want to see something really cool? This will be within five
minutes of talking to them. Put your arm out like this. Imagine putting your
mind in your belly. Youll be able to do this a lot better.

By the way, I dont necessarily have to lead. You can be the one in the
lead. Ill follow you without resisting or letting go in anyway. Youll find if
you loosen your wrist it makes it easier.
Speed Seduction 3.0 | Program Transcript Disc Seven
Website http://www.speedseduction.biz
1

When you start doing this with someone, you begin to develop a rhythm
with them because theres no resistance. Im not pushing against him but
Im not resisting either. Are you feeling any resistance from me when you
push? You can do the leading. Push.

Participant: I led for some moments. It worked.

Ross: You also get an idea where the person is on balance and off balance.
See, you get an idea of where, if you wanted to push, you could push
them off.

Participant: If no one is resisting and no one is leading, how can someone lead if no
one is resisting at all?

Ross: Come here. Sit down. This is my metaphor. Metaphorically when I meet a
woman even though Im not really doing this, in my mind Im doing it. Im
getting a sense of where she resists and where shes open.

Put your forearm out like this, relax your wrist and face your hand toward
your face. Dont let go. Take your hand out of your pocket. Dont push
against me either. If you let go, you lose. If you lose contact then the game
is over.

You can lead, too. I dont have to be the one to set all the movement.

It gets to the point where you cant really tell who is leading and who is
following. You also see where the person is a little off balance.

Participant: Tai chi, right?

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Ross: Its just an adaptation of it. Its a really bizarre adaptation of pushing.

Participant: I see what you mean.

Ross: Go have a seat. You can actually play this game with women, too. Its like
a physical metaphor for rapport. In my mind, this is what Im doing. Im
getting a feel. Where do they take the lead? If I come here, will they resist
and push against me or will they flow with it? If they flow with, Ill go there.
Then Ill move them there.

Thats one of my metaphors, too. Push hands. Its sort of like a tai chi
game where Im sparring with them a little bit.

Have you ever watched two really good boxers who deeply respect each
other? The first couple of rounds theyre not going to come out with
everything they have. Theyre going to test the other guy and see what
theyre rhythm is. Theyre trying to loosen the other guy up to see where
he has an opening.

Also when Im teacher, Im shaking people. What Im really doing that first
hour Friday night is shaking everybody. In my mind, Im shaking everyone.
Im shaking you with laughter and dropping little tidbits about what youre
going to learn. Im shaking you by hitting you over the head with a huge
concept. Im shaking you because I want to loosen you up. I want to take
the grip of your habitual way of thinking and loosen it and loosen it and
then back off.

Then I come and shake you again. Youre a little looser. Then I back off. I
shake you again. Then, boom, once I have you really shook where its at a
critical mass, Ill hit you really hard. Everything that got in the way will
drop.
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Another metaphor I have is one youve heard me say three or four times
this weekend. What have talked I about? It has to do with mountains and
snowballs.

Participants: Avalanche.

Ross: One of my metaphors is an avalanche. What have I said to you about
avalanches?

Participant: You dont get to keep <inaudible>.

Ross: Thats right. What else did I say? I talked about knowing where to tap.
Thats one of my metaphors, too. You have all this plumbing you have to
fix. You have a little hammer. If you know where to tap, you dont have to
worry about having a huge hammer or hitting it over and over. You just
know where to tap.

Part of my metaphor of dealing with women is knowing where to tap.
Where is the tapping point?

The metaphor I gave you about avalanches, I said to create an avalanche
you dont have to shake the whole mountain. Do you? Am I really talking
about avalanches and mountains? What am I talking about? Instinctively
you know when I say, In order to create an avalanche you dont have to
shake the whole mountain, what am I talking about?

Participant: Youre talking about the right part of a womans mind.

Ross: Im talking about having a huge impact with women arent I? You dont
need to shake the whole mountain. You just have to know where to start
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that snowball rolling. Through its own momentum, natural law, initial mass,
right direction and gravity, it will shake the mountain on its own.

This is my metaphor for speed seduction. Mystery method wants you to
build a fucking snowman from the bottom up and roll it to the top of the hill.
That and dating, they want you to build that fucking snowman and push it
by demonstrating your value until you get to the top of the hill. Then you
get to make an ice cream cone and lick it.

No. You help them form that initial snowball and give a little push. As it
goes down the hill in the right way, it will create the avalanche from its own
mass.

In effect, womens own responses are the snowball. Your initial little bit of
sarging is like that little tap. Then it rolls down through her levels of the
mind and creates the avalanche for you.

Does that make sense? Thats another example of a metaphor. Im not
really talking about avalanches.

Dog fighting, this little tai chi game, sparring, and avalanches are all
metaphors Im presenting to you so you get it before you get it.

Participant: How can we find our own metaphors like you found?

Ross: Look at your dreams. Write your dreams down. Over time you will see
common themes. One of the common themes in my dreams is my car. Ill
dream that I cant find my car. Wheres my car? Now that I have OnStar,
you can call OnStar and theyll locate your car for you. Its not like OnStar
is going to stop working in January.

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For me thats a metaphor. What is my car? A car is my drive. When I lose
my car, Ive temporarily lost my enthusiasm or motivation. I have to fight it.

Watch your dreams, but there are some really good books you can get. I
recommend a book called Phoenix: Therapeutic Patterns of Milton H.
Ericson by David Gordon. Its not about metaphor per se but you can see
Ericsons metaphors at work. David Gordon also has a book called
Therapeutic Metaphors: Helping Others Through the Looking Glass. I
recommend that book.

Participant: Have you read Jungs Memories, Dreams, Reflections?

Ross: I also recommend a book because it does deal with metaphors. Theres a
book called Hypnosis and the Treatment of Depressions: Strategies for
Change by Michael Yapko. He would be appalled at hearing me mention
his name at one of my seminars.

Heres a really good one. What am I thinking? The king of metaphors of all
time is Carl Jung. Get any book by Carl Jung. I recommend Man and his
Symbols by Carl Jung. You ought to know him. He was fucking Austrian.

Participant: Swiss.

Ross: Was he Swiss? Carl Jung had plenty of books on symbology. His whole
thing was about the collective unconscious.

Get any book on mythology you want. Get Joseph Campbells books on
myth and mythology. When you look at myth, those are essentially
metaphors that come from the deep unconscious.

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A lot of Yapkos trance inductions contain metaphors for healing. He talks
about those metaphors.

Participant: A more entry one for Jung is the direct one Memories, Dreams,
Reflections.

Ross: He said Jung wrote a book called Memories, Dreams, Reflections.

Participant: Its an easy entry model before you get Man and his Symbols.

Ross: Who would have ever thought you would teach guys about Jung,
mythology and the collective unconscious to get laid? Its quite powerful.

You see how theyll go anywhere I take them because they see the
connection. Do you not?

Im quite happy with this. This is the perfect thing to show you this morning
as an example of real powerful patterning that doesnt quite exactly fit the
model I presented to you and required no effort. It just rolled out of my
head.

Some of you are still a little bit confused because I was talking about
dissociation. What did I mean by that? Does anyone have something you
need cleared up around this topic of dissociation? Its not something I
planned to discuss. You dont need to know it. Did you not get that?

Participant: To try to simplify it is that any experiences we had we often recall and
remember from our own line of sight but within our own body. Dissociation
is simply trying to remember that experience by stepping outside our body
and watching ourselves.

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Ross: Yes. Thats one definition of dissociation. One definition of dissociation is
how you view imagery in your mind. You can view imagery like youre
looking out through your own eyes so you dont see your body. Thats
associated. Dissociated imagery is where you see yourself. You actually
see a picture of yourself watching the experience. Thats one aspect.

The way, in which I was referring to it, youre actually taking on another
persons perspective. In the dream, for example, when I tell her that Im
having the dream from the perspective of the woman, she now has to
imagine that shes a woman in the dream having the dream. Its like a
triple dissociation.

When people are dissociated, it creates a profound hypnotic affect.
Anything you say tends to slide in.

Notice, it was not my intent in doing this. It just naturally rolled out of how I
know to do things.

I should also say something else. I opened up this seminar by telling a
story about a bear. Remember the two granola-loving guys and the bear?
I said you dont need to outrun the bear. This is an extreme example of
patterning. I tend to learn and explore at the extremes. I want to push the
envelope.

Heres another way you can find out peoples metaphor. Say, Give me
three of your favorite movies. Invariably, theyre not just favorite movies
because they like the action. Whether they know it or not, those movies
have metaphors that deeply touch them. Star Wars is loaded with
mythology and metaphor.

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One of my favorite movies is The Right Stuff. Did anybody see it? It was
a movie about test pilots. One of the things they talked about constantly
was push the envelope. The envelope is the flight performance. It
describes what the aircraft can do.

This is an example of pushing the envelope to the extreme. Its taking that
aircraft to the bare limits right before its wings will tear off. You dont need
to do this. All you have to do is know how to fractionate among the vibes.
Were going to get into some vibes and patterns this afternoon.

All you have to do is know how to control your energy and know a little bit
more than the average guy. Youll do really well. You dont need to conk
them over the head with my quadruple dissociated dream pattern.

Participant: Im starting to think you could put me in a nightclub and as soon as the
beat comes in, I cant pronounce or remember one word. You can give me
that song a hundred times. I still dont know the words because the whole
beat thing takes over.

Im thinking the beat is pushing the energy up to 11. Credits are now sort
of addicted and standing there, pushing it back down so I can process this
knowledge.

Participant: That was the cocaine dowsing it.

Ross: Do you want to see me fuck with this guy a little bit?

Participants: Yes. Please.

Ross: Come here. Stand right over there. Count two squares down. Move your
foot over. Stand right there. Now, this guy is an open book because hes
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doing this. Notice his gestures. Tell me again about being in the club. Go
ahead.

Participant: If I go into a nightclub and something like Club Tropicana by George
Michael comes on. I have a friend with me.

Ross: Watch this. Stop. I want you to imagine telling this story but dont let any
sound come out of your mouth. Heres what I mean. It would be like this.
Look here. Do all your gestures and talk but dont actually let a sound
come out. Move your mouth and everything. Just do it. Thats right. Keep
going.

You know where hed have a great job? As an interpreter for the deaf
because hes so fucking expressive. You notice what he does with his
gestures. What is he doing here? Hes taking these images and pushing
them all around.

Heres what you do. Youre going (Ross does something). You have all of
these images and youre pushing them all fucking over the place. Its
confusing other people because, unconsciously, theyre in rapport with
you. Theyre trying to follow all of your pictures going (Ross does
something). Pretty soon, I feel nauseous. Blah.

Watch. Im not making fun of you.

Participant: No. Im enjoying it.

Ross: Yes. I know. See he likes the attention. What I would like you to do is
practice telling the same story that keeps all your gestures right here. You
can talk out loud now but keep your gestures right here. Tell the story.

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Participant: If I go into a nightclub, it doesnt matter where the nightclub is, when it
comes to spelling and reading, Im not very good. When music comes on
that I like, I can never ring up the radio station and tell the DJ to replay the
song. I dont really know the words in the song because the energy and
the beat take over and hit me hard in the feelings and emotions. I switch
into autopilot. The actual words go straight out of my head.

Ross: Was it easier to comprehend what he said?

Participants: Yes.

Ross: People want to understand you but youre (Ross does imitation). Ill give
you a hint about people. People dont just have their images in their head.
People subjectively, whether theyre aware of it or not, project their images
out here.

When theyre trying to follow you, youre inadvertently grabbing their
images and scrambling their ability to follow you. Youre scrambling them
by how fast youre going, the level of intensity youre putting in, and by
taking their images and moving them around when theyre trying to
understand you.

Not only do you need to fractionate with the level of intensity, but keep
your gestures here. Let me give you a clue. Any gesture above your
shoulder is going to confuse people. Tell the story as much as you like but
keep your gestures no higher than your shoulders. Tell it again.

Participant: Like I was saying, the story is basic. Even from school as a little boy, the
teacher can talk but theres other stuff going on in my head. It might be
music or a movie. If Im at home listening to the radio and a good tune that
I like comes on, I would look to hear that song again. It really gets me
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going. The actual words of the song and the name are gone out of my
head.

Ross: Easy to understand him, right? I want to make a distinction. Im not
teaching him alpha male body language. This is not real shitty
dunderheads or misery method. Im teaching about what your gestures do
for you energetically.

You notice how its easier for you to stay calm when you keep your arms
no higher than shoulder, isnt it? The minute you raise them up here, it
actually takes your energy out from the rest of the body and puts it up in
your head.

Watch. Start telling stories for me the way you used to. Go. Tell a story
about something really exciting the way you used to. Tell a story about
being in a club and the music is moving you.

Participant: Its difficult though because Im afraid Im more persuasive and
communicative like this.

Ross: Now we see rapid personal change Mr. Skeptical Reporter who thinks Im
a scumbag. Thats pretty amazing. He didnt have to sit in therapy for 15
years and cry about his mommy. Im this way because I witnessed a
sexual act between my father and a goat. It charged my body with all of
this manic energy. It wasnt a goat. It was a sheep. Get it right.

Heres the thing. Do you have nephews or nieces? I bet youre the favorite
uncle. Is that true?

Participant: I like playing on the trampoline with them.

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Ross: Yes, of course. Are you the favorite uncle?

Participant: Perhaps.

Ross: Hed make a fun, fucking nutty uncle wouldnt he? Hed be the ultimate.

I want you to have the ability to turn this on when its appropriate. The
name of the game is not about being calm or manic. The name of the
game is choice and freedom. I seriously, on my word as a teacher, want
you to have the choice to be up here and crazy when youre dancing. I
dont want you to be here. I want you to be crazy and spastic. Thats why
we love you. Youre our little Irish spaz.

If it was appropriate and you want to make this yours, how would you go
back to being all nutty? Show me. Im not being facetious. Go ahead. I
want you to turn it back on.

Participant: If before I identified this stuff, Id be talking with my hands like Tony
Montana in Scarface. She says to me, We can be friends. Im just like a
sweetheart, No fucking away. I want more. I get talking fast when I get
the feeling of the killer bees on television.

Ross: There he goes. Hes starting to speed up.

I dont want to take his choice away because his energy is delightful.
Youre the kind of person who could walk into a crowded room and light up
the party. Why in the world would I want to take that away? That would be
like defacing the Da Vinci. I dont want to do that. I want to give you the
choice when you want to persuade people and make a connection to be
here. Do you understand? Show me how you talk from here.

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Participant: When some girl says to me, We can be friends. I say, No. I want more.
Friendship has no real meaning four or five years down the line, where is
she? That night you could have had more than a friend her reason is
gone.

Ross: Thats perfect. He just went from utterly incomprehensible and completely
a whirlwind of confusion generation to being perfectly persuasive. Did you
get what he said? Hes actually charming, witty and utterly persuasive
when he controls it. Thats fractionation for you, the ability to be able to
fractionate your speed and intensity. You can speed it up and slow it down
when you want to.

I know as a teacher, often times, what people come in and ask for is not
what they really need. What theyre asking for is being conditioned by the
stuck way theyre seeing the problem in the first place. They want to keep
the blinders on. They just want to be able to look over here instead of over
here.

My job as a teacher is to say, No. Thats not what you really need to
change. You need to change here. Thats why I get paid the big bucks.

Does that make sense?

Thats a profound change for him. A good drill for you is to practice
slowing down, speeding up and where you put your gestures.
Energetically, hes also more grounded here. Isnt he? He presents
himself as grounded, hard to push over mentally or physically and some of
him is solid and steady. A woman could walk with him, hanging on his arm
and feel totally safe walking down the street knowing theyre not going to
get pushed over by anything that happens.

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When you present here, its being very solid and grounded. Thats almost
a little mean. Put a smile on your face. That is solid, friendly, grounded
and open now. Thats got all the vibes mixed together. Hes listening so he
can receive. He can be vulnerable, strong and playful. He has it all right
there. When we wants to turn it up to be playful, he just moves his arms
up like that and speeds it up a little bit. Hes there.

Heres the really cool thing. This isnt just going to have profound impact
with his sarging with his getting women. It will, but this will improve his
ability to communicate with every human being in every situation. This is
what he really needed.

Heres what hes going to write, Jeffries was sucking on seed and using
foul language the entire time. Hell be fair to me. Youll kill him if he
doesnt, right? Whos your buddy?

Participant: R.J.

Ross: Thats right. Lets have a hand for our favorite Irish spaz.

Hold on. This to me is the biggest reward of teaching. Its to say, I know
where to look.

Do you know what else made this possible? Ive got his personal
metaphor. My ability to get his personal metaphor told me it was about the
physicality of the whole thing. Hes almost getting it. Things are slipping
through his fingers being right out of his grasp. It told me that the
intervention I needed to make had to do with his movement and his
energy not something else.

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All of these skills lock in and play together. Some of you are thinking how
can I have that level of awareness? How can I do that? Pay me a lot of
money, study with me and Ill show you.

You had a question.

Participant: What about most of us who are kind of shy and dont feel effective,
contrary to him? Were talking to a girl or anybody like you said with him.
We feel shy and losing attention.

Ross: Hold it right there because I have loops open. Let me close some loops.

Are we done with the dream? Are we all satisfied that weve analyzed that
dream and we understand?

Then I went on to metaphor and gave you some resources you can use to
learn more about metaphors. I talked to you about my personal metaphor.

Do you want to take a five minute pee break?

Participants: Yes.

Ross: Take a five minute pee break.

(After break)

Ross: Theyre whole motto is to serve is a great honor. I believe that. To be in
service to people with my unique talent in a way that sets them free in a
way they could never find on their own, thats a great honor.

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You notice the ring. Do you know where this comes from? Supposedly the
story is that when the English and French would have battles, the English
would occasionally capture the French archers. Just to spread terror, they
would cut off this finger.

Participant: Its the other way around.

Ross: They would cut off these too? Okay, this is a symbol like my fingers are
still.you didnt get me. Fuck you.

I was told this is a French thing. It comes from the French archers saying,
See, I still have this finger. I think thats not true because the Germans
have this expression, the <inaudible>. Isnt this how you say fuck you in
Germany?

Participant: No.

Ross: No. This is it in Israel. Do you know how you say fuck you in Israel? Trust
me. Thats for the Jew haters. The ADL told me to tell that joke. Ive given
money to the ADL. Its a bunch of bullshit that you bought into. You have
to watch your ability and propensity to believe in something because its
controversial. Its a good way to fool and trick you.

You had asked the question about shyness. You said, What do you do for
those of us who are shy? Watch how language glues the problem back
onto you. It is not that you are shy but that through the way you process
that, youre recreating it in every moment. Do you understand?

Just through doing this drill you can learn to have equanimity and full
complete awareness of that experience. It will cease to be anything that
blocks you. Well go back through it later in the day. Youre still hungry for
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language. Im going to give it to him. Then its simply a matter of going out,
talking and having some idea where to steer the conversation.

Participant: Usually I lose trust in myself being effective.

Ross: Then youre focusing on the wrong thing. Stop. Listen to what hes doing.
Hes retelling the story of his limitation. Tell me or someone else or
yourself this story and youre reaffirming your belief in your limitation. You
do it simply by how you language it and by the fact that youre bearing
testimony in your belief in your god of shyness.

Let me give you commandment, Thou shalt not worship at the altar of
your limitations. Thou shalt not worship your mistakes. Thou shalt have no
other god but me. Its sort of a form of internal idol worship to worship at
the altar of your mistakes and say, I am this, I am that. Youre giving
public testimony, Yes, I am shy. I cant do this. I get distracted.

If you want to language it, you can say, Up until now it has been my
experience that I, and watch how you language it. If you language it
wrong, you just glue it back to yourself. This kind of languaging goes on all
the time when you talk to yourself about it.

How many times have you had an internal conversation with yourself
about the limitations you have with women?

Participant: All the time.

Ross: Would you say 5,000 times?

Participant: Its maybe 500,000 times.

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Ross: Youve repeated 500,000 the mantra, I am shy. Now do you wonder why
you act and feel shy? Fuck, you programmed it in, dumb ass. The fact of
the matter is that this is how human consciousness works all of the time.
Were always chattering to ourselves.

I guarantee that beautiful woman is having a conversation with herself
about something thats been going on for years. The name of the game is
not always being quiet in your mind. The name of the game is having the
freedom, choice and ability to go there when you want to.

If you have the choice and the ability to get quiet in your mind when
everyone else around you is noisy, who do you think will have the
advantage in terms of picking up the right information?

Participant: Me.

Ross: Some of you have been complaining, I didnt come here for the
meditation stuff. Well, learning to have the choice to get your mind quiet
when you want to enables you to see things that are invisible to other
people. Theyre just too noisy to pay attention to them. Ninety percent of
what I do is knowing where to pay attention and what to ignore. Thats it.

The language is impressive and powerful. Dont get me wrong. Im not
knocking language. Language is the naughty key to all that naughty
sauce. Its great, but its really only 20%.

If you imagined the world of Speed Seduction to be like a big globe,
Antarctica or maybe South America would be the language patterns.
There are other bits. There is controlling your energy and knowing what to
pay attention to. There is knowing how to be quiet in your mind and
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knowing what to ignore. There is knowing how to utilize what she says.
Those are the bigger pieces.

Ross: The staff at this hotel is so beautiful. There are all of these lovely Polish
ladies. Where are you from, dear? She wont tell me, but her ears are
turning bright red. See the color changes. Look how red she turns.

You know what happens when you blush? You feel the blood rushing
through your body. Sometimes it rushes places where you dont really
want to talk about. I find thats a general rule for me.

My point for you is to watch how youve been telling yourself all of these
stories and buying into it. When you can create a place of quiet in your
mind, you can watch the stories going by without buying into them.

Its not that youre going to shut the stories down. Youre going to find a
way to look at them without buying into them. Youll take all of the
emotional energy thats running them, clean it up and redirect it in a better
way so thats there is no more emotional energy powering the stories.
Then theyll say, Uh-oh, were out of gas.

You dont even have to try to turn them off or fight them. Trying to turn
them off or fight them, there is too much momentum. If youve done
500,000 repetitions, thats a lot of momentum to try to push against. We
dont want you to do that. There is a better way to handle that.

Lets get back to the saucy language. Do you like it? We have some
important items left to cover. Who got laid last night? Raise your hands,
you little aces who got laid. James, youre dressed nicely today. Your
boobs look better. This guy doesnt have a camera. You can talk to him
and tell him your stories.
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Someone told me that he told someone the Paris Hilton joke. She said,
Really? I didnt know that Paris Hilton was in a boat wreck. Thats called
a dumb ass chick.

I had an experience years ago. I was in the Coffee Bean and Tea Leaf in
Marina Del Ray where I live in California. This woman walks in wearing
purple shoes, purple pants, purple shirt, purple eyeliner, purple lipstick and
carrying a purple gym bag. I said to her, Excuse me but the spirits are
talking to me. Yes, thank you, Spirit. The spirits are giving me a message.
Theyre telling me that you like the color purple.

Her response was, Youre good. She meant it. She was some dumb ass
porn star. What was her name? Porn stars tend to move into the marina
when they retire. She was a retired dumb ass porn star. I think she called
herself Fantasia.

There was another one I met. Theres an Asian porn star. Her real name is
Nancy. She calls herself Cum Eesha. I see her around. Her biggest joke
is that a few years back she was in the Disney parade as Snow White.
They didnt know her porn star history.

Items yet to cover are, Why Ross Jeffries is the worlds best genius. How
do get a 14-inch penis like you, Ross. Examples of patterns are,
Blammo, blow job, Discovery Channel cue. You want some more pattern
examples?

Participant: Yes!

Ross: Thats wasnt very enthusiastic. You dont care.

21
Participant: No. I mean yes!

Participant: Will you have victims back today?

Ross: I left my phone in my room. At lunch Ill call Lilly and see if shell come in.
Shes really cute. We should do openers.

Here are some examples of how to use observations and intuitions and
examples of accelerators.

Do you guys want to hear the Discovery Channel pattern?

Participant: Can you show us the gay approach?

Ross: Ill show you the gay approach. Let me address a few of these. Hes
asking about the cube. First of all, before we take notes, the cube is an
example of a game, story, quiz or demo. It bellows to the miscellaneous
category of jokes, poems, stories and games.

The point of the cube is this. The cube, by the nature of how you discuss
it, will create a trance. Its a series of visualizations. You get women to
visualize. Theyre very active visualizing. Its creating something of a
trance. It also requires her participation and its an incredible opportunity
to introduce other themes and to do embedded commands and
suggestions.

Heres the thing about any of these tools, whether its the cube, the joke or
a story or the blammo pattern or handwriting analysis. Its anything like
that that youre doing. The whole point is to start generating these states.

22
If for example youre doing something like the cube and you see that shes
starting to get really sexual and talking about sexual topics, dont go into
other things. Develop that response. Dont get stuck in the formalism of
the equation.

If the safe is already swinging open, dont worry that by theory you need
10 different digits in that combination. If you see that the safe door is open
after two, fuck the theory. Always deal with whats right in front of you.

With any of these things, dont think that you ever have to complete any of
these demonstrations. If youre doing the twin brothers scenario, which we
did yesterday, today I need you to put it in context. Ill show you when to
do twin brothers and what to follow it up with.

Today rather than doing too many more individual patterns, well do one or
two. I want to start putting things in a flow chart so you see where and
when to do them and in what context. Would that be useful? Thats exactly
what Ill do.

I know thats what you want. Had I done that Monday night, you wouldnt
have seen the value. Listen to me! You Germans are constantly
interrupting. Stop it.

My point is when youre doing these things is this. If youre doing the twin
brothers and she looks at you and says, I want to kiss you, dont
continue with the twin brothers. Many of you in the beginning get so stuck
in the formalism of the pattern that youre not paying attention to whats
right in front of you. Theyre all designed to do something. If you get the
job done early, then chuck it.

23
The cube is an example of a kind of visualization game. Well get to
openers just before lunch and then for an hour after lunch well focus on
openers. Then for almost all the remaining time Ill give you some flow
charts.

Well talk about where to start, where to go next and what to do. Well give
you two or three charted out flow charts so you can begin to have an
actual pattern for training wheels that you can drive on.

The cube is something I will typically do on the second day. Lets say I
meet someone and we have a nice conversation and we arrange to meet
a second time, almost always I will meet at a Starbucks first. Well sit at
Starbucks for about an hour and then well move to another location.

Ive been talking about changing locations since before these other kids
testicles descended. Its nothing new. Thats a classic technique. Guys
who are naturals with women know that. Move a woman among different
locations very quickly and it gives her the sense that shes spent much
more time with you than she actually has. It creates comfort.

Ill save the cube for the second meeting. Ill start out being funny and
asking some questions. Then well move into it. With any of these things
like the cube thats a more formal sit-down kind of thing, you say, I have
this really cool visualization game. Its a really fun way to get to know
people. If youre interesting in learning about yourself, Id like to play this
with you.

You add that little qualifier, If youre interested in learning about yourself.
In a sense, she has to metaphorically raise her hand and say, Yes, Im
interested in learning about myself.

24
Rather than me go through the cube with any kind of detail, I want you to
get the purpose of it. Its a really fun game. Its a fun little quiz that gets her
to participate. Its a way to loosen her up and to learn about her. It also
requires that she visualize.

Its actually pretty accurate when you learn to do it. In the process of her
visualizing, it enables you to introduce some interesting themes and move
in some interesting sexual directions.

It works like this. First of all there is a book you can buy called Secrets of
the Cube. I think you can download it online illegally, which I dont
recommend.

Did you ever see that South Park episode about musical piracy? This is
Brittany Spears. She was hoping to have a $20 million mansion, but
because of online downloaders, she had to settle for the $15 mansion and
it doesnt have a helipad. Im afraid by Christmas there will be no Santa by
helicopter. We didnt understand! We didnt know! Thats how evil always
starts, son. People dont understand.

You say, Imagine a desert. You have her describe the desert. What color
is the sand? Whats the texture of the sand? You have them imagine a
desert, a cube, a ladder, some flowers, a horse and a storm. Depending
on how they describe it, you give them answers back.

Rather than go into it here, its much better covered in the book. I
recommend you get the book. Heres an example of how it works. Ill say,
Imagine a desert. Shell say, My desert has pink and yellow sand. Ill
say, Is there water? Yes, theres water.

25
I ask her, Whats the shape of the desert? She says, There are rolling
hills. Ill say, The desert represents your view of life. Water represents
emotional support. Youve got some really good emotional support. You
know what its like to stop and feel deeply connected to someone and
really feel that sense of being supported.

I use the cube as an opportunity to embed commands and suggestions.
Im not just going to give the interpretation straight out of the book. The
book will give you interpretations which are all well and good. Ill weave in
all sorts of commands inside of there.

When you become interested in what it would be like to feel excited about
learning embedded commands, you might realize that the learning
process is taking place.

When people picture your dream lover, my face doesnt automatically
spring to mind.

James: I used that on this girl who was a complete lesbian.

Ross: You need to speak up. James, I give you permission to yell like youre at a
soccer match.

James: The first time I used this I came up with this on the fly. It was a girl who
was a devout lesbian. She sat there. I actually saw her going into a trance,
picturing her ideal lover. She was talking about a girlfriend at the time. But
my face was right there. Her exact response was, Hmmm, I dont know.
She was actually picturing my face.

Ross: When people picture your ideal lover, my face doesnt automatically spring
to mind. Then heres what I would do. I would say, When people picture
26
your ideal lover, my face doesnt automatically spring to mind, but bring
them together. You got that immediately.

When you picture the wildest night of sex, clearly, I dont spring to mind.
But sometimes people just think things differently. Did you wind up
banging her?

James: No, I didnt. I did not have the confidence.

Ross: But you have banged lesbians.

James: Well, the one was just absolute bonkers. She wanted me to tie her to the
bed.

Ross: Are you getting this reporter? He banged a lesbian. She wanted you to tie
her to the bed and? Did she give you the ropes?

James: No, it was duct tape.

Ross: Excuse me a minute, yes, you too can be a lesbian banger and have her
demand that you duct tape her to the bed when you go to
www.SpeedSeduction.biz.

I want to tell you about my 100%, absolute satisfaction, money-back
guarantee. If Im not 100% absolutely satisfied with your money, Ill send it
back, guaranteed. And now were back to our program.

Thats good. We were at the point where shes buck naked and wanting to
be duct taped to the bed.

27
James: I was in the bar playing around with her. I was using connection pattern.
She said, Can I show you something. I said, Yeah, sure. She lifted her
skirt. She had black knickers on. She said, See that tattoo there? It was
a little tiger. She said, Thats pussy eating pussy. I thought, Right. I
swear to god she pulled up her knickers and it was dripping. I thought,
What the fuck?

Ross: Are we getting his voice on tape?

James: Even before that she was telling me what it was like when she had an
orgasm and stuff like that.

Ross: You know what we need to do? We need to do an interview with him from
the back of his head, just for the testimonial. Would you be willing to do
this from the back of your head?

James: Yes.

Ross: Shes dripping wet. She shows you that shes dripping wet.

James: I was acting like her best friend. It was just like two girls talking about two
different sexual fantasies.

Ross: Two girls talking, right, except one of them has a woody that could wreck a
building.

James: We started to talk about my sexual fantasies.

Ross: Hold on a minute. Eric, do you think youre as good looking as he is?

Eric: Not quite.
28

Ross: Are you serious? Do you think he has a better body than you do?

James: The jeans I was wearing were a 3 pound pair of jeans.

Ross: I dont want to see. Ill tell you what, lift your shirt and show him. Im
serious.

James: Im not lifting my shirt!

Ross: Just lift your shirt and show him. Show him! Show him! Im turning to
stone! No, show him! No, not me! Ive turned to stone, he is the gorgon
Medusa. Youre better looking than him. Lets see, her panties are
dripping.

James: She pulled them back and said, What do you think of that? Im sitting
there thinking, What the fuck do I do now? I started kissing her. Basically
I ended up taking her home and stuff.

Ross: You took her home, whats the stuff part?

James: I stayed there. It would have been too expensive to go home by taxi. I
stayed in the same bed and she started to tell me all of her fantasies. She
said what she wanted to do. She said, R-A-P.

Ross: Its not R-A-P, its R-A-P-E. Rap is music. Dude, its not R-A-P-E if shes
saying, Please do it. Its a fantasy.

James: She said to put tape over her mouth. Even if she was trying to stop me I
should make sure that there was absolutely no stopping. I was to basically
just use and violate her.
29

Ross: What did you do? Did you just lie there?

James: No, I didnt lie there. I fucked her. I kneeled on top of her and pushed her
down. I put duct tape around her hands and legs. I fucked her.

Ross: Were you thinking, Thank you, Ross Jeffries!?

James: Yes, actually.

Ross: If anyone would have told you that youd be pulling a beautiful lesbian
from a bar, duct taping her to the bed and fucking her brains out, would
you have believed it? How much money did you spend on her?

James: Nothing, I think I might have nicely bought her a drink once.

Ross: Hold out your hand. No spending money.

James: Its was only $1.50.

Ross: There is no excuse for any of you.

James: The thing is if guys find out youre doing stuff like that, they dont like it.
One guy was a supermodel. He turned up on the doorstep one day. He
said, You better stop hanging around with such-and-such a girl. My mom
and dad answered the door. He was pissed off that I was getting results
like this.

Ross: Fuck him. Does that lesbian live here still?

30
James: That was the thing. She gave me her phone number and said, Call me. I
didnt call her. The next week I got the foulest look off her in the club. I
should have probably called her back. I wasnt sure how to play the
ground.

Ross: You see other people are accountants and dentists. I turn virgins into duct-
taping lesbian bangers. Youll have to tell us all of the different patterns
you used on her. Dont do it now. Would you like to hear his story and
have him tell you word for word how he pulled this lesbian in the bar? Who
doesnt want to hear it?

Participant: When I pulled a virgin it was really quite funny. I was online. She had a
boyfriend for six months. He was pestering her, Lets sleep together. She
wouldnt do it. I developed a pattern called the naughty girl versus the
good girl. There is that line between a good girl and a naughty girl. Thats
the line of temptation.

I said, Youre a good girl. She said, Yes, I know. I said, You never
think about doing the naughty stuff? You know the stuff your mother would
never approve of? The things your mom and dad will never find out about?
I know that isnt running through your mind. I know youre not even feeling
how good it would be.

Ross: He using negation. Hes saying, I know thats not the case. I know youre
not feeling that. I dont you dont think about those naughty things that
youd never want mom and dad to know about.

James: And I know youre a fucking liar as well.

Ross: You said that to her?

31
James: Yes. I said to her, Youre a fucking liar, arent you. That led into phone
sex. When I met up with her, within an hour we were in a hotel room. We
ended up doing it and I popped her cherry within an hour. Some guy had
just spent six months trying. I thought, How the fuck did I do that?
Sometimes I dont understand why every guy isnt doing this.

Ross: How old was this girl?

James: She was 19 or 20 years old, around that age.

Ross: How old are you?

James: Im 22 years old.

Ross: Youre a youngster too. How much money did you spend on her?

James: None.

Ross: Who paid for the hotel room?

James: I was going to. I did a run off on the hotel. I didnt pay for it.

Ross: You ran out? He de-virginized a teenager and didnt pay for the room.
Lets give him a standing ovation. You are my right bastard speed seducer
of the year! The nominees are James and James! Congratulations!
Theyre after you for defrauding an innkeeper then?

James: Technically no, I didnt fill out the forms. They cant come after me legally.

Ross: How did they even let you have the room if you didnt fill out the form?

32
James: They just said, Well have you fill it in tomorrow.

Ross: Wow, Im so proud of these men.

James: Do you want to see the text message where he says, Please contact for
payment of room received last night.

Ross: When was this? When did you bang her?

James: It was probably about two to three months ago.

Ross: I dont need to see the text message. Have you been in touch with her
sense?

James: Yes, about an hour afterward she said she didnt want a relationship.

Ross: Give him another standing ovation! You would help my business
tremendously if you would be willing to show your face on camera and
give that testimonial. We just made $1 million.

James: Do I get a cut?

Ross: Ill give you a little cut, right across your face with a straight razor, mother
fucker.

Who here thinks that James did it on his looks? Youre all bunch of mean
bastards. Who thinks their not good looking enough to do this? Do you
really objectively think that James is better looking than you? Is he better
dressed than you?

James: Ive got that sleek, smooth body.
33

Ross: Youre a good living example. Oh god, dont show me those hairy arms. I
will puke up my breakfast and also my dinner from last night and the lining
of my stomach. You want me to move on, but Im having fun. Ill move on.

When you do something like the cube, you want to use it as an opportunity
to embed commands and suggestions. I like that. When you think of
someone you want to have wild sex with, my face doesnt pop right to
mind. However, sometimes women have told me that sometimes things
will come up in a way that makes them think of things differently.

Let me give you something off the top of my head. When you do
something like the cube, you use it as a vehicle to embed suggestions and
commands. He asked what embedded commands were and I never
demonstrated them.

Also in the cube they say that theres a horse. Describe the horse. The
horse is actually her ideal lover. You tell her, The horse represents her
ideal lover. You just anchor it to yourself.

One way I do anchoring is if when I do the twin brothers, if she says she
likes a great kisser, someone who makes her laugh and someone with
great hands, Ill say, When youre with someone whos a great kisser,
someone who has great hands and someone who makes you laugh,
where do you think that could lead?

You see it? Guys, it looks like this. I look at my hands when I do it. Why do
I look down at my hands? Im directing her attention. I say, When youre
with someone whos a great kisser, makes you laugh and has great
hands, where do you think that could lead?

34
35
Im taking all of the feelings, Im stacking them on my thumb and then Im
putting my thumb down the center line of my body.

Participant: She doesnt pick up on that?

Ross: They never get it. Look me in the eyes, they dont get it consciously. Have
you used that? Does it work?

Participant: It works 100%.

Ross: Have you ever been caught? Has anyone ever said, What are you
doing?

Participant: I go one step right in front of that. I said, This person is right in front of
you.

Ross: They dont get it. Try to get caught. I want to give you a challenge. Try to
get caught. It goes like this. Do it with me. When youre with someone
whos a great dancer, great kisser and makes you laugh, where do you
think that could lead?

Heres how it works. Youre stacking all of those good feelings on your
thumb and then youre putting the thumb down your body. Youre
transferring all of the feelings. You can even hang your thumb in your belt.
Later on in the evening, you say, Im having a great time.

Is this fair?

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